#Don't know what compelled me to make this but I like it

[mermaidsirennikita]

I gotta say this is also very unsuprising casting when you think about it. Like as soon as the shock had worn off I was like...yeah of course she cast them.

Oh yeah, it does make sense because Emerald isn't about what's good for the project, Emerald is about what makes Emerald happy. Which is why I fundamentally can't get into her creatively.

Because of course, any creative has their aesthetic, their sensibility, their work. And I respect that, as a creative.

But you also have to kill your darlings. And we think of that in the writing sense most often—cut that sentence, that scene, that chapter if it doesn't truly serve the work. Scrap the whole thing and start over if it's truly not what it should be.

I'm a STRONG believer in that, to be fair. Brutal. Maybe too much so? Lol. Or I'd have a book out by now.

But anyway, it applies to every type of creative work, imo. You don't cast someone because YOU like them, particularly in an adaptation of a work as iconic as Wuthering Heights. You cast them because they are right for the role.

Heathcliff and Cathy, especially Heathcliff, are two of the most groundbreaking and influential characters in literature of the past 3 centuries. Heathcliff's lack of proximity (for his era) to whiteness is particularly central to the role, and I don't know anyone who seriously takes this work apart and isn't like... actively racist... who interprets Heathcliff as white. It's so crucial to his character that he is "other" in his society.

It's just TRULY a shame to me that she not only cast someone as subpar as Elordi, but someone so, so white. Like, I wouldn't want a white actor I love to play Heathcliff. And this is a fabulous role for a man of color, too.

The last adaptation did cast a man of color, but it was frankly not a very high profile project and not well done.

(I also think it would be compelling to cast a man of Roma descent OR a man of Asian, specifically South Asian descent because the text literally uses a contemporary term for Indian men to describe him... Though Nelly also speculates that he has Chinese heritage, and there are definitely some implications that he could be descended from presumably African enslaved people. The latter I could definitely see being an interpretation when you factor in the speculation that he's Mr. Earnshaw's illegitimate child. I think there's always this idea that "catch-all" terms were probably being used to describe Heathcliff's appearance, but I've thought for a while that I would personally most love to see a Roma actor or a South Asian actor play him.

But like. Literally any other than a white guy.)

This will be much more high profile, with way more attention, and it just really sucks that Emerald decided to use it to push one of her faves. It tells me that she has very little respect for the text. On what planet would anyone, even in the 1800s, look at Jacob Elordi and think that he was anything other than a white guy.

And again, I think Margot is way too old to play Cathy, and honestly doesn't read in any way as Cathy to me. I say that as someone who, again, considers her a very strong actress when she's in her element. I just. Ugh.

[batsplat]

In fact Open is a mandatory book for vr46 boys :)

ohhhhhh thank you!! that is SUCH impressive archiving, I'm always in awe of how much material you've amassed. and very based of them, big W for italian motorcycle racing. it's a great book!! I love that they've read it! there's a lot of sports autobiographies that take care never to stray from the generic when telling their stories... but this one has so much character that even knowing other professional athletes have read it makes me want to quiz them about what they thought

seeing as I've been given an opportunity to proselytise about this book, here is how it opens:

it's a book about having a deeply complicated relationship with the thing you've been forced to dedicate your whole life to, about being in constant pain and asking yourself if it's really worth it, about never having been given the time and space to develop properly into your own person... about hating tennis and never quite being able to walk away from it. the misery of winning and the refusal to countenance losing. the burden of having the whole world narrativise your career and your life, denying you the chance to do so for yourself, of being constantly judged and being constantly found inadequate. about rivalries!! having your whole career ending up being inadvertently defined by One Guy who you just don't really understand and who you can never escape

what agassi does is put words to a lot of the underlying narratives and themes of sports that other athletes also come into contact with in one way or another but are far less capable of articulating. you'll be hard-pressed to find another book that captures the humanity of sports so well, its twisted appeal and why it's so compelling

like,, idk there's so much going on in that book that when I find out another athlete has read it, I do want to basically go through it with them chapter by chapter (obviously I have a full set of notes and a highlighting system with one colour dedicated just to the sampras rivalry, so I'm well prepared for this task). it's cool that they've read it! good healthy interest in sports narrativisation on their part. in this post I brought up one of my favourite excerpts from the book when discussing the vale/casey rivalry -

- and idk, this kind of thing is just so fun and interesting you kinda want to go around and get everyone's thoughts on it. also obviously on a personal level,, enjoy the motogp guys, adore agassi and that whole era of tennis, so it's a fun crossover for me specifically. yay

btw, a new interview with agassi was published in the nyt a few days ago that I'd defo recommend to anyone with even just a passing interest in the sport (once you scroll past the bits about the worst event in tennis). starts with the line “as far apart as you are on a tennis court, you can actually feel the other one very intimately". even when he's delving more into the nuts and bolts of the sport, he just kinda gets how to explain it in a way that taps into the fundamental narrative appeal of what you're watching

oh yeah that's the good stuff

[morallysuperiorlips]

How I Come Up With Compelling and Fun Characters!

Back at you again with another TedTalk.

Coming up with well-rounded characters is my favorite part of the writing process. I like to come up with convoluted plots, so ofc convoluted characters have to follow. While I am someone who is VERY guilty of injecting my own traits/experiences into my characters (because I like to live vicariously through them or use them to cope don't @ me), I try to do that once I've established them as their own people. Because then they just end up being other versions of me, and we don't want that trust me

The adage I like to live by is "when the character feels real to you, they'll feel real to the reader," so I try to go out of my way to know as much as I can about them before I start to put them down on paper.

I know full names, birthdays (down to the hour), exact heights, blood types, favorite colors, foods, etc. and I try to know most of the surface-level things. I'll try to delve a little deeper but I do like to let my characters breathe when I'm writing them because sometimes they do things that make me stare into the camera like I'm on the Office and I want to give them the room to do so because that's like 60% of the process (in my humblest of opinions as a self-taught/ professional hybrid)

When I first started writing my novel, I could tell you off the top of my head that my protagonist, Odette Harmonie Cinq-Mars, was born in the little fictional town of Pendulum Province, France on December 14th, 1997 at 8:16pm, her blood type is AB+, she's 5'0, she's left-handed, and her favorite color is royal purple. I could also tell you she has anger issues, is hyper-observant, is a classically trained singer and dancer, and is kind of cold as a person. That last trait ended up writing most of itself out as she developed, but it's how she started, and I never got much deeper than that until I wrote her.

But, rewinding a little bit, I like to come up with ideas for my characters from tropes and stereotypes. My truest formula for coming up with characters is:

Trope/Archetype

- Some tropey traits

+ Traits you might not normally see in that trope/archetype

+ As many details as possible

+ Putting them in random situations that come to mind and watching them figure it out (even if it might be unrelated to the plot)

+ A little bit of yourself (always optional)

For example:

My "tropiest" character's name is Noel Masse; he was heavily based on the archetype of the peacocky gay theater kid who kinda has a hoe streak. Before you come for my neck, hear me out.

What are traits of this trope I could erase (or heavily modify) for him? From my experience theater kids get kinda cliquey--not all, but some--Noel has his friends, but he's the type who wants to be friends with everyone. He doesn't like to judge unless people give him a reason to. Theater kids might have their heads in the clouds all the time, and Noel airs on the side of keeping himself grounded when he needs to.

What are some odd traits I could add to him? What can I expand on? Noel has severe indecision--he's a theater kid who doesn't know if he wants to be theater kid. He has dedicated his life to being a musical theater star, but he has a calling in mystery solving, coding, and all things tech. This indecision often cripples him, and even seeps into his love life, which leads to some promiscuity~

What are the little details I know about Noel? Noel Coretyn Masse is a natural born witch, born in a little (fictional) city in France called Athamera on September 9th, 1997 at 12:11am. He is 6'0, 175 pounds, blood type O-, ENFP-T, right-handed, his favorite color is royal blue, and he has a gifted vocal octave range (3.8), and is very good at most forms of dance.

What scenarios have I put him in that helped him build? This was actually how I decided he was good with technology and all things coding, hacking, computers, etc. I figured out he was good at this stuff when I needed a character to hack something later on in the story and I threw him into the mix just to see what would happen and it stuck IMMEDIATELY. So, this category can also help build category 2 for sure.

Bits of me? His dedication to the arts and his desire for a large friend group hope I didn't just roast myself lol

DISCLAIMER: I want to make a note for anyone who thinks that this is overkill: yes, it probably is. But, I also want to note that I have been told time and time again that my characterization in my stories is my strongest point. So, clearly I'm doing SOMETHING right here.

I also want to note that this is NOT the "correct" way of coming up with characters. In fact, I don't think there is a "correct" way (as is with most things artistic and creative). This is just MY way of doing things. If you have a way that you come up with characters that works for you, I'd love to hear about it!

[j0kers-light]

WIP TUESDAY 

Wow I’ve never done this before. My bestie @megamindsecretlair tagged me so I feel compelled to try. 🖤✨

Where do I begin?

j0kers-light will always be a side hobby. A much needed escape from my hectic work schedule, and a place where I could share my mind with others. I never imagined I would have so many wonderful people reading my silly little stories.

The wave of support on here, A03, Wattpad, and IG is just jaw dropping. 

Chaos is truly honored. Not to sound conceited, I know I’m a good writer, but to see my impact on others is what makes me fangirl squeal!!! 

I am only human though and I’m limited to how fast I can post stories. If you been with me since the beginning, you know I finally broke down and got surgery on my left hand in October 2023. I still suffer muscle spasms, so typing isn’t always easy. 

Like I mentioned in the Wip game post, I have seven fics in the cart…. and countless asks pending in my inbox. It keeps glitching but I'm certain I don't have 50+ at least I hope I don't. 🙃

I also have two series, His Lighthouse and His Angel, of which both are incomplete. 

What can I say, I like to stay busy. All I ask is for patience and your support. I crave interaction. Not just likes. I’m from the old school tumblr. 😎 I wanna to talk to others.

I want comments and reblogs. I want to interact with you. Tell me how much you enjoy a fic, tell me your thoughts and opinions! I don’t feel motivated by likes. I don’t feel like my work is being appreciated by a mere double tap.

We as writers give too much for so little in return. I don’t wanna preach about it, I do enough of that on my main blog.. 👀

Chaos is here to stay, just more human interaction would be nice.

[passwordispassword]

I think they would be horrible enemies

[hierba-picante]

a Moon I forgot I made aolsdjkfbsdkhjf

[listles-s]

man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

[shalom-iamcominghome]

I've seen the last '"g-d made you perfect" that I can handle, and it's led me to a realization about how I think of g-d.

I don't think we were made perfect. We were made human. And, if I'm honest, the only perfection in my mind is g-d, and that sense of perfection is what differentiates humans from g-d. If humans were as perfectly-made as g-d, I for one wouldn't see the point in following, believing, trusting, caring for, or loving g-d.

I guess for me, I see the ways in which humans alter the Way We Were Created that I really don't think it's right to speculate as to if there's a limit to altering our abilities or bodies. For instance, as a trans person, I've definitely been inundated with this idea that because g-d made my body "perfect" that I shouldn't alter it ever, but isn't that a dangerous precedent? Is it really so, that our bodies are magically made perfect, as g-d that to even tamper with the idea of change would be the same as cursing g-d? I really don't think that's compelling.

I love thinking about just how much g-d is placed into people, but I don't think it warrants restricting the ability to learn, create, grow, or change. Thank g-d that He created the ability to change!

[brawlmetaknight]

translated a new chapter of dedede de pupupu na monogatari (also known as kirby manga mania) by hirokazu hikawa! meta knight appearances are a rare treat in this manga, but i always absolutely love hikawa's take on him. a cool, popular DORK.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[aroaceleovaldez]

I think one of the problems with the HoO characterizations is Rick kind of forgot to give half the cast hobbies and general interests, and maybe like people they know outside of their families and outside of camp, or if he did remember to it rarely gets brought up for most of them, or in the special case of Annabeth - she randomly develops a hobby in weaving for exactly one scene and then never again. Apparently she just knew how to do that, even though it is a skill she has literally never used before nor uses again.

The best examples I can give of this are comparing/contrasting the examples of when we do actually get this with the lack-thereof: Hazel and Frank are good examples. Hazel has hobbies and interests generally unrelated to all her demigod stuff (horses and art) and we see this repeatedly discussed and brought up. She also knows and interacts with people outside of the necessities of her quest/Camp Jupiter or her family - Sammy was her best friend at school and they hung out and stuff! Meanwhile, Frank, as far as we know, doesn’t know anybody outside of his family even though he presumably went to school before Camp Jupiter? His hobby is... archery? That’s the only thing he ever really shows interest in but at the same time it only rarely gets brought up except for him using a bow as his main weapon and the like two instances of noting that Frank had hoped he was an Apollo kid for a little bit. The closest other detail we get to Frank having any other kind of hobby/interest is him mentioning off-hand that he used to play Mythomagic.

Piper and Leo - We can presume that Piper knew Shel before moving to Oklahoma, because Piper used to visit her grandpa often and as far as we know that’s also where Shel lives. But we never see Piper ever mention knowing anyone else in her grandfather’s community. Heck, when she’s introduced we’re basically outright told that she doesn’t interact much at all with any of her classmates outside of necessity, and we don’t even have any confirmation that before Hera’s mind-meddling that she even acknowledged Leo’s existence. Also, Piper has like, exactly zero hobbies. We do not know what Piper does in her free time or what she likes (except vaguely that she has surfed before), only really what she dislikes. Leo at least does have some kind of excuse for not really knowing anybody, and an explicit explanation about why that is the case and how he feels about it. Leo also has a repeatedly referenced interest/hobby in mechanics that’s very core to his character.

Percy and Annabeth? Pre-HoO, they both have plenty of interests and know people outside their general circles! Percy knows kids at school. Annabeth’s general outer social circle is Camp Half-Blood, because she grew up there, but she clearly knows people at camp. She’s also super into architecture! And Percy does a ton of stuff in his free time - he skateboards! He plays basketball! He has two pets he takes care of (Blackjack and Mrs. O’Leary)! Post-HoO he’s on a swim team! But during HoO? Percy’s hobbies just kind of disappear, besides “oh yeah he uh. Does water stuff.” There’s no acknowledgement of like, “Yeah Percy sets up a little basketball hoop on the back of his door on the Argo 2 and shoots trash at it.” Literally anything! And yeah, Annabeth’s architecture interest is somewhat acknowledged, but also like, not really? We at least get some kind of “Yeah, in her spare time she’s usually on her laptop working on stuff” but we also barely get any instances of Annabeth thinking about her friends at camp except for like, Tartarus.

For Jason it at least kind of works because a.) he has amnesia and it’s implied he doesn’t really have close friends at Camp Jupiter besides Reyna, so it figures he only ever really references random other legionaries like, twice. and b.) there is also the heavily implication that Jason doesn’t have hobbies, because his entire life was so focused around his training at Camp Jupiter. This works less with Reyna, but she also kind of has an excuse for not knowing people besides like, her sister and Jason, given she ran away when she was young, Circe’s island was destroyed, and she could have only been at Camp Jupiter for like 3 years maximum at that point. And she’s not exactly the most social character. We also don’t get much indication of her hobbies, besides she also likes horses and it’s heavily implied she likes nature/gardens? Presumably, given we get like, one note of that in HoO, maybe two if you count her living on Circe’s island, and then like one more nod to that in TOA. And we only get her POV chapters in BoO anyways so again, she has some excuses. Coach Hedge also is incredibly bland besides maybe him having a hobby in sports, and... violence? Which definitely does not count. And him lacking any POV chapters doesn’t really help.

I think this is why Nico continually feels like such a strong character, simply because we know what he does in his spare time. We know he knows people outside of the camps (most of those people are gods or ghosts, but he at least knows people) and technically you could argue him knowing about Camp Jupiter between BoTL and TLO counts too. He even references his old neighbor at one point. Obviously, he’s very into Mythomagic, and that comes up a lot because it’s his special interest and is usually also relevant to their quests. He travels a lot, and apparently used to when he was younger as well. We also learn he used to have a special interest about pirates and that apparently may have played into his crush on Percy. Like, all that is so simple and minor but it makes such a difference for how Nico feels as a character. Most of Nico’s stuff though is established in the first series, which definitely helps because the first series was pretty good about giving characters hobbies and maybe some people they know - Annabeth, Percy, and Nico we’ve already covered, but also like, Grover knows other satyrs and is usually practicing music and also we know what foods he likes. Thalia is very into punk culture and music. We know she particularly likes Green Day. We know she knew the Hunters of Artemis before the events of TTC. Rachel's whole thing is that she’s super into art and she has a bunch of connections through her rich family, and she’s basically Percy’s only mortal friend. They have lives!

If you put a protagonist in a room and told them to occupy themselves, you should have an answer for what they do. They should be able to name one person outside their immediate social circle who they are generally friendly with or vaguely know, unless they have a specific reason for that to not be the case. HoO crew needs to occupy their time by themselves, no weaponry, for twenty minutes? Hazel could be drawing, Nico could be organizing his cards, Leo could be tinkering, Annabeth could be working on her laptop, Percy could be trying out little skateboard tricks. Jason, Piper, Frank, and Reyna? What would they be doing?

TOA does actually answer that question for Jason, at least, because we learn that Jason makes tiny dioramas! That’s adorable! Why doesn’t he do that in HoO?! TOA also gives us more depth to Will Solace besides “He’s a medic and does medic things” with telling us that he’s into Star Wars. Like, that’s actually so much information to work with! Thank you! And then we also find out in TOA that Nico’s also kinda into art! We still don’t get anything new for Piper, Frank, or Reyna - besides again one more potential implication that Reyna thinks plants are Pretty Okay, and that nature is Mildly Alright. Like, not even “maybe she keeps a houseplant” territory, all we have is “if she had the option, she might be interested in visiting a flower garden.” But honestly TOA at least gives us something for most of the characters we see. Like at least one thing. Most of the rest of the writing is a mess but at least the characters are mildly interesting.

Anyways, give your characters hobbies, it’s good for them.

[t4tadrienette]

Goku definitely wanted to train Gohan for fun, just like Grandpa Gohan did with him, but then he wanted to respect Chichi's desire of him not becoming a fighter. He also spent 4 years of Gohan's life together and living peacefully.

But then he died, and when he came back, he found that Gohan was turned into a fighter by Piccolo, fair, I guess. He didn't see him fight, tho, he doesn't know the story behind him becoming a fighter, just that he was trained by Piccolo.

Then Gohan wants to go to Namek to find the dragon balls because he has to make sure their dead friends come back, and Goku goes wow that sounds like me, he also can't stand to stay on the side when it comes to these things.

Weeks pass, and now he's finally able to reach them on Namek. They have to fight, of course. Things happen. He's the only chance they have to defeat Freezer. Things fall apart now, Goku becomes Super Saiyan and tells Gohan to take Piccolo and get away. Goku is stuck alone on Namek. He saves himself by pure luck. He decides to stay where he is, to learn something new, to be able to also control his Super Saiyan state.

A year passes, and he comes back to earth. News from the future, saying that in 3 years, there's gonna be a new threat. They have to train, Gohan wants to train with him and Piccolo to fight this new threat. The three years have passed, and now there's another threat outside of the androids. Goku finally healed, he gets Gohan and tells him they're gonna train to defeat Cell. Gohan accepts to train with him. Gohan puts his all into that training, and Goku finds out Gohan has so many capabilities than what he shows. That's good! They have a chance at defeating Cell, maybe.

They finish their training, Goku wants Gohan to spend as much time with Chichi, and he wants to spend the remaining days before the Cell games as a family, you never know. The Cell games start, and Goku goes first to study him, to see how strong he is and if Gohan might have a chance. Oh, Gohan definitely has a chance. Come on, Gohan, now is your turn, I can tell you know you're stronger. Gohan is having difficulties, tho, Goku says it's just a matter of time before his fighting instict and anger sets in. But Gohan doesn't like fighting. That knowledge comes to Goku as a shock. He always assumed Gohan was fighting for the safety of the earth and for the love of fighting as well. At the end of the day, how could he think different, he never truly saw Gohan fighting, and at the end of the day, he was just picking up what Piccolo started in the first place. He never truly showed a disliking for fighting, or at least he never told him. He didn't know how in his first fighting against the Saiyans, he was petrified by fear. He wasn't there for the love of fighting, but because he had to, since he had this power.

Goku realises he miscalculated this. He immediately tells Krillin to pass him a bean so that he can get back into shape to go help him. Of course, Cell stops him before that. After Cell started to attack the others, finally Gohan snapped and unleashed his power, Goku was right after all. Gohan was definitely more powerful than him. He was the right warrior to defeat him. Gohan needs to defeat him once and for all, tho, but he doesn't. He says he has to have a slow and painful death. Those are some shocking words coming from Gohan. It doesn't sound like him. Well, now that has brought some problem, Cell is now about to explode and take all the earth with him. Now Goku has to make a decision. He will sacrifice himself. At the end of the day, he was the one to put Gohan in that position in the first place. It's only fair for him to do that. But, his sacrifice is useless, Cell comes back. Gohan tries his hardest, but his arm is broken. How can he defeat him now. But Goku is there to help him find the strenght and the others too. In the end, Gohan finds the strength to finally beat him.

It's time to revive people. There's still the problem of Goku not being able to be resurrected a second time. They think hey maybe we can use the dragon balls from Namek. But Goku stops them. He thinks that Bulma was right. He only attracts threats that put the earth in jeopardy, Piccolo, the Saiyans, the androids, and Cell. Maybe if he stays dead, they will stop coming. Like that, he will not put Gohan in danger anymore, Gohan will not have to fight anymore. So at the end of the day, it's better for him to stay away, rather than him staying with them, after all he was the one to put Gohan in that situation in the first place. In the end, he makes the selfless choice for Gohan. Maybe it's better for him not to have a father, but being safe, than having a father and being put into danger. At least, that's what he thinks is the right thing to do

[raiiny-bay]

making something (maybe)

[4esthetic-dissonance]

I'm working on a fic and was like 'how in the hell do you make LINGUANG JUN the least bit redeemable?'. I mean, /Linguang jun/ who tossed a developmentally four year old Mobei Jun to a pack of humans? The kid could have died. And then I saw a translation of the extras. It describes lgj as mbj's 'young uncle', says that he 'wasn't that much older than him (mbj)'. And I just- its a hell of a lot different, a Scar type tossing his nephew to the proverbial wolves than it is for a maybe dumb, maybe petty, maybe developmentally five or six year old to shove their annoying technically-nephew-who-in-age-and-context-is-more-like-a-brother-than-lgj's-actual-brother into a situation that the text implies was more frightening than actually /dangerous/. And that- well I can work with that.

[naivety]

very weird to frame your abuse apologia as being aware that the writers intended to illustrate a mutually harmful dynamic and not an abusive one. when the writers in question also wrote the line 'once you put it out there, they [the audience] decide what it is' because nothing you ever create has any innate definition. when the writers in question decided to racebend major characters and then showcase them being harmed by white or nonblack characters in a repeatedly racialized pattern when they Did Not Have To Do That and then genuinely or disingenuously decide to dialogue about their directly or indirectly illustrated racialized dynamic of intimate partner violence within and outside the narrative. like to be quite honest it does not matter what they intended because this is what they made and this is how it Looks to a notably large amount of people. who just happen to be interpreting it wrong? according to what metric? the very metric they say Doesn't Work in their own fictional creation? ok

[teddybasmanov]

I hate the 'you work so hard' type of comfort audios. I don't work 'so hard', I definitely don't work hard - I barely work at all.