#Fandom culture analysis

[that1randomnerd]

I once saw a post talking about DNIs on fanfic, and I'm pretty sure that fanfic DNIs originate from people getting harassed over the ships in their fics, which has led to people saying if you ship X (say it's a popular ship for the fandom that you don't ship) then DNI; which, based on my interpretation of the meaning of DNI, means "Don't talk about X on my fic" because of the amount of people who will harass creators over ships

Let me bring up Fl*werfell. For those in the Undertale AU fandom, you may have heard of it. You may think of it as the Fr*ns (au and ship censored so as to not show up when people are looking for content on those things). That's not true. The original FF never had Fr*ns. The original creator got harassed over this, and people would even re-upload the whole au but edited to be Fr*ns, which also led to them being harassed for "having" that ship in it.

Tl;dr: DNIs on fanfic most likely began as a way to mitigate harassment over ships. And if you don't like, don't read and just leave.

[laughableillusions]

You! American fan of foreign or otherwise un-American media! Are you aware of the nuances and cultural differences that are portrayed in that media and have an understanding that you as an outsider looking in should be careful with the lenses you analyze that media in because you have a different perspective that is not catered to?

[whoishotteranimepolls]

Fandom observation nicknames and funny tags: Part One Piece

Okay, one piece fandom it's your turn and I'm going to highlight your creativity. Again this is not meant to shame or call anyone out. I am genuinely impressed with the creativity and you guys made me laugh. So again in my opinion these were too good just to be lost in the tags or in the anonymous messages, several you sent me. So expand post at your own risk. This one is unhinged

*updated as of May 4th with more tags and new characters

I have mentioned this before, but for some reason that is beyond me. One Piece fandom you guys refer to your characters as daddy and mommy (And it's in a kinky way) way more than any fandom. I think I should just start with the list of characters that have been labeled as such before I go into the creative names for individual characters. Because trust me who makes the list and who doesn't is actually funny.

One piece Daddy's: Shanks, Mihawk, Buggy, Sir Crocodile, Benn Beckman, Killer, Sanji, Rayleigh, Roger, Doflamingo, Rosinante/Corazon, Katakuri, Ivankov, Arlong, Yamato, Marco, Izou, Smoker, Garp, Sengoku, Zeff, Kuzan/Aokiji, Kizaru, Fujitora, Akainu, Blackbeard

When it comes to the One piece Mommy's: Nico Robin, Boa Hancock, Charlotte Smoothie, Charlotte Galette, Charlotte Amande, Vice admiral doll, Catarina Devon, Ivankov & Crocodile

Now due to popular demand the new category the One Piece Babygirls: Ace, Buggy, Sanji, Luffy, Sabo, Zoro, Ussop, Marco, Crocodile, Doflamingo, Kid, Law, Bepo, Killer, Mihawk, Shanks, Perona, Yamato, Kuzan/Aokiji, Kizaru, Fujitora, Rosinante/Corazon, Katakuri, Smoker, Robin, Nami, Vivi, Jinbe, Hatchan, Roger, Zeff

Now when it comes to individual characters there have been some interesting standouts but I'm just going to do some highlights because you guys have so many characters

Ace: "Depressed sunshine orphan boy with daddy issues", "ace has that grungy line cook riz you know he lays legendary pipe", " he got goofy older brother swag", "Beautiful butch dyke wife", "Ace my greasy fire narcoleptic king", "The narcoleptic babygirl", the greasy crusty desert rat. "He would be worth the burn risk", "my favorite fire donut", "something about greasy alabasta ace hits so different", "with his riz he's probably a walking STD risk but it would be worth it. Just look at him probably also probably got a couple bastard kids running around the grand line", it's ok he's still greasy in my heart worlds most feral baby boy he looks like he eats dirt I could fix him (force him to bathe regularly)

Arlong: "Y'all are too afraid to recognize the truth too afraid of his drip, his swagger, his saw nose, to admit that he's hot also live action arlong?!?!the only sexy fishmen," "arlong looks like a toxic florida frat bro," "I legitimately think there's something wrong with me sometimes due to how bad I want arlong the rancid personality enhances the appeal", "yall are p****" arlong is sexy put some respect on his name look at those lips the laugh the hair!"

Akainu: "The world's next top authoritarian," magma Daddy, "He makes donuts and I still love him"

Bartolomeo: "the man hasn't showered in probably a week he's obsessed with the strawhats he'll pee anywhere and he's an absolute dweeb he's like a stray mutt that followed me home look at his fit it's AWFUL AND FABULOUS he's gross and dumb and if something bad happens to this silly barrier- creating puppy i'll LOSE IT"

Belo Betty: "True story: Belo Betty made me, an Aroace woman have a sexuality crisis."

Ben Beckman: Dilf, "retirement blorbo", "Benn Beckman is a religious experience", "to me? beckman is the character with the most sex appeal ever. raw sex appeal. I would [redacted] if I met this man. just sayin", "He can ruin my life any day of the week", "Also lest we forget pre TS Beck a++ quality right there I just want someone smart who will also hit a guy with a gun is that so much to ask for", "This p**** wants what she wants and its always going to be Benn “back breaker" Beckman", husband material, "men are like wine in order to get a good vintage you want the one that's aged", he had that sexy blind and reckless loyalty about him", "Beckman is a fine aged vintage of wine as men should be", "DEAR GOD the things I WOULD DO to that man LIKE [redacted] and [redacted] because [redacted] and [redacted]", "idk how to explain it but he's so wife", "benn beckman? more like benn breastman ok sorry yeah anyways. said it before and ill say it again beckman exudes raw sex appeal like jesus christ. why would you not want to fuck this man ive had lesbian friends who said he would be an exception to them which is so real his tits are big he loves his captain he STUBBED HIS CIGARETTE IN A MAN'S EYE UNDER THE GUISE OF DEFENDING HIS CAPTAIN so fucking sexy mwah mwah beckman my wife you are so hot SO HOT. in conclusion benn breastman you will forever be a top sexyguy in my head oh also forgot to add. he canonically gets bitches which is so real. he could get me any day", "Oh dear I just realised I have a thing for older men with grey hair and have substance abuse issues I choose to believe lung cancer does not exist in opu", "

Buggy: Assigned clown at birth, walking disaster, "my pathetic sniveling wet clown", my Beloved, "he has blue hair and pronouns", Failboy, "the skrunkly clown", "my clown wife", "he has that fail boy cringe", "buggy has the stronger levels of foolishness and fumbling his way to success", "the cringefail clown extraordinaire buggy", "he is silly and pathetic like a bisexual divorced dad",

Catarina Devon: "my problematic lesbian sugar mommy”,

Cracker: "if Cracker just let his hair down he'd be unstoppable i fear", "get wrecked cracker", "I am so curious about the people voting for cracker let me study you please", "cracker getting murdered as expected", "you can't do my biscuit husband like that", "i find cracker really hot"

Crocodile: desert daddy, Babygirl, "He's like if tony soprano was trans", crocodaddy, crocomommy, Big titty mob boss, He's 8ft tall and I would let he ruin me,"Mr. Sandman", "the human sandcastle," "literally has sand in his britches", "son of a beach", "World's Most Expensive Sand Sculpture", "he's got 99 problems and his hook is one of them", "casino blorbo", "I would subject myself to sandburn any day for THE SIR FUCKING CROCODILE Anakin Skywalker don't go here because I WOULD love sand if it was like 8 feet tall and had a voice like that absolutely rabid he could stick his sand in so many places and I'd thank him crocodile is one of those guys i wanted to hate so bad and then went actually no i want this guy carnally Crocodile has some weird rizz goin on and i need to climb that sandcastle", "I'm so sorry but I need to eat crocodile's pussy", "With Sir Crocodile you can have Sex on the Beach. Literally. Plus he owns a casino so you could probably sip on the cocktail version too...while getting some cocktail.", "mafia vibes and style", "crocodile's got style. class. you will be wined and dined in the most exquisite way you can imagine", "He's got DADDY vibes", " One handsome mafia boss", "I love crocodile but also i wanna punch him and i feel like hes got the sandiest pussy/dick that shit will give me a rash", "my evilest baby boy", "Crocodile invented evil trans swag just saying", "im sorry az but crocodile was my dilf awakening", "in Crocodilf we trust",

Dragon: "the revolutionary scrungle dragon",

Doflamingo: "Dofy's got some wierd (potentially fun) energy but he would NOT treat you well he'd be awful", "The psychopathic pimp on a shoestring budget. Seriously dude, San Diego Zoo called and they want their flamingos back. That coat is so last season.", "fashion travesty", "Doflamingo dresses like an eye test and will probably steal your credit card by the end of the night not because he needs the money. because he finds it hilarious", "Mingo is just a spoiled frat fuckboy who's too full of himself to be interested in anyone/anything else", "a balding white man", "evil florida man my beloved they dont understand you", "Budget Pimp who robbed San Diego of their world famous Flamingo flock"

Eustass Kid: Pirate punk, "He's a sopping wet loser", "a man wearing eyeliner and nailpolish is by definition hotter", "my scrungy little fuck", he would also probably give me an STD and it would still be worth it

Franky: " Three words light up nipples"

Fujitora: "fujitora yes plz that like calm collected way he fights makes me KNOW hed take care of his partner real good", "have you seen how he slurps his noodles? I just know he could eat me out in ways I could never imagine"

Gol D. Roger: "the "Tom Selleck" of Pirates. He mustache'd the gold somewhere. You think these puns are bad wait until you hit my NSFW tags. Can't believe no one pointed those out yet, his name is a literal gold mine of innuendo. king of pirates? nah he's the king of rogering roger this roger that roger anyone he damn well pleases he has the D", "why does no one thirst after Gol like i do? youre all weak! cowards", "sorry but i am all about his dads mustache", " I can't be the only one that wants to ride that mustache"

Jinbe: "I wanna suck on the webbing between his fingers", does anyone else contemplate how soft Jinbe's tits are to lie on or is that just me?

Kaido: "beefcake beast of a man",

Katakuri: "I'm a monsterfucker at heart", "Katakuri is literally so good man he's a family man #he's badass he's got a great sense of honour you know I had to go for the mochi man", "donut king", "KATAKURI MY MOCHI MONSTER TEETH KING CHAMPION HUSBAND THAT I WOULD CLIMB LIKE A MOUNTAIN #I'M ALWAYS ON MY CLIMBING AGENDA WITH MY ONE PIECE KINGS!", "i just know this man would treat me right we love kata", "Kata definitely ticks that hot box"

King: "King is literally the most beautiful OP character you can't change my mind", "Gotta chose the melanin yknow", "king is so ajdhjdjdjchjd bark bark bark bark", "I saw King and decided he is my blorbo", "king of my [REDACTED]", " I know he's like 20 ft tall and I'm probably the size of his d*** but it would be worth it. I would gladly choose death by snu snu for one night with him"

Killer: "big tiddy murder boyfriend",

Marco: Bird daddy "Mr. Dr. Emotionally-Stable Scrungles", "surfer hippy electric blue glasses wing flapper", "DR. MMMMM", Fineapple

Luffy: "l am in the minority here I need luffy's gomu gomu no [REDACTED]"

Mihawk: The Vampire Pirate, Goth Dad, the sword father, Pirate Dracula, the big titty goth husband, "I think mihawk would treat you right. i want mihawk to treat me right", "I love his gay wine uncle energy", "I appreciate that he dresses Like That everywhere extra ass bitch", "hot vampire cowboy pirate", Morticia Addams, "Mihawk oozes 'step on me' energy",

Robin: "she has irresistible weird girl rizz", "big tiddy archaeologist gf"

Rosinante: "my insane clumsy tall dilf", "wife material", "he has cringefail dad swag", "rosi is everything to me actually. I would climb that tall clumsy king like a tree", "the klutzy mime", "he has that pathetic depressed clown vibe thats irresistible", "He's the epiome of strong but silent, he's the asshole with a heart of gold, he has everything", rosinante is hot tho and his clumsiness somehow enhances it", "I've said it before and I'll say it again I WOULD climb that clumsy king like a tall tree want to kiss him until his silly jester makeup is all over me too", "I am loyal to the guy who actively sets himself on fire",

Sabo: "bc he said killing woth lead pipes and then he just kept doing it its the crazy for me"

Sanji: fail wife, Cooking Daddy, "I NEED sanji to f*** me to tuesday and make me dinner before and breakfast after", "The man will feed you the best meal you've ever had and genuinely compliment something about you", "His fighting style is 'kick the problem until it goes away' and he chugs Love Women Juice", "he can cook and fight and he's damn fine while doing both"

Shanks: Margaritaville Himbo, "Dilflicious", "the deadbeat malewife wifi user", "I am a whole lesbian but if there were a butch girl version of these men I would let shanks ruin my life", "favorite guy in the local frat" He's probably a walking STD risk but he's hot and I'm a slut that has a thing for red heads, "the unwashed bitch", "LOOK AT THAT SCRUFF ON SHANKS the three scars on his face that smile", "my Scrungle drunk bastard", I would volunteer to be his next baby mama you know shanks got a few a dozen red haired children all over the grand line tell me I'm wrong"

Smoothie: "ah...smoothie....or as i call her... one piece tsunade Imaoo", "ultimately my desire to be crushed by Smoothie's thighs won out", "SMOOTHIE. THANK YOU mommy long legs... gauhggfghgh......i want her to juice me pleeeeaaaseeeeeeeeeee /silly",

Silvers Rayleigh: "Silver Fox Rayleigh", "he's old but he can get it", "Rayleigh has that 'your daughter calls me daddy too' energy", "he's a gilf who married a literal queen", "rayleigh has spent his entire life SERVING CUNT", "Raiyleigh has that gilf energy despite having no kids", I need him in so many different ways I cannot list", "he has my heart around his little finger", "Rayleigh makes me howl like a dog I swear", "I mean come on look at his HAIR his GLASSES that incredible STARE even his wrinkles are hot", "Rayleigh got the 50 year anniversary in the bag idk why you would go for anything else", "helloooo????? Rayleigh is the hottest old guy in one piece please", "I would let rayleigh ruin me and I would thank him", "Rayleigh to me is more like a really smooth mead", "genuinely may be the hottest man of onep just like. objectively", "rayleigh you will always be famous for being the most fuckable old man ever. there may be dilfs galore out there but ur the only gilf in my heart", "that scene where Rayleigh gets out of the ocean shirtless After swimming to the island of women I actually said Daddy out loud",

Smoker: "Smokedaddy", "Smokestack. 'Ole Smokey. Smokin' Hot Smoker", "smokers allergy to keeping his Tits covered compels me", "i do love smoked sausage i'm sorry i'll see myself out", "smoker he's just so beefy like fuckkk and he's like almost 40 i just wanna be smokers lil housewife", "smoker is a beautiful lesbian to me", "smoked sausage I just *know* he's got more to work with than a cocktail weenie", "SMOKEYBEAR PAPA SMOKE MY KING i would smoke him like a chimney if you're pickin up what I'm putting down wink wink nudge nudge he really would kill my lungs but it'd be a fun time", "SMOKER PAPUCHO RICO I NEED HIM", "smoker is solid (despite being made of smoke)", "smoker. smo-yan. ultimate "guy who is allergic to wearing shirts" and honestly? he's so right for that. he needs to show off his tits! in a one piece man boob ranking he's coming number 2 (after crocodile) i said this in dms earlier today but it needs to be released to the world "fat d*ck fat tits fat ass he has it all" smoker is PACKINNNNN in every way he's genuinely so attractive, even just considering him physically and look at his sexy facial scar also (beck also has one. very good) and his slicked back short hair.....not to mention the things that are very endearing about him personality wise - he does masculinity like NOBODY ELSE. genuinely NO ONE does it like him like. he's gruff but he has a very strong personal moral code and he really *does* care..... the man's a tsundere and he's never been cruel to those undeserving like in his introduction - kids bumps into him, spills ice cream on his pants YOU KNOW WHAT SMOKER SAYS? YK WHAT HE SAYS? "my pants ate your ice cream." KILL ME NOWWWWWW HES SO FUCKING HOT IM EATING MY OWN HANDS and then he GIVES THE KID MONEY TO BUY MORE ICE CREAM. jesus christ smoker big d*ick big tits big heart i fucking love him good god", "something something vague moaning sounds I would call him smokey just to provoke him", "

Trafalgar Law: "DR. Slut", "He has them tattoos which makes me go fucking feral", "A stoner greasy boyfailure", "the edgy emo orphan boy with daddy issues", 'My tried stressed bitch", "law is hot because hes pathetic has tattoos and is the narrative's favorite punching", "i am DERANGED over a depressed formerly-suicidal surgeon",

Yamato: "I need my trans man big naturals...... I know nothing about one piece but yamato lives rent free in my brain and my heart at all times the only anime figure i have is of him and i don't even watch the fucking show", "he's new + he's trans + he's over 8 feet tall + he's a wolf god what more could you want?!", "he is filled to the brim with TRANSMASC SWAG", "it's transmasc dog boy swag for me he's my best boy", "Yamato's boobs call to me I need to motorboat yamato titties. whoa who said that", "yamato could crush me and i would thank him yes indeed", "I just found out Yamato is Literally a whole entire meter taller than me & that's all the convincing I need", "my canon transmasc king", "cant compete with is the fact that on top of beautiful yamato is just. fucking huge like i can not will not get over it every time i remember he's 8'7 in canon I'm like aaaAaaAaAAaAAAAaa kiss me on the mouth big boy", "as an aroace person. if yamato stepped on me id thank him. thank you for your time", "hes literally the whole reason i started watching/reading one piece

Zoro: "The President of the strawhat's local big titty committee", "The king of boobs", "Beautiful butch dyke wife", I would probably get an STD but it would be worth it, "his stupidity and gay attire make him very appealing", canonically the biggest tits in one piece, He got them big naturals, "Big honkabadonkaroo hoinkybadinkirs massive man tiddies Zoro", "Zoro oozes 'I won't let anyone hurt you' energy", "zoro is hot because of his big naturals

Zeff: "He will wine and dine me before leaving me lovingly bedridden the day after. And he actually takes care of his kid", "Zeff is honorable and can cook and clean and bathes and almost dies for a kid that's not his and then adopts him" He's got line cook energy. If you know you know

I definitely know I'm going to have to add to this since there's so many more characters and you all are definitely going to get more creative after seeing the list.

And a few observations. Why did Sanji make the daddy list and not Zoro? Characters that I thought would be short cliff notes turned into some of the longest sections And characters I thought would have some of the longest sections turned into some of the shortest ones. And I still think this was worse theyn JJK I just forget how unhinged this fandom can be because your unhinged craziness is dispersed amongst so many characters. And I haven't decided which fandom's next.

I now have my answer on why Sanji made the list and not Zoro. Overall the fandom is just thirsty so very thirsty. Hence the many updates to this list

Commentary added as of May 4th.

Characters that I never thought I would ever add to this post are on here and I am so confused. When I started this blog, I was warned that the JJK fandom was unhinged horny and thirsty AF. But in my opinion, the one piece fandom is much worse. Just look at this post for proof. One Piece you guys are definitely the thirstiest fandom by far I mean Catherine Devon has a section. You guys just hide it better than the JJK Fandom. Plus I do regret challenging a few of you to come up with tags as a joke because you definitely delivered

[sneezypeasy]

This is why I prefer to let other people take the mic when it comes to fandom/moral critique. Even on my best day, I couldn't publish a fandom-critical take half as comprehensive and coherent as this one.

Reposted anonymously with permission from OP, who understandably does not want to deal with hate comments/hate asks for expressing these opinions.

(Hopefully the screenshots load properly on tumblr, I know the first one is incredibly long 😅)

[angstydiaz]

i am so okay when i see bad takes because the viewers experience is subje-

[d20-lesbian]

AFTER AN OVERWHELMING WAVE OF SUPPORT AND ENCOURAGEMENT, I'VE DECIDED TO POST THE WILL WOOD ESSAY!!!! it's below the break !!!!

I would like to really quickly state though that this essay is my property, I put a lot of time and effort into this, so please don't claim it as your own !!!! thank you <33

I will be analysing Will Wood’s song ‘Suburbia Overture / Greetings from Marybell Township! / (Vampire) Culture / Love Me, Normally’. which, for simplicity, most fans refer to as simply ‘Suburbia Overture’. This song is the first on his first solo album entitled ‘The Normal Album’, which came out in July 2020.

This song, in the most general possible terms, is a criticism of modern suburban life, how it is advertised as “the perfect life”, and how this advertising is incredibly false unless you fit the picture perfect standard that these facets of society seem to require.

The song itself is split up into 3 distinct sections, "Greetings from The Marybell Township!", “(Vampire) Culture” and “Love Me, Normally”. I'll be tackling each section one at a time in order to properly break down what each means, what different analogies they use, how they all relate to each other and the intended end result of the song and the message it intends to convey.

Let's begin with 'Greetings from The Marybell Township!'.

This section of the song uses a lot of analogies that compare suburban life to a warzone, the first line of this section being “white picket fences, barbed wire and trenches”. This section also focuses heavily on the concept of the nuclear family, and it often literalises the term and uses analogies based around radiation and nuclear warfare. Such analogies can be found in lines such as “the snap crackle pop of the Geiger, camouflage billboards for lead lined Brookes Brothers”. Now there's a couple of terms that require definitions in this line. The first of course being “the Geiger”. A Geiger counter, which is what this lyric is referring to, is a tool used to measure levels of harmful radiation. This, paired with the concept of billboards advertising “lead-lined Brookes Brothers” when lead is a material used to deflect radiation, and the knowledge that ‘Brookes Brothers’ is an American vintage style clothing brand, this line really paints a picture of a seemingly post apocalyptic/post nuclear war but still consumerist and capitalistic suburban society. The last line in that verse is “buy now or die”, which ties back to the concept of safety equipment being advertised on billboards, while residents of this town have no choice but to buy the products. This all relates back to the hyperconsumerism that plagues our society, and runs particularly rampant in middle to upper middle class neighbourhoods. The very same neighbourhoods that are often referred to as “suburban”

In the second verse of this section there are a lot of hard hitting lyrics that to me really show that this perfect idealised life is far from perfect or even good, so we will work through them one by one because I feel that they all deserve proper analysis.

The first line that i want to point out from that verse is the line “takes a village to fake a whole culture” which is clearly a rip off of the phrase “it takes a village [to raise a child]” but it also references the fact that usually suburban towns are incredibly monotonous in both residents and architecture, and so it takes the collective effort of the entire population of the town to pretend that there is an actual culture to it.

The next few lines I'll speak on all come in quick succession of one another, essentially blending them into one line.

“Your ear to the playground, your eye on the ball, your head in the gutter, your brains on the wall.”

So let's break these down. This line is easily split into 4 distinct phrases, and all of these phrases have a few things in common, which I will point out later.

“Your ear to the playground” is a play on the phrase “ear to the ground” which essentially means that the person with their ‘ear to the ground’ is attempting to carefully gather intel about something. Someone having their ear to the playground simply reinforces the idea of this suburban “paradise” being. Not as paradise-y as one would hope, seeing as the people who use playgrounds most of all are children, so this line is demonstrating that the picture perfect life that this suburban town offers is actually corrupting children so young that they are still on the playground.

The next phrase is “your eye on the ball” isn't a play on anything and is in fact in itself a common phrase. To have your eye on the ball means to be entirely focused in and paying attention to something, and not allowing anything to divert your attention. Given the last line this line very well could be another reference to the corruption of the youth and the idea that their every day play has already been tainted with the hostilities of modern life usually reserved for adults.

Following this is another well known saying “your head in the gutter” which, as most know, someone whos head is ‘in the gutter’ is someone who will see some sort of innuendo or otherwise vulgar/inappropriate meaning in something that was intended to be entirely innocent, leading to others in the interaction telling the perpetrator to ‘get [their] mind out of the gutter’

And finally, in my opinion the most hard hitting phrase in this set, “your brains on the wall” which is clearly in reference to the notion of ending your own life with a shot to the head, which would lead to, well, brains being on the wall. These last 2 phrases come in stark contrast to the seemingly picture perfect life that suburban towns offer and advertise, the concepts of suicide and perversion are not concepts one expects to see or hear when imagining this idealised form of life.

There is one main similarity in each of the 4 phrases, that being that each phrase has some body part being on something else, your ear to the playground, your eye on the ball, your head in the gutter, your brains on the wall. This similarity almost offers a body horror aspect to the song, which when paired with the concept that this is written about a seemingly post nuclear apocalyptic town presents an interesting idea of possible mutation, but i'll be the first to admit that may be a little far fetched. However that's not the only similarity that these 4 phrases share, another is the fact that they are all directly, or only slightly modified versions of already well known phrases, a similarity that is found in many lines over this entire song, through all 3 sections.

I want to analyse a few more lines before we move on to the second section of the song.

This next line comes directly after the previously analysed line, and it goes “home is where the heart is, you ain't homeless, but you’re heartless”

Sticking with the theme of using already existing and commonly used phrases, “home is where the heart is'' is once again a phrase that you could likely find as a cross stitch hung up on the wall of any of the homogenous houses you could likely find in this idealised suburbia. But what Wood is saying in this line is that home is where the heart is, and that while people in this town may not be homeless, they are certainly heartless, meaning that they in fact don't have homes. They have houses. Rows upon rows of houses that all look the exact same in the horrifying monotony that is suburban living.

Following this line is the lyric “it's the safest on the market, but you still gotta watch where you park it”. These lines seem to be in reference to buying a car. The car being the "safest on the market" is likely in reference to the fact that it may have a lot of safety features. But this is immediately negated by the fact that you “still gotta watch where you park it” meaning that the safety features could be a reason that the car gets stolen, rendering all the safety that those features offered useless because in the end it made the car and the owner less safe.

In the third verse of this section, you immediately hear the line “so give me your half-life crisis” which partially is a play on the term ‘mid life crisis’ wherein which one realises that they may have wasted their life up till that point and they're already halfway through, but the use of the term “half-life” instead of ‘mid-life’ is very intentional, as the term “half-life” can also be used to refer to the half-life of an isotope, which is the amount of time that isotope takes to lose half of its radiation, which ties back into the theme of radiation that we see mentioned a lot in this section.

Later in the same verse is the line “if it's true that a snowflake only matters in a blizzard”, which is interesting in a few ways, first, it brings up the idea of a singular individual means nothing on their own and that they only matter when they’re part of something larger or a larger group, but i also think that the use of the terms “snowflake” and “blizzard” instead of something like ‘raindrop’ and ‘storm’ is very intentional in the fact that snowflakes are known for being individual, none are alike, every single one is different. So saying that a snowflake doesn't matter unless it's in a blizzard is yet another hit at individuality, essentially implying that in this town individuality means nothing and is essentially rendered useless.

The final line in this verse is “everybody's all up in my-” repeated thrice, and on the third time the sentence is finished to say “everybody’s all up in my business” and before the word “business” can be finished its overlapped with the beginning of the chorus, the first word of which is a very loud “SUBURBIAAAA!”. I believe this is reminiscent of the fact that in towns like this, everyone cares so much about what everyone else is doing, they’re all so interested in everyone else's business, and i think that sentiment being stated and cut off by the word “Suburbia” is essentially saying that ‘this is the norm, this is just Suburbia, this is how it works around here.’

After the final chorus of this section, in the final verse, you'll find the line “chameleon peacocks are talk of the town” which particularly interests me because if you know anything about chameleons or peacocks you’d find that they seem incredibly different as animals. Chameleons blend into their environment in order to stay safe, whereas peacocks are known for parading around bright colours to make themselves look better, but if you think about it the term “chameleon peacock” actually makes a lot of sense, a person who blends into their surroundings in order to make themselves look good. This sentiment seems to perfectly describe the homogeneity of the people that live in these perfect towns, they're all the same, they blend in with one another in order to make themselves look good, or perfect.

Another line heard shortly afterwards is the phrase “he cums radiation”, rather vulgar, I grant you, but it's important because it is yet another literalisation of the phrase ‘nuclear family’. It could also be a reference to the general toxicity of this societal norm.

The final line in this section of the song is “the dog bites the postman, as basement eyes dream of a night at the drive-in, with an AR-15”. Which is another use of juxtaposition, intended to cause a kind of whiplash in the listener and reinforce the idea that while in this place there is scenarios that would happen in a hollywood movie esque picture perfect neighbourhood, like the dog biting the postman, there's also horrors that lurk below the surface. (although clearly not TOO far below.)

Now let’s move on to the second part, ‘(Vampire) Culture’.

If you listen to the song, you’ll immediately be able to recognise where 'Greetings from The Marybell Township!' ends and ‘(Vampire) Culture’ begins, due to the insane juxtaposition between the two. Where 'Greetings from The Marybell Township!' is soft and sort of reminiscent of the 1950’s, ‘(Vampire) Culture’ is loud, jarring and grotesque, complemented with much raspier and strained sounding vocals compared to 'Greetings from The Marybell Township!' ’s soft and melodic ones. The tone for this section of the song is immediately set with much more graphic lyrics, the very first line of this section (after the opening scream) is “i dropped my eyeballs in the bonfire, we fucked on a bed of nails” which absolutely sets the scene for how different this section will be to the previous.

This song immediately jumps into using cannibalism as a metaphor, with the first line after the jump start opener being “I caught kuru from your sister, and I'm laughing in jail”. While this line is written to sound like the concept of catching an STD from an act of adultery, Kuru is actually a disease only found in human brain tissue, meaning that you can only contract this disease by eating a human brain, and what's one of the symptoms for this disease? Uncontrollable laughter.

This use of cannibalism as a metaphor is used again immediately after in the line “smell those screaming teenage sweetbreads on that 4th of July grill”, ‘sweetbread’ is the term used to refer to the pancreas and thymus gland of an animal, usually a lamb, but in this particular case it is in reference to the human teenagers that supposedly lived in The Marybell Township, or a least they did before they were dissected, cooked and served at a neighbourhood 4th of July barbeque hosted by the same people that were once referred to as their neighbours.

This line adds an interesting level of patriotism to the song and criticism of how America utilises patriotism and their love for their country as means to justify harming the youth, however a 4th of July neighbourhood barbeque is also commonly associated with white picket fence gated community America, which ties us back to the base criticism of that style of life and how it is seen as the “proper” and “perfect” way to live.

These cannibalistic sentiments are followed up with the line “smile and wave boys, kiss the cook, live laugh and love, please pass the pills.” which brings us back to the repeated use of commonly known sayings being taken directly or modified only slightly to remind the listener of the setting were in, that being a seemingly 1950’s era tight knit neighbourhood.

Phrases like “live laugh [and] love” or “kiss the cook” are both phrases that could easily be seen in a setting like this, especially “kiss the cook”, as this is a phrase commonly associated with aprons worn by grillmasters at neighbourhood barbeques, not unlike the cannibalistic 4th of July barbeque that this particular neighbourhood seems to be hosting.

These phrases being immediately followed up with a sentiment such as “please pass the pills” serves to entirely undermine the pleasantries that, until a moment ago, seemed to be plastered all over the faces of the people living in this fictional town that Wood has created. I think that final phrase brings the listener back to the realisation that not all is right here, quite the opposite in fact, and drags them from their momentary paradise.

Circling back very quickly to the phrase “smile and wave”. I felt the need to point out that this phrase has been used for centuries as a way to say “stop talking and act normal” which once again reinforces that these people are pretending to be something they’re not in order to fit in.

We enter the next verse with the repeated phrase “it's only culture”, after that line is repeated three times we hear “sulfur, smoke and soot”, which could either be a reference to how dirty and disgusting the ‘culture’ is, or it could be a different way of saying that this culture and the people participating are going to hell, as per the common phrase ‘fire and brimstone’ and the fact that sulfur is another way of saying brimstone, and smoke and soot are both byproducts of fire.

The last line of this verse and the first line of the chorus blend into each other, so I’ll speak on them both.

First, the last line of the verse. It goes “you cocked and sucked your lack of empathy, pulled the trigger with your foot to prove you've got-”

Putting aside the clear innuendo, this line refers to the idea of ending one's own life with a long shotgun. According to the media, by the time the gun is cocked and the barrel is in your mouth, you're not able to pull the trigger with your hands due to the length of the barrel. This line instead presents the solution of pulling the trigger with your foot to end your life.

So this person “cocked and sucked” the gun (cocked the gun and put the barrel in their mouth) before pulling the trigger with their foot to prove they’ve got-

And here's where the verse blends into the chorus.

Because the first line only consists of one word.

“Blood”.

The person who was shooting themselves with a shotgun only to prove that they bleed. Which is where the title of this section comes in. “(Vampire) Culture”. This section seeks to portray either the people in this culture or, the more likely option, the culture itself, as metaphorical vampires, who aim to destroy those around them. This knowledge makes the next line “didn't they want your blood, so why apologise for being blue and cold” make a lot more sense. After all, if these culture vampires have drained you of your blood, is it not their fault that you’re now “blue and cold”, as bodies tend to be if they lack blood flow. However, if you look at synonyms for the words “blue” and “cold”, you could also interpret this phrase as meaning “sad and apathetic”.

A sad and apathetic person doesn't seem to be the kind of person this ‘culture’ seeks to enlist however, and so one who is “blue and cold” is shunned as an outsider.

What Wood is getting at is that if this culture is the one who made you sad and apathetic, then you should not apologise to it for being so.

The next verse is short, and like the previous one, also blends into the chorus in the same way, by having the last line of the verse cut off right where the chorus would finish the sentence with the word “blood”. However in this verse, there's an interesting line. “It's only culture and it's more afraid of you than you are of it”, which is a sentiment usually used by adults to attempt to subdue a child's fear of something, usually insects. However it's interesting in the fact that it brings up the idea that this culture that has caused so much damage and harm is actually incredibly fragile, and would, in theory be very afraid of the concept of the individual, because if this ‘culture’ is only being held together by the silent agreeance that everyone will simply pretend, then the idea that there is people who refuse throws the whole idea into jeopardy.

This line is followed up however, by the line that blends it into the chorus. “Go on drink that-”, clearly intended to be finished by the first line of the chorus, making the full line, “go on drink that blood”.

This line is in reference to the phrase “drink the kool-aid” which essentially means to pledge your undying loyalty to something, a concept, a person, a god, etc. and it derives from an infamous mass cult suicide where over 900 people drank poisoned Kool-Aid and subsequently died for the cult. It is not a far cry to believe that this event and this phrase is what the line is referring to, as it's something that Wood has referenced in other songs, so it only makes sense to believe that this is what he means here.

After that chorus we move on to the bridge, which begins by listing 3 pairs of names, all famous or semi famous, and each pair being similar in one right but opposite in another, the line goes as follows; “were you Nabokov to a Sallinger, were you Jung to Freud or Dass to a Leary”, so let's break down these pairs one by one.

First “Nabokov to a Sallinger”, these names belong to Vladimir Nabokov and J.D. Sallinger, both authors who wrote famous books that both surround the theme of innocence, but in very different ways. Nabokov’s book “Lolita” is a story told from the perspective of a grown man about his sexual obsession and attraction to a little girl, and his desire to ruin her innocence, exploring the theme of innocence in a grotesque and frankly horrifying way, which is in stark contrast to Sallinger’s book “The Catcher in the Rye”, which explores the topic of innocence through the main characters desire to preserve their little sisters innocence, and in that desire displays hesitancy at the idea of sex themself. Both books explore the topic of innocence, however while one seeks to preserve it, the other seeks to destroy it, two sides of the same coin.

The next pairing is “Jung to Freud”, meaning Carl Gustav Jung and his mentor Sigmund Freud, who once again are similar in one right, but opposite in another. Jung and Freud both had theories on the nature of the human mind, but where Jungs was all about the concept of spirituality and how that ties into the collective unconscious, Freud's approach was much more focused on the individual unconscious and the concept of sexuality.

The final pairing is “Dass to a Leary”. both psychologists, both at the forefront of the ‘Harvard Psilocybin Project’ (before they both got dismissed from harvard entirely following controversies around the project) Richard Alpert and Timothy Leary were both psychologists and eventually authors who studied the effects of psychedelic drugs on the human mind, and while they were co workers they ended up with pretty conflicting views. Dr. Richard Alpert, who apparently ‘died’ and was ‘reborn’ as spiritual guide Ram Dass, centred his teachings heavily around the concept of living in the moment, (in fact his best selling book, written in 1971 was titled ‘Be Here Now’) and he believed that psychedelic drugs were not needed and that a permanent version of the same effects could be achieved through meditation. Whereas Dr. Timothy Leary advocated heavily for the use of psychedelics, believing that LSD specifically had great potential for therapeutic psychiatric use.

All of these pairings and examples utilise the concept of duality and speak on how every coin has two sides, which can easily be tied back to the idea that the picture perfect suburban life is just one side of the coin. This idea is then reinforced by the next line, “were you mother, daughter, subject and author?”, The use of the word ‘and’ here shows that it's possible to be two sides of the same coin at once, just like how this town, which is perfect on one side of the coin, is still terrible on the other side of the coin. The line is stating that it's possible to be both at once.

The very last line in this section is; “you don't make the rules, you just write them down and do it by the book you throw around”. This line combines a few relatively well known phrases. The first being of course ‘i don’t make the rules’, which can have two distinct meanings. The first is to express a kind of sympathy for someone being punished, and the second is to absolve yourself of the blame for that person being punished, a sort of ‘don't shoot the messenger’ situation.

The ‘rules’ that are likely being referred to here are the societal norms and expectations forced upon people who reside in these towns, the standard for ‘perfection’.

However, following this sentiment up with the phrase “you just write them down” is essentially saying that while it's not the fault of the people in these towns, they didn't create the norms, they still enforce them. They expect everything to be in line and perfect at all times, they follow these ‘rules’ to a T, and they shun and punish anyone who doesn't fit the standard and/or refuses to follow these ‘rules’, which is where the line “do it by the book you throw around” comes in, doing something ‘by the book’ means to follow rules strictly and to the letter, nothing out of line, and to throw the book at someone means to punish them as severely as possible, usually used in the legal sense to mean punishing someone for their crime as severely as the law will allow. So in all, the lyric “you don't make the rules, you just write them down and do it by the book you throw around” ends up meaning ‘you didn't create these norms but you still enforce them by following them to an absolute T and punishing anyone who doesn't.’

With that we enter the third and final section of the song, entitled ‘Love Me, Normally’, a title it shares with another song on the album, but of course this song is partially meant to serve as an overture for the whole album, meaning it shares some similar lyrics with lyrics from other songs on the album, so sharing a title isn't all that surprising.

The first lyric in this section is “do you know the difference between blazing trails and slash and burn?” which is another instance of duality in this song. Trailblazing or being a trailblazer means doing something no one has done before, paving the way for other people to follow in your footsteps, it comes from the literal act of creating a trail in the woods for people to follow, usually by creating notches in trees or setting small fires, hence ‘blazer’, as blaze is another word for a fire. However “slash and burn” is a method of deforestation that involves cutting down and burning a section of forest to create a field. Both examples include using fire to change something, but where one is seen as progress and positive, the other is negative, and seen as a means of destruction. Once again, two sides of the same coin, innovation and destruction.

This is followed up with the line “going against the grain and catching splinters”, which is a line i particularly like because while it is something that literally can happen, if you run your hand along wood in the opposite direction to the grain, you're more likely to get a splinter because you're essentially pushing your hand against the chips of wood, but it also is another metaphor for the dangers of not being the same. Going against the grain in this instance means daring to be different, not going the same way everyone else is going but instead the opposite of that, and in this example splinters are the consequences one would face for being different, especially in a setting like this perfect town, where everyone is the exact same as everyone else.

A little bit later you hear the line “well Lot he had his lot in life, Job his job and i guess you’ll too, and die”.

Lot and Job are both figures found in the Bible, whose names both share spelling with common English words, but are pronounced slightly differently.

Job, from the Book of Job, was a man that was tested by God, made to suffer to test his loyalty, his ‘job’ was to believe unendingly in God and see Him as always correct no matter what.

Lot, from the Book of Genesis, was a man who went through a lot, and the phrase ‘my lot in life’ is a phrase commonly used by people to write off/explain why they don't have it as good as others, they say it's simply their ‘lot in life’.

The end of this line “i guess you’ll too, and die” i believe refers to the fact that everyone will have their own job and their own lot in life, and then everyone in the end will die.

This theory is solidified by the fact that the next line is “The Lord looked down and said ‘hey, you're only mortal’” which is a play off of the phrase ‘you're only human’. Wood himself said that the phrase ‘you're only human’ has always felt weird to him, he says, “cause like, of course I am, aren’t we all? How is that fact supposed to help? I still feel bad. What does being human mean to you?”. He follows this up by saying that the idea of God saying "hey, you're only mortal" offers the same kind of sentiment, but in a “cosmically condescending” sort of way.

The following line reads “giveth and taketh away, till things come out a certain way, leave you wondering when they might go back to normal… leave you wondering why they can't have just been normal”.

This line presents a sort of hopelessness in the realisation that things are constantly changing, nothing is any more ‘normal’ than anything else, there's no such thing as ‘normal’, which is an overarching theme found throughout the album. Once again bringing back the fact that for all intents and purposes this song is an overture for the rest of the album.

To conclude, ‘Suburbia Overture’ is, in my opinion, one of the greatest criticisms of suburban, middle class, gated community, nuclear family life i've ever seen, it highlights the problems in that life and showcases how this kind of lifestyle in its incredibly rigid and restrictive standards is incredibly harmful to the very concept of individuality, because the expectations and unspoken rules set in communities like this and the widespread idea of forced normality seeks to crush any individuality before it even has a chance to blossom.

The use of metaphors and phrases that are well known and are likely to be seen in settings such as this gated community suburban town that Wood has created really paint a subconscious picture of what this community looks like, the use of duality, how every story has another side, and how nothing that is seemingly perfect from the outside is actually perfect on the inside.

Will Wood is an incredible lyricist and the fact that he was able to cram so much symbolism and such a powerful message into a song just over 6 minutes long is genuinely incredible.

Thank you for listening to my/reading my autistic hyper fixated rambling, i hope i didn't melt your brain too badly <3

[touchoffleece]

Apology in Advance for the probable incoming Sulemio v Destiel Poll posts.

There are layers to why the dumb ship poll has me feeling so passionate, some are: -Sulemio more or less checked off a Bucket List Want I thought I would die before seeing it become a reality. That being: a Sapphic Anime couple where the main focus and story doesn't revolve around discovering or accepting their sexuality and showing it can be a successful story public perception wise and money wise (G Witch has some of that self discovery stuff but it's like a D or E level plot). And having it so the gay relationship can't be perceived away as besties or sisterhood or with a Bury Your Gays end. -wlw/GL ships constantly getting overshadowed by mlm ships or get played down to hype up mlm ships because "there can only be 1 lgbtqi+ ship" mentality in fandoms. -Sulemio fandom was vibing and more or less quiet until this rewoke us up here on Tumblr. We are all once again speaking and writing deep analytical lengthy posts about how deep, well written and portrayed the love between both characters were not only in subtext but throughly explicit sentences in dialogue or actions of Suletta and Miorine, and the world around them. I am very happy to join in and revisit the awesomeness that their story was since I can't truly replicate the journey that was watching their story as it developed in real time. (Shout out to my 2 het cis male acquaintances who nagged me to give G Witch a shot back when only ep 0 and 1 were out you guys freaking amazing. Bros gave me unforgettable memories.) -But a big one I see not getting talked about a lot is how this match up is giving a big and much needed reality check to western-media-live-action-only-consumers/fans that: Just because something is an animation it does not make that type of art/storytelling/show/whatever you want to call it inferior to live action. A few years back I saw so many west live action tv fans shit endlessly and mercilessly on Magical Girl Utena because of a similar ship poll where it had come down to live action fandom ship vs canon anime ship. (iykyk, I don't want to restart that shit up again since it hurt a lot to watch as someone who liked the ship that was leading but didn't watch Utena-I'm too weak for that hurt- see the show and its contribution towards actual wlw/gl representation get shit on) A lot of the criticisms and punchlines of statements were mocking people for getting attached to cartoons as "grown ass adults"; a criticism any animation enjoyer probably knows all too well. Post so many animation shows in western streaming sites get cancelled or be erased and locked behind vaults because the CEOs think there is no fanbase or value in creating animation, this sentiment more towards animated shows with depth in their stories. I think back to that poll and the ensuing shit show. To think about that back then and see a reflection of that situation with the Ship (Sulemio) that has been stated to be inspired by the ship from Utena (Utenanthy) that was shat on so much by similar media consumers back then who perceived and said animation is a lesser form of storytelling-after seeing so many animation shows I enjoyed get cancelled because of this same sentiment from people thinking no adult wants animation as entertainment- to see Sulemio beat "the greater known" ship from a western live action media show that didn't even want the gay representation associated with itself, it feels like properly bandaging a seeping wound that you were letting "dry out". This all still feels like ship war with ships and fandoms that shouldn't have reason to beef, but the catharsis of seeing such a: powerful, moving, and overall amazing story that is Gundam the Witch from Mercury (free on Youtube to watch btw) and Sulemio's love story get recognized when it still feels like animation as a storytelling device gets looked down upon and has partially been erased, is making me cautiously optimistic that maybe in a few years we can get our amazing in depth animated shows that got taken away because animated storytelling is "just for kids" or "isn't good enough".

[the-irreverend]

WE'VE ALL HAD THAT MOMENT IN OUR LIVES

(feel free to share yours!)

[ladyluscinia]

I know my last experience with a season ending on a note everyone hated and unanimously tore to fucking shreds for destroying the story on every level was... atypical. Lockdown. 6 month mass hysteria at minimum. Conspiracy theories that were, like, real things we had on camera. There was a Twitter wedding. Creative fervor that broke 100k fics on AO3.

Like. I know this is not a rational point of comparison and I'm not going to expect anything in my lifetime to match it 🤣

But.

If that was the highest high of post-season fandom engagement built on a cocktail of tasting everything you ever wanted AND the absolutely lethal levels of spite and swearing to eat showrunners' hearts in the marketplace, then whatever the fuck is going on after OFMD S2 is the opposite of that.

OFMD S1 was a huge fandom explosion. One silly little streaming show that had a gay kiss and then it skyrocketed. Fic numbers were soaring, high activity fic and meta engagement lasted for at least four months, it was constantly trending and flooding the dash... Like, fucking hell, over a year and a half after the immediate finale fervor it beat Stucky in the top ships bracket?!? To the point I was willing to give it what felt like due credit toward its potential as a future juggernaut ship. Not guaranteed, of course, but the potential was there.

In that context, new content should be a blow out party. Which it kinda was pulling off as it was airing, but looking back now? Not even quite a month later?

The effect of S2 on the fandom is like... a blip. Possibly over already.

New fic numbers started dropping off the moment the finale aired and have returned to deep hiatus levels. It's dropped off trending and streaming leaderboards... I'm very curious to see the first tumblr Week in Review since the finale, though we're still waiting due to the holiday.

Like, I've even popped on to scroll a few Izzy hater blogs that I know loved the finale out of morbid curiosity what they were up to, and I'm telling you... if I hadn't just watched the new season I'd think they were still over a year into hiatus. Saw some standard bitching about the izcourse / Edward takes (aka the one thing that kept them going all hiatus), they're currently passing around posts mocking one specific long OFMD version of TJLC I'm just hearing of, the same BTS gifsets everyone else is thrilled by... But barely any new meta or discussions. There's like 2 people posting actual analysis of S2 that's getting reblogged and they aren't even names I recognize from the hiatus. Nor is it particularly interesting to read. 🤷‍♀️

In July of 2022 I could pop onto a random OFMD blog and scroll through a dozen enthusiastic Stede or BlackBonnet metas about jacket colors or that moth from 1x07 or lighthouse symbolism or whatever. Now the new stuff has the same energy as posts from June 2023. It's borderline dead. And this is what it's like when there's an active campaign to engage fandom and Renew as a Crew?

(I will say fanartists are bringing some energy and there's some lovely pieces being passed around, which I do think the Renew as a Crew campaign is helping to boost?)

Even the hundreds of people saying it was a beautiful season and they loved it so much don't seem to be finding it a very engaging or inspiring season.

It's such a turn, like, what the fuck.

[shsl-fujoshi]

Japanese media tends to treat pre-teen and teenage characters like human beings with the exact same emotional range and independence of thought as adults, and thus treats them the same as adult characters with respect to violence, sexuality, independence etc.

And that pisses off a lot of western people who hate the thought of treating people being full human beings prior to adulthood.

[exhuastedpigeon]

I'm going to probably sound old when I say this, but every so often I think about the people (mostly women) who pioneered the modern idea of media fandom.

The people who handwrote fic or typed it on typewriters. The people who took their love of their favorourite show/book/movie to the next level and found other people in real life who enjoyed it as much as they did. The people who started mailing groups. The people who were in fandom before the internet even existed.

People who went to the post office to send their friends the latest chapter of their Spirk fic. The people who lovingly made fan magazines.

The people who created true fandom community.

They probably didn't actually think Kirk and Spock were going to kiss because it was a time when a kiss between a white man and a black woman on TV was groundbreaking, but they saw the chemistry and built a beautiful subculture where freaks and weirdos and queer people living in the bodies of housewives and secretaries and nurses and teachers and everyday people you'd pass on the street could let themselves be freaks with each other.

It really feels like we've lost so many amazing parts of fandom in the last decade or so. It doesn't feel like a community like it was even ten years ago, let alone 50+ years ago when you had to put in work to find fandom spaces and then build community with your fellow fans.

Today you can send someone an anonymous death threat for shipping something. People get doxxed for having a different opinion on a character.

Instead of fandom being a space for weirdos lovingly creating art and writing fic about shows and ships it's become almost an exchange where readers/viewers expect content without understanding the work that went into it. Writing still takes time and energy and work, making fan edits still takes skill and time and energy, drawing fan art takes years of practice and love and patience. We've lost the art of being grateful for that effort. We've lost the community created between writers and readers, between artists and other fans.

Idk, I just miss the fandom community. Sometimes I miss the days of message boards. Other days I miss the tumblr before the porn ban where you could make friends with people by sharing porn and talking about what kind of freaky shit you thought your favourite characters got into.

Maybe I'm just old and not evolving with the times, but I feel like the community part of fandom is the best part of it and it's really missing from a lot of fandom spaces these days. It's no longer about sharing an interest with people, it's about consuming content.

[catpriciousmarjara]

Tell me: Is He Gay or In a Sherwani?

Imposition of western norms in fandom analysis of Asian characters

With the rising popularity of Indian cinema sparked by the recent success of RRR on international platforms as well as the easy availability of multiple streaming services, in addition to the appearance of South Asian characters in prominent roles in western, particularly US media, I've begun to see some concerning 'analysis' posts online. So I thought I'd address something I found common in most of these takes.

Guys, characterizing your blorbos as queer is great and all, love it, but you're making a fundamental mistake by making their clothing choices the foundation for your queer headcanons, especially when it comes to male characters. Do not apply existing western cultural ideas regarding male clothing onto South Asian characters and their dressing please.

The vast majority of the clothes being used by people in various online spaces as 'evidence' of a character being queer(gay or bi mostly) are just normal Indian clothing for men, like daily wear. A top being pink or a character's wardrobe being mostly pastel means absolutely nothing...cos Indian clothing tends to be colourful in general and the tendency to ascribe colours masculine and feminine qualities is considerably less in the subcontinent. I'm not saying it doesn't exist, but generally not a concern.

There's also this pervasive idea that colourful clothing = flamboyance = queer and that itself is something many people have already pointed as a deeply flawed way of thinking and a stereotype. Furthermore, even if you do lean into the archetype of queer men being flamboyant, subscribing to the 'stereotypes exist for a reason don't they?' school of thought perhaps, there's also the fact that ideas of what is considered flamboyant change dramatically across different cultures. What is 'flamboyant' for someone might just be normal for others. Like maybe pink or purple or yellow might be considered too much, unmanly, emasculating etc in the US or something but they're just perfectly normal colours for men to wear in many, many cultures.

It's the 'Is he Gay or European?' principle. Did you characterize this Indian character (or any South Asian character really) as queer because of their canonical behaviour and portrayal, or did you just see their clothing and decide they're queer because being well groomed and having a colourful wardrobe is a character trait you exclusively ascribe to being queer?

Like guys, I like Chaipunk like the rest of you, but if you consider Pavitr queer just because his costume is a lot fancier than the others' (An actual take I've seen multiple times) without taking into account his cultural background....¯\_(ツ)_/¯

Let me make this clear, I don't think people need a ten page analysis to imagine their fave as queer. Headcanoning a character as queer can have any reason ranging from 'I said so and so it is' to 'this is my light character analysis that makes a masters thesis look shabby' and they're all valid and an integral part of the fandom experience. What I am annoyed at are these so-called 'well-researched' theories that did not make the slightest effort to look into South Asian culture and simply transposed their western bias onto Indian media and confidently make flat out wrong judgements and mislead other people. Clothing based sexual identity determinism is the least of it. That I can at least understand through the lens of a habitual process built through years of analyzing crumbs of queer representation available only through queer coded characters and symbolism such as clothing choices being the only way to see an aspect of yourself portrayed in an aggressively heteronormative media ecosystem. I do that too, because media is tragically heteronormative everywhere. But the rest? Its just straight up misinformation and misrepresentation touted as truth.

Its the same with relationships between men. There are plenty of cultures where skinship between men is not unusual and dynamics and nuances tend to be vastly different from western representations of male friendships. In xianxia and wuxia fandoms you can see this same problem in a different font when outsiders, most often the western side of the fandom, try to apply their own standards and morals onto the original work and try to interpret it through a lens it was never supposed to be interpreted through in the first place, except maybe for comparative analysis. This practice itself isn't a major problem, its natural for people to apply what is familiar to them to try and understand something new. But when this is also accompanied by them foisting their personal interpretation and analysis as the 'correct' one and trying to impose it on the fandom as a whole, it escalates into a powder keg situation as you can imagine.

Again, not saying that western parts of fandoms are the root of all evil or anything like that, gods know how toxic netizens can be. But in this specific situation, where people try to impose western ideals on to non-western content and assumes the universalism of their own principles and value systems? Indeed an issue to be addressed.

[whoishotteranimepolls]

Poll analysis part 5

This one isn't so much related to fandom behavior. Overall, it's more about how certain characters or apparently where some people draw the line enough to have made a fuss in the comments or my inbox. I find it interesting where the standards are for some people and I mean I just drew the line at no sentient weapons or mechs

And when I say cause a fuss that would mean causing crap in the comments to messaging me asking me to ban characters or entire franchises because they're problematic for various reasons which I will get into. To flat out harassment of me for allowing these characters in my polls and the people who voted for whatever character they have a problem. It's the full spectrum of bad behavior. This is going to get weird

Izutsumi from Dungeon Meshi why is she the only character people are causing crap about for being 17? I have gotten so many messages about this one character. No one gives a crap about the other underage characters apparently, but the 17 year old cat girl is too much. And again, I think I would have gotten at least one message about one of the 15-year-olds but no just the underage cat girl. I am so confused why this is the line for so many people. When I say she has been a problem, she has been in two polls and she has been the source of 7 polite messages. 12 not nice messages full on harassing messages. Calling me a disgusting pervert for even allowing her in my polls. 11 comments that had to be deleted 12 tags/Reblogs that had to be hidden. All because they said something like she's 17 you perverts. I have set a new record for the amount of people I've had to block over a single character and she's been in two polls. I didn't get this much crap over the character that looked 12.

Kikuri Hiroi from Bocchi the Rock! My original problem character because of her Moe art style she looks 12. Even though she's 28, I've resorted to just putting her age in the post to avoid the things turning into a dumpster fire after that first poll.

Uncle Iroh was a character. I did not expect to cause issues because everyone loves Uncle iroh. Apparently some people find it weird that some people find him hot. Because multiple people have made a fuss in comments or in my inbox about how it's gross or weird to find him hot because he's a grandpa. Ironically, one of the people making a fuss about iroh really has a crush on Silvers Rayleigh the irony in that is hilarious.

Toji Fushiguro I've gotten a few messages about him saying he should be banned because he's a crappy father. A terrible person and anyone who finds him attractive should seek psychiatric help. People he's a villain calm down This is Tumblr. I feel like people have forgotten Loki mania where he was considered the god of Tumblr. I think Tumblr has a thing for villains. Look at the persistence longevity of the Hannibal fandom. So please calm down people it's still not a justifiable reason to ban a character from my polls.

Dracula from Castlevania because genocide and sexism once again I'm sorry people sometimes find villains hot. I'm confused about the sexism part. I think it's because of the way he treated Carmilla, But I'm still confused because that man loved his wife

Franken Stein from Soul Eater. I've gotten a message that he should be banned because he's a groomer. I watched Soul Eater and I'm also confused about this one. If any Soul Eater fans can anyone help me? I'm again so confused about this one. If anyone from Soul Eater should be banned for bad behavior, it is not Stein

Gojo, is a little bit of a headache character for me for the thousands of comments I've seen calling him the Blue-Eyed demon seriously Tumblr what has this man done to you? How did he hurt you? He is also a character I have had people message me asking me to ban because apparently he's racist. I'm so confused.

And to build upon this, someone sent an entire list of characters that should be banned because they have blonde hair and blue eyes because if they win that reinforces white centric colonial beauty standards I should have screenshotted that message. These polls are done for stupid fun and I don't think they are going to reinforce colonialism. In fact, many of you have told me they're going to kill the British monarchy and I think that's the opposite of reinforcing colonialism. That list is too long to post in its entirety here. Remember I said this was going to be a little weird.

Someone actually messaged me saying I should not put Victor from Yuri on Ice in future polls because he is not a good representation of the lgbtq+ community

I've also received similar messages about Grell Sutcliff and Yamato for the trans community

Dungeon Meshi You think would be free of criticism because it's so loved however Laios Touden should be banned because he's blonde with blue eyes and a bad representation of people with autism. I wish I was making this up. Marcelle and Falin are not safe either because some people have it out for blondes and they are also not good representation of the LGBTQ+ community

A bunch of Fullmetal Alchemist characters should be banned including Mustang, Hawkeye, Ed, Alphonse, Armstrong, Hughes basically everyone but Scar. Because those characters perpetrate and promote genocide, racism, ethnic cleansing, imperialism, the military industrial complex, colonialism, fascism, sexism, misogyny, and white supremacy. I honestly think someone missed the entire point of the show but that's just me.

Someone wants the entire Apothecary Diaries franchise banned because it's sexist, misogynistic and a poor representation of Chinese culture.

And basically any villain or abusive parent. Someone has complained about or pushed to get banned because it makes them uncomfortable. Because God forbid characters have flaws

So many One Piece characters are problematic just for being One Piece characters not for anything they've done in the story or their character arc or anything like that. It's really because I have a group of people that think I should ban the entire franchise from my polls because the one piece art style is misogynistic. Oh boy. I should have screenshotted some of the essays I received in my inbox. Some of you need to take a chill pill because if I get another essay about one piece being misogynistic because of the art style, I'm going to shame you by posting that crab publicly. Because I will admit the art style is not for everyone, but especially when it comes to the female characters. But those female characters are some of the best written you will find in all of Shonen anime. Plus if we really want to start banning anime franchises for being misogynistic, It's going to be a bloodbath. Because if One Piece is misogynistic for the art style, Naruto is misogynistic for the writing. And I could probably find something misogynistic about most Shonen anime. So again let's not even go there.

The only justifiable reason I would ever ban a character is if the fandom becomes so toxic it's no longer worth it for me to put up with the drama. Now all the blogs I have had to block have been dedicated to one of two things. Naruto or Dungeon Meshi. One of those fandoms I already refer to as my problem child fandom and the other one I hate to say is quickly becoming its twin.

So can we all just agree to calm down because if I banned everything someone had an issue with because it's sexist, misogynistic, racist, etc. There would be no characters left. So let's calm down everyone and please keep the complaints and the tantrums to a minimum. I am a fellow fan that runs this blog for fun and I'm very tired of this crap.

[juniperpyre]

i think my key issue with the sanitization of death eater characters is that it feels like people do not see their stories as tragic or empathize with the characters until we have a hc that's like "actually they were morally good the whole time!"

regulus black and severus snape are tragic characters and child soldiers no matter what side they were "really" on. even barty crouch jr, who may not have been groomed into being a death eater, is tragic when you spend a second to consider his relationship with his father. there are plenty of death eaters who we know are taking after their fathers in joining the cult. lucius malfoy, who was a prefect when the marauders enter hogwarts, most likely spread the death eater ideology, since the ideology is just a more extreme version/logical endpoint of what already existed in the wizarding world.

to me, these ideas are not headcanons, because they are heavily implied by the text. when jkr mentions malfoy in the deathly hallows that is not for no reason.

mallfoy's acceptance of snape and position of power are both highlighted in this sentence. we can infer that snape felt a sense of community for the first time in Slytherin. with malfoy as a prefect we can infer that the culture of Slytherin house lifted up bigots and those with an important family name.

this is a culture that breeds more bigotry. we know that Dumbledore did not step in to stop this cultural development in the 90s, after already seeing what it could do!!! so we can infer that he did not in the 70s. so a bunch of children were left alone in an echo chamber of hate. of course some of them became fanatics!!!

this doesn't mean they shouldn't be held accountable. but we cannot expect children to overcome cultural and political hegemony all alone. like.... that's just not how the world works. and it's tragic that children are fodder for fascist's wars, especially when the fact that the children were abused or neglected makes them more vulnerable to be fodder.

regulus and severus weren't treated as people, their humanity was denied by the fascist they served, bc that's how fascism works. exploring their characters as they are in canon, with full humanity, without needing to change their stories to see that humanity, is much more interesting to me. it is much more in the spirit of redemption and restoration.

[toxicmilitaryaoi]

Its entirely strange to me the relation Hazbin/Helluva fans have with their chosen work. In every other piece of media, be it literature, tv shows, movies, games, or multimedia work, fans have at least some form of self-awareness and analysis of the work in question. There are camps people fall in, common meta-myths and narratives about the work and a complex relation with the creator(s) of said work. Yet for Hazbin and Helluva, the fandom operates in a extremely weird monolithic parasocial behavior that shuns critique and analysis that doesn't seek to prolong and strengthen their circlejerk. I have rarely seen a fandom so obsessive and uniform in their hatred of questioning the validity of the work that it reminds me of what people in the 70s divorced from sci-fi culture mistook Trekkies for, a strange insular group that seeks to worship "mediocre" piece of media and battle any and all criticism of it(this is of course, not true of Trekkies at all!)

I don't know, its just weird and honestly saddening to see.

[justrustandstardust]

Can I ask your opinion on answer to this : https://www.tumblr.com/gojuo/742796780522061824/is-satosugu-a-queerbaiting-ship?source=share ?

for reference, this is the post anon is talking about. feel free to check it out for context before reading my response.

this person is basically saying that stsg cannot be romantic because there is no romance depicted between them onscreen; all of their interactions are meant to be regarded through a platonic lens because it's never explicitly indicated (in canon) to do otherwise.

this goes back to the whole idea of "projecting" queerness onto geto and gojo despite them being queered already, which i've touched on before. i'm going to respond to this person's ideas in two main parts: 1) queerbaiting and 2) canon, alongside the idea of "shipping".

as an idea, queerbaiting refers to the marketing technique employed by creators and publishers to increase a media's appeal, achieved through teasing a queer connection between two characters romantically unentangled in canon. queerbaiting dangles the proverbial carrot in front of the audience only to snatch it back with forced love interests or open declarations of brotherhood. it operates along the binary of friends/heterosexuals and queered/romance, dangling the carrot in front of the latter only to resolutely plant their feet in the former.

shockingly, i actually agree with this person— gojo and geto are not queerbaiting because they are queer-coded. the blatant difference between baiting and coding is that the former uses the appeal of fetishism as a marketing mechanism and the latter employs subtextual traits, literary devices and narratorial mechanisms that are recognizable as queer without being stated outright.

queerbaiting is always negative; it operates through stereotypes and functions to create the illusion of representation to ultimately reify the sex/gender binary. queercoding, on the other hand, functions in a more neutral space to create all forms of representation. (although western media has historically queercoded villains, which is an example of negative mechanization).

when engaging in discourse around queerbaiting, it's important to remember that queerness does not present uniformly across borders and time periods. when we seek open declarations of love as affirmations of queerness, we are seeking western representations of queerness, which are often founded in romantic love. the person who wrote this post is engaging in a solipsistic analysis from a western perspective, a perspective of which too often assumes the 'default' in anglophone fan spaces.

gojo and geto are not meant to be interpreted through a western lens because they are not borne of the west. applying a western conception of queerness to them as a barometer is unfair, incongruous and downright disrespectful to their characters. it's akin to shoving a box into a circular hole and declaring the box at fault for not being able to fit. simply because gojo and geto do not fit your static conception of queerness does not negate the core tenets of their characters that can only be understood through a queered lens, albeit a non-western one.

this brings me to my second point, which regards conceptions of canon and the practice of shipping. this person applies the same binary to fandom/canon spaces as they do sex/gender, dichotomizing jjk media into 'source' materials and 'fan-generated' content, much of which they relegate to the "stsg shippers [that] forc[e]their headcanons down your throat and manipulat[e] you into believing that shit".

a guiding principle amongst purists of any media is that there is "original" and "unbastardized" content, and then there are fan "mutilations" of said content that come after. they maintain a sanctimonious attitude and imply that people who engage in bastardizing media therefore understand the "source" content to a lesser degree (a requisite qualification to engage in mutilation).

in polarizing fan content and 'source' content, purists willfully blind themselves to the true essence of media— it does not exist independently of the imagination of the populous, it is made and continues to be made of the populous' imagination itself. once created, each re-imagination is not adjunct to the 'source' material but rather an extension of it on an equal ontological plane.

functioning less like an island in the ocean of our worldly milieu, media is more of a current, pushing and pulling on different sociocultural forces and being shaped by them in return. regarding it in a puritanical manner is a perversion of its nature because media does not merely live in the world, it becomes the world around it.

this person divorces so-called 'fan' content from 'original' material, and derisively declares that "Theories you read? That's fandom. Art you reblog? Fandom. Memes you consume and regurgitate? Fandom. Sending me asks about JJK? You're engaging in fandom". in doing this, they fundamentally do not understand that the two are inseparable because they are co-constitutive. jjk is fandom, and fandom is jjk.

fan culture is not supplemental to 'source' content; it a manifestation of media achieving its intended purpose, which is to join the world that bred it. fandom is perhaps the highest form of intellectual engagement with jjk because it executes the understanding that media exists within the world and not outside of it.

the things fans create are not inferior or antithetical to the 'source' media; however, i'm not saying that they're all inherently favourable either— they can be anything because they can just be. media invites itself into our world and in doing so, sends an amorphous invitation back. when you pompously declare that "in canon there is no romantic love between those two and there never has been", you slap the hand that extends itself to you and defy the maxim of media: it is not prescriptive, it is participatory.

when people acknowledge that gojo and geto are queercoded and choose to understand their coding in a romantic context, they are not "forc[ing] their headcanons and misinterpretations of the material down everyone's throats". they optimize media's purpose and reach back towards the waiting hand of fiction instead of isolating jjk and forcing it out of the creative medium that birthed it. "shipping" is one form of engagement amongst many, and is a reductive term that belies the intricate textual analysis required to arrive at its conclusion.

one key dimension of the "shipping" discourse is that it's mainly conducted by people who aren't men. men, in principle, are used to dominating every discursive space. to them, it is utterly flabbergasting that people who aren't them might have more insight into their favourite media than they do; nuanced and complex insight at that. compressing the discourse about stsg into "shipping" is reductive and disregards the complex conceptual and narrative analysis conducted to reach the so-called "shipping" conclusion, a practice which requires analytical capabilities that elude the men who deride them.

maybe the people who are "annoying as fuck" are not the "stsg shippers" but the people who insist on interacting with jjk in a purely prescriptive context, clinging to a vacuous relationship with their favourite media and removing themselves from its most authentic, intellectual and enjoyable facet in the process.