#I REALLY don't know how to do paneling well

[senseearly]

I think about how Kabru, who's taught swordsmanship by Milsiril, a very experienced and skilled swordsperson, to the point that Kabru can like take down a group of people with no sweat or no hesitation but finds difficulty when it comes to monsters and think --

Why is it that?

I don't think it's a lack of Milsiril's training. Her training should've covered how to fight monsters. And, I'm not like a swordfighter or anything, but the basics of sword fighting - whether it's against another swordsman or a monster - are the same.

It's also not like she was soft on him, either. You'd think that she would be, since she really doesn't want Kabru anywhere near a dungeon (or a meter away from her side), but it would be much better, and much safer, for Kabru if she trained him seriously. So in case he was stuck in a situation where he needs to fight, he can fight back and win.

And for the most part, Kabru fights well against most monsters.

He's honestly so skilled it's scary. If this was just a standard let's conquer the dungeon and defeat the evil magician! type of story he's the best candidate out of all the characters in the story (yes, even including Laios).

So I find it interesting that we are shown moments where he struggles:

It's not like the other characters didn't struggle against the same monsters. Laios almost didn't make it to some of these monster encounters. And, not to invalidate his achievements thanks to his quick thinking and understanding of monsters (i know he hates his time in the military, but training there really paid off here), but some degree of luck (and perhaps demonic intervention) helped him in little ways.

But Kabru's struggles against monsters are perfectly summed up in this panel:

He's scared.

Yes, he has the skills. Yes, he has the intellect. Yes, he has the experience. But even then, he freezes up in front of some of these monters because of the memory of Utaya. And I think that's such an important detail to his character, really.

At the beginning we get introduced to this Kabru who is confident, all smiles, can do everything.

But deep inside, the nightmare of Utaya haunts him.

[spicy-apple-pie]

Sorry if this is intrusive, but can you go a little into your art process? I really like your style and it would be cool to see how you do it.

Not intrusive at all! I would love to share some of my art process here. Problem is is that I don't exactly know how to explain everything that I do well.

Here's a speed paint of one of the frames from a tiktok to give you an idea of how I work.

As for making comics and stuff I really should make a note of all my ideas so I can keep track of them. But I usually just think of an idea, sketch out all the panels, type out the dialogue and create the speech bubbles, and then colour.

A big tip I can give to beginner artists is that if something isn't working, like the hand looks weird, or the eyes are crossed, and you can't fix it. Just skip over it for now and come back to it later. Or just leave it fucked up and finish it. Things are going to look fucked up sometimes, and that's okay.

[riririnnnn]

More random things in Blue Lock I find endearing:

-> Telepathy

There is something really sweet about knowing someone so well that you don't even need to verbally speak to them. The above panel is just so heartwarming—I really want what they have.

-> Mothers

I'm so happy that Mothers in this Manga actually look like Women who are Mothers to a High School-er and don't just look like High School-ers themselves.

You might say, "Oh, but it's only a few lines on their faces that make them look old!"

...

And that's point—it's easy af to make characters who actually look like Mothers and yet there are so many Mangas out there who fail to do this.

If you know, you know.

-> Hi-five!

Just look at them. Just look. Just. Look. At. Them.

Do I need to say something else?

It's the main reason why I don't want Neru to get out of NEL—I want more of these cuties to interact!!

-> Frenemies in U-20

The above interactions are so wholesome, you know. Like, it's very hard to explain, but the above scenes are just so heartwarming to me.

Rin was trying to cheer up Isagi in his own cold ways!

While considering how Isagi was so adamant on crushing Rin at the start, it's just so precious to see him being the first one to go congratulate Rin for his goal with a freaking HUG! And it just wasn't a normal hug, it was a DIVE-IN!

Boys please resolve your issues.

-> Two Duos

The way Reo looks at Nagi with concern and the way Yukimiya's arm is stretched out to give Isagi some kind of support—everything about this is pure wholesome.

Nagi-Reo was expected, but Yukimiya-Isagi was something unexpected.

Also the way Nagi is just: (O x O)

LOL.

-> Meanwhile this idiot (affectionate)

I hate this Bastard (I love him). He is such a menace. I'll smack him (I'll smooch his forehead). I'll whoop his ass if I get a chance (For real).

Did he just fly down from somewhere though?

Hey there, Chigiri.

-> Ubers PT - 2

You know, if you think over it, then Ubers have the most random ass characters together—

A tyrannical King

A 15 years old weeb

A glam can-be vogue model

A womaniser

A wannabe womaniser

And Lorenzo

and yet they are the team that feels the most family-like.

I adore them so much.

-> Unfaithful gentleman

When the Blue Lock-ers Vs U-20 was happening in the Bowling area, he was the first (and only) one who went to the registration counter—this behaviour just screams, "CAPTAIN!"

But on a second thought, I think his ahh just wanted an excuse to talk with the ladies behind the counter.

I just know he is such a smooth talker that you'll melt like a butter in a hot pan.

Someone get his ass!

-> Trust

It's one of those things that only a handful of people can understand and that is Kaiser trusting Ness to cut his hair.

Further, the way Kaiser opened up about himself feels bittersweet when you think about his backstory.

I hope those theories that revolved around Ness leaving Kaiser for Isagi never comes true.

.

.

.

Part: 1, 2.

[newnap]

I’ve been making my own comic and struggle with environments, I was wondering how you approach them? Cause I saw one of your recent comic panels and though despite it not being overly complicated it was well done. Do you go purely off reference? What do you do in a situation where you can’t find a reference you were looking for? Thanks, sorry for a buncha questions

I really enjoy your art 🫶

Hey sorry for being super super late, I think this is from like 2023?? because question I got above yours said happy new year 😭😭

I don't know if you'd find this helpful still, but to answer, I rarely use reference (even when I should).. This comic page, I purely went from imagination. My thought process was : I wanted a big bright window to indicate best as possible that it's a clear daytime and I wanted them to seat in a big dining table for the pie, and to have backlight on gaster.

Hope this helps!! Also you might know already but 99% of time I do terrible jobs on perspective cause I have no patience, so don't reference any perspective knowledge from my works😭

[mettywiththenotes]

Thinking about how this shot in the opening reminds me of the panel in 340 and I'm fairly certain it's meant to be the same scene (except obviously a little exaggerated but it's the same situation - window, chair, tied up in a room)

When I watched this part in the opening, the word "judgement" came to mind. It sort of feels like that with how the light is cast over him, his head low in that dark room alone

And when you pair the dialogue in the panel with it, it feels like "situation vs emotion", and what I mean by that is the reality of the situation is Aoyama is tied up spilling his fears to Aizawa on the other side listening to him. He's literally not alone. The window is also much smaller in comparison to what the opening depicts. That is the reality of the scene

Emotionally though, this is a low point in Aoyama's character. He betrayed his classmates, his friends. He was arrested. He hurt the people he cares about. Even before he was caught, it was clear he thought of himself as a scumbag, a "villain", for having ties with AFO. In the scene in 340, he goes on to say he wants to crawl into a hole and die, to leave it all behind, which shows just how much he detests himself for what he did. It shows his mental state at the time

So I think the feeling of judgement fits so well with the visual Bones chose for the opening. This is Aoyama confessing his feelings of despair to his teacher, his fear not just of AFO but not being able to sparkle as his friends do. And the judgement paired with the way Aizawa tells him his sins will be with him forever, how Aoyama later goes on about "atoning for his sins" in the story, that matches the atmosphere here too

I'd like to also add that while there's the symbolism of the light outside the cell being associated with good and freedom while the dark inside of it could be associated with feeling trapped and that despair I mentioned earlier, it also reminds me of what Aoyama said about his friends sparkling

"I'm also scared that I can never sparkle and shine as they do."

Aoyama fearing being, say, dull and lackluster in comparison to his friends is also depicted in the shot in the opening. Aoyama in the dark, no longer twinkling like he usually would before this, while the window shows bright light shining through the bars, almost as if his friends are on the other side, casting his shadow

"The more they express their faith in me, the more I lose faith in myself."

You could also say the idea of the light being his friends on the other side of the bars is also those same friends waiting for him to come out, to join them and fight with them again (which he later gets to do in the war). But then, even as they are waiting for him, he loses confidence, which I think you can see in the way that his head hangs away from the window, so as his friends are waiting for him, putting faith in his return, he is losing faith in himself

I don't really have much left to say on this but I think it is just so interesting how you can tell so much from something that only lasts, what, a second? Which just goes to show how amazingly well this opening was put together. Of course, manga readers already know what happens with Aoyama's plot line, but to be given a shot that shows a symbolic angle on the scene AND Aoyama's feelings is so great

[artingstarvist]

TGCF Vol 3 (eng), Chp. 43 - 44 (First "Kiss") Part 1 / 5 (next >)

First part of the comic is finally done! I chose this scene because I know the donghua/manhua will almost certainly censor it and also I feel like there's a lot of beautiful but also inaccurate depictions of this kiss and I just wanna do the full scene justice, including Xie Lian's reaction on the beach. I'm trying to stay as close to the novel as possible but some dialogue will be slightly altered to fit the flow of the comic. I should have planned it to be more vertically oriented to fit tumblr better but hell I don't actually know anything about making comics.

CW for those who don't know where this is going: The next part of this comic includes relatively non-consensual kissing. The purpose is the exchange of air & to keep the smoke spirit from entering, but Xie Lian does struggle against it in the beginning. If this might trigger or upset you, don't read any further.

A direct novel excerpt of this scene is under the cut.

[comic panel numbers] [1] It didn't take long before his throat itched, and that cloud of black smoke was retched back out! [2] Xie Lian covered his mouth with his sleeve, coughing nonstop and choked by tears. [3] His mind raced to find another countermeasure. Even after the cloud of black smoke was forcibly vomited out, it still swirled about and relentlessly clung to his body. [4] Xie Lian pushed himself onto the windowsill, raised himself up, and leapt into the lake outside. [5, 6] With a splash, Xie Lian plunged deep into the heart of the lake. [7] He held his breath, crossed his arms and legs, and assumed a meditative position, letting his body slowly sink to the bottom of that freezing lake. Once his heartbeat returned to normal, he looked up and could somewhat make out the black fog swirling above, blocking off the surface of the water. [8] Once he emerged, he'd have to gasp in a deep breath, and in doing so, he would surely suck the child spirit into his stomach. [9] A grown man with a fulsome baby bump wasn't the least bit funny to imagine. [10] However, his leap into the water had only been meant to give himself some time to think. It didn't take long for Xie Lian to come up with a counterattack. [11] So what if I swallow it? I'll just swallow Fangxin right after. [12] He'd learned that trick when performing on the streets. [13] Although it might hurt, whatever -- as long as the child spirit could be captured. [14] With his mind thus made up, Xie Lian released his arms and started swimming upward. [15, 16] A muffled sound of sloshing water came from above, and suddenly a vast expanse of burning, vivid crimson red flooded his vision. [17] A tangle of winding raven-black locks obscured his sight, though nothing could be seen through the splashing water and schools of air bubbles.

[shih-coulda-had-it]

rough draft for the all for one | abbey by mitski pmv ft. baby afo

[terenos]

The Witcher 3 Wild Hunt: Hearts of Stone DLC

"Many illnesses are treatable, but play with evil... and medicine can be much harder to find."

[yellowfingcr]

// as tradition demands, my favourite 2023 pieces I've drawn! I can't say I'm too satisfied with both quantity or quality (especially quantity- I didn't really draw much) but still I'm happy with how some of these turned out!

[righteousruin]

I genuinely love and hate that Bane went through this intensely transformative arc in Gotham Knights with meeting his father thanks to Dr. Thompkins and Bruce, and having his life saved by Batman, and it’s meaningful to the point where he’s like ‘I’m not Bane anymore actually’, and then we don’t see him again until two random panels in infinite crisis in which he is just. Out here. Fighting heroes. Zero context between points A and B, go girl give us nothing

[birdmenmanga]

huh... did homecoming always suck??? or did I change as a person and now I just like right-hand man better???

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[sirfrogsworth]

Remember this joke?

Well, I am going to do something similar only with photography. This is a photo someone took for an Amazon review of their Clinique products.

Honestly, it is not a terrible photo. They did some staging. They have an interesting background. All of the labels are legible. It is properly exposed. This would be a perfectly acceptable product photo for an Etsy page.

I've been taking these advanced photography courses in preparation for whenever I am able to create a new studio in the house. And my teacher is a photography badass. I just watched a 6 hour class on how to recreate a professional Clinique ad. And at first glance it looks deceptively simple. It's just some skin care products being splashed with a little water.

Which is why I wanted you to see an average person for reference.

This is what Karl Taylor came up with.

And I don't think I've learned so much about photography in one tutorial before.

Product photography is just loads and loads of problem solving. You have to light the chrome caps with a gradient. Which requires giant diffusion scrims.

Those big white panels are literally only there for the two chrome caps.

You need a pure white background, but you can't let light spill all over the studio, so you put up giant black light blockers.

And you have to add another light just for the orange bottle on the right.

Oh, and if you want the bottles to glow, well, you have to hide a silver reflector behind them.

But you still want the edges of the bottles to be darker so they have some contrast. So you add some black tape to the sides.

And in order for the reflective labels to have bold black lettering, you have to reflect black cards into them.

Ack! Karl's beautiful bald head is showing up in the chrome caps! He must put on the naughty blanket.

And once you get every aspect of every bottle perfectly lit, you finally get to yeet some water at it all.

I don't love product photography because I have a weird obsession to help greedy corporations make their wares look more beautiful. I love it because it is a complicated and challenging new puzzle every time. Every product is a different shape and requires a different technique to make it look its best.

I don't know if I will be able to live up to Karl's standards.

This is about the level I was at in 2017 before I quit photography.

I have so much more knowledge in my brain now. I'm really hoping I can surpass that.

[evangelifloss]

Thinking about a certain scene in Dungeon Meshi that completely encapsulates the Autistic experience of making friends as an adult and how hard it is to try and navigate it without ending up getting hurt.

Like IDK about y'all, but this is a common problem ALOT of Autistic Adults face when trying to make friends with other people, because unlike children who aren't good at keeping their opinions to themselves, Adults ARE. In society, we're even encouraged to "keep the peace" "be polite" and etc, which commonly leads to awful scenarios as shown above when Laois finds out his buddy has come to resent who Laois is without actually telling him. All too often the friends that we love to hang out with, people that we're so happy to spend time with, don't feel the same way and in many cases, come to blame us for our social cues or lack thereof.

And when/if we do eventually find out how our friend feels, Dungeon Meshi hits us with another painful panel of how that usually ends up playing out.

It's hard for Adults with Autism to make friends, and even harder to maintain them because alot of the ways Neurotypicals tell other Neurotypicals that they don't like a certain behavior is by quietly disengaging. Whether that involves having one sentence answers, going quiet, or having a certain tone in their voice, all those things signal annoyance or disapproval, but for the Neurodivergents, those subtle cues are completely missed.

And yet when we inevitably discover we DID do something, it is natural to ask "well why didn't you tell me?" because in our minds, it should've been the next step in the equation. However for the Neurotypicals, that's NOT something to bring up. Its important to be SUBTLE about the issue at hand and rely on signals to tell the other person. Blame is placed on us for not noticing the "obvious" signs of disapproval rather than the idea of talking it out as such things are uncomfortable and harder to do. Alot of the time what ends up happening is resentment due to the idea that it was "obvious" and the fact one didn't notice indicates a deliberate ignorance rather than a complete unawareness. It ends up calling into question our quality as a person and our sincerity. We get called "fake" or "malicious" or even "stupid" for failing social cues rather than questioning the decision to be indirect and vague.

For a manga about exploring the dungeon, it seems that the artist would rather explore very real and prevalent dynamics in society with the adventuring premise as a backdrop. I felt VERY seen in these panels, and many others, because it happens so suddenly and dare I say it, plainly. There's no dramatic build-up or spectacle made and in essence, it just Happens.

I think that's what makes the scene hit even harder. It seemingly comes out of nowhere for Laois, like how it always comes out of nowhere for alot of people, and it's never a dramatic twist either. It's always mundane and hurtful. A sudden unforeseen bump in the road that ends up calling into question one's entire friendship with someone and consequent other friendships. It asks "what if other friends feel the same. What if the people that I really like actually hate me and I don't know it?" Or at least that's what I came away with after reading the chapter. I've been where Laois was and the only reason I'm not there now is because I lost the naivete I had and doubt everyone else's sincerity.

[thevoidstaredback]

It's always graveyards. Why is it always graveyards? They're creepy as hell and, well... that's it. On the bright side, the Protection Spirits watching the gates recognize him and realize the danger he's in. Well, maybe he wasn't in real danger because the Bats and Birds don't really do the whole purposefully harming civilians things, but they are scary as hell! Chasing him down like a bat straight outta hell- obviously he was gonna run! They cornered him! Maybe he'll invest in getting them lessons in how to interact with people in and out of costume?

Honestly, Nightwing, Danny expected better of you. At least Red Hood and Signal know how to treat innocents.

Here's the thing about Protection and Guardian Spirits, though. They don't like intruders. If you're running from something and you don't have time to ask permission to enter, you best say "thank you" and bring them shiny things on your next visit. If you do have time to ask permission, you ask permission. If they think you're a threat or rude, they won't let you enter whatever they're guarding.

"Thank you," Danny said as he slowed to a walk further into the graveyard, the sound of the gates slamming closed behind him confirmation that the Bat and his gaggle wouldn't be following him in.

Wasting no time, Danny pulled a piece of chalk from his pocket. It was a handy little thing he'd picked up during his stay in the House of Mysteries. Draw and door, tell it where you wanna go, open it, and go through! Beetlejuice style. Though, unlike what the Handbook for the Recently Deceased says, these doors won't actually open a door to the afterlife. He fixed that tiny glitch a while ago.

Anyway, a quick few chalk lines on the side of a mausoleum later, and Danny was opening a door to Fawcett, Philadelphia. Probably not the best choice, considering that he was trying to stay away from the Justice League, but it's better than Metropolis.

"Whoa." Damn it! He should've stayed home. "What was that, mister?"

Danny made sure the door closed behind him, praying for strength. Why did he feel like several deities were laughing at him? "Hey, kid. Can you, um, maybe not say anything about that?"

The kid, short brown hair and a red jacket stood out the most to Danny for some reason, seemed very amused. "You're gonna have to buy my silence."

Again, Danny let out a quiet, long suffering sigh. "Coffee is so not worth it." Looking at the kid, he said, "Alright, fine. I was getting coffee anyway, I'll buy ya lunch. Know any good places?"

Grinning, the kid cheered, "Hell yeah! Follow me!"

Resigned, Danny followed after the kid, easily keeping pace. About a block later, he figured he should probably get the kid's name. "I'm Danny."

"Billy."

"No last name?"

"Fae rules, dude. What's your excuse?"

He had to give it to him. "Touché."

Another three blocks of walking, Billy finally stopped at a cafe. It was a quaint place with stained white brick and a dark grey roof. There were metal chairs and tables outside the building surrounded by a wrought iron fence. The table umbrellas and the awning over the black door were light blue, matching the curtains in the inside.

The inside walls were painted baby blue with a white ceiling and a pinewood floor. The tables and chairs were all stained black with light pink cushions and table cloths. The curtains, as observed before, were all baby blue, tied back with baby pink ribbons. The lights were barely yellow, giving the room a warm feel. The counters were white with black paneling on the outside and white granite as the tops.

"Welcome in," the young man at the register greeted with a smile, "What can I get you two started with today?"

Danny envied the man. He'd obviously not been doing this long enough to gain the veteran's shine to his eye. He turned to look at the menu after telling Billy to get whatever he wanted. A mistake he'll probably pay for. "I'd like a large Red Eye, equal parts coffee and espresso, with cinnamon, honey, chocolate syrup, mint, and vodka, please."

The 'newbie' light in the man's eyes dimmed a little bit. "Um, we don't carry vodka." Glad that's the only thing he's worried about. Priorities.

Danny clicked his tongue. "Oh, well, it was worth a shot. I'd like everything else, though, please. Mix it at your own discretion."

"Alright," he was very valiant to go back to grinning, "Anything else?"

Danny motioned for Billy and the kid stepped up. "Can I get a large mocha, three chocolate chip cookies, and two sandwiches?"

The blond entered the order. "Of course! That'll be $25.37." A quick card swipe from Danny. "Thank you very much, we'll have your order out to you soon!"

The two didn't say a word as they chose a table in the corner. Danny let Billy take the seat that was open to the rest of the cafe so he wouldn't feel cornered. He had a good view of the door, though, so he wasn't complaining.

"So, how'd you do that?" Billy asked after they'd gotten their orders.

"How'd I do what?" Danny sipped his drink.

"How'd you walk outta that wall? It's solid!"

"Magic."

"I guessed that much."

"Then why'd you ask?"

"Will you teach me?"

"No."

"You didn't even think about it!"

"Okay," He paused. "No."

"Not fair." he pouted.

Putting his drink on the table, Danny summed as much fake-it-till-you-make-it energy as he could. "Magic isn't a toy and takes years of practice to get a handle on, not to mention you have to actually have an aptitude for it before you can even try. Besides, I don't know you nearly well enough to trust you with anything else."

Billy finished the cookie he was eating. "I can do it! You just gotta teach me!"

Another sigh that Danny had stopped counting. "Look, you seem like a good kid, but I'm not gonna teach you magic."

"Why not!"

"However," he continued, ignoring the demand, "I'm not gonna leave ya fully defenselessness."

"What do you mean?" Billy backed away slightly, his eyes narrowing as he moved to be able to run quickly.

Another sip. "Based off of the dirt you're covered in, the grease in your hair, and the overall poor condition of your clothes, I'm gonna bet that you're a street kid. So," he pulled a small card from his pocket, very aware that Billy was watching his hand aptly, "I'm going to leave you with this."

Slowly, the brunet took it and turned it over. "What it is?"

The white card had the initials DP in the middle, circled by an Ouroboros. The initials were completely solid, but the snake of the Ouroboros was made up of tiny runes of protection and health and healing and good fortune.

"My calling card. If you're ever in danger, hold that to your chest and ask for help. I'll be there."

Still obviously suspicious, Billy took a moment to scrutinize the card. It was cute to watch the kid act like he knew what he was looking at or for. When he seemed satisfied, he shoved the card into the inner pocket sewn into his jacket. "Thanks."

"No problem, kid," Pulling out his phone, Danny saw the time and stood, "I've gotta go now. I assume I've sufficiently bought your silence on the whole magic thing?"

Billy grinned, "I guess, but you gotta come visit me, okay?"

He chuckled, "Sure thing. See ya."

Part 2 Part 4

(I don't drink coffee, so Idk how that shit works)

Tag list: @zaiothe4th

[luveline]

𝐚𝐧 𝐮𝐧𝐬𝐩𝐨𝐤𝐞𝐧 𝐝𝐞𝐟𝐢𝐧𝐢𝐭𝐢𝐨𝐧 | 𝐦𝐢𝐠𝐮𝐞𝐥 𝐨'𝐡𝐚𝐫𝐚

you and miguel have different definitions of the same word. he finally gives in to temptation —featuring a cranky but lovesick miguel and a flirty, head-in-the-clouds spider-girl. pre across the spider-verse but contains spoilers. requested here. fem!reader, 3k

˚ʚ♡ɞ˚

This has to be your favourite song in the whole world. 

You sit in the hall beside the entrance to Miguel's office (this week, you're thinking you might call it The Bedroom, on account of all the magic happening inside), headphones on, a bottle of lemonade beside you. 

Today has the makings of a great day. You're at the Spider Society headquarters and not at home, for starters, and one of the Peter Parkers you'd made friends with in the med-wing saw you this morning and recognised you, which is brilliant because he looked super similar to every other Peter Parker you've met. He offered to help you fix your rinky-dink headphones, and now they're working again and loud enough to cover the sound of Spider Chatter, even with your enhanced senses. 

What's more, Miguel has finally emerged from his dormitory, and he's walking toward you looking confused. That's a step up from unhappy. 

He asks you something. 

"What? I can't hear you." 

He says something else. You shake your head, music too loud to catch even a hint of what he's saying, and Miguel eventually crouches down to push your headphones around your neck. He's surprisingly gentle. 

"What are you doing?" he asks. 

"Waiting for you, what did you think I was doing?" 

"Why are you sitting on the ground?" He gestures backward to a red-lit control panel. "Chair right there." 

"I think that's someone's desk." 

"It's really not." 

Miguel stands up and doesn't hesitate to grab your arms and help you up too. It means more to you than it should, because it's not necessary and a few months ago he wouldn't have bothered. Which isn't to imply that Miguel is a mean guy, Lyla says he used to be a loser (code for sweetheart), and you get flashes of it every now and then in chivalry and kind smiles. 

He's not mean, he's cranky. 

"Don't sit on the floor," he says. "Just– just go inside if I'm not here." 

"Well, The Bedroom doesn't come when I call." 

Miguel's lips part in confusion for a second. Lyla appears at his shoulder, and says, "She can't get the platform to come down without you, genius." 

"Put her name on the command list," Miguel says. 

Your eyes widen. Lyla flashes to his other side, closer to you, and smiles playfully. "Done." 

"Stop sitting on the floor," Miguel says, turning around. He walks a few steps and pauses when he realises you're not following. "Are you coming with me?" 

You jog to catch up with him. Music plays against your collar, a slinking, indie sound that makes Miguel wrinkle his nose. You turn it up a little bit and smile when he glares at you. 

You enter the atrium that houses The Bedroom. Miguel hops up onto the platform because he's too tall to see sense while you struggle, but you're pleased when he takes your hand and pulls you up properly. All these familiar touches today, anyone might think Miguel liked you. 

He definitely does. 

You sit down in the spinning chair near what you've decided is your desk but certainly isn't, again pleased beyond words when you find your sketchbook from last time still there, cleaned away carefully, pencils in a pot and a brand new pencil sharpener by the side of it. It matches your spider suit. You look over your shoulder, your face lit up with thanks, and Miguel swiftly looks away from you. 

"It's electric. Tell me when the battery's dead, I'll charge it." 

"Thank you," you say, flipping your sketchbook open to the last entry. 

You aren't Picasso, but most members of the Spider Society are somewhat artistically inclined, considering the suit-making rite of passage they must all endure —if you don't know how to sew before you start, you will by the end. 

Or like Miguel, you could cheat and make the suit out of nanotechnology. 

You haven't really been designing any suits lately. Spidering is tiring, you need to relax, and your reluctant friends are the easiest subjects, though Miguel's face is painstakingly difficult to get right. He's very angular, high cheekbones with that divot that needs kissing stat, and his nose… He's really pretty, but you almost wish he wasn't so your sketches of him held a better likeness. 

He's the only one of the regular crew that stands still long enough to be drawn. Jessica doesn't like you (or maybe she does, it's hard to tell, but she hasn't forgiven you for asking if her baby was like a maraca bead when she fights) so she doesn't let you draw her. Lyla will stand very still if you request it, but after a few portraits she got bored and started changing her hair or glasses, and after a few more she gave up. Margo is hard to focus on because her blue light makes everything else seem super orange, though she does stand in one place usually. She takes up a lot of pages, but it's Miguel you've drawn most of all. 

You go around the Spider Society sometimes asking people if they'll sit for you, but again your skills aren't impressive, so it's awkward when they want to see how you've done. There are drawings of all kinds of Spiders, including yourself, between Miguel, and Miguel, and Miguel. 

His back, the side of his face, his hands ungloved. His pointy bottom teeth mid fight. The naked stretch of his arm and his Rapture injector positioned over it. He might not appreciate that one. You rip it out and toss it in the waste paper basket under your desk, where it incinerates, paper smoke curling up toward the extractor fan on the atrium ceiling. 

"What are you doing?" he asks without looking at you, his gaze on one of his marigold coloured monitors. 

"Drawing." You're not drawing so much as sitting there with a coloured pencil in hand, trying to think of conversation starters. "What are you upto?" 

"According to the program, there are no Canon events today at risk of disruption," Lyla chimes in, "so Miguel's doing chores." 

"What, not one bad thing is gonna happen today?" you ask. 

"Nothing we can predict," Miguel says. 

You swap your pencil for your drink, unscrewing the lid of your lemonade to sip at it leisurely. Today is your favourite kind of day. No fighting, lots of time with Miguel, and music to go with it. You're so happy you could melt. 

Miguel turns to you and sees your stickying smile. 

"What?" 

"Nothing. Just happy to be here with you," you say.

"Don't say stuff like that," he says, turning back to his screen. 

"Scared you'll actually experience sincerity?" Lyla asks. 

"Lyla," he warns, as though Lyla might be afraid of any consequence he had the power to inflict. 

"Sorry," you say, not very sorry, but not wanting him to be uncomfortable, "it's just nice, being friends with you."

"We aren't friends." 

You're not quick to take offence with Miguel. He can be cruel. He's hurting, he's unhappy, he has a lot on his plate. Oftentimes he's so tense with apprehension his neck locks up and you hear it clicking as he turns one way or another, or if he isn't apprehensive he's disappointed, furious, upset. You give him the benefit of the doubt because you know him, but you don't know the tone of voice he uses now. It's like he's offended at the insinuation. Like he would never, ever be friends with you. 

You put your lemonade on the desk and don't know what to do. His insipid floating platform is too high now to leave without causing a scene. Maybe when he's busy you can web down and go home. All you know is that you desperately don't want to be near him. But home sucks, and the dormitories are worse. You're stuck. 

"You can be so mean," you say softly, turning back to your sketchbook and pencils. 

You're thinking you might draw him with a bunch of bee stings, or find a previous sketch and cross his eyes out.

"What?" he asks. 

Your hackles rise. "You're mean. Don't talk to me." 

"What?" Miguel stands very still. "Y/N, what?" 

"What do you mean, what? I said something nice and you said something cruel. I get it, okay, we aren't friends, so don't talk to me." 

"I've upset you." 

You stare at your blank page. "It doesn't matter." 

"No, I've said the wrong thing." 

"Miguel, don't bother. What else could you mean by that?" You laugh with little humour. Crestfallen doesn't begin to describe how you feel. "I'll be quiet. I just don't want to be at home." 

"What's wrong with home?" 

"Is there ever much right?" 

"Did something happen?"

"We aren't friends, so why ask me?" 

You bite the inside of your lip as Miguel approaches, his footfall hushed over the lightweight metal flooring. You turn to him in your chair, head tilted back to meet his eyes, arms crossed over your stomach defensively. 

"That's not what I meant when I said that." He speaks slowly, firmly, to avoid any misunderstanding. "What's wrong with home, mi cielo?" 

You tap his ankle with your shoe, looking away from his gaze. You don't want to tell him, and if he keeps looking at you like that, you will.

"¿Qué pasó?" He bends at the waist slightly, bringing his face closer to yours, dark hair falling into his eyes.

"I don't know what that means," you murmur.

"Did something happen?" he asks.

"Nothing happened, it's just– it's lonely there," you say, squirming under the weight of his gaze, his sudden caring. "What's with you? One minute you're not my friend, the next you're worrying about me? You're giving me whiplash." 

He stands up, and his face falls back into a more typical emotionlessness. He's clearly feeling something, but he's wiping the slate clean. 

"When I said we aren't friends, it didn't mean–" He grunts, crossing his arms over his chest. "I thought you were staying in the women's dormitory?" he asks, frustrated.  

"I am, but I'm useless, and they don't really respect me because I'm–" 

"Eccentric?" 

"–not as experienced," you finish, eyes flaring. 

"Oh, my god," Lyla says, appearing in front of him to make sure he sees her delight at his slip up. 

Miguel bats her hologram with an annoyed grunt. She disappears again, her tinkling laughter cut short.

"It's a good thing," Miguel says quickly.

You stand up. "It's not the point." 

"You should feel at home in the dormitory, and if you don't, I'll find you somewhere else to stay here, you don't have to be in there if you don't feel welcome."

"Miguel, you're sounding awfully friendly right now." 

"We aren't friends," he says again, stepping closer to you. "What's so hard to understand about that?" 

"But we spend time together. We have fun. You like me, Miguel, you do, you tell me jokes sometimes, you make me things for me. You… you do like me, right?" 

"You know that I do," he says, his eyebrows pinching together. 

"You like me, like, you want me," you say, just to make sure.

His fist clenches hard enough to make an audible sound. Miguel's voice is fraught, and through barely parted lips, "If you know that, what's the problem?" 

You don't know. Maybe it was silly to worry about how he sees you, because you do know that Miguel likes you, but you also know he hadn't wanted to like you. His attraction to you was reluctant, you're not stupid enough to miss that, and it was important to you that whatever tension sexual or otherwise lingering between you had bloomed into mutual affection. 

"I want us to be friends, too," you say. 

"I thought we were more than that." 

It's such a quiet admission. He isn't afraid to say it, and he isn't reluctant like you feared. 

"Miguel," you say. "I want you to like me. I know I can be off-putting, I know I tease too much, but I don't want you to like me despite those things, I just want you to like me. So, when you say we aren't friends…" 

"I've never heard you say three serious sentences in a row," Miguel says, reaching out for your hand. He pulls you toward him slowly, his fingertips gliding up the length of your arm. "Then again, it's the same nonsense as usual." 

"Miguel–" 

"Of course I like you. How else do you need me to say it? I like you and I want to kiss you, I like you and I like that you're irregular. You want us to be friends? Then let's be friends." Miguel's hand closes around your bicep. His thumb presses against soft fat and muscle alike. "But not just friends." 

Relieved, you sigh. "So you're saying we really weren't friends?" 

Miguel leans down until his face is the only thing you can see. His smooth skin, his dark eyes, their darker flush of too-long lashes; it's unfair how pretty his eyelashes are, how they curl, how they bunch in triangles you have to fight to resist touching. His eyebrows so often slightly set, giving him an unhappy expression even now. 

He brings the hand that isn't clasped at your bicep to the hill of your waist. It's hot as a brand, and it pulls you closer, your neck craning with every inch he steals from between you. 

"We can be friends," he says. 

His fingers twitch against your arm, and his hand begins to climb. It's not as slow as it feels, conquering the curve of your shoulder, your neck. His hand is big, his thumb pressing into the column of your throat gently.

He looks at you for a measured lapse of time, and you know, finally, that you're on the same page. 

"What you said before, 'mi cielo?'" You hold his elbow. "What does that mean?" 

"My sky," he says. "My… my heavens. It's saccharine. It's something teenagers say, when they're," —his voice dips, the hand at your waist squeezing tight like you might slip through his hold—  "infatuated." 

"Just teenagers say that?" you ask.

"No," he allows. "I always thought it was too much." 

"But you–" 

"Yeah. I did." 

The first kiss is surprisingly sweet. On the tail end of words, Miguel presses his lips half-parted to yours, slowly, softly, like the brush of a downy feather. He lingers, and it's your own movement that spurs him on —you shudder up into his lips and he loses control. 

The sound he makes is a shock. You try to pull back to check he isn't hurting, and he lets you until he realises why it is you're pulling away. "It's fine, it's okay," he says quickly. 

Assuaged of your concern, he pulls you back in and he kisses you, he kisses you, his hand squeezing too tight and his nose bridge sliding up against yours from the force of it all. Your chest feels like a pit and you need Miguel closer if you're ever going to fill it, your hands snapping up to his face like magnets. There's no need to pull him down to you, he's already wading in, not wading —crashing, kissing you so hard your lips burn. 

You make a sound that says, hopefully, This is really fun, but don't give me a bruise.

His tongue is a heat at the seam of your lips. Your weight bends, your chest leaning into his front. He doesn't hesitate to ease his hand behind your back and prop you up against him as things get heady, and the only thing you can feel is him. 

All those times he almost kissed you, all those times he couldn't cross the gap. He poked and prodded and provoked you into getting into his space and each time you called his bluff. You wanted Miguel to give in, and now he has, it's the meltiest, most stickying warmth you've ever felt. 

Voices sound far away, off the platform and down the hall. Jessica and someone else, approaching fast. 

Something sharp snags your bottom lip as Miguel pulls away. You press your finger to your sore lip. When you pull it away, blood spots your skin. 

Miguel takes your face into his hand and angles your face to a glowing screen carefully, in total juxtaposition of the grip he'd had on your waist. 

"Sorry," he mumbles, the tip of his fangs catching the light. His adrenaline must be high. 

"Excited?" you ask him breathily. 

He wipes your lip with his thumb. The other hand pet's your cheek. You feel suddenly and smotheringly adored, all his attention on your pinprick wound. 

"Everything okay up there?" Jessica calls. 

Miguel drops your face like he's remembered himself. You turn to your newfound company, Jessica Drew and an unhappy looking Gwen Stacy. This high up, there's no way they can see the state of either of you, mussed hair and Miguel's blushy cheeks, but they'll see you eventually. And Miguel might like you, might want you, might be your more-than-friend, but he's a stickler for appearances, and being found kissing your subordinate dizzy when you're supposed to be working would mortify him.

"I cut my lip on a lemonade bottle," you call cheerily, waving at grumpy Gwen. Her lips perk up. "Miguel's trying to tell me it's my fault. Is lemonade usually sharp?" 

His hand flattens subtly at the small of your pack. 

"Thanks," he murmurs. 

"Welcome, handsome. Is it bad?" you ask, turning back to hip with your lip pouted. 

His eyes visibly soften at the sight of you. "Not that bad." 

"Alright, good. You'll have to let the platform down, I need to go." 

"What? Where are you going?" he asks. 

"If we're friends now," you say, lilting, performing a half spin in front of him just to watch his eyes narrow, "I'm going to have to make us bracelets. Friendship bracelets." He clearly doesn't like the idea of being friends still, so you amend with a softer tone, "Friends and whatever that was. Come on, you'll love it. I'll make it match your suit." 

He rubs the space between his eyebrows. 

"Will you bring your stuff here?" he asks, the platform beginning to lower under your feet. 

"Duh. I need to take lots of measurements. I'll be in your hair all day, you'll hate it." 

He nods like he agrees. "I'll hate it," he says, deadpan. When he's sure Jessica and Gwen aren't looking, he gives you a smile you've never seen before. 

You and I have a secret, it says. 

Lyla appears by your shoulder to instantly tell him otherwise. It goes without saying that she's mildly disgusted and extremely smug. "Don't match it to his suit, Y/N. Mr. Heartthrob here needs something soft. How about some baby pinks, hm?" 

Miguel sighs, but you barely hear him over your excited gasp. "Yes! Pink and white, for sure, that would be so nice." 

"Great," Miguel says. "Perfect. Thanks for that, Lyla."

"You're so welcome!" 

˚ʚ♡ɞ˚

thank you for reading! I hope you enjoyed :D please reblog if you have the time ♡