#I don’t know if it’s the original version of the story but I read the puss in boots story written in the mother goose book linked by dropout

[archersartcorner]

The way Pib’s hypothetical thrice upon a time was described in the last Adventuring Party had me wondering how that would play out in the final fight… Super self-indulgent, but I liked the idea that Tomas would insist on popping out of Mother Goose’s book to protect his scared lil kitty :-) I think this miller’s son should FIGHT

[choices-and-voices]

Just… a moment of silence for how beautiful this scene was 🥺

[chocolatemilk-mob]

Why is the official translation of dorohedoro so bad

[micer2012]

a reflection on MatPat's plagiarism

Hello, my name is Della, or micer2012, and 2 years ago Game Theory plagiarized three Tumblr posts of mine, making a video that now holds almost 6 million views.

My posts explaining his plagiarism made their rounds on Reddit, Tumblr and Twitter, but despite the Hermits and Pooka commenting on it (generally in support of me or saying they don’t know enough details about the situation to say either way), MatPat and his team have never owned up to anything, and no mention of my name is present on the video. The one Reddit post they made denying it (which was made before my detailed takedown, which they have never responded to (though the mods on the r/GameTheorists Reddit were kind and made sure it stayed up)) didn’t even mention me by name, just referring to me as “a tumblr user”. (Though one of the screenshotted comments in the body of the post does say my name)

This experience was baffling, but it’s overall had a positive impact on my life. r/Hermitcraft gave me a Golden Apple Award (post of the year, 2021). My inbox was filled with excited fans, wanting to ask me questions or pose their own theories, far more than the hate I got. (Though the hate I got from Game Theory fans was VERY funny. I wondered why none of them gave me shit about saying “MatPat misgendered Evil Xisuma” before realizing none of them read that far into the post.)

And getting on a more personal, and much more important note, I met most of my current online friends through this, including my partner. It helped me grow closer with my irl friends as well and gave me an entertaining story that I tell whenever I have the chance. It was one of the first things in my life that really made me feel like my talents, my autistic hyperfocusing and analyzing of things I love, could be valuable. Useful. Exploitable. It blew my mind that MatPat thought an autistic kid’s ramblings about a Minecraft Youtube joke character were good enough to steal. To put an audible sponsorship on. To get 6 million views off of.

And that’s why I’m writing this post, this update years later. As you might’ve been able to guess, Hbomberguy’s Youtube video on plagiarism reopened this wound. It was really hard for me to sit through, it took days of pausing and taking breaks, because I had experienced everything he was talking about firsthand. 

In my 10 page long takedown post, I wrote about how his rewording of my sentences made him say things that were incorrect, just like Filip did. The content farm production style that made big companies like Cinemassacre take one creator (AVGN/MatPat) and turn him and his content into a brand, a voice that reads out scripts by other people with other opinions/theories, is a history shared with Game Theory. What really hit me was Harris talking about how big creators only do this to people they think they can get away with doing it to. How they view their victims as lesser, as not deserving of their words, repackaging them as their own to give to an audience that can gain from hearing them, but deserves better than to have to listen to the original victim.

That’s the thing, I 100% think a video version of my theory to expose to a bigger community than “Evil Xisuma Fans on Tumblr” is a great idea!! Near the end of the video Harris talks about how video adaptations of things could be a great market, even an accessibility tool, and I completely feel that about my posts. I wrote them quickly assuming the reader was someone well versed on Evil Xisuma lore, after not even watching most of the CarnEvil series, and the diagrams I made to explain them are even less comprehensible. Harris makes a joke that I completely agree with, 

“I’m sure some of my videos would do very well if someone translated them into English.”

I don’t think I would’ve ever made my posts if I didn’t have autism, and a special fixation on Evil Xisuma and Hermitcraft. I made them because I felt the character was being done an injustice, and because I wanted to share with other superfans this theory that might explain it away. I do think that MatPat plagiarizing me was ableist. I used to wonder a lot if this would’ve happened if my posts were articulated better, if they had been peer reviewed, if the posts themselves had been spread to a wider audience before MatPat made his video. At one point when the discourse was fresh (before I had the time to write out my 10 page rebuttal), a bigger YouTuber (100k subs at the time) messaged me and started talking on Discord, interested in possibly making a video on the discourse, but I think my style of typing and general enthusiasm drove him away. You can tell by a single look at my blog (or my original 3 posts!) that I don’t usually type like this. This post you’re reading now has been peer reviewed and edited, and took me hours to format correctly. That video could’ve been huge, the entire outcome of this MatPat situation would probably be much different.

I also used to stress a lot about “being the one who ruined Evil Xisuma’s story”. If you didn’t know, to me S8 Evil Xisuma’s story got wrapped up pretty quickly and unsatisfying (in my personal autistic opinion). (though this might’ve been due to s8 being experimental and ending early with moon big) There was no real culmination of the plot points and arcs going on, and I don’t want to blame myself, but when Xisuma said on stream (when the MatPat thing was first going on) that he didn’t want to focus on the discourse or draw more attention to it, it makes a lot of sense to me that he just wanted to wrap it all up as quickly as possible. For a while I beat myself up about it, of ruining the story of this character I love, but it’s not my fault. If anyone’s, it’s MatPats, but I don’t think it’s useful to just blame someone else. That’s how the story ended up going, and that’s fine. This is Evil Xisuma we’re talking about, their inconsistent lore is what made them such an interesting character. And notably, Pooka made an animation with an awesome culmination of Jeff, the Dreamer, Evil Xisuma, and his own sona’s story, and it makes me so happy to watch. Whatever Pooka does is of course his own choice, but I’m glad he got to give this personal story his own ending (if it is an ending, and not just the start of a new chapter!). 

Typing this all out and getting it off my chest has made me feel a lot better. For a while I wanted to make my OWN video essay about Evil Xisuma’s lore and CarnEvil’s lore, actually going episode by episode to explain it instead of just assuming you knew as much about Evil Xisuma as I did. That idea is still not off the table, but MCYT isn’t something I’m that into right now. Maybe if something else comes out about Evil Xisuma I’ll get back on it, but for now I’m fine with letting that go. But I want to make other videos, share other theories and analysis… if I have the freetime I’d love to make YouTube videos, and if I don’t have the time I’ll continue posting to my tumblr and infodumping to my friends. Apparently my infodumping is valuable enough “content” to steal! Writing this out has made me feel a lot better though, I’m really glad I got it out.

If anyone ever wants to talk to me about the things I’m obsessed with, or reach out to me as a source in a bigger discussion about Game Theory or other channels, my inbox is more than welcome :] Thank you for reading! 

Sincerely, a tumblr user.

[mask131]

The truth about Medusa and her rape... Mythology breakdown time!

With the recent release of the Percy Jackson television series, Tumblr is bursting with mythological posts, and the apparition of Medusa the Gorgon has been the object of numerous talks throughout this website… Including more and more spreading of misinformation, and more debates about what is the “true” version of Medusa’s backstory.

Already let us make that clear: the idea that Medusa was actually “blessed” or “gifted” by Athena her petrifying gaze/snake-hair curse is to my knowledge not at all part of the Antique world. I still do not know exactly where this comes from, but I am aware of no Greek or Roman texts that talked about this – so it seems definitively a modern invention. After all, the figure of Medusa and her entire myth has been taken part, reinterpreted and modified by numerous modern women, feminist activist, feminist movements or artists engaged in the topic of women’s life and social conditions – most notably Medusa becoming the “symbol of raped women’ wrath and fury”. It is an interesting reading and a fascinating update of the ancient texts, and it is a worthy take on its own time and context – but today we are not talking about the posterity, reinvention and continuity of Medusa as a myth and a symbol. I want to clarify some points about the ACTUAL myth or legend of Medusa – the original tale, as told by the Greeks and then by the Romans.

Most specifically the question: Was Medusa raped?

Step 1: Yes, but no.

The backstory of Medusa you will find very often today, ranging from mythology manuals (vulgarization manuals of course) to Youtube videos, goes as such: Medusa was a priestess of Athena who got raped by Poseidon while in Athena’s temple, and as a result of this, Athena punished Medusa by turning her into the monstrous Gorgon.

Some will go even further claiming Athena’s “curse” wasn’t a punishment but a “gift” or blessing – and again, I don’t know where this comes from and nobody seems to be able to give me any reliable source for that, so… Let’s put this out of there.

Now this backstory – famous and popular enough to get into Riodan’s book series for example – is partially true. There are some elements here very wrong – and by wrong I do mean wrong.

The story of Medusa being raped and turned into a monster due to being raped does indeed exist, and it is the most famous and widespread of all the Medusa stories, the one people remembered for the longest time and wrote and illustrated the most about. Hence why Medusa became in the 20th century this very important cultural symbol tied to rape and the abuse of women and victim-blaming. HOWEVER – the origin of this story is Ovid’s Metamorphoses, from the first century CE or so. Ovid? A Roman poet writing for Roman people. “Metamorphoses”? One of the two fundamental works of Roman literature and one of the two main texts of Roman mythology, alongside Virgil’s Aeneid. This is a purely Roman story belonging to the Roman culture – and not the Greek one. The story of Medusa’s rape does not have Greek precedents to my knowledge, Ovid introduced the element of rape – which is no surprise given Ovid turned half of the romances of Greek mythology into rapes. Note that, on top of all this, Ovid wasn’t even writing for religious purposes, nor was his text an actual mythological effort – he wrote it with pure literary intentions at heart. It is just a piece of poetry and literature taking inspiration from the legends of the Greek world, not some sort of sacred text.

Second big point: The legend I summarized above? It isn’t even the story Ovid wrote, since there are a lot of elements that do not come from Ovid’s retelling of the story (book fourth of the Metamorphoses). For example Ovid never said Medusa was a priestess of Athena – all he said was that she was raped in the temple of Athena. I shouldn’t even be writing Athena since again, this is a Roman text: we are speaking of Minerva here, and of Neptune, not of Athena or Poseidon. Similarly, Minerva’s curse did not involve the petrifying gaze – rather all Ovid wrote about was that Minerva turned Medusa’s hair into snakes, to “punish” her because her hair were very beautiful, and it was what made her have many suitors (none of which she wanted to marry apparently), and it is also implied it is what made Neptune fall in love (or rather fall in lust) with her. I guess it is from this detail that the reading of “Athena’s curse was a gift” comes from – even though this story also clearly does victim-blaming of rape here.

But what is very fascinating is that… we are not definitively sure Neptune raped Medusa in Ovid’s retelling. For sure, the terms used by Ovid in his fourth book of Metamorphoses are clear: this was an action of violating, sexually assaulting, of soiling and corrupting, we are talking about rape. But Ovid refers several other times to Medusa in his other books, sometimes adding details the fourth-book stories does not have (the sixth book for examples evokes how Neptune turned into a bird to seduce Medusa, which is completely absent from the fourth book’s retelling of Medusa’ curse). And in all those other mentions, the terms to designate the relationship between Medusa and Neptune are more ambiguous, evoking seduction and romance rather than physical or sexual assault. (It does not help that Ovid has an habit of constantly confusing consensual and non-consensual sex in his poems, meaning that a rape in one book can turn into a romance in another, or reversal)

But the latter fact makes more sense when you recall that the rape element was invented and added by Ovid. Before, yes Poseidon and Medusa loved each other, but it was a pure romance, or at least a consensual one-night. Heck, if we go back to the oldest records of the love between Poseidon and Medusa, back in Hesiod’s Theogony, we have descriptions of the two of them laying together in a beautiful, flowery meadow – a stereotypical scene of pastoral romances – with no mention of any brutality or violence of any sort. As a result, it makes sense the original “romantic” story would still “leak” or cast a shadow over Ovid’s reinvented and slightly-confused tale.

Step 2: So… no rape?

Well, if we go by Greek texts, no, apparently Medusa was not raped in Greek mythology, and only became a rape victim through Ovid.

The Ancient Greek texts all record Poseidon and Medusa sleeping with each other and having children, but no mention of rape. And the whole “curse of Athena” thing is not present in the oldest records – no temple of Athena soiling, no angry Athena cursing a poor girl… “No curse?” you say “But then how did Medusa got turned into a Gorgon”? Answer: she did not. She was born like that.

As I said before, the oldest record of Medusa’s romance but also of her family comes from Hesiod’s Theogony (Hesiod being one of the two “founding authors” of Greek mythology, alongside Homer – Homer did wrote several times about Medusa, but only as a disembodied head and as a monster already dead, so we don’t have any information about her life). And what do we learn? That Medusa is part of a set of three sisters known as the Gorgons – because oh yes, Ovid did not mention Medusa’s sister now did he? How did Medusa’s sisters ALSO got snake-hair or petrifying-gaze if only Medusa was cursed for sleeping with Neptune? Ovid does not give us any answer because again, it is an “adaptational plot hole”, and the people that try to adapt Ovid’s story have to deal with the slight problem of Stheno and Euryale needing to share their sister’s curse despite seemingly not being involved in the whole Neptune business. Anyway, back to the Greek text.

So, you have those three Gorgon sisters, and Medusa is said to be mortal while her sisters are not. Why is it such a big deal? Because Medusa wasn’t originally some random human or priestess. Oh no! Who were the Gorgons’ parents? Phorcys and Keto/Ceto, aka two sea-gods. Not just two sea-gods – two sea-gods of the ancient, primordial generation of sea-gods, the one that predated Poseidon, and that were cousins to the Titans, the sea-gods born of Gaia mating with Pontos.

So the Gorgons were “divine” of nature – and this is why Medusa being a mortal was considered to be a MASSIVE problem and handicap for her, an abnormal thing for the daughter of two deities. But let’s dig a bit further… Who were Phorcys and Ceto? Long story short: in Greek mythology, they were considered to be sea-equivalents of Typhon and Gaia. They were the parents of many monsters and many sea-horrors: Keto/Ceto herself had her name attributed and equated with any very large creature (like whales) or any terrifying monster (like dragons) from the sea. The Gorgons themselves was a trio of monsters, but their sisters, that directly act as their double in the myth of Perseus? The Graiai – the monstrous trio of old women sharing one eye and one tooth. Hesiod also drops the fact that Ladon (the dragon that guarded the golden apples of the Hesperids), and Echidna (the snake-woman that mated with Typhon and became known as the “mother of monsters”) were also children of Phorcys and Ceto, while other authors will add other monster-related characters such as Scylla (of Charybdis and Scylla fame), the sirens, or Thoosa (the mother of Polyphemus the cyclop). Medusa herself is technically a “mother of monsters” since she birthed both Pegasus the flying horse and Chrysaor, a giant. So here is something very important to get: Medusa, and the Gorgons, were part of a family of monsters. Couple that with the absence of any mention of curses in these ancient texts, and everything is clear.

Originally Medusa was not a woman cursed to become a monster: she was born a monster, part of a group of monster siblings, birthed by monster-creating deities, and she belonged to the world of the “primordial abominations from the sea”, and the pre-Olympian threats, the remnants of the primordial chaos. It is no surprise that the Gorgons were said to live at the edge of the very known world, in the last patch of land before the end of the universe – in the most inhuman, primitive and liminal area possible. They were full-on monsters!

Now you might ask why Poseidon would sleep with a horrible monster, especially when you recall that the Greeks loved to depict the Gorgons as truly bizarre and grotesque. It wasn’t just snake-hair and petrifying gaze: they had boar tusks, and metallic claws, and bloated eyes, and a long tongue that constantly hanged down their bearded chin, and very large heads – some very old depictions even show her with a female centaur body! In fact, the ancient texts imply that it wasn’t so much the Gorgon’s gaze or eyes that had the power to turn people into stone – but that rather the Gorgon was just so hideous and so terrifying to look at people froze in terror – and then literally turned into stone out of fear and disgust. We are talking Lovecraftian level of eldritch horror here. So why would Poseidon, an Olympian god, sleep with one of these horrors? Well… If you know your Poseidon it wouldn’t surprise you too much because Poseidon had a thing for monsters. As a sort of “dark double” of Zeus, whereas Zeus fell in love with beautiful princesses and noble queens and birthed great gods and brave heroes, Poseidon was more about getting freaky with all sorts of unusual and bizarre goddesses, and giving birth to bandits and monsters. A good chunk of the villains of Greek mythology were born out of Poseidon’s loins: Polyphemus, Antaios, Orion, Charybdis, the Aloads… And even his most benevolent offspring has freaky stuff about it – Proteus the shapeshifter or Triton half-man half-fish… So yes, Poseidon sleeping with an abominable Gorgon is not so much out of character.

Step 3: The missing link

Now that we established what Medusa started out as, and what she ended up as… We need to evoke the evolution from point Hesiod to point Ovid, because while people summarized the Medusa debate as “Sea-born monster VS raped and punished woman”, there is a third element needed to understand this whole situation…

Yes Ovid did invent the rape. But he did not invent the idea that Medusa had been cursed by Athena.

The “gorgoneion” – the visual and artistic motif of the Gorgon’s head – was, as I said, a grotesque and monstrous face used to invoke fright into the enemies or to repel any vile influence or wicked spirit by the principle of “What’s the best way to repel bad stuff? Badder stuff”. Your Gorgon was your gargoyle, with all the hideous traits I described before – represented in front (unlike all the other side-portraits of gods and heroes), with the face being very large and flat, a big tongue out of a tusked-mouth, snake-hair, bulging crazy eyes, sometimes a beard or scales… Pure monster. But then… from the fifth century BCE to the second century BCE we see a slow evolution of the “gorgoneion” in art. Slowly the grotesque elements disappear, and the Gorgon’s face becomes… a regular, human face. Even more: it even becomes a pretty woman’s face! But with snakes instead of hair. As such, the idea that Medusa was a gorgeous woman who just had snakes and cursed-eyes DOES come from Ancient Greece – and existed well before Ovid wrote his rape story.

But what was the reason behind this change?

Well, we have to look at the Roman era again. Ovid’s tale of Medusa being cursed for her rape at the hands of Neptune had to rival with another record collected by a Greek author Apollodorus, or Pseudo-Apollodorus, in his Bibliotheca. In this collection of Greek myths, Apollodorus writes that indeed, Medusa was cursed by Athena to have her beautiful hair that seduced everybody be turned into snakes… But it wasn’t because of any rape or forbidden romance, no. It was just because Medusa was a very vain woman who liked to brag about her beauty and hair – and had the foolish idea of saying her hair looked better than Athena’s. (If you recall tales such as Arachne’s or the Judgement of Paris, you will know that despite Athena being wise and clever, one of her main flaws is her vanity).

“Wait a minute,” you are going to tell me, “The Bibliotheca was created in the second century CE! Well after Greece became part of the Roman Empire, and after Ovid’s Metamorphoses became a huge success! It isn’t a true Greek myth, it is just Ovid’s tale being projected here…” And people did agree for a time… Until it was discovered, in the scholias placed around the texts of Apollonios of Rhodes, that an author of the fifth century BCE named Pherecyde HAD recorded in his time a version of Medusa’s legend where she had been cursed into becoming an ugly monster as punishment for her vanity. We apparently do not have the original text of Pherecyde, but the many scholias referring to this lost piece are very clear about this. This means that the story that Apollodorus recorded isn’t a “novelty”, but rather the latest record of an older tradition going back to the fifth century BCE… THE SAME CENTURY THAT THE GORGONEION STARTED LOSING THEIR GROTESQUE, and that the face of Medusa started becoming more human in art.

[EDIT: I also forgot to add that this evolution of Medusa is also proved by strange literary elements, such as Pindar's mention in a poem of his (around 490 BCE) of "fair-cheeked Medusa". A description which seems strange given how Medusa used to be depicted as the epitome of ugliness... But that makes sense if the "cursed beauty" version of the myth had been going around at the time!]

And thus it is all connected and explained. Ovid did invent the rape yes – but he did not invent the idea of Athena cursing Medusa. It pre-existed as the most “recent” and dominating legend in Ancient Greece, having overshadowed by Ovid’s time the oldest Hesiodic records of Medusa being born a monster. So what Ovid did wasn’t completely create a new story out of nowhere, but twist the Greek traditions of Athena cursing Medusa and Medusa having a relationship with Poseidon, so that the two legends would form one and same story. And this explains in retrospect why Ovid focuses so much on describing Medusa’s beautiful hair, and why Ovid’s Minerva would think turning her hair into snake would be a “punishment fit for the crime”: these are leftovers of the Greek tale where Medusa was punished for her boasting and her vanity.

CONCLUSION

Here is the simplified chronology of how Medusa’s evolution went.

A) Primitive Greek myths, Hesiodic tradition: Born a monster out of a family of sea-monsters and monstrous immortals. Is a grotesque, gargoylesque, eldritch abomination. Athena has only an indirect conflict with her, due to being Perseus’ “fairy godmother”. Has a lovely romance with Poseidon.

B) Slow evolution throughout Classical Greece and further: Medusa becomes a beautiful, human-looking girl that was cursed to have snake for hair and petrifying eyes, instead of being a Lovecraftian horror people could not gaze upon. Her conflict with Athena becomes direct, as it is Athena that cursed her due to being offended by her vain boasting. Her punishment is for her vanity and arrogant comparison to the goddess.

C) Ovid comes in: Medusa’s romance with Poseidon becomes a rape, and she is now punished for having been raped inside Athena’s temple.

[As a final note, I want to insist upon the fact that the story of Medusa being raped is not less "worthy" than any other version of the myth. Due to its enormous popularity, how it shaped the figure of Medusa throughout the centuries, and how it still survives today and echoes current-day problems, to try to deny the valid place of this story in the world of myths and legends would be foolish. HOWEVER it is important to place back things in their context, to recognize that it is not the ONLY tale of Medusa, that it was NOT part of Greek mythology, but rather of Roman legends - and let us all always remember this time Poseidon slept with a Lovecraftian horror because my guy is kinky.]

EDIT:

For illustration, I will place here visuals showing how the Ancient art evolved alongside Medusa's story.

Before the 5th century BCE: Medusa is a full-on monster

From the 5th century to the 2nd century BCE: A slow evolution as Medusa goes from a full-on monster to a human turned into a monster. As a result the two depictions of the grotesque and beautiful gorgoneion coexist.

Post 2nd century BCE: Medusa is now a human with snake hair, and just that

[songoftrillium]

Werewolf: the Apocalypse 5th Edition and the Anti-Indigeneity in the Gaming Industry

reosted with permission from J.F. Sambrano

Dagot’ee!

Shii J.F. Sambrano gonsēē. My nations are Chiricahua Apache (Ndeh) through my maternal grandmother and Cora Indian (Náayarite) through my maternal grandfather.  I am a mixed race Indigenous person, and through my father my heritage is English and Scottish. I am currently residing and doing work in my community on the lands of Lummi Nation. I use both gender non-binary and masculine pronouns, but prefer the former. I have several published works in the TTRPG industry, and am probably most known for my contributions to Mage: the Ascension 20th Edition, Werewolf: the Apocalypse 20th Edition, and the Transformers Roleplaying Game, as well as being part of the Essence 20 development team. Further, I also work in higher education at an Indian college, both advising and teaching Indigenous students across the United States. My passion is education, and I believe that we all learn through play, and that TTRPGs are a valuable source of learning, especially on personal, cultural, and social levels. This has always been what has drawn me to TTRPGs since I started playing M.E.R.P. with my brother in 1996 (and before that HeroQuest), through to my “graduation” into more story-driven games such as those presented in the Storyteller System, until now, where I author and produce my own roleplaying games.

I was also part of the First Team (in-joke intentional) hired by White Wolf Studios/Paradox Interactive via Hunters Entertainment to develop and author Werewolf: the Apocalypse 5th Edition. After several months of work, Paradox Interactive chose to go in another direction in early 2021 (I believe it was either March or April) and in fall of that year, it was announced that Werewolf would instead be taken in house, with Justin Achilli as the Brand Creative Lead and primary author of the book. Going forward I will be describing my experience while I worked with Paradox Interactive, primarily through Karim Muammar, White Wolf’s Brand Editor, as well as the developmental editor for Werewolf. Although I worked in a team, both with hired authors and in-house representatives at Hunters Entertainment, I will not be speaking for the experience of others, except when specifically noting unanimous consensuses, and specific interactions (which will go unnamed) that are particularly relevant. My hope is that by highlighting some of the anti-Indigenous attitudes that are central to the foundational members and leaders of the White Wolf brand, that I can provide opportunities for growth and healing within the World of Darkness TTRPG community, but also in the broader gaming community, where these behaviors and attitudes are rampant. I also want the community to have a better understanding of what this experience is like internally, and the challenges that Indigenous creators, as well as other marginalized creators, are met with when they try to make positive change within nerd and geek communities clinging to inherited white supremacist values, even if they don’t realize they are doing so.

What I do not want to be doing in this article is creating fuel for edition wars.  I believe that both legacy and Werewolf 5th are rife with anti-Indigenous attitudes, and appalling amounts of appropriation. Both versions deserve criticism, I am not defending one over the other, I am only sharing what my experience was like working on the 5th edition of the book. Further, please understand that I was originally going to wait until I had read the final copy of the book, because I wanted to know how much of my work was used (based on previews I already know some was, just not the extent) and whether or not they decided to credit me for that work, and how I was going to be credited.  My belief is that I likely will not be, but I am genuinely uncertain.  Knowing how they handled that would have reframed how I addressed this. But more importantly, I want it to be very clear that even before Paradox ultimately pulled the plug on the Hunters team, I was preparing to exit working on the project based on the experience I will describe below. Not only did I find it frustrating, and personally disparaging, but I ultimately decided I was uncomfortable with my name being attached to the product based on the direction they wanted to go. So while I wanted to know whether or not I would be credited, because it would teach me something about their internal practices, I do not want or need the credit.

Finally, the reason that I decided to speak about this now instead of after having a chance to inspect the final product, was because my personal experience dealing with anti-Indigeneity coming from Paradox was just that: personal.  But since then I have witnessed a throughline of hateful and xenophobic attitudes wielded against Indigenous people across the globe, and we do not deserve this treatment.  I was outraged over the events that led to the segregation of the Latin American fanbase, which culminated from bottom-up criticism about how poorly their people and countries were being defined through World of Darkness products, and ended up with the firing of their Latin American Brand Ambassador, Alessa Torres, because she chose to stand with her community in those criticisms.  I was further appalled when the likeness of Tāme Wairere Iti was shoehorned into the Werewolf book, a blatant example of cultural theft: not only in stealing the literal physical identity of an Indigenous person, but also his sacred tā moko.  When Paradox Interactive issued an apology for this, it felt incredibly hollow to me in the wake of these events, the hateful attitudes I had personally witnessed coming from the top.

Whether from North America, Mexico, Brazil, Argentina, or Peru, or across the globe in New Zealand, not only do Indigenous people deserve better treatment from such a major company, but their Indigenous and Latino fanbases, who have twisted and worked themselves through difficult representation for decades at this point, deserve better.  Apologies are not enough, especially when they come with next to no real change.

Werewolf: the Apocalypse in Context

At the time that White Wolf Publishing began to produce its World of Darkness line, the TTRPG industry was dominated by white men, both as producers, developers, and authors, as well as the main characters in their settings. White Wolf's World of Darkness made an impact at the time, by defying these Eurocentric, patriarchal presentations, first by defaulting to feminine pronouns throughout Vampire: the Masquerade, and then by focusing on Indigenous representation and values in Werewolf: the Apocalypse, and as a young Indigenous nerd, it had a positive impact on me, as I know it has on some other Indigenous people who became fans of the World of Darkness at the time. This was because before opening the pages of Werewolf: the Apocalypse, I had never seen heroes that I could play who looked like me and my culture. It was off, and often offensive, but it was my first experience in which I could directly play a hero who shared my heritage--and I also had more than one option through two different Tribes to do so. This might sound a little like I was cheering for table scraps, but again, at the time, table scraps was more than I had ever seen before.

Werewolf: the Apocalypse 1st Edition was originally published in 1992 via then White Wolf Publishing (not to be confused with Paradox Interactive's White Wolf). From its inception, the premise was interwoven with what its then-authors believed to be Indigenous praxis and representation.  Like many pop-culture presentations of Indigeneity from this time period (see Fern Gully, Dances With Wolves, Disney’s Pocahontas, or in TTRPGs, the NAN from Shadowrun) it was rife with problematic and even offensive stereotyping. The most obvious examples thereof are within the two "Pure Tribes" Uktena, and W****** who I will henceforth refer to as Older and Younger Brother. However, Indigenous inspiration was at the core of the game's spiritual premise as well, where animism and "Totems" are central to the setting and gameplay. The way these concepts are presented is trivializing and dehumanizing, but it is important to acknowledge that the appropriation present in Werewolf: the Apocalypse goes a lot deeper than the two Brother Tribes (even the term "Tribe" was meant to invoke a vision of Indigeneity compared to the previous setting in the line's use of "Clan"). Additionally, there is art throughout every generation of these gaming books that represents humans, wolves, and human-wolf hybrid forms wearing Indigenous regalia, including sacred items such as headdresses, or engaged in sacred rituals such as the Sun Dance. The list of problematic representations goes deep, and my examples only scratch the surface, but it is also important for me to note the positive impact that this had, particularly in the 90's.

Even though the primary contributors to these narratives were non-Indigenous authors, or in one case, a Pretendian, and another, a culturally disconnected author, by the time the Revised (or Third Edition) era of the books came around, White Wolf Publishing was actively engaged in cultural consultation.  While I do not believe cultural consultation makes a big difference on its own, it matters that the attempt was made, to a degree: while these efforts fall short of what needs to be seen in cultural representation, this was still ahead of most other gaming companies at this time.

Hired by Hunters Entertainment

In February of 2020 I was approached by one of the co-owners of Hunters Entertainment to be one of the primary authors for Werewolf: 5th Edition due to my work on other World of Darkness projects, and let's be honest, because I was capable of bringing a much needed Indigenous perspective to a gameline that was rooted in Indigeneity and rotting with appropriation and racist stereotypes. I was overall receptive to the invitation, largely because I was very passionate about the World of Darkness setting overall, and Werewolf in particular, due to the impact that 90's representation had on me when I was a younger gamer. I also felt hopeful that with a really hard rewrite of Indigenous aspects of the game that I could shift a lot of really painful aspects of the game into something that was a net positive for Indigenous representation. I will tell you now, more than anything, I was excited to rewrite the Younger Brother Tribe, because when separated from racist authors, their message is very empowering and real to my lived experience.

That said, I did not agree to join the project without first asking for reassurances. I said that I was not willing to write negative Native stereotypes. I would not use appropriative language, or generally engage in appropriative writing (which meant at minimum that the names of the Pure Tribes would need to change), and most importantly, that I would not not engage in writing that contributed to erasure. While the person who recruited me to work on the project was eager to work with me, he acknowledged that he was not sure he could get everything I wanted to see approved, but also promised to fight for everything I suggested as hard as he could. Additionally, he shared with me that the original setting pitch for W5 involved all of Younger Brother being slaughtered en masse in a massacre. I made it clear that this was exactly the kind of thing that I would not write.  I cannot remember if this was something he suggested to be changed before or after I was invited onto the project, but with some pushback it was changed.  However, I point this out because I want you, the reader, to understand how eager Paradox Interactive was to start with mass genocide and erasure as a foundation to the setting.  All that said, I cannot stress enough that I have had nothing but positive experiences with Hunters Entertainment, and none of the following concerns fall upon them.

The Sword of Heimdall

The first encounter the Hunters Entertainment team as a whole had with problematic guidelines for the W5 draft was the direction that Paradox Interactive wanted to go with the Sword of Heimdall. At the time, the suggestions from Paradox and Karim Muammar were that the Sword of Heimdall was going to represent the new major villain of the Werewolf setting, and that they were to also represent the far-right, fascist direction that Werewolf society so often turned toward. They were meant to be representative of how far the new concept of Hauglosk could take entire communities. However, the Sword of Heimdall was discussed interchangeably with the Get of Fenris as a whole, and more than once Muammar seemed to suggest that every member of this Tribe was guilty of the same attitudes espoused in previous editions from the Sword of Heimdall. Now let's not beat around the bush: the Sword of Heimdall are literal Nazis. They believe directly in white supremacy and don't shy from it. They wanted to cleanse impure elements from the Get of Fenris, including BIPOC people, other non-white ethnicities, women, neurodivergent Garou, and other disabled Garou.

The writing team found this approach problematic for several reasons. The first, and most obvious, was that the direction seemed to want to turn one of the most popular Tribes into a horrific stereotype of its most abhorrent faction. Whether or not Muammar’s goal was to turn them into villains, we could not imagine a world where fans of previous editions would get their hands on this book, and not look for a way to play one of their previous favorite groups, thus creating the issue of making a guide to playing Nazi. Even beyond that, it’s not as if historically there were not players who used the tools of the setting to play Black Spiral Dancers, why wouldn’t this draw people who actually wanted to role-play through these toxic, harmful politics? Further, and while this is less important, it left a bad taste in my mouth, the justification for this major shift in Werewolf lore seemed to change over each pass. At first, Muammar suggested that all Fenrir were Nazis/SoH.  Then, when he was provided with evidence that it was a small faction that was eliminated in the early 2000’s, he started to shift toward the idea that we should not follow the lore. Finally, when every single member of the writer’s team flatly refused to provide what would essentially be “a player’s guide to being a Nazi werewolf” the writing was on the wall about the end of our involvement with this product. More than once, he suggested that we were cowardly social justice warriors for being unwilling to work with this concept, even though there were several attempts to write a heroic version of the Fenrir that were focused on undoing these ills of the past.

Indigenous Erasure in Werewolf: 5th Edition

While the entire Hunters Entertainment writing team was handling the major, glaring issue of Paradox’s fervor to include a major Nazi element in Werewolf, I was personally dealing with the problematic approach to the Indigenous issues in the setting. The largest problem, for me, was in addressing Younger Brother’s issues, the history of non-Indigenous writers creating horrifically racist stereotypes, and what was valuable in the Tribal identity that should be saved and recentered. However, my attempts to do so were thwarted with every approach. I rewrote this Tribe four times, and offered three different versions of it to try to earn approval for a final write-up, but each time there was a lot of negativity directed towards my attempts and all them boiled down to this: Muammar felt that having two Tribes (both Younger and Older Brother) representing the “Indigenous population” was too many, and wanted them to only be focused on Older Brother, and that Younger Brother’s connection to a central, Indigenous identity, was undesirable because “other sources wrote them as having Siberian and European connections” and that future writing on this Tribe would require a lot of sensitivity…suggesting that one, Muammar wasn’t interested in doing the work to handle that level of sensitivity, and further, that he wasn’t interested in including me in future work, since I was involved with doing that at the time.

I want to take a moment to remind you that the work that was put into recovering Younger Brother started with “Let’s Kill Them Off” and at this point, through a combination of convincing and pleading, had been walked back to “They can live, but now they’re not connected to being Indigenous anymore” which is just representative genocide of a different variety. “Kill the Indian in him, and save the man.” It was also explicitly something I said I would not write about going into this project. Ultimately, my efforts did not get much further than this, with some specific exceptions I will cite below.

Karim Muammar’s Anti-Indigenous Positions

Muammar consistently and repeatedly communicated to the team in ways that were condescending and dismissive of our collective accomplishments and capabilities, but from my perspective, no one suffered as much significant derision as I did while discussing the changes I wanted to make to Younger and Older Brother in order to make their representation empowering and exciting.

In the pulled quote from the previous paragraph, I want to point out to you that Muammar, who had the title of Lead Editor on this project, refused to capitalize Native American. Further, he would often redline my work with edits to decapitalize my own uses of Native American, as well as the word Indigenous when referring to Indigenous peoples. While there are plenty of people who might want to argue about this, I will point out that both the AP style guide as well as the Chicago style guide (the one which I am most familiar with in my academic historical work) both call for Indigenous to be capitalized when referring to a people. Further, I challenge anyone to defend the consistent decapitalization of Native American. More importantly, the reason that these are standards in respected style guides, is because the English language has been used historically to oppress and erase ethnic identities, including Indigenous identities. By transforming adjectives into proper nouns, we are declaring that Indigenous and Native aren’t descriptors that can be applied to animals, plants, and soil, but real lived identities and culture groups.

When I was explaining to the Paradox team (which was mostly just Muammar) why it was important to change the names of these two Tribes from the appropriative (and offensive) ones used in the past, Muammar pushed back by defending the previously used Younger Brother name, even after reading my extensive research and explanation about how this would harm Indigenous communities and fans.

While doing so, he also decided that it was appropriate to refer to this entirely Native American tribe by the word “savages” a slur that has been specifically used to dehumanize Native Americans, and then mocked my rewrite that focused on presenting them as stewards of the land using Indigenous methodologies and praxes, instead of the “savage” racist stereotypes they were presented as in previous editions. Further, as in the above quote, even after it was communicated that the use of this term was problematic, he kept doubling-down to use it to refer to the Tribe.

Even though I worked hard to redefine Younger Brother through Indigenous theory, such as place-based theory, relational theory, and communal theory, Muammar either refused to recognize this work, dismissing it as simple, or else simply could not understand the importance of these changes. Either way, the choice is that he didn’t want them to change, or couldn’t comprehend why the change was important because of how entrenched in white supremacist thinking he is. Further, after the massive effort that I put forward to attempt to educate him and the rest of the Paradox team on these issues, the insistence on using offensive terms and belittling my work felt intentional. So let’s talk about the work I did that was above and beyond my job description: free cultural consulting work.

“Sensitivity” and Consultation

I have seen several misunderstandings of my role working on this project going around, so I want to make something very clear. I was hired to work on this project as an author, and nothing else. I was not ever hired to be a cultural consultant. I do not do cultural consulting work. While I feel that there are many creators and companies who hire cultural consultants with the best intentions in mind, their responses often fall short of what is needed, as no one is ever obligated to actually follow the advice of cultural consultants. Further, I think there are also many companies who choose to hire cultural consultants only to say “we did this minimal step, and that is enough” in order to ward off naysayers.

However, anyone who hires me gets some level of cultural consulting for free, because it comes out in my writing–in both what I won’t write and what I choose to center my writing around. In the case of Werewolf 5th Edition, however, it was far more involved than this. I came with a plethora of “I will not write X” because I knew the setting was so problematic.  A short list of my demands besides not being willing to write Indigenous erasure, was that we needed to change the names of the Pure Tribes (and the term Pure Tribe itself), we needed to change the word Totem to Patron, and also the Patrons of the Pure Tribes. We needed to move away from the term Metis for obvious reasons, and we needed to move away from the term Skin Dancers. I also specifically noted that there was a lot of cultural theft happening from the beginning of Werewolf until now that I wanted to address. The only way these issues were going to be addressed was to convince Paradox they were actual issues on the level of PR concerns, because nothing else was likely going to be considered. So in order to achieve this, I put in weeks worth of research, writing, and meetings with top level administrators with Hunters Entertainment so that they could bring this information to Paradox.  I never documented my hours, but I would guess that I did approximately 80-100 hours of what I could only describe as cultural consultation work for free that was outside the contract work I was hired for. Let’s be clear: I did this willingly because I was passionate about the positive changes I wanted to see in this product, because I believed that Werewolf’s historic ills could be turned toward non-toxic representation.

Besides my actual words, such as naming the Ghost Council, and arguably the name Gale Stalkers came from a combination of names I pitched to Paradox after Winter’s Teeth was denied, and several sentences and paragraphs that I have seen so far that appear so close to what I originally wrote that you could imagine they were just edited versions, my largest contribution toward the final version of Werewolf: 5th Edition was this work. The only reason the offensive, appropriated names were changed were because of hours of my work to convince them it needed to happen. The reason that the Gale Stalkers aren’t just dead and gone: again, I pushed against this. The reason that Skin Dancers, Totem, and Metis will not appear as canonical titles? I pushed against their unwillingness to alter these things (see Karim’s defense of Wen**** Tribe name above).

Further, and this is the biggest reason I decided to write this article before seeing the final version of the book, I want to mention that I was also included in discussions with Hunters Entertainment to potentially be part of the art direction team, especially to oversee depictions of Indigenous characters, regalia, and art, to ensure that it would be represented either respectfully or not at all. I decided I needed to speak as soon as possible after the artistic portrayal of Tāme Iti appeared in the Glass Walkers preview without his permission. There are many arguments surrounding this issue and I am not going to address everything, but ultimately, I can tell you that had I remained as part of the art direction team, and saw that, I would have questioned it immediately. Even if I didn’t recognize Tāme Iti immediately, I would have asked what the source was on the depiction of moko in that piece, because I am aware that this is a sacred form of art–and I had already discussed wanting to make sure things like Crinos in headdresses didn’t appear in the book (as had often happened in previous editions, particularly on a certain white-skinned character whose name rhymes with Steals-the-Past).

As time working on this project went on, and I went through rounds and rounds of trying to convince Muammar and Paradox that it was important to not steal Indigenous identities, art, and stories, and that a greater effort needed to be put in powerful and empowering Indigenous representation, and I constantly ran into refusals and criticisms that were clearly hateful toward Indigenous identities and peoples, not to mention the push to represent Nazism as a major part of the game setting, I grew increasingly frustrated and restless with feeling like I was trying to work on a challenging project while also defending my right to exist as the person I am at every turn. Eventually I turned to another Indigenous TTRPG and game creator to ask for advice, and after a long and difficult discussion, I came to the conclusion that I was going to talk to the Hunters administration team and tell them that if Muammar kept using slurs and other anti-Indigenous language and attitudes, I was going to need to step off of this project, because it was harmful to me on a personal level. In furtherance of this point, I have been avoiding doing any contract work at all where I can tell that I am wanted for my specific cultural perspective ever since, because this situation was so harrowing for me.

Unfortunately, before I could have this conversation, after one final draft of Younger Brother and Bone Gnawers (which had its own issues, but that is not the point of this discussion), before we received any other specific feedback, the Hunters Entertainment administrators announced to the writing team that Paradox had decided to take the book in-house, and would no longer need our services.

The main point I would like to leave you with, besides these few specific quotes (out of dozens and dozens) that Muammar made that were anti-Indigenous, is that there is often a big call to have more BIPOC voices in various entertainment industries, so that both our stories, perspectives, and unique views on how the universe and life works, can be included; so that an industry that is historically, harmfully Eurocentric, might turn toward new, healthier, and inclusive directions. And I agree with this call for change, but I implore you to consider the conditions that BIPOC creators often have to work under: doing cultural/identity work and consultation for free as part of being present, being subject to vicious refusals of our experiences and perspectives, and straight-up having slurs lodged against our work. I want to see these changes in the industries we love, including the gaming industry, but currently the people who are in charge, who have the most power, are severely hostile to our work and our perspectives. This is why, for example, works like Coyote & Crow were done with an almost entirely Indigenous group of creators, and led by Indigenous creators, because trying to work for and with this ugly, hateful, and xenophobic group of people is so often exhausting, both mentally and spiritually, and because no good changes end up being made.

I am glad the harmful, appropriative terms were removed from the setting. I am glad I was part of the fight to make that real. I am not so glad that I was treated with hostility and racism by Muammar for the effort and love I put into this work, and I am not so glad that I will certainly be reviled by one of the two communities I did this work for–the gaming community, and certainly the people in power in this industry–and I am also not so glad that I didn’t have the opportunity to properly acknowledge how much of Werewolf’s base themes and setting are twisted and tied-up in Indigenous appropriation without giving the proper acknowledgments.

More than anything, I hope that this story will help you, the fans, realize that there is a lot of darkness in these communities, and they won’t change unless you hold their feet to the fire.

Ánaagodzįįhł

J.F. Sambrano

[bilolli]

Just Dance Care AU!

Ok ok so I thought of a story for this Au but it’s nothing really impactful or full of drama and angst like my other au’s, I wanted to leave this au easy and fun to play around, because, let’s say it. Just Dance and drama in the same sentence makes me laugh. 

story and PNG version under the cut!

(I gave up on Y/n design because I couldn't figure out a general look for them. This is you we are talking about! Draw your own JD fit, I'll draw mine soon XD)

Anyway here’s the story so far: 

Year 2029, videogames industry made a huge step forward and classic consoles and devices were substituted by the new and upgraded VR headsets with full body tracking. It’s something like the NerveGear in Sword Art Online without the kill switch. Some games still require you to actually move your body (like fitness games or sports because yeah, they don’t have a purpose otherwise). 

Y/n wanted to buy the newest VR headset but, while searching for the best offer, they found out FazCo entertainment was hosting a giveaway, the prize? One of their prototypes, a VR meant to be released the next year coinciding with the opening of their first mega pizza plex.

(so the plex doesn’t exist right now). You decide to sign up for the giveaway and after a while you receive an email telling you you won the VR headset and that, to claim it, you need to read and sign a series of NDA policies (understandable, it’s a prototype headset that’s not even in commerce). Some clauses are a little bit concerning but nothing you hadn’t read on other electronics booklets, so you decide to sign. After, like, a day, you have the VR in your hands. 

The box let you know with super saturated and colorful writing, that the VR came with a game pre-installed inside. Uh, that’s why they were giving one away, they wanted a free game tester…but you know what, it’s worth it.

You always liked Just Dance games, they make you think about happy memories of your childhood. This pre-installed game called “Five Dances at Freddy’s” is a close copy of your childhood game with original FazCo songs, characters, environments and also some collaborations with other famous artists. It probably will be the cause of a big copyright infringement report.

There are various ways to play it: story mode, Casual dance, Five Dances, and Just Dance Care.

The first one is similar to the casual dance mode but with little cutscenes between a dance and another to tell a tale, Casual dance is how you can play the collab songs, Five Dances is the multiplayer mode and Just Dance Care is a more uhhhh “hard” way to play the game with all the other modes mixed in it. You stare at the description of the last mode smirking and decide to try it first just to see how far you can get before losing (yes you can lose in hard mode in this Just Dance, but you don’t die, you just have to restart from the beginning). Turns out the FazCo wasn’t kidding when they advertised the new headset as a breakthrough in the world of virtual reality headsets, the thing TRANSPORTED you inside the game itself. 

You almost have a heart attack when you can’t find your VR on your head, but before you can try something you are blocked by two tall individuals who you think are the “tutorial” characters. 

Yadda yadda, tutorial, you can pause the game and exit whenever you need just by opening an hidden menu, you find out your tutorial characters are called Sun and Moon and that you are way worse than you remembered at dancing (damn full body tracking, there is no way you are going to do a cartwheel in the middle of a dance, you still don’t know if your body is inside your home and if you’ll physically feel pain if you fall and you don’t want to find out).

You pass an embarrassingly long time trying to win your first dance battle just to discover it was still the tutorial. 

You try to go on with the story but you fail at the first real battle with a bear character named Freddy. 

And guess what? You have to start again from the tutorial! Y/n is gonna spend A LOT of time with Sun and Moon if this goes on.

[angelsinluv]

𝐀 𝐒𝐈𝐌𝐏𝐋𝐄 𝐆𝐔𝐈𝐃𝐄 𝐓𝐎 𝐒𝐓𝐀𝐓𝐄𝐒 𝐀𝐍𝐃 𝐌𝐀𝐍𝐈𝐅𝐄𝐒𝐓𝐀𝐓𝐈𝐎𝐍

a guide on how to manifest quickly and effortlessly with the understanding of states! ♡

☆ ┊𝐓𝐀𝐁𝐋𝐄 𝐎𝐅 𝐂𝐎𝐍𝐓𝐄𝐍𝐓𝐒

what are states?

how to enter and sustain the state

dealing with the unfavorable (the 3D, emotions, doubts, negativity…)

quotes

a post by @blushydior + @angelsinluv

this is a joint/collab post between @blushydior and @angelsinluv. this was originally bambi’s post so she’d written most of it but doesn’t want to post it on her blog for personal reasons. so we thought it’d be a good idea for me to post it on mine and put our knowledge together since it’s been the talk lately.

there are many different ways of understanding the law and manifesting your desires whether it be behind a scientific point of view or the principle, states.

if you’d like to know how blushydior manifested her dream life with hard circumstances, read this post here.

now, let get into it.

☆ ┊ 𝐒𝐓𝐀𝐓𝐄𝐒

the sooner you understand and get the gist of states, the more seamless your manifesting journey will be. this realization is what brought bambi to manifest her dream life.

states manifest and thoughts don’t and i’ll explain why in this guide but in no way shape or form that i am pushing my beliefs onto you.

even if you don’t agree with that statement or are unable to fully click and resonate with states just yet know that states and thoughts work together to bring awareness to what mindset/story you’re entertaining.

for example, if you wanted to know what state you’re in, you would look at your thoughts. why? because when you change your state, your thoughts naturally change as well so therefore, thoughts and feeling are indicators of what you’re state in.

if your day to day thoughts are:

where are my desires?

why hasn’t the 3D conformed yet?

i didn’t get to saturate my mind today, now i won’t get it

you are coming from a state of lack. a state of not having your desire unaware that your imagination trumps the 3D. always.

i’m not saying it’s a crime to affirm all day. many people enjoy it so it’s not out of lack. it’s up to how you’re doing it.

with manifestation, you’re either in the state of:

being the person who has it

being the person who is trying to get it

in the law of assumption, what creates reality? your mind (consciousness)

so, if you’re affirming, visualizing, doing all these things IN YOUR MIND, to change your reality (3D) then…

BY DEFAULT:

imagination creates reality

the 3D is a reflection of your state of BEING

always look inwards for confirmation because that’s the true reality!

☆┊ 𝐒𝐄𝐋𝐄𝐂𝐓 𝐘𝐎𝐔𝐑 𝐃𝐄𝐒𝐈𝐑𝐄𝐃 𝐒𝐓𝐀𝐓𝐄

aka choose what you want to manifest! this would mainly be the state of the wish fulfilled.

state = your state of being / state of consciousness. your I AM.

it’s what you identify as. your awareness of being.

choose what you want and embody the version of you / person who already has their desire.

for example, if you wanted $10 million, you choose to be in the state of fulfillment - the person who has $10 million.

that is now your state - the person who has their desire. the state of the wish fulfilled.

☆ WHAT IS THE STATE OF THE WISH-FULFILLED?

the state of the wish fulfilled is the state in which your desire has already been fulfilled - that it is already done because consciousness is the only reality. there is nothing left for you to do because creation is finished!

you do not create anything, you only occupy and live in your desired state to bring it to life. this is why there is power in your awareness (of being). be aware of who you are being in relation to your desire.

☆ MORE ON STATES

infinite states exist within consciousness - this means that anything is possible and not all of them are true/will manifest. only the state that you constantly dwell and identify with, manifests.

this is also why infinite realities exist. your state is your reality.

❝ The world is a mirror, forever reflecting what you are doing, within yourself. ❞

☆ ┊ 𝐓𝐑𝐀𝐍𝐒𝐅𝐎𝐑𝐌 𝐓𝐇𝐄𝐌 𝐈𝐍𝐓𝐎 𝐅𝐀𝐂𝐓

now that you set the intention of embodying the person who has their desires, thoughts, feelings, and beliefs that align with your state will naturally flow to you.

as you can tell, thoughts and feelings are a product of a state but repeating affirmations, visualizing, doing whatever you want can also help you sustain and being into the state. that’s what techniques are for!

so what would you be thinking and how would you feel if you had your desire?

thinking = imaginal acts that include visualizing, affirming, inner convos, feeling, etc.

thinking is not just affirming because there are people who think in visuals and others who think in forms of words (affirmations). do what feels natural to you. — blushydior

affirm: “i have $10 million dollars in the bank!”

visualize: any scene that implies you have $10 million dollars in the bank

feeling: nonchalant / at peace / etc. knowing you have $10 million in your possession.

that is now your awareness / state of being

feeling ≠ emotion!

feeling = accepting your desire as a fact that it is yours because consciousness is the only reality.

☆ 𝐀𝐁𝐎𝐔𝐓 𝐓𝐇𝐄 𝐅𝐄𝐄𝐋𝐈𝐍𝐆

remember that the feeling is natural and it won’t be the same every single time. for example, if you’re now just starting to understand and enter the state of the wish fulfilled, it might be exciting, relieving - euphoric even but as you exercise returning back (persistence) to dwell in the state, it’ll start to feel natural. it might start feeling nonchalant, peace, calmness! so if you reach that point and start to worry, “i feel nothing but I know it done. am i doing something wrong?” no you’re not. it’s okay!

you don’t have to act as if. only be as if.

❝ Are you thinking from the state you desire? or is your dream just a passing fancy, a daydream you enjoyed for the moment, and then dropped? ❞

if you say you want money, are you gonna keep WANTING it? NO. to manifest, you ARE the person who has the money.

that’s it. that’s your state! you changed who you are.

YOU ARE THAT PERSON WHO HAS THE MONEY. simple. (that’s because the law is)

☆ 𝐓𝐑𝐘 𝐈𝐓 𝐖𝐈𝐓𝐇 𝐌𝐄 𝐍𝐎𝐖

close your eyes, claim you have what you want. by affirming, visualizing, whatever feels good to you.

see it, feel it, know that your mind creates your world. what you see is THE REAL FACT.

isn’t it liberating? BECAUSE IT IS.

you are free to do and have whatever you want! this is why the 3D, circumstances and feelings DO NOT MATTER. why? because YOU, the operant power JUST SAID you have it in your mind so why are you going to let emotions and the 3D effect you?

now, accept these thoughts and your state as facts because that’s what they are. consciousness is the only reality so if you say and know that who you are in imagination is true, the law has no choice but to reflect your awareness of being.

not all thoughts are assumptions and you are not all of your states!

the state and thoughts you identify with manifests.

you are always passing through a number of states throughout your days. a state of sadness, a state of anger, a state of nonchalance, a state of fulfillment.

dwell and identify with the state of your choosing = the person has all their desires!

it’s the same thing with thoughts.

“thoughts are just thoughts. thoughts accepted as true are assumptions. and thoughts/assumptions are products of your state of consciousness. feelings do not mean emotion. feelings = the acceptance that your desire is a fact in imagination.” — blushydior

like i said, thoughts are just thoughts. unless you assign meaning to doubts and affirmations, they hold no power. you do. so which one are facts and which ones are powerless?

your imaginal acts, awareness of being (visualizing / affirming / inner convos / feeling / auditory / etc) = fact

doubts, intrusive, negative thoughts = powerless. don’t even care enough to label them. they’re silly little thoughts.

☆ ┊ 𝐒𝐔𝐒𝐓𝐀𝐈𝐍 𝐘𝐎𝐔𝐑 𝐒𝐓𝐀𝐓𝐄 - 𝐏𝐄𝐑𝐒𝐈𝐒𝐓

all you have to do now is persist in that assumption and sustain your state until it hardens into a fact.

A COMMON MISCONCEPTION is that you have to CONSCIOUSLY be in the state all day everyday. NO. all you have to do is return to it/persist whenever you WANT to and WHENEVER you think about it

❝ You don't have to remain in a state if you have made a mistake. You can change states morning, noon, and night, but the state to which you most constantly return constitutes your dwelling place. ❞

SEE! it’s really no different. it’s the same as meditating on affs or rampaging, visualizing, thinking from your desire etc but it’s the fact that you are doing these things to make it natural & bc you enjoy it, not because you “don’t see it in the 3D” and you freak out then over-consume, affirm more, etc.

whenever you think about your desire, remind yourself that you already have it. 

if you caught yourself dwelling in a place of lack, for example, asking “where is it?” / “it’s not here yet.” — correct yourself. return to the wish fulfilled and feel it to be a fact in imagination.

and you keep doing that WHENEVER YOU WANT TO until it feels natural. like neville said, it’s like putting on a new suit. at first it won’t feel natural but over some time, you won’t even be “conscious” of it because you already / naturally feel fulfilled! read my quotes thread that relates to this.

this is where methods come in as well. it gets you to dwell in your state whenever and however you want.

methods don’t hold any power. you do.

it’s not a chore. it’s a choice.

easy peasy.

❝ You can tell if you abide in your house of desire by watching your thoughts, for the state in which you most constantly return constitutes your dwelling place. ❞

☆ ┊ 𝐂𝐎𝐍𝐆𝐑𝐀𝐓𝐔𝐋𝐀𝐓𝐈𝐎𝐍𝐒

you have fulfilled the inner man, accepted it as a fact and got your manifestation.

☆┊ 𝐃𝐄𝐀𝐋𝐈𝐍𝐆 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄 𝐔𝐍𝐅𝐀𝐕𝐎𝐑𝐀𝐁𝐋𝐄

doubts, the 3D (interacting vs. reacting) and emotions

doubts, intrusives, opposing thoughts

you let them pass because you are already the person who has it all. if you identify as the person who has their desires (“i have xyz”) why would you let little doubts deter you? they can come in your mind ALL DAY but if you don’t identify with them, they don’t hold power.

if YOU know you’re already the person who has their desire, nothing and no one can stop them from conforming.

for example, if you were famous and all of a sudden you were told “no, you’re not!”

would you go:

“i’m not? oh my god… you’re right. i’m not famous!”

or

“uh…? wrong. because the evidence* is right there? i just said i’m famous so that’s what i am…. famous. lol.”

*evidence = you. your state/4D/mind.

☆ ┊𝐓𝐇𝐄 𝟑𝐃 - 𝐈𝐍𝐓𝐄𝐑𝐀𝐂𝐓𝐈𝐍𝐆 ≠ 𝐑𝐄𝐀𝐂𝐓𝐈𝐍𝐆 

→ ┊ REACTING is looking at the 3D and complaining. settling for what you see as a fact.

EXAMPLE: seeing the opposite of your manifestation

DON’T: “my life sucks. i hate it here. see? this is why i can never manifest what i want.” and settling for these thoughts as facts.

DO: “it doesn’t matter what i see. what and who i claim to me in my mind/imagination is the real fact that has no choice to be externalized!”

→ ┊ INTERACTING is doing what you need to do in the 3D/physical world but knowing that what you claim in your mind is the REAL fact.

EXAMPLE 1: you’re manifesting a romantic partner.

physically: when someone asks you “hey, are you in a relationship?” you say no.

but in your mind you go: sike. i have the perfect girl/boyfriend 🤭🤭

EXAMPLE 2: you’re manifesting money

physically: you decline to hangout with your friends because you have no money at the moment.

but in your mind you go: “i literally have so much money lol ?? i’m the richest person in the world with all the money i have in the bank.”

EXAMPLE 3: attending therapy or venting to loved ones

physically: “life’s been really difficult lately and it makes me feel stuck. i had a few breakdowns and anxiety problems, etc.”

mentally: (after venting) “that made me feel a little better. i let my feelings out instead of bottling them in. i know i have/will get my desires! everything’s okay. i’m safe.”

it doesn’t matter what you do or say in the 3D!

consciousness is the only reality so if you continue to dwell in the state most favorable to you, that is all that matters!

☆ ┊𝐓𝐇𝐄 𝐒𝐔𝐂𝐂𝐄𝐒𝐒𝐄𝐒 𝐀𝐍𝐃 𝐅𝐀𝐈𝐋𝐔𝐑𝐄𝐒 𝐖𝐇𝐄𝐍 𝐈𝐓 𝐂𝐎𝐌𝐄𝐒 𝐓𝐎 𝐑𝐄𝐏𝐄𝐓𝐈𝐓𝐈𝐎𝐍

in this context: the repetition of affirmations. not repeatedly going back to the state of the wish fulfilled.

i’ve gotten a number of asks in the past asking me why they didn’t get what they want if they repeated the thought so many times. my only conclusion from this side of the screen is that you are in the state of trying to get it.

when manifesting, you don’t try. you either have it or you don’t. 

so are you person a?

“okay i have to affirm on loop for 20 minutes, 2 times a day or else, i won’t get it my manifestation!”

blushy’s observation: you aren’t being the person who has their desires if you still feel like you need to get them. so you do all these things like over-consume information, force yourself to affirm the same affirmations on loop 1000x, looking for more answers, etc.

you simply aren’t in the state of being. you’re in the state of lack / trying to get it.

how can you try to get something you already have?

so switch states! how? scroll back up.

or person b?

“i feel like saturating my mind. why not? it’s fun.” →

“i already have all of my desires because i said so. there’s no need for me to worry or stress because it’s already mine! it’s done…” and so on.

so do you have it? yes or no?

☆ ┊𝐒𝐎 𝐖𝐇𝐘 𝐃𝐎 𝐒𝐓𝐀𝐓𝐄𝐒 𝐌𝐀𝐍𝐈𝐅𝐄𝐒𝐓 𝐀𝐍𝐃 𝐓𝐇𝐎𝐔𝐆𝐇𝐓𝐒 𝐃𝐎𝐍’𝐓?

a related question: do dominant thoughts manifest?

you can affirm all day and be able to affirm on autopilot in the middle of your sleep or doing chores but if you:

don’t accept them as facts (assumptions)

identify with them

are in the state of trying to get them by going: “i need to affirm more or else i won’t receive my desire.”

you won’t see results.

that’s why it can only take one decision for a manifestation to come to fruition. you fully accepted it as a fact that the version in imagination is the true person who has it whether it be a desire or doubt.

it’s all about the knowing it’s already yours IN IMAGINATION - that your success is inevitable and it has no choice but to conform and harden into fact.

it’s called the law of assumption for a reason! (as neville even once said, law of being) you accept / assume you are the person who has it as true without any physical evidence because you know that imagination creates reality.

❝ This is the law of assumption so, if you assume that repeating affirmations all day will get you some kind of movement / your manifestation, that’s what you’ll get. It’s the same thing with techniques and methods, you give your thoughts and these ways of manifesting power. Thoughts are products of your state of consciousness but it doesn’t mean they’re all true. The idea that dominant thoughts manifest makes it seem tedious. The law is simple. Especially for people who are new to the law, you’re introduced to this idea and you begin to police every thought you have and affirm all day, everyday to make sure that your every dominant thought surrounding each topic in your life is a positive one. That’s exhausting and it’s not supposed to be. It contradicts the fact that you don’t have to make a smidge of effort in order to get your desires. […] It gives your thoughts power when you are not your thoughts. You are who you claim to be in imagination because imagination creates reality. So if you visualized or affirmed that you are the person who lives their dream life and accept it as a fact in your mind, nothing can make that change other than you and you are pure consciousness. You can have negative thoughts and feel your emotions because just like the outer world, they have nothing to do with you unless you identify with them. So choose your story. Your silly little thoughts or the fact that you are the person who has their desires. ❞ — blushydior

all you have to do is accept it as a fact that you are the person who has their desire and you will manifest faster than the speed of light.

this is my opinion but i don’t like the idea of affirming so much to wait until a thought is dominant so it can manifest. it’s very limiting.

it is a fact that you ARE the person who has your desire! the reason why affirming on loop and “dominant thoughts manifest” concept works for others is because they assume it does. remember that techniques don’t manifest, you do.

❝ An assumption, though false, if persisted in, will harden into fact. ❞

if you are affirming on loop and aren’t seeing results, this may be your problem and understanding states is the solution you’ve been looking for!

☆ ┊𝐖𝐇𝐘 𝐃𝐎 𝐏𝐄𝐎𝐏𝐋𝐄 𝐀𝐅𝐅𝐈𝐑𝐌 𝐎𝐍 𝐋𝐎𝐎𝐏?

this goes along with manifesting with hard circumstances and being a neurodivergent!

i state in my guide that i knew i was the person who already had my desires and since i was constantly filled with intrusives, doubts, and other things (i didn’t identify with them, i just wanted them to lessen) i repeated them as reminders to made me feel better to saturate my mind that: “yes! i do have it.”

saturation is NOT necessary. you don’t need to do it but it helps in many cases as a technique to sustain your state and coping mechanism. it makes persistence easier for many.

another thing. 

if you are this person: 

“okay i’m going affirm all day and then i will get it!”

you will succeed because that is the assumption you’ve created. you fully accepted it as a fact that if you repeat it over and over again, you will get your manifestation.

so yay! you got it.

☆ ┊𝐄𝐍𝐃𝐈𝐍𝐆 𝐍𝐎𝐓𝐄

[comicgeekscomicgeek]

This makes me incredibly angry.

[ID: Screenshots of a Facebook post from user Advocatus Peregrini, which reads:

I was conversing with a fully-grown adult a few days ago, born and educated in the USA, who let this little gem drop:

"Well, it's like Shakespeare said, "Love conquers all!""

I pointed out that Shakespeare never said that, Virgil did, (Eclogues X) and Chaucer after him (Canterbury Tales.)

She said, "Oh I'm sure Shakespeare said that. In Romeo and Juliet!"

I sighed. I've been in that play several times, in different roles, and even directed it. That text does not occur in it.

But the real grind-my-teeth moment here was that if Romeo and Juliet can be said to have a message, it is most certainly not "Love conquers all," seeing as the lovers die by their own hands with a trail of their friends and relations' corpses in their wake.

Neither this fact, nor the fact that I knew the play, nor my explanation that Virgil and Chaucer used the phrase long before Shakespeare's birth dented her determination that "Love conquers all" came from Shakespeare.

"You don't know ALL the versions!" she protested.

All the versions?

Alternative Bard?

With every instinct screaming at me to let the matter drop, warning me that some horror that will not soon be absent from my nightmares waited around the next corner of this conversation. I pressed on.

It was a decision I was soon to regret.

I asked when she had first read "Romeo and Juliet." She said she had only read it once, when she was in Junior High. In the version she was taught, Romeo and Juliet survive, are reconciled with their parents, and are married in the church with their friends Mercutio and Tybalt arm in arm in the wedding party.

"Help me into some house, Benvolio, or I shall faint."

It turned out that her school had their own "version" of Romeo and Juliet, with an "uplifting" ending. This was printed and distributed by a religious education publisher. And it was the only version of the story that she had ever read. Of course she had HEARD other people say that the story was a tragedy, but she just assumed they were wrong.

And she did not see why MY version of Shakespeare should be considered better than HER Shakespeare, which, after all, had a much more wholesome ending.

I explained, in vain, that "my" version is definitive because Shakespeare actually wrote it (quiet, you Oxfordians. Don't make me stop this car) and the message of the play - that when adult stubbornness meets youthful impulsiveness tragedy ensues - is lost in the ersatz, happy-clappy ending.

She said the ending that had been Frankensteined onto Shakespeare's play by the "Christian Education" publisher was better than the original ending, "if the ending is as sad as you say it is."

At this point, I concluded that this was a person who deserved to go through the rest of her life "...safest in shame! being fool'd, by foolery thrive!" I bid her adieu.

After the conversation, I wondered, darkly, if that was to be the fate of Shakespeare, and all other literature if the happy-clappy people get their way - as harmless and "uplifiting" as a cheerleader's chant.

I wondered what these bowdlerizers would do with "Hamlet?" or worse, "Titus Andronicus" or "MacB-" Nothing wholesome, I'm sure. Oh, that's right, what they can't appropriate, they ban. Or burn.

In trying to protect children, we leave them undefended from "...the slings and arrows" that life will no doubt throw their way. Shakespeare raises the issues of tragedy - the fatal flaw, the last turning, the role of fate, as well or better than any author before or since. He is a gentle tutor, much to be preferred over that stern and dangerous teacher, Experientia Inopinatum.

But, as ever, it really isn't about the children. It's about the adults, and their desire to avoid answering difficult questions from agile young minds, who know no fear and swarm like eager flies around questions that have been boggling our best minds for millenia. To answer the questions that literature raises, you have to have thought deeply about them yourself. And that is something that few dare to do.]  end id

[florwal]

PORTSIM SAVE FILE 1.0

portsim is a small city in the south. it was established as a town in 1752, and the current population is 97,915. it's full of history and has a lot of culture. with increasing poverty rates, gang violence, and a drug epidemic, crime is at an all time high. will the city’s new mayor be able to make portsim a safer place?

CONTENT WARNING: storylines involving drug use & violence

download + info under the cut

OUTDATED - download 1.1 here

watch my save file overview on youtube

4 months in the making and it’s finally here! huge thank you to everyone that’s been following me through the process. ♡ y’all are so kind and supportive and i really appreciate all the love. this was originally going to be a personal save, it’s inspired by my hometown (portsmouth, virginia) most builds are based off real places around me, and some households are based off my friends and family. this is very much still personal to me!

willow creek, newcrest, and magnolia promenade have been rebuilt, repopulated, and transformed into one large town

i own all packs and kits, if you don't you can still play this save but build and cas objects will be missing

check out the portsim townie index (wip) to read their bios and keep up with their stories. some already have posts but some are empty, i’ll be adding more as i play

21 residential lots / 19 community lots - please read community lot descriptions because most are multi functional! i also left some empty commercial spaces that are “for lease” so i can add things as new packs come out

added new holidays - i changed names to be more realistic and added a few (spring cleaning day, easter, independence day, halloween, christmas eve)

added 5 new clubs (city officials, a gang, a cult, a record label, painting classes by a townie)

notes:

view update log here

i’ve never made a save file before, and this is just the first version. please let me know if you run into any issues. i want to eventually add more households, and i also want to add + rebuild other worlds

i highly suggest turning the eco lifestyle ep’s eco foot print + npc voting off, unless you want the town to look apocalyptic and the trinity church community space to be set to the winter version during summer etc

i turned neighborhood stories off, but sims were still adopting babies and divorcing each other so i kept them all in the my households tab, you don’t have to keep them there!

shoutout to @cowplant-snacks and @nightlioness for letting me use some of their sims as background townies so there's not as many ugly npcs

next world that’s going to be added: oasis springs + del sol valley - idk which one will be out first! but they're coming soon ♡

DOWNLOAD on patreon (always free)

*required mods for the lit version*

please tag me in anything involving the save! id love to see how y’all play in it!

[convolutings]

Look don’t get me wrong I love the PJO TV show. The cast is perfect and some moments that were added I absolutely loved. But… there are some things I felt were so well done in the book there was no need to change it and I’m a little disappointed by the adaptation’s version.

Some of these takes I saw from other people and it put into words what I was feeling so I’m just expanding on what they said.

1. Gabe could’ve been worse. We are supposed to get mean Smelly Gabe vibes and Sally isn’t supposed to feel comfortable standing up to him. I understand “girl boss” and disneys restrictions but it still wasn’t great. I’m hoping they add something towards the end so his murder feels deserved.

Edit: upon a rewatch I take this back and believe Gabe was still abusive, if not physically as in the book, but as manipulative and demanding which is still abuse so I actually appreciate the changes they made now.

2. Sally felt off. Like they read her plot points but didn’t understand her character. She is wholesome and kind and devoted to Percy. The Sally we know never would’ve put that much pressure on Grover, plus him putting the pressure on himself is vital to his character. They also made her seemingly pine for Poseidon. They shouldn’t have changed the way she described her relationship with him and the choices she made to keep Percy safe. (I will say though that the Jesus joke was perfect and hilarious)

Edit: upon rewatch I still believe the wholesomeness was lost a little but I have come to like her character more and think these changes allow for greater depth into Sally’s story which I’m excited for.

3. We should’ve gotten Percy remembering the warm glow of Poseidon. I thought it was important that Poseidon broke the rules and came to see Percy when he was a baby and had that memory.

4. Percy thinking that Annabeth looked like a goddess when he first saw her was so cute and said a lot about how he viewed her. I think they should’ve kept it.

5. I think Luke being the one to guide Percy around the camp was a great choice, but Annabeth should’ve been part of welcoming scenes. And Grover should’ve been the one to tell the story of Thalia.

Edit: Episode 3’s reveal of Grover’s story was genius I take this back!

6. The claiming in the book was perfect! There was no reason to change the dialogue or have the trident not be the way it’s originally described. And seeing the campers reactions/having them bow down was important. I was underwhelmed tbh.

7. Percy is SMART! He was the one to put together that Sally was alive and agree to the quest in order to get her back. There was no reason for Grover to be the one to do it.

Otherwise it was wonderful. I still love it immensely and the care into the heart of the show I feel is still there. I can’t wait for next week!

And yes, I know Rick wrote the episodes and was a part of every single choice that was made so if he wants to leave something out obviously he knows his story the best this is just my opinion.

[noneorother]

All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*

The Bonkers Meta Series part 2: Electric Boogaloo.

I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.

And when I tell you what I found hidden in there, you’re going to need Eccles cakes...

1) The Song is the Clue

So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:

You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing. 

Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?

2) Symmetry in all things 

Before I straight up tell you, we have to go back and look at season 1.

Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2

Oh that’s a bummer, I thought to myself. 

They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):

After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4. 

First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.

But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.

There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.

My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.

If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.

So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.

Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.

How are we going to get to 62?

3) The real missing track. 

So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.

I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show. 

You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.

So my fellow beings, if the song is the Clue, then It’s what God Wants.

And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.

-----------

And there's more where that came from! Part 2 coming shortly.

[wolfy1298]

Don’t you ever wonder what kind of secrets and plot points Venti keeps hidden? He claims to be the weakest amongst the Seven-and that could be true given his whole 500 year slumber and poison and all- but he’s still a god. AND one of the original Seven. You gotta be good at SOMETHING to survive for this long…

He’s also the only archon so far that doesn’t have a second story quest so what is he hiding?! We have accounts of him literally shaping the land with ease from both the Golden Apple Archipelago events and his character stories. We know that he has close relationships with the Hexenzirkel and somehow managed to avoid conflict with them??? And there’s also the fact from the skyward sword series that he was originally a catalyst user before picking up the bow in honor of Amos. He’s pulling a Childe when it comes to weapons he currently uses and the ones he’s proficient in.

And don’t even get me started on his connection with Istharoth and Celestia! Mondstadt already has the Thousands Winds Temple AND the nameless island where both Venti and Istharoth were once worshipped. And from Before Sun and Moon, we know that the Thousand Winds (which Venti IS A PART OF) were once called the Thousand Winds of TIME, all of whom were created and controlled by Istharoth. AND THEN you have Venti suspiciously appearing in the right place at the right time again and again and again. He even self proclaimed knowing every song: past, present, and future. Hell he’s probably one of the only few beings in Teyvat who can naturally bypass Irminsul because of his songs: Nahida already shown it’s possible to save deleted info if rearranged into fiction so the same should work for songs and poetry. And there’s also what the hydro fungus in Nahida’s second story quest said about changing forms. That you need time for growth to occur. And Nahida - an ARCHON- had trouble maintaining her fungus form for even the short period of time. She was even told that to do so for longer, one would need to bypass time itself which is near impossible. AND YET VENTI CHANGED INTO THE FORM OF HIS FRIEND IMMEDIATELY AFTER RECEIVING HIS GNOSIS AND HAS YET TO CHANGE BACK OR TIRE FROM FATIGUE (as we know it). HOW STRONG IS HE. Sure, the yokai in Inazuma and Adepti in Liyue can all change into a human form, but we know in game that it takes a long time and steady energy to take on a human shape, and the Adepti all seem to have that ability naturally: there’s no bending the laws of nature if it’s already natural to them. So what’s Venti’s excuse?!

As for Celestia: there’s already written in the statue of Barbatos “the gateway to Celestia” and what not. And Khanreia! In the chasm AND in the Caribert quest, Barbatos and Mondstadt keep getting named dropped. According to Dainself, the city in the chasm is supposedly OLDER than Khanreia and possibly the Seven, yet BARBATOS of all beings is mentioned in the records you find??? And in Caribert, it’s a Mondstadtian woman who that one bloke had a child with. Never mind that Mondstadt is where Kaeya and Albedo - the two characters with confirmed Khanreian origins- end up! There’s also the fact that Khanreia seems to base its gods and names and whatever around Norse mythology….which has strong ties to GERMANIC HISTORY. WHICH MONDSTADT IS BASED OFF OF. And Enkanomiya, which was once ruled by Istaroth, is Greek origin. Suspicious considering all the connections to HERMES Venti keeps portraying. (And then there’s also a connection to all three places with the hexenzerkel with their Chinese names? Like I think I read somewhere that Alice is Aries(?)/Eris(?) and Nicole is actually Nike in the Chinese version? Which are very much based in Roman/Greek origins)

Oh and something I forgot to mention earlier with the whole Istharoth connection. Mondstadt’s saying “seeds of stories, brought by the wind, and cultivated through time”. SUSPICIOUS

Anyways, this has been my nonsensical Venti theory rant

And you’re stuck with me @worldsokayestmagicalgirl

[waytoooldforthissh]

Breaking Jacks' curse and mine

One of the main comments I’ve seen on ACFTL is that there were lots of questions that did not feel answered.  Many of those involve Jacks’ curse.  

The curse:

I, personally, am also cursed.  I am cursed to wake up in the middle of the night with this stupid answer. and spend an hour hunting down quotes.

I don’t know what Stephanie intended, but I do think the answer helped.

The answer, obviously, requires so many spoilers

.

.

.

The kissing curse on Jacks was broken by Vampire Venom in OUABH when Jacks pushed Evangeline out of the way of Luc.

Relevant Events

Jacks hair is blue when we meet him in the North after the events of Finale.  He has a scar where Tella stabbed him.  There is no mention of whether his heart beat after the stabbing.  Ch 14.

He uses his poison blood to “break Apollo’s spell” (poison Apollo) after the wedding.  Kissing curse presumably still in play.  Ch. 34

Enter Luc 

Luc comes to Chaos to get Vampire Venom to cure his unsexy scars.  Ch. 42.

Luc realizes, for the first time, that he must have had a love spell on him.   Ch. 42.

Vampire Venom cured Luc of Marisol’s spell

Jacks pushes Evangaline out of the way of Luc, getting infected with Vampire venom himself.   Ch. 42.

Shortly  after, Evangaline notices that Jacks’ hair is gold again.  Ch. 43

“His heart.  It was really beating.”  Ch. 46  Evangeline is shocked to hear Jacks’ heart beating.  Its the first mention of it since his intro in the North.

And these next points are critical AND SPOILERS:

One way or another, Aurora placed the curse on Jacks.  Its not a mythical curse placed by Fate.   Some jealous bitch like Maarisol  just dropped a spell on him. 

JACKS DOES NOT KISS ANYONE IN OUABH, TBONA, or ACFTL *UNTIL* HE KISSES EVANGaLINE 

He tries, but Evangeline stops him at the party is TBONA.  

Aurora’s kissing curse was cured by the vampire venom.  

OUABH, Ch. 1. 

In ACFTL we learn that there are two versions of the curse.   Jacks’ cure works either way.    

Aurora says:

She is about as trustworthy as a tarantula, but that story curse does like to change endings.  

If Aurora really did curse Jacks’ heart only to beat for someone who could never love him, then Tella survived because she didn’t love him, but Aurora’s petty curse was broken just like Marisol’s love spell by the vampire venom in OUABH.

But, Jacks’ cure also fits the original curse:

Not capable of love because his heart stopped

Only one person can make it work, his one true love

His kiss was fatal to all but her

His only weakness

Like all prophecies and curses in stories, you got to read them a little backwards.   Evangaline was Jacks’ weakness.  Without thinking, he jumped in front of Luc, pulling her out of danger.  His selfless protection of her caused him to be exposed to vampire venom, the strongest known cure.  The vampire venom restarting his heart after he was stabbed in Finale.  And, as far as he is concerned, Evangeline is the only one who can survive his kiss because she is the only one he has or will kiss. 

This version is satisfying to me, because its Jacks’ selfless act that leads to his freedom.  He does not know it yet, but she has already saved him.  

Like Jacks, I have wasted my morning writing this for others and I am also free.

[annes-andromeda]

Wish Rewrite

I have this tendency for rewriting material I either don’t like or think had wasted potential. At the time of writing this, Wish hasn’t come out in theaters but I did pirate it as there was an early screening. I also read the junior novelization and bought the concept art book. Needless to say, I was disappointed by what I read/saw.

I feel like Wish could’ve been better. Granted, the story and characters are not terrible, but they certainly leave much to be desired. This is literally Disney’s 100th anniversary, yet it doesn’t really feel like it. Not only that, but the movie felt incredibly rushed. Yeah I know that most Disney movies try have a run time of 90-100+ minutes, but I think a few more minutes could’ve been added to this film.

So, I decided to indulge myself and outline some changes that I think could’ve made the story slightly better. These ideas are by no means perfect, and in the end, this is all in good fun.

Spoilers ahead btw

The main story of Wish is essentially that Asha wants to get a job as Magnifico’s apprentice so that her grandfather’s wish is granted. But Asha finds out about the King’s true nature, and after questioning him, doesn’t get the job, and Magnifico vows to never grant Sabino or Sakina’s wishes.

Asha makes a wish on a star, and the star comes down, Magnifico tries to hunt down the two of them, he uses an evil spell book to create a staff, Magnifico destroys some wishes, Asha gets help from her friends, they sing a song to defeat Magnifico (I ‘wish’ i was joking), Star gives Asha a magic wand, and all is well.

Oh, and Amaya is… there.

It’s nothing complex, pretty cut and dry. And I don’t have a problem with a simple story! But this feels like it’s… missing something.

Firstly, I’d change the title. Disney already has a boat called Wish, and not every movie needs to be one word like Tangled, Frozen, and Brave (amongst others), so the story could be renamed “Asha and the Wishing Star” or “Asha and the Kingdom of Wishes”. Idk, something that evokes a classic fairytale book feel (or that does confuse people with a boat).

((Side note #1: I honestly enjoy that the story started off with a book, as a nod to classic disney movies, especially Snow White. That was cute))

Secondly, and I know I sound like a broken record at this point…

AMAYA👏🏼SHOULDVE👏🏼BEEN👏🏼A👏🏼VILLAIN👏🏼ALONGSIDE👏🏼HER👏🏼HUSBAND👏🏼

The original plan, according to the concept art book, was to have Magnifico and Amaya to be a villain couple who were partners in crime and owned a black sphinx cat named Charo. However for… reasons, the creators took the ‘safe’ route and made Amaya the good one out of the two.

But the problem is, by erasing Amaya’s evilness, the creators of Wish essentially removed any purpose or personality she may have had and thus, she was left to become a literal ‘supporting’ character. First supporting both Magnifico and Asha, then leaving Magnifico to prop up solely Asha.

Deadass, you can literally remove Amaya from the story and nothing would change. Which is probably why she was exempt from much of the promotional stuff minus the dolls. Because she literally serves no purpose but to be… there.

So, in my version of Wish, Amaya would be a co-conspirator to her husband and yes, I’m adding Charo too. Her personality would be inspired by classic female villains such as the Evil Queen from Snow White, Lady Tremaine from Cinderella, and Maleficent from Sleeping Beauty.

Vain, glamorous, cunning, and unabashedly evil, Amaya would be the Morticia to Magnifico’s Gomez, the brains to his brawn. She’s the girlboss, he’s the wife instigator. Magnifico spoils Amaya rotten with countless gifts and praises, whilst Amaya is the more calm and collected evil compared to her husband’s ever-growing temper.

While she starts the story with no magic, Magnifico just can’t leave his wife hanging and shares the power of the evil spell-book with Amaya. And yes, even Charo gets in on the fun, turning from a small house cat, to a massive shape-shifting beast who breaths blue fire similarly to a dragon (shut up i think it’d be cool)

Magnifico and Amaya essentially keep the wishes of Rosas locked in the castle as a form of obedience. By giving the citizens false hope, it makes them more dependent on the royal couple, and the two have more power over everyone.

Anyways, let’s get to the main characters: Asha and Star.

I don’t have much of an issue with Asha’s character, more so her design. I already made a post showing my redesign of her, so that’s out of the way. Tbh tho, I also have an issue with the rest of the costume design of Wish, being a big costume nerd myself. The movie’s supposed to take inspiration from the Mediterranean, primarily places such as Spain and Morocco (and the Amazigh people for Asha), but the fashion feels like generic European medieval fashion.

I feel like the whole storyline of Asha’s interview with Magnifico was pretty pointless, so I would have it that she just starts off as the kings apprentice, whilst also working as Amaya’s scullery maid.

The couple took Asha in when the girl lost her father at the age of 12 (according to the film), and she’s been working for them for five years. Asha works not only to support herself, her family, and her community, but also as a way to distract from the grief of losing her father. Which is no issue, as Amaya always bombards the girl with chores, and Magnifico only teaches Asha the most basic of magic for fear of her growing more powerful than him.

I made Asha work as a scullery maid not only as a reference to princesses such as Snow White and Cinderella starting off their respective stories as maids, but also because scullery maids acted as assistants to the kitchen maids. Dahlia works in the kitchen, Asha and Dahlia are best friends, I figured it made sense.

But anyways, on the day of Sabino’s 100th birthday, Sakina tells Asha to take a break and return home, as she hardly visits anymore due to work. Asha says she’ll try asking the king and queen to get off early, but that she can’t make any promises.

Asha meets with Magnifico and asks for the day off, but the king refuses. However, wanting to keep her loyalty, Magnifico finally shows Asha the wish chamber, and even allows her to witness the wish ceremony that night. But once Asha starts questioning the king on his methods, any goodwill between them begins to fade.

Another thing I’m disappointed in, is that originally Star was going to be a shapeshifting humanoid inspired by the Genie and Peter Pan, and may have even had a romance with Asha. But, the idea was scrapped for the more cutesy, ‘marketable’, version of Star.

In my retelling, I’d choose to do this human shapeshifter version of Star, but I’d name him something else. The star Earendel was mentioned in the concept art book, which is the farthest known star from Earth and not only means ‘morning star’ in Old English, but is also named after the Tolkien character, Eärendil.

I would call this shapeshifter Star Earen, and because Disney loves their animal/cute sidekicks, Earen can have the ‘Kirby’ Star as a companion, just like how Asha has Valentino and Magnifico and Amaya have Charo.

((Side #2: Anybody else notice that Star lowkey looks and sounds like Kirby😶))

Earen and Star journey down to Rosas once they hear Asha’s pleas for guidance. Once Asha tells of Magnifico and Amaya’s lies, Earen reveals that he actually met Magnifico decades ago. The amount of years shocks Asha, as she realizes that the King and Queen might be far older than what they are.

((Side note #3: I didn’t realize this till someone mentioned it, but if Sabino is 100 and he gave Magnifico his wish at 18, then he’s been waiting 82 years for his wish to be granted. Which means it’s likely that Magnifico might be immortal. That, or Disney didn’t think this shit through (most likely)))

Anyways, Earen actually attempted to stop Magnifico and Amaya’s ploy to keep the wishes of Rosas locked away, but he was sealed within the heavens until he and Star heard Asha make her wish.

We can have it that the king and queen spun the story so that Earen was made out to be an evil that once threatened Rosas, but Magnifico banished him and saved everyone, essentially making himself out to be the good guy and manipulating the narrative.

Asha and Earen must now work together to expose the lies of the royal couple, and along the way, the two begin to fall in love. Earen disguises himself as a peasant boy so as to remain inconspicuous, while Asha tries to go about her job as if nothing happened, evading the King and Queen’s suspicions.

Star gives Asha a stick infused with stardust once finding out she is, quite literally, the sorcerers apprentice. It is also so that she may defend herself, as Earen has his powers and a sword (similarly to Peter Pan).

Unlike Magnifico, Earen and Star teach Asha the wonders of magic and the potential she wields, showing that there is no need for her to hold back when her gift can help so many, including those she loves.

The three manage to sneak into the kings study, but only have time to retrieve Sabino’s wish and return it to him. However, Magnifico and Amaya, now strengthened by the powers of dark magic, find Asha and Earen and threaten to destroy all the wishes should Earen not surrender to them.

And as a way to ensure that Asha doesn’t foil their plans, Magnifico destroys both Asha and Sakina’s wishes, despite Asha not being eighteen yet. However, the evil magic allows him to do so. This act weakens the two women, and infuriates Earen.

Earen then willingly complies despite Asha’s opposition, and Sabino takes Asha and Sabina to the seven (well six) teens for aid, who are in hiding after Simon ratted them out and who now serves as a puppet to the king and queen.

Despite loosing her wish, Asha finds the strength to carry on through the memory of her late father, enlisting the help of her friends and Star, who managed to evade the royal couple’s grasp. The team must work together to save Earen, whose power will be drained by Magnifico and Amaya. And if such a feat were to happen, then Earen would die and Rosas would be lost.

The five teens go into the woods to distract one of the royals, with the aid of the forest fauna and Star. Amaya chases the group alongside Charo while Magnifico tortures Earen and begins stealing his power. With the help of Dahlia, Asha sneaks into the castle to confront her former mentor and save Earen before it’s too late.

At first, it seems that the heroes have the upper hand with Magnifico neutralized, but then, Amaya swoops in riding Charo, who now takes the form of a giant dragon. Earen transforms into a dragon himself and battles Charo and Amaya, while Asha continues battling Magnifico. Star even comes to help after the original plan fails.

However, the unholy trio have the upper hand, and Amaya strikes down Earen, giving Magnifico enough time to not only drain Earen’s power, but to trap Star within his staff. With their combined powers, Magnifico and Amaya gather all of the peoples wishes, even stealing the wishes of those not yet of age, which includes the teens.

With all the wishes gathered, the couple and their pet destroy all the wishes, taking their energy for themselves.

Asha falls into despair as she watched her friends, love ones, and community succumb to the grief of loosing their wishes. The king and queen force Asha to apologize to the people, mocking her and making her feel even more guilty.

However, Earen comforts Asha despite his weak state, telling her it’s alright and that she shouldn’t be ashamed of wishing on Star, as he brought the two of them together. The two kiss, the strength of their newfound love and hope shining through the darkness and inspiring the people of Rosas to rise up.

As the sky and stars become alive, Magnifico’s staff is destroyed, releasing Star in the process. All the evil magic he, Amaya, and Charo used is sucked out of them and vanquished, and Earen is restored to full vitality.

Think of this as the transformation scene from Princess and the Frog. Asha and Earen get new outfits, with Asha even gaining a crown and a new wand from Star.

((Side Note #4: The “transformation” in the finale of the film is so stupid. Asha could’ve literally gotten a new dress once she becomes a fairy godmother, but instead, Star just made her sparkly. How magical🙄))

Rosas rejoices, as they realize they don’t need the king to make their wishes come true, and they can pursue them themselves. With Magnífico and Amaya banished from Rosas, Asha and Earen become the new rulers, being names Prince and Princess respectively.

And that’s basically how I would’ve done Wish. It’s not perfect, but it’s just an idea. I’m just disappointed that Disney do something better for their 100th anniversary.

[shina913]

Bitter(Sweet) | JWW

Bitter(Sweet)

Pairing: Wonwoo x Fem!Reader

Rating: M 🔞; NSFW

Genre: Infidelity!AU; exes!AU; angst; smut; some fluff

Warnings: cussing; sexually suggestive language; clit play; protected sex; questionable morals; open conversation about infidelity; hurt without comfort

Word count: 4.8K words

Summary: You and Wonwoo reunite to celebrate a special evening.

A/N: If you don't like reading about cheaters - you are free to skip! Thank you, Sim @/roaminginthenights for your notes. They added more depth and nuance to the story in so many words. I appreciate you, my friend!

A/N2: Originally posted on my SVT sideblog but I've decided to merge everything on main now. I also have a version of this fic with BTS' Namjoon, if you choose to read it with that character.

You’re sitting in the airport parking lot, tapping your fingers happily to the beat of the song playing on your car radio. You glance at the time, it wouldn’t be too long; he’d be walking out of those doors soon. Until then, you continue to hum to the song.

Tonight is special. A night you didn’t think you’d ever celebrate again. Yet here you were, in a rental car, in a town you’d left years before.

Other than one particular overnight reservation, there are no other formal plans. You’d order takeout and perhaps pick up a bottle of wine or two from the corner store.

Your phone rings. You bring it up to check the caller ID and smile when you recognize the name flashing on the screen.

“Hi, honey!”

“Hi mom,” your daughter greets you on speakerphone.

“Is everything okay?”

She goes on to ask permission to do a facemask with her cousin. While she rambles on about other activities they have planned for their sleepover, you distantly hear the passenger door open. You quickly turn your head to smile at him then bring your pointer finger to your lips signaling him not to say a word.

“Mom? Helloooo? Are you listening to me?”

You scramble to get back to your call as your passenger shuts the door. “Uh–sure, honey. That all sounds great. Just make sure you get some sleep and listen to auntie, okay?”

“Okay.”

“And you know I told you that I have a late-night meeting so no phone calls but you can always text–”

“I know, mom.” She’s exasperated in a manner that only middle-schoolers who know it all would be. You exchange ‘I-love-you’s’ before she ends the call.

And now, you can properly greet your new arrival.

“Hi,” Wonwoo says.

“Hi,” you greet him with a smile. “That was Yuna.”

“So I heard,” he smiles. “Is she sleeping over at Emma’s?”

You nod. “She’s thrilled. It’s a school night and she gets to stay up late with her favorite cousin.”

He chuckles. “I don’t know if I can top organic facemasks when she comes over next week, but I’ll try.”

“I’m sure she’ll be happy with whatever you’ve got planned for her.” 

“Right. As long as she’s happy.”

You nod then let out a long sigh before telling him, “You know, at some point, we need to stop meeting like this.” That’s what you also said last time. And the time before that. You’re fully aware of it and you think that if you say it enough times, you believe it and actually stop.

“I know,” he breathes out before cupping your nape to bring your face to his, sealing his lips over yours. You don’t pull away or give any hint of protest. You melt right into him, your mouth parting to let his tongue savor you.

You miss this. You miss him.

Somehow, you find the willpower to wrench yourself away from him. “Easy there. We’re still in the parking lot.”

You can see the mischief in his eyes even through his glasses. “So? It’s not like that’s stopped us before.” His hands trail between your legs, cupping your heat.

“I know but,” you gently push his hand away. “We have a reservation and it’s late so we should probably get going.”

He sighs, relenting. “Okay.” He reaches back for the seatbelt then stops short of buckling in. “By the way, happy anniversary,” he grins.

You feel a flutter in your chest and your cheeks warm up. “Happy anniversary,” you reply.

******

Wonwoo scrolls through his phone, scanning for the email confirmation that contained the security code and instructions to unlock the rental.

“Are you sure you have it?”

You are both standing on the front porch of your Airbnb, using your phone's flashlight to help him see his phone better. He was nearly blind as a bat, especially in the dark, even with his glasses on.

“I’ve got it! Trust me.” He scrolls some more until he exclaims, and finally sees the coveted email.

He carefully punches the code on the door’s keypad until you hear it chime, confirming that you’ve gained access.

You walk through the door and into this place that is known to you. But seeing it again after so long, makes it feel unfamiliar.

The first thing you notice is that the foyer has been redone. The divider wall that used to separate the kitchen and living room has since been knocked down to give it a more ‘open’ layout. 

The furniture is all generic. Not much thought was put into picking them out. The colors also don’t provide much contrast to the equally bland walls. It all blends in but not in a good way.

“Why is everything so white?” You remark.

“It supposedly gives the illusion of a bright and open space.” Wonwoo sets your bags at the base of the staircase.

“Feels more like a hospital to me,” you reply dryly, to his amusement. He moves into the kitchen, helping himself to the contents of the cupboards.

You follow behind, wandering over to the counter, where there is a binder listing the ‘house rules.’

“No parties, no loud music,” you read random bullet points out loud. “Quiet time at 10PM. Interesting.”

His arms circle your waist from behind, and you feel him nuzzle into your neck, planting a soft kiss. “Can you stay quiet after 10PM?” He murmurs against your skin.

“Shut up,” you giggle and break out of his hold and playfully pinch him on his side. “Only if you keep your hands to yourself after 10PM,” you tease him back, making him burst into laughter.

You walk around the place some more, scanning and assessing. You’re surprised at how many more modifications have been made. Gone were the warm, earthy tones that you painted the living room and the kitchen.

What was wrong with the way things were before? The interior designer you hired found a great way to marry modern and vintage concepts!

You shake your head in mild irritation.

The upstairs bedrooms feel just as desolate with the plain white, sanitized walls. At least the new owners attempted to break the monotony with a few framed watercolor prints and scenic photographs, no doubt purchased from a big-box store.

You find yourself standing in the midst of your old master bedroom. You see hints of the old furnishings layered with the new. It certainly wasn’t how you remembered it.

“Huh.” Wonwoo says when he walks in. “Why didn’t we think of putting the bed against that side of the room before?”

You roll your eyes at him. “Because you get up to go to the bathroom more often than I do so that’s why we put it on the side that was closer to the en suite.”

His mouth drops slightly with a soft ‘ah,’ in sudden realization. “Well, I’ll have to admit, you were right. You should have ignored me and gone with your original plan.”

“I appreciate you acknowledging that, years later.” You roll your eyes and brush past him on your way out. “But as you know, marriage is about compromise,” you call past your shoulder. 

“I’m ordering the pizza!” Your voice echoes down the staircase.

Wonwoo spends a few more minutes in this room, allowing himself to reminisce before finding the strength to tear himself away and rejoin you in the kitchen.

******

You’re sitting at your old kitchen counter, eating pizza and sharing a bottle of wine that Wonwoo ended up stealing from the owner’s kitchen. When you question him as to whether the alcohol was included in your AirBnB reservation, he shrugs and promises to replace it instead.

“So, are you seeing anyone?”

You stop mid-bite, taken aback by his question. “Wow, already?”

“What? I’m just making conversation.” He says casually as he takes a sip of wine. “And I’m nosy,” he snickers.

You giggle at his admission. “Nope, not seeing anyone. I had–what I thought was a connection a month ago…but that was a false flag. I’ve decided to hang back, take a break…be alone for a bit, you know? I’m not really looking for anything serious anyway.”

His expression turns sullen. He clears his throat before saying, “I thought you had a connection with Seojun. Things looked pretty serious.”

The reminder of your fatal mistake doesn’t sting as much as it did before. And he wasn’t as angry and bitter when he brings it up.

“Seojun was…” you sigh, collecting your thoughts so as not to create unnecessary ripples in this still water. “He was good for me at the time. He was who I needed at the time. But long-term?” You scrunch your face and shook your head. “I didn’t think that far down the road.” 

He used to always ask ‘why.’ Why did you do what you did? Why did you make those choices?

You were together for five years before you married. Two years later, you had Yuna and everything seemed picture-perfect. You thought that you were doing well and that you might really have a knack for marriage and monogamy. It was a point in your relationship when you thought that nothing could ever break you.

But it turns out that anything and everything can break you.

Seojun came along and it was as if something that had long been dormant ignited within you. You thought it would be a one-off, but it wasn’t. For months you thought Wonwoo would suspect whether anything felt off. It wasn’t like you were trying to get caught but maybe some part of you wanted him to catch you. But that didn’t happen. Instead, he seemed happily blissful in his own world, seeing everything through rose-colored lenses.

You pick up your wine glass and tip the contents into your mouth, emptying it. When you set it back down on the counter, you look at him, staring at you.

“But you loved him, right?” He asks between mouthfuls of pizza.

You pause for a few long beats before responding. “Sure. In a way, yeah.” Your answer is noncommittal but the truth was, you didn’t know for sure if what you felt for Seojun was love. It certainly wasn’t the same as what you felt for Wonwoo. He was in his own category.

“I don’t get it though. Why would you want to be alone?”

You scoff and straighten in your seat, feeling the urge to be defensive. “I don’t get why you’re suddenly concerned about my choice to be alone.”

“No, sorry. I didn’t mean it like that.” He switches tact, sensing that your walls start to go back up. “I remember back then, you used to say that a lot…that you like being alone and that you didn’t believe in marriage or lifelong partnership. And yet–you still agreed to marry me when I asked. So no, I don’t believe that your ultimate desire or goal is to be alone.”

You pour yourself another glass. “You were different. Being with you, what we had–it made me want to prove myself wrong. That perhaps I do have the marriage gene in me and I can make it last.” You pick at a piece of pepperoni on your slice. “I’d like to believe that I did. I tried to keep things together to make things work for us.”

Wonwoo reaches for your hand and brushes his fingers over your knuckles in an attempt to console you.

“Turned out well, right?” You remark sarcastically, throwing your free hand up in defeat. “I failed. So, I conclude that I just don’t have it in me.” 

“The marriage gene?”

“Uh-huh. I’m doomed!” You laugh darkly.

You were happily resigned to that fact. Wonwoo was a beautiful anomaly. While your time may have been short-lived, it still added meaning to your generally doomed perspective on marriage and relationships.

His fingers curl around your hand to give it a reassuring squeeze. “For what it’s worth, I thought you were great at it.”

You smile wistfully and bring his hand up to your lips to kiss it. “Thank you. That’s kind of you to say.”

******

You were in the upstairs bathroom washing up when Wonwoo excused himself to retrieve a couple of things from his jacket pocket downstairs when his phone starts buzzing.

“Hello?” He answers.

“Hey, how’s it going? I’ve been trying to reach you. How was your flight?” the female voice says on the other line.

He clears his throat and hides away in what used to be his office. “Uh, yeah. Sorry, sweetheart. You know how it is at my dad’s house. The reception’s shit.”

“Why are you whispering?” She asks.

“Dad just fell asleep. You know how he’s such a light sleeper.”

“Oh, yeah. You’re right. Do you think you’ll be able to finish up whatever you need to over there? I have some miles on my card and fly out tomorrow to come over and help?”

“No, that won’t be necessary,” Wonwoo tells her calmly. “Dad and I are just about done packing up some of his old things here so, he’ll be ready to move into the facility. He’s really looking forward to it.”

“Is he? That’s great.”

“Yeah. Anyway, I have to go. I’m trying to sort through a few more of his things here while he sleeps. I work faster when he doesn’t stop to admire each item and talk about what it meant to him.”

“Okay. Just call me if your flight changes. I love you!”

He hears the floorboard creak and looks up from his seat to find you leaning against the door frame, dressed in nothing but a black lace teddy. Biting his lower lip, he says, “I love you, too.”

As soon as he hangs up, he tugs at your wrist and ravishes you.

******

“You think she’d ever suspect anything between us?” You wonder out loud while you both lay naked in your former marriage bed, basking in your post-sex high.

He shakes his head adamantly. “I think ‘you and me’ is the last thing on her mind.”

You laugh at how confident he made that sound.

“I’m serious!” He says firmly. “This is not even remotely on her list of possibilities! She knows what happened between us so this is highly unlikely for her.”

You sit up against the headboard and stare at him in disbelief. “You told her about us?”

He shrugs, not seeing the problem with it. “It was all part of my therapy and healing process so…yeah. I told her everything.”

“So, does she think I’m, like, the devil incarnate or something?” You try to mask the pang of guilt in your chest by making light of it.

“Nah. She doesn’t really think about you.” Then he immediately adds, “I’m not saying that to be hurtful or dismissive. I think at the time she thought she was somebody who could, I don’t know, put me back together or something.”

Even though you’ve both said your pieces over the years and talked things over, traded apologies, and accepted them, it still felt inadequate.

“I’m sorry,” you say instinctively.

He sits up to mirror your posture and dips his head to kiss your bare shoulder. “You’ve said that already.”

“Yeah but–” He cuts you off mid-sentence with another kiss, his lips lingering over yours.

“No buts. We’re good, okay? I’m good.” He reassures you.

But you press him anyway. “Okay, I’m sorry to keep dropping the reality check here but what if she finds out?” 

He sighs, a wry smile on his lips. “If she does…” he trails off without finishing his thought. He straightens his posture, turning serious. “I guess you could say that I’m no longer scared of being labeled the bad guy. I spent a good chunk of my life trying to do the right thing and being a good person. Always doing what is morally acceptable.”

You tilt your head at him in curiosity. He’s changed a lot, but just like your old house, even though the fixtures have been replaced, walls knocked down and repainted, and furniture layout rearranged, you can still see hints of what it used to be.

He’s still the same Wonwoo you fell in love with, beneath this new cynical, detached exterior. He wasn’t always open about his emotions but in the rare cases that he would wear his heart on his sleeve, you saw and felt it.

Right now, he was baring his soul to you.

“I’m not saying that I’m proud of it. You know, the affairs. I have needs that she can’t fulfill,” he shrugs. “There’s acceptance on my part. I’m not trying to claim righteousness or hide behind morals. And that’s okay. I’m okay with that!”

You’re silent as you take in his ruminations. In a way, it saddens you that he’s adopted this perspective. You always knew him as an idealist–someone who, as he said himself, ‘always did the right thing.’ Which was why it crushed him when you confessed your infidelity.

He stares at you for a minute before breaking into a chuckle. “What?”

“What?” You echo, your eyebrows furrowing.

“Say something!” He laughs.

“I mean, what do you want me to say?”

“I don’t know! Anything. Scold me or, I don’t know…tell me that this isn’t right. ‘Your wife doesn’t deserve this! You’re a terrible husband!’” He says jokingly.

“I am the last person to judge, okay? If it doesn’t keep you up at night…” you trail off.

He nods at that.

But then you cock your eyebrow at him, picking up on what he said moments ago. “So, ‘affairs?’ You mean, there’s more?”

“I had some fling a few months ago. It was meaningless,” he add quickly, as if that contributed to anything. “And there were a couple of one-night stands but I don’t think they count.”

“Mm…” you hum vaguely.

******

Wonwoo cracks open another bottle of wine and brings it upstairs, where you both drink in bed and continue to trade stories.

“I didn’t really want to get married again. We were having a good time and she’s great,” he recounts the early days of his new relationship. “Sometimes it’s easy to confuse great sex with love.”

“Mm-hmm. Speak for yourself,” you remark.

He smirks at your comment. “But…there she was, down on one knee, asking me to marry her. And so I did. We’ve been living together anyway so, might as well, right?” He shifts and changes his tone, feeling the need to clarify that he’s not a complete asshole. “I hope you’re not taking this the wrong way but she and I are good. We’re comfortable. It’s like, we speak the same language.” 

He’s tipsy and babbling but you let him. “That’s great,” you smile softly, taking a sip of wine.

“The sex is not.” You nearly choke at his revelation. “A month after we got married–phew–” He makes a whistling sound and makes a quick, swooping gesture with his hand. “Out the door, it went.”

“I’m sorry to hear that,” you say with all sincerity.

He shrugs. “It is what it is.”

“But don’t you love her?”

He purses his lips and tilts his head from side to side. “In a certain way, sure.” He mirrors your answer from earlier this evening.

You nod vaguely, letting the words hang in the air while you both fall into a comfortable silence.

After a few beats he says, “I’ll never love anyone the way I loved you. That’s a fact.”

This isn’t the first time he’s told you this. He’s declared it several times, at least once during one of your clandestine meetings.

“When we were together, I never thought we’d split up. That never occurred to me. So–what I have with her it’s…it’s an entirely different kind of love. But if or when she suddenly comes to me and asks for a divorce, I’d give it to her. I feel like that’s where this is headed anyway.” He downs the rest of his wine before setting it down on the nightstand. “I would compare it to a piece of tape. You stick it on then peel it off and try to stick it someplace else. It might take, if you tried hard enough but…it’s never quite the same.”

You lick your dried-out lips and let out a shaky breath. “God, that sounds really sad,” your voice cracks.

“Hey, it’s okay. I’m not sad about it so you shouldn’t be!” He maintains his lightheartedness. “I think it’s perfectly fine to have different types of love, different types of relationships. Mine happens to be unconventional.”

“Unconventional, yes. But the way you speak about it, it’s as if you’re saying that you’re totally comfortable with the fact that you’ll never truly love again. That’s what saddens me.”

“I never said that,” he says in defense. “I never said I’ll never truly love again.” Then he looks you in the eye and says matter-of-factly, “I’m here with you, aren’t I?”

The look he gives you sends an involuntary shiver down to your spine which makes its way between your legs. “Yes, but what we have is different. We’ve both gone through the worst possible thing that could happen in our relationship; which is why when you’re with me, there are no surprises. No unrealistic expectations. There’s no fear lurking around because it’s all laid out for you.”

His expression is steady and unchanged. “And I’m saying this is what works for me right now. This is what works for us–”

“Ugh, Wonwoo…” you groan, sinking back into the mattress and turning on your side, facing away from him. “That’s such a fucked up way of looking at the situation. You know how fucked up we are! We’re still reeling from how our marriage ended and…” You bury your face in your palms and groan in frustration again. “Who would have thought even after we signed those papers, that it didn’t really mean the end…Like, right that second? I wish that somebody told us that breaking up takes much longer than that.”

You feel the bed dip behind you as he scoots closer, wrapping his arm around your waist to pull you flush against him. “It’s like we said, it just takes time, baby.”

“But it’s been five years!” You whine petulantly. “I just want to be done with it! You said that after we’re divorced, we’d move on and start fresh.” You turn your body around, his face is so close to yours. “Now, we’re just in this endless cycle of grief and trauma.”

You close your eyes and you feel him press his forehead on yours in silent agreement. You don’t remember how long you hold each other like that. He quiets your whimpers with the softest kisses until you both drift off to sleep.

******

“No!” Wonwoo cries out, jolting you both awake. He sits up abruptly, with his head in his hands. His back is covered in sweat and his heart feels like it’s about to burst out of his chest.

“Hey.” You sit up and rub circles on his back consolingly. “Did you have a bad dream?”

“Yeah,” he sniffs and wipes his tears away.

You offer to get him a drink of water but he declines. He gets out of bed and paces around the room.

“Do you want to talk to me about it?”

“Uh…” he breathes before sitting back down on the edge of the bed. “Yeah. I’m…trying to remember bits and pieces.” He takes a minute to regulate his breathing while simultaneously collecting his thoughts. “We were walking down the street, coming back from a dinner party or something. And then, we needed to cross the street for whatever reason.”

You hug your knees to your chest while you listen to him.

“I was holding your hand so we could go together but you went on and darted out into the dark road. I kept calling out to you but you kept moving farther away from me. I tried so hard to run after you but it was as if my feet were sealed into the concrete.” A tear rolls down his cheek. “I felt so helpless because I wanted to get to you and–I couldn’t see you. You were gone.”

“Hey, hey, it’s okay. C’mere,” You open up your arms and beckon him to come back to bed.

He obliges and nuzzles into touch. “I couldn’t get to you,” he cried.

“It was just a dream, baby.” You whisper calmly into his ear, rubbing his back to console him.

He burrows his face into the crook of your neck. “It’s not the first time I had a dream about losing you. I’ve had different versions of that dream where you disappear into the dark and I can’t move my body to reach out to you. It’s like–I’m perpetually stuck or something.”

All you can do is listen. This was his trauma talking. You continue to rub his back and rock him gently.

“You know, sometimes I wonder if…if I’ll ever love anybody. Like, truly love them. Or maybe I’ve never been truly loved before. Maybe…maybe that’s what it means. I’ll never be able to have the ability to–“ 

“Hey,” you interject. You pull his face away from your shoulder and cup his cheeks. “Listen to me— I love you. In my own… twisted way. And I know that you love me. In your own way.”

He smiles ruefully, his eyes welling up with emotion.

You gaze at him, brushing his cheekbone with the pad of your thumb. “I will always love you,” you say reassuringly before bringing your lips to his.

Your gentle kisses turn hungry and you can’t help when your body responds to him instinctively. Your need for him is unrelenting.

One moment he’s telling you about a nightmare and the next, you’re wrapped up in each other’s arms, your legs on either side of his hips. It doesn’t take him long to be ready for you, especially when you’re naked and bare for him.

You undulate your hips, grinding your slick over his length. His hands gripping your waist, guiding you while you pleasure yourself with the delicious friction.

“Mm, you’re so wet for me,” he whispers, reaching between you to rub circles on your clit.

“Mm-hmm,” is all you can muster.

“You ready for me, huh?” He nips at your bottom lip.

You give him a nod and he manages to pause his ministrations to reach across the nightstand. Once he sheaths himself, he takes one swift move and slips right into your center.

Each thrust is purposeful. Your fingers grip his hair as you moan into his shoulder. He gently sinks his teeth into your tender flesh, groaning. You're both floating and it’s a special kind of high.

One look at him and you heat up to a fever pitch. You take comfort in the deep baritone of his voice, goading you, whispering his naughtiest fantasies about you when you’re apart. You feel him touch you and you know it’s what you’ve been missing. He completes you. 

You move in perfect sync as if you never separated. When you’re intimate like this, the questions and doubts fade when your bodies close in, filling every gap. Your connection is unrivaled.

He pulls back. “You close?”

Not that he needed an answer but he just loves watching you come undone. He ups the ante, cupping your ass cheeks and combining deep plunges with swivels, thrusting sharply and retracting slowly. Your head lolls back, dizzy with pleasure and at the same time awed by the heights he takes you to. Places where you can simultaneously forget and remember. Where nothing and nobody else exists except you and him and the mutual passion you share.

The sweat misting his brow glistens in the dusky light, his face beginning to strain as your release crests and finally crashes down. Instantly, you shudder, the tingling becoming too much to bear, your skin too sensitive. He is attuned to your body, because he stops his movements and applies pressure where you need it, keeping your hypersensitivity at bay, as his own climax hits him hard. His growls are suppressed, his face crimson with the rush of blood to his head. Your walls squeeze him greedily, prolonging your pleasure as he empties himself into you.

Wonwoo drops you both onto the mattress, collapsing in a heap of exhaustion. He is glued to your slick chest, where he will remain for the next ten minutes, snoozing, nuzzling, and kissing your neck. You hold him and savor the moment before you part and return to the alternate realities you both worked hard to establish.

Deep down, you know you’ve ruined him. You didn’t mean to. He was nothing but an innocent bystander in your own path of self-destruction. Perhaps, as your lifelong penance, you’d spend the rest of your days assuring him that he’s not broken and that he deserves unconditional love. 

You breathe into his shoulder as you settle, holding him as close as you possibly can. In your own quiet way, you're telling him that you're happy to remain like this.

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