#I need. a job. I know. I know this

[designernishiki]

in a couple months im gonna be asked what I did over the summer and I’m just gonna sit there unresponsive because I don’t want to admit to playing between 250-300 hours of yakuza 0

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[biggest-gaudiest-patronuses]

going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:

There is never a satisfying answer to ‘Why didn’t they love me?’

like wow babe. good fucking point

[captainjonnitkessler]

I truly, TRULY do not know how to say this, because the fact that I have to say it makes me feel like I am losing my grip on reality. But no, in the post-capitalistic anarchist utopia, I will not be relying on “autistic minecraft girlies” to be building inspectors because - and this may shock you - one of those occupations takes years of education in how to read and interpret hundreds of thousands of lines of regulations based on complicated math and physics that were the result of decades of tragedy and death, and the other one involves playing a children’s video game.

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[faunandfloraas]

he's never beating the cat allegations.

[nonranghaes]

"i wanna quit my job."

minho's sprawled out on the floor with doongie sitting on his stomach, a feather toy in hand that the cat continues to bat at whenever it swings closer to him. soonie's lazily napping underneath the pushed-aside coffee table, right next to where minho is, and dori's running from the kitchen to minho, as if he can't decide which parent he wants to watch more. all you're doing is getting a glass of water, but it's very serious business to a curious kitty.

"you say that most days when you get home." you uncap a bottle from the fridge, pouring it over ice as it cracks and shifts inside the glass. dori loses interest and runs back to minho. "what happened this time?"

"i want to be a stay at home dad."

you just snort a little, and put the bottle away before making your way over to the back of the couch. you just lean over it, watching minho reach over to scratch soonie underneath the chin. "to our kids?" well, step-kids in your case, but that doesn't change how much you love them.

"mmhm. or they need to get jobs." minho pauses, looking over at you. "... i think they should get jobs, actually. pay for their own treats."

you trail around the couch, carefully reaching over minho to set your glass atop a coaster so that you don't scare soonie. then you slowly sit down, stretching out your legs as you settle in beside minho for a few minutes. doongie looks over at you for a moment, and you extend a hand for him to sniff.

"you should quit, too." minho's head bumps against your shoulder. "let them work. we're getting too old."

it earns a snort from you. "mhm. cat models. or they'd be better cat toy testers."

the thought makes him smile. so you just stay by his side, rambling about a silly fantasy in which the cats are bringing in the money, just to see that smile a little longer.

[sarcastic-clapping]

LET YOUR DAD DIE: IT'S FINE IT'S FINE IT'S WHAT HE DID TO HIS DAD.

Lestat + Claudia: Patricide & The Cycles of Violence - INTERVIEW WITH THE VAMPIRE (2022) - Catherine Lacy, "Cut" (2019) / Anne Rice, "The Vampire Lestat" (1985) / Anne Rice, "Interview with the Vampire" (1976)

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[loverofpiggies]

How does it feel to have those three make it this far in the sexyman vote

I want to see Error and Fresh go neck and neck, that would be the best thing in my entire life ever

[clownowo]

🤨

bonus:

[stark-lord]

Which could, of course, mean nothing.

+ bonus

[notherpuppet]

Do you plan to add Lilith to your Radioapple Nanny Series?

Yup

[copias-juicebox]

A big round of Applause for Ashley!! 👏🏻👏🏻👏🏻

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[fantasy-girl974]

He can do this !

A comics based on the start of Chapter 2 of the fanfic "One step at a time" by OuterWilde.

*** Trucy and Apollo were too precious here with Phoenix, I couldn't resist to draw this scene that made me laugh 🥹