#I saw that scene so out of context as a kid and I was like. Oh. Oh okay then

[mothidocandart]

they need to create more tragically romantic betrayals. Someone gently kissing their loved ones cheek as they tie them to a prison they will never get out of but have to be in “for their own safety.” Someone laying out their neck for their loved one to slash because they are the only one they’d trust to do it. Whatever the fuck Anthy from Revolutionary Girl Utena did where she kissed Utena’s shoulder and lowered her gently down to the ground while also stabbing her through the stomach. That can never be outdone I think.

[thedrotter]

sweet sweet re:kinder community... I would like to ask y'all how you came upon the game and your experiences with it because i wanna know. im genuinely so curious to hear about other people's experiences and little opinions about this game because of how wild the game is (/pos) I'd love to hear it. do ramble to me about it

[melonthesprigatito]

Decided to binge watch the entirety of Pokémon Generations again because it's been a few years since I last saw it and uh

Is it just me or is it a lot more fucked up than I remember

[twogyuu]

reverse uno

Pairing: Jeonghan x fem!reader

Genre: Fluff, dad!jeonghan, mom!reader, uncle!wonwoo

Warnings: profanity, some jealousy (but it's just out of funniness), jeonghan long hair slander, unedited

WC: ~1.5k

A/N: For shits and giggles. I also miss Jeonghan.

Spin-off from Wonwoo's Tasty Cereal (and Milk). Would reccomend reading this one first to have context for this one 😅

. . . .

Jeonghan was seething. 

Never in a hundred years did he think he’d be jealous of Jeon Wonwoo. 

Jeonghan has known the young man for the better half of his twenties from university. They were different as night and day, but Jeonghan never saw anything wrong with that. The two men had their unique qualities. Also, he adored Wonwoo – truly. A quiet fella with well-founded values and a kind heart, it was for those very reasons he could never really, what youth called, “rizz up” a girl despite all the heart eyes sent his way. The man had game; he just didn’t know how to use it. 

Heck, with Wonwoo’s current girlfriend, it took the effort of two armies and Lee Jihoon to get the frustrating oblivious pair together. 

It truly had to be a sick joke for Jeonghan to be standing in the middle of a kid’s backyard birthday party and bear witness to his four-year-old daughter falling head over heels for the four-eyed man. 

Atop a blue-and-white checkered blanket, Nina was seated on Wonwoo’s lap, his hand wrapped protectively over her waist to keep her from falling off, a picture book opened in front of them as he pointed at the illustrations of a Siamese cat dressed in a cape, leaping off a boat. 

She was whipped. 

His little girl, adorned with his big brown eyes – it was blasphemous. 

Nina laughed girlishly and clapped her hand out of joy as Wonwoo read one of the character’s lines in a low voice, mimicking that of a monster. 

Jeonghan has definitely reenacted scenes from some of her favorite storybooks way better than that. His impression of Amelia Bedelia could earn him an Oscar!

“Why are you clenching your fists so tight?” 

Jeonghan turned in the direction of the familiar sound of your voice. Your presence brought him some sense of comfort. At least he’d never lose you to Wonwoo. 

Jeonghan let out a defeated sigh, walking over to your side and snaking his arm around your waist and pulled you into his side. His eyes were still trained on his little girl, though he could feel your fingers grazing across the side of his face as you tucked a strand of hair behind his ear. 

Your eyes flickered from his hardened expression to Wonwoo and Nina, and then back. 

“What’s so great about him anyways?” Jeonghan asked. 

“Wonwoo?” you double-checked. 

“I mean, he’s not that great, you know?” Jeonghan pressed on, “I’m a cool dad! I let her eat ice cream for breakfast yesterday morning!”

“You what?”

Oops. 

Jeonghan shook his head, pretending he didn’t spill his daughter’s biggest secret. He scoffed dramatically, “This is ridiculous – she shouldn’t be acting so lovesick! She’s only four!”

You made a mental note to circle back to the ice cream for breakfast, but decided to address the matters of your husband’s current distress. 

“Maybe Wonwoo’s just good with kids,” you suggested, “He’s a teacher after all.”

“A math teacher,” Jeonghan scorned, “For eighth graders.”

“Honey, I think you’re overthinking this,” you tried to soothe him, doing your damn best to suppress your giggles. You hadn’t seen him this worked up in a while. He was always protective of Nina, but this was . . . something else. 

“He babysat her once and now she goes around eating cereal and milk separately, begs to watch Sailor Moon on Saturday mornings, and asks about ‘Uncle Woo’ more than she asks about you – like, this isn’t normal!”

A light bulb goes off in your mind. 

“Maybe,” you turned towards him to face him full front. Naturally, his hands settle on your waist. You reach over and smooth a strand of hair on the other side of his face, your fingers playing with the ends of the overgrown, long strands brushing across his jawline. “She likes his haircut.”

“That’s ridiculous,” Jeonghan rolled his eyes.

You shrug playfully. “Hey – Wonwoo is a handsome man and maybe, she’s like me: knows one when she sees one.”

“And what does that have to do with his hair?” Jeonghan asked. 

“Haircuts make a huge difference in someone’s appearance,” you peer over Jeonghan’s shoulder, throwing Wonwoo and Nina a glance. They seemed to have caught your gaze, both waving happily in your direction. A smile spread across your face, turning back to Jeonghan. “His new haircut looks nice.”

Jeonghan cocked an eyebrow at you. “Are you suggesting something here?”

You pull away, his hands slipping off your hips. “Nothing I haven’t said to you before.”

Because that was the truth. 

Despite his best friend’s insistence, you were not a fan of that mane that your husband has grown out and you had voiced your opinion more than once. 

You extended a hand to Jeonghan and asked sweetly, “Cake?”

“But Nina–”

“Relax,” you reassured him, pulling him after you, “Wonwoo’s a good babysitter – it’s just a little crush. Let them be and let’s spend a little time to ourselves?”

. . . .

“Sweetheart,” Jeonghan called from afar. 

Nina looked up from her drawing, the blue crayon in her chubby hands stopped moving at her dad’s voice. Her favorite cup, a white and green coffee mug with baby Yoda’s decorating the exterior, was clasped in one hand as he leaned against the entrance of the kitchen. 

“Yes, daddy?” she replied. 

“Can I ask you a question?” Jeonghan asked softly. 

That was a strange phrase. Usually, she asked her dad questions – not the other way around. Unsure how to answer, she stayed quiet and stared at him wide-eyed. 

“Do you . . . perhaps like Uncle Wonwoo’s haircut?” he asked slowly. 

Nina only stared back blankly at Jeonghan. She blinked, processing her dad’s strange and cryptic words. She knew about Uncle Wonwoo and she knew what a haircut was – her mom took her for one last month. She had sat in a chair shaped like a blue race car. 

“Do you think Uncle Wonwoo is handsome?” Jeonghan tried rephrasing his question. He shoved a hand, uncomfortably, into the pocket of his sweatpants. 

“Handsome,” Nina said quietly, “Like . . . how Cinderella thinks Prince Charming is handsome?”

Jeonghan nodded in encouragement. 

“I . . . think so?” Nina replied, confused.

“Oh,” Jeonghan said softly. 

Nina frowned, her little heart feeling funny at her dad being disappointed at her answer. “Is something wrong, daddy?”

“No, no,” Jeonghan smiled weakly. “Maybe your mommy was just right.”

As he walked away, Nina noted the way her dad tugged at his little ponytail. 

. . . .

“You cut your hair.”

Jeonghan sighed, annoyed as he roughly handed Nina’s night bag over to Wonwoo. 

“I did,” Jeonghan replied curtly.

“Why?” Wonwoo asked cautiously, sensing malice in his older friend’s tone. 

“Just because,” Jeonghan grumbled. He threw a look over his shoulder to make sure you and his daughter were coming along. You were shutting the door of the RAV4, Nina fast asleep in your arms with her head resting over your shoulder. “It was getting annoying anyways.”

“Interesting . . . I guess,” Wonwoo replied. 

At this, Jeonghan narrowed his eyes. “How so?”

Wonwoo’s eyes widened at Jeonghan’s harsh tone. A hand flew to the back of his neck. Nervously, he replied, “I mean . . . you just seemed to be . . . really adamant about growing it out – you and Cheol.”

“Well, my daughter likes boys with short hair like yours,” Jeonghan replied curtly. 

“Um,” Wonwoo’s eyes wandered around the living room. “I’m sorry if I’m missing something here, but what do I have to do with your hair?”

Jeonghan inhaled sharply, shaking off all the tension. “It’s nothing –”

“Nina has a crush on you and Jeonghan is bitter because she doesn’t think he’s the coolest anymore,” you announced as you entered behind Jeonghan. 

“Y/N!?” Jeonghan exclaimed. 

You winked in his direction before settling your daughter onto Wonwoo’s couch, adjusting her head in a comfortable position. 

“But I thank you for your service,” you said to Wonwoo. Folding your arms across your chest, you smiled in satisfaction. “I got him to get a haircut.”

“You’re welcome . . .?” Wonwoo asked more than he stated. He was so confused. 

“That’s manipulative!” Jeonghan shrieked. 

You brought a finger to your lips and to shush him, eyes flickering to your daughter. Nina stirred momentarily in her sleep before settling into the cushion again. 

Hooking your arms with his, you dragged your husband away. You remarked, “Manipulative like when you got me to go on that blind date with you?” You waved off Wonwoo. “We’ll be back around 11PM.”

Wonwoo nodded, letting out a sigh of relief. 

“That’s different,” Jeonghan whined. He tried pulling his arm away to no avail – you had a strong grip. 

“I’ve waited almost a decade for this moment: Consider it pay back.”

“Y/N.”

You pressed a chaste kiss to his cheek and patted his arm before rounding the front of the car to get to the passenger side. 

“I married a menace,” Jeonghan groaned. 

“So did I!” 

“A match made in the heavens itself!” Wonwoo called from the door. 

The air filled with your laughter. 

A menace, but Jeonghan couldn’t deny, he really loved that sound more than anything. 

[david-talks-sw]

When a Star Wars writer engages with the material but not the narrative.

I'm writing a long post about the Jedi and the clone troopers and there's a whole section that I had to remove because it was too long:

Karen Traviss' take on the Jedi and the clones.

I already wrote about why Karen Traviss' take on the Jedi and Yoda doesn't track with what George Lucas had established in his narrative of the Prequels. Since then, I've been able to do more research.

It's no secret that one of the reasons Traviss listed for criticizing the Jedi in the Expanded Universe books she wrote is their treatment of the clones (or at least what she understood it to be).

In 2008, she wrote a now-deleted blog post about it (it was really long, so I'm only including the part relevant to my point, if you want the full context you can look it up, this is old stuff).

So if you ask me, in the above quote, Traviss is essentially doing the equivalent of saying:

"Batman is a psycho elitist who beats up the mentally ill and indoctrinates kids, turning them into child soldiers for his unending crazy vigilante war on crime, and if you can't recognize that then you scare the living crap out of me."

Like... you can argue that, and a couple of comics have argued that.

But by and large, the general consensus is that Batman is a superhero, the Robins are his sons and daughter, and the "mentally ill" are in fact the Joker and Two-Face aka mass murderers.

So if you make that argument, that's you applying your real-life values and conclusions to a narrative that deliberately doesn't acknowledge those points, in-universe, in order to tell the story it wants to tell.

It's counting on your suspension of disbelief, defined as "the avoidance—often described as willing—of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative."

The Jedi accepting the clones and the clones being slaves isn't a "delicate point". It's barely a point at all!

It's never addressed in the film (because of course it isn't, the Prequels are about Anakin and the Republic, not the clones).

It's only addressed once by Slick, an unreliable narrator, in The Clone Wars.

That's it. Hell, in 2008, when The Clone Wars writer Henry Gilroy was asked to comment on the relationship between clones and Jedi, he explicitly said he'd "rather not get into" that particular point.

I recently got Mythmaking: Behind the Scenes of 'Attack of the Clones' and nowhere is that detail touched on by Lucas at any point.

Nobody wants to touch on that point with a 10ft pole, because it's not relevant to the story.

So while Traviss acknowledges the Jedi are fictional characters, she doesn't follow that thread through to the end by acknowledging that fictional characters don't have free will, they must abide by the story and the whim of the writer.

She's engaging with the material, but refusing to engage with the narrative. She's having her cake and eating it too.

My reason for saying all this is that in the book Star Wars on Trial, she elaborates on her thought process upon discovering this detail.

Shortly before to this, she acknowledges twice that she knew nothing about Star Wars, beside seeing the original films in her youth.

Another writer who saw the new films and saw Mace Windu argue against there being a war...

... the worry on his face at the prospect of the Jedi being thrown at the Separatists...

... and the sheer melancholy on Yoda's face upon announcing the Clone War had begun...

... might have instead wondered how the Jedi, so opposed to war, could've ended up being generals.

Because while we don't see the Jedi openly protest the use of the clones in the film... they're not exactly giddy about it, either. All they can do is watch powerlessly as it gets voted by the Senate.

"The Jedi are there. But the Jedi aren't really allowed to be involved in the political process. They're there, but they can't suddenly step up and say, "No, no. You can't do that." They have to let the political process go." - George Lucas, Attack of the Clones, Commentary #2, 2002

We also don't see them take on the role of generals, either.

We only see them begrudgingly lead troops on Geonosis, specifically.

But they're not referred to as "generals" yet.

Another writer might have imagined a scene where after Geonosis, Mace Windu talks to Palpatine thinking the Jedi will go back to their roles as diplomats, and that what we saw in Attack of the Clones was a one-time thing to save Obi-Wan, but Palpatine politely goes:

"Ha! No. Didn't you hear? The Senate was so impressed by your performance on Geonosis that they voted to make you all generals in the GAR. Now, get back to the front."

Another writer might've elected to write them having that "big moral debate" she mentions.

Instead, Traviss immediately jumps on the "Jedi are elitists" train.

Because her personal experience with the military makes her sympathize with the clones and her personal belief is that - while the story may frame the Jedi as "the good guys" - nobody is that good a guy, real life people aren't that pure and selfless. There's gotta be something off about them and aHA! That's what it is!

That's her choosing to take that line of thought instead of one more in-line with the story, because she perceives it as unrealistic. But like... Star Wars isn't real life, it's a fairy tale.

That's like saying:

"The hunter in Little Red Riding Hood commits animal cruelty by cutting the Wolf open. He should've let nature take its course, the wolf earned that meal fair and square. If you think the hunter should've saved Red Riding Hood and her Grandma, then clearly you're the kind of monster who thinks one life is worth more than others."

... no?

The story's narrative clearly portrays the wolf as the villain of the tale and frames the Hunter saving Red Riding Hood as a good thing.

Disagreeing with that narrative is absolutely fine, but anybody who acknowledges the wolf is the bad guy in the story isn't automatically an animal hater and/or a bad person. Just because you say "the wolf is the villain" doesn't mean that you think that, in real life, killing wolves for shits and giggles is good.

Conversely, the narrative of the Prequels asks you to suspend your disbelief and not consider the implications that having a clone army entails. Because the use of clones doesn't have a direct impact on either Anakin or the Senate's stories.

Edit: I finished the post this one here originally spun out of!

You can find it here:

[0oolookitsme]

Daddy of Three

Type - A One Shot again!

Verse - Footballer!Harry x Art Director!Y/n

Word Count - 2.2k

Warnings - None that I can find! (other than the fact that this is pure smut ofc)

A/n - Lowkey hate the title (you will too when you find out the context) but I just hope you enjoy this hahah <3

Kinks - Daddy kink, Face Fucking, Breeding Kink, Praise Kink.

KINKTOBER MASTERLIST | MASTERLIST

Please rb to share!

Y/n was chopping up the vegetables she'd need for the meal she was going to cook tomorrow morning for Harry and Karan's lunch. Her eyes remained on her iPad's screen, on which she could see the page Carla was presenting in the meeting.

Clicking on the little mic icon by her knuckle, she unmuted herself. "Marla, don't you think that we should use red and yellow undertones? It's going to be a violent and a sad scene, I think it would work better," she said, not exactly agreeing with her idea of using green undertones.

"I agree," a few people wrote in the chat.

"But ma'am, we probably wouldn't have as much screen time for that scene. Plus, we have a scene inside the hotel's bathroom after that, which they tell us would give off green hues," Marla said, sliding photos till the bathroom set was on the screen.

Y/n hummed, laughing at how she'd absolutely forgotten about that. "Then I'd say that we do put green undertones but less. We need the switch between the scenes to be slightly puzzling – nothing like 'what the hell are they doing in the bathroom now' though," she said, making the other woman laugh and other people text the laughing emojis.

They agreed on trying the directory for the same the next day, and planned out a few more things before bidding goodbyes. Right at that time, Harry and Karan also got up from the couch as the show they were watching just ended.

"Are you done?" Harry asked her, walking behind Karan who seemed to be growing taller and taller everyday. It still mesmerized her, the resemblance between the two – same green eyes, same curly hair, same nose. Only his mouth matched with hers, other than that, he was a ditto copy of Harry.

"Yes," Y/n groaned while getting up, stretching the moment she was on her feet while taking a big yawn. "Not really, just a bit tired from all the screen time," she said when Harry asked her if she was feeling sleepy.

"Serve the dinner, will you? I just quickly need to wind my stuff up." She looked at Harry with pleading and slightly guilty eyes, kissing the corner of her mouth once he mumbled an 'of course.'

"Don't take too much time, though!" He yelled as she hurried up the stairs.

Karan climbed up in his chair on his own with a bit of struggle. He'd finally grown tall enough to be able to sit on the main dinner table, but still he needed a taller chair to sit on.

"Look at you going, already a big boy," Harry grinned at the little one, who was about to turn four this year. A breathy chuckle escaped his mouth when the boy's ears turned pink, he was born a shy persona but that never deterred him from speaking up when he wanted to.

Y/n watched from atop as Harry talked to Karan about the show they were just watching. It had shown some wild animals tonight, from what she could hear. She couldn't help but swoon a little bit on the inside as Karan climbed down the chair with a bit of grunting and helped Harry serve the table.

"Bring me a glass, please," Harry asked the kid just because he was eager to help. "Thank you," he appreciated him once the glass was on the table.

"Y/n –" Harry was about to call for her when he saw her watching him from the doorframe of their room. "C'mon, what are you waiting for?" He laughed, feeling a tad bit of shyness creep up on him when he realized that she'd been watching him.

They've known each other since childhood yet she still manages to turn his ears pink by just her gaze – it was yet another trait that Karan got from Harry.

"Could watch you be a baby daddy all day long. Just makes me feel so hot," she whispered in his ears, grinning when he slapped her bum sneakily.

"Did you tell daddy about the puzzle we solved today?" Y/n asked Karan and melted on the inside when his eyes lit up and he sat upright, suddenly excited and eager to tell Harry all about it.

And Karan's energized talking about the animals was how they spent their time eating dinner. Talking about Karan's puzzle, Harry's practice routine for the next day and Y/n's plans for visiting the set for a run-through were some add-ons in the talk here and there. Once they'd finished, Y/n took Karan up to his room to read him one of his nightly-stories, and lull him to sleep – it was Harry's turn to do the dishes tonight.

The toddler was extra tired today. He'd had football practice for a small upcoming match in his school, solved a lot of math problems and a whole puzzle in one day. So, it only took about four paragraphs of the story in the calming voice of his mother for him to pass out.

Y/n climbed down the stairs as silently as she could and pressed a feather-light kiss on Harry's neck, who didn't get scared in the slightest – probably because he heard her jam her toe in the leg of the dining table.

Harry hummed to acknowledge her presence, loading the last plate into the dishwasher. She stood back patiently, and once he was done, Harry turned around and leaned his bottom on the kitchen counter with his arms crossed in front of his chest.

Then, y/n leaned in to press a chaste kiss onto his lips.

"Mm, someone's feeling needy," he smirked when she pulled back, pulling her in again by her waist when she nodded. "What do you need, love?" Harry asked her, pecking her lips again with a soft smile on his mouth.

"Need to taste you, daddy – been so long," she mumbled, slowly and slowly relaxing into his body.

He continued tracing the outline of her lips, "Is that so?" He asked again, and when she nodded he released her lower lip from under the weight of his thumb, watching it rise back to its place.

"Then we'll put that mouth of yours to a good use," he rasped, reaching for her mouth again as he slid one of his hands on the back of her head, pulling her hair back to give him space to litter her neck in kisses.

When her mouth met his skin, she left open-mouthed kisses on it and bit on a few spots before Harry started pushing her down on her knees. Once she was down, she pulled down his sweats on his command and watched as his cock stood up, already hard. She spit on her palm, lubricating his length as she stroked him.

"Hands behind your back," Harry told her, and started lowering her head on his length when she took him in his mouth. "Fuck," he breathed, watching her as he pushed her lower and lower on him slowly.

He cherished the feeling of her warm mouth on him, and when she reached his base, he let out a groan as the feeling of his tip touching the very back of her throat.

Y/n could taste his salty pre-cum that had started to leak from his slit. It would've been more convenient for her if she could've placed her hands on his thighs, but somehow, this position was only making her panties wetter.

When Harry asked her if she was ready to go, she quickly showed him a thumbs up before holding her wrist behind her back again.

Slowly and slowly, Harry started bringing her head back and forth by his grip on her hair. Her lips wrapped around him felt every vien as he brought her head up till his reddened tip. She managed to take a lick at his slit before he brought her down again, faster this time.

Now, her head was bobbing faster on his cock and with the way her saliva was starting to dribble down her chin, she could feel him pulsing in mouth as she hollowed out her cheeks when she hit the base.

She gagged a bit when Harry pushed in till the back of throat. And then, he quickened the pace.

He held her head in one place as she tried to swallow some of his arosual fucked into her mouth, the sounds of her gagging filling the kitchen. "Fuck- you're doing so well, darling," Harry moaned above her, creating a pace again – his eyes unable to move from the sight of strings of her saliva and his arousal moving with each bob of her head.

He fucked her mouth with a fast pace, his tips dragging along her tongue before hitting the back of her throat with each thrust. "Jesus- fuck," he choked, his hold on her head getting tighter as he began ruthlessly fucking into her mouth.

"Breath from your nose, baby," Harry told her, continuing to thrust his cock deep down her throat by now. She started gurgling on her own saliva and his precum, her arms starting to ache as tears leaked out of her eyes and she clenched around nothing, her pussy feeling like it were ready to be pounded.

"Oh lord," he grunted, slowing down his pace just when Y/n thought he was close to releasing down her throat, he brushed his hand through her hair.

Gradually, Harry pulled out of her mouth and just when she was beginning to think that something had gone wrong, Harry helped her get up on her legs.

She stumbled a bit, her legs a bit numb, and knees hurting because of the hard floor. She freed her arms then as well, holding onto his biceps as she balanced herself.

"Fuck you're such a wreck," Harry breathed, wiping away at her damp skin – not able to tell the difference between her tears and her sweat. "And because of me too," he chuckled, brushing her hair back as she caught up with her breath.

"C'mon, wanted to come down your throat, but I need something else more than that right now," Harry said as he picked her up bridal style in his arms, the veins in his biceps popping out.

"What is it?"

"Need to feel your pussy, darling."

When Harry dropped her on their bed, she immediately got up on her elbows, her knees touching but feet wide apart. "Fill me up, daddy? Want another baby," she whispered, looking at him through her lashes.

Squeezing his eyes shut, Harry groaned, climbing up on the bed while stroking himself. "Fucking hell – 'course I will," he told her as he sat back on his calves in front of her. "Gonna make me daddy of three, aren't you -- since you clear need one at all times, as well?" Harry teased her.

"Open your legs for me, wanna see ya." Y/n did as Harry told her and he swiped his middle finger through her folds, realizing that she was already soaking wet, ready to take him.

"Gonna give you all my babies, darling. Gonna fill you up to the brim and get you pregnant again," he rasped, lining himself against her hole, wetting his tip. "Fuckin' missed watching your belly swell up with a baby – my baby, " he said while watching himself disappear inside her pussy.

Beginning to thrust into her, Harry's hand came to knead one of her boobs. "Need to see you breastfeed a little one again – see those leaking nipples," he choked out, so turned on that he already felt close to climaxing.

"Gonna come for daddy, love?" Harry cooed at her, feeling her thighs begin to shake around his hips already. "Give it to y' husband."

Y/n lied there under him, shaking and moaning as the knot in her belly moved lower and lower. "Gonna cum- fuck –" she coughed, shaking harder as her skin felt like it was on fire when Harry started rubbing her clit.

"Come for Daddy, darling. Doing so good," Harry praised her, increasing his pace as he felt his own balls tighten. As he thumbed tighter and faster circles on her sensitive bundle of nerves, he felt her walls clenching around him.

"So good for me, so fuckin' good around me – fucking made for me," Harry grunted, feeling like he was going to combust.

"Co-coming daddy – O-Oh I'm cuming fuck-" Y/n stuttered, her back arching as Harry fucked into her pussy mercilessly. She could feel him pulsing inside her, and once he hit her g-spot again, she felt like she had been electricuted as she came on his cock.

Her cum went everywhere as Harry continued fucking into her, the bed creaking under his pace. "So good for daddy, look how much you came," he chuckled breathlessly, looking down where she had soaked him and the mattress, white strings of her cum sticking to his base.

Y/n intionally cleanched around him again, lying fucked out of her mind and breathless.

"Good girl- that's a good fucking girl," Harry cursed before he shot ropes of his cum deep in her pussy. Ramming into her pussy until she had milked him dry, he finally stopped when some of his cum started spilling out of her.

"Gonna fill you up again, make sure I put a baby in you," Harry told her as he wiped sweat off his forehead – grinning down at her when she hooked her arms under her knees, giving him full access to her pussy.

"Daddy's gonna give it to you good, sweet girl," Harry said gleefully, laughing when Y/n managed to swat at his chest.

[xjulixred45x]

I was thinking.....Satoru Gojo with an older brother reader.

KIND OF SECOND PART

Whether you were several years older than Satoru or just a year, as soon as he was born you were completely forgotten by the entire Gojo clan, of course, they kept you alive and continued to love you, but you were definitely no longer a priority at all unlike your younger brother born with the Six Eyes.

It hurts at first, but you quickly realize that it's actually not such a good thing to be your little brother. He is spoiled non-stop, yes, but even when he is just a baby, you see how the rest of the clans see him as a threat, a nuisance, something more than a someone.

and that hurts you even more.

so you decide to be a good older brother to Satoru, even if he has the world on his shoulders, you always try to let him be as much of a child as possible.whether it's spoiling him with candy, taking him out of training sessions, showing him Digimon games(he thanks You this FOR LIFE), etc.

and Satoru is no stranger to this.

everyone knows it, he is a spoiled child when it comes to his "big older brother" who, although weaker than him, definitely keeps very close while they grow up. Satoru is very grateful that you tried to give him a childhood even if it was not possible due to his context, you treated him with great affection that was different from the others, it was tender, sweet, genuine.

Thanks to this you always had more "control" over Satoru than everyone in the Gojo clan, either to make him behave or at least not make so many problems.

Satoru literally changed his face completely when it was YOU who spoke to him. Did you see that scene where he was walking through the city alone when he was a kid? You can bet you were looking for him for a solid half hour and when he saw you he said, "don't look at me weaklings" to "howdy Big bro :D" in seconds.

In general Satoru is very clingy with his older brother, if he has to go out with him, he is attached to his leg or his hand, on his shoulders, on a piggyback, etc. His personal favorite is when his brother carries him, with his arms around his neck and his legs curled up, he can even fall asleep like that.

and rest assured that Satoru fiercely protects his older brother, even if he is not weak, the difference in power between the two is overwhelming, so Satoru will not hesitate to go on the defensive for his brother. not only in battle, but also against ignorant people who try to harm him in some way, be it tarnishing his reputation, making him feel less than, any of those things are a great offense in Satoru's eyes, he is not going to tolerate it.

He only becomes more attached to his brother as he grows up, if you have a girlfriend/boyfriend, Satoru will be judging them non-stop, for him no one is worthy of his brother, but if they make you happy, he is happy, but they would have to meet a minimum number of requirements to enter the family (even the Gojo Clan backs him up with this).

Satoru greatly appreciates his brother's ideology now that he is in Jujutsu Tech, now that he believes he understands better what it means to be the strongest. but when reality hits him with what happened with Geto and Amanai, his brother is the first to console him, even thinking that he has failed them in some way, because HE is supposed to be the older brother who protects the younger one, and that he cannot that he was completely young, he feels that he completely failed Satoru. that he has been a bad brother.

and Satoru will not listen to this nonsense.

Satoru refuses to let you put yourself down and your efforts to take care of him, to avoid all this, you are the best brother he could ask for. the only.

(imagine his reaction when he found out that Satoru had impulsively adopted a child from someone who almost killed him and he KILLED on top of it)

Both brothers mature as the years go by, you may even have your own family (with someone you love who miraculously passed the requirements of the Gojo and Satoru) and if you have children, damn, Satoru would spoil them SOOOOO much, he's the quintessential funny uncle(and handsome, he says)

Gojo's coworkers don't understand, how the hell does someone like Gojo of all people have a sweet, thoughtful family man as a brother? It is a mystery to everyone.

Satoru would be somewhat calmer if his brother decides not to continue being a sorcerer, but if he continues to be a sorcerer, he will definitely make him go on all his missions with him, his brother is not like him and he knows it, they both have the same ideas, they hate the ones in charge, and they REFUSE to let these kids' youth be stolen-

but Satoru does not have a family to return to, Satoru does not have a home with people who depend on him in a genuine and loving way, his brother does. but the higher ups wouldn't be bothered if he died simply because it's not him

For the same reason, Satoru Gojo will protect the weak even if it seems exhausting, he will save the world if necessary, because also in this world is his brother,and also the world that his brother wants to protect is only the most precious thing to him, who is only half of his.

_____

Shares, reglogs, and comments are very welcome!

[halfagone]

Cassandra Cain and Communication

I've been noticing an interesting trend in DPxDC fanfics lately where people write Cass like she's psychic, or in simpler terms: she can read someone and in an instant know how to help them. And while I can definitely see the merits of this kind of approach, there are a lot of things to keep in mind.

I cannot stress enough how isolated Cass' childhood was. When it's said that David Cain trained her only in the language of killing, it is not an exaggeration. In many early renditions of her character, Cass cannot speak at all, and if she can, only in short, brief sentences. Cass goes the first seventeen years of her life not knowing how to read.

That is a canonical plot point too. We see Barbara teaching Cass to read in Batman Volume 1 #567:

Based on the context surrounding this scene, this is a regular occurrence between the pair. Cass has also sought out Stephanie before to read something for her (Batgirl Volume 1 #20). If you're curious about more analysis surrounding this particular subject, this post has some interesting points and shows the gradual shift in how DC handled her character.

But this is early into her time with the Batfamily. What about later on, when she's more assimilated to the Waynes and her fellow vigilantes?

Well, you don't even have to be a hardcore comic fan to see how she continues to struggle with expression and communication. In Wayne Family Adventures, episodes 32 and 33, we see how Cass' ability to read body language has also hurt her and her relationship with the people around her.

She doesn't mean to hurt Stephanie's feelings in these episodes, but the damage is real and it happened. Cass means well, ultimately, but she still doesn't know how or when to address these problems. She sees that Steph is hurting and wants to help; those are all admirable qualities! But in the end, she only pushes Stephanie further away, and is left feeling guilty and carrying self-loathing in the wake.

Here is also a reminder: Cass killed her first man at the age of 8 years old, and consequently ran away from her father when she realized killing was wrong. She did not know what he felt was fear. She did not know the definition of fear, nor the word for it. She just saw the expression on his face as he died, and realized that something was wrong, and ran away.

Cass doesn't arrive to Gotham until she's 17 years old, around the No Man's Land era, if I remember correctly. She is on the run for 9 years in this time, and sadly, she did not pick up many- if any- language or communication skills during this period. This isn't a fault on her character either, when she likely had to keep moving and didn't have time to connect with anyone like she did with Barbara, who could teach her how to speak and read.

But at the end of the day, it makes sense that Cass doesn't know how to socialize. Think of a real life example: some kids who grow up homeschooled struggle to make connections once they reach adulthood and start looking for a job. They've never had to make small talk, or address strangers face-to-face, so they don't know how to interact with people. Cass' situation is a more extreme version of this scenario, but with blood, brutal training, and child abuse involved.

At her core, Cass is a good person. And she will continue to be that good person. But she doesn't always have the answers. Nobody does! She'll continue to help people to the best of her abilities, but sometimes those abilities can be limited.

Cass is not a perfect person. When Bruce was lost in the timeline, and the remaining Batfamily members started to splinter and fall apart in the wake, Cass didn't remain in Gotham to help with the rising violence with Batman's absence. Instead, when her family needed her most, she went to Hong Kong, because she didn't want to be there without Bruce. She did briefly meet Tim in Paris, when she had saved him from the Daughters of Acheron, but she still doesn't accompany Tim, nor does she return to Gotham even after finding out the city is extremely understaffed.

Cass is well-meaning, but she is not faultless. We might not like to acknowledge the flaws of our favorite characters, but those flaws are a part of them! Just like how Bruce consistently fails to express himself is a part of his. Or how Dick tries to pretend that everything is fine so he doesn't have to address his own problems. Or how Jason can be inconsistent with his motivations and people get hurt as a result. Or how Tim keeps too many secrets and pushes people away, ruining multiple relationships in turn.

I could go on and on, but all these characters are more than just their flaws. The same thing with Cass.

So don't be afraid to show a Cass that doesn't know how to fix things. Don't be afraid to show a Cass that doesn't know what to do, but just tries her best. It's one of her most admirable qualities: always trying no matter what.

[iwritenarrativesandstuff]

Q's Relevance and Parallels to Double Black

I had a sudden brainwave of thoughts (read: I only got three hours of sleep last night) and needed to share. I've thought this for awhile but I really think Q will be returning to the series at some point.

First of all, there's just too much ambiguity there and I want to know more about Q in general. What happened to Q to spawn an ability like that? Why does Dazai speak about them like they're the devil incarnate? What was the incident that led to so many Mafia deaths in an effort to lock Q up? Is there any significance to Q's unusual eyes (remember that most characters tend to have fairly normal eyes, and this is a series where the eyes carry symbolic weight)? What's with Q being strung up in this position that is eerily similar to a crucifixion, shortly before Steinbeck has a conversation about God existing but not loving them?

There's a lot there. I've spoken about this before in the meta I did about Dazai's change in approach after the Q chapter, which was genuinely an unexpected event he did not anticipate. But there's something fascinating about the way Chuuya reacts to Q as well. In fact, both Dazai and Chuuya are almost uncharacteristically murderous towards this kid, and that's real interesting, seeing as many aspects of Q mirror aspects of their younger selves.

Now I understand you might be thinking: uncharacteristically murderous? Story, they have both literally killed many, many people before. Yes, but context is important here.

Dazai doesn't have strong violent urges - not even in the Mafia, where he was considered terrifying more so due to his apathy in killing than anything. I can't remember a scene where Dazai is described as radiating bloodlust like Kyouka or Mori. Dazai is scary because of his indifferent hollowness at his worst points. Odasaku was described similarly in Untold Origins - there was no real desire to kill, just a listless cold follow-through. Dazai's sadistic methods, brought up by Higuchi in Chapter 25, are acknowledged as a means to an end, a method, not something done out of any strong desire or enjoyment. So when Dazai makes death threats or appears visibly angered - that's something worth taking note of. For him to make a promise to Q to pluck out their heart - holy shit. That is not typical Dazai behaviour. He doesn't even make that kind of threat towards Fyodor. Whatever happened in the past clearly shook him, enough for this moment to change his approach in the series and send him back to using darker methods again.

As for Chuuya, while he has and does kill quite readily, this is mostly in the heat of a fight. For him to give the go-ahead for murdering an unconscious child - it's unusually cold-blooded for him, and I can't think of another instance where he's down with lethal intent outside of combat and direct orders. I've seen some people talk about his reaction to Dazai suggesting he'll kill Q as proof that he's gotten darker since we saw him last in Stormbringer, from someone who would plead for the lives of the Sheep to be spared ("They're just kids") to being ready and willing to kill a defenseless child. While I think it's likely true that he's gone darker since that point - Chuuya appears to be more cynical in the present as well as having darker eyes with a smaller central pinprick of light than in Fifteen and Stormbringer - that's not the only thing going on here.

Thing is, Chuuya has always been fairly ruthless. He’s a very vengeance oriented character, right down to his fighting style (rebounding attacks and bullets). Hurt him or someone he cares about and he hurts back - and that threat will be destroyed. Parallel to this is how he is seemingly unable to turn his back on people who have helped him. Help him and he will remain loyal and protective even if that person goes on to stab him in the back. He has a very “give and take” mentality. Chuuya operates on the reciprocity principle.

So, about Q, here’s the thing: Q is a part of the Mafia, that's true. But Q has never helped them, only hurt indiscriminately. Mafia philosophy says “protect your own and follow the boss' wishes no matter what”. But Chuuya’s philosophy is saying “neutralize the threat”. And interestingly, Chuuya’s philosophy won here. If Dazai had've killed Q, Chuuya would’ve defied Mori’s orders in favour of his own judgement, which is extra intriguing because it emphasizes Chuuya’s loyalty to the people within the Mafia, not the Mafia as an organization itself. This is in full contrast to people like Tachihara and Hirotsu, who prioritize the organization and orders above all.

And about Q being a child: I don’t think this is such a big change in his character if I'm being honest. Chuuya knows full well how dangerous a child can be - he was that dangerous child. People underestimated him as a teenager and paid for it dearly; do you really think he'd make that same mistake? He also has a very warped view on the responsibilities and ways a child should be treated… while I do believe he probably is protective of those younger than him, he also equally understands that a child can be just as much of a threat as anyone else. For Chuuya, it’s always a matter of what wins out: the person or the threat? In this case, it was the latter.

The thing is, it's interesting the way they react when you look at the way Q eerily parallels aspects of their younger selves - as well as some things that carry over to the present.

Dazai and Q share central themes of control.

Q's mind control ability is actually referenced by Dazai as being essentially the worst kind of ability there is, and I know I've mentioned before how he seems to react poorly to those people who attempt to mentally control others, placing them on a heightened level of danger (think Fyodor, Mori). I don't think I need to get into Dazai's control freak tendencies - and what's more, after Q's introduction, after he says that mind control is the worst kind of ability there is - he ramps up his masterminding and enacts as much control as he can over the proceedings of the events that follow. Q's ability is interesting in the sense that it allows them control over others, implying Q came from a background of little control. I have also hypothesized that Dazai, with his need for situational control, similarly came from a background of little control. It's also likely they both were hurt by others - Q's ability turns any pain inflicted on them back around, giving them a way to fight back, while Dazai can level the playing field of any unfair advantages by nullifying abilities.

Q's small segment in Fifteen is also interesting: they're near completely zoned out, just staring off into the distance without responding to their environment until Dazai gets directly in their face. Then Q suddenly flips a switch and becomes all cheerful and playful. It reminds me of young Dazai's quick switches between faux cheerfulness and emptiness earlier in that same book.

They also both have quite interesting relations to pain. Q wonders why cruel things always hurt them, but Q makes this a foregone conclusion by purposely arranging others to hurt them so they have an excuse to hurt those people back. Q's pain becomes a self-fulfilling prophecy: they hate it, but the only means of control they know in interactions with others requires it. Dazai similarly hates pain - his pain loop, however, is more emotional than physical. Dazai feels isolated and alienated from others, but his attempts to exert control require him to distance himself and rely on his mind over all else. He also leans into his inhuman side when it becomes apparent pain is unavoidable (I think often of his reactions throughout Dark Era to Ango's betrayal) - again, this becomes a self-fulfilling prophecy. He will not find anything. He will continue to be separate from humanity if this cycle continues. That was why it was imperative that Odasaku break him out of it. Self-sabotage behaviours and unhealthy cycles, physical and emotional, are apparent with these two.

For bonus points: both have injured right arms.

On a more superficial level too, Q and Dazai both have "creepy child" energy, with emphasis on the child part - they are both legitimately disturbing at times but also have moments where they show childlike interest and behaviour. (I encourage people to check out Q's mayoi cards for this - I know it's not super canon or anything but it emphasizes their "kiddishness".)

Also I'm unsure if this is significant, but there's this detail too:

Q has a very unusual right eye with a star in the center. The right eye is also the one Dazai kept covered in the Mafia. Notably also, Q's right eye is frequently obscured by their hair in key scenes.

...Does it mean something? I have no idea. But it's potentially interesting so I thought I'd add it.

Meanwhile, Chuuya and Q share themes of loss of control.

For Q, this is quite obvious. They are literally locked up; imprisoned within the Mafia and unable to exert control over their circumstances. For Chuuya, it's a little more subtle but still present, I believe: I invite people to look at his character song and mayoi (particularly aquarium) for direct references to feelings of being trapped. However, looking at Fifteen and Stormbringer, there are a few mentions of freedom that are intriguing in relation to Chuuya's character. In Fifteen, both Dazai and Shirase mention Chuuya's "freedom"... but this is almost a mockery of what's really going on. A party to celebrate Chuuya's freedom is really an elaborate set up for a trap. Shirase telling Chuuya that he should have the freedom to act on his own wishes is really a cover up for a betrayal. In both instances, Chuuya's freedom is a lie. Stormbringer, at the very least, instates a sense of agency where he at least has the freedom to make choices about his own actions - that's the whole point of his hat; it's a symbol of autonomy (also anti-mind control; more on that in a bit). However, Stormbringer also systematically strips away the start of any alternate path Chuuya could've taken - he cannot be the child he was, he never got to hear the pitch on living in the light. He feels genuine gratitude towards those in the Mafia - they have his back, which is more than he could say before, but at the same time, the Mafia is kind of the last option available there if he wants not to be alone... and Chuuya does not want to be alone. (Seriously. His character song. Please look at it. Also Stormbringer.)

Now, onto their abilities, which also parallel in the sense that they are both used to "get back" at people. Chuuya rebounds attacks - bullets shot at him ricochet back at the people who fired, and Q hurts people who hurt them. There's a very reciprocal relation to the way they use their abilities, and it is absolutely to induce fear and intimidation in others, but there's a key difference. Namely, Chuuya fights only against enemies or people who strike first. Q, on the other hand, intentionally makes "enemies" out of even innocent bystanders just to have a reason to hurt them back. A lot of this is due to Q's misanthropic nature - I doubt Q has ever had a positive bond with another person, and so Q sees the whole world as their enemy - a world which, to them, does not want them in it. Chuuya, on the other hand, has had people who care about him, and he cares about them in turn. He's a bit jaded but he doesn't hate humanity, far from it.

In that sense, Q parallels Verlaine in a sense, right down to being kept in a special secret room in the Mafia, hehe. Though again, there's differences. Verlaine chooses to stay in that room, first of all, while Q doesn't have a choice. Verlaine's angst is internal identity based while Q's is more external situation based. In response to their pain, Verlaine chooses to relinquish control of himself (Brutalization), and Q chooses to have everyone else lose control of themselves (Dogra Magra). Verlaine says "look at how monstrous I am and how I hate and hurt because of it" and Q says "look at how monstrous you all are and how I hate and hurt because of it".

Chuuya is not so far on either extreme that he emulates this - but he could've ended up like Verlaine, and he admits it in Stormbringer. He could've maybe ended up something like Q too, if he'd remained trapped as a lab rat. But see here's the key with Chuuya: his hat makes it so the choice to lose control of himself is his alone, and moreover, that losing control doesn't mean he goes out of control. He trusts that he can lose control for a bit, place it in someone else's hands for awhile before it goes too far. Trusts that the choice to lose himself will be followed by the keeping of a promise to bring him back to himself. Chuuya has bonds, and that's the key difference.

But uh. Going back to parallels... about the scene where Q gets tortured... and the scene where Chuuya gets tortured...

Is this significant...?

...is... is this...

...

.............

Um. I may be delusional. But. Well. *gestures at all of this*

So, where does this leave us? Well, we have Dazai, who sees a manipulative, mind-controlling kid that he calls a "walking disaster", and we have Chuuya, who sees a dangerous ability user that is too big of a potential threat to not be dealt with, so the two decide the best course of action is to kill them about it. The reason Dazai did not follow through is likely a mix of his stated reason (the Mafia cannot harm Dazai so long as he is needed to stop Q), and probably also that he isn't really supposed to be directly killing anymore.

Nice, guys. Really clear and consciously held self-concepts you got there.

Considering everything, it's maddening that all we have on the dynamic between these three is: Q joins in Fifteen at the same time as the other two and is assigned to Dazai since he can stop their ability. Mori doesn't know what it is at that point but assumes whatever it is will be manageable because Dazai can just nullify it. It... clearly wasn't.

I feel like there has to be something here and that we're going to be coming back to it. Q, the old Boss, how Mori got so close as an underground physician in such a short time... there's so much about the Mafia we don't know so I'm assuming the story will shift to focus on these points again... someday. Hopefully.

[yzy-dragon]

I absolutely ADORED S2E9 "Three Stories" of Link Click and was a bit surprised to see the discontent here on Tumblr, and I totally understand the reasons why people didn't like it, especially in the context of the pacing of the rest of S2 (which I also have some opinions on but I won't talk about that here), but I also felt the need to just get my heart out why I love it so much. A bit of background, I'm Chinese American but have lived in and visited China numerous times.

Music and theater. As a western classical musician and an amateur Chinese opera singer enthusiast (I saw someone else post about the possible inspo this episode got from Chinese opera), I VIBED with the artistic direction of this episode SO much. The three-part structure was almost like a sonata/symphony (and remember that one scene where Qian Jin was air-conducting in a previous episode!!) or scene changes in a Chinese opera. Nothing needs to be said about the animation style that hasn't been said already, but I like how scenes from the three individual "stories" were interwoven and reused like leitmotifs. Especially that crazy, tortured laughter. Idk if any of the parallels were intentional on the part of the director, but it's what I got from it due to my personal experiences. I know that's a highly subjective takeaway though, which brings me to my next point....

Qian Jin's "tragic" backstory. I know a lot of people were upset that the extent of Qian Jin's tragic backstory was "oh his wife cheated on him", but I think the "basicness" of his struggles was the whole point (by the way, this segment displayed various attitudes towards work, family, marriage, individual pride, and life in mainland China so subtly but so well!). I also don't think sympathy was the main thing we were supposed to feel for him, although of course there is some. The whole "tragicomedy" aspect of Qian Jin's story is that it's not some horrible, terrible, rare thing that happened to him, but a common problem faced by so many hardworking but busy married men trying to provide for their families: infidelity. But Qian Jin sees himself as the main character of an elaborate play that rivals the great dramatic classics (which, funnily enough, often depicted very DRAMATIZED versions of a rather basic series of events). And his viewpoint is validated when....

Qian Jin meets the twins. That segment is still largely from Qian Jin's perspective, because we still don't really know how LTC and LTX even feel about him. But for Qian Jin, it's a stroke of fate and fortune that could only possibly happen in theater. He's very far removed from reality at this point. Reality is that a cop whose job it is to investigate violent crime comes across two kids who are the victims of a violent crime. Again, nothing particularly special or even coincidential. It's comical like that.

The fairy tale section.  Unlike the first two, I think this segment is from Xixi’s perspective, which not only justifies the cartoony artstyle but also makes it heartbreaking, due to her childlike innocence.  Like Qian Jin, she also perceives her reality as something it’s not, but unlike him, she doesn’t have delusions of grandeur of being a tragic protagonist.  It’s just a little fox trying to survive in a forest full of predators and hunters.  

All that tortured laughter. I’ve actually noticed in a lot of Chinese media that they like to use laughter as a way of signifying a person’s complete mental breakdown due to the tragedies they’ve suffered.  It’s a very internal thing that has people on the outside going, “WTF?”  In this episode we have a lot of characters crazily laughing together at the same time and it seems like they’re relating to each other, but in reality they’re all trapped in their own nightmarish hells and motivated by selfish purposes. 

Back to the topic of Qian Jin, even though he (innaccurately) may see himself as the hero of his own story, it's not enough for him. He wants to use Cheng Xiaoshi to change the past. He wants to become the director of the play.

I know a lot of people were disappointed this episode didn't advance the plot, especially in regard to Cheng Xioashi and Lu Guang's storylines, but I was actually prepared for a backstory episode and couldn't have been more satisfied. Again, I have other opinions on the rest of S2 but at least standalone, I think this episode was nearly perfect. And I really wasn't expecting this, but it's really elevated Qian Jin to one of my top characters.

[i-heart-hxh]

During the shinju scene,meleoron mentions theres something killua cant tell him, what is it that killua couldnt tell him?

from what i seen,shinjuu isnt always romantic,was it he couldnt tell meleoron he was going to die w gon because of his romantic feelings

The line

meleoron:‘if you joking,whyd u have that incredibly sad look on ur face(talking about when he was observing killua with gon)’ ‘you cant tell me,so i wont ask’ or in different translations its ‘cant you tell me?’ But in the original japanese its about being unable to tell somebody something

Hello!

So, I decided to just post (most of) these two pages because I think seeing the art and layout of the actual pages helps with understanding exactly what's going on and also analyzing it. I also went and looked at the pages in Japanese just to see if anything stood out. Aside from the famous shinjuu line, the translation seems fine.

Just to summarize and be clear before I launch into further analysis: In this scene, Killua says (with a rather dark expression) that the worst case scenario is he and Gon die together in a lovers suicide. Killua sees that Meleoron is rather vexed/taken aback/discouraged by this response and doesn't know what to say, so then Killua immediately claims he's just kidding and that they'll be okay after all, and he knows how to snap Gon out of it.

Meleoron then internally doubts that Killua is kidding about this, because he was there when Gon said the "It has nothing to do with you," (essentially) line that pushed Killua away, and he saw how heartbroken Killua looked by that. He then decides it's not worth asking because Killua clearly doesn't want to be honest about his feelings, he can't or won't express what he's going through, so he backs off.

I'm glad you brought this up because it's a piece of the whole shinjuu scene that people don't talk about as much, but this whole exchange and Togashi bothering to show Meleoron's reaction to it in the first place says a lot about the importance of the scene. If Meleoron didn't pause and connect this to Killua's earlier heartbroken moment (and notice how it takes up literally half of the page--it's important!), it would be easy to read on past it without thinking about it more deeply.

In other words, this further exchange with Meleoron is emphasis. It's there so the readers don't simply gloss over what Killua said about the shinjuu, and so the readers understand that he means it, that no matter what he says to the contrary, Killua is in fact serious about this possibility. It's there to slow things down enough so the readers can reflect on and ask their own questions about the situation.

I'm sure this is why Togashi bothered to put Meleoron in the scene with Gon pushing Killua away in the first place--there was no other reason for him to be there, other than being an observer of this moment and standing in to ask these questions.

Meleoron--an outside observer without as much context for Gon and Killua's relationship as the rest of us--wonders what's going on here, why Killua looked utterly destroyed by a few simple words. But because he saw Killua's immediate urge to lie and say it's a joke when he hesitated, he knows Killua won't open up to him about exactly what's going on, why Killua was so devastated by what Gon said to him and why Killua intends to do a teen lovers suicide with his best friend if all goes badly. Meleoron is definitely pointing out (in his view, anyway) that there are feelings behind this that Killua is unable and unwilling to talk about. Is he implying they're romantic feelings? I mean...

This happens so much in Chimera Ant arc around Killua's feelings. Togashi leaves it open-ended, doesn't spell it out blatantly, but it seems like the question is being asked over and over again--what exactly are the nature of Killua's feelings for Gon, anyway? And there keep being these moments where the concept of romantic love is conjured in some form in connection with or around this unspoken question being asked, like multiple instances in the Palm subplot I've talked about a bunch of times now. (Linking to that post in particular because it links to a lot of other Palm subplot related posts.)

Even the way Killua asks if Gon considers him a friend or a comrade, asking What are we? basically is essentially a shoujo trope--and especially how it was presented, very dramatic with a lot of focus and emphasis on Killua's internal turmoil around asking the question.

There are just so many times in this arc where emphasis gets placed on a question of, What are your feelings for Gon anyway, Killua? in an indirect way, including this moment with Meleoron. It's repeated so many times and there are so many instances where there's some subtext around or even direct mention of romantic love hovering around these questions, it's basically daring the audience to answer.

It's true that shinjuu can be non-romantic in some cases, however the word choice is meaningful. Togashi knows what the implications of it are, especially in a literary sense. He could have chosen other ways to phrase this, he could have opted not to use this word in particular. If it was presented completely in isolation from any other romantic subtext, there would be more of an argument to be had for it just being included in a platonic sense, but with how much repeated romantic subtext there is with Gon and Killua's relationship to begin with...I think the word choice is very intentional.

I hope that answers your question!

[heliza24]

Let’s talk about parallels between Wilhelm and Sara in Season 3 of Young Royals

Because there are so many! This is a continuation of sorts of this meta that I wrote about them being A and B plot protagonists in season 1 and 2. I don’t know that I would describe them exactly that way in season 3, but I do think their plots, character arcs, and themes are meant to mirror each other very closely this season.

One of my favorite things about the parallels between Wilhelm and Sara this season is that comparing them really makes you hold Sara’s friendship with Felice on the same level as Wilhelm’s romantic relationship with Simon (and Sara’s with August) which I think is so important. Both Wilhelm and Sara go through breakups over the course of the season (I think Felice’s reaction especially frames her friendship breakup with Sara similarly to a romantic breakup, which I love). And both of their arcs are about mending those relationships.

Sara and Wilhelm both need to experience the world outside of Hillerska before they can mend those relationships. Sara is able to glimpse some independence, even just through getting her license. The whole world is open to her now, as Felice says in ep 6. I don’t know that she would have been able to make her decision not to go back to August without experiencing that freedom. And Wilhelm also needs to experience the full force of what life in the monarchy would be like before he is able to decide to leave it. Because of this they also act as our window into the two different worlds outside of Hillerska, the palace and Bjarstad. They create the larger context in which we understand Hillerska this season.

I love that both of their journeys of personal growth are symbolized through cars. Wilhelm is always getting trapped with his mom or a member of the court in a fancy car; it’s where almost all of the monarchy’s most onerous instructions on how to live are delivered to him. So it’s huge when he leaves his parents in the chauffeured car at the end of episode 6 and goes to find Simon, Felice and Sara in Sara’s beat up used car. Meanwhile, Sara has traded in horses for the car. This is stated pretty explicitly when her dad asks her if she would like to work with horses and she declines, saying that she has come to realize that horses are simply traded by rich people as status symbols, and her dad suggests she get her drivers license since it will help with any job she wants. In seasons 1 and 2 Rousseau is pretty heavily associated with August, along with the pressures put on August and the other elite kids at Hillerska to conform to expectations (@bluedalahorse has written the Bible on that here), so the fact that Sara swaps out the horse for a car that can take her anywhere feels like a step away from both August and the prescriptive norms of Hillerska.

Sara and Wilhelm both reject what they saw as their destined future. This is obviously really clear for Wilhelm; he assumed he would be prince and then king after Erik died, and his greatest moment of character growth is when he decides he doesn’t have to fulfill that assigned role if it will keep him from being happy and living authentically. I love the scene where Sara talks with her dad about her fears that she will fail in the same ways that he did because she also has autism and adhd. This is a less clear-cut assigned destiny, but that fear of becoming a self fulfilling prophecy is equally overwhelming, especially because Sara has already let down someone she cares about in a way that’s not dissimilar to how her father breaks promises. The fact that she’s able to come to terms with her dad’s influence in her life, but realize she really is in charge of her own future, is really powerful. (I also think it’s such smart writing about the way disability and internalized ableism can really affect your self image).

In order to break free of those predetermined destinies, both Sara and Wilhelm need to see a father/mentor figure as more than black and white. Wilhelm needs to acknowledge that Erik wasn’t perfect, and did help contribute to some of the abusive traditions of Hillerska. Sara needs to recognize that even though her dad isn’t a perfect parent, she still loves him for the care he is able to show to her and wants to have him in her life. I love that both Wilhelm and Sara learn to hold multiple conflicting emotions about their loved ones. They can be disappointed by some of Micke and Erik’s actions, but they can still value their relationships with those family members and recognize them as complex, complete people.

They also both go on a similar journey with how they see August. Wilhelm comes to recognize that August is both a perpetrator and victim of the class system and Hillerska’s systemized abuse. Sara similarly realizes that August is an adult who needs to be responsible for his own emotions. She’s no longer interested in saving him from his complex feelings of guilt, and recognizes his potential to find self healing. Both of those new assessments of August grant him more maturity and complexity than earlier in the show. (They also reflect the way that August grows, in fits and starts, over the course of season 3. If there was a season 4 of the show, I think we would really see August respond to Sara and Wilhelm’s new attitudes towards him in a way that would fuel future character growth).

Viewing Erik, Micke, and August more complexly also allows Sara and Wilhelm to forgive themselves for the ways they are similar to those people. They are able to acknowledge the shame they feel around their actions, but also forgive themselves in the same way that they forgive others.

Both Sara and Wilhelm have specifically let down Simon in pretty big ways (Sara by secretly dating August, Wilhelm by perpetuating the royal family restrictions onto Simon). But they are able to recognize those mistakes and reconcile with Simon.

Wilhelm and Sara both leave the monarchy (Wilhelm literally, Sara by refusing a relationship with August), but they also leave a kind of prescriptive romance behind. Wilhelm says no to having to monitor Simon, to having to roll out his relationship in a certain way to please the court, and to having their future together mapped out and their decision around children made for them. Sara says no to a smaller set of requirements, but the traditional ways that August sees romance are so influenced by the monarchy (which is in turn so influenced patriarchy) that they are similar in some ways. Sara says no to having to do August’s emotional labor, to managing him so that he will fit the image of a good heir. She says no to waiting for him to visit on weekends while he does military service. She says no to this grand plan that he has. (This was @bluedalahorse’s point originally that she shared with me, and honestly I think it's so smart). Wilhelm chooses a romantic relationship that he and Simon are free to create together without rules; Sara chooses a friendship based on honesty and support. Both are valid options that give the characters a sense of peace and freedom. And they would not have been able to make those choices without all of the growth they went through over the course of the season.

I think Sara and Wilhelm's arcs compliment each other so well, and it was one of my favorite things about season 3. I loved watching both of them get to grow so much and end up in such a happy place.

[torturedblue]

It’s the middle of the week, have some dancing turtles

Spoilers below as I gush about my Mutant Mayhem Monday experience 🤗 please feel free to gush with me I wanna hear other people’s thoughts too!

First off… When Seth wanted to put the teenager in TMNT he meant it. Like, all the versions act like teenagers, but like Nickelodeon PG stereotypical teens. MM turtles were the realest PG-13 outta pocket 21st century teenagers I’ve ever seen and I love that shit because it’s the first time I actually felt like I was around the kids in middle school and high school again with the way they talk. Kinda appreciate Superfly cussing too? Like idk it’s Ice Cube and this villain goes hard tryna kill some teenage turtles he formally saw as his lil cousins, let the grown mutant cuss

Also uh, was not expecting to be sad so early in the movie? Like I could tell from the trailers it was gon be an emotional rollercoaster but shit like ten minutes in and these turtles are fuckin depressed. And to see it really hit me because in every other version (except for Bayverse) the turtles literally never let not being part of the human world get to them. In the shows especially they’re so well adjusted and never bothered by sticking to the shadows. Then there’s Rise where they pretty much go out whenever they want and indulge in most of the human world stuff they want to. For these guys to be so stunted and desperate to have more freedom was so heart wrenching. Especially when Splinter grounds them for a whole month and the reality sinks in of how much they know the life they want isn’t an option for them

Wasn’t expecting any kind of ship or romance but that crush Leo has on April hit me like truck because…… holy crap the Leo-April pair has never been a thing? On top of that this is only the second on screen black April we’ve seen and I’ve been a Leo kinnie across the board since day one so to see this combo of my favorite character liking a black girl is making me lose my mind 🥲 and like it got me thinking of several of my favorite shows and the single characters I kin in those and if they’ve ever had black love interests and it’s just still not a common normalized thing honestly.

I’m sure a lot of people aren’t excited for the prospect of ships coming back (especially after 2012 scarred us) but as a Leo lover and black girl it got me so excited to see something like this. I’m just hopeful and optimistic they won’t mess it up like a lot of shows do. The “this is just as friends line” already makes me a little worried bc that trope never has a good history but I have faith they’ll handle things tastefully and not make it toxic or messy

MURDER THE SHREKS!

“I assume you’d wanna be on camera. ‘Cause you have, like a very camera ready look…” OKAY SMOOOOOTH LEONARDOOOOOO 👏🏽

Could not stop laughing while he was shooting his shot my face was literally donnie’s restraining myself from bursting out laughing

Just a couple of my favorite questions that April wrote down for them:

“Do you carry salmonella?” Look I still don’t know wtf salmonella is but it’s the second time a TMNT iteration has joked about it so I’m starting to think it has something specifically to do with turtles 👀

“Have you caught covid?” Oml covid exists in this world

“Are you the source of covid?” OUT OF LINE 💀

“How many people has the red bandana turtle stabbed? Does he need therapy?” Yes.

“Does sunlight cause you to burst into flames?” They’re- they’re not vampires? 😂

Leon Ardo deserves the world and whatever he wants in it give him everything 😭

I will never understand what made Donnie laugh so hard at the name Nardo other than it being because it’s his sibling and that it bothers Leo lmao

All imma say about the puke scene is that I’m glad I heard an “out of context” spoiler about it bc I knew exactly when to look away and I’m glad I did bc the scene lasted for so long??? 😀❓But hey at least I had Unwritten to listen too while I was sparing my eyes 😂

The sequence of them going around and shaking down those gangs and Superfly’s connections. BAD. ASS. And each of them got their own moments to shine? Loved it. Like they each even got to take point and have their moments where they got to kick in the door lol. And the fight scenes were just, muah. Chef’s kiss, they all looked amazing taking grown ass adults down together

Okay Splinter definitely gets the best dad award for putting together that little surprise party, with all the celebrity Chris’s and pretending to wait on them 🥺 so pure. It did make me sad the guys immediately left and you can just see such a sad dejected look on Splinter’s face, knowing he can’t provide what his kids really want or make them happy enough without it 🥲 At the very least they say thanks and that they appreciate but I would’ve at least stayed for a lil bit and gone along with it, Splinter just looked so excited about it and it was so sweet 😭

And he doesn’t even get upset though he knows they’re hiding something, he just says he’ll help them if they’ve gotten into trouble, which is something I’m sure almost every kid has wanted instead of having the kind of relationship where they’re more scared of telling their parents they messed up instead of handling it on their own

I love how musical Superfly’s family is 😂 Ray Filet just starts sing-introducing his name and Mondo and the other couple mutants when they drive with in the car trying to find music they could all sing to together 🥹 not to mention the musical references Superfly makes later that I’ll get to. “Kinda don’t wanna murder everyone on Earth, I just kinda wanna sing” Me too bruh.

Raph immediately going “goochi goochi goo” and playing peekaboo with Genghis frog is so underrated that boy has such a soft side he’s not even that afraid of showing at times, and maybe it’s continuing the trope of Raph having a soft spot for pets/animals? Who knows 😌

Yo I was kinda shook when that government guy knocked Leo out and he just fell unconscious on the ground 😶 Like we’re used to seeing the authorities be brutal especially in movies like this but that’s a whole teenager? You just assaulted a minor? 🙂 Crazy

Also I know it’s sad they got captured and drained painfully but Mikey in that scene was hilarious 😂 like even the way he was dramatically crying and Leo was just started to cry with him like “iM sO sOrRy mIkEeEeEy! 😭” gold. When one of his children is hurting Leo hurts too. One of my favorite moments 🤣

They literally started singing BTS while being tortured they’re so unserious but like in a serious way to them and I love it. Also the fact that they did it just to make Donnie feel better? So pure. Like Raph of all turtles offered to sing while being drained of blood (bc I refuse to use the m word 💀)

The way Splinter snuck in and soloed literal government soldiers single handedly? Badass. Never loved seeing a Splinter save his sons so much 🥹

“But it’s the only way we’ll be accepted.”

“No! We accept you!”

“You can come live with us! We accept you!”

“WE VIBE!”

Oml they’re so puuuuure 😭 I really thought this was gonna be a moment where the guys invite them all to come live with them and Splinter was gonna be like ‘aha 😬 whoa slow down there’ but damn nah he was just as enthusiastic as them inviting all those mutants to come live in their home forever “The more the merrier!” Like ugh he just loves finding family like Baxter Stockman and we see where the guys got their loving nature from 🥹

The amount of his soul Mikey put into that BROSEEEPH was so real like I’ve never heard the name broseph be said in any other way, I’m so glad they put that moment in there

“New York, New York!” “I’m the king of New York!”

Oml superfly’s a Broadway baby 🤗 he’s a big bad villain marching through time square and talking about King Kong but he’s fill gonna nerd out and make his musical theatre references 😂

“For once in your life you didn’t sound lame. You actually started to sound like a leader”

“That was really heartfelt Raph”

I love the Leo Raph dynamic in this movie. Like they don’t always agree or understand each other but they will show love towards one another and show mutual appreciation

Something about any of the turtles shells cracking always gets to me for some reason like those are some serious permanent injuries so I want to see if they do anything special with that in the sequel or show maybe 🤔 And I couldn’t tell if all of theirs cracked or just one, and if so which turtle it was. I think Leo or Raph. I feel like it was Leo but Raph’s are also starting to have a trend of getting cracks in their shells so 🤷🏽‍♀️

Also I do not want to judge what other people like to wear but why are Raph and Donnie the only normal dressed ones 😭 like Mikey looks like he’s going on vacation and Leo looks like he’s going to clock in at Best Buy 😂 tell me it’s because they have limited resources for clothes lmao. HE’S LITERALLY WEARING A LANYARD

Them taking off the masks was crazy honestly… like them deciding not to wear them made my brain pause until I realize they’re kids going to school now and not being ninjas all the time… they don’t need them anymore. I’m just so pleased with the fact that this movie was willing to do what all other iterations weren’t. I see why they’re getting a sequel and show already, these guys and the plot development deserve so much more exploration

Maybe I missed something in the beginning but I’m wondering where Stockman went. Like is he still in custody? Did he die? Because not seeing him again that’s what I assumed but we only saw him get arrested or whatever, so if anything I don’t get why Superfly and the others wouldn’t try to break him out 🤔 I was surprised they didn’t make him a villain though, but I’m pretty happy about him getting to be a more optimistic kind character tho

SHREDDER HAD ME SHOOK LIKE THE ARMOR ALREADY LOOKED SO COOL AND I WAS NOT EXPECTING THEM TO GET THE BIG BAD INVOLVED AHHHH I’M SO READY TO SEE THEM REACT TO THIS ANGRY GIANT TIN CAN

Although I do wonder if Shredder’s gonna have some personal gripe with them since they have a different backstory he doesn’t seem to be a part of. And shit now that they’re public and in school it’s gonna be so much easier for him to go after them 😅 pluses and minuses…

The soundtrack: golden. Cultured. Nothing but range. Goes from a 90’s rap song to Natasha Bedingfield’s soulful 2000’s song. Most movies only ever have all pop mainstream songs or only rap songs because they think they can’t mix but MM does it effortlessly. The turtles are so versatile not just with music genres but they make old and new references ‘cause they’re well rounded kings 💪🏽 Between rizz, Adele, broski, Hey Arnold, K-Pop, Ferris Bueller, etc… I mean Donnie’s literally doing the sprinkler and the funky chicken in that gif up top 😂 they’re born in 2008 I doubt any kids today know about those dances anymore

Clearly I have all the thoughts and feelings about these boys and the movie, but I think this is probably my favorite TMNT movie? I’ve loved all of them but I think this one definitely brings me the most comfort fr

[dichromaticdyke]

Analyzing Skwisgaar's Nightmare in "Dethlessons"

requested by @claudia-nomusaabara

hi. anyone else obsessed with grub toki?

let's get the context of this scene out of the way. toki has started going to get guitar lessons from dimneld selftcark, and nathan, pickles, and murderface have lied to skwisgaar and told him that those lessons have helped him improve. and we see that skwisgaar is not pleased with this situation.

the dream goes like this:

skwisgaar opens up his bedroom window from a deformed version of mordhaus. the whole scene is very post-apocalyptic and almost eldritch. looking at it visually, this is a world ruled by guitars. we see skwisgaar's explorer, toki's flying v, and even what appears to be dimneld's les paul.

there is a second skwisgaar. he is holding a deflated husk of toki's head. that thing is barely holding onto life, it is spurting out liquids. skwisgaar has a very neutral expression when looking at it. meanwhile, the original skwisgaar is trying to make a call while the other skwisgaar buries the toki head.

the other skwisgaar sees the dethklok helicopter fly overhead, and it fades to a shot of skwisgaar performing in front of a crowd--he is by himself, the rest of dethklok are not with him and he is not in his corpse paint. though the crowd is cheering for him, he can't play. his hands have become deformed stumps, and his guitar is made of flesh, a large gnawing mouth on the body.

we flash back to the original skwisgaar in the deformed mordhaus. he's still trying desperately make his call, but his hands have also become deformed. the skwisgaar that was burying the toki head is shocked. the toki head is no longer deflated and pathetic. it has started to grow out from the ground, taking on a more distinct floral shape. whereas before it looked like it was close to death, now it is fighting for life. (below/right screenshot was edited for less brightness/exposure).

the toki flower starts gnawing at the air, similar to the fleshy guitar that it flashes to briefly. then we change scenes to skwisgaar using a urinal in a public restroom. while pissing, he notices in the urinal an insect-like creature that has toki's signature fu manchu mustache. it is also pathetic and whimpering.

this is what sends skwisgaar falling down into the abyss. scene change. the two skwisgaars see a massive toki emerge. he is hulking, monstrous, his arms are two explorer guitars with mouths on the end.

the toki flower does...THIS???? the hulking toki makes a similar face, his eyes have also become mouths.

skwisgaar wakes up.

so, here are some themes i notice pretty quickly: 1) toki being seen as week/below skwisgaar, 2) growth, 3) hands, 4) mouths. taking this step by step:

1) skwisgaar sees himself as living in a world ruled by music. everything else is second to that. guitar rules his over his entire life. toki was someone he tried to nurture. we know from DSR that skwisgaar was the one who invited him into the band despite the fact that, for all intents and purposes, toki failed his audition--skwisgaar just saw something in him that no one else did. we also see from earlier in this episode that skwisgaar has no problem "teaching" toki, he just has a very particular way of doing it; an unhelpful way. he recognizes toki's talent, but he always will see him as being beneath him--or at least he always wants him beneath him, offering to help him grow because he knows he has the capacity and the raw talent for it, but refusing to help him in a way that would allow him to surpass him. skwisgaar is burying the husk of toki's head because it is nearly drained. there's not much left for him to give. but the other skwisgaar is trying desperately to call him, but he can't (or won't) hear these pleas. the other skwisgaar represents his knowledge of toki's ability. he's trying to warn his other self not to be dismissive of toki.

i also see the grub toki as representing toki when he first met skwisgaar. just a lost, pathetic kid who desperately needed anything to help him out. skwisgaar obviously saw something in him, but he was still so far beneath him. going from grub toki to skwisgaar falling down an abyss represents, in part, to me, the spiral that inviting this kid over would lead him down.

2) the fact that forms of toki grow not once, but twice. we have the head husk growing into the flower, representing that, even when skwisgaar seemingly gives up on toki, that's not going to stop him from growing. you could even argue that skwisgaar is holding him back from growing, and i do agree with that to an extent (skwisgaar is too afraid of failure and no longer being number one that he doesn't think of how he's hurting toki, he's just one-track mind).

"oh but mj you said pathetic forms of toki grow twice in this dream? only the toki head husk grows." you sweet summer child. you babe wrapped in swaddling cloth. what do you think the grub toki is? and i don't mean literally, because i don't know what the fuck cursed larva specimen he is. but remember what i said? the initial shot of the toki flower flashes to the deformed guitar before flashing to grub toki. they're all connected!!!! we also see grub toki right before hulking toki emerges, and hulking toki has the deformed guitar as hands. it is my correct theory that grub toki was a thirtsy little flower that was watered by skwisgaar's pee and became hulking toki. the flashes between flower toki and hulking toki with similar faces also reinforces the idea that they're similar creatures that skwisgaar had given up on but had used skwisgaar's degradation and dismissal to their advantage and to surpass him.

3) the biggest threat skwisgaar could have, outside of toki surpassing him, is something happening to his hands. you can't fuck up a guitarist's hands, that's kind of their whole thing. I WROTE A FIC ABOUT IT. skwisgaar's hands get fucked up here in two different scenarios: when actually playing, which makes sense as his biggest fear, but also when he's trying to contact himself about toki. he's not just scared about toki surpassing him. he's very much aware about how his own insecurities about the scenario could paralyze him from playing. he gets in his own head a lot (most notably during his fight with toki in "bookklok"), and so if he feels like he's not number one anymore, he's scared that he can't play at all--or if he can, it's not worth it because he's not the best. and then, his deformed hands also keep him from calling himself. he struggles with communication as it is, but the insecurity is wearing on him so much to make his terrible communication skills even worse. the hulking toki also has his hands replaced with explorers. NOT flying v's. while skwisgaar's hands and playing is at risk of being destroyed forever, according to his greatest fear, toki's will only be greatly improved, and having the explorers is reminiscent of the symbolic role of lead guitarist. toki doesn't need his flying v anymore--he has skwisgaar's guitar, he has his role in the band.

4) though so many of these cursed objects have mouths, this dream is completely dialogue-less. once again, we see that skwisgaar is struggling to actually speak to toki. and toki isn't interested in talking to him either. hell, toki doesn't even see what skwisgaar is struggling with, what he's so afraid of. husk toki doesn't have eyes. flower toki's eyes are replaced with flower buds. grub toki's eyes are black and empty. and hulking toki's eyes are replaced with mouths. toki does not want to look at skwisgaar, does not want to see in him what he also has so much of--insecurity about his guitar playing, just reflected back at him.

and the mouths. they just gnaw at nothing. they're trying to devour skwisgaar. hulking toki's eyes are mouths because he isn't interested in seeing him--he only wants to consume him, to rip him apart and take everything away from him.

TL;DR--skwisgaar's biggest fear is toki becoming better at him than guitar. he's regretting inviting him in, and all he can imagine is toki taking his role away from him, chewing him up, spitting him out, leaving him with nothing. but there's also a part of him that knows that this was partially his fault--that he always knew that toki had this potential. he blames himself, partially, but he's so insecure now and terrified of toki's potential that all he can do is imagine toki as delighting in this scenario.

toki was just a little larva when skwisgaar invited him into the band. he gave him just enough to help him grow, but he also did it in such a dismissive way. but the larva still grew, and it's a butterfly that's going to rip skwisgaar's hands clean off.

[inlovewithpandora]

- Family Time -

Pairing: Neytiri x fem!Avatar!reader (ft. Sully Kids)

Request: [ @neteyamyawne ] Hey love 🤍 I saw it was the last day for requesting so i thought why not?🤭 Can I have a Neytiri x fem!reader? → Context : Just domestic fluff life with their kids, Lo'ak being a mama's boy and clinging to the reader, Neteyam getting jealous that Lo'ak is not letting him spend time with the reader, Neytiri spending time with the reader after she gets home from a hunting party, you know? Holding her close, nuzzling her while she weaves a top for her or cooks something, cuddling with the kids together, etc etc. I was just in the mood for Neytiri fluff, I love you so much and keep up your beautiful writing, have a great time sweetheart 💚🫶🏼

Synopsis: A day in the life of You, your mate, and children. The boys fighting for your attention, the girls sleeping the day away, and Neytiri coming home from the hunting party wanting you in her arms.

Content: pure fluff, wholesome fic, cute domestic family life, established relationship (mated pair), the sully boys fighting over reader, Neytiri being extra affectionate + spicy kissing scene + them almost getting caught, kids being super cute and adorable, again lots of fluff!

Author’s Note: Thank you for sending in this request babes! I loved writing it sm because Neytiri needs more love and adding the kids in was so adorable🥹!!!

Details: Children call Reader ‘Mama’ and calls Neytiri ‘Mom’ || Kids are aged down to make the fic a little more fluffy and cute || Neteyam - 7 Lo’ak and Kiri - 6 Tuk - Newborn

Word Count: 1.3k

Glossary: vur - story || farultsyìp - term of affection for children || yawne - beloved || ‘itan - son

Extra: Requests are open! Please read rules before requesting! || Likes, comments, and reblogs are highly appreciated🩷! Links: Navigation || Avatar Masterlist || Main Masterlist || Taglist

“It’s my turn with mama!” Neteyam shouts at Lo’ak who is currently sitting on your lap as you weave your mate a new top to wear during raids and hunts. Lo’ak loves to be under you at all times, no matter what task you are doing, he always finds his way next to you –which you’ve always found adorable.

The boys always tend to argue over who would spend more time with you and Neteyam was always given the short end of the stick because Lo’ak would always make him cave, but Neteyam isn’t having it today.

“Move, Lo’ak!” Neteyam grabs Lo’ak’s arm and pulls him out of your lap, making his brother upset due to the sudden snatch from his comfort zone.

In a matter of seconds, the boys start arguing and getting physical, until you deem it necessary to step in and get the situation under control. “Boys! Stop this instant!”

They know they shouldn’t be fighting, especially with their sisters sleeping in the next room, so when your voice booms throughout the marui, they immediately separate from each other with their tails tucked between their legs.

“There is no need for the two of you to fight. Both of you can spend time with me.” You beckon and they run toward you with smiles across their faces, then they sit on your lap and begin to help you weave.

As you continue to weave, the boys begin to feel drowsy, so you put down the unfinished top, pick them up and then walk toward their makeshift beds. When you walk past the makeshift doorway, the entrance curtain rises. You turn your head and see Neytiri walking in with her bow in hand.

“Hello, Ma’ y/n.'' She comes and kisses you on the cheek and rubs Neteyam’s head as he sleeps peacefully with his head laid on your shoulder. “It looks like they tired themselves out.” She chuckles as she kisses them on their forehead, happy to see them after a long day of performing her duties for the clan.

“Yes, they did. I’m going to lay them down and then it’ll just be me and you.” You walk toward the kids’ sleeping area and gently lay them down in their beds. Once you tuck them in, you close their privacy curtain and walk back into the open area where Neytiri is sitting.

“How was it with the hunting party?” You ask as you start making your way to the cooking fire so you can start preparing dinner.

“It was fine. Same as usual.” Neytiri walks up behind you and begins to plant kisses on your cheek, neck, and shoulder blade. Neytiri couldn’t wait to come home to you after the long day she’s had. You’ve always had a way of brightening up her day no matter the situation and today is no different.

As you feel her kisses you can’t help but giggle at the sensation. “Neytiri! I can’t focus on preparing dinner with you kissing me like this!” Neytiri always has a tendency of being extra affectionate when she wants your attention. When she wants you in her warm embrace, with you laying on her chest while she strokes your hair, she would always start kissing every accessible part of you.

“Come lay with me.” She murmurs softly in your ear before she begins to nibble on your earlobe which she knows is your weak spot. Neytiri’s slowly trying to wear you down and make you succumb to her advances.

“‘tiri, I can’t. I have to make dinner.” You whine, beginning to feel breathless under her touch. You are trying to stay strong and stand your ground, but it’s hard when Neytiri is doing the things she knows are your weaknesses. When you feel her hand glide down your spine, making its way to the waistband of your loincloth, you decide to give in before it goes any further.

“Okay, Okay, ‘tiri you win. I'll lay down, but only for a little ‘cause I wanna get dinner started before the kids wake up.” When Neytiri hears that, she doesn’t waste any time and swoops you into her arms, carrying you to your shared area of the marui.

Once she gently places you down, she walks over and closes the curtain in the makeshift doorway, so both of you can have some privacy. She comes back and sits down next to you and you immediately rest your head on her chest and wrap your arm around her torso.

“So yawne, tell me about your day.” As you start giving Neytiri a run-down of your whole day, giving her a full visual of how the children acted throughout the day, she can’t help but get hypnotized by your sweet voice. Watching how your lips move smoothly against each other, she feels compelled to kiss you.

She gracefully moves her hand to your waist while using the other to grab your chin and pull you in for a kiss. The kiss is so soft yet so powerful, you can tell Neytiri has been waiting for this moment all day. The more your lips continue to linger each other, the more it begins to get more intense. Somehow Neytiri ends up towering over you and your hands wind up to the strings of her bra top, almost pulling the strings to fully loosen it.

When your nimble fingers begin to pull the string, the patter of little feet causes your eyes to widen. “‘tiri! The kids, they’re awake!” You mutter in panic, causing both of you to separate from each other, properly adjusting your clothes to how they were before you and Neytiri started the first phase of ‘adult time’. You and Neytiri pull yourselves together just in time before your curtain is pulled back to reveal all four of your children.

“Mama? Can we come in?” Lo’ak asks in a soft voice as he rubs the sleepiness out of his eyes.

“We missed mom and we heard her voice so we all wanted to come.” Kiri chimes in as her tail sways at the sight of you and Neytiri next to each other. With the way all of them stare at you with their cute faces and innocent eyes you can’t think of a reason why they can’t come in. “Of course, farultsyìp.” You flash them an inviting smile which makes all them perk up and scurry across the room to you and Neytiri.

Neteyam walks over to you and hands you baby Tuk and as you cradle her in your arms, she gives you a gummy smile while playing with your top, making your heart melt at the adorable sight. “Thank you, ‘itan.” You love how loving and caring Neteyam was for his younger siblings, especially Tuk. You know for sure that when he gets older he will definitely become protective of them, steering them away from any danger life will throw at them.

Neteyam sits above you and Neytiri heads, Kiri lays across Neytiri’s legs, and Lo’ak presses his body against Neytiri’s shoulder. All of them squirm around for a little until they find a comfortable position.

“Mama, can you tell us a vur?” Kiri has always loved hearing stories about you and Neytiri, especially about when you first joined the Omatikaya. When Neteyam and Lo’ak hear the word “story” they start chiming in, hoping you and Neytiri would entertain them with one of your adventurous stories.

“What story should we tell them, ‘tiri?”

“How about when we first met?” She knows the children like that one because they’ve always found it amusing. You are about to agree when you hear multiple excited yeses which make you chuckle. “I think that’s a good idea.”

As Neytiri begins to tell the story, all the children are tuned in, ready to soak up every word she says. “One day I was out in the forest, hunting and while I was up high in a tree, I saw your mother walking along the forest floor...”

I hope you enjoyed🩷!

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[weirdmageddon]

yesterday i wrote a scene where jade wasnt a plot device and was left the hell alone in A6A5 because this being dave and jade’s last proper conversation in years made me sad and i wanted to see them reunite properly. i mixed a bit of narration in too even though it was rare around this point in the comic but its just to paint a better picture. also i wouldnt mind feedback on character voice (it’s important to me that the dialogue sounds believable)

[3 years are over, everyone is in the new session. The prospit ship is on LOMAX, as is everyone who arrived on the meteor, safely warped by Jade onto LOMAX as well. Jade has banished B2 Jack to the Furthest Ring already. She hasn't seen her friends in 3 years, not to mention she never met the trolls in person yet.]

[Jade teleports to LOMAX where John was talking with the meteor crew. Her eyes widen when she sees the trolls, giving everyone a greeting. Jade waves to the trolls.]

You’ll have time to catch up with them later. First you want to reconvene with Rose and Dave.

> ==>

Dave... Oh my god! DAVE!!! That’s right! The last time you saw him, he died in your arms after Jack redirected the bullets from your gun into his body!

JADE: dave!!!! DAVE: hey DAVE: this has been three years coming hasnt it DAVE: cmere

> ==>

[Dave hugs Jade with a slight grin on face. He notices her… sniffing him?? but doesn’t even bother to question it.]

JADE: it is so nice to hold your body when its not a corpse :) DAVE: ok DAVE: weird thing to say DAVE: actually who am i kidding who gives a shit DAVE: i almost forgot how much i missed the enigmatic riddlefuckery that is your phrasing DAVE: fortunately i have context for this so i know what youre saying DAVE: humor me for a sec and imagine that i didnt DAVE: but first DAVE: are those dog ears JADE: yes! i am part dog now JADE: because i prototyped my dreamself with becsprite JADE: jadesprite became part of me! and so did her doggy traits from bec DAVE: got it DAVE: oh yeah john mentioned that on the back of his dumb poster inside that bucket that appeared out of thin air DAVE: right before we had to haul ass out of there before jack caught up to us DAVE: karkat had a complete fucking meltdown over that btw i wish you couldve seen it DAVE: damn it feels like so long ago now JADE: heheheh i remember JADE: john realized it at the last second but it was too late! DAVE: of course it was johns idea only he could do something that gooberish DAVE: you know what this means though JADE: yup!! woof woof DAVE: it means youve done it harley DAVE: youve finally done it god damn it DAVE: the evolution of humankind is finally upon us DAVE: the scientists said it would never happen in our lifetime DAVE: but look what we have here DAVE: before me stands mans first legitimate furry subspecies DAVE: homo canis DAVE: as the name implies theyre gay as fuck btw DAVE: its too bad all those scientists are dead and cant witness this phylogenetic breakthrough DAVE: rip to the science community yall wouldve lost your collective shit DAVE: hey jade lets pour one out for the science community for being real ones

> ==>

You are still nestled into Dave’s shoulder. He’s taken a sort of protective position over you. Your perceptive barkbeast ears can hear his formerly bullet-riddled heart beating a mile a minute with the regularity of quartz beneath his time-branded pajamas, all the while he continues to ramble to you about certifiably dumb shit. You can tell Dave is psyched to see you again, even if he expresses it in his OWN bizarre way, which means extended metaphors and topical tangents. What a hypocrite, calling YOUR phrasing perplexing! You sure missed this guy.

You realize you started tuning him out while thinking about all this.

DAVE: jade JADE: umm homo is the species name JADE: so wouldnt that mean were all gay? :p DAVE: yeah that sounds about right DAVE: anyway enough of this bullshit

> ==>

[Dave motions to retract his arms since he doesn’t want it to get too weird, but Jade squeezes tighter. Dave immediately yields to the movement]

DAVE: jesus wow ok DAVE: really happy to see you too DAVE: like if you had a tail it would be wagging so forcefully youd be knocking over all the fucking furnishings in the room DAVE: just slapping it so hard on the owners thigh that it feels like theyre being flogged DAVE: talk about getting bitch slapped JADE: :D DAVE: so howve you been JADE: really really excited to see you guys all again!!! JADE: and to meet the trolls! DAVE: yeah theyre pretty weird DAVE: and im still not used to it DAVE: but it gets more manageable the longer youre around them DAVE: by the way JADE: ?

> ==>

DAVE: sorry you had to go through that JADE: through what? DAVE: seeing me die and stuff again DAVE: except that time right in front of you JADE: .... DAVE: when we were gathering up all those frogs i knew jack was going to appear DAVE: i was waiting and waiting to play it out DAVE: mentally rehearsing my fucking torso getting turned into swiss cheese and knowing you would have to watch on top of it DAVE: i had to make sure it happened to protect the integrity of the alpha timeline DAVE: but if you knew this was going to happen you wouldve tried to prevent it and created a doomed one DAVE: and so i didnt say anything DAVE: i couldnt DAVE: so DAVE: sorry for putting you through that JADE: oh..... JADE: dave D: JADE: well im here JADE: if you ever want to talk about it DAVE: its cool DAVE: you just deserve to know what happened there DAVE: but thanks DAVE: so am i JADE: yeah i know JADE: i guess i should be glad you did that then... JADE: even though i was freaking out when it happened ._. JADE: otherwise you wouldnt be here will us now dressed in your red god tier time pajamas DAVE: yeah these magical rags really are comfortable arent they DAVE: and they stay like perma clean JADE: they are! i would wear mine over and over for days on end JADE: id take a nice shower and put it right back on JADE: and you know how much i love cycling my outfits through my wardrobifier JADE: by the way dave your cape is sooo cool! :o DAVE: thanks DAVE: yeah i love it its hella soft DAVE: its like ive got a portable snuggle blanket with me in case i ever need to drop to the floor like a tired sack of shit and get my snooze on DAVE: ive got a permanent personal reservation at club bed featuring dj pillow and mc blanky JADE: heheheh JADE: can i touch your cape? DAVE: of course go nuts JADE: yaaaay!!