#I will consider suggested additions

[transingthoseformers]

THIS.

THIS MOTHERFRAGGER FOUGHT ME ON *EVERY* STEP OF THE DESIGN PROCESS. So, here's the first (well, first finished) reference sketch for Jeopardy, an ex gladiator who joined the autobots first chance and has the pettiest beef with Megatron possible. Currently, their altmode is some form of large transport but now that i think of it how cool would a bus altmode be?

[not-available-for-comment]

I finally hit Entirely Done With This Timeline and spent the last 10 hours playing I Was A Teenage Exocolonist for the first time. Tentatively considering rejoining reality tomorrow.

[theothin]

Copying over my comment from this post since the original now has reblogs turned off:

It's interesting to consider all of this in full context of how Toshiro is framed in the scene. The argument starts with Toshiro insisting that Marcille was wrong to revive Falin with black magic and that she should go back with him to face punishment from elvish society, then get their help in putting Falin to rest. Laios argues that they can actually help Falin, and that eating properly gives them the strength to pull it off, at which point Toshiro tries to shut Laios down by throwing his past frustrations in his face. When Laios eventually overpowers Toshiro, he attributes it to his party taking proper care of themselves, at which point Senshi shows up to offer Toshiro food. Meanwhile, Maizuru expresses frustration at Toshiro's behavior, and when Toshiro talks about his out-of-the-blue proposal to Falin, Mickbell questions why he would do something like that, while Chilchuck remarks that it's the kind of world he lives in. Every part of Toshiro's position here comes across as antithetical to the protagonists and the quest we're following them on. Even other characters present don't seem to think much of his behavior here. And, while playing that antagonistic role, we see him imposing those social standards on someone who finds them confusing and alienating. The result is that the primary lens through which the viewer is encouraged to see the scene is that of an autistic person being berated for not living up to a set of social standards, and in particular not meeting the standards of Japanese society. And while a Japanese audience might find it easier to understand why Toshiro thinks the way he does, the scene is very clear in sending the message that he is wrong and that, as previous comments noted, he's been stuck in a mindset that's hurting both him and Laios. The outcome of the fight suggests that Toshiro would benefit from learning to think more like Laios about food - and I think the audience is also meant to feel that Toshiro would benefit from learning to think more like Laios about people.

And the addition from @delvinanaris:

More than that, Toshiro’s last line of that scene—expressing his envy of Laios—suggests that he, too, feels that he would benefit from learning to think more like Laios about people.

Also here's the original tweet and a great comment on it:

[caelivir]

shrimply in love | miya atsumu

synopsis. atsumu wholeheartedly prayed that you forgot how you first met, and for a while he believed that you did. that is until he finds the literal token from that day.

pairing. atsumu miya x gn!reader | wc. 2.1k | genres. timeskip!atsumu, established relationship, tooth rotting fluff, atsumu is soooo down bad | warnings. (minor?) manga spoilers

notes. outing myself as a hq fan and atsumu lover LOOK AWAY. this was inspired by a tiktok i saw LMFAO 😭. i was up until dawn, on my phone, in the drafts writing this that’s how bad it was. there's something additional to this so stay tuned, and i hope you enjoy.

“tsumu!” you call out from the couch while he’s in the bathroom connected to your shared room. “can you get my wallet? it’s on the bed.”

“sure thing, baby!” he answers back.

“thanks love!” you reply, the petname making him grin in the mirror. it gets him every single time.

after drying off his hands with a towel, atsumu doubles back to the bedroom, your wallet immediately catching his eye. he picks it up, and as he does, something slips out from the crevices.

atsumu picks it up and inspects it. it’s a folded slip of paper. curious, he unfolds it to examine its contents. reading it puts him in shock, and now he’s mildly annoyed with you.

he rushes out of the room, stomping over to you like a little kid. you raise an eyebrow in amusement when he stops in front of the couch.

“baby, what the hell?!” he whines, holding the paper out in front of you for you to read. confused, you lean closer, letting your eyes scan it before laughing out loud. it’s a guest check from the day you first met.

“what?! it’s cute!” you defend with a smile.

“it’s horrifying. do you even know how embarrassing this was for me?” atsumu pouts.

“oh believe me i know.” you giggle.

three years ago.

after a hard won victory, the msby jackals were craving a celebratory meal. meian had suggested a new italian restaurant that had opened by the arena. there was a unanimous agreement among the team, except for sakusa. however, bokuto had managed to convince him to come along with enough pestering.

so there they were, a group of guys well over six foot (with the exception of hinata and inunaki), sharing what’s probably the largest table at the restaurant. it drew tons of attention, and there were even some fans who came up to them for pictures and autographs.

then you came by, ready to take orders, and atsumu knew in that moment he was an absolute goner for you. your beauty was unlike anything he’s ever seen before. you were prettier than those models on the ads he walked by, prettier than the flowers in his mother’s gardens, prettier than sunsets on a beach. and god, your smile. his head went all fuzzy at the sight of it. it melted his insides.

you chuckled at whatever bokuto animatedly said before moving onto atsumu. you looked at him expectantly, eyes shining with so much light that it jumbled the blonde’s brain. shit. what did he want to order?

atsumu’s eyes quickly racked through the menu, and his mouth fired off an order before his brain could process what he was reading. “uh, could i get the shrimps camping?”

a silence befell amongst the table before a collective cackle filled the restaurant. realizing what slipped out of his mouth, atsumu’s face turned red. his cheeks were embarrassingly hot.

mortified. he was absolutely fucking mortified. even that asshole omi-kun found it funny. it didn’t help that you were suppressing a smile at him too. he didn’t even bother with the damage control. there was no point. he’d only embarrass himself further.

with a giggle, you made a note of it on the guest check you were writing up because at least you knew what he was referring to. atsumu buried his face in his hands. see in his head, the setter had come up with a plan to ask for your number, but now he was never even going to walk down this street ever again. his chances? consider them blown.

“alright, alright,” you said after the laughter had died down. you fire off orders to confirm everything, and then you get to atsumu. “and… one shrimps camping.”

“you’re killing me.” atsumu groaned, feeling a new wave of embarrassment now that you were teasing him.

“it’s my job.” you shrugged before walking off with a wink. the blonde felt his heart skip a beat.

“don’t sweat it, atsumu-san!” shoyo clapped his back reassuringly. at least he could leave it to the ginger to always have his back.

it took a minute, but the team had finally moved on from atsumu’s slip up. unfortunately, it was all the setter could think about. god, what if you teased him once you came back with the plates?

luckily for him, it didn’t happen. you just tossed him a knowing grin when you presented him his food. he stared down at those shrimp dancing in the sauce, knowing he’s never ordering fuckass shrimp scampi ever again, and dug in. (it’s the most delicious thing to have graced his tastebuds.)

atsumu, contrary to previous thoughts, did end up coming back to the italian restaurant in the hopes that he could see you. he realized that he wasn’t going to allow one fuck up ruin the chances of having you. atsumu miya is many things. annoying, rude, loud, but a quitter? that’s not one of them.

it was a weekly occurrence, and atsumu would try something different from the menu each time.

“no shrimp scampi?” you would smirk.

“no…” atsumu would sigh, feeling the jab in his bones before handing you his menu. “no shrimp scampi.”

conversations became more casual. he learned more about you like how you were in your final year of university and that your favorite men’s volleyball team was ejp raijin. (he was definitely going to change that.) each week the blonde setter visited you during week made him fall for you even more. all of these little things accumulated until atsumu finally got the balls to ask you out.

“what would you like today, atsumu?” you greeted, that soft angelic grin on your face, and he just knew he had to do it. he couldn’t ever let you go.

“you. me. a date.” he said casually, his eyes dripping with confidence. (interally, he was freaking out).

you tried maintaining your composure but failed so miserably. you couldn’t stop the smile that reached your eyes as soon as you heard those eyes. “i thought you would never ask.” you beamed at him.

chewing on your lower lip, you motioned for him to give you hand, to which he most happily obliged. your touch was a new heaven. so warm and so soft. he wished to be wrapped in it forever.

you held his hand steady as the tip of your pen scribbled on his skin. when atsumu looked down, he realized it to be your number, and his eyes stared at it in awe.

“text me.” you told him before walking off. then you stopped in your tracks, turning yourself back around until you’re back at atsumu’s table. “wait, shit. what do you want to eat?”

oh. he had completely forgotten about that. atsumu picked up the menu and quickly scanned for a fun dish name. “um, just the pizza napoletana and garlic bread.”

“you got it.” you noted it down. followed by, “no shrimp scampi?”

“(y/n), please. i feel like i’m flying right now, and you’re killing my mood.” atsumu’s face fell, feigning fake irritation, but you knew better.

you laughed. “alright, alright. i’ll be back soon.”

“you better be.” the setter scoffed before his face betrayed his true feelings.

and before you knew it, one date became two, then three, then four, and the rest was history, shrimp scampi along with it.

at least, that’s what atsumu thought.

“i thought you completely forgot about it.” atsumu whines.

you laugh, standing up from your place on the couch. “how could i ever forget that? i stopped the jokes because you got all sulky. besides, that’s how my little infatuation with you began.”

once you’re directly in front of him, atsumu places his hands on your waist, burying his head in the crook of your neck. without even thinking, your hand finds its way to the back of his head, stroking it with affection. “of all things? not my good looks? or my nice arms? ” the blonde murmurs into your skin.

you hum in agreement. “well that came after.” your boyfriend groans, making you roll your eyes.

“i don’t think i ever told you this, but i was having a really rough shift the night the team came in. when you guys were put into my section, i nearly lost it.” you admit. “but then you asked for shrimps camping, and i lightened up, like all of my negative energy just drained out of my body. seeing you all flustered and blushing was so adorable in my eyes.”

your boyfriend pulls back, his face scrunched. “i didn’t realize you were in a foul mood that night.”

“had to fake it. you know how customer service is.” you shrug, a smirk taking over your face soon after. “but you were too busy admiring me to even notice it.”

atsumu grins smugly. he’s not even ashamed. “that i was.”

you roll your eyes. “you’re hopeless.”

the blonde setter hums, leaning in, and you meet him halfway, kissing him gently. atsumu’s arms wrap themselves around your waist, pulling you closer to him until you’re pressed against his body. you feel his lips twitch into a smile.

you’re the first to pull away, but your boyfriend is unsatisfied with that. he presses his lips to yours once again before you could even get another breath in. it’s a kiss full of affirmations that atsumu can’t voice. you feel it all through him. he’s so greedy when it comes to you, but he’d definitely agree with that statement without any complaint.

to atsumu, kissing you is a new kind of euphoria, one better than any service ace, better than any cool quick that he pulls off with his hitters. kissing you is like falling in love with you again, and it’s single-handedly the best feeling in the entire world.

he pulls away first with a proud smile. he steals a quick peck against your lips, then your nose, and then the rest of your face until you’re drowning in his affection.

you giggle, throwing your arms around his shoulders. “tsumu!”

atsumu sighs contentedly. his large hand cups your cheek. the rough skin of his thumb traces up and down your face. it’s so reassuring and so warm that you can’t help but lean into it.

“i love you, angel. y’know that right?” atsumu stares at you, adoration swimming in his eyes. everyday, he can’t believe that he gets to have you. he can’t believe he gets to come home and you’ll be there waiting for him, ready to hold him in your arms and kiss his knuckles when he tells you about his day.

you adjust your head ever so slightly to kiss his palm. “i know it. you never fail to make it known.”

you’ve come to realize that that’s who he is. your sweet boy, atsumu miya, is so full of love. behind the brashness and the insults, he has so much love in his heart that some days he doesn’t know what to do with it.

“i love you so much, atsumu miya. you are my life.” you whisper, bringing him in for another soul-igniting, cavity-inducing kiss. it’s intense, hotter, but that is just life with atsumu, a blaze of passion and fierceness.

you can feel him melt against you as if this is his first time doing this with you. you can feel him reciprocating your words. you know him so well that you can guess the words that follow. “all for me. my sweet angel. what did i do to deserve you?”

a memory springs to mind, causing you to cut the moment short as much as you’d like to continue. atsumu pouts at the loss of your lips against his. such a kid. still, he looks at you expectantly.

“i have to admit,” you’re kind of excited to see how he’ll react to it. “the entire restaurant knows you as the shrimps camping guy.”

atsumu stiffens against your body, and the horrified look on his face makes you burst out laughing. “you’re lying. (y/n), tell me you’re lying.”

“i’m sorry, my love. it’s true.” you reach out for his hand, but the blonde playfully shrugs it off.

“don’t touch me. how could you do this to me, huh? i thought we were for life!” atsumu turns away from you, shutting his eyes.

you roll your eyes. you should’ve expected this. in situations like these, there is one sentence that will make him forget everything immediately. “if i kiss you, will you forgive me?”

atsumu snaps his head back to you, and his eyes fly open, allowing you to catch the light that sparkles in them as he smiles widely. he’s so beautiful. “really?!” he exclaims but leaves no room for you to respond before he’s crashing your mouths together for the fourth time. you roll your eyes in disbelief but give into him immediately.

atsumu miya is so annoying, but he’s yours, and you wouldn’t give him up for anyone else in the world.

[eelhound]

"The idea of reforming Omelas is a pleasant idea, to be sure, but it is one that Le Guin herself specifically tells us is not an option. No reform of Omelas is possible — at least, not without destroying Omelas itself:

If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms.

'Those are the terms', indeed. Le Guin’s original story is careful to cast the underlying evil of Omelas as un-addressable — not, as some have suggested, to 'cheat' or create a false dilemma, but as an intentionally insurmountable challenge to the reader. The premise of Omelas feels unfair because it is meant to be unfair. Instead of racing to find a clever solution ('Free the child! Replace it with a robot! Have everyone suffer a little bit instead of one person all at once!'), the reader is forced to consider how they might cope with moral injustice that is so foundational to their very way of life that it cannot be undone. Confronted with the choice to give up your entire way of life or allow someone else to suffer, what do you do? Do you stay and enjoy the fruits of their pain? Or do you reject this devil’s compromise at your own expense, even knowing that it may not even help? And through implication, we are then forced to consider whether we are — at this very moment! — already in exactly this situation. At what cost does our happiness come? And, even more significantly, at whose expense? And what, in fact, can be done? Can anything?

This is the essential and agonizing question that Le Guin poses, and we avoid it at our peril. It’s easy, but thoroughly besides the point, to say — as the narrator of 'The Ones Who Don’t Walk Away' does — that you would simply keep the nice things about Omelas, and work to address the bad. You might as well say that you would solve the trolley problem by putting rockets on the trolley and having it jump over the people tied to the tracks. Le Guin’s challenge is one that can only be resolved by introspection, because the challenge is one levied against the discomforting awareness of our own complicity; to 'reject the premise' is to reject this (all too real) discomfort in favor of empty wish fulfillment. A happy fairytale about the nobility of our imagined efforts against a hypothetical evil profits no one but ourselves (and I would argue that in the long run it robs us as well).

But in addition to being morally evasive, treating Omelas as a puzzle to be solved (or as a piece of straightforward didactic moralism) also flattens the depth of the original story. We are not really meant to understand Le Guin’s 'walking away' as a literal abandonment of a problem, nor as a self-satisfied 'Sounds bad, but I’m outta here', the way Vivier’s response piece or others of its ilk do; rather, it is framed as a rejection of complacency. This is why those who leave are shown not as triumphant heroes, but as harried and desperate fools; hopeless, troubled souls setting forth on a journey that may well be doomed from the start — because isn’t that the fate of most people who set out to fight the injustices they see, and that they cannot help but see once they have been made aware of it? The story is a metaphor, not a math problem, and 'walking away' might just as easily encompass any form of sincere and fully committed struggle against injustice: a lonely, often thankless journey, yet one which is no less essential for its difficulty."

- Kurt Schiller, from "Omelas, Je T'aime." Blood Knife, 8 July 2022.

[rotzaprachim]

when I talk about how the last three days have been a massive wake-up call for Jews in the diaspora, I mean stuff like realizing the broader extent that many people, including those with little knowledge or contact with Jews, genuinely have internalized some kind of ideology as Jews as controlling the “world state” and media, and then I mean stuff like this:

ah yes. Stuff from modern tumblr accounts run by young-ish people, who have a mental backlog, it seems, of “jokes” about Israeli Jews as being rich landlords in New York/New Jersey. Now, one of the most consistent rage inducing goy-takes is the suggestion Israelis just move back to where they came from, but this isn’t that. Because the rich New Yorker landlord jokes aren’t even tangentially attached to the ideology of Zionism or the state of Israel as entity and location. They’re just antisemitic jokes about Jews in general, tied into much older strains of antisemitic thought around Jews and money and *actually being in control.* to make this kind of joke the joker has to draw a linear collection between Jews as a whole and the Israelis they Don’t like, and trust that their friends Make that connection in order to find it funny. This is why the coverage and discussion has been in so many ways stomachs churning from the diaspora - it shows that people linearly connect all Jews to the state of Israel, and that not only does realllly old timey wildly pre-state antisemitic rhetoric have a voice, it has young people who consider to find it valid and an appropriate addition to modern political discussions

[plutoswritingplanet]

Hand That Feeds (Cooper Howard/The Ghoul x Female!Reader)

a/n: as promised, here's the full chapter. as a person who's only played skyrim and oblivion, writing for fallout is like throwing a hot dog into an empty corridor (i will not elaborate)

Warnings: Suggestive Themes, Attempted Kidnapping, Medical Malpractice, Cooper is a mean old man with a boner. Takes place before the events of the TV series.

Summary: The Ghoul takes up a bounty that has been gathering dust for quite some time. You, bored out of your mind, decide getting kidnapped might be the perfect way to entertain yourself. Both of you bite off more than you can chew. Cross-Posted on AO3

PT. 2

Copper knows this job will be different, before he even decides to take it up. 

Scribbled with flaky charcoal, your face looks at him from the notice board every time he delivers a bounty. For months now, a humble title of "The Healer" hangs without change, between criminals, raiders, and people who were in the wrong place, at the wrong time. 

Cooper hasn't considered going for you, it was never his first choice. The bounty on your head was moderately low, in comparison to your notice board neighbors.  He had other priorities, bigger than a smeared over pretty face, for half his usual reward.

Until one day, as he stomped his way through the dusty floor, his eyes caught onto your wanted poster yet again. 

Well, to be frank, his eyes strayed towards your portrait almost every time he crossed the threshold, but he would never admit it to anyone, let alone himself. Like a constant companion, overlooking all his accomplishments since he decided to stick around the place, your empty gaze followed every transaction, every head delivered onto the table. Some semblance of a routine, he supposed, looking over the board. 

 There, under the regular information, freshly painted numbers stared back at him. A new bounty, significantly bigger than any reward on the board. The red paint was still dripping down the yellowed paper, the addition must've been made quite recently. 

A hefty price. One, that would supply him with enough chems to last for half a year at least. Tempting. Especially now, that he's down to only a couple of vials, his coughing fits becoming longer and closer between. So tempting, in fact, that he tears your wanted poster from the board, finally getting a closer look, a deliberate one. 

Booker gives him a raised eyebrow, all the commentary needed, encapsulated in this simple gesture, and Cooper shoots him a nasty look. There aren't many requirements regarding the job, except one, annoying detail. 

You have to be alive and in good condition. 

Now, alive Cooper could do. Alive is easy. Good condition, however, opened a whole shitbag of problems, which he would be a fool to overlook. Still, the prospect of such money couldn't be ignored. And, he'd be damned to admit it, but he was curious. Who were you? Why haven't you been caught for such a long time? What caused this sudden raise in bounty?

- Did you piss someone off that bad, little lady? - he asks the yellowed paper, and gets no answer, as expected. 

***

The bar is filled with patrons, all tripping over themselves to loose as many caps on cheap alcohol and chems from under the table. It's not as rowdy, as one would expect. This settlement must be one of the few more civilized ones, for the Wasteland's standards at least. Farmers, mechanics, shopkeepers, they all clam together, smelling of smoke, sweat, and alcohol. 

You're here too, hunched over your drink with a sour expression. Your shoulders are slumped, covered by a piece of cloth, that used to be a shawl, but currently looks more like a rag used to wipe down countertops. Despite that, Cooper sees in the way your body is poised, taunt and graceful, that you're neither a naive Vault Dweller, nor a scruffy raider. A skinny scarf is tied around your neck in a fashion, that reminds Cooper of the old westerns he used to star in. 

The sudden influx of memories is neither wanted, nor useful, and he clicks his teeth in annoyance at his own betraying mind.

The Healer, he thinks to himself, making his way through the crowds, until he reaches the side of the bar, one seat from you. Not a glance is spared in his direction. The townsfolk must be used to seeing Ghouls run around the place. Still, when he orders a glass of moonshine, out of the corner of his eye, he can see you peaking at him with curiosity. There's a intelligent glint in your eye, and Cooper feels a shiver of curiosity climbing up his back. He scolds himself for being too old imediately after. 

By all that's holy, you look tired. And not the kind of tired, that sticks to a person living in the Wastelands, no. It's the exhaustion of a shitty day, dragging your eyelids down to flutter against creeping up sleep. The alcohol can't be helping your state, however, it will most definitely help Cooper. He almost feels sorry for you, but if your dumb enough to leave yourself in the open like that, while being hunted, there's nothing more he can do but take advantage. 

Cooper turns his face ever so slightly towards you, looking over your expression for any signs of recognition. He sees none, more than that, there is no emotion at all, not even a blink at his fucked up face. Raising his hand, he touches the rim of his hat in a wordless greeting. 

That finally wrenches some resemblance of a reaction out of you, and with a blink, you tip your glass towards him, before downing its contents. Your cheeks are flushed, lips wet with remnants of moonshine and there's a lock of hair falling out of place, and damn it, Cooper suddenly feels so old.

Ordering drinks while in your current state wasn't the most intelligent thing you could've done. The harsh taste of alcohol burned your throat in a way that was less than pleasant, and for a moment you consider turning to some good old chems for help with... Well everything really. 

It started with Old Lady Sal. 

You've replaced her hip a while back with some scrap metal and a fuckload of reused body parts. Now, every other day she demands you check it out, make sure it's in working order. Which it always is. This isn't your first replaced hip, you know what you're doing.

Then, you had to sit through the insanely uncomfortable marriage offer from Old Lady Sal's grandson, who is not only dumb as a bag of rocks, but also fourteen. 

And to top it all off, suddenly everyone needs you to solve their particular pains of the day. There must be an epidemic of aching heads sweeping through the town, because as soon, as you flee from Old Lady Sal's home, you're being hounded by everyone and their mother, looking to you for help. You were in town for two hours, and your herbs reserve went down to one fucking leaf. 

The Ghoul keeps looking at you from under his hat, and at this point it's gotten from uncomfortable, to straight up creepy. You were not about to pretend this stranger's interest in your particular person didn't unnerve you. Although, thanks to your mother's efforts, and later your own, the town practically worshipped the ground you walked on, the same could not be said about the rest of the Wasteland. 

You had enemies. You had people, who would love to get their hands on you. You were also deeply aware of the bounty placed on your person. Last you checked, it was quite small, but Ghouls don't have it easy out there, and if there's anyone looking like a bounty hunter in this fine establishment, it's the shady guy giving you a shameless once-over. 

So, you place a couple of caps on the counter, and gather yourself best you can. 

Perhaps drinking on an empty stomach was not the best idea, because as soon as you slide off the barstool, your head does a flip. Your balance completely off, you trip over your own feet, already accepting the floor, as your soon-to-be companion. 

That's when something strangely warm wraps itself around your waist, hoisting you up against the counter. The Ghoul smells just about as pleasant as one would expect, but moonshine is a powerful sedative, and instinctually, you lean into the warm embrace. Eyelids flutter, as you look up into the sunken eyes of your savior, and you can see his throat move, as he swallows thickly. 

- Careful now, sweetheart - the voice is low and reminds you of wind whistling through leaves - Gotta keep you in good condition.

Now, if you were completely sober, or at least less drunk, those words would fire an orchestra of alarm bells in your head. Instead, you smile, teeth on full display, as you reach up, to undo a tattered scarf from around your neck. 

- Mmm - you sigh, throwing the piece of cloth across the Ghoul's shoulders - My hero. 

Then, you grab onto his arm, still holding a tight grip around your waist, and lift it up by the sleeve of his coat. Despite your drunken disposition, you duck under the limb gracefully, and shoot the Ghoul a nasty, fully aware smirk. Realization flickers across his face, but before he can move to catch you, a series of body-wrecking coughs shakes his entire frame. 

You hesitate just for a second. The instinct to help is ingrained into your very being, passed down like a mantle from your angel of a mother. But then, self-preservation kicks in, and as the strager reaches into the pocket of his coat, to find his inhaler, you're already out the door, throwing yourself into a mad dash towards your cabin.

You were drunk, not stupid. 

***

The sun has barely had time to rise, when you're rudely awoken by the sound of a fist, pounding desperately on your front door. Hard enough to make the hinges squeak and shake. 

It tears you from your already light sleep, and you scramble to your feet, hastily pulling a shirt over your head, as you make your way towards the entrance. Hand on your pistol, you look out through the small space between two planks, which make up your door. 

It's not hard to understand what is happening. You remember one of the men standing outside your door from the nearby town. Benny or something like that, you were never good at remembering names. Hanging on his arm was another, barely breathing man, who was currently bleeding out right onto your porch. Pete. This one you recognize as a farmer and a hunter. You've treated multiple bites and scratches on him. So did your mother. 

Cursing under your breath, you undid all the makeshift locks with record speed, throwing the door open.

- I'm sorry to bother your so early in the morning Healer - you wince at the title, already making a beeline for the table in your kitchen - Pete and I were just...

Both men follow you closely behind, Pete's boots making a disgusting, sloshing noise. 

- Put him here, face up - you command, throwing a couple of papers to the floor.

- ...Coming back from a night hunt, and this fucking Ghoul was asking around town about you...

- Cut his shirt - another command, thrown over your shoulder, as you begin to rummage through a cabinet filled with chemicals and various herbs, barely registering the words. 

- ...And when we started asking questions back at him, he just shot Peter, right then and there...

You pluck a couple of twisted, dried herbs into your trusty, stone mortar, spitting into it, to gather some moisture. Throwing a semi-clean rag at the man, your voice cuts through his rambling.

- Put pressure on it.

There is no exit wound, and you almost sigh with annoyance at the prospect of fishing out a bullet. It had to be done, however, putting your sleep depriation and a building headache aside, you scoop out some of the herbal paste with your fingers, before pushing past the man.

- Hold his legs down - you mutter, taking a blink-and-you-miss-it moment to check Pete's temperature.

- ...Thankfully, he didn't kill Pete on the spot, so I brought him here straight away.

Pete flinches on the table, as you apply the paste to the wound. That's about as big of a reaction he's capable of, given the amount of blood he just spilled onto your porch. Another thing to clean up, after you take care of the table. What a way to start a fucking day. You can see his eyes follow your movements, barely conscious, but still alive. Sweat beads and gathers at his brow, and you reach out with a clean rag, to dab it off his skin.

Then, as if coming out of a stupor, your eyebrows scrunch together. The story of this faithful encounter finally registering in your brain. 

- A man was asking about me? - you ask, despite already knowing the answer. 

- Well, kinda. A Ghoul. 

You knew which Ghoul, it was not difficult to piece together. 

- And he didn't kill Pete, just injured him - you can feel another headache brewing just behind your eyes, as the sheer stupidity of the man in front of you finally comes to the surface.

They led him to you. 

Three, steady knocks to your door, smug and confident, interrupt the conversation, and deep down you can see the future of every person present in this cabin. As if you've developed some magical powers. 

Stilling your suddenly trembing hands, you settle the mortar back on the table. Thenyou instruct the man to keep pressure once more. Covering yourself with a robe you got as payment for stitching up a sliced finger, you make your way to the door. Fabric flows around your feet, shuffling like the wings of a moth. 

Your eyes flicker to the side, where, placed against a wall, stands a small end table. Under it, you've hidden a rather large kitchen knife, and for a second you debate, whether going for it now would be the best course of action. Call it dumb optimism, but deep down, you pray this is some big misunderstanding, and you'll be allowed to go back to your patient, preferably sooner than later. 

There's no need to bother with a gun, no time too. Pete is bleeding out faster than a stuck pig, and you were not one to leave your customers unsatisfied. Or, in this particular line of work, dead. 

The door opens with a slam. There's a small indent in the wooden wall, where the door handle has hit the surface.  The cabin is slowly entering the state of ruin, although, some places are more taken care of than others. Still, it has a roof, a semi intact entrance and even a window with actual glass in it. Quite the luxury in the Wastelands. 

Cooper didn't know what to expect, not really. Seeing you for the first time gave him a mixture of varying feelings, as well as a rather uncomfortable throbbing in the nether regions. Who could blame him, really? Your wanted poster gave you no favors, and although he was able to recognize you almost immediately, he still felt slightly short of breath.

He scolds himself for getting distracted by his thoughts, and as your eyes lock down on him, he lifts the barrel of his gun, touching the rim of his hat. Your eyes shift like little sparkling gems onto the weapon, before your jaw locks.

- Salutations Ma'am - his voice is rough from lack of use, the southern twang even more prominent, than usual. - I believe our introduction was cut short.

Yellowed teeth flash in a mirthless smirk, and then his expression tightens.

Cooper is used to people reacting, let's say, negatively towards him. Fear is the most common, and he can't blame the masses, he really can't. Disgust, as well, happens quite often. But as he looks over your feverish gaze, he can't really see either one of the emotions. 

No, what you give him is an annoyed roll of your eyes, and he's surprised to say, it bothers him more than he'd be comfortable admitting. He's a goddamned bounty hunter, a ruthless one at that, and a fucking Ghoul. Fuck you mean, you're annoyed by his presence?

- Look - you're already turning away from him, shooting a look towards your kitchen, where he can see a leg twitch in a spasm on top of your table - I ain't got time for whatever this is - your hands wave around in Cooper's general direction. - You'll have to wait your turn.

- Ah, well, I'm not the patient kind.

A squeak of surprise leaves you, as the Ghoul pushes past your body, entering your house gun first, murder clear in his deep set eyes. His steps take him through your living room, dangerously close to your kitchen. You know exactly, what's going to happen, and your arms shoot out on instinct. His body is unnaturally warm, even through layers of clothing, as you wrap yourself around his waist, tugging him back with all your might.

 He looks down on you, more bothered by the sudden contact, than the fact you're trying to stop him. It gives you a small leverage, and you push him back a couple of steps, settling yourself between the entrance to the kitchen, and the bounty hunter, raising your hands and getting ready to fight. 

- I don't have time for this kinda bullshit. Git. - Cooper snarls at you, his gun-free hand coming up to grab at your hair.

Before you have time to react, five fingers twist hard into your roots, and you stifle a scream, as the Ghoul pushes you off of him. On instinct, your hands come up to tug against his wrist, nails digging into the leathery skin. He lets you go with a hiss, and you use that second, to throw yourself towards the end-table. 

Your fingers find the handle with a practiced ease. Then, your body twists like a radioactive viper, and all Cooper sees is a flash of metal. The blade is rusty and chipped, but it could still do some damage. Especially now, that it's pressed against Cooper's jugular, the dull, cold presence halting all his movements. Your eyebrows raise in small recognition at the thin fabric tied around his neck. The scarf. Your mouth goes dry.

- Everything okay back there? - Benny asks from the kitchen, you can hear his approaching footsteps.

- All's well, kee pressure on the wound - your voice is tight with nerves, but the man obeys. 

Cooper watches your face carefully, his gun tucked neatly into the meat of your stomach, ready to fire, should the situation escalate. You can feel it, pressed right into the hollow space under your spleen, a good place to be shot, if you could even say that. You're dealing with a professional, apparently. 

- We seem to have a bit of a conundrum on our hands, little lady - Cooper drawls, voice bordering on a whisper, his eyes follow the way your tongue darts out to lick your chapped lips. 

- I have a patient, he needs help - you explain in an even tone, breathing shallow - After that, I'll deal with you.

Despite being at a loosing position, you refuse to back down, your eyes glued to the Ghoul in front of you. You're bracing yourself for the imminent pain, should he decide shooting you would be easier, but it never comes. Instead, the barrel of the gun presses further into your flesh, before lightly retracting. The cold metal is dragged up, across the expanse of your stomach. You bite the inside of your cheek, and surpress a shiver, when it travels between the swell of your breast, and settles into the dip of your collarbones. 

You swallow thickly, Cooper's eyes catching the movements of your trachea like a hungry vulture. The tip of the gun touches the underside of your chin, pushing your head to one side, then the other, as if the bounty hunter is taking inventory in a butcher's shop. Once he's had his fill, he lifts the gun completely, raising his hands as a peace offering.

- Git - you whisper back at him, and a flash of something rushes through his mangled expression. 

You take a step back, chest rising in falling rapidly, blade still in front of you, just in case. Then another step, and the bounty hunter dusts off his coat, before sitting down on a stool in your cluttered living room. You don't like the way he looks at you, eyes shining from under his hat, as he occupies your space like it belongs to him. Long legs apread in front of him, and you try very hard not to sneak a peak between them. Finally, you cross the entrance to the kitchen, and the knife is tucked under the leather belt of your pants. 

A sigh, a roll of shoulders, and you're off.

Cooper watches with curiosity, as you immediately start to work on the poor bastard stuck on your table. Your back is taunt, hands bloodied but steady, as you lean down to take the metal bullet out of the wound. The herbal paste you've provided earlier has dried up, and is currently working wonders for the bleeding, while you reach inside with not-so-sterile pliers. 

- Hold him down - he hears you say, as the legs on the table start to twitch again. 

Finally, a metallic sound of the bullet hitting a dish is heard, and you stand up, making your way towards the cabinet filled with chems. There is a grace to your movements Cooper wasn't expecting. Reminds him of dancers, ballet ones. 

Back in the day, his ex-wife would drag him to all those ballet shows, ones that made him feel stupid and uncultured. He swallows around the memory, willing it to die down, as you shoot him a cautious look over your shoulders. 

He wiggles his gun at you lightly, a reminder, that all this is happening because of his good humor. You scoff. 

Pete starts screaming as soon, as you begin to dress the wound properly. Chemical smell fills the air, and although Cooper lacks the nose to feel it, his eyes water all the same. You seem to be unbothered, years of doing this exact job must've hardened your senses. Finally, it's done. There's nothing more you can do for the man, and you wipe your hand on your forehead, leaving a large smear of red.

- He'll be fine - you mutter towards the other man in the kitchen - He needs rest, and a loads of it too. 

A couple of small bottles and dried herbs land onto a checkered cloth, and you tie it closed, like a small care package. 

- Dress his wounds twice a day - you press the package into the other man's hands while he helps his partner off the table - Good luck. 

Cooper glares at the men, as they stagger out the front door. They don't seem to pay him any mind. Well, the shot one definitely doesn't, he can barely walk on his own. His friend is too preoccupied with keeping him on his arm, to even acknowledge that this whole situation was orchestrated by Cooper himself. Or perhaps, he's to stupid to connect the dots. It's hard to tell these days. 

The door closes with a click, and Cooper stands up from his stool, sauntering over to the kitchen. 

You're currently trying to wash blood off of your hands, which are stained crimson almost up to your elbows. It goes about as well as expected, and as you dry your arms with a rag, there's still a pinkish stain to your skin. 

The table is a mess, blood and herbs seeping into the wooden planks which make up the surface. Cooper leans against the doorframe, as he watches you splash some chemicals onto the wood. It bubbles up in a disgusting mixture of red, green and yellow. You let it sizzle for a moment, before taking that same bowl of water you've been using to clean up, and dumping it all onto the table. The mixture flows down to the floor, the residing surface looking much cleaner. 

- Now, as much as I'd love to sit around and play house with you, honey - Cooper starts, and has to clear his throat, when you look up at him wordlessly, blood on your face and fire in your eyes - I have a bounty to collect.

Sighing, you push your hair back from your forehead, exhaustion, which is synonymous with living in the Wastelands seeping off of you like a tidal wave. 

- Do you have a name? - you ask, reaching for a leather bag sitting on one of the chairs. 

- I do - he says, and you roll your eyes at the deliberate lack of information his answer has given you. 

You mutter something that sounds scarily close to "asshole", and begin to chuck a couple of vials into the bag, then some herbs, then a water canteen. It's like you're ready to move out at any time, and a sneaking suspicion arises in Cooper's mind. This isn't the first time you're in this situation, if your calm demeanor is anything to go by. Suspicious, highly so, and as you turn around to face him, Cooper raises his hand ever so slightly. 

Your eyes fall onto the bundle of rope in his grip, eyebrow raising in annoyance. 

- You serious? 

- As a funeral, sweetheart - he sways the bundle lighty, his other hand pointing the gun at your abdoment - Now, are you going to be good, and come over here? Or should I come over there and make it unpleasant for us both?

- You're already making it unpleasant - you mutter, but cross the kitchen towards him, raising your hands, palms up. 

- Wait. 

Confusion hits you, when the Ghoul reaches into his pocket, producing a small piece of torn cloth. Your entire body goes still, as he grabs onto your chin, cold metal of his gun digging into your cheek, the barrel settling into the juncture between your neck and your shoulder. Then, despite your best efforts at freeing yourself from his grip, he brings the cloth to his lips, wetting the fabric with his tongue. 

The bloody smear on your forehead is wiped down rather roughly, and you twist in place like an impatient toddler, when Cooper leans his head back, to look at his handywork. You shiver with disgust, at the feeling of his drying saliva on your skin, and as soon, as he lets you go, you begin to rub at your forehead with the sleeve of your robe. 

- Good condition - he rasps, and if looks could kill, he'd be six feet under.

He gives you a nasty smirk, settling his gun down for just a moment, and grabbing your wrists together, so he can tie them up. Which is all the time you need to make a decision, and kick out your knee, nailing him right in the crotch. He doubles over, cursing loudly, hands shooting out to grab you, but all he catches is your tattered robe, which you slide out of easily. 

Fater than he would've anticipated, you grab at your bag, and bolt to the back of the kitchen, where he watches you jump over the table and all but slide out of the house through an open window. It's like a choreographed dance, the way you move out of his grasp. When he reaches the window himself, there's no sight of you, other than the rustling of tree branches somewhere in the woods behind your cabin. 

- Fucking women. - Cooper whistles.

He can't deny the shiver of excitement running down his back, as he secures the hat over his eyes.  If that's how you want to play, he would oblidge. It's been far too long since he could actually enjoy a more challenging bounty. Cooper slowly walks out of your cabin, looking over all the little trinkets you've gathered inside. Then, almost lazily, he lifts the robe you've left him to his nose. He feels nothing, of course, but he has quite a vivid imagination. Vivid enough to supply him with a memory of a scent from his past life. Lavender, he'd bet you smell like lavender. 

Your tracks are deep and visible across the ground, and so, the hunt begins. 

[pomefioredove]

hello dovee! I saw the "I'd look good on you." and immediately thought of vil! if I could please request for that? THANK YOU SO MUCH🍰stay creative!

thank you everyone for feeding me vil requests. I got a little crazy with this one

summary: "I'd look good on you." type of post: short fic characters: vil additional info: romantic, reader is gender neutral, reader is yuu, a little suggestive a part of this event

"No, no, no, no. Wrong, dreadful,"

You dodge another designer handbag as it goes flying across Vil's room, joining the growing pile of clothes behind you.

"Why is this so difficult?" he groans, storming out of his closet. "I have not a SINGLE decent thing to wear for this interview."

You look over your shoulder, watching him as he begrudgingly begins to clean up the mess he'd made.

"I think you're stressed,"

Vil pauses midway through sliding a silken shirt back on its hanger to glare at you.

"Another excellent observation," he says dryly. Then, a sigh.

"Sorry. I've been wanting to work with this director for years... I don't care for this role, but if the film does well, he'll likely want to work with me again... How's this?"

He holds up a glittery purple dress in front of him. You blink.

"...Good,"

"Ugh," he scoffs, tossing it aside. You don't know how many more times you can tell him he looks good in everything before he kicks you out.

"What is the role, anyway?"

Vil rolls his eyes, catching onto your attempt to distract him. He indulges, anyway.

"Another villain, although this film is more of a..." he pauses, gesturing vaguely. You stare. "...A young adult movie."

"So it's bait for teenage girls?"

"...Essentially,"

He sighs again, cleaning up the last of his temper tantrum and sorting it in his massive closet.

"Thus my role is more... provocative, we'll say. Which is fine, if not for the fact that I feel I did horribly,"

"I'm sure you didn't,"

"I'll be a laughing stock, this director will never work with me again, and I'll become one of those pathetic, washed up former child stars by age twenty-one,"

That feels... a tad overdramatic, but you don't mention it.

"That's not going to happen," you insist. "I'm sure you make a great... provocative... villain!"

Vil sighs, returning to the bedside to sit with you. For a brief moment, you can feel him staring, but you say nothing of it.

"You haven't even seen it," he mumbles, finally looking away. "I only have half an hour... I feel completely unassured."

You can't help but feel pity. Before knowing Vil, you had stupidly assumed that most celebrities are confident by nature, exuding grace and certainty.

Now...

"Is there anything I can do to help?"

Vil quiets, seeming to consider the offer. "...May I use a line on you?"

You're not exactly sure what he means by that, but it can't be anything too painful. He only has half an hour, after all.

You nod.

Vil smiles, then turns away. He takes a deep breath... you've seen this before. He's getting into character.

It's very effective.

When he turns back, his expression is completely different. And his body language. Even his very presence has shifted.

You've seen this before, you remind yourself. The dangerous, menacing facade that he's known for, that makes his roles so iconic...

But he's also smiling, his eyes lowered, a pleasantly amused look about him.

His hand finds its way to the bed on your other side, effectively caging you between his arms. And then he moves in, guiding you down onto the mattress and leaning over your body.

This is your friend. You're just helping him. There's nothing to be nervous about.

Despite what you tell yourself, you can feel the effect he's having on you.

He can tell, too.

Vil tuts, his free hand coming up to tuck a strand of hair behind your ear.

"Scared?" he asks. His voice is gentle, though there's a lingering danger behind it.

"Poor thing... I won't bite,"

He leans closer, his other hand intertwining with yours and keeping it pinned to the mattress, hot breath pressing against your ear.

"I'd look good on you," he whispers.

You know you shouldn't interrupt him, but you can't stop the nervous, flustered whine that comes out of your throat.

Vil breaks character, beaming, and gets off of you.

"Oh, my..." he grins, studying your expression. "You were right. I was worried over nothing."

He stands, smoothing out his clothes, and strides towards the closet to change, leaving you flustered senseless on the bed until he returns.

"How do I look?" he asks.

Of course, perfect. He always looks perfect. And now that he's confident again, gorgeous.

He smirks. "I'll take your silence as a compliment, potato. Thank you for the boost... I'll be back to pick up where we left off in a few hours,"

[seiwas]

grow on me like a dog loved fondly: prologue | kamo choso

wc: 1.0k

summary: your regular to the flower shop is more than what he seems. 

contains: written with f!reader in mind but can be read as gn!, animal shelter employee choso x flower shop owner reader, implied that reader is shorter than choso, flowers, small talk.

a/n: the promised choso drabble! depending on how this is received, i intend for this to be the prologue to a longer choso fic i have in mind!

You have a regular on the weekends. 

Business in the flower shop tends to be slow during winter, with less occasions having the need for flowers and even less buds blooming during the season. 

But even with the expected decline in customers, Saturdays always guarantee one—

The bells attached to the store doors jingle, allowing in a gust of cool air that tickles your cheeks from where you’re crouched down. The peonies in your hands were delivered just yesterday, the ends of the stems needing a slight trim to keep them fresh for longer. 

You turn, standing up to face your visitor. A purple scarf is wrapped high around his neck, with white fleece running down the length of his arms—a sort of undershirt to the short-sleeved uniform worn atop it. The outfit is familiar enough, but what truly distinguishes him are the two spiky pigtails on the sides of his head. 

There are a few things you’ve managed to pick up from four-line exchanges with your regular (six if you’re lucky): 1) he works at the animal shelter a few streets away, 2) the flowers he buys are for the front desk, a weekly replacement he deems necessary to keep the place looking alive, and 3) who he is, his name—

—‘Choso’, if the tag on his uniform says anything. 

The tag that is now, also, just a hand’s reach away from you. 

You look up, pocketing your plant nippers. The peonies dangle between your fingers. 

“W-welcome!” you stutter, focusing on the thin metal chain running across his nose. 

It’s new, an addition that intrigues you more about the man in front of you. 

The look he gives you is lazy, gaze deadpan, almost empty. Anyone else might find it snobbish and off-putting, but you’ve gotten used to it—an almost magenta puffiness that surrounds his eyes, bags of fatigue that usually hang underneath. 

He continues to stare, unmoving. 

Considering all your previous interactions, you’ve realized, he isn’t scary or rude or anything of that sort—he’s just awkward. 

A bit quiet and unbothered, maybe, but still just awkward. You don’t think he’s ever started an interaction with you first. 

“Is there any flower in particular that you’re looking for?” you ask, motioning around your store. 

The selection is limited this season—a few camellias and clusters of Japanese primrose with an abundance of peonies and daffodils. 

His head turns as he glances around the store, pigtails bobbing slightly with each movement. When he faces you again, he shrugs, voice deep and firm as he asks, “Do you have any recommendations?” 

It’s an odd feeling, borderline awkward and nervous; you have no idea why your mind is blanking. 

“Um,” you clear your throat, tucking the peonies between your fingers into your apron pocket, “daffodils are bright and friendly, good for entryways and front desks, I think.” 

He eyes the daffodils to your right, buckets of stems holding yellow and white. The store stays quiet for what feels like a good minute before he nods, agreeing to your suggestion. 

“The usual?” two clusters, wrapped in newspaper. 

Your question echoes throughout the shop, lingering while you pick at which daffodils look best. 

“Yes, but two of them.” he answers in monotone, before adding on, a soft hesitancy, “Please.” 

You smile to yourself, picking more daffodils for another bunch. 

Both of you make your way to the cashier, another bout of silence surrounding you as you crumple newspaper and pull at tape. He always watches, you notice, his focus set on your practiced handling of stems and leaves. 

You look up momentarily, seeing that he keeps his head down, “The pigtails are cool.” 

He doesn’t say anything, and for a while you’re afraid you might have offended him, but he responds, voice low; it’s soft, gentle in a way you never expected it to be. 

“Thank you.” you catch him shifting his weight from your periphery, hands digging deeper into his pockets, “The dogs think they’re chew toys when I wear it this way.” 

You most certainly were not expecting that, either. 

This is the most initiative he’s taken to add onto the conversation.

You grin, chuckling under your breath, “That must be fun.” 

It’s faint, but you think you hear him laugh a little. 

When the flowers are completely wrapped, you set them aside, making your way behind the cash register. You punch in the cost, ready to bill him before he speaks again. 

“Actually, would you happen to do deliveries?” he seems shy asking it, barely looking you in the eye. 

“Yes!” You nod, grabbing a pen and paper to hand over to him, “Just write down your contact details, the address you want it delivered to, and when you’d like it to be delivered.” 

Another thing you’ve realized, is that despite appearances and what he seems to be, Choso handles objects gently; the pen and paper you’d just given him were taken lightly from your fingertips. Even the strokes of his penmanship are slow, the tip of the pen barely creating an indent on the small sheet. 

“Will you be having both of these delivered?” you ask, holding up the bundles of daffodils. 

“Just one.” he answers promptly, before adding on again, “Thank you.” 

And you know you shouldn’t ask, shouldn’t be so nosy, but—

“What’s the occasion?”—

Flowers are rarely in demand during the winter season. 

—“If you don’t mind me asking,” you follow-up quickly. 

The immediate quiet makes you think you might have gotten too comfortable again, made him feel weird about your questions—but he answers.

“My brothers,” he finishes the final curves of his writing, “they’re coming to visit.” 

The piece of paper is handed to you, and you hum, acknowledging his response. You go over his details, reciting it to him to double-check. But when you land on his address, your eyes go wide, a little ‘oh!’ slipping out. 

He furrows his brows, confused. 

You definitely, most certainly did not expect this. 

“Sorry,” you shake your head, your cheeks heating up in embarrassment, “Just—“ you chuckle, “I think we might be neighbors.” 

thank you notes: @twentyfivemiceinatrenchcoat for sending me lil prompts that somehow birthed into this!! + @yemmuishomeforthementallyunwell for feeding the choso brainrot 🥹 + @mysugu @soumies for being my angels, lights of my life!! listening to me ramble abt this and helping me pick music, hash out plot, pick title, everything! ily

comments, tags, and reblogs are greatly appreciated ♡

[sayruq]

Human heads eaten by crows, unidentified and decomposing body parts, and hundreds of corpses piled up and buried in mass graves are all that remained of the victims of the massacre at al-Shifa Hospital. The grim scene was something out of a dystopian movie, the product of the two-week siege of Gaza’s largest hospital that ended in its total destruction. Following the completion of al-Shifa’s decimation, the Israeli army announced that it had been one of the most successful operations since the start of the war, claiming that it had arrested hundreds of Hamas and Palestinian Islamic Jihad members in the medical compound. But the question that no one seemed to ask is how such a massive number of so-called “operatives” from Hamas and PIJ had gathered at al-Shifa with the full knowledge that the place had already been combed by the army once before and that Gaza City had been occupied by the army ever since.

One young man who managed to escape the hospital mere moments before the army invasion began said that there had indeed been hundreds of Hamas and Palestinian Islamic Jihad-affiliated employees in the hospital, but none of them were military operatives. They were workers in the Gaza government’s civil branch, including Civil Defense crews, the police force, the internal security services, interior ministry employees, and employees of other branches of the local government. All of them had gathered to receive their governmental salaries at al-Shifa, given that it was one of the few remaining places that was supposed to be relatively safe from the fighting

When everyone left the buildings, the army began to separate the crowds of people into groups, making each group wear differently-colored plastic bracelets. The soldiers told them that these bracelets were connected to a system that alerts snipers to their movements. They were divided into two colors: yellow, which was attached to hospital staff and whoever the army considered civilians, and red, which was given to people who could not move on their own, such as patients, the injured, amputees, or people with broken limbs. The army also gathered people who were suspected of belonging to Hamas or the PIJ. They were not given bracelets but were separated from the injured and hospital staff, who were sent to a different building. A third much larger group was ordered to leave the hospital entirely — thousands of displaced persons who had been sheltering in the compound, in addition to some members of the hospital staff. Some of the staff members, including doctors, refused to leave. When they refused the army’s orders, they were executed immediately and without argument. The army then brought out a huge number of men from the group of suspected Hamas and PIJ members and employees, gathering them in the center of the courtyard. It then proceeded to execute them, one after the other. When the slaughter was done, army bulldozers piled up their corpses in the dozens, dragging them through the sand and burying them. As this was ongoing, other soldiers stormed various buildings in the compound in search of people who had refused to evacuate when the initial order was given. They killed anyone they found, regarding them as suspects.

This is a long article but I suggest you read the whole thing.

[chubsonthemoon]

It is done! This is The Death of Translation, originally written in English by @landwriter, translated into Mandarin by @thirrith. Binding is dos-à-dos, with English version on one side and Mandarin on the other. Bookcloth was handwoven by me, on my rigid heddle loom :3

More under the cut!

Typeset: Fanbinders are Liars

Full stop, this typeset would not have been possible without Eth and all their patience, enthusiasm, and willingness to do even more translating! I reached out to them *checks watch* nearly a year ago in July 2023 (lololol), asking if I could use their translation of TDOT in a surprise bind I wanted to send along with Gloam's author copy of Flower King. They were kind enough to say yes, and even kinder to answer my questions when I reached out six months later in January, when I was finally able to start work on the typeset.

We talked about the many delicious things that are bound to come up when discussing translating not just from English to Mandarin, but also from digital space to meatspace. Some topics I had anticipated, like font questions, translating the colophon, etc. But even with the topics I thought I'd prepared for, there were still things that came up that both surprised and delighted: for example, while AO3's website allows for italics in Mandarin--

--my publishing program doesn't (or at least, it doesn't without needing to manually tilt every character by about 10 degrees). So as a workaround, Eth suggested changing these cases of italics to the font 华文楷体:

Through no one's fault but my own, this ended up being only slightly less work than manually tilting every instance of italics--I wanted to be sure that I got all of them, so I ended up doing a lot of double-checking manually anyway, instead of relying solely on the Search function. There was a lot of cross-referencing with the Word document that Eth was kind enough to provide, as well as squinting and general swearing. I also did the same for the uses of Latin script, manually styling each instance as Garamond to keep it consistent with the English edition:

The only other time I've had to do font surgery this intensive is probably for my typeset for Tell Me About the Big Bang, which I had to port over from a PDF. Folks, hell on earth. Do not recommend XD I remember squinting at my monitor as I had to visually confirm every instance of italics, thinking I will never do this again. Welp, four years later, here were are: fanbinders are liars, LMAO. At the very least, using Eth's Word document at least allowed me to search by styles, so it was a little easier on my eyes. 🙏

Is there a script that I might've been able to use if I was more code-savvy? Probably. But I figured going at it sledgehammer style would be the least hair-pulling way to get the job done, weirdly enough. Still, despite my best efforts, there are a few instances of PMingLiU to Garamond and PMingLiU to 华文楷体 that I know I missed, and I know I missed them because I caught them after I'd printed/cut/folded/sewn/glued (cue more swearing), so Gloam and Eth, my apologies >.< please consider them artifacts of a uniquely handmade object ajslkdjfs

In addition to the fonts, there were also some other fun things Eth and I discussed, like how to translate the notes I usually provide on the colophons! In addition to information on fonts, I also usually include some variation of:

This private, limited edition published by chubsthehamster (Moonham Press, imprint of Renegade Publishing) in 2024. This is chubsthehamster's personal copy. Out of three existing copies, this is the first.

The thing that came up with this, which still tickles my brain to this day, was how Eth chose how to translate "Moonham Press, imprint of Renegade Publishing." To get a better sense of what word to use for "imprint," they asked what the relationship was between Moonham Press and Renegade Publishing, which got me thinking about the relationship between my lil imprint and the wonderful @renegadeguild:

What's all very funny about all of this is that we are now, in fact, going by the name "Renegade Bookbinding Guild," per our most recently updated Code of Conduct. While this renders the wording I asked for out of date (and thus, the wording that made it into the book out of date :'D), I think it's also a testament to how cool the work @renegadeguild is doing--like any artform, fanbinding is alive, with its own evolving language, communities, and ideas about the craft. And I love it, I love it so much. (Was this also a plug for our new-ish website? Perhaps).

There's more I could say here, but this post is already going to be long enough, so I'll move on for now! If you get anything from this section, it's that @thirrith is amazing and very patient and kind, and I'm so grateful that we got to talk shop together. Thank you so much for all your invaluable help with this, Eth! I hope the typeset, though undoubtedly flawed, does your hard work justice!

Binding: Or, SO Much Math. Like, So Much, Guys. (It was worth it, though!)

Whoo, boy! So math was never my strong suit in school, but when I set out to do this bind last year, that wasn't an issue. At first. The dos-à-dos binding, if anything, just requires a little bit of finagling on the usual case-bound format--a bit more math if you want to do an all-cloth cover, like I planned on doing, but nothing I couldn't work out with some trial and error. (My prototype below!)

Then came February, when I took a weaving class with my friend, and then everything kinda exploded.

My original idea was to use some green Duo bookcloth I had on hand (this color, actually)--for those of you not initiated into the Duo cult, Duo is a Rayon bookcloth with a very devoted fan following in Renegade. It's very pretty; the Rayon weave is one color, and the paper backing is usually complementary color, so it has this cool two-toned effect. Duo is in high demand in Renegade circles because sadly, the company that manufactures it went out of business last year. (Although I've heard rumors recently that there's another company making something similar, but the cloth has a really high purchase requirement and is, like, for businesses only I think).

Anyway, I also wanted to have a gold line around the whole book as a kind of bellyband/obi to further connect the two versions of the story (another reason why I chose the dos-à-dos format to begin with heh), as you can see from my scribbled notes here--

But alas! I knew going in that adhering things to Duo is often Problematic, thanks to one very painful experience trying to get some iron-on foil on another bind (the textured surface of Duo just makes it kinda hard to stick or paint stuff on it). So if I wanted a clean, continuous line, the remaining options were to either paint it on a strip of paper that I'd somehow...adhere to the cloth? Or maybe cut different slices of bookcloth and glue them on. I wasn't satisfied with either of those options, though.

Then--the weaving class. I made a scarf, and I love it and I loved making it. But the whole time, I'll not lie, my thoughts were elsewhere.

In short, my decision to weave my own bookcloth kinda came from a few different factors:

The desire to attempt to recreate Duo, that elusive beauty, the one that got away, etc. (I have several yards in my stash, but still). Others have also attempted to recreate it, and I thought I'd throw my hat in the ring.

My current spiral into the deep hole that is fiber arts (it started with crochet, then knitting, then sewing, then weaving, then spinning, and now I'm eyeing quilting! Please help me).

The gold line. It kept bugging me. And when I found weaving, I just thought there was something very neat about the process of actually making the cloth for a dos-à-dos binding from scratch, and especially for this binding. I wanted to bind a story about translation (or rather, the death of it, and yet still the necessity of it--how we must try to communicate, despite of, or perhaps precisely because of, everything that gets lost in the spaces between people, and the tragedy of that loss, and the beauty of what makes it through, and the love always present in the effort regardless), and also, the translation of that story. Weaving is a very meditative process, and with every pass of the shuttle, back and forth, building slowly but surely the fabric that would hold the story that Gloam had written and that Eth had translated, I thought a lot about translation, and the gaps between people, and how we choose our words not just when translating, but when we speak at all. From a design perspective, I used the same colors I would've used had I chosen the Duo bookcloth--green and gold--so the design wasn't too altered in terms of color scheme. But I think the choice to weave the bookcloth--the thing that bound it all together--made the project take on a completely new meaning for me, both in process and in scope, one that hadn't been there when I started. I saw the warp, perhaps, as the original story, laying the groundwork for the weft, the translation; or maybe it was the other way around, with the translation providing the scaffolding for its own, new meaning, choices that Eth had to make with this word or phrase or another building something new, something translated, and the original a live, moving thing that wove over and under each word turned phrase turned story; or maybe it was both. Maybe it didn't matter which was which, in the end. And as I wove, the thing that connected them, that gold line that had started all of this, slowly formed.

All that to say: Good God, was there a lot of math. So much math. That prototype pictured above was actually made specifically so I could calculate exactly how much I needed to weave, lol, because while I certainly had enough thread, I didn't want to have to warp more than once. I'd learned the basics in my class, but the training wheels came off here. I wanted to make my own custom fabric, which meant calculating things like ends per inch, picks per inch, loom waste, shrinkage after washing, the width of that damn gold line, how much I'd need for the hinge, the turn-ins, the boards--the whole nine yards (I didn't actually weave nine yards tho heh). It was all absolutely worth it in the end--so challenging and so, so rewarding!

(And my final reason for weaving the bookcloth? Not gonna lie, It was because I just wanted to see if I could do it LOL. I love trying at least one new thing with each of my binds, and this was it for this project. While I've been bookbinding for a few years now, I'm still very much a beginner weaver, and I'm so excited to continue to learn and experiment! Also, here's a video of me unwinding the cloth from the loom, heh. I used 10/2 Perle cotton in gold and green colors :3)

Also, turns out, you can back handmade cloth the same way you can any other cloth! I backed it using my usual heat-n-bond method, and with some Unryu Tissue in the color Forest. Since the cloth itself is a bit transparent, there are a bunch of really fun fibers you can see when it's held up to the light, but which aren't visible when the cloth is glued down to the boards. Still, knowing they're there still makes me happy :D

Finally, capping all this off, is one final, small detail I really liked: ginkgo leaf endpapers :3 this one's for me and Eth and Gloam specifically <3

Aaaand that's all from me for today, folks! Thus ends (several months late XD) my last Binderary project for the year. This was probably my most ambitious bind to date, and gosh it was so, so much fun.

And, of course, thank you so much to Gloam for sharing your story, and Eth for translating it. I can't wait for y'all to receive your copies soon!

All my love! <3

[ozzgin]

I've been watching a lot of wwe with my husband lately and it got me thinking of a monster wrestling group who are fighting for a chance to breed a real human. The human of course has a choice in signing up as a solo winner prize or a tag team prize

This brings me back to the Breeding Olympics we once hosted. The tag team suggestion, however, would be a new addition with a lot of possibilities. The real question is, are the monsters desperate enough for a win to consider sharing the human? Or will their own greed be their downfall?

A wrestling match also means less formality and more drama. Like, imagine having the human (you) as the commentator.

"Lizard King has been thrown out of the ring!! Amazing, everyone, he-" you stumble back as the large reptile crashes into your table. Microphone still in hand, you continue, dedication in your voice: "Will he manage to get up? A hand is being raised, could it be that he's giving up-! Nope, I'm just being groped."

Later on, towards the end of a match, the monstrous winner raises his appendages in celebration, gesturing towards you.

"A message to the fans, I wonder?" you smile and turn towards the translator, but your face quickly pales. "...I'm afraid I cannot retell such obscenities on live television. All I can say is: it involves my genitals."

[texas-gothic]

Dracula Daily Prep: Gather Your Paprikash!

It's that time of year again. Even as we speak, Jonathan Harker has departed for Transylvania, and the unhallowed halls of Castle Dracula. And as he makes his way towards that foreboding country, he will encounter a singular, most enticing of dishes: Paprika Hendl, or as we might know it better, Chicken Paprikash!

This traditional Central European dish explodes in popularity each May as we all gather around our virtual mess hall to enjoy the spirit of this most influential of gothic novels. Perhaps you yourself are considering throwing together a pot this year? Well, if you are, let this be your guide.

So, first, let's discuss the most important of the ingredients here: authentic hungarian paprika. Now, the recipe I first used last year called only for Sweet Paprika, but I personally found that version to be a little bland. I'm remedying this by adding some Hot Paprika as well. However, this is just my personal experimentation. Hungarian Hot Paprika can in fact be very hot, so if you're not comfortable with anything too spicy, feel free to opt only for the Sweet Paprika.

(Both of these I had to order online.)

Next, is another very important addition. As youre gathering your basic cornerstones of cooking (namely yellow onion, roma tomato, and garlic for this recipe) you may find yourself passing up on something that could vastly improve your dish. I'm talking, of course, about Hungarian Wax Peppers. These peppers range in heat, from meak and mild to slightly hotter than you'd average jalapeño. As per instruction, you should only use one. But on my end, I found the single pepper to be a little underwhelming, and I had trouble picking out it's flavor. So, this year, I'll be using two of them.

I got these from Central Market, an upmarket gorcer on Westheimer. They're a cousin of HEB, and you can find one or two in every major city in Texas. If you're elsewhere, try an alternative like Whole Foods, or try to find a European or International food market in your area.

Next, let's talk chicken. You can't have Chicken Paprkiash without the chicken, after all.

You're going to want to go with dark meat cuts for this. Traditionally the dish would use a mix of legs and thighs. Personally, I suggest using only the thighs, which you'll want to get bone-in and skin-on. The thigh provides a flater surface for browning than the leg, as well as more meat.

(A note on food safety, raw chicken will usually only last 2-3 days in the fridge. So you'll want to grab that fairly close to the day you're actually cooking this. If not, you can do what I'll be doing, and sticking it in the freezer until about 24 hours before I start cooking.)

So, as you gather your meat, produce, and spice you're probably asking yourself, "what on Earth am I going to be eating this with?" And the answer to that is spaetzle! A popular dumpling present in lots of Central European cooking, this is exactly what you need to tie this all together.

Now, while you should be able to find some in the international isle of most major grocers, you might also have to visit an international food store, or perhaps something more upmarket. If none of these options work, then there are a variety of other side dishes that work just as well. Egg noodles are a very popular choice, and in my very American attempt last year, I found that mashed potatoes work especially well.

Now that you've got all these things together, you're very nearly done. All that's left is the thickener. Paprikash is thickened using a blend of flour, heavy whipping cream, and sour cream. We'll get onto preparing this mixture in my post on actually cooking the paprikash, but until then, acquiring them should be a cake walk at any place food items are sold.

Now that will conclude the actual grocery list for just the Paprikash itself, but I do have one more pointer on how to really liven up this meal. Now, if you're under 21 or if perhaps you take after our dear, depraved, beloathed Count

Then you can skip this next bit. As a wine professional myself, I find that a well paired glass can add a tremendous flare to nearly any already great dinner. In the case of something like Chicken Paprkiash, and keeping with the Central European theme, I could hardly think of a better match than a good German Pinot Noir, also known as a Spatburgunder. Pinot from Germany typically has a very light body and a refreshing acidity that plays very well with the rich and creamy sauce of Chicken Paprikash. The palate of earth and red fruit should always pair nicely with the smoke of the paprika, as well as being a general good partner for any chicken. I myself am going with this 2020 Rheingau from August Kesseler.

And with that, we are done! Hit those checkout isles and make sure to get home before dark. Terrible things have sway over the world once the sun has gone down. So if the crowd does keep you locked up until nightfall, make sure to graciously accept any crucifixes given to you by kindly, elderly grandmothers and inn keepers. But whatever you do, make sure to pop in on Friday, when I'll be sharing a step by step guide on taking these ingredients and turning them into a dinner that will make our good friend Jonathan go red as a fire truck!

Happy Dracula Week everybody!

[nucrests]

Bloom Underwear Set Recolors

Hello!! Recently I had an anonymous message suggesting that I create some recolors of my Bloom Underwear set and this is what I came up with! This set includes items for both feminine and masculine sims in 20 fun animal print and Memphis-style patterns. (Also be sure to check out my previous versions here and here) As always, have fun!

Additional information:

BLOOM UNDERWEAR ANIMAL PRINT (BRIEFS, BOXER BRIEFS, BRIEFS CHEEKY, BOXERS) ▪ Base Game Compatible ▪ Includes 2 versions (V2 is the bulge version) ▪ Includes 20 Animal Print patterns - 10 black waistband & 10 white waistband ▪ Custom Thumbnails

BLOOM UNDERWEAR MEMPHIS STYLE (BRIEFS, BOXER BRIEFS, BRIEFS CHEEKY, BOXERS) ▪ Base Game Compatible ▪ Includes 2 versions (V2 is the bulge version) ▪ Includes 20 Memphis Style patterns - 10 black waistband & 10 white waistband ▪ Custom Thumbnails

BLOOM UNDERWEAR ANIMAL PRINT (BRIEFS, BOXER BRIEFS, BOXERS, THONG) ▪ Base Game Compatible ▪ Includes 20 Animal Print patterns - 10 black waistband & 10 white waistband ▪ Custom Thumbnails

BLOOM UNDERWEAR MEMPHIS STYLE (BRIEFS, BOXER BRIEFS, BOXERS, THONG) ▪ Base Game Compatible ▪ Includes 20 Memphis Style patterns - 10 black waistband & 10 white waistband ▪ Custom Thumbnails

BLOOM UNDERWEAR BRAS (BRALETTE & SPORTS BRA) ▪ Base Game Compatible ▪ Includes 20 Animal Print patterns - 10 black band & 10 white band ▪ Includes 20 Memphis Style patterns - 10 black band & 10 white band ▪ Custom Thumbnails

��:PATREON (ALWAYS FREE) | TOU | KO-FI If you enjoy my content, please consider supporting me on patreon or ko-fi. Your support will be much appreciated! 🤍

[deegeemin]

❄️✨❄️REMINDER THAT IDW SONIC WINTER JAM IS OUT!!! ❄️✨❄️

I'd love to talk about some neato things I got to draw in the comic! Spoiler warning for some contents below! If you haven't read anything yet, come back after reading the comic!

Let's start off with the cover thumbnails! I was more inclined to do A since it wouldn't spoil the big surprise Orbot and Cubot had in store! Otherwise I probably would've gone with B or D! It has that bombastic party sort of feel that I think would've been super fitting!

Here, Eggman is temporarily staying at one of his many bases throughout the world after the collapse of his Eggperial city! This base is inspired by Industria from Future Boy Conan and a bit of Eggmanland!

He also sure loves his chicken and fries!

A little beachside balcony in Green hill! I felt like we generally don't get structures there as much so I thought it'd be a nice addition!

The design on the floor is the stage from the JP Sonic X intro! It gets covered up by snow after but still neat to include!

Look at this magnificent cast of characters! I wanted to use the poses that each pair had when they were first seen together! I'd considered giving Big his winning animation pose from SA1 but alas no space haha!

Cubot's taped on eye brow gag was one I suggested and it's a reference to the same gag from FLCL!

Lil sonic team logo Iasmin asked for! Sonic sure knows to appreciate himself! Good on him.

And here's a sonic 3 wreath and the SA2 lock on reticle from the mechs!

Amy and cream's spread of delicious looking food beautifully rendered by the coloring god Reggie! I wanted to include all their items from the Official Sonic the Hedgehog Cookbook! So if you want to make them yourself, YOU CAN! (except for uhh the experiment on another panel. you guys can figure out what's in that yourselves haha)

Also made sure to list all the pages you can find the recipes!

This is one of my fav gags that Iasmin wrote in!! Can you all guess what this is meant to vaguely resemble?

Quick round of character refs from Eggman's screen going in order from left to right! [Conductor's wife and Conductor, Barry and Gadget, Early Conductor design, Early Barry design (his outside eye markings are white tho), My uh Sonicsona lol]

Mecha Sonic mark 3? Yep Iasmin wanted him to be there and so there he shall be!! Hopefully we get to see him again!

I remember seeing the story Iasmin made and it really felt like it could be something you'd see in a sonic anime episode if it were made nowadays. I drew the comic with some influence from Sonic X because of that. I think the most telling detail fans might notice is the constant 3 spines for Sonic.

but YEAH another absolutely wonderful comic I got to work on! See ya'll on another issue!

[tornioduva]

Dungeon meshi and body proportions

Ok, i'm feeling the rush i got from binging the manga this last week is starting to fade away, i'll be back to being a normal person soon i think. at least, that is before i find a new something for me to dive into uhuh.

Before that happens, i want to praise Ryoko Kui for one last think. The design of the characters!

For years i've expressed (maybe not so much online) my hate towards the "anime style", this homogenization of traits and beauty standards to an artificial degree, and the mass spread and consumption of it. yes, trends exist for a reason, this is not the first nor the last art current to be popular and i'm not the first detractor of one in history. I do think there is something uniquely harmful in this one though, and that is why i'm able to find the energy to be such a pretentious dipshit about it. That is a discussion for another day though.

All this to say that going through Dungeon Meshi and seiing these characters, plus (and in a way because of it) all the additional sketches of the daydream hour bonus sections, was such a breath of fresh air! (at least for what concerns japanese exported stories)

All i could say and praise in regard to character designs in general is perfectly expressed in this video, which i recommend you to watch if you want to hear my opinions (and the video author's too, uhuh):

I want to leave you though with at least one specific praise for me: Falin.

i've seen countless time people (online) just not understanding how people's body work, how much differences there can be and how proportions do distribute and affect the body. in anime I see a lot of short and tall people (mostly women girls) that share the same proportions despite their actual height, and that often leads to think "yeah, she is short" and than she's tall when around someone, or (most often) the contrary. same lenght of limbs, same head to body proportions, and little details like this.

Falin you can tell at a glance she is a tall woman before she's around anyone, even when she is standing near her brother who is taller than her.

Kui did her homework in studying bodies and variations, and, whether consciously or not, she differentiated her in body in subtle but fundamental ways: her head being slightly smaller than her body, the neck being fairly long, and her having somewhat broader shoulders.

I accept that there might be an element of suggestion at play here, considering also how she is dressed most of the time, but I really do think there is a direct effort at differentiation here.

This is the first time in a long time (in a series like this at least) where i've seen a woman carrying herself around others and the space around here kind of like a person like me, tall, would; at first i didn't think much of it, but then i saw her near other characters and....i don't know, i felt a warm, joyful feeling, seeing that i was right in recognizing that trait and being right.

I was especially happy in seeing her next to marcille. not so much for the height difference, but for how different they were in proportions and mannerism. A lesser manga i fear would have used marcille's body type and way of moving and interacting as the default for most other girls, but here she was uniquely herself!

Now, i could've used more extreme exemples to show how this author rocks in body types representations (while aknowledging there could've been even more diversification still), given there are far larger, taller and stranger women, but to me, nailing the little, most subtle details in such a chirurgical manner shows a greater level of mastery and comprehension. As such, Falin left me with a deeper fascination than most other characters.

Sorry for this wall of text, but i needed to let my happy thoughts go, so that i could be free again uhuh.

Feel free to tell me that i'm wrong, or that i should just accept anime media as is. i'm just really happy Dungeon meshi exists as is and i want Ryoko Kui to keep refining her craft, and drawing beautiful women and dwarves.

Plus, this was very much a stream of consciousness, i didn't go into technical details about what i think conveyed what i described, but if someone is interested, or does not get what i'm saying (while expressing it in a curious and gentle way, i won't respond to spiteful assholes), i'll be happy to make a follow up post in which i try to dissect this! For example, i didn't reread the whole manga to find examples of her, i just went to the wiki uhuh. in a follow up post maybe i'll try to go through chapters and pick more specific examples of her.

Anyway, have a good day!