#I wonder if this was what he felt then

[gierosajie]

Ngl, the area around King Deshret's mausoleum has similar vibes to the Dainichi Mikoshi, especially during the Three Realms event

I feel like the harsh lighting has something to do with it, not to mention the heartwrenching music that feels sad in a tragic way adding to that lonely feeling. The environment changes so much that it feels like witnessing the end of the world, desolate and alone.

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[aerequets]

trying to erase the trace of...

[drizzledrawings]

Insert a deep quote about seeing your grief in everything

[kotaki]

"A World Connected by Tying and Weaving! Cure Lillian! Don't Be Scared, Don't Be Scared."

[hel1anthus-annuus]

Love this bitch for having multiple gender filters on. He’s transmasc, he’s a woman who’s a man, she’s nothing at all

[tooquirkytolose]

It's all "oh can you remove the rainbow balloon topper on the cake this is for a BOY do you have anything for a BOY no not the blue roses, roses are for girls the sprinkles are multicolored but there's pink ones mixed in can you remove the pink ones this is for a BOY hello my daughter wants a spiderman cake *rolls eyes* haha so I GUESS we'll do that but can you add some PINK to the cake since it's for a girl?? He wants a wonderwoman cake so we're gonna do superman instead because he's a BOY"

[marc--chilton]

house finding wilson ""interesting"" amongst a literal crowd of thousands is one thing but then to be proven right later when wilson flips his lid at a bar. theyre literally fanfiction but real but not

[destinysbounty]

Yall ever think about how Zane is a seer with prophetic dreams of the future, but he's also a robot with memory problems who struggles to maintain his sense of self? Like. He's condemned to see a future he cannot prevent, yet cursed to long for a past he cannot recall. His dreams are filled with the vestiges of tragedies yet to come, but never the tragedies he wishes he could remember. Do you think he ever used to get disappointed when he'd have prophetic dreams, upset that it was another vision of the future but not of the past he so desperately wished to understand?

Anyway I'm gonna start biting people

[uncanny-tranny]

I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.

I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.

Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.

[odysseys-blood]

ive been wondering forever about when exactly levi was kidnapped and taken to the heaven lab and this bit from his new unit's board here doesnt help much but i wonder if those are just the first words he remembers learning and not the first words hes learned overall.

mainly this is all just speculation based on 2 things:

1) he ofc had some sort of childhood before the heaven lab from how old he looked at the time, plus his selfie comic art looking younger than his sprite art from ch5 (look at his little horns plus his hair's grown out)

2) he does also just say straight up that he doesn't remember his life from before the lab

i wonder if that means he had to get reacquainted with the kings all over again too. like he wouldnt recognize them at all even with how it looks like they often played together. (tho i do suspect a little that some comics might have been done before there was a more coherent story put together but thats whatever)

[factual-fantasy]

I’m absolutely OBSESSED with the concept of “Glamrock DJ Music Man”.

Not only can he give like, the BEST hugs ever, and kids likely wouldn’t be as scared of him, and he can DRAW, But there’s also so many ways that DJ being this shape would drastically change the flow of my AU!

If DJ looked like this? He would no longer be confined to the Arcade. He would have the freedom to roam where ever he wants to like the others do. So when DA starts acting weird and eventually disappears? Instead of just sitting there and hoping for the best.. DJ would just straight up leave the Arcade and go check on him. In which Sunny would be able to explain what was going on in the safety of the Daycare.

DJ would have access to so much more information as well! When Freddy and the gang started acting weird and disappeared, DJ would be able to actually go and talk to them. In which he would find out that something is wrong with all of them. DJ being unable to leave the Arcade has greatly limited everyone’s flow of information, considering the “bug” didn’t effect DJ the same way it did the others.. He could have witnessed everyone's slow decline into malfunction with clear eyes. And probably could have stopped it. He could have even told Freddy and the others about their weird behavior once they were fixed. But alas, in cannon he just simply cant leave the Arcade. And thus couldn’t help any of his friends in their time of need.🥺

[puppyeared]

I'd kill for Asriel. Your Asriel art made me cry. Thx /pos

thankyu ^_^ heres a drawing of him drawn in 2013 style deviantart

[theerurishipper]

I took upon myself the herculean task of compiling all Dick and Diana interactions.

Batman/Superman: World's Finest #16

Nemesis: The Impostors #3

Nightwing (2016) #100

Titans (2016) Special 1

Titans (2016) Annual 1

Justice League (2011) #51

Wonder Woman (1987) #161

Wonder Woman (1987) #166

Batman/Santa Claus: Silent Knight #4

Nightwing (1996) Annual 2

Some honorary mentions:

These two ones where Diana doesn't interact with Dick one-on-one and is only a part of a larger group, but it's still a good way to show that she respects and trusts him as a leader.

The Brave and The Bold (2007) #15

Justice League: Generation Lost #1

This one where Dick isn't here but Diana shows appreciation for his skills and is very quick to accept that Nightwing should be honored by being in the League (also this isn't about him but I love Clark's "finally, someone easy." That's a proud uncle y'all).

Justice League of America (2006) #2

This one where Diana isn't here but she lets Dick use her Lasso, I think that counts.

Batman/Superman: World's Finest #17

This one where Diana gifted Dick the fastest horse in the world, apparently.

Justice League (2018) #53

These from the 1966 Batman and 1977 Wonder Woman shows' crossover comic.

Batman '66 Meets Wonder Woman '77 #5

Batman '66 Meets Wonder Woman '77 #6

Batman '66 Meets Wonder Woman '77 #10

And then—

Then...

Yeah. That's about it. It's an unfortunately short list. But what little we do have shows that they have a bond of mutual trust and respect for each other. It's very interesting and I wish they explored it more.

[ahoyimlosingmymind]

do you think Fitz and Keefe recognize each other anymore?

[aroanthy]

kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings