You folks think Horikoshi watched 'The Little Mermaid'? Because the way Toga is posed over Uraraka while saving her life reminds me of how Ariel is posed over Eric, singing to him after saving his life.
Look at this and tell me otherwise!
It just gives the same vibes!
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ENG PLAYERS I BESEECH YOU
I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.
like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --
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if aziraphale doesn't grab crowley by his gay little scarf in season 3 then what's the point. why does he even wear it. take that shit off if it's not important to the plot
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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.
The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.
And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.
I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.
We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.
So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.
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by "real" use whatever criteria you think appropriate. "i think they had feelings for each other but never acted on it" "they had a casual thing/situationship" "they were together but broke up" "they were secretly married in canada and have 6 kids together and their wives are beards". or maybe "they gave each other handjobs but platonically or something" or "one-sided unreciprocated feelings" wouldn't count as "real" by your judgement.
feel free to say your ship/opinions if you reblog. or dont idc im not your mom.
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We laugh at Sauron for not realising a golden-haired Aman elf with the audacity to challenge a fallen Maia with song can only be Finrod at this point, and conclude that Finrod's spell must have worked in part -- but I've never heard anyone ask how on earth did he never come up with the idea that Celebrimbor might have given the three rings to his three remaining family members!
Who made the spell this time?
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sonic boom joke where rouge gives shadow a cough drop and he swallows it whole as opposed to keeping it in his mouth and for a brief 10 seconds his kirk thornton voice clears and becomes jason griffith. literally jason griffith. then he coughs and his voice goes back to being kirk
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