#IM SO SORRY ABT THIS ONE GUYS

[splankie]

is blowing up a volcano after ur first kiss couple goals

[snikt111]

[prostocupoftea]

Urge for evil

tw disturbing imagery (?)

transcript n russian version under the cut

But what if my urge for evil

Will become a little stronger?

If you loaded the gun

Than it's already too late

But what is mu urge for evil

Will become a little stronger?

those are changed a bit lyrics from - Electroforez - Zlo (Evil) gagshfh i love this song so much go listennnnn!!!! this is like the second chorus w/o one line and with a line from third ??? idk i was doing it from memory and it appears i have really bad memory

also there are fully translated lyrics on google so you can read it to understand but ye

guuuUUUUYYYYSSSSSSSSSSSSSSS AGHFSHHA IM FINISHED it eas actually so fast it took like 2-3 hours ob drawing thw silly n rendering plus like 20 mins on posing and 2 days of rolling the idea around in my head

now in russian

[pensymbols]

ah yes the brook/franky/robin/jimbei polycule also known as the babysitters also known as monkey d luffys biggest enablers

[kenmaiii]

after two years i finally draw the favorite

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[writer-room]

I've decided the only reason Lloyd, known descendant of dragons, didn't tell this to Egalt, who refuses to train non-dragons, is for the same reason he never mentioned he's the First Spinjitsu Master's grandson. It just never came up. Nobody asked him directly about it. And besides, he's only like, one-fourth dragon, so does it really count? He doesn't look like a dragon, and he has never in his life considered himself a dragon. Mentioning his ancestry to Egalt probably would've just made him look like some hotshot, or make him more annoyed. There's no need to bring up such a silly little fact. He's sure it won't be important later.

[hypogryffin]

TELL US ABOUT THE PRINCESS KNIGHT AU PLEASE PLEASE PLEASE PLEASE PL

ok sorry its been like two months but anyways lets talk abt the princess/knight au!!!

haru is a princess, specifically the only heir to king kunikazu. yusuke is sort of a knight, but it's more that he's haru's personal bodyguard!

his mother was a court painter. she was pretty physically weak and fell ill a lot, and after she had yusuke, she realised that, while her and her family were able to live with the royal family for now due to her work, if and when her sickness claims her, her son would no longer be welcome in the castle. since she was all the family yusuke had, that would mean hed likely live the rest of his life on the streets, and as a young child, he wouldnt have the means to make that rest of his life a very long one.

so she made a deal with the king, haru's father, and it was decided he would grow up as harus retainer.

[image ID slash written text for those who cant read my handwriting (😔):

(servant, holding a 1 year old haru in their arms): do you see him, princess? [a shot of a small baby sleeping] his name is yusuke. from now on, his job will be to protect you.

a note next to the drawing of baby haru reads "yusuke is a year younger than haru, as in canon, but it was decided very early on in his life that he would be haru's personal guard!"

a drawing of a young yusuke and haru with another note that says "he began learning how to wield a sword and bow basically as soon as he was physically able, but until he was learned enough to protect haru, he just acted sort of as an escort to her {while a retinue guarded both of them}"

end id.]

its a good thing it was decided so early, too: yusukes mother succumbed to illness before yusuke was even three years old. (he has no memory of her. haru doesnt either, but she DOES remember the funeral that was held.)

(one of the last pieces yusukes mother ever painted was of a young haru holding a baby, a man who would one day become her guard. it became a pretty significant piece for the okumura kingdom for a while, actually: it was used to mean "serve the royal family and it shall serve you, in turn". its hung up on the stairwell into the castle guards' quarters.)

anyway, so yusuke and haru grew up together. they were paired so early on into their lives that neither of them have any memory of a time without each other: for all it matters to them, they were born hand-in-hand with their roles set in place.

they were very close as children, especially before yusuke was considered sufficiently trained in his weapons. it was very common for them to walk around the castle holding hands, and they barely ever separated, only ever doing so for things like sleep or bathing, or lessons-- though the last of those wasnt always true. yusuke would have lessons alongside haru in things like etiquette, of course, but could also be found in the room for things such as history, or her music lessons. likewise, haru would watch yusuke train, though she wasnt allowed to wield a sword or bow herself and could only cheer him on.

(not until they were a bit older, when yusuke taught her how to fight with a sword himself. even then, they used wooden swords, so that haru wouldnt get hurt.)

yusuke was the only boy other than the king himself allowed in harus bedroom, since the only others given access were the handmaids responsible for things like cleaning her room, dressing or bathing her, et cetera. he used to enter as he pleased as such, and only got into the practice of properly knocking and announcing his presence as they got older. hes all-together almost completely stopped actually going into her room, opting instead to stand at her door until she leaves, herself.

as they grew up, they were steadily more and more discouraged from being as physically affectionate as they were as children. yusuke was punished for doing things like holding her hand if they were seen, and was taught to instead be a silent presence to her side or two paces behind her, seen and not heard, the way a "guard" ought to be. at the same time, harus etiquette lessons taught her the necessary decorum to be a princess and one day a queen, and there was no room for a friendship with a retainer, even if it was yusuke. though they care for each other just as much as when they were children, perhaps even more devoted, youd be fair to miss it, since neither of them are able to be open with each other anymore.

(yusukes still slightly more touchy-feely than whats probably expected of a guard. its not really physical affection in the same way, but he'll do things like brush dust or pluck lint off of haru's dresses himself or adjust her hair or jewelry or clothes-- of course, only to make sure her highness looks her best, so its forgiven to the outside observer, but still something technically not of his station.)

haru is a lot different that she was when they were children. proper etiquette is extensive, obviously, and the young girl that was considered the country's daughter, kind and open whenever seen in processions, has long since been stripped for parts. her public face has matured quite a bit by necessity, though her kindness and permanent smile remains-- it's simply that it's more of a part she plays, at this point, any of her natural disposition worn to steel, as a certain amount of control is necessary for a woman of her station.

she doesnt regret the person shes become, even if somewhat conniving-- after all, she needs a certain amount of cunning to keep her head above water in the political scene. or its more that she's not able to regret it, as she's never had any other option than to become as jaded as she is today.

still, it's hard not to yearn for the old days, when they were innocent children. shes not quite aware of it, herself, but she certainly misses yusuke, her friend. its just hard to figure that out when to this day, yusuke, her guard, remains as staunchly by her side as her best friend always has.

when i made the initial drawings for the princess/knight au, i wrote the beginning of a short story of a yusuke pov that i unfortunately must have tossed it because i dont have it anymore, but his character is defined by his devotion. hes never known anything other than being haru's, after all, and considers everything he does a labour of love for her. every moment he spends training is for her, every injury for her sake, every callous a simple, unavoidable byproduct of his servitude. he keeps the posture he learned in his etiquette classes even in private, because erring once is to live with the knowledge of his erring forever, and more than that, risking forming the habit of being anything less than the perfect knight for his lady is something he can't bear the thought of.

luckily, there isnt much danger living in the castle, so yusuke only trains as ardently as he does as precaution for the most part, but there was one incident in which the castle was attacked by royal detractors. haru wasnt actively targeted, being only 8 years old at the time, but there was a spot of trouble where he had to protect her. yusuke, being 7, wasnt fully learned in his swordsmanship yet, and sustained a few scars, including but not limited to one on his eyebrow he hides behind his hair, but considers himself barely harmed, especially considering that that was the incident that took many other castle guards' lives, as well as the life of the queen, haru's mother.

king kunikazu and the kingdom at large is currently pretty uneasy due to a war brewing just a bit away; neither the kingdom nor any of its current allies are being actively threatened, but its one of already many due to one kingdom's ancient rome-esque conquering of a path of smaller countries, and the "okumura" kingdom looks as if it will be on the warpath sooner or later. due to this, the kingdom's engaged with an alliance with a comparatively smaller kingdom that it neighbours. the alliance is going to be officiated with a marriage: haru is kunikazu's only heir, but due to some societal stuff, as a woman she's considered unfit to rule as a monarch. so, she's now to be married with one of the sons of said neighbouring kingdom, who will act as ruler with her at his side:

akira is the son of the king and technically an eligible heir to the kurusu kingdom, but due to his place as the 4th son, he's not a crown prince/not considered to be in line for the throne-- or at least, not to his home nation, as he's now set to be the king of the okumura kingdom.

he seems to be of the same mind as haru: uninterested in her in a romantic sense, but has accepted the marriage for the sake of his country. however, he also seems completely uninterested-- or perhaps actively against-- the prospect of being king, not of his own country and not of the okumura kingdom. it seems that hes grown up acting as more of a free spirit; hes pretty crafty, and has a reputation amongst his own retinue for always managing to sneak off, running away as soon as hes left unattended by his father or instructors, or disappearing overnight (much to the grief and distress of his caretakers), though he's always returned, apparently rather aware of his own limits, or at least capable of getting himself out of whatever trouble he ends up getting into, without drawing the ire of either the common people or his father, the king.

because of his nature, he either sees himself as unfit for king, or merely feels stifled by the idea of the position, and in private talks has disclosed to haru that hed much rather her take her (in his words) rightful place as the queen and head of the nation, and is more than alright with her being the brains/power of the operation, even if in the end it has to be him giving speeches when necessary.

however, while disliking the idea of being a king in general, and also disinterested in haru as anything more than a confidant (having also privately disclosed to her that he does have his eye on someone), he seems attached to the arrangement of this marriage, for “some unknown reason”.

((thats right baby its ALSO a kitashu au get fucked))

akira and haru are officially engaged at the time of the story, and are in the midst of planning for the wedding! they tentatively become friends, since theyre both kind of stuck with each other presumably for the rest of their lives. hes seemingly made a goal to make haru let her guard down, and has even convinced her at some point to sneak out of the castle with him (at a point where he and his father were visiting) to explore the surrounding town without their retinues-- something that gave yusuke specifically about 7 heart attacks, as its something harus never done before.

oh yeah, and by the way, yusuke fucking hates akira.

haru really liked seeing the town without her guards, and without having to put on the air of princess. it was freeing to act as a commoner, and the first time shes been able to strip herself of her etiquette-- something she cant do around anyone in the castle, not even yusuke, at least not to the extent she has to to blend in with the townspeople. she liked it so much that it becomes a regular thing whenever akira is at the castle and not in his own country.

some of harus caretakers have noticed her disappearances, including yusuke, who is at her side in almost every waking moment: he greets her in the morning to escort her to breakfast and brings her to her room at night. when hes not standing at her side, hes guarding the room shes in, and only leaves her when its time for him to turn in for the night, as well. obviously hes noticed this sudden habit of disappearing, and more than that, HES the one who ends up tasked with discouraging harus maids from disclosing this to king kunikazu, since haru isnt aware theyve figured her out, and their social standing disallows them from discussing it with her themselves. haru asked yusuke to keep her and akira's outings a secret from her father when he confronted her after the first time, so its his duty to make sure its a secret.

its not that yusuke resents akira for giving him more work-- hes more than happy to do something as trivial as this for haru, his princess, but its more that this means yusukes forced to be idle while distinctly aware that haru, who hes spent his entire life protecting and caring for, is off somewhere unknown, could be in danger or could be physically harmed, and hes not only none the wiser but also complicit, by allowing her to do this. though he cant ask her to stop, because its clear haru is happier with these momentary escapes. its a miserable position to be in, and he fully blames akira for being the one to put him there

(and resents him for the fact that akira is an outsider and a newcomer. despite this, its clear that hes doing something for haru that yusuke hasnt been able to, not since they started growing up. hes making her happy, and comfortable.

its anxiety over harus safety, and an intense, burning jealousy that hes not really able to identify in the same way)

[text id:

yusuke looking angry as he says "my lady's happiness is of the utmost importance to me. it is for this reason alone that i will allow these escapades to go on, without reporting them to the king or your father." "this marriage will be essential to this country's future, and i have no intention of interfering in your relationship with your fiancée, even considering my role as her loyal servant."

the second drawing reveals him to have cornered akira, seemingly pinning him to a wall, as he continues "however, if i find you to ever, ever put the princess's life in danger, then this country as well as your own be damned, i will strike you down myself, and i swear on my life to make your death ten thousand times as painful as whatever harm you have caused to her highness. do you understand, my lord?"

akira is blushing heavily, knees cowed slightly. he stutters out a "uh. uh-huh" like he's in a trance. an arrow points to him with a note that reads "his gay ass is NOT listening!"

end id]

for some actual story…

during a banquet held in celebration of akira and haru's engagement, king kunikazu suddenly collapsed and lost his life in that room. it was discovered that the cup he was drinking from was poisoned.

no one has any idea who assassinated the king-- it could very well be some of the many citizens that disliked the king's rather strict policies. the taxes are high, and punishment for crimes tend to be much stricter than in other countries. however, a common rumour among many of the townsfolk is that it was the world of the neighbouring kingdom: a ploy to get prince akira in power in order to take over the nation and subsume it as part of the kurusus' country.

regardless of whether or not that has any merit or is simply baseless rumour, the wedding has been temporarily postponed so that the country-- and haru-- may focus on the investigation. akira, at the least, seems more than willing to help. if it really the scheme of his nation, or of his father, he seems both unaware and unwilling to be a part of it, offering every aid he can to haru, even if it ends up only effectively being an open ear.

yusuke remains by her side, as he always had and as he always will-- perhaps a bit more protective of her, somehow, but the entire castle is on edge, so its not as if thats unexpected. as a knight, a simple extension of his lady's will, he cant do much for her to solve her problems, not possessing the intelligence to solve the case of her father's murder, the political knowhow to aide her and her fathers advisor who's acting as regent pro tempore in ruling, nor a magical ability to bring king kunikazu, someone who he had come to see as his own father in some form, himself, back from the land of the dead. still, he is harus humble servant, and devoted to her above all else, and whatever his lady needs, he will do his best to provide.

the story is about the political aspect of haru and akiras ascension to ruling and of trying to find a culprit, but also about the relationship between the three of them: akira getting closer to both of them, and yusuke and haru reconnecting. :)

[whumpshaped]

"and im getting quality prompts too. why dont these ppl have their own blogs so i can follow them and rb all this premium stuff. "

Can't write unless I feel obligated to for the sake of somebody else :(

Scrolling through your blog and manifesting regular asks in 2024 to get me out of this hole 😭

NO BUT. OK. I AM GRABBING U LIKE THIS

I HEAR SO MANY PPL SAY SIMILAR STUFF. AND HOW LIKE OHHHH I DONT RLY WRITE THIS IS NOT REAL WRITING.... POST THAT HALF BAKED SHIT. WRITE INCOMPREHENSIBLE PROMPTS. RAMBLE. SCREAM INTO THE VOID. thats half of what i do.

THERES TREMENDOUS VALUE IN IT!!!!!!!!!!!! if u guys posted all this stuff the community would be all the better for it bc theyre SO quality. i love u guys. if any of u ask senders ever make a blog to post these prompts or smth, or decide to start posting them on ur already existing blogs, whatever. just send me ur url bc i wanna follow. its such good stuff.

[airborneice]

i'm late to this year’s art review thingy bc I had a reeeally busy december and then left my laptop behind when I came home so couldn’t finish any drawings or get my files 🥲 anyway I’ve been reunited with it now so!!!

it’s been a weird but mostly good year!! i started my first proper job in the anim industry and moved house twice. there’s tons of stuff i wanted to make this year but couldn’t find time for bc of the amount of. everything. going on all the time. it was actually a bit hard finding art to fill the spaces this year, which is why i had to stretch my little amount of sketchbook week stuff over two months. it’s been a little bit frustrating - i feel like i’ve learned so much from my job but i haven’t had much time to do anything to show it, but i guess that’s the trade-off. it’s cool being a small part of someone else’s idea but that means i get less time & energy for my own. i want to try and strike a better balance between the two this year and i really hope that soon i’ll be able to share the thing i’m working on i’m literally gonna die of excitement 😭

it’s been really cool getting to make more content of my ocs and see ppl enjoy it, you guys and the nice comments you leave are everything to me. i hope this new year is kind to everyone and thanks for sticking around <3

some of these i haven't posted so to give due credit -

*feb was a gift for @ewwgene-fitzherbert of our blorbos <3

*september is fanart of @the-hilda-librarians-wife’s amazing OC meiri. there will be more

[nyxi-pixie]

me when im supposed to be studying but instead im thinking abt mori and dazai again

let me go absolutely insane for a second (not a second. this is so long. i just checked mfer its over 2000 words. i need to be sedated. imprisoned. restrained. examined. smthn)

'a young man with a death wish once came to me and i wanted to rescue him but i couldnt' and like yeah. beast mori couldnt rescue him. but to a certain extent, canon mori sort of has (touch wood for long term but as it is, dazai is so much less intent on dying than he was in dark era).

and it just. i always wonder about the actual intentions of the mimic situation. because on the surface, it looks like what dazai calls it, then deeper than that, it looks like a very calculated long term strategy, and deeper than that, its just. kinda sad.

i just think its interesting that he plans the mimic thing the way he does knowing dazai will leave despite the fact that he doesnt want him to. and dazai himself reasons this as mori being afraid of him, that mori doesnt want dazai to kill him the way mori killed the old boss. but thats? not true? mori seems unbothered at worst and downright proud at best when he tells oda that dazai will probably kill him one day.

so. Why. did he do it knowing dazai would leave? it wasnt his only option; he could have set skk on mimic. like 5 second future vision isnt gonna do much when the danger is alr there (as oda says). and in the face of a massive black hole coming right at u or a building being dropped on you, five seconds really isnt gonna do much. so mimic cld have been removed without a casualty and the mafia could still have got the permit, and not lost dazai. (who is Objectively an asset to the organisation.) But thats not how it happens. Mori plans it exactly as he does knowing oda will die and dazai will leave. he also then makes it continually obvious that dazai would be welcomed back.

and ive been trying to think of other reasons for it, but across canon and insight from beast mori the only thing i can think of comes back to the fact that mori wants dazai alive. alive and aware that the pm is the best place for him, but alive more than anything else.

i think he wants dazai as his heir bc he knows dazai is enough like him to manage it, but i wonder if it also comes back to the fact that mori is trying to rescue him, and i imagine his own reason to live (and lord knows he suggests he needs a strong one in fifteen) is probably tied down to legacy and responsibility for the city. mori devotes his life to the mafia because he wants peace and appreciates that control (rather than eradication) of the worst of yokohama is the way to keep that peace. and thats enough of a reason to live for him. but it isnt for dazai.

dazai doesnt give a fuck about the mafia as a concept bc his motivations dont rest on ideals the way moris do. dazai only ever does anything because of the people he cares about. everything we see him do, EVEN in pm era where people claim he was some emotionless rockman, come back to his friends.

its why hes never at the centre of the plot. he cant be, because he never does anything for himself. fifteen, in which he is a titular character, is a plot that rests vastly on chuuyas back story. dazais original motivation prior to meeting him is just to khs, and only upon meeting chuuya and them having their whole weird Thing and dazai deciding to be an obsessive freak, does he actually have personal stakes in the job. then in stormbringer, its all abt chuuya again, and dazai is only involved bc he cares about him (whatever he actually says aside). tdipud is driven by odas storyline, and so is dark era. dazai is only active in them bc he cares abt oda.

even when he has more idealistic motivations come canon era, they come back to the fact that hes doing it for oda. anything Above And Beyond that promise is bc hes acting to save the agency, who are his Friends. his motivations are deeply personal in complete contrast to moris, and it is perhaps the only place they really differ.

now ironically, it seems to be that the only decisions mori makes influenced by personal feelings are because of dazai. which takes me to the fact that i think he let dazai leave because he recognises thats whats best for him (at least in the short term - and we'll get to That in a second). and its not really a loss for the organisation because dazais too practical to ever dismiss the mafia, and he still gut responds with their methods. so its an easy sacrifice, a justifiable one.

then theres the contrast with the kouyou&kyouka thing. kouyou doesnt want kyouka to taste the light only to have it sour on her tongue when she realises she cant actually have it because of what she is. because kouyou believes anyone tainted by darkness the way they are can never be free of it. (because she couldnt get out herself).

i wouldnt be surprised if mori thinks the same way, certainly in regards to someone like dazai who Is naturally built for the mafia in a way kyouka really isnt. mori at least believes dazais blood is mafia black and whether or not this is true is irrelevant. he Does have to actively fight his impulses in order to do the Right Thing even now. And even doing that, he still falls into their methods when its practical, or when he's paranoid or unsettled enough to need the comfort of habit, hence the way he treats aku even four years removed from the mafia. hence the way he treats atsushi immediately after Q appears (the way he so instantly latches onto his older self literally slapping the self pity he detests in himself and in his former kouhai out of his current one). hence the way the parallels to mori spring up most when dazai has just been shaken by something.

so i wonder if mori let dazai walk into the light knowing (or believing) he wouldnt fit there, and would come back with a stronger commitment to the mafia as a whole because it may be a concept of sorts, but its one that embraces him in a way the light doesnt, and while dazai does things for the people He cares about, its a mutual thing - he feels responsibility for the people that care about Him too (which probably ties in to the desire for a quiet suicide without bothering anyone, and also to the disgust he has w the sheep - because it Isnt a mutual exchange there).

i think it was always intended as a temporary thing (five years away from the mafia maybe. the 'five years' right before dazai comes to take moris place). give him a taste of the light and let him come to his own conclusion that he doesnt belong there, and eventually turn back to the mafia where he does belong.

(despite suggestions that dazai Doesnt really belong there - smthn smthn cat/dog symbolism - though people suggest this implies he belongs w the ada and i dont think thats true either esp given the way hes omitted from the group so often. i think the cat symbolism w dazai likens him more to natsume than atsushi&fukuzawa esp given the way theyre shown tgthr so often. dazai doesnt belong to any organisation or rigid group, he just fits in line w whoever he cares abt and wherever he decides hes content to stay. v much like a cat actually.).

anyway, moris idea seems to be that dazai wld realise the mafia is somewhere he is cared for, and he cares for the people within it in return. though it doesnt seem to have really turned out that way (maybe mori j underestimated the power of the ada's one specialty: forced integration into its found family. lmao)

so you could see it from a practical perspective: mori sending dazai out to show him he really belongs w the mafia and shld come back to them when the time is right, thus mori secures his legacy by leaving the pm to dazai and the mafia is led forward by someone who could handle it the way mori has.

but. hes never pushy abt dazai coming back. hes downright polite abt it (contrasting to the way he treats yosano), and he puts an awful lot of effort into saving dazais life. (kinda funny that he sends chuuya to pick dazais ass up every five seconds with no reward for either of them - chuuya post dead apple literally asks and moris just like ? uh the safety of the city?? bragging rights😁👍? - but when he sends chuuya to save the agency as a whole the price is Heavy like. exchange of a member is crazyyy.)

dazai is always very much considered One Of Their Own. his seat is still empty waiting for him to come back, he and mori post guild are Always cooperating (despite the kinda petty way dazai talks to him during the reunion - the whole 'i burnt the coat' thing - its almost childish, spiteful in a way that speaks to personal hurt that undermines any control he might have had of their kind of distant passive aggressive exchange. but. im too insane abt that interaction that my interpretation cld be entirely bs.)

they communicate through this ridiculous game of chess, and rely on each other to keep both their organisations afloat. when anyone else from the ada tries to pull the same thing, mori pulls out contracts for their damn souls but when its dazai hes just like ? oh ur bf needs to save you again? of course i can spare him to go pick you up from european prison yeah not a problem! ill even glue his vampire cosplay teeth in!!

in connection with that, even with dazais commitment to Doing The Right Thing, he does not do it in the right way. hes perfectly content to use mori-typical underhanded methods to get the ada to the right place. he sends aku To His Death Knowingly for the sake of saving atsushi and by extension the rest of the agency (and he may have known that the vampirism wld sorta bring him back?? but he still sends him to die), and its sorta similar to mori sending aku out to deal with hawthorne and mitchell while hes in rlly bad shape.

anyway dazais methods always make me think of that cunty exchange sskk have in dead apple 'thats not the way we do things in the detective agency' 'was that a bad joke😘 ur too much weretiger🌈✨💖'. but like. dazai Doesnt work the way the ada does. at least not when things get tense enough to drive him back to habit.

i think people like to interpret dazai as being a better person now, and i think in some ways he is. because hes always influenced by the people hes around most. but also, his motivations havent really changed from pm era. he still does what he does for his friends, they just happen to be on the right side now.

anyway. mori puts more work into keeping dazai alive than any other character (bar perhaps chuuya - but thats because mori saving dazai runs hand in hand with chuuya doing it given hes the one sending him) which is. aurgh.

mori and the wish to save people is just interesting in general. the fact that he became a doctor in the first place is telling on its own plus the unhinged way he deals with yosano - of course someone obsessed with saving people would want a cheat card for sending Death packing - but maybe i could believe it was just a power thing, more to his sense of control. playing with life and death so that he can play god. and i think that probably is just a little bit part of it, esp during the war.

but theres also the way he treats doctors within the pm (sb calls it respect for his former position but it may also be knowledge that the better treated they are the more people they will save). And the only reason he works w the tripartite agreement is bc he loves yokohama, wants its people, including its underground, alive and all that (honestly it probably links back to war stuff - hes really intent on peace).

so hes already someone that is intent on saving people (and beast mori makes this obvious w the way he treats atsushi) but theres a personal edge to it w dazai, possibly bc dazai is so much like him, and asgr is kind of obsessed w the saving your mirrors bc you cldnt save yourself thing (atsushi. lucy. chuuya with his clone. beast akutagawa siblings. beast atsushi&kyouka. i could continue).

im frothing at the mouth but basically, mori does everything for practical reasons in line with his ideals, his grand vision for the PM, but that doesnt mean he isnt making any emotionally charged decisions. its just that theyre always justified by their practical outcomes. (Especially where dazai is concerned). so he can pretend that theyre not driven by personal feelings but IM WATCHING U MORI U CANT HIDE FROM ME.

yk i sometimes wonder if i see him too sympathetically for a guy thats as so sucks as he is but someone has to counterbalance the 75% of the fandom that thinks hes pure evil for no reason and has no thoughts outside of Being Terrible so. here you go have this from the depths of my brain.

[thwackk]

blah blah , old green lantern design for hal i did for an old au idea

[soullessjack]

throwing out just One more hot dean and jack take while it’s on my brain but I honestly think dean gives jack a little more autonomy than sam and cas do . Maybe.

[satorugojoswiife]

What do you think about gojo ships

I feel like I'm pretty indifferent to most of them. This is super cringe of me, but whenever I fall super in love with a character I don't often like shipping them romantically with anyone. 💀 (im delusional I know)

It doesn't help that for some reason the jjk fandom (especially twt) is weirdly aggressive about ships. I know it isn't all the shippers and it's mostly just the loud minority, but seeing so much of the discourse has kinda put me off and I don't really engage much with the ships in the fandom except for rarepairs and selfships bc alot of the time those communities are more wholesome and cozy (if that makes sense LOL)

[caluupin]

Act 1 doodles (repost bc i made a mistake)

[horrorknife]

saying “i dont like cheaters and thats why i dont like lawrence” sure is a crazy take to have when this is the movie series about torturing people. i just dont know if this is the appropriate place to try having a discussion about the morality of cheating when you all love hoffman who is a raging misogynist and takes great joy in causing people harm and suffering. that’s fine or whatever but lawrence gordon commits emotional infidelity and everyone loses their fucking minds. william easton exists and is well liked as a character and youre gonna try telling me how despicable you think lawrence is for emotionally cheating on his wife.