#INCREDIBLE STUFF!!!!!

[vardapilled]

"This film was an incredible opportunity for me. And more than anything, I thought it was an opportunity for me to write a love letter to cinema, to all the things I love about going to the movies. [...] In many ways it's most important movie I've made, straight from me to all of you." - Ryan Coogler

SINNERS (2025) BEHIND THE SCENES (1/2) Dir. Ryan Coogler

[marfian]

So act 3 huh

[that1geek06]

"English isn't my-"

Hush now my friend, and let me read the absolute beauty of a fic that you have bestowed this world and humiliated the first English speakers with

[hexjulia]

american puritan names have nothing on the first name of this 17th century dutch woman artist i just read about. my girl Tesselschade ('texel damage') named after the shipwrecking of her father's 44 trade ships on the coast of the island Texel in 1593.

[2022dirt]

Faces in coffee.

[staticwaffles]

WELCOME TO THE REBELLION

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[fullmetal-optimists]

For the context behind this photo, this Trumpeter Swan flew 60 feet across the pond beside the trail to launch herself at this Canada Goose that was absolutely minding its own business.

The criminal photographed after her crime, Miss P18 all stanced up. I'm obsessed with her....

[casualfoxwitch]

[candycatfalls]

enjoy your last few hours old man

[fayzday]

Vel & Kleya through the years - ANDOR

[piratespencil]

Wealwell is so incredibly unhinged. What is his deal?? Brennan really said okay if you guys want to keep this weirdo with you he is going to be relevant in the most bizarre and suspicious ways possible. I'm obsessed.

[xxplastic-cubexx]

something about first impressions idk

bonus:

[razzafrazzle]

I think that I've only drawn Ford like. 3 times in my entire life. so here's some Fordsy (and some Fiddsy. and a Bill I guess)

[image description: a page of drawings of ford, mcgucket, and bill cipher from gravity falls. near the top are two portraits of ford, one in the gravity falls style and the other in a more realistic style. next to that is a simple doodle of ford and mcgucket smiling and embracing with the caption "old man yaoi!" beneath them. in the bottom left is a simple drawing of a younger ford, and next to that is a drawing of bill with a speech bubble saying "i'm here too! also i'm hatless for spacing reasons". next to that is bill's hat, as well as mcgucket in an orange and brown 70s-style outfit and a braided beard, and he is sitting on the ground, lost in thought. end id]

[spookberry]

Kyoko is so funny

[icestorming]

Jayce groans from somewhere around his chest. He has a leg thrown over Viktor’s, a hand around his waist and his ear planted firmly over his heart. Viktor’s hand is resting over the crown of Jayce’s head. Even through the haze of sleep, Viktor debates whether to remove it before Jayce wakes up.

From @yunuen 's latest chapter of "The line is covered in jellyfish" ...I couldn't help myself, sorry if it's rough.