#It was a really good sequence is what I'm saying

[prettyboysdontlookatexplosions]

medialog april 2k24

ok. sick day catch up part two

watched

monkey man - this was gnarly and fun and dev patel, quite simply the hottest man ever to live, is upsettingly hot in this film, like SO hot oh my fucking god

white room - this was a VERY weird movie that (as per the filmmaker q & a) totally flopped at a film festival and never received distribution... you can kinda see why but i more or less liked it. it's about a weird sheltered repressed dude who accidentally sees the murder of a mysterious pop star and then accidentally befriends and falls in love with the woman who was actually the reclusive songwriter and voice of the act... the filmmaker described it as a "journey through genres" and it was very artistically ambitious in a way that maybe didn't totally work but it had some really good stuff about art/consumption/fame/women (my jam) and it frequently looked gorgeous and also all of the mysterious/reclusive pop singer's songs were big late 80s/early 90s style upbeat synth-bombast numbers with lyrics taken from emily dickinson poems which is soooooo funny and a great idea

alien - this is like die hard in that if i'd seen it ten years ago i would not really have understood the hype but seeing after i had a backwards education in film by watching all of the mcu movies and developing curiosity about the question of why they were bad and ugly in such distinct ways and from there developing a nascent and unsophisticated appreciation of the filmic qualities of film i'm like, wow what an incredibly fucking well made movie!!!!!! some things in particular i liked were (1) no substantive backstory for anyone, no dark secrets except the one that really counted, no traumatic pasts, no explanation for how this world works or why anyone was here except needing a job, just giving us the bare minimum to understand the situation the characters find themselves in and trusting the story to do the rest (2) very good spaceshippy spaceship (another way it's like die hard is lots of great Texture, another thing that the MCU lacks which like many other MCU traits was actually a totally fitting design choice for tech bro billionaire tony stark in iron man but simply did not need to expand to Everything...) (3) sigourney weaver so good! ian holmes also very good (4) lots of suspense through silence which is one of the most lost of lost arts in the realm of big expensive Cool Shit Happens cinema!

roy cohn/jack smith - this was a filmed recording of two monologues performed by ron vawter, a gay actor who died of AIDS, each in the character of another gay man who had AIDS - the notorious roy cohn & the experimental cinema icon jack smith. i don't really have much to say about it but i feel very lucky to have seen it and vawter was incredible - i'm glad also that he happened to come to our attention a few months ago because he played the therapist in sex lies & videotape.

mad max: fury road - ok i kept putting this off because the way people talked about it on the internet frankly emphasized to an off-putting degree the ideas in this movie and did not adequately convey to me personally the most important thing about it which is that it Fucking Owns Lmao Wow. we happened to pause it for some reason like 50 minutes in and i swear to you i would have guessed 15, maybe 20 minutes had passed, that's how much it flies by... the coolest shit ever, i wanted to live there forever! also lottie yellowjackets is one of the wives????

mission: impossible 3 - the worst movie in the entire world. we only revisited this one as part of our ongoing marathon with some friends and we spent the whole time complaining about jj abrams' totally inept camera work... seriously watch this movie and look out for (1) every time an already fast sequence is torn up with a zillion stupid little cuts some of which actively prevent us from seeing something that could have been cool (2) every time we get to a new location and the camera starts aimlessly drifting to the side literally immediately because he's afraid we'll get bored if we sit in a location for one whole second (3) every time 3 people are having a conversation and the camera spends the whole time just purposelessly wafting back and forth side to side for, i cannot emphasize this enough, no reason at all. literally nothing in this, an installment of the Stuff Looking Cool franchise, looks even a little bit cool even one time. people hate on 2 for the male gaze of it all re: thandie newton but her character has more personality and agency than ethan's sexy lamp wife in this. the closest to a redeeming value this movie has is that it really feels like part of the goal was to remind everyone of how even though tom cruise jumped on that couch one time he's actually a very normal american heterosexual man (he passes out at one point and flashes back to his wife in her underwear sdksoeroser it's SO dumb) but because he's tom cruise (a total insane freak) he can't convincingly portray that at all and just comes across as insane and maybe a sociopath. "what about philip seymour hoffman" i'm not going to give abrams credit for knowing PSH was a good actor, that's like saying defending a doctor accused of malpractice by saying he knows that feet generally have toes. be serious. i will give a shout out to simon pegg, who is in this less than i remembered but who comes across as the MVP (across what should be a deep bench of a cast!) of making abrams' horrible comic-book-bro-patter come across as something a human might say, mostly so i can also share my friend's insight when i said that which is that it makes sense pegg is suited to the task given that he cut his teeth largely on movies that are parodies of shitty action movies.

mission: impossible - ghost protocol - a wonderful and perfect treat :) i've gone on at length about this one before and really have nothing left to say but it's so good and so specifically good at all the things 3 sucks ass at... my friend was physically squirming next to me on the couch during the burj khalifa sequence, as is right and proper :)

read

beautiful losers - this is a novel leonard cohen wrote in the 60s that is very weird and experimental and i'll be real with you and say i did not get it. it's about a guy whose wife and best friend he had a weird sexual relationship with are both dead and now he's kind of obsessed with an iroquois saint... i am not sure how to describe it but i guess i would say if you think the music of leonard cohen is too optimistic and insufficiently horny for you maybe you would like this. it is probably the most aggressively sexual book i've ever read but not in an erotic way... it's very like about the nastiness of sex and bodies... which i admire ideologically on a certain level but it's really quite unrelenting with it... occasionally there are snatches of deeply beautiful writing though.

listened

sourpatch, stagger & fade - nick put on the vinyl of this and i was like oh that sounds nice and i wound up listening to it a bit... fuzzy indie rock (i'm not educated enough to parse genres more finely than that) that makes for very pleasant background listening

ariana grande, eternal sunshine - i've never kept up with ariana because i just find her voice kind of annoying and i had never heard a song to challenge that UNTIL we reviewed "we can't be friends" at singles jukebox and ariana teaming up with max martin to do kidz bop body talk era robyn turned out to be everything i wanted from her... unfortunately the rest of the album was incredibly boring lol. love that song tho!

maggie rogers, don't forget me - i don't know that i find this one as interesting as her last album or quite as likable as her first (although that might be me somewhat overrating her first because i love "light on" sooooo much) but she's such a capital-M Musician she's always a pleasure to listen to. "drunk" was an early fave but recently i found myself returning a lot to "the kill"

girl in red, i'm doing it again baby! - girl in red comes a lot when other people are talking about the g*yl*rs as one of the actual queer artists they should support but first of all they actually love her and second of all i listened to this album twice straight through and have let some of the songs play on shuffle since and i could not hum you one single line :/

taylor swift, the tortured poets department - speak of the devil! i mean i've talked about this. i like this album a lot - at this point i'm ready to call it easily her best work except for maybe folklore, and honestly i find it hard to assess folklore out of what a special lockdown treat it felt like at the time. i don't expect a world insistent on calling 1989 pop perfection to eventually agree with me but i think people will mellow out about it in time and forget that it was so divisive on release much as has happened with reputation (an album far worthier of scorn if not without its occasional merits) and at the VERY least i think in like 5 years it will be more or less consensus that it's better than midnights.

the starting line, say it like you mean it - i listened to this album mostly to fact-check claims i was making about emo in the taylor swift piece but then i kept listening to it cuz it was kinda full of bops!

fall out boy, take this to your grave - @voidofcourse recommended this as a stepping stone from the starting line for loud guys offering bops and indeed it too was full of bops!

other

an enemy of the people - i saw this on broadway, yes, 1000% literally just because my boy my king my number one guy jeremy strong was in it. the production was interesting and good if not flawless, and although i think some of the younger cast members got a little lost in the old-fashioned theatrical language (even in a new translation) and could have used some direction towards really pulling out the meaning of individual sentences they were saying, the more seasoned actors all did a great job, including, of course, jeremy strong, who got to be shoved into a pit and have pretend ice thrown at him, i'm so happy for him. also the play was incredible? like as a play? i said as much here after seeing it but basically it's about this doctor who discovers that the town baths that are about to open have a contaminated water supply that is definitely going to result in people getting sick and some of them dying, especially since they are being advertised partly for their health-restoring properties for people who are already not doing well, and he's like, wow, good thing i caught this thanks to the help of science so we can change plans, and then everyone else in town is like, but have you considered that would be expensive? why do you hate poor people? (there's a thread specifically about the editor of the radical leftist newspaper going from being the doctor's number one champion to being totally coopted out of both politics and self-interest that was particularly brutal to watch...) like it was truly SO incredibly specifically relevant to some Extremely Contemporary Issues that i was just agog and also it was incredibly fucking upsetting to watch! really really great playwriting, such a clean example of how a work can best encompass & comment on ideas by developing them through character and dramatic action rooted in wants, needs, choices, conflict, etc., a lesson many people could stand to learn. i kept thinking it had burrowed as deeply into the core issues as it could and then it found another layer. this ibsen guy... he really knew some stuff about stuff....

[nocturnal-nexu]

Oh my gosh guys, guys, guys!!!

Idea time!!!

I personally can't see Arin going fully evil.

I can definitely see his frustration and anger, but he's a good kid, and I dont think he'd do anything malicious on purpose. But I do think he's in a prime position to get manipulated right now. He's at his lowest point, and he could possibly be willing to do anything to impress and prove himself to Llyod.

What I think would be really interesting is if, via manipulation, Ras could get Arin to let his guard down and maybe even get him to listen to his point of view a bit.

("I lost my parents too, you know, and I found a way to make it on my own. I had to be strong. I learned that i didn't need anyone else, only myself." I don't know. That might be an angle that Ras could exploit, effectively drawing Arin away from his friends.)

(I mean, I'm assuming, according to that flashback sequence, that Ras's parents weren't really around.)

Maybe Arin would even start to trust Ras a little. Or at least start to doubt Lloyd's methods of teaching. (Which to be honest, Lloyd, you're not doing yourself any favors with your teaching technique, buddy. I know you're trying to encourage the kid, but you're giving him an unrealistic idea of a future self he has to measure up to.)

I think Arin is putting a lot of pressure on himself too.

So Arin doesn't necessarily join Ras, but somehow ends up facing off with him a bit more than usual during fights or something. Ras singles him out, trying to plant more of those seeds of doubt. Maybe Ras gets him alone, and, either willingly or by force, Arin ends up wearing a wolf mask.

I mean, is Shatterspin technically evil if you're using it to fight bad guys? I mean, it's not like his own spinjitzu is helping anyway.

Maybe, Lloyd or Sora look over and see Arin wearing the mask. Maybe they run to him, and ask what the heck he is thinking!

Maybe Arin is embarrassed. He feels sorry and ashamed. He knows he made a mistake. He goes to take the mask off.

But before he can, the gong is struck, and his soul is shattered.

All of the emotions come flooding out. He's angry. So very angry. Angry at Llyod for putting all this pressure on him. Angry at Sora for progressing so far and leaving him behind. Angry at himself for not doing something, SOMETHING, more to find his parents.

We get a scene similar to that bit in Season 4 with Kai and the staff of elements. Arin just loses control, and all the anger, doubt, and fear come spewing out.

That's what I want.

I want him to voice his frustrations to his friends. And at the moment, I think Arin is just so nice that he doesn't want to bother anyone and isn't going to say anything.

But as the saying goes, "even a worm will turn"

In other words, even the nicest and sweetest people will show you how dangerous they can be if pushed too far.

So, um. Arin deserves to go feral. Just as a little treat.

[dorenarox]

why do you think blitzo deserved this in Ozzie’s?

Like I said, he seems to be quite the jerk to people that may or may not have feelings towards him. He can't deal with that type of closeness and closes himself off. That tends to leave a bitter taste in people, so of course they would attack his person and rightfully so!

You have to remember, these characters don't know about Blitzo what WE know, and they don't consider the possibility that he has severe self hatred issues because to them, he's just a selfish jerk instead of someone who is convinced he doesn't deserve love because he hates himself so much. Even then, it's not like it's THEIR responsibility anyways.

Imagine yourself in Verosika's situation, for example. You've got yourself a boyfriend who appears to be charming and fun (because Blitzo IS charismatic or else people wouldn't fall for him and Millie wouldn't be so tolerant of his bullshit), and then he runs off with your credit card and buys horse riding lessons (without your prior knowledge). That shit's gotta hurt! Imagine the BETRAYAL you'd feel! It might not even be about the money, but the feeling of being USED!

In conclusion : Blitzo actually kinda sucks and it only gets worse the more he does stuff like this because he'll just continue to suck even MORE, fostering his self hatred.

[blujayonthewing]

I understand why the sub for dungeon meshi is just the script for the dub but that doesn't mean I have to like it

[welcometogrouchland]

FINALLY watched Ready Or Not (2019) with the fam and FUCCCCKKKKKK FUCK!!!!!!!!!!!! I LOVE IT WHEN WOMEN ARE COVERED IN BLOOD AND FIGHTING FOR THEIR LIVES TOOTH AND NAIL!!!!!!!!!!!!! HELL FUCKING YES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[sm-baby]

Most exciting part of the trailer for the next TADC episode for you?

More so an Analysis rather than things I'm excited about X3

I watched the sneak peek on loop I can process everything! Waahh!! I'm so excited for episode 2 💞 only a few weeks away! 💕

I wanna get this out of the way, I love Lizzie Freeman and Alex Rochon's Improv work on this promo 😭 they were really put in a booth together, were told to say things to promote episode two, and came up with that 😭 Genius.

The environment work is GORGEOUS! I love the look of everything, the world-building, the colors! It looks like a full-fledged movie guys! Absolutely beautiful and WONDEROUS work from the Glitch team-- it's so beautiful for half a year of work??? God damn!!

Haha! As an in-universe creation, Despite his little gags, Caine is genuinely such a good AI to make something so cool!

You'll also notice that Ragatha is taking charge of talking with the princess! That would make sense for such fellow beautiful well-mannered women!

More on them later at the end! :3

Dream sequence theory

Also, we all agree that these ones are all part of a dream right? Pomni is panicked, the strange sort of "slow woozy wobbly" animation exactly like a dream... even the dolly zoom!

Then she is sent to the cellar with a an abstracted arm, but that shouldn't be the case since Caine could easily fix an abstracted arm with a snap of a finger.

And then she wakes up, freaked out!!

Wahaha! Shout out to the Showtime server for pointing this out while we were discussing!

This is either and "end of episode prize" from Caine, or he jumps in mid-episode to hand them a helpful item, ooorr he's telling them that that's their objective for the adventure :3

also!! people have pointed out that Zooble isn't with the carriage with the others! Either this means that Zooble was given a surprise roll in the adventure, or she's off to have a fun solo adventure with Caine! Ohh! How exciting!

Zooble is a favorite character of Goose's, so to learn more about him and why Goose loves them so much would be so exciting!!

Whats up with Jax?

hunched down, writing in the sand, hugging his knees, this topped with Goose's two-word description of the next episode to be "I"m nothing"... Oh Jax is gonna have a MOMENT...

We all know that no one likes the dude and he's going to get worse. I'm unsure if this will make me like the guy, but I'm optimistic!

I'm open to understanding and seeing another side of him that would make me like him! I already quite like how this scene is framed, how lonely he looks, the acting in these few seconds already tells me what kind of guy he is.

...despite one of the gummis being tied up in the corner

If i had to hypothesize, this probably stemmed with Jax acting out, you know, the usual "being a nuisance" to make everyone miserable,

Then It escalates

This gets on Ragatha's nerves, first starting out as a silly "haha cute interaction" between them and it escalates while the episode goes on where Ragatha genuinely gets mad at him and tells him to stay put while they do the work.

Speaking of Ragatha, She seems to be quite fond of the Princess! There is a part of me that wonders if she wants to sort of-- "prove" herself in a way, as a leader or otherwise. Ragatha does give me the "smart yet nice kid in class that everyone copies off of" energy... TwT This poor woman.

I don't know, just the way The Princess bends down and holds her hand, it's sort of sweetly mentorly or motherly in a way. I'm not saying this to infantilize Ragatha, I respect her so much as a mature 30-year-old adult, I say it as a testament to The Princesses' character. Princesses, Queens, and any sort of royalty have been characterized as the sort of "mother/father of all" sort of character type, which is sweet! And would be quite interesting!

I know that people are quick to do the shipping with these two, but I kind of like the idea of Ragatha wanting approval and validation.

BUT THATS JUST A THEORY!! A FILM THEORY!!! ANDDD CUT!!

[las-lus]

Aziraphale lied Theory

First of all, this theory is not mine, its from @/doubleskk on Twitter and can be found HERE. Go show them some love! It's in Portuguese, so I'll do my best to translate it - blue texts are my personal additions!

This season, we have something very clear in Aziraphale's development arc: is his relationship with LIE. He lied to protect Job's children, and he lied he had performed a miracle to make Nina and Maggie fall in love. That's not counting other little lies, sprinkled throughout the season here and there.

We keep seeing Crowley say "I'm a demon, I lie", but in the big finale, we have Crowley saying the truth - the big truth, the one he has been avoiding for 6 thousand years.

All of this was to set the stage for the biggest lie of all: the lie he had to tell Crowley to fend him off and protect him.

When Metatron goes to buy the coffee, he asks Nina if people ask for death, as the name of her shop is "Give me a coffee, or give me death". What if that name is an allegory for the actual conversation between Metatron and Aziraphale?

Aziraphale may have been threatened. Either Azira goes back to heaven (coffee), or he and Crowley would have their existence erased from the Book of Life (death). So, to protect Crowley, Aziraphale had to invent a lie to make sure he got away. The Book of Life was namedropped a couple of times in the show, a Chekhov's gun that never went off - Neil is too good of a writer for that.

And Aziraphale knew that Crowley would be pissed if he agreed to go back to Heaven after everything that happened, and he knew that Crowley would never accept being an angel again. "But rescuing me makes him so happy" - Aziraphale had to make sure Crowley wouldn't realize he needed saving.

That's why he knew exactly what to say to mess with Crowley.

At 41:14 of episode 6, when Azira starts telling the (alleged) lie to Crowley, he becomes all flustered, moving his hands from side to side and stammering, SAME PATTERN as when he lies to the angels about having done the Nina and Maggie fall in love, in episode 2.

[This part really works better with 2 videos side by side, which you cannot do on tumblr, so if you want you can check them out here]

The sequence of him talking to Metatron at the table is nothing more than an enactment of his lie. The conversation didn't go like that, Aziraphale made everything up.

And when Crowley declares himself, Aziraphale starts shaking his head in despair: not now, don't tell me that now.

He also looks out the window as soon as the confession starts, as if he knows Metraton was watching him outside.

Then there's the kiss, Aziraphale falters for a moment, but he has to keep up with the lie and he knows he has to hurt Crowley on purpose. And after Crowley leaves, Aziraphale is MUST recover in seconds, because Metatron is coming back. Also notice that when Metatron comes back, he doesn't ask if Crowley agreed to go back to heaven or not. He just sends a "How did he take it?"

That is, there was never any choice, and for Metatron Aziraphale was only going to break the news that he was leaving. And Aziraphale had to invent a lie to the inmates to make sure Crowley stayed away from him.

[aphrogeneias]

...right? — one-shot

pairing: eddie munson x fem!reader (modern!au)

summary: you're not sure of where you stand with eddie munson, but you're forced to confront your feelings after almost losing him.

word count: 3k

warnings: fluff and angst with a happy ending. jealous!reader. feelings of self-doubt. eddie munson is a sweetheart.

author's note: this one has been a long time in the making, and it may be a little melodramatic, but i'm doing a lot of self-projecting here, so be nice. thank you to @intrepidacious for reading it for me and giving me your approval <3 i'm sorry to all the girls named emma reading this, but i had to give that character a name.

We're performing tonight, if you want to stop by.

You'd been staring at this message for a couple of minutes now, unsure of what to do. You seemed to be in this dilemma a lot, as of late — to answer or not to answer, to show or not to show.

Too scared to show how you felt, but too scared to lose him at the same time.

Zoned out, you caught Robin’s hand flying in your direction from your peripheral. “Stop looking at your phone!”

She snatched it from your hand, still open in your conversation with Eddie. Robin whistled when she took a look at your screen, “Oh, I see. How are things with Mr. Headbanger?”

“You're talking to Eddie?” Chrissy chimed in from her side of the bed, lifting herself on one elbow to see you better with Robin between you.

The three of you had been like this all night, spread out on Chrissy’s queen bed, a sequence of old romantic comedies playing on her TV. There was an empty pizza box on her fuzzy carpet, and a half finished bottle of wine next to it, the second of the night.

You groan, trying to get your phone back to no avail. “Things have been… well, I think. Too well. I guess I've just been waiting for the other shoe to drop.”

Then, it was their time to groan.

Your friends like calling you jaded, but you consider yourself a realist.

It's been a topic of conversation between you for years. Ever since your last relationship ended, after you'd been left for another woman, when you swore off love for good — at first, they thought you were just grieving, it would take time to heal, of course, but you never really did.

You don't think you've ever been anything other than an open wound, in that sense, even before your ex. The high walls that were meant to protect you eventually became a prison you couldn't get out of. A princess and a dragon, all in one.

That is until Eddie Munson came into your life.

No one's ever made you want to drop those walls as much as he does. You'd met him through Chrissy, who’d been his friend since high school, and at first you thought he wasn't really flirting with you. He seemed to always be flirting with everyone, always getting a little too close. Until he asked you out, and you were still not convinced.

It could be a friend date. He could be after one of other friends. Maybe he was just passing time until he found someone better.

That was a few months ago, and Eddie hasn't gone anywhere.

He had a few shirts on your place, merch from various bands which you were growing fond of listening to them in his car. Shirts you would wear to bed when he wasn't spending the night, curling into bed with his smell on you. He'd made friends with your cat, and fixed your coffee in the morning the way you liked it, and left strands of hair loose in your shower.

A brave knight, that Eddie is.

Despite your closeness, and the honesty you see in his eyes whenever you're near him, neither one of you has put a name on what you have. It keeps you up at night, thoughts about calling him your boyfriend and have him laughing at your face. How could you be so stupid?

The thought of it brings tears to your eyes.

“What if that's it, though?” Chrissy interjects, with a gentle voice. Her small hand reached for yours, and gives it a reassuring squeeze. “What if there's no other intentions, no other shoe to drop? You have no reason not to trust him.”

“You say that because he's your friend.”

“Chris is right, babe.” Robin says, sitting straighter on the bed. “He’s never given you any reason to think like that. You need to let yourself go, just this once.”

You sigh, and mumble something along the lines of “Easier said than done,” as you sit up and pull your knees to rest your chin on them.

“You should go, by the way.”

Robin reaches to you with your phone in hand, handling it back to you. Her blue eyes are kind, understanding. Chrissy smiles from her place between you.

“Our local rockstar is waiting for you.”

You respond Eddie with a short omw <3 before your friends are pushing you out of your stupor, and into the street.

They’ve already finished their set by the time you arrive at The Hideout.

You're dressed entirely inappropriate for a dive bar full of metalheads and middle-aged bikers, but you don't let yourself think too much about it because no one really notices you coming in, except for the bouncer who compliments you on your old college sweatshirt.

The night is well beyond starting. The bar is full, and it takes you a while to find Eddie, but when you do, he finds you immediately.

He's at the foot of the stage, talking to his friends. The rest of the band is around too, and you wave at them as Eddie makes his way towards you. The smile that pulls on your lips is uncontrollable when he, with an excited smile of his own, takes you in his arms, wrapping himself around you. “Hi! You just missed the show!”

“I'm sorry! I was at Chrissy’s.”

You take a second to look at him closely. His wild hair is a little damp, and his Accept shirt has the sleeves cut off, which shows more of his tattoos. There's a studded belt on his hips, and you don't think too much before pulling him closer by it.

Eddie kisses you on the forehead, and his lips linger a little bit before pulling away. “Did you tell her I said hi?”

“Forgot to. But next time I'll make sure to send your regards.”

When he's close like this, you almost forget your doubts. When his arm is around your shoulders and he's pulling you close, the smell of his cologne and the last cigarette he smoked before going on stage cling to you, and you cling to it in turn.

“Good, and make sure to arrive on time next time too because we played your favorite and you weren't here.” He pouts dramatically, putting one hand to his chest.

The gasp you let out matches it. “Metal Health? Eddie, no!”

“Eddie, yes!” He shakes you a little, turning you in the direction of the tables. “We played Quiet Riot, and you weren't here to see it. Have to say I'm a little disappointed, sweetheart.”

Walking along with him, you stop when you reach a vacant booth on the corner. Turning to face him fully, you leave a soft kiss on his stubbled chin. “I guess you'll just have to keep playing it, then.”

“Does that mean you'll come to every show?”

There's no space between the two of you, standing chest to chest with each other. The rest of the bar disappears. “I might, if you'll have me.”

“Baby, I'll…”

The bubble you find yourselves in shatters and breaks when Eddie stutters, and turns, because there is someone poking him on the back, disturbing your moment. It's a woman, asking to speak to him.

You don't really register what she's saying. All you know is that you've seen her around before, and you know she's friends with the guys. Eddie apologizes to you as he's being dragged away for a private conversation. “I'll be right back! Don't go far.”

Nodding, you remain frozen in place.

They don't go far, but you can't really tell what they're talking about, but her hand on his forearm, slowly rising to his bicep, tells you everything you need to know.

You don't realize it but you're shaking a little bit, cold sweat prickling through your suddenly frigid skin. There's a ringing in your ears, and a lump growing in your throat, but you can't stop yourself from looking.

He looks beautiful like this. The light from the now empty stage hits his figure from the back, making him look every bit like the rock god he's always aspired to be. The frizz on his hair creates a halo around his head, and you think you might faint.

To his credit, he doesn't get any closer to the girl. Doesn't flirt back. His smile is polite, and he maintains a sensible distance, but that's not enough to ease your mind.

He's only keeping a distance because you're here. Your mind says, always the traitor. You're holding him back. He could be making out with a different girl every night. Maybe he is. Maybe he is and you're none the wiser. Better walk away now. Go, before your heart breaks.

It's already breaking, and you're the culprit.

You almost don't notice Eddie return to you, as your vision’s gone blurry.

“Sorry, Emma wanted to invite me to an after party. Told her I was busy.” There it was, his easy smile again. From a first look, you wouldn't think Eddie Munson smiles so easily, but it's always there, pulling on his full lips and showing off his dimples.

You would smile back, as usual, but it's like your face can't move.

“Just you?” You ask, “Not the rest of the boys?”

He laughs, but there's not much humor behind it. “Just me.”

“Aren’t you gonna say anything?” He is still grinning, raising one eyebrow at you, as if taunting you to speak up. Something rotten spreads through your insides, stirring them, rising like bile right through your opened mouth.

“Say what? It's not like we're dating, Eddie."

If regret could kill, you would be dead the moment you saw his face fall. Eddie's expressiveness is a double-edged sword — his happiness was contagious, but when he’s upset, there is nothing that could distract you from the way his bambi eyes plead to you.

You double down anyway, already feeling like a fool, but too stubborn to take back what you said.

"...right?"

“Is that what you think?” He asks, a pout on his pretty lips. “Is that what you want?”

“I… I don't know.” Your mouth is moving, but it's like you don't have control over what you're saying anymore. Like you can't even hear yourself, too taken by the dread that has taken over your body. “I think… What do you think?”

You throw the question back at him because you can't be the first one to say it. Because if he backs out, if you say what you really want — and it's him, he's all you've ever wanted, and the realization hits you like a punch to the gut — and he says it's never been quite like that, that he doesn't want you the same way, that he's just been passing the time, you would break.

Eddie looks away from you, then. His fingers pinch the bridge of his nose, “You're not sure what you want, is that what you're telling me?”

“No! No, it's not like that.” You almost choke on your own spit, “I'm just…”

Scared. Of opening your heart, of rejection, of him leaving when he learns how much you want him, need him.

“If you're not sure of what you want, I think you should take some time to think about it.”

“But, Eddie, I…”

“Think about it, and call me when you know.”

One of his hands goes to your shoulder, squeezing it, and briefly running thumb over the fabric of your sweatshirt. He's turning around before you can stay anything, the lump in your throat too big to allow you to speak.

The room feels like it's turning upside down as you turn the other way, towards the door. It turns and turns on its axis, and you almost lose your balance as you're making your way out. You wave halfheartedly at the bouncer, who waves back at you in the middle of his conversation with a green haired girl.

Walking home, you have time to think of what you'd just done.

As the tears roll freely through your face, and you wipe them with the end of your sleeves, you think of Eddie’s sullen face, once full of life, now transpiring his disappointment in you. You'd let him down, and it was all your fault.

In an attempt to protect yourself, you pushed him away.

You imagine him back at the bar, with the boys. With Emma, ready to console him after what you just did to him. The thought of it just makes you cry harder, trying to control your breathing as you get closer to your apartment.

You did what you always do. Leave first, turn your back, clam up back into your shell. You just never thought you'd do that to him.

It doesn't take long until you spiral.

You did all you could after you got home. Tried to breathe, but it only made you cry harder. Curled up on the couch with your cat, a brown tabby that curled herself right back into you, and cried until there were no tears left. Ignored your friends’ messages on your phone, pretending everything was all right.

Tried to drink, but felt too sad to even open your fridge. Ran into one of Eddie’s hoodies hanging from the back of a chair in your room, and felt more tears coming, but no strength to cry.

Everything in your room reminded you of him — your unmade bed where he'd be lying on if you didn't screw up, the fantasy book he'd let you borrow on your bedside table, a polaroid of the two of you with your arms around each other serving as a bookmark.

You pick your phone, and it rings and rings. He doesn't answer. In a moment of panic, you leave a message instead, pacing through your room on your bare feet, still wearing the clothes you went out in. The cat on your bed follows your movements with her eyes.

“Hi, Eddie. I… You might not even want to hear from me right now, and I get that. Really, I do, but… You just need to know I know I fucked up. I didn't mean to do you like that, I didn't mean to say those things to you.”

Your voice trembles, just like the hand that's holding your phone to your mouth, but you keep going, “Of course we're dating, we've been dating for a while now. I was too scared to say anything because we never put a label on it and I thought you didn't want anything with me, I guess I just didn't want to be the first one to say it in case you decided this wasn't… that I wasn't… what you wanted.”

There's a few seconds pause as you take a deep breath, and release it in an anguished sigh. “What I'm trying to say is… that I like you. A lot. Have since the beginning. And I understand if you didn't want anything to do with me anymore because of what I just did, but… if you still want to talk, I'm… I'm still here, okay? I'm still here.”

When you're finished, you throw your phone back on your bed, and wait.

You're still pacing around the house, a mug full of tea in hand, when you hear your phone vibrating on your bed. You almost don't pick it up, but you do anyway.

Two notifications from Eddie.

Can I come over?

Are you still up?

Hands shaking, you answer with a simple Yeah. Key’s on the carpet.

The clock on your screen says it's 2:22 AM.

You hear your door opening not too long after that, the spare key turning on the lock, as you're sitting on the couch, writing like a kid that's to be scolded when their parents come home. The mug of tea is half empty at your feet, and now cold, just as your nervous hands as Eddie comes through the door.

Wearing a Metallica sweatshirt, an older one that you've borrowed before, one you know how soft it feels on the skin, he comes in and silently closes the door behind him, leaving the key on a small ceramic plate by it.

You cave in before he can say anything. “I'm sorry.”

Your chin is wobbling again, but you swallow it down, not wanting to make a scene. Eddie comes closer, and sits next to you, careful not to kick the mug that you left carelessly on the floor.

“No, I'm sorry. I should have said something, I should have told you what you meant to me sooner. You know… I've been calling you my girlfriend to everyone but to the person who matters the most.”

“Everyone?” You repeat, “Everyone who?”

“The guys. At work. Wayne…”

“You told your uncle I'm your girlfriend?” The word feels foreign in your tongue, but not unpleasant. Eddie looks sheepish, but the corner of his mouth twitches and lifts just a bit, one of those dimples you love making an appearance in your dimly lit living room.

“Yeah. Like I said, everyone but the one who matters the most.”

There it is. That earnestness, pouring through him, warming you up from the inside out.

“And I guess… Am I the person you mean?”

“Who else would it be?” He's tilting his head now, kind eyes aimed at you. You huff a weak laugh, them, relief hitting you in waves. Not thinking too much, you throw yourself at him, hugging him by the shoulders, and folding your legs under your thighs to be closer to him.

“I'm still sorry, though. Sorry that I made you think I had doubts, or that I…”

Eddie doesn't let you finish, shushing you with a hand on the back of your head, and another wrapping around your waist, keeping you in place. “It's okay, sweetheart. I'm sorry too.”

“Since we're both sorry, does anyone have to be sorry at all?” You mumble into his shoulder, taking in his smell through his clothes. It soothes you more than anything can, along with his voice vibrating through his chest, and the warmth of his body clinging to yours.

“I think we can discuss the details in the morning.”

He seals it with a kiss to your temple. You and your boyfriend sleep on that same couch, and in the morning, there is nothing left to say.

[bluebeary-jay]

clouded judgment / clear mind

Joel Miller x f!Reader

Summary: it was a long time since Joel had felt a maddening rage like this, but he weren't about to let anyone who dares to hurt you get away with it (based on this ask)

Tags: Joel goes apeshit, angst, a bit of comfort at the end, established relationship, protective Joel (REALLY protective lmao), basically he goes feral

Warnings: uh. VERY graphic descriptions of violence (I'm not good at writing action sequences but it is graphic), swearing, kinda torturing 😬

Word count: 4.5K

A/N: this one was really challenging, but i hope yall will like what i came up with :) i really didn't expect it to be so difficult to write buuut i tried to focus on the "giving-his-brother-nightmares" side of Joel and i think i succeeded. anyway !!! happy reading ❤️

He should have never left you alone.

Which was a ridiculous thought, of course, because how are you supposed to patrol efficiently if the other person refuses to leave your side even for a moment? Besides, he didn’t want you to think he didn’t trust you – he saw multiple times what you were capable of first-hand and he knew you were able to take care of yourself.

He put it forward once – to not split up and patrol the same area within the eyeshot of each other. You sent him a crooked smile at that, saying something about him being a little too overprotective before you gave him a kiss and went on your merry way, leaving him alone and slightly annoyed (but with a faint, stupid grin on his face).

So he tried to rein in this ‘overprotectiveness’ you mentioned. He never brought it up again, even though a cold shiver ran up his spine every time he lost sight of you beyond the safe walls of Jackson. Each time you two went on a patrol, he had to take a second to calm down and remind himself this is not one of his dreams when he loses you.

That’s why at first, when he heard your voice screaming his name from a distance, he wasn’t sure if it was really happening.

The instinct, however, kicked in the next second and he rushed back to where he saw you last, to the interior of a resort around which he was scouting. This was supposed to be one of the safest options for patrolling – no one ever saw any signs of life here besides occasional infected, and Joel was never that worried when you went inside alone to check the place.

He had a feeling his cautious (he really didn’t want to call it ‘overprotective’) nature was gonna become a nuisance again after this incident.

The goddamn downpour outside made listening for any noises aggravatingly difficult. Joel yelled for you, but he didn’t hear any answer and the driving rain beating against the windows of the resort absorbed all the sounds.

He made his way inside the building and up the stairs when he noticed your hat lying discarded against the wall. A wave of ice-cold dread washed over him. The stairway was dark but even with the little light he had he could see a couple of wet, almost black droplets on the dirty floor.

What he felt next reminded him of falling asleep – his shoulders relaxed and from head to toe a cool, silent equilibrium crept over him. Joel gripped his rifle firmly and pushed on soundlessly. It didn’t seem like you were stabbed or shot – there would be much more blood present – but you were hurt. Someone must’ve laid in wait to ambush you, and now…

It didn’t matter. Whoever it was, they made a grave mistake.

Joel reached the second floor, listening intently for any clues as to where you might be or how many people are in the building with him, but he didn’t even have to check the rooms one by one. A faint light, which couldn't have been left by the previous patrol, was spilling out from underneath the doors at the far end of the corridor . He did consider the possibility that it was a decoy and your attacker was hiding in one of the other rooms, but the closer he got to the sliver of light on the dusty floor, and the more doors he passed, it became clear that whoever got you, they weren’t that cunning.

And then he heard it. A sound of a blow from the other side of the door, and then a strangled cry.

It was you. Your voice.

Joel took a deep breath, gritted his teeth and kicked the door open, bursting into the room with his rifle held high – only to find himself surrounded by six men, five of whom were holding him at gunpoint.

The sixth one, a ragged-looking blond, stood over you and the second he saw Joel, he grabbed you by the hair and pressed a knife against your neck, making both you and Joel freeze.

“You’re from this town nearby, right?” asked the man with a heavy accent Joel couldn’t place. “The one that fucking shoots off any newcomers.”

Joel didn’t answer. Didn’t even look at this man. All he could see was your bruised and battered face and the blood running freely from your – probably broken – nose and down your chin. You had a black eye and a split brow, but your gaze was sharp and alert when you looked back at him.

He felt like his insides were boiling.

“Hey, dickhead!” the leader of the group yelled, gripping your hair tighter and making you hiss in pain. “You deaf or something?”

Joel finally managed to take his eyes off you – your blood and your bruises, and the concealed fear on your face – and glared at the man standing over you. His jaw was clenched and nostrils flaring, but he quickly collected himself. He couldn’t let his emotions get the better of him when you were in danger.

He lifted his hands slowly, showing that he was no threat to them. The thug tilted his head at one of his friends.

“Put down your gun and slide it over.”

Joel watched you following his movements with your eyes as he carefully put his rifle down and kicked it in the direction of one of the men. The blond holding the knife nodded twice.

“Now. You two are from the town, aren’tcha?”

“Let her go,” said Joel, trying to remain calm and not use – quoting Ellie – his ‘asshole voice’. “Then we’ll talk.”

The man shook his head and chuckled.

“Oh, no, no.” He pressed the blade harder against your throat. “We have the upper hand here. You understand?”

The man was looking at him expectantly but Joel’s eyes were nailed on the trickle of blood now running down the column of your neck. He remembered kissing that same neck this morning and tickling it with his nose, and the thought of this fucking bastard cutting your soft skin and leaving such a mark on it made him feel like he was about to burst.

“Fine,” he ground out with his jaw set. He looked over at the leader of the group. “What do you want?”

Had any of them been smarter, they would have picked up a dangerous note in his voice. But just like he suspected, they weren’t that bright.

“You go back to your town and bring five more horses here,” said the blond.  “And ammo. My buddy here,” he used his chin to point at another guy, standing behind Joel, “will tell you what kind. You try anything or come back with someone else, and I’ll slit her throat right open.”

“She will go get that shit for you and I will stay,” Joel negotiated strongly, but the leader of the group shook his head again.

“No. No way. You go and bring back everything we ask for, and I’ll let your little friend go.”

Joel’s eyes once again shifted to your form and something inside his chest twitched. You noticed it – of course you did, you were always able to read him like no one else – and tried to offer him a half smile.

“I’ll be fine, Joel,” you reassured him. “Nothing I haven’t–”

“Shut your trap!” The shorter man standing to your right yelled and raised his hand, making you flinch.

Joel could almost feel fire burning in his veins and through his skin, peeling it off his bones.

“Hey! There’s no need for that!” he said louder, taking a step forward, but the gang lifted their guns higher. He stopped and spread his arms wider. “I’ll get you the stuff you want. Just leave her alone.”

“You better hurry, then,” said the blond with a nasty smile, and Joel nodded while trying not to look too desperate. He looked at his friend. “Tell him what we need.”

Joel didn’t give a shit what they were saying – it was him who needed to think of something, and fast. He had a suspicion as to who these men were – he heard from Tommy about a larger group trying to gain entry to Jackson several times. Apparently they threatened the patrol which found them when they were denied permission to join their community. It was before Joel came to the small town for the first time with you and Ellie, but the word around was that any rogue group around this terrains wasn’t to be trusted.

And everything from the description Tommy gave him fit: ragged looks, traveling on foot, low on ammunition.

While one of the men listed what kind of guns they had and how much supplies they wanted, a motion in Joel’s field of vision caught his attention and his eyes darted to you – or more specifically, to your left hand.

You stared right back at him, moving your fingers slightly so the others didn’t notice.

N… O… A… M…

No ammo.

None? That’s probably why the one standing next to you wasn’t holding you at gunpoint but with a knife to the throat. The rest of them must’ve had their pistols drawn just for show. Joel had no idea how you figured it out, but a thought struck him and he surveyed the members of the group. He remembered which one held onto his rifle, but you were armed, too…

As if reading his mind, your fingers started to twitch again the second he looked back at you.

U... Left… B, E, H, I…

Suddenly the man to your right bowed over you again and punched you square in the stomach, knocking the wind out of you.

“Fucking bitch,” he snarled with contempt and glared back at Joel. “No funny games, you hear me? You come back with a gun or anyone else, and I won’t hesitate to fucking kill her, man.”

Joel’s heart was pounding in his chest. All he could see was your face contorted in pain, all he could hear were your coughs and grunts.

Two of the men came forward – the one on his left had a loaded gun from what you managed to convey to him in sign language – and pushed him towards the exit. Joel shifted his icy stare at the man standing next to him, and then at the two situated near you.

They were all going to die.

When he gets back, he’s going to kill every one last of them, and he’s going to enjoy it immensely.

Joel sent you one last look before turning around and slowly walking out of the room with both men close behind, pointing their guns (and only one of them loaded) at him.

It was going to be alright. He had a stirring of a plan and when he comes back, maybe with Tommy or someone else…

You gasped and coughed again behind his back after the sound of another punch.

Joel came to a dead stop, not registering the gun barrel digging into his back, and he felt like his jaw was going to snap if he kept clenching it like that.

You murmured something he didn’t quite catch and Joel turned his head slightly just in time to see the short man kicking you in the ribs and your form lying on the wooden floor, spitting out blood…

“You think you’re so clever, huh? I swear to fucking god, if you pull something like that again…”

Joel didn’t even let the man finish.

In a split second he elbowed the man behind him, grabbing his hand holding the gun – the one they took from you – and shooting the blond standing over you. He fell backwards and the knife fell out of his grip. Taking out the guy Joel grappled with was embarrassingly easy, and once he had a good grip on the pistol belonging to you, he spun around to face the other thug with his gun, standing on the opposite side of the room.

The ragged man fired at him, but Joel didn’t even need to duck, for the bullet missed him by half a meter at least. The man was lying dead soon after, shot twice in the head, and the remaining three took out their weapons, ready for a fight.

None of them reached for Joel’s rifle, lying under their friend’s corpse.

“That’s even better,” he murmured to himself, unloading the gun and throwing it against the far wall.

If looks could kill, they’d already be lying on the ground and writhing in agony. But Joel was more than happy to do it himself. And with his bare hands.

He strode with confidence to the nearest man who swung a machete at him. Joel avoided the attack and pushed him back, quickly darting to the side and decking the other man coming at him.

A sharp pain ripped through his body from the back of his arm when the third thug cut through his clothes. Joel blocked the second strike and twisted the opponent's arm, applying so much pressure that the bone in the forearm snapped and the man’s scream pierced the air.

He lurched back to dodge the machete aimed at his neck and picked up a knife dropped by the previous guy. He surged forward, driving the blade into the thigh of his current attacker, which made the other man lose his balance. Their friend, the last one still unharmed, managed to punch Joel’s jaw, making something crack and reverberate inside his skull, but he only wiped the blood from his face.

When the last thug came closer, Joel used his own momentum and grabbed the back of his skull, bringing the guy's face down onto his own knee. After that his movements were practically automatic when he grabbed the dazed man from behind and broke his neck in a swift motion.

Breathing heavily, he made his way to the first man he knocked out and took your gun from, picking up the machete en route. That son of a bitch wasn’t even conscious, but it didn’t stop Joel from bringing the weapon down and through his head.

The next one was the bastard with the broken arm, but his screams quickly died away when he, too, received a deep and lethal wound from Joel – this time aimed at his chest, almost cutting it open.

Your yelp ripped through the roar of blood in his ears and Joel turned around just in time to see the blond he shot in the shoulder sitting on top of you, trying to stab you with his knife. You managed to dodge it and before that idiot could try again, Joel came up to you both, grabbed the man’s hair and all but threw him off of you and onto the floor.

The blond was still holding the weapon in his hand, but didn’t get another chance to use it – with all his strength Joel brought the heel of his heavy boot down on the injured man's fingers. The man screamed when the satisfying crunch of the bones in his hand breaking echoed throughout the room and Joel couldn't hide a smirk.

He deserved it. All of them deserved it.

He again saw before his eyes the way this motherfucker kicked you and how his friend threatened to cut your throat. Again he saw red.

“You piece of shit,” Joel whispered, still blinded by rage, and gave the man a taste of his own medicine by kicking him in the stomach as hard as he could. The bastard coughed and yelled in pain but it wasn’t enough.

Joel’s focus was sharp and clear when he stood over the battered and bleeding man, staring down at him with hatred. He thought the blond tried to say something – his lips were certainly moving – but he didn’t concern himself with any begging or threats the thug had to offer. Instead he gripped the front of his sweater and punched him in the jaw, letting the limp body fall to the floor and relishing in the sounds of his curses, his grunts of pain, his blood dripping onto the floor…

Not enough.

Joel did that several more times – grabbing the idiot’s clothes, hair, whatever – to pull him up and hit him in the jaw, temple, nose and wherever else his fist landed. The face of the man was bloodied and he was barely conscious at this point and still all Joel could see was the look of sadistic glee on this man's face after finding an excuse to hurt you.

Joel didn’t have much strength anymore, but he ignored the biting pain from the cut on his arm and the raw wounds on his bloody knuckles, and straddled the lying man. The survival instinct must've kicked in and the blond started to tussle, reaching with his not-broken fingers to Joel’s face, scratching his brow and cheek.

And just like the glee he saw in the thug’s eyes earlier, Joel was more than happy that he gave him an excuse – and an idea – how to hurt him more.

“I saw how you looked at her,” he said in a low tone to the unlucky man, holding his left arm in place with his knee and pressing his own thumb to that fucker's swollen eye. “You like hearin’ people screamin’ in pain? Because I just know this is going to bring me great joy.”

Blood was flowing from under Joel’s finger and down his hand when he gouged the blond’s eye out and the man was shrieking. He was writhing and struggling under Joel's weight, and his voice became guttural and hoarse soon after when the dark blood started to flood his mouth. Joel pulled his hand away, panting heavily, and soaked in the suffering of that bastard whose face now resembled a smashed, bloody goo.

Not enough.

It was unfortunate that the blond was the only one left Joel could take it out on, but he couldn’t find any compassion in himself at the moment. So he punched him again, staining the floor with the scumbug's blood.

And again.

And again.

And again.

“Joel.”

Joel turned around sharply, grasping the thug’s knife. He could still feel rage churning inside of him and he was breathing heavily, trying to contain the fury filling him without screaming out loud. His hands were covered in blood – not his – and he subconsciously knew that the man lying motionlessly under him was long since dead, his face completely destroyed, but he wished that son of a bitch was still alive so that he could feel the suffering Joel longed to inflict upon him.

Everything because he hurt you.

You…

The ringing in his ears stopped suddenly and the knife fell out of his hand when he ran up to where you were still lying on the floor. You were curled up on your side with your arms wrapped protectively around your stomach and your face twisted in pain.

Joel’s breathing got quicker, now for an entirely different reason, when he noticed that the cut on your neck was bigger than he originally thought, and still bleeding. Your face was bruised and he knew your whole torso will probably turn green and purple soon, too.

“Oh, babygirl,” he whispered tenderly, his trembling hands hovering above your body, but not touching it. “It’s…” It’s alright, he wanted to say. Or maybe, where does it hurt the most?

He had trouble finding his voice, though. In his fury he completely forgot that you were still here and in need of his help.

You took a deep breath and turned your head ever so slightly to look at him in the corner of your eye. A sad smile appeared on your face.

“Hi, Joel.”

Joel breathed in. Out. In again.

For fuck’s sake, what was he thinking?

He quickly wiped the blood of the people he killed on his pants and cursed at himself mentally.

“Hi, darlin’,” he murmured in response, focusing back on you. “You’re gonna be alright. How are you feeling?”

“I think I might have a broken rib or two,” you breathed while Joel pulled out a clean piece of cloth he carried in his jacket for cases like this one and pressed it against the cut on the side of your neck. You winced and he felt a pang of pain in his own chest.

“Can I check?”

You let go of your stomach with a strangled gasp. Joel started to gently feel your torso, trying to discern if he could feel any broken bones or signs of internal bleeding. He kept his touch as delicate as he could, not wanting to hurt you even more, or worse – scare you.

He couldn’t stop his hands from shaking, though, no matter how much he tried to calm his breathing. He wished he could hold you as securely as he held his gun, with a quiet heart and sharp focus, but the fear of accidentally hurting you made his fingertips recoil at times.

Although you two knew each other for years now, you were never a witness to this cruel side of him. You knew about it, of course, of horrible things he’s done before he got to Boston and met you. A couple of times you even saw with your own eyes snippets of these primary emotions of fear or anger overtaking Joel’s mind and body.

But never like that. Never with such ferocity, hatred and satisfaction from hurting those who did the same to you.

He just really didn’t want you to be afraid of him. You were so precious to him and often he thought those brutal hands of his, which he knew were guilty of inflicting unimaginable pain and suffering, weren't worthy of touching someone who in his eyes was so delicate and pure.

But it never stopped you from seeking his touch, and although Joel could be stubborn and tough at times, he didn’t have it in himself to ever refuse you anything – even when he knew better.

That was always the case. His judgment and mind were clouded when it came to you.

“I don’t think anythin’ is broken,” he finally said in a quiet voice, cupping your cheek gingerly and turning your head to look at it better. “But the nose probably is. How did it happen?”

“They jumped out on me in the hallway,” you answered, not meeting his eyes while he gently touched the base of your nose. Then you looked to the window against which the still pouring rain was beating. “One of them punched me when I shouted for you. I thought you might have not heard me.”

“I heard you,” he murmured and sighed. “I’m sorry.”

“No, it’s okay. You came for me pretty quickly, so–”

“Not that. M’sorry you had to see… this.”

To that, you didn't say anything. Joel felt his heart clenching on itself and almost stopping from the wave of terror that washed over him.

His treacherous mind was rushing him to defend his actions or make excuses – because if he doesn’t, if it turns out you’re scared of him and the things he’s capable of…

You might leave him. And if you leave, Joel won’t survive that.

But he didn’t give in to those cruel thoughts and silenced the voice in his head.

“I’d do it again,” he said quietly, making you lift your head. “In a heartbeat. I’m really sorry you had to see that, darlin’, but I… just know I’d never hurt you. And if I can help it, no one else will either.”

“Hey.” Your knuckles brushed his cheek and you looked at him with sad eyes. “You don’t need to explain yourself. I know you did it to protect me.”

“I wanted them to suffer,” he continued as if you didn’t say anything, but at the same time he soaked in the feeling of your soft touch on his face. “I don’t know how much you saw–”

“Joel.” You sat up with a wince after interrupting him, and your gaze turned sharp. “Why are you telling me this?”

Even though the bloody, battered mess that he made of the blond man seemed to push itself into Joel’s field of vision, he refused to look away from you.

“‘Cause you need to know. I feel like I’d be lyin’ to you if I didn’t explain that it wasn’t an accident or a one-time thing,” he answered, his eyes flickering from your neck to your face, and down to his own stained hands. “Couldn’t think of anythin’ else after I saw you like that, on the ground and…”

“Listen to me.” You took his head firmly in your hands and your gaze was unwavering – like you wanted to make sure that your every word will reach the depths of his soul. “I’ll say it again: you don’t need to explain. I get why you did that. And don’t even think you’re gonna drive me away because of that.”

You knew him too well. Sometimes it was slightly annoying, sometimes even scary.

This time, however, it felt reassuring.

You looked to the side where the body of his last victim lay, and Joel grimaced, gently touching the edge of your jaw and tilting it back to him. “Don’t look,” he whispered, realizing with surprise, as well as a horrible lump in his throat, that he felt almost ashamed.

Your bright eyes met his again and he briefly wondered if your gaze always was so scrutinizing.

“I’m not scared of you,” you said sternly, like always knowing what was going on in his head. “I'm not, so stop thinking that.” You shook him by the arm a little and when he didn’t answer, the corner of your lips tugged upwards in a teasing manner. “I’ve seen you multiple times in the morning. I know you’re secretly a big softie.”

Joel really didn’t deserve this kind of kindness and understanding from you. That didn’t stop him from craving it, though.

He didn't say anything – just leaned in and kissed your cheek tenderly, lingering there for a moment but paying attention not to brush your nose. You exhaled and closed your eyes, your eyelashes tickling his skin, and he decided not to drag this conversation on any longer.

“Come ‘ere, sweetheart. I’ll help you up.”

He stood up and held out his hand. It was rough and covered in blood, but even after you saw what he did to those men and heard their screams, you didn’t hesitate to take it.

“Joel,” you said gravely after standing up. There was no trace of your previous smile on your face. “If you were the one in danger, I’d do the same thing.”

You were looking at him expectantly, clearly waiting for an answer, and after a couple of seconds he nodded slightly. Apparently it was good enough for you, because you just squeezed his hand and tugged him after you and out of the room.

Joel didn’t know if he believed you.

But your words made him feel calmer and cleared his clouded mind nonetheless.

[snek-eyes]

I keep thinking about what slotting the Job sequence in between the Flood and the Crucifixion does for Crowley’s arc, and his relationship to both Aziraphale and heaven.

@amuseoffyre did a great analysis of the importance to Aziraphale's arc here that sparked this thought, but it sent me down a rabbithole because A+C are both having very different experiences here.

Compare how Crowley bounces up to Aziraphale at the flood vs how standoffish he is when the angel shows up to the Job situation. Aziraphale is the one who's all friendly, "Oh it's you!" while Crowley... is pretty businesslike, at least until he gets the chance to start rubbing the reality of the situation in the angel's face. 

The flood pissed Crowley off. Job is the first time we start to see the more bitter Crowley we'll get to know. In the Garden he was bemused about overreactions and almost having fun poking this angel with questions about God's plans. Beginning of the flood sequence he was pretty playful. This whole earth thing hasn't been so bad so far, and oh here's that weird angel again, that's fun. 

But then he gets hit with God turning on their creation without warning, again. And the flood was at least in God's name ("That's more the type of thing you'd expect my lot to do," he said. Wasn't heaven supposed to be the good guys?). But now with Job? God turns their back and just... doesn't stop hell. Heaven's hands stay clean while hell dirties their evil little claws. Oh, so this is how things are, Crowley realizes. This is the part he's meant to play. Fine. 

And seeing how he acts here... I can't help but feel like he'd mostly given up on Aziraphale after the flood. After Crowley went, "Wtf, this is clearly an atrocity," and Aziraphale stuck to "You can't judge the Almighty!" ...well. Giving away the flaming sword was probably a fluke. Just another tool of heaven, that one. Disappointing, but what should he have expected? 

So all through their Job interaction he plays up his demonicness, trying to force Aziraphale to toe the party line and prove Crowley's new view on things right, once and for all. But there is a crack there, because not-so deep down Crowley would love for Aziraphale to surprise him again.

(After all... he is lonely. Try some wine with me, or have an ox rib, angel.)

(Fascinated by the difference in Crowley's gleeful "That's just how it started for me, see you in hell" vs. "I'm not taking you to hell, Angel. I don't think you'd like it." And only admitting to the loneliness once he isn't totally alone anymore; I think the original lie was more to himself than anything. He's angry, he's bitter, these righteous angels shouldn't think they're any better than him, not when they can doubt too. But when it comes down to it? No, I don't actually want to drag you all the way there. Something about guns and miraculous escapes, and his comment about Wee Morag, it's different when it's someone you know, isn't it. Hm. Anyways.) 

By the end of the Job situation they have a moment where they confirm they are more similar than they thought. But it's not a happy thing. It won't be until Rome when they start enjoying each other's company just for the sake of it. So at the crucifixion Crowley comes up to Aziraphale still prodding at him. You happy about this, Angel? You smirking over how righteous it is? But now instead of, "You can't judge the Almighty," we get "I'm not consulted on policy decisions." Implying he disagrees without really saying it. And that's enough for now, Crowley will take it. 

From the flood -> Job -> crucifixion -> Rome, we see Crowley get angry, then more and more resigned and bitter. Until Aziraphale reaches out and pulls him out of it.

[theoddest1]

Hey, isn't it so..."Great" that Viv is out here liking posts that clearly find moments where Angel is being sexual with his rapist "Hot" How much more telling can this all get, right? We really sit here, having to explain how fucked up it is to take SA, try to tackle it "seriously" but then proceed to not even do it for that reason. Only for it to be for angst and goon material. How do you expect me to SIT HERE and take whatever Viv has to offer seriously? The number of people I have seen trying to justify this gross behavior is abysmal. If you have this kink or whatever, fine not like I can stop you, be into that shit somewhere else, but DO NOT try and TACKLE IT only for it to be not even seen as serious or as a way for you to get off to your sick fantasies.

Why the hell would you like this? "Angel with his abusive rapist boss😝, so hot guys! Can'tstop thinking about it!"

What good reason would Viv have in liking this post? Why do over 4k people find a post like this neat? "Oh they're fictional, it's gucci, stop bitching" wouldn't need to bitch if people didn't outright sexualize moments meant to tackle an irl fucking problem.

By the way, this person ships Angel and Valentino together. Their pinned tweet is legit sexual Val and Angel art. I wouldn't recommend attacking them regardless if you disagree with their ships and what they deem...ugh "hot."

Fair warning to I WILL be showing some of their arts and reblogs as evidence, so if you are not into that sort of thing (anything NSFW), I highly recommend scrolling past my post or past this section of it.

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I'm pretty sure Viv actively searches for this sort of thing on Twitter, like it's PAINFULLY obvious that she does. How you just so happen to like a post clear af lusting for this abusive relationship YOU CLAIMED to take seriously that ALSO happens to be from an account that ships the abuser with the victim? Gtfo with your two-faced shit, just say your find this hot instead of lying your absolute ass off. The audacity for some fans to go after one group of people for liking questionable stuff only to let other questionable things slide. Like homie, you can let rape slide, but draw the line for any other questionable thing? How's about you have that energy for EVERYTHING with your hypocritical asses. Ion wanna hear y'all stank ass make callouts if you're okay with a rapist being shipped with someone he actively harms in various ways.

And Viv

You say this entire sequence is meant to be uncomfortable, meant to not sugar-coat how awful this situation is, and supposedly have people who are victims/survivors themselves, yet here you are liking posts from people who do anything but take it seriously and even sexualize it. That's absolutely insane to me. And reminds me how you were drooling over some pins that glamorize the abuse Angel and supposedly Husk goes through, you know, the same character that COMPARED his abuse with Angel's.

Ah yes, let's downplay how horrible Angel's situation is further, shall we? Let's especially do it after adamantly arguing with other SA survivors who "haven't seen the episode yet" and need to shut up or don't watch 😃. Let's ignore the fact that Husk and Angel's situations STILL aren't comparable but it's still very odd to have pins on TWO situations taken seriously in the show. So do you actually view the situations seriously or not Viv???

God she's....actually fucking stupid and horrid.

[squirreldox]

well,

congrats on another one of us being canonically queer

[sixstepsaway]

so here's the thing

i've seen a bunch of people say on twitter and stuff how... ed's behavior is very abusive and his anger is dangerous and he isn't romantic lead material because of it

and i get where they're coming from

but to me the main issue isn't putting ed in the position of a romantic lead, but not crafting the narrative around his characterization so that it allows for a spicy romantic pirates-in-love narrative instead of...whatever this is.

i'm going to try and explain this. idk if i'll do well but i'll try

the way she show presents stede is as an innocent baby who isn't really equipped for pirate life. he goes into a fugue/disassociative state whenever there's any real violence, apparently, and needs protecting by other characters when things get too rough - for example when ed is telling ned lowe not to take the poker to stede.

that's fine! it's honestly adorable to see a masc character being so soft around the edges and being protected by other characters this way.

(i'm not going to touch on stede's... eh... not great characterization this season rn)

then there's izzy, who is shown as a bit violent, a bit rough around the edges. he's more likely to draw a sword or throw a punch or hit someone with a chair or take a punch like a champ. violence is just part of life for him and that's okay, it just Is, from small things like smacking stede on the ass to bigger things like being wall slammed, it's not all that big or bad for violence to happen around and with him, he tends to give as good as he gets (there's some nuance here but i'm talking the macro themes not the micro of what izzy does vs is done to him)

and finally there's ed

ed is presented as violent (stabbing knives at guys, telling fang to use the snail fork etc) and used to a life of violence, and then in season 2 he's presented as really violent, his anger coming out in dangerous and terrifying ways

and frankly, i'd be super into it if he and izzy were the main ship and that twisted dynamic from the first two episodes of s2 was explored and fleshed out into something deeper

friends to enemies to lovers who fight and fuck. angry pirates who lay hands on each other, who break the whole ship with each other in the heat of passion.

except instead, s2 gives us... abuse. it gives us izzy cringing and lowering his head and trying to protect the kids crew from ed's angry outbursts.

so when stede comes back and he's still soft around the edges and ed headbutts him and it's deliberate, it's... not a great look, and the vibes are a bit skewed

if stede fought back, if when ed struck out at him he struck back, if they fought rather than it being one-sided, if it was friends to enemies to lovers and not presented as healthy, but maybe they can work their way there, who knows, maybe even more like anne bonnie and mary read because hey, they were doing something very similar?

except they were both into it. they were both enjoying the fighting and the fucking and the burning down the house.

stede's not enjoying it.

i cannot describe how much i hate this sequence just because of the way stede flinches

anne and mary don't!! mary jumps at the unexpected bang but she doesnt flinch, she doesn't cover her face like she thinks the vase will be coming for her not the wall and anne? looks so into it

and the thing is that in real life, no, you don't want to date someone who throws shit around, or headbutts you

but in fiction when it's two fucked up people doing this shit together like anne and mary?

that can be fun.

but instead what we've been given is stede flinching and apologizing to ed and then all of ed's...what, semi-redemption???? is done away from the other collection of people he abused, and then he spends some time on a fishing boat wearing a dog collar and everything is fine because he's good now and won't be doing anything bad ever again

and it's just... poor writing. the vibes are rancid.

i spent a really big chunk of time between s1 and s2 defending ed. i kept saying how what he did to izzy by making him eat his toe wasn't abuse, it was a one-off and abuse isn't a one-off thing it's a pattern, and then s2 made it a pattern.

explicitly. explicitly a pattern.

not just one toe but three.

jim saying "you're in an unhealthy relationship with blackbeard"

and all ed offered izzy was a "sorry about your leg" which might've been fine if izzy survived and they could work on this more, but instead that's all the apology and closure izzy will ever get

ed threw a chair and a vase and made stede flinch in fear and stede was right to do that. what part of any of this implies this will never happen again? that stede won't press the wrong button at some point and be on the receiving end? none of it

and if we'd been presented with a s2 stede bonnet who could handle himself and stand up for himself and fight back, then maybe i could imagine that turning into a weird sexy fucked up anne/mary like thing and maybe that could be why they put that episode in, but instead it feels like that episode was going, "look, see, ed's violence is fine because these two are fine with it with each other"

but stede isn't

ed and izzy or ed and stede in an unhealthy battle of a relationship could be such a fun, interesting and downright sexy thing to watch unfold on tv, and could honestly end somewhere far more down the chill end of the spectrum, but that's not what we've been given here

i cannot argue that ed isn't an abuser anymore, and not just of izzy but of the whole crew. he terrified frenchie.

it's not good writing to try and lean into the idea that ed and the pirates are violent and live a life of violence, so it's okay that ed's been violent, while simultaneously presenting his violence as traumatic and abusive, and then less than three episodes later saying oh it's fine now, he's just a little meow meow who can do no wrong, see?

especially considering they had him murdering people at the end of the season. and sure, you can say the english are just cannon fodder and they dont 'count', but they did before. ed explicitly did not kill before, and that included the english, or the spanish, or anyone else. so either they count or they don't, but flipping him on a dime makes no sense.

ALSO

having ed be the son of an abusive man who threw plates at his mother and made her cringe and then having ed kill his father to protect his mother and then a season later having ed become the kind of man who throws chairs and vases and makes his love interest cringe is, again, not bloody optimal

i want to say again i dont CARE about tv always presenting healthy relationships or tv always giving us aspirational goals. i want messy fucked up dynamics and terrible people making terrible choices, and still, to this day, i fucking love ed teach. i would honestly love to have seen them continue with ed's darkness and bring stede into it and see where they went with that, to have stede kill ned lowe and not just bury his feelings in ed but get off on it, enjoy the violence, and see where that led, but no

and so instead all we end up with is a protagonist who is being set up for a lifetime of abuse from an intimate partner, and a romantic lead who abuses his love interests (and yes. izzy is a love interest, he is set up like one and positioned like one and treated like one), frightens his love interests with his violence, is erratic and most of all inconsistently written. he was so sorry about scaring fang as though he hadn't been deliberately terrifying the whole crew for fuck knows how long? what?!

the whole fandom has spent so long saying, "no no, i know stede bonnet irl was a slave owner, but ofmd is using the names and not any real piracy, it's more disney piracy, you know? so that kind of stuff doesnt exist!" and then they flipped around and went "blackbeard is blackbeard and so he is evil and does all these horrible things" and i dont know how to rationalize the two sides of that because it feels so out of place

i'm getting rambly, this isnt a particularly well constructed thought process, i just feel like we were robbed both of a toxic, violent relationship that could be fun to see explored on tv and a soft and sweet love story between two middle aged men exploring their first loves in one fell swoop and there's no way for s3 to bring either of those things back because they got utterly torpedoed by making ed a horrible person

ugh

[paper-mario-wiki]

Shangri-La Frontier mid-season review

This is by far the best fake video game I've ever seen written in fiction.

Most MMO-centric isekai stories have trouble with providing accurate and realistic depictions of the complexities and minutia that give MMOs the allure they have. I've seen so much handwavey bullshit tacked onto fake-games that introduce unrealistically overlooked mechanics for reasons like giving the protag immense power just because they're the protag and the story is about them. A good example of this is another MMO Isekai airing this season, "A Playthrough of a Certain Dude's VRMMO Life", wherein the main character becomes extremely rich, powerful, and famous by episode 2 because he stumbled into a stealth archer playstyle, a build which apparently no human in that universe had ever conceived of before, and then making a fortune by selling basic potions to everyone after NPCs stopped selling them (another thing he was uniquely able to do because not a single other player had the forethought to spec into alchemy). These lesser, dime-a-dozen isekai add up to be boring fantasy strories with gaming elements clumsily put in so that the author can demonstrate how powerful the world's inhabitants are by showing their stat allocation screen instead of, say, explaining anything about what they do that's so uniquely powerful and how they figured it out. Ya know, stuff you'd hope to hear about from any competent story.

Shangri-La Frontier is a breath of fresh air for anyone who, like me, is sick of authors ignoring the things that actually make video games compelling in service of creating a stock-standard narratives in fantasy worlds because it allows them to get away with bullshit. I've always found it very convenient that many isekai narratives indulge in things like chattel slavery, because it's societally normal enough for the protag to purchase a beautiful, vulnerable girl to add to his harem (dont worry, she is always inexplicably in love with him no matter what because he's SUCH a kind master). And it never really seems to go anywhere. Because the Video Game Isekai, while an interesting premise in theory, is more often than not used exclusively as a means to simplify the structure of a world's power scaling to abide by an arbitrary set of omnipresent universal rules (e.g. what people who have never cared to look into game development think of video games). This anime, by comparison, is VERY clearly authored by someone who plays a LOT of games.

Every piece of logic used to drive the plot forward, so far, is congruent to a real-world example of video game conventions, and I'm not just talking about levelling up and selling monster parts. Story elements that I've rarely (if ever) seen explored in other isekai are ever-present and genuinely clever and amusingly introduced. My favorite example of this so far has been the way the protagonist has been able to go head to head with so many overlevelled foes in the first 9 episodes. The story of course makes note of how good of a gamer Sanraku (our hero) is, but much like in real life games, being super duper good at dodging attacks doesn't really make up for a 70 level gap in items and learned skills. For that reason, he gets his ass whooped more often than he actually outsmarts others (so far he hasn't beaten a single player in pvp). So how is he getting out of these situations without dying so frequently? Simple: he got access to a later area too early relative to his level (sequence break) and got access to a high level follower NPC that's been carrying him. This is something he acknowledges directly several times, specifically using words like "Emul has been hard-carrying me for a while." This, to me, is extraordinarily meaningful. That's something you can exploit in Skyrim, man. That's REALISTIC CHEESE STRATS. The excitement and wonder I find in this show doesn't come from watching the protag do something unexpected, but by watching him do something that I would think to do.

This knowledge the author has demonstrated regarding modern gaming culture extends further into the actual realistic nature of game design and community. The story exists in a reality where full-dive VRMMOs are the be-all-end-all of gaming, and given the prohibitively expensive nature of developing and designing expansive, immersive worlds, most games are pretty shit. It's been hinted at so far that this is due to a monopolistic megacorp which is one of the only entities rich and powerful enough to make a good game (the game in question being the one that shares the title of the anime), but so far the strife of the characters have been pretty centralized to the happenings of the game world and its politics. By the way, lets talk about the game world's player base politics, which I'm also quite pleased with. It exists in the form of guilds and clans who struggle for power not by participating in seemingly random pvp with other powerful players to see who is the most epic and badass warrior (again, like many contemporary isekai typically opt for), but by gaining actual realistic support from a fictional playerbase with realistic desires and playstyles. Some guilds are interested in lore, some gather for alliance and boss raids, some for things like animal husbandry, and (naturally) at least one is dedicated to trolling and PKing. Each of these factions, through the very little that we've seen of them so far, communicate on forums and only know as much as is reasonable for them to know. The only reason they give a shit about the protagonist at all is because he gained access to a high-level unique scenario quest that they want information on how to access, and the only reason word of that got out in the first place was because someone posted a screenshot of him with a unique NPC onto a forum, asking about it as "where can i find this pet summon, its super cute!" That's real. That's video games, baby.

I like this show a lot so far. I like that it cares about video games, but I also like its writing. I like the main character and how hes less of an ultra badass super cool guy, and more of an earnest challenge-run lets player. Like, a lot of his dialogue straight up sounds strikingly similar to Japanese youtubers. And he's naturally always quick to point out inconsistencies in the game world's logic. I ALSO really like his community of pals from a janky old fighting game, and I ADORE the girl from his school who has a crush on him and also just so happens to be an exceptionally high level player from a top clan, and how she had to spend 9 episodes working up the courage to send him a friend request. I love that so, so much, dude.

I highly recommend this show if you're into a single thing I've mentioned. The animation is great. The world is beautiful. The character design is immaculate. And I'm looking forward to watching it continue.

[rogueshadow1124]

THE NEWS

[BATFAMILY IMAGINE SERIES]

Summary: Bruce and his wife Y/N have something to share with the boys but how would they take it?...

Word count: 1420

Warnings: none?

Bruce Wayne, eccentric billionaire of Gotham city had four sons, three of which were adopted. Y/N Wayne has been his beloved wife for six years now, she had been as good as a mother could be for the boys though they were not her own kin, she did everything for them and didnt hesitate to protect them when needed. Her life revolved around them and all four of them knew that, they adored her just as much as she adored them.

Dick moved out a couple of years ago, Y/N at first was sad since he was the one she had known the longest and he was her first 'son', she understood that he was a grown man now and he needed his own space. Jason switched between the manor and an apartment he owned, sometimes he got homesick which made him feel distressed but he always had the comfort of his 'mother' waiting for him whenever he needed.

Tim had only really just turned seventeen, he was still a child and therefore still in Bruce and Y/N's custody, he has been working hard lately due to him being in college and he's pushing through the darkness of reality to have a successful life. Then there was Damian, he was the baby of the family at the age of fourteen, though he liked to act way older than he really is, being quite mature for his age, he can also be a little broody at times but you know what some say, like father like son, right? 

At this point they had all become a big family, perfect but dysfunctional.

"How are we supposed to tell them Bruce? What if they dont take it very well?" Y/N rushed, looking up at her husband who chuckled at her anxious ness.

"Your over thinking it again darling, everything will be perfectly fine. I promise." Bruce slathered an arm around her waist and pulled into his bigger form, rubbing up and down the length of her arm with his other hand.

"Are you sure. Oh what about Damian, I'm sure he wont like this-" Her tone became more distressed as she went on, her hand coming up to rest on her heavy eyes as she let out a shaky breath.

"Dont worry about it Y/N, I'm sure the boys will be delighted. In their own ways." He stated, whispering the last part of the sentence which didnt go unheard by his wife who whined out and hit his chest several times, sending him a glare. "Hey. Everything will be fine."

The woman took a seat on the couch, groaning when she heard the loud thudding sequence of steps that were emitting for the hall. Her elbows came to rest on her knees, body slouching over while her hands held her head up, Bruce sighed lightly and sat beside her, placing and arm around her shoulder in a form of comfort.

"So what'dya wanna talk about Ma'." Jason's voice called out as he entered the room, being followed by the other three boys behind him.

"I-i just..." She wiped her hands down her jeans, looking up at the boys that were watching her nervous movements, Bruce took both of her hands in his and sent her reassuring smile when she glanced his way and nodded slightly. "Well- y-your going to be big brothers."

"W-what?" Dick and Tim squeaked, eyes widening in shock as there mouths fell a gape. They looked at each other and then to the others before facing the adults again, Y/N smiled sheepishly and Bruce arched a brow at them motioning towards the woman who shook in anxious ness.

"Y-your pregnant?" Jason heaved out, a small smile coming to his lips when he looked towards his mother figure.

"Yeah..." Y/N stood up from her place on the couch, along with Bruce who was still trying to comfort her as she was still a little shaky from the nervousness. Her eyes trailed over the boys and fell on Damian who had a neutral look on his face, no emotion present. "D-dami?"

The boy looked at her for split second with squinted eyes before spinning on his heel and rushing out of the room. A hard clutter of footsteps could behead thumping up the stairs, a few seconds later the sound of a door slamming shout could be heard.

"Mum are you-" Tim stepped forwards, looking at the woman with worry in his eyes as he saw the tears start to gather in her own. She shook her head, smiling at him with a sniffle.

She whispered a 'yes' looking back at Bruce momentarily the proceeded to walk away from him, passing the boys to exit the lounge area. Her eyes peered up to the landing, a heavy breath passing her lips when she started to make her way up the stairs.

She hopped up them quickly, strolling down the landing to the end where Damians room was. Her hand rose to the dark oak, hesitation hitting her but she pushed aside the sad feeling that she had felt and knocked on the door three times, hearing shuffling before the door swung open to reveal the small ravenette. Damian held eye contact with the woman intensely, tilting his head to the side. He sighed, rolling his eyes and walked backwards into his room, leaving the door open which was a silent way fo telling her she could enter if she wanted to.

"Dami, i-i never meant to upset you-"

"I'm not upset." He cut her off, turning around to look at her. His blue orbs widened when he saw tears returning to her eyes, a feeling of guilt seeping through the barrier he held. "Al'umu?"

"I'm sorry Damian, really I am." She muttered, wiping her eyes and attempted to send a smile his way but failed immensely when her bottom lip began to tremble, a burn setting in the back of her throat as she tried to hold back the tears.

"Theres nothing to be sorry for Al'umu, I just appear to- to feel jealous." Y/N furrowed her brows in confusion, Damian looked down in shame, falling back to sit on the edge of his bed as he grumbled a few curses under his breath.

"I dont understand." She walked over to his bed and crouched down infront of him, raising a hand to push the pieces of hair away so they disnt block his face. She brushed a finger of his cheek, lifting up his chin so he looked at her. "I need you to know, you can never be replaced Dami. I wont allow that to happen, you'll still always be important just as much as the others and this baby."

"But-"

"No Damian, sure at first the baby will need alot of attention but I wont allow any of you boys to feel left out. Besides, you'll always my baby Wayne, Dame." Y/N stood up, pulling the boy with her, bringing him into het embrace which he accepted right away. She placed a kiss at the top of his head and brought him in closer, chuckling when he snuggled closer.

"Aw- who'da thought Demon was soft." Jason's voice echoed through the room making the two look towards the archway, spotting Jason along with Bruce and the other two boys whi smiled at the sight before them.

"Shut it Todd. Fuck you, I'm not soft." Damian went to pull away from Y/N but was pulled back into the hug, much to his dismay as he didnt want anyone to see him in this 'state'.

"You want a hug too Jay?" She tilted her head with a smirk, letting Damian free from her grasp. Her eyes squinted at the second oldest who frowned and looked at her but ended up nodding walking towards her and encasing her in his arms.

"Group hug!" Dick called out, grabbing Tim's arm and rushed to join the hug. Y/N chuckled reaching an arm out to the side, pulling the two boys in. Damian was now stuck at her side since Dick and Tim were blocking his exit.

"C'mon Bruce." The man scoffed, rolling his eyes playfully before making his way towards the crowding hug. He walked around to the back so his chest was against Y/N's back and he wrapped his arms around the boys, smiling at the moment they are having together at this time.