Flowey’s so funny and has me so fucked up like he’s a talking flower. He tries to kill you upon your first interaction. He is ten years old. He is damaged beyond repair. He’s a flower named Flowey. He’s become friends with every single character. He’s killed all of them countless times. He knows everything about everyone. He doesn’t care anymore. He takes care of his mom when she can’t take care of herself. He’s killed her before. He doesn’t care if you kill her. He thinks she’s trying to replace him. He just wants to be himself again. He wants to destroy everything. He hates you. You’re the only one who understands him. He wants his best friend back. He’s terrified of them. He believes in kill or be killed because he died by giving mercy to the wrong person. He believes himself to be the wrong person. He doesn’t understand when you show him that kindness he showed others, even when you know he could kill you for it. He’s tried every route. He asks you if you have anything better to do when you try to do the same. He’s a direct reflection of the player. He’s a fucking talking flower named flowey and his only voice line is by Ronald McDonald and his officially licensed plush does a little dance for you
one thing i really wish people wouldn’t forget when it comes to suguru’s character is that his core desire is just to have a family. not in a nuclear family way, but in a “i want a place where i belong / i want to protect the ones i love” way…… literally everything else is just an extension of that desire. a means to meet that end. he broke down after being forced to realize that staying with his family meant having to watch them die, so he left and made a new one. and he got stronger. and his core wish was always, always always to create a world where he’d finally be able to protect them :(((((((((
Something super pointless and self-indulgent I've had on the backburner for a while. I love trying to make the pieces they gave us fit together!
Al-AN and Robin would absolutely bond over learning about each other's biology. I could talk about this forever but I'll get into all of the headcanons I have for these two in another post eventually
Below the cut is another version with some extra bits and pieces and the transcription
Transcript :
Architect Anatomy
A. Architect "Brain" - Doesn't "store" information so much as allow for easy communication with the network
B. Brainstem - connects the information received to the central nervous/circulatory system
C. "Heart" - Circulatory system pumps the bioluminescent fluid to other organ systems and surface veins. Each node connects to a vast vasculature network
D. "Kidneys" - Organs that filter the bioluminescent "blood" and other bodily fluids, absorbing and distributing collected material
E. Nerve Center - Receives raw sensory data and filters it. Filtering can be unconscious or intentional
F. "Respiratory" Tract - Intakes gases or liquids and filters out material for use. Disposes of waste on exhale. Provides cooling to internal systems
The respiratory tract functions less like a set of lungs and more akin to a computer's cooling system, with the ability to absorb material from the environment to use in other parts of the body. It also would likely help the architect's body analyze the environment it is currently exposed to on a molecular level. It is also truly unidirectional, with the intake vents near the "collarbone" and the exhaust vents on both sides of the abdomen
The architect organ cache in-game felt like it was definitely not a complete model of the internal organs, so I wanted to come up with something to fill some more space. I also just really liked the idea of Al-An being capable of something similar to breathing, without having a respiratory system in the traditional sense.
Feel free to use any of this in your own headcanons if you would like :)
do y'all think Macaque is falling back into the role that Azure and the others put on him by remaining on the outskirts of the group because he thinks his input/presence is unwanted (and yeah his presence isn't really wanted by MK and the others BUT. something about the fact Macaque is placing himself at the edge of the group, the edge that Azure and the others pushed him to, doesn't really sit well)
I thought everyone was exaggerating when people kept bringing up the whole “bakugou says he’s Kacchan bc of kaminari” thing, but they actually believe that… what?
WHAT
Literally how do you guys function
AND THEY CALL ME DELULU???????
It’s such a stretch too. Like “oh yeah he said Kacchan no Bakugou in this movie” ITS NOT EVEN IN THE MANGA HELLO???
The whole reason Kaminari calls Katsuki Kacchan is because he’s making fun of him. It’s poking fun at the fact that Katsuki can’t say anything or get mad at Kaminari because then it would raise the question, “Well why can Midoriya say it?”
He literally side eyes him every time he does it but ultimately doesn’t react because he can’t. He can’t if he wants to keep up the act that he is uninterested in what Izuku represents, who he is.
SO WHY, IN THE EVER LOVING FUCK, WOULD IT BE KAMINARI?
WHO is present in this battle?
WHO is the person that made eye contact with him the second he woke up?
WHO is the one that grabbed his hand immediately upon Katsuki flinging himself towards them??
I don’t think THEY even believe it either, I think it’s just some way to cope and explain away the fact that this moment is inherently romantic.
Because I don’t think he’s making fun of the name Kacchan, I think he’s wearing it proudly. I don’t think it’s a joke at all. It’s a joke in the disbelieving way—the way you act when you’ve made an enormous accomplishment or won some prize, and you just can’t help but act absolutely insane at the fact. Because it’s funny that you’re here, in this situation. It’s hilarious in that disbelieving way.
Because he’s laughing at the truth, he’s been laughing at nothing this ENTIRE CHAPTER.
“Ouch! Haha! I’m so fast!”
“I can’t even stop! Ha! Ouch!”
Note: (I’m not using the official translations because for some reason they lack the maniacal crazed laughter and I’m confused as to why?? I even checked with pikahlua and they specified that there was laughing so…. I’m confused.)
What’s even weirder about this is the fact that afo also says (in pikahlua’s translations) “just who is this brat?!” Instead of “what is wrong with him” which implies less crazed bakugou ness imo. Confused as to why, again.
Because this can’t be happening.
Now, I know it could very well be him teasing afo and calling him dumb, saying basically “you’re too young/old to even know how to pronounce my name, use Kacchan instead like the child you are.” Especially since in the context of names like Katsuki’s, he has that tsu sound that can be hard for children to pronounce. (I’m not 100% on this but I’m pretty sure that the u sound is also meant to be silent since it’s a double consonant. So Katsuki’s name is technically pronounced “Ka-ts-ki”)
BUT IDK I THINK HES JUST FUCKED AND A LITTLE CRAZY RN!
That maniacal laughter at the fact that he’s in pain, the disbelief that he may even surpass Izuku, to me it’s holding a double meaning. The meaning that afo is dumb and needs to be treated like the child he is, and the meaning behind the fact that it’s a name Izuku owns for him. That’s his.
It can be both.
It’s not fucking Kaminari. It was never Kaminari. Even if you don’t read it as the second definition it’s still not about Kaminari.
But it’s also undeniable that it has to do with Izuku some way some how.
I also believe that the western side of the fandom is making an extra big deal out of this because, to us, we don’t really have a proper understanding of what a nickname like Kacchan means in its cultural context.
We can TRY to understand, comparing it to endings with ie or y given to children, and then sometimes going with that nickname into adulthood, but it still has its own distinct cultural context. Because a name like “Gracie” over “Grace” does to an extent sound childish, but I have a feeling that -chan has its own childish feeling. There’s a reason none of Katsuki’s other friends in middle school call him Kacchan, and there’s a reason Kaminari decides to make fun of him for the name in the first place.
I just think it’s important to use our thinking brains before we start yapping about things we don’t quite understand yet :)
Like it’s so unbelievably important to understand that horikoshi won’t tell you what’s happening in his story and why, he’ll show you instead BECAUSE HES A GOOD FUCKING WRITER
If it was about Kaminari, he would have specified, but he didn’t. He showed you that Kacchan is Izuku’s nickname for Katsuki, and he showed you that Katsuki cared more about Izuku than he let on for a long time. Just like he showed you that Izuku pushes down his emotions, showed you that Izuku struggles with projection and anger, showed you that Ochako was the one with this crush and not Izuku, and showed you that the feelings he had about Katsuki were deeper than anyone had realized.
He showed you parallels, he specified the important parallels that you absolutely had to see as a viewer (ex toga and ochako), just as he showed you the ones that were more subtle but still there (ex toga and deku). He showed you the pieces, and that doesn’t make his character’s underdeveloped or unspecified, that’s just how writing fucking works. “Good writing” DOESNT MEAN that you have to be pulled along through your baby steps with your hand held, the fact that you don’t get it is on you. Reading comprehension is a learned skill that has to be practiced over and over again, and that is not the writers job. The writer is only supposed to deliver you their story, and however you decide to misconstrue that story is, and hear me out friends, on you.
So I’m sorry if I’m tired of hearing arguments like “toga is a predator and Horikoshi wrote her to be horny”… she’s supposed to represent love. I’m sorry if the representation he made of love was uncomfortable for you, but maybe that’s the point? Because she’s an outcast? Because she’s supposed to be hard to empathize with, but that we have to empathize in the first place?
Arguments like “Katsuki was referencing a joke about Kaminari bc Kaminari said this in this movie” is just about the largest fucking reach I’ve ever seen. And I know, I know that when bkdk eventually get their implied or canonical ending that people are going to be mad. They’ll blame shippers for pressuring him, or they’ll say he’s a bad writer, or they’ll send him homophobic slurs because “how dare the character I see myself in be gay”. And I’m done with the stupidity and lack of common god damn sense.
So if you are going to be upset by the fact that you’re going to be proven wrong, then I again say, it’s on you.
This is such an insanely good scene To Me and we genuinely do not talk about it as often as we should even though it makes me so autistic... So I'm just gonna analyze it, looking mainly at Ras' manipulation tactics.
First, you have Ras, pissed off in an alley, angrily complaining about his woes, when suddenly Beatrix approaches him with an offer. (This scene will later be paralleled in the finale, but Jordana takes the initial role of Ras, and Ras takes the role of both Beatrix and himself, the Approacherrr and the Manipulatorrr.)
Ras stops, because he hears Beatrix's footsteps before her shadow appears on-screen, and based on the lighting the shadows appear to be pretty long, this scene occurs either early in the morning or late in the afternoon. We're gonna go with early in the morning, as a reverse parallel to Jordana's scene, which is pretty late at night, so already you got an additional parallel.
Ras turns around to see Beatrix approach, he gets her name right the first time, but then proceeds to ask if she could be Zeatrix instead in a slightly fake tone. She reacts angrily, of course, and Ras feigns surprise at getting it wrong, and bows respectfully, as a means of apology. This was the immediate start to his manipulation, in "confusing" their names, he was feeding into Beatrix's anger, which he continues to do in this scene, and then later on with Jordana, both in the s1 finale and in season 2!
When Beatrix says she's interested in Ras' offer of unlimited power, he seems like he may be genuinely shocked at her willingness to join him, however given the tone he takes on, this may be another tactic to further play into her anger, asking her why she'd do it so she could explain, and just get even angrier.
When Beatrix vents about how Zeatrix's birth robbed her of elemental power and Levo's father, Ras says elemental power is a cheat, and someone who may not deserve it gets it anyway, this time wearing his manipulation on his face with a smirk, he Wants her angry, he wants her rage.
Ras then fakes a scoff and waves his hand around, asking a question he likely already knew the answer to, about Zeatrix being the future Empress of Imperium, and getting Beatrix even Madder as she explains she will be left with nothing, while Zeatrix gets everything.
Ras smirks yet again, and claims it to be a waste of her "true potential." Now, I have made a post about this specific line before (which I can no longer find) but basically, I think him putting emphasis on the "true potential" is Also meant ot anger her. Why?
Aside from real-world usage, in Ninjago, ones True Potential is, as we all know, them unlocking their element properly, so in saying it's a "waste of her True Potential," it's like Ras wants to rub in the fact that she lacks powers, that she can never Have that moment like her sister, where she finally figures out what holds her back, and unlocks her powers, because she's powerless.
Beatrix asks Ras to help her in seizing the throne, offering him the resources he needs to capture a Source Dragon, and in response, Ras bows to her, as he did earlier, and he goes "As you wish, Empress Beatrix," and he smiles yet again, he's succeeded, he's manipulated Beatrix, he's gotten her angry enough that she's willing to trust him, and murder her father to seize control.
Everything Ras did in this scene was to feed into her anger, hell, the way he glances at her at the end of the cold open, part of me thinks he Knew she was gonna follow, maybe he was anticipating it, hence, the glance. Ras was angry only until he needed to manipulate, in which case he became this instigating force, there to listen to Beatrix's rage, and make her even worse.
So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.
My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.
With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.
That's what I need to do with Skystar.
MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.
A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.
Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.
So BB!Star Flower...
Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.
(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.
He can still do these things. He wouldn't NEED the power of a war god to do so.
But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)
Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.
But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).
And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.
Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.
A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.
You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.
I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.
I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school
But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.
She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.
The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.
Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.
thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder
hot take? but the Twilight fandom needs to stop citing Mormonism for everything that happens in this hell series.
the characters aren't Mormon. the plot isn't Mormon. the wardrobe isn't Mormon. this series was WRITTEN BY a Mormon woman whose religious indoctrination influenced her work. there are themes, plot points, characterizations, etc, that are related to or in line with LDS teachings. saying the book/characters are Mormon is not the same.
the more you label everything in text as Mormon, the less likely you'll be able to identify the actual religious influences
and if you think you are somehow immune to the influence of something you cannot correctly identify, think again
suggestion do you have... any wants? like obviously you do but like? suggestion my guy my ourple boy. both the easiest and hardest to write. you need a skill to say something to move conversation along but it doesn't fit any skill in particular? about 80% of the time you can have suggestion say it and it will make sense. but like actually characterizing him... how do i define you dude... what makes your character tick... urgh. i dont get you yet. im trying to understand but you are difficult.
me having gone to bed at 6 am every day for the past week and generally spiraling mentally while rotting in bed waking up this morning: a 4 mile hike in the heat is a really good idea right now, and while we're at it let's start like 3 art projects
do you ever think about/write about how maverick threw goose’s dog tags into the ocean? the letterboxd reviews have me thinking again.
yeah that was literally one of the first little things august 2022 me petulantly retconned . fuck that . he kept one.
in my (and many other ppls) opinion those weren’t mavs to throw away they should’ve stayed with carole
and (i try not to talk about this as much as possible but) it suggests Something about mav & goose’s relationship that the filmmakers thought his dog tags should go to mav instead of to Goose’s wife (though i acknowledge and appreciate the usefulness of the visual metaphor of him saying goodbye to goose at the end of TG) (though that visual metaphor was rendered completely moot by the whole of TGM showing that mav HASNT moved on from goose and only moves on once he has the chance to save roosters life [which is why i retconned it])
ALSO? i am sure I’m not the first person to talk about this? But, to add a second layer of confusion & analysis, uh, the dogtags mav throws into the ocean aren’t goose’s.
I’m reading “metcalf, mike” from the backside. Those are VIPER’s dogtags. for some reason.
now i choose to believe that’s a props issue… someone grabbed the wrong set of tags & they were like ehhh no one will notice… script supervisor not doing their fucking job… so i choose to believe the filmmakers MEANT goose’s dogtags & it doesn’t change the end of the movie for me.
But im interested to hear from you—does that change/add anything to anyone’s analysis to know that mav threw VIPER’s tags into the ocean? there are a lot of really weird implications that come from taking what is probably a props fuck-up at face value!!! (Viper giving mav his tags [weird], viper being mav’s surrogate dad figure, thereby this scene becomes about mav saying goodbye to his FATHER finally,.. etc.)
WAIT WAIT WAIT So was Amaya once an actual person that Magnifico knew and loved but she died so he recreated her and made her into the marionette? Or was she never a person and he invented an entire new person so he wouldn’t be alone?
i think the second one!! like he just straight up created her from scratch
im always weirded out by people who see izuru as an abuser who is driven soley by his ID. i see it as a severe misinterpretation of his character. everything about canon makes it seem like izuru is an extremely calculated individual who turns to junko as the only way to satiate his boredom and curiosity on the concepts of hope and despair
izuru is a complicit observer, occasionally getting involved but mostly on the outskirts watching alongside junko. the crux of junko and izurus relationship rest on junko attempting to fully sink izuru fully into despair, something he does not do. he walks the boundary between the two which keeps junko entertained as he may be fiscally on her side but despite that still manages to escape her grasp. he puts junko into the nwp not to cause more despair but to finally see who was right all along, despair or hope, junko or chiaki. its fueled by curiosity not a genuine desire for despair.
also izuru is like the ultimate neurologist, therapist, psychologist, ect, he knows how the brain works. hes not trying to figure out emotions hes trying to feel something because its so easy to sink into the whole “nothing matters” philosophy when youre in the middle of the apocalypse and humanity’s depravity continues to disappoint you
dont get me wrong hes still a horrible person but hes a lot more gray than people give him credit for hes less an active agent of despair and more a pawn, complicit rather than a genuine believer.
i said this once in an earlier post but junko lit the match and izuru was the match.
dont get me started how people write the servant/nagito x izuru stuff because it makes me want to rip my hair out (especially when people make it explicitly non-con like why ????)
but thats a topic for another rant
anyways i might get roasted for this but have a nice night 💋💋