Die besten Software-Tools für DJs und Musikproduzenten
[vc_row][vc_column][vc_column_text]Software Tools – DJs und Musikproduzenten – In der dynamischen Welt der Musikproduktion und DJing spielen Software-Tools eine entscheidende Rolle. Sie ermöglichen es Künstlern, ihre Kreativität voll auszuschöpfen, komplexe Tracks zu erstellen und nahtlose Mixe zu gestalten. Ob du ein aufstrebender DJ oder ein erfahrener Musikproduzent bist, die richtigen Tools…
[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]
a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”
Pure bred dogs r awesome and great but truly nothing makes me happier than someone going to the shelter and getting the most pathetic generic mutt they can find and loving that dog like it is a 10,000$ national show champion
Brokeback Mountain (2005) dir. Ang Lee
The Living End (1992) dir. Gregg Araki
Dry Wind (2020) dir. Daniel Nolasco
Fireworks (1947) dir. Kenneth Anger
The Sergeant (1968) dir. Dennis Murphy
Tom at the Farm (2013) dir. Xavier Dolan
God's Own Country (2017) dir. Francis Lee
Lonesome (2022) dir. Craig Boreham
Moonlight (2016) dir. Barry Jenkins
Wandering Heart (2021) dir. Leonardo Brzezicki
Just started watching the Netflix ATLA live action (currently on the third ep!) and I especially love the lil hat Iroh got to wear, decided to draw them with the og art designs :]]
Also really loved the scene with the woman who defends Aang by scolding Zuko mid-fight 😭 She’s the realest auntie
I just try to imagine the whole live action as a super high budget ATLA au. My sister does a better job at it though lmao. BUT it is entertaining! The dialogue is so funny sometimes with how odd it sounds, and Aang’s actor is so adorable.
My thoughts are blasting at random so do bear with me. While watching I was telling my sister that it’s a fun live action but as much as I try not to compare it too much to the og show, I just don’t enjoy live actions very much in general. I will admit that “real gritty dark” live actions do tend to attract more people, so if anything I’m glad that at least it will invite people to the wonderful story that is ATLA, and maybe even get them to watch the original :]
Would love to hear your thoughts though because from what I’m seeing its a very defined 50-50 split between people who loved and it people who absolutely despise it 💀
also on adhd in the series—annabeth's hyperfixating, social-cues-who?/"I will speak when I want and do what I want and you cannot physically unglue me from this task" adhd is so cool to see on screen. that girl is neurodivergent af and we're gonna spend the series praising her brain as a daughter of athena, on and off screen, and holy shit that is so powerful