#Management Control

[great-and-small]

Apparently the local university’s undergraduate entomology course sends students to catch insect specimens at the same place I like to go birdwatching, which explains why I saw three enormous frat looking dudes with tiny bug nets and overheard one emphatically say “bro BRO I told you we already have enough lepidopterans”

[happyceostrategies]

How to succeed in introducing Financial Control

Learn Financial Control the smart way The introduction of Financial Control aims to provide objective information for strategic management and decision-making. But the behavior of the different actors in the company always clashes with the technical dimension of Financial Control tools. Control indicators are perceived by some managers as a limitation of their supervisory power over all…

[pipedreame]

I am such a slut for Danny having supernatural strength and being able to kill someone with a single slap because he’s used to fighting ghosts who are built Sturdy (and literally can’t die, that is very helpful in a sparing partner) so he has to learn such meticulous control when he moves to Gotham where he starts regularly getting into scuffles with humans who think he’s an easy target (he looks like he has the sturdiness of a wet newspaper) and the whole time he’s more stressed about not drawing the Bats attention by being too good or accidentally killing someone so he has to walk that fine line of acting like a scrawny loser and dipping out at his first chance without being clocked as a meta.

Danny, laying on the ground and getting kicked repeatedly by a thug: *tries to angle himself so the guy can kick out a knot in his back*

Danny: *deadpan* oh, ow, stop that hurts, oof

Robin, watching from the rooftop and recognizing the dramatics from the Supers: father there is a meta

Batman, also watching and having flashbacks to Clark’s earlier days: *so so tired and already mentally getting the adoption paperwork ready*

[theshitpostcalligrapher]

guys!!!! i forgot it was march 10 earlier today!!! happy birthday to my noodle son, I adopted him two years ago to the day and he was hatched in 2019 so as far as i'm concerned my baby boy is six!!!! years old! :)

hes out on supervised explore time :)

[vaguely-concerned]

My two cents on how much of Mind!Varric is Rook’s mind trying to fill the blank space and how much is Solas actively talking through a convenient blood magic paper doll of the mind: I think it's a mix of both, a truly collaborative psychosocial horrorshow if you would, but waaaay more towards the second. It feels too directed and tactical at times to be anything else. Rook's mind is willing to go along with the denial phase as far as it can fucking carry them to not have to face the grief and regret and does its part in papering over details that don’t make any sense, the way brains will strive to create coherent meaning even out of deeply confusing input, but to my understanding it's a collaborateur in how that plays out, not the instigator or control center. Solas is using it as a path to agency and to gather insight into Rook as a person unguarded as he can't count on in his own guise. (That stoic option that leads to him being like 'oh I see you're cautiously denying me access to your inner life. well. at least you still have Varric to talk to. y'know as an outlet :)'. You absolute BITCH Solas! That alone convinced me that he HAS to have an active hand in it on some level.)

My guess is that it takes considerable effort on Solas’ part to make Mind!Varric do anything more involved or complicated than seeming to sit up in bed and give casual commentary, and that’s why he keeps having eerie five minute shallow pep talks with you before he announces he conveniently needs a nap aaanyway good luck kid you got this haha. When he’s just spouting NPC lines from his bedrest, I’m ready to believe that could be Rook’s mind being allowed to improv lines for him more freely because it’s less about Solas trying to get something out of them or working an angle and more ‘Still here! Still totally alive and fine and the mentor figure you know and love and trust :) don’t even worry about it! Thankfully there is no war in Ba Sing Sei, as we all know’ upkeep work lol. Rook’s mind is allowed to set the tone of Varric, the outlines, but not always the content. 

AND, on a (beautifully fucked up) character psychology level, I feel like Solas is indulging in actually getting to be the good supportive mentor figure to Rook with one hand to assuage the guilt he feels about what he's done -- and what he's going to do -- to them with the other. Same internal logic as he uses in Trespasser about the Qun. ‘Almost everyone is going to die from the course of action I’m doggedly pursuing eventually. But at least I can make their last years happier and freer and kinder than they would have been otherwise. and that kind of makes up for it right. a little bit. doesn't it. doesn't that make it better at least. I need that to make it better)'. Did I really take your beloved mentor and friend from you if you don’t know yet that I did? Some philosophers would argue not really! So it’s probably almost ok actually. Isn’t it even a little noble that I’m taking all this grief and guilt on myself and shielding you for now. With undertones that I’m not sure he would realize himself (and might be mortified by if he did) that he is so incredibly lonely, and even a dishonest and indirect emotional connection is more than nothing when you’re that desperate. In this setup he gets idk. Both the control he craves so incredibly badly in relationships and over himself, and the scraps, the fading afterimages, of intimacy and warmth and companionship, even second hand. The one thing Solas and Rook agree on deep deep down is that they really wish Varric weren't gone. They're handshake memeing this in the saddest and most creepy way possible.

I think an important element too is that Solas needs Rook and their team to *succeed* —  up to a certain point. He needs someone to hold the two other elven mean girls off until he can get out of here. Ideally, in a perfect world, even do all the hard work of killing them so he can swoop in at the end and do his thing when both sides are exhausted and out of resources to stop him, and then Bob’s your uncle! Same logic as he was using with Corypheus, and after that worked out so well, too! King of choosing to never learn from a single solitary mistake he’s ever made even though i fully believe he could have the capacity to Fen’Harel <3 The underlying idea isn’t flawed, you see, it was just unforeseen circumstances getting in the way. This time for sure it’ll all work out the way I cleverly imagined it in my head beforehand. Cue By Talos this can’t be happening etc. in the form of a statue almost crushing him like a bug. 

So he's providing guidance and forging Rook into a leader from two angles: one Rook might not trust, and one they probably will. Shaping them into what he needs slowly and carefully. He’s helping you hone your team into their most effective state, as he might have done with his own agents back in the day, setting up his chess pieces even if he has to squint through two glimpsed realities to do it haha. Pincer maneuver of an insidious stealth mentor you never asked for. Also… at one point mind Varric gives you a whole little monologue about how Solas' problem is that he’s always seen his interpersonal connections as flaws and see where it’s landed him, all alone and the worst part? it hasn’t even worked. it’s all been for nothing he’s back where he began with nothing to show for it but his mistakes. Like...that has such strong 'uh okay happy to play your therapist from two rooms away here what the fuck kind of traumadump is this' energy to me, I’m not sure Rook like. Thinks that much about Solas as a private person. So much of Solas' self-loathing and futile insights into his own flaws seem to shine through in Mind!Varric's dialogue all the time — I just can't believe that there's no guiding hand behind it as it were. 

Most of all. I feel like people underestimate the degree to which Solas is incredibly funny. As in, he has a very consistent and recognizable sense of humour. It’s one of my very favourite things about him. We must remember — it is crucial that we always keep in mind — Orlesian accent and wig Solas from May The Dread Wolf Take You (my beloved, the explanation for why I love this dude even with the. All of the everything else. No one does it quite like him). He is not at all above doing things or adding little flourishes for his own obscure amusement, in fact that seems to me to be one of his most consistent traits. The Randy Dowager Quarterly comment Varric has? The ‘Maybe this is the Dread Wolf’s revenge. Forcing us to house sit for him’ thing? To Me this is 100% Solas amusing himself in his boring Fade jail surrounded by the screaming hellscape of all his regrets. Source: it came to me as divine revelation through pure vibes trust me bro 

If nothing else I find it much more narratively interesting personally if the connection between Rook and Solas really is that defenselessly intimate and entwined (and so unbalanced!), and the sense of violation and invasion and betrayal afterwards consequently all the more nauseatingly intense. Even if you kept him at arm’s length in the open, he’s been under your skin the whole time, looking around, gathering what he needs to destroy you, wearing the face of a friend. Regretfully, probably, but choosing to do it every step of the way anyway. (Sound familiar, Inquisitor? Solas doesn’t have that many tricks when you actually look at it, he keeps returning to old tried and true ones like a dog with a bone haha.) Maybe he even genuinely meant some of it as mercy, which only makes it so much worse. It makes his sin against his own core principles of autonomy and the freedom of all beings in mind, spirit and body so much more juicily grave if it’s something he pursues actively and consistently, rather than it half-falling into his lap as a happy accident mainly orchestrated by Rook’s own subconscious. Solas, too, is at his very lowest point, the closest to giving in and becoming his own antithesis fully that he’s ever been, and it makes the choice of whether you still reach out your hand to him one last time or not all the more impactful and difficult.

[possession1981-moving]

THE FIRST OMEN dir. Arkasha Stevenson, 2024

[hivemindscape]

im a big fan of esper powers slipping loose in harmless ways when they're happy

[yeyinde]

i don't talk enough about Price's anger and how he probably has genuine, diagnosable issues with rage that absolutely impact almost all of his relationships in major ways. and i should probably change that asap.

[fullychaotichell]

OBSSESSED with @valc0 's art on twitter and just felt the need to do a redraw pff

Lucifer getting hypnotized by Vox in season 2? Hell, ever? Highly unlikely. Would it be a really compelling plotline and make sense in the narrative? Sure it would!

[agirlking]

Remmick is actually charming and capable of manipulation (he is also a bit off putting)

I see a lot of takes about how Remmick can't be suave, charming, seductive, so on, here's why I don't think they're entirely right.

(Though I agree he's not traditionally seductive, at least not when we see him in the film, he doesn't seem to focus on sex. But he can be seductive and tempting in another sense.)

Remmick's true strength in terms of charm and manipulation is not getting it right instantly, it's in his ability to rapidly adjust.

I think the scene with Bert and Joan shows this right away.

He stops using the word Choctaw when Bert starts using slurs. His manipulation wasn't perfect right away, but he adjusted almost right away. He sees how resistant they are and starts crying. People are going to be uncomfortable with someone they don't know crying in front of them, (unfortunately) all the more when they're a man, he was getting them to think less.

(Also he sees the robes and assumes that they don't have enough compassion to help someone out of the goodness of their hearts, which is a very reasonable assumption, and then he switches to offering money. Once again he is able to adapt rapidly.)

To touch on his limited background info; We know that Remmick came to America in 1911, and we know he lost his "family" on the boat, he was the only survivor. I personally believe that he spent the next 21 years isolated. He wasn't turning people, nor do I think turning people en masse was typical behavior for him.

He was leaving Ireland, he turned everyone on the boat (assuming none of them were older vampires who'd been with him for awhile) to hold onto his community, it just backfired horribly for one reason or another.

But if Remmick turned people like that all the time? There's no way he made it to 1300 without someone taking him out. Actually you can also look at his accent as further proof. He came to America in a time when he would absolutely be discriminated against for being Irish, and I think it must've taken time to hide his accent. If he was also super weird and off putting all the time on top of being Irish, again, he'd have constantly attracted violence. The fact he even put both the thought and the effort into faking an accent (which he's doing quite well at other than here or there where his real accent slips in) shows he's capable of calculation and manipulation.

I fully believe Remmick only turned Bert and Joan out of desperation. He approached the Choctaw (the real life Irish Choctaw history probably played a part in his decision making) wanting to turn them, the first major attempt he'd made since the boat, but they figured him out. He finally turns Bert and Joan because they were the only ones who opened the door, so to speak.

Then he gets to the Juke Joint, 21 years of isolation have him rusty, and he hasn't been around this particular community in that time I would bet. He doesn't have enough info to realize how strange he's coming across, and after seeing Sammie's gift and his desperation to see his ancestors he rushes into things. If he'd approached a group of people that didn't have reasons to be automatically wary of him then they'd likely have thought he was a bit odd but completely harmless and let him in.

(Notably, Cornbread liked the singing and so did Stack, and Stack was about to let him in but Smoke vetoed it. Even after, Stack gives him a chance and had Mary not... distracted him, Remmick would've gotten in. So it seems his manipulation isn't going too badly. Though obviously the money situation prompts a lot of that.)

When Mary approaches the group Remmick's already changed how he's handling things. His song is much more gentle and welcoming than the very creepy one he chose initially. He singles out Mary's specific pain, (I think this is key, he's better at manipulating individuals than he is massive groups. I also think he has some kind of telepathy or empathy because he seems to be able to sense Mary is grieving.), and her longing for companionship in her grief.

The way he speaks to her initially is completely normal ("were you lookin' for some fresh air, or?"), the only particularly strange thing is how Bert and Joan are acting (which I have thoughts about due to @cannibalfogdreams and I discussing this privately, but this post is long enough). When Remmick truly starts acting strange it's not because he can't act human or normal (he's been doing just fine in this conversation) it's because he's in a rush and doesn't need to do that. Mary's far enough away from the Juke Joint she has no chance of getting back to it even if she ran. He's already won.

I imagine if Remmick wasn't so frantic and if his goal had only been to turn Mary he would've taken his time and kept manipulating her and breaking down her walls until she was more inclined to listen to what he was saying. (I'm not swearing she ever would've fully bought into what he was selling, just that he was clearly succeeding at swaying her to some extent before he stopped bothering.)

Also why is it Remmick backs off when Mary pulls a gun on him? It's obviously not going to kill him, and there's reason to think their ability to feel pain (minus coming from something like garlic) is muted. Stack tells Sammie in 1992 he wouldn't hurt anymore, and Cornbread seems to be doing fine even with a ton of his face missing, same for the gentleman who got sliced up by the guy using loaded dice. So I don't think it's because a gunshot would be that painful for him.

I think it's because someone could've heard her fire and that would've made them suspicious of her and even more suspicious of Remmick and co than they already were. That's calculating.

He not only backed off and wiped his face when she pulled the gun, he waited until she fully turned her back and was walking away to attack and turn her. He could've just grabbed and bitten her then, but she probably would've fired a shot and/or screamed.

Later on he still attempts to convince everyone, but when Stack and Mary show up he lets them basically take over, and I do believe that is their own words, they are in a hivemind but their own self is not gone, just influenced. (As mentioned in a previous post I think they're basically high.) And it almost works! Stack nearly gets Smoke out the door. He knew to step back and let the people that know those in the Juke Joint take over the attempts at convincing.

There's probably more I'm forgetting but this has been bugging me a lot. Just because Remmick acts very strange sometimes doesn't mean he can't be suave and charming, it just depends on the situation, how much he wants to be convincing, and how much information he has.

TLDR: "Remmick is weird" and "Remmick is a capable, charismatic, manipulator" are takes that can coexist.

[honeytonedhottie]

dealing with stress⋆.ೃ࿔*:･🎀📔

in this post i'll be talking about how i deal and manage my stress in ways that work for me, and how i soothe myself…💬🎀

AFFIRM ;

if ur an anxious manifestor, affirming will be ur best friend. affirm what u know to be true until it soothes you. if ur not into the law of assumption then thats fine too, affirming can still help you. affirming to urself that everything is going to be okay really helps.

some things that i like to affirm when im going through a lot of stress are ->

♡ ik that i am in control

♡ everything is going to work out fine

♡ i am at ease because everything is working out for me

♡ everything is coming together so beautifully for me

♡ i am totally in control, this is MY reality

REGULATING NERVOUS SYSTEM ;

so we have this thing in our bodies called the vagus nerve. it regulates ur heart rate, digestion, speaking and stimulating it helps anxiety and stress. to stimulate it you can ->

♡ hum or sing

♡ gargling

the reason behind these two points so far is that because ur using ur vocal chords it stimulates the vagus nerve (see chart above)

♡ exhale for longer than u inhale (DEEP BREATHSS)

TAKE SOME TIME OFF ;

you deserve to take a break from the world sometimes. take a day or two off of school if u can, or take a day or two off of ur work if ur able to and just get it together. do some meditation, take a nice long shower and a soothing nap. some more things to do while taking some time off/time to urself are

♡ meditate

♡ journalling

something that i do when i have a lot of stress is a healing journal "dump page" so i go into my healing journal and dump whatever has been on my mind, like literally everything and just get everything out of my system…💬🎀

♡ take a nice long shower

♡ take a nap

take the shower BEFORE u take the nap. i promise it feels so good to be clean and in fresh clothes and just bury yourself under ur blankets and RESTTT…💬🎀

♡ do some yoga

♡ do some breath control

♡ talk to yourself (it actually rly helps)

RELIEVE ;

relieve the tension and stress that u feel by doing things that are strenuous. like working out or something. just find ways in which to relieve the stress and tension from your days through doing something. that way it can become a habit and it can cue ur body to know when its time to relax.

[nicoriice]

they hate each other your honor

[happyceostrategies]

The Impact of Lean Maturity on Financial Control Simplification

The efficiency of Lean on the company system allows an improvement of the Financial Control systems.

How Lean maturity simplifies Financial Control Torbjorn Netland (1) explores how Lean Manufacturing affects Financial Control systems and finds that they change after Lean implementation. One of the pillars of the Toyota TPS (Toyota Production System) house is to empower individuals (autonomy) and let teams make decisions on the shop floor instead of remote managers, which optimizes time and…

[blondebrainpowered]

K-Tel Tape Selector

GIF by scottok

GIF by BoomUnderground

[sleepyconfusedpotato]

Makarov in "The Lobby"

Just a sketch before I sleep! Took this opportunity to study Julian Kostov's face and I think I'm getting the hang of it 👌

---

Am I highkey seeing Makarov as another Vampire in Halloween AU? 👀 Imagine Makarov being a much stronger vampire than Price because he's been consuming human blood non-stop without remorse. And now in order to defeat Mak, Price has to break his oath and start consuming human blood again 👁️👁️.

Here's some timelapse and hope you love it! *(੭*ˊᵕˋ)੭*ଘ

Tip Jar ✨

[afurtivecake]

Neil really isn't a reliable judge of cowardice because:

1)His standard of bravery is his mother, a woman who escaped with her son from her murderer mob boss husband because he was going to sell him to the mob but also decided she deserved alimony so she stole millions from her husband and his boss, and then evaded capture with her 10-year child in tow for 8 years across numerous countries. That's a hell of a bias to working with.

(Sorry Kevin, you were never going to beat Neil's mother in his rankings of "Bravest People I Know.")

2)Calling people cowards, or insinuating they're being cowards is like Neil's go-to insult. He just throws it out there all the time at everyone. And he does because it works.

Neil calls people cowardly for several purposes:

-He's trying to piss them off on purpose (Neil insults Riko during the interview by saying he's scared of facing Kevin.)

-He's trying to get them to do something and using it in a "don't be a fucking coward. just do it." sort of way (When he's trying to get Aaron to work things out with Andrew, he accuses Aaron of being too scared to face up to his mother's death so that he'd actually realize that's what he needs to work out with his brother. At the same time, he persuades Katelyn by telling her that she needs to stop being "collateral damage" and fight for herself. And somehow it works.)

-He's fishing for a reaction (After the Columbia incident, he insinuates that Andrew was too scared to point fingers at Drake and failed to protect the other kids all because he wanted Andrew to express his actual emotions.)

Whether or not he actually believes them to be cowards is almost besides the point. The fact is that by suggesting that they are cowards, Neil manages to make a lot of people dance to his tune.

Is it the best way to get people do things? Probably not. But it's a tactic that works for Neil.

All this to say, I don't think Neil calls Kevin a coward to express his disgust in him, I think he's doing it because, to him, "You're a coward", means "Hold strong and fight back."