#Not tagging any of the characters because I. I don't want to

[always-just-red]

Hii! I've seen some Pregnancy scenario with LaD's men, but I have this HC-- personally for Sylus. That when fem!reader got pregnant, he didn't really understand how the Pregnancy hormones work, until he experienced one and he got confused how he should act or react because it's feels like he's walking on landime, one wrong move/word, she'd throwing tantrum or being sulky at him

I've heard from my Friend who got pregnant before, when she craving something and her Husband showing any form that he can't fulfill what she's craves, she felt her heart broken, and she'd sulk and acted as if he just cheated on her. The problem is, she always craved something that didn't even exist at that moment😂, she's craving certain type of Mango while it's not even that Mango season, so nobody selling it. He literally being desperate to negotiate with her cravings

So... Can I request a scenario smiliar like that? It doesn't have to be mango, or any foods. Just... how Pregnancy hormones or Cravings could make Sylus got frustated lol

Aaaaa anon this is adorable, thank you! We love making Sylus suffer in cute and harmless ways. He's always asking for trouble, so let's give him some! 😌💅

Something Sweet

Sylus x Reader 🩸

Summary: Sylus knows how to get what he wants. Getting what you want might be a little more tricky...

Genre: fluff!

Warnings/Additional tags: female!reader, IMPLIED pregnant!reader (pregnancy not actually mentioned or described- just hormones being hormones ✌), established relationship, canon pet names, a lil bit of roleplay because Sylus refuses to leave his Mystic Adventure era

| Word count: 2.1k | Masterlist |

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

“Sy, d’you know what I’m craving right now?”

“Always, sweetie.” Sylus doesn’t look up from his book. “Not now, though. I’m tired.”

Morning sunlight streams through the gaps in your living room curtains, casting pale yellow shapes over the floor. A shard of it has been inching over the sofa towards Sylus, the sharp edge now grazing the side of his face. He shifts, ever so slightly, away from its touch. His eyes are open but heavy.

“No,” you scold, leaning forwards to swat at him with your book. “That’s not what I meant, you narcissist.”

He chuckles with his usual low timbre— his gaze still not lifting— and the sound is deeper for how close he is to sleep. He wants to give in to it, you can tell. When he turns a page, the movement is languid, soft. You’re losing him.

“Sy,” you say again, then with more of a whine: “Sylus.”

His eyes flutter closed as he draws in a deep breath. His hand raises, his fingers stretching to pull his reading glasses from his face. They’re set down on the arm of the chair beside him, along with the book, and he turns to you with a smile. “What are you craving, sweetie?”

You rest your book on your stomach. Your legs are stretched out over Sylus’s lap, and his hand finds one of your feet, massaging an ache from it as you begin your speech. “Do you remember that café we used to go to? The one we found when it started raining in the park that day? We didn’t think it was open, but then the owner knocked on the window and said we could—”

“Yeah?” His hand moves to your other foot.

“Well, they make these—”

“Macarons.”

“You remember?”

His smile widens like he remembers vividly. “Kitten, how could I forget? I’m still jealous of that sweet little treat. You’ve never made that face for me, and believe me—” he wiggles one of your toes— “I’ve tried.”

That had been one of the only times you’d truly caught him off-guard, back when your feelings for one another were unnamed and uncharted. The rain had been drumming against the café window, and you’d heaved Sylus’s damp coat from your shoulders— giggled at the raised eyebrow and the sarcastic ‘…thanks’ he’d given in turn. One hot drink later, you were lifting a pastel pink macaron to your lips, taking a delicate bite and failing to stifle a tiny, almost euphoric moan.

You remember realising yourself: blushing profusely and expecting some remark, some ridicule, but none ever came. Sylus’s eyes were wide, dark, fixed upon your still parted mouth.

After a few of the longest seconds of your life, he’d dragged the plate with the rest of the macarons away from you and muttered something about how you had better not do that again.

“They’re still the sweetest things I’ve ever tasted,” you tease now, just as you’d wrestled him for that plate back then, set on eating every last macaron.

He makes a hmph as he idly runs a finger over the part of your foot he knows is ticklish. His expression is distinctly grumpy, but it falters as you laugh and try to writhe away from him.

You’re quickly out of breath. “Sylus?”

“Mmm?”

He glances up at you and you smile sweetly, head tilting. “Please?”

His coat on a rainy day. The entire plate of macarons in the end; he’s never been very good at denying you anything. For the first time since you’d stirred him from his book, however, he appears genuinely regretful. “You’re forgetting something, sweetie,” he murmurs gently. “Why did we stop going to that café, hmm?”

You shrug.

“It closed, kitten,” he sighs. “Months ago.”

“What?”

Not only did you already know that— you actually visited the café on its final day. The owner was telling you stories: he was moving somewhere warmer, closer to family, and he needed all the funds he could get. Sylus had snuck an obscene amount of money into the man’s tip jar whilst you acted as a distraction. You both had fond memories of that place; it was nice to make one more.   

It's all coming back to you and you’re struck by a wave of nostalgia. You want to go back there. You can’t go back there. It doesn’t exist anymore, and you’ll never taste sweetness like that again.

Your mouth has gone dry.

“Sweetie?” Sylus prompts, because he notices you’re far away. “Are you alright?”

“Yeah,” your voice wobbles, “I just really wanted… I mean, I really needed one of those—”

“… Macarons?” he finishes for you.

You burst into tears, and one day, you’ll tally this as another time you took the man by surprise. His face drops instantly— lost, for a moment— before he slides your legs from his lap, allowing him to lean closer. “No, no, no,” he coos, “don’t cry, kitten, please. I didn’t mean to… well, I didn’t realise…”

He doesn’t know what to say, and he always knows what to say. He set you off with a single word and now he’s stuttering like sentences are all possible landmines. He tries his luck again, putting a foot forward: “Listen to me. I’ll go to the store. Would that be alright? Or perhaps there’s another café that could—”

You explode: sobbing even more viscerally. Your whole body shakes with it.

Sylus has frozen. He watches on helplessly as you cry, blabbering about the macarons you can’t have and the café you can’t return to. Across the room, even Mephisto has hunched down on his perch, though he issues a few, spirited squawks, maybe in solidarity with your breakdown, or maybe in protest of it.

It’s like a catalyst. You cry more: burying your face in your hands because what the hell is wrong with you? It’s not a big deal. It’s not a big deal, so why do you feel sick? And then there’s Sylus— your Sylus, devoted and adoring— and here you are, punishing him for something beyond his control.

You look up from your hands, desperate to apologise, but he’s gone. More shards of sunlight paint his empty seat and catch all that’s left of him: a few crow feathers, glistening like onyx. Mephisto is gone too, and the room is quiet, save for you snivelling and feeling sorry for yourself.

“Sylus?” you call out into the empty morning.

It isn’t his fault, not really. You wouldn’t want to be around you, either.

…

Something brushes over your cheek, and your tired eyes open.

The sun has ebbed back behind the curtains and the ceiling light has taken its place, casting artificial highlights over everything in reach: the coffee table, the closed-up flowers at its centre and a mug of tea that’s gone cold. Sylus is in front of you too, backlit and soft like a daydream, and he—

He left you.

“Sy?” you whisper warily, because the context is coming back to you slowly, piece by piece.

“Hey,” he coaxes, voice as honeyed as whatever’s turned the air sweet.

You blink, rubbing sleep from your eyes and relishing the warmth of his hand on your face. Then you slap his shoulder. “Hey, really? That’s all you’ve got— hey?”

He’s kneeling for you— on the floor, beside the couch— so you can meet his eyes. He settles his chin thoughtfully on the edge of the seat, his nose almost touching yours. “What would you prefer, sweetie?” His lips are close to yours too. “Good evening, my beloved? Greetings, my queen?”

“How about sorry?” you snap, because he isn’t cute and he isn’t charming.

He pouts. “Why sorry?”

“Because you left, Sylus!��� You sit up straighter, and your phone tumbles out of your lap. Its screen is still lit-up from a few hours ago, showcasing a very one-sided conversation and a rant you never actually sent, because it’s still in the text box.

You vaguely recall writing it, so you try to snatch the phone from Sylus’s hand as he plucks it from the floor. He’s more alert than you. More co-ordinated. He keeps it out of your grasp as he reads the unsent message, an eyebrow raising.

It was a lot of things— colourful, creative— not entirely tasteful. “My, my, your highness,” he tuts, “so this is the treatment your valiant knight receives for undertaking your quest?”

“You’re not valiant,” you rebuke, and you manage to wrestle your phone from him. “You’re—”

“A heartless prick,” he finishes casually, quoting your message with a chuckle. He takes your free hand and kisses the back of it, refusing to let you pull away. “And whose fault is that, I wonder?”

“You can have your heart back.”

“Nope. You’re stuck with it, sweetie. With me, too. Now—” he sits back on his knees— “would you please ask me about my quest?”

The analogy is lost on you. You sit fully up, looking down at him. “What quest, oh valiant knight?”

His lips form a smirk; he just loves when you play along. “Close your eyes.”

You do— whether you’re queen or not. You hear him shifting aside, and then there’s a snap of his fingers. The air changes, warping like thick, liquid smoke, and you know he’s using his Evol. “Open,” he commands.

And there on the coffee table, freshly teleported, is a plate of macarons the colour of cherry blossoms. As if anticipating the comparison, Sylus pulls a handful of pink petals from his pocket and blows them up into the air so they can spiral down on the scene. He watches them. Then you. “Ta-da,” he proclaims, his tone dry but full of humour.

You’re prone to hyperbole nowadays, but this is without a doubt the best thing you have ever seen.

“Sylus,” you gasp in disbelief, “how did you—”

“It doesn’t matter,” he says; the story isn’t for today, and he’s very, very tired. A few weeks from now he’ll tell you about how he tracked down the contact information of the owner of the old café. How he spent an hour on the phone bargaining for a certain macaron recipe, and several more hours in the kitchen, trying to get them perfect. “Now, they might not be exactly the same, sweetie. But I did try to—”

You surge forwards, capturing his lips in a kiss. It’s so impulsive— so reckless— that you almost tumble down from the couch, but he catches you, steadies you, and your hand is gripping the soft of his hair as he kisses you back. Slowly, his mouth not leaving yours, he lifts you back into your seat.

“Easy, sweetie.” His voice is low as he pulls away, and though he turns his face from you, you can make out the blush on his cheeks. He settles back into his kneeling position on the floor. “I have one more surprise for you. Do try to control yourself.”

He retrieves a small, complete flower from his pocket, albeit one a little dreary from its journey. Sylus smiles triumphantly as he holds it out to you, and he was right; you do want to throw yourself at him. Instead, you take the flower and lean forwards, tucking it behind his ear before he can protest. He’d tilted closer to help you, and he sits back with an exasperated tsk when you’re done.

“It suits you,” you grin.

He yawns. “Everything does.”

You don’t want to get into trouble, so you shimmy to the very edge of your seat and carefully— showing tremendous restraint— reach out to take his face in your hands. “You’re amazing, Sy. Thank you for doing all of this for me, but…”

“But…?”

“I missed you. I like macarons, yeah,” you smile, “but I’d much rather have you.”

This time, he can’t hide his face and the way it goes pink, like the blossom behind his ear. His cheeks are warm beneath your palms. “You couldn’t have said that before I spent the whole day—”

His voice is strangled as you keel towards him— slow and deliberate— to thread your arms around him and pull him into a hug. He tenses for a moment, then wraps his arms around you too: holding you tightly, keeping you from falling any further. You can feel his hand stroking your back and he hums as you give him a gentle squeeze.

“Such a lovely moment, kitten,” he muses, your head on his shoulder. “I do hope it’s sincere, and not— say— an excuse for someone to get her paws on the macarons behind me.”

There’s another moment of quiet.

“Don’t be silly, Sy,” you retort, but your mouth is full, your cheeks are stuffed, and not a single word of it is intelligible.

[tsukimirecs]

BLUE LOCK // fic recommendations

note: remember to read the tags! + i do not own any of these works. creds for divider

itoshi rin

because you're my muse

wallet

make you mine

nodus tollens

nothing more than lovesick

supernatural

mutual support

jealousy

itoshi sae

seabird

devotion

us, again

it would have been sweet

find love

freefall

valentines

michael kaiser

five dates and a proposal

sweet nothings

stench

red

what does it mean if i can't write a love letter?

it's like i'm painting pictures the way i picture paint

pulling pigtails

yoichi isagi

say you love me

fake it 'til we make it

football for dummies

lost

wednesdays with you

skirt physics

seishiro nagi

your attention on me, please!

flight of the navigator

hell or glory, i don't want anything in between

lullaby

his favorite character

good luck charm

reo mikage

sharing secrets in the dark

your tequila lips is my idea of luxury

[yolli-es]

Please, I'm really sorry

Tags: NO spoilers for season 2, sadness, rude treatment, mentions of death

I doubt this is in character, so treat it as a silly sketch. Writing text is harder than headcanons..

MY ENGLISH IS BAD AND THERE MAY BE MEANING ERRORS

You adore Jinx; you love and tolerate her. Your acquaintance was unexpected, and your subsequent friendship was spontaneous. You were choking with tears after losing your mother when she found you. This girl saved you so easily, as if it were so easy. Jinx never told you about the past, but when the voices in her head became too loud, you didn't need an explanation. You saw how bad she becomes and what consequences it can bring. Afterwards, you promise yourself to always be there so that you can prevent the irreparable. This was not always successful.

After Silko died, things got really bad. Jinx tried to continue his work, to be strong and collected. But this is Jinx. Your Jinx. And she never was and never will be like this. Maybe that's why she's been so rude to you, taking it out on you because she's under so much stress. Sooner or later it will all end, and she will be able to look at you again without irritation.

You forgive Jinx for everything: the harsh words, the insults, the hits. Because she always apologizes after. And you don't care that it's not sincere at all. You love her; she is the only thing you have.

The day started out quite normally. You and Jinx were sitting in Silko's office, which is still called that way to this day, on the initiative of Jinx herself. It was all quite nice: she decided to share with you many thoughts about the future, which happened quite rarely. But then Sevika came in. And with her came terrible news. Shimmer production had been disrupted again. The enforcers blew up the plant, dealing with the guards there without any particular problems. And she just walked out after saying that. Just one look from Jinx made it clear how bad she was feeling right now,

"It's not your fault, and..." — you're interrupted by a rude "shut up." Jinx, who had been sitting on the table quite relaxed, now clutched her head, her eyes closed, and her breathing quickened. Just a few moments ago she was vulnerable, and now she's rude to you again. "You don't understand me at all," Jinx said in a breaking voice, hiding her face in her knees. It was painful to hear. We have been through a lot together. But she's worse off, and you step over yourself again: "I love you, Jinx. What do you want me to do?". You tell her this so often, so sincerely and naively. Her reaction to your words is always different; you can never guess, and now she again hits you: "I want you to stop being so useless and just help me." Jinx whispered, still struggling with her emotions. She hadn't let herself get angry, panicked, or sad that easily since Silko died. No tears. She kept herself under control. And is that what she thought all along? It's your fault; you're just doing a shitty job. Obviously, sitting here with her is not what she wanted. It looks so painful for you. The girl you love is suffering so much; why don't you just make it easier? That day you stayed, having endured many insults and a couple of blows.

Usually you stayed by Jinx's side, always supporting her and helping her with many tasks. For example, maintaining her authority in the city, keeping an eye out for possible rats nearby, and always saving your love from nervous breakdowns. But now you're by Sevika's side, at a shimmer production plant. You didn't tell Jinx anything; you didn't even think she would ask and worry. You need to act more decisively, as she wanted it. The task was simple: wait until the enforcers come here and destroy them. You were never a good fighter, just a decent shot. Your skills were enough to protect yourself on the streets of Zaun, but they were nothing against well-trained law enforcement officers. That's why you stayed on the sidelines, watching from above and covering Sevika.

You realized how much you screwed up with this shit when you found yourself in the middle of a shootout. Things didn't go according to plan when Sevika was shot, and now you had to save her. Letting the woman lean on you, you ran upstairs. The sounds of gunshots, explosions, and screams confirmed your fears: this plant is finished. Neither the shimmer nor the people were saved. Adrenaline was pumping through you, and you didn't notice anything except the cherished goal.

You reached a safe place and fell. The rest was like a dream. Sevika sat next to you, trying to close the open wound. She tied it with a rag, shouting something about the presence of shimmer nearby. The wound seems to be on your legs, chest, and head. It was painful and cold. Severe weakness. How the hell did enforcers get you? You couldn't think, let alone remember. This woman was shaking you, trying to make you think, but you had already given up. You had lost, and you had screwed up so badly, Jinx would never forgive you. Sevika shouted something, and you didn't really listen; you just couldn't. And then your gaze focused on a blue spot... Jinx? You wanted to look at her one last time. She may be disappointed in you, angry, or simply empty towards you, but all this will not matter as long as she is here. Your eyes closed for just a moment.

" ...orr..."—You can't see, only distantly hear. Such a nice sound; you've heard it before. The noise makes you open your eyes again. A flash of light disorientated you. Straining your eyes, you managed to make out a silhouette in front of you. It was Jinx, and... she was crying. She was in complete disarray, desperately holding your face. She bit her lips every time she wanted to swallow the lump in her throat and continue talking. She was talking to you. What was she saying? Your damn body is so weak. "Hold on, just breathe. Please, I'm really sorry. I love you, I love you, I love you...",-She repeated it over and over while you felt the shimmer being injected into your body. You wanted to calm her down, to say "I love you" back. And all you did was watch silently. Your eyelids were so heavy, and your body suddenly seemed too weightless. You were being yelled at, shaken, and pricked with a shimmer stabbed over and over. And you were too weak to respond to it, closing your eyes one last time.

Jinx sincerely apologizes this time. It's a pity that your mind was too weak to realize this.

it was short, unclear and stupid 🥴 Wrote this in a hurry while I'm taking a break from studying and writing other things.

[masterqwertster]

I so agree, with your thoughts about Ashton!

It's odd, to me, that Ashton in particular has garnered so much hatred. If you look back on all of Taliesin's characters across every campaign, he's ultimately not that different in personality from the others, save maybe Caduceus. Percy, Molly, and Ashton are all people who have been deeply beaten down by the circumstances they were forced into, and they gained a rough exterior to protect themselves because of it.

They're snarky, and try to act aloof to keep people at an arm's length, but at their core, they still have bleeding hearts that love much more deeply than they probably wish they did. In other words, they are interesting, multilayered characters, that don't just have one note. It's strange then, that these same characteristics are so widely celebrated with Percy and Molly, but are treated as reasons to hate Ashton in the same breath.

Taliesin is a master at making characters that make you think, and I think Ashton deserves to be celebrated as such, just as much as the others!

To be honest, I can't speak much of previous PCs' reception since I only got into CR Tumblr around Bells Hells arriving in Yios, but I think the difference is framing.

Taliesin has stated that his through-line on his PCs is the characteristic Confidently Wrong.

I would guess that the reason Ashton is catching flak is because:

a) they've got shit Charisma and Taliesin plays that as Doesn't Know What to Say and/or Doesn't Know When to Shut Up. Which on a disillusioned/cynical punk is... abrasive to say the least. They tell their truths with little to no filter, or much thought at times about how true those things are for others. Meanwhile, Molly and Percy are charming in carny and nobility ways respectively, while Caduceus has a calm, homey charm. Ashton is semi-intentionally off-putting, and pretty constantly cranky to some degree from chronic pain.

and b) Recently, Ashton is Confidently Wrong about a subject any attentive watcher can tag as being wrong and has major consequences on the world if acted on. Like, yes, you don't want a heartless, powerful murderer to push the Doomsday Button. But your group of caring, weak(? not really anymore) chucklefuck friends pushing the button doesn't change its doomsday nature or really make it any better. Also, all your information on what the Doomsday Button does exactly is suspect. I don't think any of the other's Confidently Wrong subjects were so potentially devastating for more than themselves or their parties rather than the globe. It's easier to grant grace when you're fucking over less people.

Now do I wish Ashton would get a clue that releasing Predathos is bad, period? Absolutely. But I also have been watching him and when they get an idea in their head, he tends to stick to it until proven wrong (think the Spark mess. Fearne hesitated last second, Ashton didn't). And the idea in their head right now is: The gods need to leave, their thrones need to be destroyed.

I think part of Ashton's rage at the gods that fuels this idea is wanting someone to blame that isn't himself for his shit life, and finding the gods a good target for blame, as Taliesin has mentioned on 4-Sided Dive before. And I think part of it is that FCG did a lot of proclaiming to be on the anti-Ludinus/Predathos stuff to save his goddess, and then he died as part of their missions, and then Ashton was shown a video about how the gods absolutely will sacrifice their followers to save their own asses. Which is kind of the situation FCG died in, if you slant it a bit and act like FCG wasn't mainly choosing to save their friends in the moment rather than the gods long-term. So it probably feels better to Ashton to throw some of that anger about FCG making the sacrificial play that he's been trying so hard to prevent at the gods who FCG was trying to serve.

And I get that not everyone wants to do the analysis on why Ashton is picking the path he is. That they don't want to take time to acknowledge his lack of social graces and the bias of his views, and would rather just get to attacking the faulty, insensitive rhetoric Ashton's spouting at the moment. But like, there's reasons Ashton is the way they are, and it doesn't hurt to acknowledge them even as you hard disagree with what's being said or strived for.

[stitchedcosmos]

Abt the Orcatstra stuff

TLDR: I've looked through their posts as well as others and I can't find any proof they did anything wrong. Orca making NSFW art, saying they don't like a ship and blocking people who like that ship is completely normal and you shouldn't take it personally.

Long ver:

People in the DSAF fandom (mainly Tumblr) are freaking out about a take Orcatstra made on shipping Jack with Harry, Jake and/or Rodger, allegedly harassing people who ship them, one case being running a 14/15-year-old off the website and making NSFW art, mainly gore.

About the ship: I think Orcatstra's take is completely understandable. "Oh but the phone can leave" and "Oh but he treats them well in the Good ending" doesn't matter. At the end of the day, whether he treats them well or not is completely irrelevant. Jack can choose at any time whether they live or die. When he fires them, they get murdered. He has power over them and that is a power imbalance that a lot of people are going to be uncomfortable with. In cases like Dave, Matt, Steven or Henry, if things don't go well between the two, they have the ability to leave with no fear of something bad happening to them. The phones on the other hand, could get fired (die) if they're not on Jack's good side with just a simple phone call. Even if they left, they literally mention Afton Robotics hunting down escaped phone guys and a simple phone call telling AR one's gone rouge is all it takes. Doing this after getting pissed off by them or whatever, is completely in character for Jack to do (especially legacy). People bring up that Jack treats them well in the good ending but how about all the other routes? Especially in the Legacy routes, Jack treats them like shit and actively uses this power imbalance against them on multiple occasions. People bring up Davesport as a retort to this, bringing up how utterly devoted Dave can be, but Dave when treated like this usually fights back or distances himself away from him, neither is something the phones can do without fear of getting killed. At the end of the day, it all comes down to how you headcanon Jack to act, but the power imbalance is definitely enough to put a lot of people off. Also, as a POC myself, I don't think them saying it felt like "Owner x Slave" to them, was racist.

About the blocking: Blocking people is something people are allowed to do for whatever reason they like. If someone posts content you don't like, the normal response most people have is to block them. Whether you feel the block is "deserved" or not, doesn't matter. Hell, sometimes I block people over a single post or comment they make because I simply disagree with it so much. Blocking people is completely okay under literally any circumstance.

About harassment: I have found no proof of this. Seriously. I've looked through multiple people's accounts, including Orca's and have found nothing. I'm even seeing people ask for proof and being told the person has none. the dsaf confessions account keeps getting brought up as proof of someone who got harassed but looking at both their posts and Orca's, from what I've seen, no harassment happened. From what I can tell, all of this is a complete misunderstanding where Orca talking about not liking the account got interpreted as Orca bullying them. If they don't like them and want to post about not liking them, they have the right to do that.

Edit: Just remembered this so I’ll quickly add it now, people are shouting at orca 4 “harassing a minor” but they’re a minor themselves.

About NSFW: They're allowed to draw it. DSAF is an NSFW series and therefore has A LOT of NSFW topics, subjects, scenes and characters in it. If someone wants to draw that, they have the right to. If you don't like it, block them. Some people are saying they should tag their gore art and while I personally agree with that, if they don't want to, they have every right not to. It's their blog and if you don't like it, just block them and move on. "But what if a child sees it" on Tumblr, you can only see what you search up or are personally interested in, a child shouldn't be looking at DSAF-related content in the first place because, again, it is an NSFW series.

Overall, my thoughts on the matter are... *drum roll*

It's not that serious and the block button is free. If you don't like someone, what they're doing, what they're posting, block them. It's that simple and getting blocked doesn't mean anything. This situation, as well as others like it, are making me fear that most of you aren't old enough to even know what DSAF is, let alone be in the fandom.

[lurkingshan]

Japanese QL Corner

We are heading into a bit of a quieter period for QL corner, with two shows ending now and another next week. At least we still have a true banger airing to sustain us through the drought. Smells Like Green Spirit is also now airing in Japan but has not yet been picked up for international distribution (pray for it to get to us soon). These shows are available for weekly streaming on Gaga unless otherwise noted.

Happy of the End

CWs: Blood and gore, child abandonment, child molestation, childhood sexual slavery, death, family rejection, heavy scarring, human trafficking, rape, sexual coercion and exploitation, suicidal ideation, suicide mention

This week was relatively lighter compared to last week's very rough episodes, but still so laced with sadness even in its happy moments. Haoren mourned his mother, and finally admitted to himself, and to Chihiro, that she was never protecting him. The show dug deeper into how this bond between them is giving them both a reason to shake off their apathy about survival, though that is definitely touch and go for both of them. The way Haoren experienced a few moments of happiness and immediately jumped to the conclusion that he would like to die now because he'll never top this feeling was telling, as was Chihiro casually laying down in the street and not moving until Haoren dragged him away. They don't have any real hope for a better life, but they each seem more invested in the other's survival than their own, and that is giving them something to cling to. It was nice to see them have some moments of trust and connection between them, and for Haoren to finally feel safe enough to strip himself bare, physically and emotionally. I'm bracing for a rough final week, with Haoren's former enslaver coming after Chihiro in a bid to destroy the source of Haoren's new happiness. I don't really know what to hope for in terms of an ending for these characters; I just hope the show can leave us with the sense that their relationship mattered and gave them something they can each hold onto.

Love is Like a Poison

This episode had me screaming with laughter and delight. Haruto can read his Ryo-kun like a book, and Shiba can't seem to figure out which way is up. I don't even want to describe all the hilarious gags and sexy tension and extremely unsubtle metaphors in this episode; I don't want to ruin it for anyone. Go watch!

Chaser Game W 2

Of all the great JQL we've gotten in the last year, why this one got picked up for a second season I could not tell you. I was less than impressed with season 1, and I don't have high hopes this next go round will be any better. Especially after watching the first ep of this new season, in which they unceremoniously undid the ending of the last in a laughably silly way only to introduce a new, more annoying conflict. They could have made something of a story about Fuyu trying to work out a way to manage her family life to be with Itsuki, but they'd rather hand wave that away via gay penguins in favor of a new love triangle. Whatever, show. Here we go again, I guess! I’ll be watching this one mostly to support the ratings.

Tagging @bengiyo to do our last anime update for the next little while, as Twilight Out of Focus has officially ended its run and there is no new animated ql on the horizon.

[lemotmo]

I'm not sure how you feel about getting these anymore but I thought this was hilarious so wanted to share for you at least to read even if you don't want to post. 😊

Q. I really was trying to hold onto the belief that the show wasn't going to make Eddie gay but it's really hard to see what other storyline is possible given those latest Ryan interviews. I would love to say gay or not the show would just keep Buck and Eddie as platonic best friends but there is zero chance of the show not pairing them together. They really did just use my man as filler until they were ready to tell the Eddie story. That's so gross.

A. Well, anon that's the point of a plot device. Their only reason for being is to move a larger story forward. By definition their filler characters. They have no individual significance or purpose. Their purpose is the story they're being used in. I've been telling you this for months now. Many of us have. He was never going to be anything more than a plot device. The show wasn't subtle about it either. It's been pretty much a connect the dots picture of plot device usage. Go back and watch his scenes in season 7 with this new found realization and I promise it will not be hard to see. And I agree, especially with the context the latest Ryan interviews gave, there's really not any other story it could be. He also confirmed they're not turning him into the new Bobby, and he's not siding with Gerard. So it was nice of him to debunk the latest round of ridiculous takes during the interview. If I could offer you a suggestion though I would encourage you to give the story a chance. If you pay attention to Eddie, and not your fandom people telling you to hate him, you will like him. After all there's a reason you all tried to hijack his entire backstory and history for Tommy. Let yourself enjoy the character those things actually belong too. Let yourself enjoy the actual story.

Oh Nonny! I feel joyous and happy whenever I get another of these posts in my ask box. While I'm asking people to not ask Ali any questions through my blog, I'm still perfectly happy posting her asks here. 😋

Especially since, for most of us, this is the only way to read Ali's posts and we do love her posts very much. So don't hesitate to drop something in my ask box. The only things I don't post about are the direct posts about the BT fandom, but Ali has told me she isn't replying to those posts anymore anyway, so that eliminates that problem.

As for the ask itself...

Yeah, so many of us have been saying this since day one. Tommy was only ever there to help Buck out of that closet. He was never really meant to be anything more than that. Sure, the change of the storyline because of the early renewal, gave Tommy some more time on the show, but that's where it ends.

So yeah, going back to rewatch the previous seasons, knowing what you know now? It will change the way you see Eddie and Eddie and Buck's friendship and maybe you'll find some joy in them. Just let it happen.

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[bunnis-monsters]

Good morning, I hope you're doing well.

I've been a shy onlooker of your work for quite some time, however as of recently I've been noticing with a couple of the bee-hybrid ficlets that you've been writing, one or two of them that involved (specifically) child/infant characters were tagged with the 'monster fucker' and various such related tags..?

I love the bee stuff, I do! Please don't take this as a hate message because I really don't mean for it to come off as such. But if you're going to include infant/child characters under the age of 18 in your fics, please don't include them in NSFW scenarios, fics, or situations or put them in NSFW tags. I don't think that's entirely legal in some places and I say that out of the goodness of my heart for your protection and your readers.

There was a woman banned off Youtube who was criminally charged for breastfeeding her child and uploading it and I know this is in no way as severe but I honestly don't want to see you get banned and all your fics wiped off tumblr because you put 'minor characters' in NSFW situations/tags. :(

You could try maybe just not tagging the stuff with baby bees?? You have a huge follow base and a discord (that i'm too shy to join) so I'm sure people would still find that content if they're following you.

I'm sorry for bothering you, I hope you have a good day.

Uh.

I tag all of my fics as monster fucking… because that’s the genre. The baby bees are a result of said monster fucking.

I specifically use monster fucking on all of my posts so people who don’t like the monster fucking genre can easily filter my posts out.

I do not include any smut tags like I do on my other posts, and SPECIFICALLY tag them as “monster sfw” or “monster fluff” when I remember.

Not only have I never sexualized or plan on sexualizing the baby bees, if you or anyone else sees anything regarding them as sexual… idk what to say. They’re the most innocent posts on my page.

Read my REQUEST INFO so you can understand that I do not write for pedophilic relationships or situations. The baby bees are children.

I think you’re reading a bit into it. I’m not sure about that case of a YouTuber being banned for breast feeding, but that’s a real person with real children. These are fanfics. There could have been more behind that, and I know for sure there are cases where parents exploit their children on the internet in ways that are in the grey area, like for example, breastfeeding them and sexualizing it purposefully(breastfeeding isn’t inherently sexual, but it can be sexualized and sold as such to an audience) or having them do things that are suggestive for their pedophile audience to continue using them as a cash cow.

This is not that. The baby bees are fictional, and not once have they been sexualized. I am not interested in doing so. They’ll still be under the monster fucker tag because the baby bees are tied to the bee hybrids which ARE very NSFW. It’s a genre.

I use tags that relate to my post and can help them be easily filtered by those that DON’T want to see my content.

Never ask something like this again, it made me deeply uncomfortable.

[haveyoureadthisfanfic]

I'm aroacespec (and honestly confused about where I fall on that spectrum, but I do know I'm sex/romance favorable) and tbh my relationship with shipping is weird.

There are some ships I look at and I'm like "how can you see this as anything but romantic" and there are other ships where I'm like "okay but why do we have to ship them, can't they just be friends?" and it's almost always the total opposite of what the fandom majority's view is. For example, my Sonic "how can you see this as anything but romantic" ship is Espilver, and my "okay but why do we have to ship them, can't they just be friends?" ship is Silvaze.

I will say that something I've noticed is there tends to be a double-standard with allo people (specifically cishet people) when it comes to ships. You get a ton of "why can't they just be friends" with slash and femslash ships, but then those same people will ship a het pairing that look at each other in a single frame. I don't know if it's something that's more obvious to me because I'm gay myself (or even if it's more obvious because I'm aroacespec specifically), but it's weird to me. I choose to look at it this way: if this was a het ship with the same character dynamic, would people still say "why can't they just be friends?"

That's not to say aroace people are in the wrong for looking at a pairing and saying "can't they just be friends? Why do we have to ship them?" but with a lot of cishet people specifically, it feels like there's a lot of people perpetuating a borderline homophobic double-standard. I get it when it's something like Scott and Jay from Ninjago, but so many masc characters' dynamics are canonically given homoerotic or even just romantic undertones (a good example of this being, in my opinion, Sonadow; there's not an almost 3 and a half hour long Sonadow iceberg video on YouTube for no reason. As far as I'm aware it's the longest Sonic-related iceberg video on YouTube that covers exclusively official content) which is why people tend to gravitate towards those ships. I could do an entire analysis on why gay ships tend to have bigger followings than het ships but if I did this would get too long lmao. I will once again point to the Sonadow iceberg video though.

I generally use shipping to explore my own relationship with my aroace-ness, and usually I do that using characters I either headcanon as aroace in some way or who are canonically aroace, because I can relate to those experiences. It's kinda weird to me to see other aroace people acting like doing that is bad or wrong, because usually that's what people are doing, and even if that's not what's going on, fanfiction doesn't affect canon.

There is no right or wrong way to participate in fandom (unless you're harassing people and/or actively putting people in danger), no matter what you identify as.

Basically: People should be allowed to do what they want, if something bothers you that bad there's nothing wrong with blocking a person or tag.

(I might've gotten off subject a few times, sorry lol)

Okay, that thing about blocking tags inspired me to look through my blocked tags to see what ships I've blocked and here's my petty aroace thoughts on all of them without naming names lmao

Fanon het ship. They've never given any indication that they know of each other's existence. Her girlfriend is right there.

Canon het ship. Had the chemistry of two wet paper bags. Literally just shoehorned in there because god forbid any story exist without a romance subplot.

Semi-canon het ship. I'm mostly neutral about them. Just unnecessary.

Fanon mlm ship. Literally brothers?? I don't care that one of them is adopted, they grew up together?? As brothers??

Fanon het ship. I don't care what you call their relationship. You can call it professional, platonic, familial, just please don't call it romantic.

Semi-canon het ship. Again, completely unnecessary. God forbid a man convince a woman to become a villain without there being ~attraction~

Fanon het ship. She is 14?? And he is like 30??

Semi-semi-canon het ship. He did have a crush on her when he was, like, 14 but he's a grown adult now and she's the most lesbian-looking woman to ever exist and they're the most found family siblings to ever find a family

Fanon het ship. LET MEN AND WOMEN BE FRIENDS. LET MEN AND WOMEN BE PLATONICALLY MARRIED.

Fanon mlm ship. I personally see them more as brothers. But whatever floats your boat.

Semi-canon het ship. Just really shoehorned. I don't like the woman very much. I liked her more when she was allowed to be a badass without being a ~flirty badass~

Fanon mlm ship. Again. Adopted brothers. Gross.

Canon het ship. I've seen many things from this director. He's a creative man. He couldn't think of a way to move the plot forward without a smooch?? He couldn't create a series that didn't have an unnecessary love triangle??

Semi-canon het ship. The man isn't coming back for S2 and boy folly gee am I glad

Fanon het ship. Not my cup of tea. Just let them be friends

good lord I have a lot more ship tags blocked than I thought

anyway, this is your daily reminder to just block stuff you don't want to see and move on

[cosmoknightchaos]

hey. 9 15 and 18 for the OC ask game

hey.

9. Weirdest OC

Technically Ets but that feels like cheating

I have a character that's part of a project I'm doing with irl friends called Bubbie. It's whole deal is it's a small, fucked up little creature who lives in the MC's closet and occasionally screams at them and also is a living representation of MC's insecurities. It looks like if you gave a two year old a couple of skeletons, told them to build a single human, and then wrapped that creation in bubble wrap. And then stuck googly eyes all over it. Except horrifying.

15. An OC that's hard to write/draw/rp

Here for the full answer. I'm too lazy to write more

18. Do you dislike any of your OCs?

Hard to say. I don't think I genuinely dislike any of them. There's always times where I'm still working on the OC where I don't really like them, but that's fixed by developing the character or changing some details. And of course, I talk about how much I hate some of my OCs because they're stupid or horrible people, but it's always in good nature.

The few OCs I dislike are because I haven't thought much about them. I have a set from a few years ago who dealt with death, the afterlife, the emotional rollercoaster of dying young and slowly losing who you are during your afterlife, peer pressure/possession, and a girlboss god of death. However, this was written at a time when I wasn't very good at dealing with these things! So they're not very good and I dislike that as a result. But now that I've looked into/experienced these topics more, I want to go back and fix it. When will that happen? Hell of I know, it's up to the fates.

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[project-sekai-facts]

How are we feeling about ensekai’s emu3 translation!!! (I’m mad)

(if you remember the 3 whole posts i made when asahi got de-gayed on EN you'll know i am mad too and that this is probably going to get long)

i don't like to be too cynical but it was so obvious that they were going to change that line, i had a feeling since the event first released on JP and after the incident with Asahi where I went through and tracked down multiple other examples of EN removing queer subtext it became clear to me that in no way shape or form was "emu-chan really loves nene-chan" making it to EN without getting changed. what i didn't expect was them changing Nene's line after Luka's comment, which actually makes this whole situation far worse than many of their other instances of toning down queer subtext.

for anyone who isn't aware of what happened, in chapter 5 of the current Emu event, there's a scene where Nene, Rui and the Virtual Singers are talking about what would cheer Emu up. The vsingers all talk about how much Emu loves spending time with Nene, leading to the following exchange

If you look for them, any fan TL of this scene will be something similar to this:

Luka: ...Fufu. Emu-chan really loves Nene-chan, doesn't she? Nene: Th-that's nothing special...

EN's official translation is this:

So what's the issue? I'll start with Luka's part. In the original text, she uses the word daisuki, which can mean to "like a lot" or "love". It's a word you will see frequently in the idol/idol-adjacent genre of games, due to its ambiguity in that it can be read as either platonic or romantic when used towards a person, and often will be used in ambiguous situations so that it's harder to confirm the writers' intentions either way. so here, fans of the emu/nene ship could view the fact that emu loves spending her time with nene as more on the romantic side, but people who don't like the ship could view it as platonic and move on.

while they didn't translate daisuki directly, Luka's line still works, and still contains the ambiguity that works as ship tease in the original text. it's a perfectly fine localisation that still conveys the original intent. despite that, there is something to be said about EN's consistent refusal to translate daisuki as love in most instances when it's not used on An/Kohane (but then again, EN has literally teased An/Kohane on their twitter account so is it all that surprising?).

Here's some examples:

Aibou no koto ga daisuki de / he loves his partner -> he cares about his partner very much (The Power of Unity chapter 7 when Kaito is comparing Arata to Akito and Toya)

HARUKA-CHAN, DAISUKI DAYOOOO!!! / HARUKA-CHAN, I LOOOOOVEEE YOU!!! -> You're the best!!! (Dear Me, As I Was Back Then chapter 4 when minori is at an ASRUN concert. this one isn't actually that great of a localisation)

Honachan no koto daisuki dakara. Kore de iinda yo. / I love Honachan, so this is fine. -> I want what's best for her. And this is it. (Leo/need main story chapter 14 after Saki tells Honami she won't bother her anymore)

Minna daisuki de - taisetsuna tomodachi na no / I love them all - they're my dearest friends -> They're all amazing, and very dear to me. (Leo/need main story chapter 17. this isn't good either)

What's particularly amusing about that last one is that there's a second official translation for it that I assume was done by JP staff (since EN never promoted doing the Journey to Bloom subs like they did back when they provided subs for Petit SEKAI) that actually keeps the word daisuki as love.

Yeah. I love all my friends - and they mean the world to me.

It's a better localisation than the official EN team one.

Questionable localisation choices aside, Luka's line is fine and is actually in line with the original. The issue with this localisation very much lies with Nene's part, because that is an entirely new line.

In the original text, Nene's "that's just normal" or "that's nothing special" or however you choose to TL it, is meant to be her questioning Luka's statement, since all the things that the other vsingers said that Emu liked were pretty normal things like going shopping and playing video games with nene. To Nene, these things are normal activities for them to do together, so she gets embarrassed by the fact that Luka concludes from that information that Emu loves Nene. When I dissect it like that I think you can really tell what the writers were going for here lol.

"That's just us being friends" does still convey the idea that Nene thinks these activities aren't anything out of the ordinary and she isn't sure why the vsingers are picking these out as some of Emu's favorite things to do, but it's very different from the original line. "But those are just normal things we do together" is something I just came up with on the spot, but it's a lot closer to the original text and still conveys the same meaning. The fact they changed the line to "that's just us being friends" is, honestly, not even subtle that they're covering up queer subtext. The original scene was very clearly written in as ship tease, and EN mentioning "friends" for no reason, especially since the word nor anything close to it was not used in the original, is instantly a red flag because it's like the go-to for queerbaiting and censorship. This was intentional. There was no need for them to specify that the relationship is platonic, Luka's part is ambiguous for a reason so that fans can view it how they like.

Just to top all this off, here's Rin's original line just before that Luka+Nene interaction:

Oh, and! And! She said that playing games with Nene-chan is also super fun!

And here's Rin's line from the official EN translation:

That's not the same thing, but even more weirdly, the incorrect part (super fun->really loves) is a correct translation for the part changed in Luka's line. So, they can do it, they are willing to say "really loves", just not in the right places. Maybe because Rin's part is less personal than Luka's part? It's strange actually, this isn't the first time they've done this either. Off the top of my head I can think of an example from Shiho's Varied Kindness 2* story where they translated the word "suki" as really loves, despite that being much stronger than the original word used (and the fact that daisuki is used a lot in the Leo/need stories and it's incredibly rare if not entirely unknown for them to translate it correctly).

It's not subtle that they're trying to remove implications of the characters possibly being queer, they did it in curtain call and they did it in walk on and on, and multiple times before then too. And considering some of the content in this year's events and the amount of times they say daisuki alone, it's gonna keep happening. honestly i hate the fact that i keep trying to justify the translations in these posts. these translations are intentional. what happened in the curtain call translation back in october says enough. when a character who uses explicitly romantic language towards another guy passes as a straight character in the translation you know they're doing it on purpose.

oh and once again, it's only the EN server that has this issue. The scene in question was translated almost word-for-word on the TW and KR servers.

read fan translations. they're better than what EN gives us and people put a lot of effort into them.

[myimaginationplain]

I've come to the conclusion that being assigned the fandom-mandated "sunshine character" is the worst possible fate a character could face

[identityarchitect]

Also, it's interesting to me that there was never really any hint of Izutsumi being swayed by the demon. She seems pretty resistant to it, actually.

With Marcille there are plenty of signs on reread that she could become a dungeon lord, and of course Laios' desires have been rather plainative from the start.

But Izutsumi's desires are complicated. As we see in the succubus chapter, she has the desires of both a beast and a tallman. She has those conflicting desires as a result of her nature as a beastkin, but she also has complicated desires as an individual. There's that one panel near the end where she's looking despondent and thinking "If I only do what I like, I won't be able to see the people I like, or eat the food I want. Worse, if I only do what I like, I won't be able to eat at all."

Izutsumi has never been in conflict with her desires. She satisfies herself endlessly and without patience. But her desires are complex enough that she finds herself frustrated in her attempts to achieve them, both by her own emotions (like when Inutade gets injured clearing the roof when Izutsumi was meant to do it) and by others (like... basically 90% of her early interactions with Laios' party.)

She seems like a perfect target for a dungeon lord: I even think she has a strong contender for that "all-consuming" desire the demon tends to go for (Marcille's desire to make everyone live to the same age, Laios' desire to become a monster, Thistle's desire to find Delgal and protect the Golden Kingdom, etc) in wanting to become fully human again. I don't know if the demon can grant that to her, but it would certainly promise so.

And yet, Izutsumi has always been resistant to having her desires being preyed on. Like I mentioned earlier, there's the succubus chapter, but there's also after Laios talks to the demon. Izutsumi acts near instantly, killing Laios before the others even have a chance to figure out what's going on. And I don't think this is Izutsumi-typical flippantness either. We know she cares about Laios & the party by this point in the story, that's why she came with them to fight the demon in the first place. She'd never do anything she didn't want to.

I don't really have a point to this. It's just neat.

[goemon-fan]

This was easily one of the best Lupin episodes

[tempo-takoyaki]

To celebrate 2k followers on instagram, I drew what my followers requested. Here are some of the sketches I made!