#November 2 2011 | Explore Tumblr Posts and Blogs

no-passaran · 7 months

Text

Spain lied about not selling weapons to Israel.

Even after October 7th, Spain has sold more than 1 million € of weapons to Israel. Norway and Finland make it possible.

In January, Spain made headlines word-wide when the government's Minister of Exteriors, José Manuel Albares (PSOE), claimed in Congress and later again in a radio interview that Spain had stopped selling weapons to Israel ever since October 7th. Israel's intensification of violence in Gaza following October 7th meant that, on top of decades of apartheid and ethnic cleansing, between October 7th and January 23rd Israel had already killed 28,000 people and forced 2 million out of their home. In this context, many people were demanding their governments stop arming and funding the genocide of the Palestinian people, and here on Tumblr and other social media sites like Twitter I think we all saw the many posts praising the Spanish government for this.

Well, it turns out it was a lie.

According to Albares, "Since October 7th there are no more weapons exportations [from Spain] to Israel". But in November alone, Spain exported weapons to Israel for 987,000€, as was published on the Spanish Government's official website dedicated to exterior commerce (Comex). A researcher from Centre Delàs (an independent centre for peace studies) found it and published it, and it has also been verified by newspapers such as elDiario.es.

This 987,000€ worth of weapons in November was not the only ammunition that Spain has sent to Israel in 2023. In 2023, Spain exported a total of 1.48 million € in war material to Israel.

All of the weapons sent in November come from the factory of Nammo Palencia (Castilla y León), a corporation that is 50% property of the Government of Norway and 50% owned by a public Finnish business. However, even if the owners are foreigners, the ammunition was sent from Spain and thus it had to be authorized by the an organism of the Spanish Government named Junta Interministerial de Defensa y Doble Uso, whose deliberations on whether a weapons exportation is accepted or denied are kept secret. The only cases where they have denied exporting weapons to Israel have been when they thought that Israel would re-sell these weapons to the Philippines.

Spain has had a close relation with Israel for years. As published by the Spanish Government, Spain has sold 20 million € of weapons to Israel between 2012 and 2022. Spain also buys weapons and military software from Israel (for example, the Spanish Intelligence Service has been using the Israeli software Pegasus to illegally spy on Catalan activists, journalists, politicians and civil society members and their relatives to attack the Catalan independence movement), and Spain has continued buying from Israel and allocating defense contracts to Israel even after the October 7th attacks. It is very difficult to track the concessions of public contracts such as buying weapons, but some contracts have been known. For example, on November 24th 2023, Spain bought 287.5 million € of missiles from Israel. This is not unusual: between 2011 and 2021, it is publicly known that Spain bought war material from Israel for at least 268 million €, but experts say that the real number could be two or three times as much.

Spain has also continued allocating concessions to Israel. For example, on December 15th 2023 Spain allocated a contract worth over 576 million € to Israel for a rocket launcher programme. On November 22nd, Spain allocated another another Israeli company to provide missiles for 237 million € at the same time as the Spanish army bought Israeli inhibitors for 1.4 million €. The very next day, November 23rd, Spain signed another military allocation to Israel for 82,600€. The following week, Spain signed yet another allocation with a different Israeli military corporation for 3.7 million €.

Spain also allows Israeli weapon manufacturing companies to produce weapons through their branches located in Spain. This way, Israeli weapons make their way to markets with which Israel doesn't have diplomatic ties but Spain does, like Saudi Arabia. And since Spain is a member of NATO, Israeli weapons produced in Spain are approved according to NATO standards and access it easily. In the same way, these Israeli weapons manufacturers also access European Union defense funds through their branches in Spain. (source).

As I said, I saw a lot of positive posts around when Albares said Spain was going to embargo, but I haven't seen any post about how they didn't do it. I also (personally) haven't seen anything on international media, and barely anything on Spanish media, which is already busy with the PSOE covid material corruption scandal. So I share this in the hope of helping put pressure on Spain to cut all ties with Israel immediately.

SHAME ON EVERYONE WHO GIVES ISRAEL THE MATERIAL AND MONEY THAT WILL BE USED TO MASSACRE THE PALESTINIAN PEOPLE. SHAME ON SPAIN, NORWAY, AND FINLAND.

#i've been meaning to post this for a few days but never manmaged to finish writing since i don't have internet at work and i barely have #time to do anything else than sleep eat and prepare work stuff when i'm home #so I'm late but this is still relevant #palestine #gaza #israel #free palestine #spain #norway #finland #españa #end genocide #bds #boycott divest sanction #free gaza #peace #anti military #💬

3K notes · View notes

redgoldsparks · 11 months

Text

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood.

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life.

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!"

Panel 3: You can read the books again but with GIFs? Why?

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined.

Panel 5: "I’ll just read the actual books again, thanks."

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017)

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot:

*One of the greatest dangers facing the modern world is the rise of fascism

*The government cannot be trusted

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper?

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

#harry potter #harry potter and the problematic author #jk rowling #transphobia #jk rowling transphobic

3K notes · View notes

ghost-of-you · 2 years

Text

Okay so wrapped is in two weeks so Spotify is probably not counting anymore, wonder how many 5sos5 songs will make the cut.

#dont come tell me that it stops October 31st cuz i had red tv songs on my wrapped last year #and it came out in November so...#I'm betting my most listened song will be mm&i #cuz that song it's really loopable #i cant listen to it only onfe #but i wanna know if the 2 weeks i had 2011 on loop count #or if caramel managed to pass both #or if I'm wrong and my most listened song will be villain lol #i'm rambling

1 note · View note

doyoulikethissong-poll · 8 months

Text

Faithless - Insomnia 1995

"Insomnia" was released as the second single off of Faithless' debut album Reverence (1996), and became one of their most successful songs. It has, dare I say, one of the most famous drops of its era.

It was originally released in 1995 and reached number 27 on the UK Singles Chart, topping the UK Dance Chart in the process. "Insomnia" reached number one in Finland, Norway and Switzerland. Additionally, it managed to climb into the Top 10 also in Austria, Belgium (number 2), Denmark, France, Germany (number 2), Iceland, Ireland, Scotland, and Sweden, as well as on the Eurochart Hot 100, where it hit number 3. Reverence reached number 26 on the UK Albums Chart. The single also reached the top spot on the RPM Dance Chart in Canada and the Billboard Dance Club Songs in the US, number 16 in Australia and number 39 in New Zealand. After Maxi Jazz's death in December 2022, "Insomnia" charted at number four on the UK Singles Downloads Chart.

MTV Dance placed "Insomnia" at number 22 in their list of "The 100 Biggest 90's Dance Anthems Of All Time" in November 2011. It was voted by Mixmag readers as the fifth "Greatest Dance Record of All Time" in 2013. It was certified triple platinum by the British Phonographic Industry (BPI) in 2023.

Faithless member Rollo is the brother of singer-songwriter Dido, featured on poll #120.

"Insomnia" received a total of 43,9% yes votes. :'(

youtube

#finished #high votes #low yes #high no #90s #faithless

1K notes · View notes

ahappydnp · 10 months

Text

btw dnp lore dnp got wrong in the video:

pinof 1 was filmed the day after they met on the 20th

dan had been making videos for 6 months, not 3 in pinof 2

pinof 3 was filmed in their first shared manchester flat and not in phil's flat alone

dan had already deferred his second year of uni when they filmed pinof 3 in november 2011

the champagne was £2,000 not £9,000

these phake phans i stg...

#dan be like “im the ultimate phannie” and then not remember what he was doing november 2011 #dont get me started on archive historian phil lester you have let me down

1K notes · View notes

bakanokiwami · 2 years

Video

undefined

tumblr

TOP 10 TV SHOW FANDOMS ON AO3 BASED ON NUMBER OF FANWORKS, SINGLE CATEGORY VERSION (2009-2022)

If you want to see the TV Show bar chart with the multi-category fandom tags included, please check this post.

To make these bar chart race, all series titles in the TV Show Category on November 29 (or the closest date to it) of every year were copy-pasted from Wayback Machine to Google Sheets, rearranged according to number of fanworks, manually filtered for fandoms belonging in only one category and then inputted to Flourish to turn into a bar chart race.

Locked fanworks aren't included in the count because Wayback Machine can’t view those, only Ao3 users can.

Jossverse was in the top 10 from 2010-2017 (Top 2 in 2010 and 2011). In 2018, it was removed from the TV Show fandom list and works tagged with it show up in Buffy the Vampire Slayer (TV) instead so I’ve excluded it from the bar chart.

Thanks for understanding and hopefully I didn’t mess up anywhere! 🙏

ETA: About Doctor Who: Doctor Who actually has 2 tags with ranked higher (Higher than Doctor Who (2005) even) on the list. Unfortunately, they were both multi-category tags: Doctor Who & Related Fandoms was also in the Other Media category thanks to the Doctor Who (Big Finish Audio), and the other tag Doctor Who was also in Books & Literature thanks to Doctor Who - Various Authors. You can see them rank in the top 10 TV Shows multi-category bar chart race linked above.

About Stargate: The Stargate - All Media Types tag is actually interesting because unlike most All Media Types tags, it’s only listed in the TV Show category. That’s why it still turned up in this list. This might just be a lack of tagging its other categories (like Books & Literature) on AO3, however. Now that I checked its subtags, it actually had at least 2 Book & Literature only subtags: Stargate Atlantis: Legacy Series - Various Authors and Stargate SG-1 - Various Authors. So it probably should not have been in this bar chart race. Apologies for the oversight.🙏

6K notes · View notes

boxanimal · 4 months

Text

May 24, 2024 is the 20th anniversary of Reborn!

Shonen Jump covers primarily featuring the series:

June 7, 2004, Issue No. 26 - New serialization

November 8, 2004, Issue No. 48 - 1st volume release

July 4, 2005, Issue No. 29 - 1st anniversary

March 20, 2006, Issue No. 14 - Beginning of the Varia arc

September 11, 2006, Issue No. 39 - TV anime announcement

October 23, 2006, Issue No. 45 - TV anime debut

November 20, 2006, Issue No. 49 - Beginning of Tsuna vs. Xanxus

July 9, 2007, Issue No. 30 - 3rd anniversary

September 10, 2007, Issue No. 39

November 19, 2007, Issue No. 49

February 18, 2008, Issue No. 10 - 18th volume release

July 14, 2008, Issue No. 31 - 4th anniversary

November 3, 2008, Issue No. 47 - 3rd anniversary of TV anime

June 22, 2009, Issue No. 28 - 5th anniversary

October 19, 2009, Issue No. 45 - Reborn Month event

November 2, 2009, Issue No. 47 - Reborn Month event

February 1, 2010, Issue No. 7 - 27th volume release & TV anime 7th season

April 12, 2010, Issue No. 17 - Beginning of the Inheritance arc & REBORN Colore! release

June 14, 2010, Issue No. 26 - 6th anniversary

September 12, 2011, Issue No. 38 - Beginning of the Curse of the Rainbow arc

#khr #katekyo hitman reborn #manga

289 notes · View notes

dangermousie · 11 months

Text

2023 Kdramas I am excited for

We have only a bit over two months in the year left, but it looks like kdramas saved the best for last. Here is the list of kdramas I am excited for...

Boyhood/Once Upon a Boyhood (November 24) - Siwan hasn't done a bad drama and I am in the mood for a nostalgic 80s piece. I am a little amused that a 35 year old is gonna be playing a high schooler, but in a fond way.

Castaway Diva (October 28) - I am very fond of Park Eun Bin and if anyone can sell the whimsy of a tale about a woman who was a castaway and then becomes a pop star, she will. Not fond of the new trend for 12 eps but it is what it is.

Goryeo-Khitan War (November 11) - my most anticipated for the rest of the year. Every casting and crew choice, every promo makes it look like an old school politics and war heavy sageuk that does not cater in the least to youth or even fusion sageuk subgenres and I am here for it so so so MUCH!

Gyeongseong Creature (December) - not a big fan of netflix originals but I am there for the cast and the setting.

The Matchmakers (October 30) - looks like a wacky period romp with Rowoon and Cho Yi Hyun. I don't have high hopes for it because I like my period stuff angsty, but whatever else, it's gonna be pretty pretty pretty!

Moon In the Day (November 1) - except for GK War, my most anticipated for the rest of the year. Reincarnation/time travel story that flashes back between modern day and Silla - GOD YES!

My Demon (November 24) - sounds like shoujo crack about a demon who loses his powers and enters into a contract marriage (of course) with a human. Done many many times before but I am always a sucker for the trope.

Perfect Marriage Revenge (October 28) - first of all, I have a huge weak spot for Sung Hoon. He's a limited actor but between New Tales of the Gisaeng and his role in Faith, he won my heart forever. But also, this plot is so old school melo the way they don't make it nowadays. Our FL is betrayed by her sister and her husband and dies. But she wakes up before her marriage and decides to do things differently and get revenge. She gets married in a contract marriage to our ML, a chaebol (of course) played by sexy Sung Hoon and...doesn't it all sound like those delicious transmigration novels made flesh?

The Story of Park's Marriage Contract (November 24) - I love time travel/time slip stories and the fact that this is a woman who ends up in the modern day where she comes across the dead ringer of her deceased husband makes it high class Durian, plus Lee Se Young is a wonderful actress who rarely picks wrong.

Tell Me That You Love Me (November) - a remake of my favorite jdrama of all time, Aishteiru to Ittekure, this story about the relationship between a deaf painter and an aspiring younger actress is going to give me the adult love story I crave. The fact that the legend that is Jung Woo Sung is back in dramas, and is playing the ML, is just the perfect thing. (His last proper drama was Padam Padam in 2011!!! He is mainly a movie star.)

Vigilante (November 8) - I am just here to see Nam Joo Hyuk kick people in the face.

Welcome to Samdalri (December 2) - Shin Hye Sun and Ji Chang Wook in a romcom mmmmm. I don't have any pics so have:

#kdrama #welcome to samdalri #vigilante #tell me that you love me #goryeo khitan war #moon in the day #my demon #castaway diva #perfect marriage revenge #The Story of Park's Marriage Contract #the matchmakers #Gyeongseong Creature #boyhood #once upon a boyhood

580 notes · View notes

namelessdumbass · 4 months

Text

Ultimate Nameless Ghouls guide

Nobody asked for it, but why the hell not?! Warning: looooong text, silly descriptions, shit ton of links and silly collages (sorry, tumblr only allows 30 pictures per post)

Happy reading!

4 Papas, 5 eras, different cool looks. There were a lot of changes, loooooots of Ghouls, but it's not as compicated as it may seem. There are many ways to tell them apart: -by the way they are placed on stage -their alchemic symbols (check out my Meliora guide where i shed more light on this topic) -their height and body types -body language -their instruments -jewellery -date of the photo/video (mhm) Let's start from the very beginning!

Opus Eponymous era (October 23, 2010 - december 15, 2012)

(from left to right: Omega, Earth #1, Lake/Water #2, Alpha/Fire #1 in front and Air #1) There were only 5 Ghouls: Fire/Alpha, Quintessence/Omega, Chain/Water (later Lake), Earth #1 and Air #1. Since 2011, Ghouls were placed in certain areas on stage: Quintessence and Earth on Papa's right, Water in the middle, Air and Fire - on Papa's left.

Alpha aka Fire Ghoul #1

Lead guitar. Had fire sticker on his white-n-black Gibson RD. Skilled motherfucker. Taller than Papas, looked bigger in first 2 eras. Was a bit reserved in era 1, but became quite active and naughty in era 2. Has blue eyes, started to wear a ring in era 2 and got tattoos in era 3. If you see a ghoul who often shows a peace sign - that's Alpha :) Hangs out with Omega, River, Delta, Pebble and Mist on stage. Enjoys attention, quite popular among fans. Can speak Italian, has strong accent. Joined in october 2010, left in november 2016.

Omega aka Ether/Quintessence Ghoul #1

Rhythm guitar, black Gibson RD with Omega sticker. Tall, stompy, was quite confident from the very beginning, graceful hand movements (trust me, you won't confuse him with any other ghoul). Has cutest laugh. The Perfect Ghoul™. Has beautiful eyes, chunky silver rings, is the reason the Ghouls got their alchemic symbols. Papa III's favorite Ghoul, that's why he was always praised and his butt was always touched/smacked during Year Zero solo by Terzo :) Did interviews in era 2 (sometimes together with Alpha or Special Ghoul) and 3. Joined in october 2010, left in july 2016 :(

Chain aka Water Ghoul#1

Bass. Mysterious and metal AF, wore a chain as a belt and painted black bones on his hands, had Grucifix on metal necklace (which was later worn by Omega after Chain left). Was quite active and actually the shortest ghoul of era 1. Joined in october 2010, left in early 2011.

Earth Ghoul #1

Drums. Had no other specific name. Tall (same height as Omega), slim, has blue eyes. Despite being in Ghost for like 4 years, is soooo underrated. There's not much we know about him. The only earth ghoul of Ghost who did an interview (together with Alpha). Was simply amazing! Joined in october 2010, left in 2014.

Air Ghoul #1

Also had no specific name. Synthesizer, keyboard and keytar. The tallest ghoul (a bit taller than Omega), dark eyes. Modest, very calm, didn't move much. Loved showing horns and stared at fans sometimes. Had badass Mummy Dust solo . Joined in 2011, left in november 2016 Lake aka Water Ghoul #2

Bass. Joined in 2011 after Chain left. Middle height, dark eyes. Quite calm. Played two different guitars in era 1. Had cool black lenses in era 2, wore a ring sometimes. Also quite underrated. Fun fact: Remember Year Zero mv when Secondo flashes us? Well, it was this Water in Papa's chasuble, not Tobias :) Joined in 2011, left in 2014.

Infestissumam era (december 15th 2012 - June 3, 2015)

(from left to right: Earth #1, Omega, River, Air #1, Alpha) How are Ghouls placed on stage? Same way as in Opus era. Same Ghouls, different outfits and masks. Their alchemic symbols became more visible and ghouls opened up more on stage. There was only one change of the lineup: Lake left in 2014 and was replaced by River. River aka Water #3

Bass. Middle height, dark blue eyes. Was quite chaotic and weird onstage. Held his bass in a suggestive way, humped it sometimes. Interacted with Alpha a lot, was a bad influence. Definitely had fun on stage, enjoyed attention. See a ghoul with wide-legs-stance? Yeah, that's him! The tallest of the Water Ghouls. Joined in 2014, left in 2015 (before Meliora era began).

Meliora era (june 3, 2015 - september 30, 2017)

(from left to right: Omega, Pebble/Earth #2 behind him, Delta/Water #4, Air #1, Alpha) Placed on stage? Same way as in previous two eras. This is when a lot of changes happened. In 2015, Fire, Quintessence and Air Ghouls were the same, but Earth#1 and River left and Delta and Pebble were introduced.

Delta aka Water#4

Bass. A bit shorter than Papa III, cute, has blue eyes. No visible tattoos or rings. Skilled, filled in for Apha and Omega (and also played his guitar!) couple times for a few rituals and acoustic shows. Loved interacting with Alpha and Pebble on stage. Became Quintessence Ghoul in july 2016 when Omega left, played rhythm guitar. Joined in June 2015, left in november 2016.

Pebble aka Earth#2

Drums. Despite being the shortest and smolest in the band, played the shit out of drums. Was the most active Earth ghoul of Ghost. A show off. Loved interacting with fans. Played a brief solo before Stand by Him. Had a ring, his mask looked a little bit too big for him. Slim, light green eyes. Loved interacting with Alpha and Water. Joined in June 2015, left in november 2016.

In july 2016 Omega left Ghost, Delta took his place and Mist, the first Ghoulette of Ghost, played bass. Mist aka Water #5

Bass. Tiny, has blue eyes, a tattoo and ring on her finger. Cute as hell. Was quite calm and modest. Loved by fans. Her mask looked too big for her. Same could be said about the bass. Joined in september 2016, left a the end of Popestar tour in november 2016.

In 2017 all of the former ghouls and Mist left and the new pack of Ghouls was introduced. All of them (except for Mountain) were +- same heigh as Terzo, so identifying them isn't hard.

Ifrit aka Fire Ghoul #2

Lead guitar. Hyperactive, full of energy, jumps, spins and moves a lot on stage. Papa III's hype man. Loved interacting with fans, gestures a lot. The ghoul that can't stand still. Has blue eyes, no visible tattoos or rings. Ray of sunshine (no really, he's very sweet). Quite popular among fans. Loved interacting with Zephyr, Aether and Dewdrop. Joined in march 2017, left in september 2017

Aether aka Quintessence #3 aka Banana ghoul

Rhythm guitar. A bit taller than Ifrit and Papa III. Loves bananas. Has dark eyes, bracelets and a ring. No QE sticker on his guitar. Beefy, friendly. Also spins, dances and jumps a lot on stage. Was present in Terzo, Cardinal and Papa IV eras. Interacted with all of the Ghouls on stage. Was Cardinal's favorite Ghoul. Was bullied by Sodo, but also annoyed him too sometimes. He and Sodo had pre Cirice guitar battles. Did backing vocals in Prequelle and Impera (in 2022) era. Joined in march 2017, left in may 2023.

Dewdrop aka Sodo aka Water #6 aka Fire #3

Bass and lead guitar. Present in Papa III, Cardinal and Papa VI eras. A bit shorter than Papas and the rest of the ghouls. Slim. Very popular among fans. Stompy, was naughty in era 3, but became muuuuuuch worse later. Horny i would say and even more aggressive. Ghoul equivalent of chihuahua. Shows middle finger, throws picks when he's angry or annoyed by Aether. Was a Water ghoul in 2017, became a Fire Ghoul #3 in 2018 after Ifrit left. This is also a year when his fire Ghoul nature started to come out: Licked his guitar, picks, tried to lick Rain, Aether and bullied Cardinal. HORNY during Mummy Dust. Vapes on stage, interacts with fans, loves choking Rain. Once hurt his finger, didn't give a damn and continued playing guitar smearing blood all over it. Can also be a gentleman. Joined in march 2017 and is still in Ghost (as of may 2024).

Zephyr aka chAir Ghoul #2

Keyboard, synthesizer, keytar. Same height as Papa III, blue eyes. Quite active on stage, but can also be calm. Sits on chair a lot, but starts moving when he's feeling it. Interacts with Ifrit and Aether. Keytar solo - [X]. Cutie. Joined in march 2017, left in september 2017.

Ivy aka Earth #3

Drums. Dark eyes, wears bracelets. Same heigh as Ifrit. Even though he had been in the band only few monhs, he did an amazing job. Joined in march 2017, left in june 2017.

Mountain aka Earth #4

Drums. Tall, slim, has grey eyes and a tattoo on his finger. Hates shoes. Quite popular among fans. Pretty calm, especially comparing to Pebble. Nice fella. Was present in Papa III, Cardinal and Papa IV era. Joined in june 2017 and is still in Ghost (as of may 2024)

Prequelle era (april 6, 2018 - march 3, 2020)

The number of ghouls on stage has increased. Instead of 5 there were 7 ghouls. And this is the year when we got not one, but two Ghoulettes! How are they placed on stage? Like this:

(from left to right: Aether/Quintessence #3, Swiss behing him, Mountain/Earth #4, Rain/Water #7 in front, Cirrus/Multi, Cumulus/Multi, Dewdrop/Sodo/Fire #3) New ghouls of this era:

Rain aka Water #7

Bass. A bit taller than Dewdrop and Cardinal/Papa VI. Has dark eyes, beautiful hands, slim. Quite calm comparing to the others. Opened up a bit more in Impera era. The only adult on stage, beside Ghoulettes and Mountain. Has to step in when Sodo becomes a pain in the ass, also allows him to choke him during Year Zero. Joined in january 2018 and is still in Ghost (as of may 2024)

Swiss aka Multi Ghoul

Baritone and acoustic guitar, tambourine, backing vocals. Tall, slim, has dark eyes and biiiiiiiiiiiiig smile. Dances on his platform, tries to seduce other ghouls, acts possessed. Is in your walls. A manace to society. Vapes on stage. Loves interacting with fans and other ghouls. Known for his powerful shimmies. The horniest Ghoul of Ghost. Annoying the shit out of Sodo aka jerking him off was his main hobby in 2023. Also went to Aurora's (see below) and Cumulus' platforms. The most chaotic ghoul. Popular among Ghesties. Joined in january 2018 and is still in Ghost (as of may 2024).

Cumulus aka Multi Ghoulette

Backing vocals, synthesizer, tamboutine. Short, curvy, has amazing voice. No visible tattoos. Loves interacting with fans and other Ghouls/Ghoulettes. Dances, slays. Joined in january 2018 and is still in Ghost (as of may 2024)

Cirrus aka Multi Ghoulette

Keyboard, synthesizer, tambourine, keytar, backing vocals. Tall, slim. No tattoos. Active on stage. Keytar solo - [X]. Loves sticking out her tongue. Comes to the center of the stage in Impera era. Literal queen. Joined in january 2018 and is still in Ghost (as of may 2014)

Impera era (january 25 th, 2022 - october 7th, 2023)

(Front row from left to right: Aether/Quintessence #3, Rain/Water #7, Sodo/Dewdrop/Fire #3. Behind them from left to right: Swiss, Cirrus, Mountain/Earth #4, Cumulus, Sunshine/Multi)

There were a few changes in this era: new Ghouls and slight changes in the stage setting. In 2022 one more Ghoulette joined the Prequlle pack.

Sunshine aka Multi Ghoulette

Backing vocals and tambourine. A bit taller than Cumulus, but shorter than Cirrus. No tattoos and rings/bracelets. Cutie. Dances and acts funny on her platform. Stood on Papa's left. Joined in 2022, left in may 2023.

2023: Sunshine and Aether left and were replaced by Aurora and Phantom. The rest of the Ghouls/Ghoulettes remained the same.

Phantom aka Quintessence #4

Rhythm guitar. Tall, slim, dark eyes. Loves interacting with fans and loves bats. A show off and a little bit chaotic. Quite confident despite being a newbie. Joins Rain and Sodo for epic into of Square Hammer and outro of Rats. Loves annoying Papa IV during Year Zero outro. almost No visible tattoos, wears a ring. Interacts with every ghoul/ghoulettes on stage. Joined in may 2023 and is still in Ghost (as of may 2024)

Aurora aka Multi Ghoulette

Backing vocals, tambourine. Full of energy. The shortest Ghoulette. Loves dancing next to Rain during Miasma. Cute. Despite being smol, brought Swiss to his knees ;) Joined in may 2023, is still in Ghost (as of may 2024) Honorable mentions: Special Ghoul aka Phil aka Tobias

Showed up for interviews and to grab some awards. Talked about albums, meanings of songs and Papas. Worships cats, loves Abba. Slim, has green eyes. Wore Alpha's uniform. Was present in Primo, Secondo and Terzo eras. Makes a lot of silly sounds. Hasn't been active since 2017. Cowbell Ghoul

Plays cowbell in "Ritual" and "If you have Ghosts". A freaking legend. Tall, has a posture of a shrimp. Always got shooed by Papa III. Only showed at the end of Popestar tour in 2016. Brought many people joy with his presence.

And that was it....for now. The movie and new era are coming soon. I'm excited about what's going to happen next. If there are going to be any changes of the lineup i'll make sure to update this guide :)

Thanks for reading 🖤

223 notes · View notes

insanityclause · 4 months

Text

Over the past 13 years, Tom Hiddleston has died more times than he can recall. “Let me think about this,” the actor tells us, pausing to count in his head. “I think, officially, there were two big ones.”

He’s referring to his many exits from the Marvel Cinematic Universe, the blockbuster franchise in which he’s played shape-shifting Norse god Loki Laufeyson since Kenneth Branagh’s 2011 film “Thor”—the son of Asgardians Odin (Anthony Hopkins) and Frigga (Rene Russo), and the half-sibling of Thor (Chris Hemsworth), the god of thunder.

The character has since bounced between villain and reluctant antihero across five films, a handful of post-credits scenes, and Michael Waldron’s Disney+ spinoff series “Loki,” which Hiddleston also executive produces. The show wrapped its second—and supposedly final—season last November. The finale presents an end for the character, but not one of the aforementioned “big ones.”

Hiddleston’s first “official” farewell came in Alan Taylor’s 2013 sequel “Thor: The Dark World,” which saw the god of mischief take a sword to the chest to save his beefy brother. “As written in the first script, it was a true sacrifice,” Hiddleston says. Unfortunately for Marvel’s long-term plans, the actor had done too good a job playing the trickster.

“When Marvel [executives] were testing the movie, they’d given [viewers] questionnaires that said, ‘Is there anything you didn’t understand?’ ” he remembers. “Literally every single audience member said, ‘Well, obviously, Loki’s not really dead.’ ”

In classic comic-book fashion, the character did return, gallivanting alongside his brother in Taika Waititi’s 2017 follow-up “Thor: Ragnarok.” He died again one year later (“big one” number two) in the Russo brothers’ “Avengers: Infinity War.” There were no smokescreens or questionnaires this time; audiences watched as Loki’s neck was crushed by the purple fist of intergalactic warlord Thanos (Josh Brolin).

Hiddleston remembers arriving in Atlanta to shoot his final scene and immediately bumping into Brolin. “He came up to me, gave me this huge hug, and said, ‘I’m so sorry, man.’ ”

He meant it, too; everyone meant it. The sun, it seemed, had actually set on Hiddleston’s MCU journey. “At the end of that scene, I got a big round of applause, and everybody was so sweet and kind and gracious,” he says. “I got notes and emails saying, ‘Tom, you’ve done so much for us—what a journey. Come and see us anytime.’ I really thought that was the end.”

And it was, for real, right up until it wasn’t—when the time-traveling shenanigans of 2019’s “Avengers: Endgame” blasted a younger version of Loki out of the established canon and into his own series. Over two seasons, the multiversal storyline envisions the title character as a figure who exists outside time and space. Across all there is, was, and may come to pass, there will always be a Loki, in some form, wreaking havoc.

Hiddleston has long since accepted what this means for him as an actor. Maybe “Loki” Season 2 really was his last time in the role; or maybe he’ll play him until the sun burns out. “I’ve realized that, in human consciousness, that’s who Loki is,” he says. “Loki is this ancient, mythic character, who, in our collective mythology, represents the trickster, the transgressor, the boundary-crosser, the shape-shifter—somebody who’s mercurial and spontaneous and unpredictable who will always confound your expectations and wriggle out from underneath your certainties and convictions. Someone who we need and [who] is necessary.”

Hiddleston pauses, getting emotional. “Maybe Loki escaping death a couple of times is sort of an emblem of who he is in our culture,” he says, grinning at his own gusto. The actor has a habit of being self-deprecating about the depth of the character’s lore. “I spend a lot of time thinking about Loki. You can probably tell.”

You can tell, and it’s incredibly endearing. Talking to Hiddleston about Loki feels like discussing Shakespeare’s Richard III with Laurence Olivier or Tennessee Williams’ Blanche DuBois with Jessica Lange. They were actors who put their definitive stamps on those roles by returning to the well and constantly digging deeper.

In conversation, Hiddleston is equally as likely to reference comic-book arcs as he is the ancient, anonymous Old Norse scribes of the “Poetic Edda” or Richard Wagner’s epic four-cycle opera “Der Ring des Nibelungen.” He speaks reverently of actors who embodied the trickster god before him, like Jim Carrey in Chuck Russell’s 1994 comedy “The Mask” and Alan Cumming in Lawrence Guterman’s 2005 sequel, “Son of the Mask.” He also heaps praise on those who played the part after him, such as his “Loki” costars Sophia Di Martino, Richard E. Grant, Deobia Oparei, and—in one very surreal Season 1 moment—“some alligator they found somewhere.” He cites legendary Marvel creators Stan Lee, Jack Kirby, and Walter Simonson alongside the likes of English essayist Walter Pater and Irish playwright George Bernard Shaw, who once wrote of life as a “splendid torch” to keep burning for those who follow.

“Loki is ‘a sort of splendid torch which I have got hold of for the moment,’ ” Hiddleston quotes, “and I want to make it burn as brightly as I can before passing it on to future generations.”

This level of study started before he even landed the role. He recalls the 24 hours leading up to his “Thor” audition, when he was 28 years old. After graduating from the Royal Academy of Dramatic Art in 2005, he quickly earned small-screen and stage acclaim—but he hadn’t yet achieved a major breakthrough. When he received the script for “Thor,” it felt familiar. “I remember thinking, This is almost Shakespearean, this language,” Hiddleston says. “What’s the best example I can [look to] of an actor who managed to humanize and make real this elevated world of myth?”

He found the answer in Christopher Reeve, who played the title role in Richard Donner’s 1978 blockbuster “Superman.” “He’s masterful in that film,” Hiddleston says. “In a way, it’s a similar premise: He’s a god or he’s a being from a different realm, and it’s not naturalistic in the way that we might expect. He does it so truthfully, and it’s so clear and clean and open and honest. I thought, If I can even approximate or get close to the kind of clarity that Christopher Reeve had in those films, I’ll be lucky.”

And then, the morning of his “Thor” audition, Hiddleston went for a run, “which is my habit before doing anything unusual,” he explains.

Running has remained a constant throughout the actor’s MCU tenure. At any given moment over the last decade, the god of mischief was likely doing laps around Marvel’s go-to shooting location, Pinewood Studios (now Trilith Studios) in Atlanta. “Life is movement; I really believe that,” Hiddleston says.

“I find when I’m running or walking, the repetitive nature of it relaxes the mind and allows ideas and inspiration to come from a deeper place. I see my work as an actor—especially in preparation for a project or a scene—as almost preparing myself to be open and ready to receive ideas, to receive energy from other actors, to receive energy from my imagination.”

Hiddleston found the technique particularly helpful when he was filming a scene for the “Loki” series premiere that he calls “one of the most thrilling challenges I’ve ever had as an actor.” In it, Loki has been poached from the flow of time itself by the temporality-policing Time Variance Authority and forced to watch what is, essentially, a highlight reel of his entire MCU arc. It’s one of the most deeply existential moments you’ll ever find streaming alongside the likes of “Bluey” and the “Cars” movies. Here is a man watching the sum total of his life—his hopes, his dreams, his failures, his own death—play out in a 30-second clip that ends with the cold, clinical words: “End of file.”

“I just kept imagining: If you were afforded the opportunity or forced to watch your own death as a bystander, it would bring about an existential shock and crisis unlike any other,” Hiddleston explains. “It was a scene where I thought, I don’t have a reference for how to play this. I just have to allow shock, disgust, disgrace, shame, disbelief, acceptance, incredulity, and sorrow to exist in the center of me.”

As an executive producer on the series, Hiddleston had a say as to which of Loki’s many misdeeds would play in the sequence. He chose clips like Frigga’s death in “Thor: The Dark World” and his father’s final words in “Thor: Ragnarok”—moments Hiddleston knew would most fill the character with regret. As production was preparing to shoot the scene, he asked first assistant director Richard Graves for a 20-minute warning.

“I decided to jog around the stage and internalize as many of those memories of those people, those characters, those actors [as possible]—to try and find the center of my own vulnerability,” Hiddleston says. “Part of the joy of it was just going back to basics, trying to simplify this very complex thing…. Go for a jog, get into your body, allow yourself to be open, and just be there; just feel it.”

One “Loki”-like time jump later, Hiddleston found himself in a similar situation as he was preparing to shoot his final moment of Season 2—a scene that effectively caps Loki’s 13-year arc. Across 12 episodes, the show guided its title character toward a truly heroic end: With all of existence on the verge of collapse, he steps out of time to tie the strands of every reality together. As the credits roll, Loki sits at the center of time, holding in place all that is—alone.

It’s a lot for any actor to internalize, especially one who’s performing solo in front of a blue screen. With 45 minutes to cameras rolling, episode co-director Aaron Moorhead made a suggestion. “He said to me, ‘Why don’t you go back, if you can bear it, and watch some of your work [over] the last 15 years?’ ” Hiddleston remembers. “ ‘Take it in, see what it means to you, and then carry it when you step out onto the stage.’ ”

The actor took Moorhead’s advice to heart. And suddenly, without meaning to, he was mirroring the moment that started the series: absorbing the sum total of Loki’s MCU run. But this time, his regret had been replaced with gratitude. Hiddleston watched clips from “Thor,” remembering a time when he and Hemsworth had yet to ascend to the A-list. He recalled working with powerhouses like Hopkins and Russo, and the bonds he forged with the “original six Avengers” in 2011. He thought about how fun it was to film “Thor: Ragnarok” with Tessa Thompson and Jeff Goldblum, and of the more recent friendships he found with his “Loki” castmates Di Martino and Owen Wilson.

“I thought, What Loki is doing, he is doing for his friends. And so, Tom, why don’t you do it for your friends?” Hiddleston says. “That’s where the two of us met in that moment. And then I was so grateful I had this most amazing crew, and we did it together.”

The actor is, of course, noncommittal as to whether this is actually the end of his MCU run. The franchise is scheduled out until at least 2027, and Hemsworth has mentioned his desire to make another “Thor” film. And if Loki’s past has proven anything, even the most official endings can be undone.

Either way, it seems to Hiddleston that something significant has ended, even if it’s just Loki’s full-circle arc. “I hope it feels redemptive because his broken soul is partially healed; and you see that this character, who is capable of love, has made a decision from and for love,” he says. The actor cites the “beautiful prologue” of the first “Thor” film, in which Hopkins’ Odin tells his two sons: “Only one of you can ascend to the throne, but both of you were born to be kings.”

“At the end of Season 2, Loki is sitting on a kind of throne; but it’s not arrived in the shape he expected, and there’s no glory in it,” Hiddleston explains. “There’s a kind of burden, and he’s alone. He’s doing it for his friends, but he has to stay there without them. There’s a poetic melancholy there which I found very moving.”

For now, Hiddleston “can’t even conceive” of his life without Loki. He only hopes that he’s lived up to his guiding ethos as an actor, which he sums up with a plea from E.M. Forster’s 1910 novel “Howards End”: “Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height.”

“The feedback loop for actors is that we get to inhabit a fiction,” Hiddleston says. “But hopefully, that fiction bears the shape of a truth that we recognize about life—that what we do reflects the ups and downs, the peaks and troughs, and the breadth and profundity of all of our lives.”

Hiddleston exists in that space between fiction and reality, the work and the resulting art, the prose and the passion. Long after we’ve moved on from our interview and started casually discussing the cherry blossoms blooming in New York, his eyes light up. He’s made another connection, remembered one more thing—just one last thing he’d like to impart about Loki.

He spends a lot of time thinking about Loki. You can probably tell.

“I’m so aware that the reason I’ve been able to play him for so long is because of the audience’s curiosity and passion,” Hiddleston says. “I’ve been delighted to find that for a character of such stature, he’s remarkably human. Many of the characteristics that people connect to in Loki are deeply human feelings. That’s been the pleasure, is infusing this elevated character with humanity.”

Even then, honestly, it feels as if Hiddleston, like Loki, could go on forever. Unfortunately, outside of the MCU, time moves in only one direction. Once again, he has to run.

This story originally appeared in the June 6 issue of Backstage Magazine. Subscribe to In the Envelope: The Actor's Podcast to hear our full conversation with Hiddleston (out 6/6).

#tom hiddleston #interview #backstage magazine #loki s2 #emmy fyc

148 notes · View notes

zelda-heritage-posts · 11 months

Text

Remakes and re-releases count!

Official mainline list:

The Legend of Zelda - August 22, 1987 - NES

Zelda 2: The Adventure of Link - December 1, 1988 - NES

The Legend of Zelda: A Link to the Past - April 13, 1992 - SNES

The Legend of Zelda: Link's Awakening - August 6, 1993 - Game Boy

The Legend of Zelda: Ocarina of Time - November 21, 1998 - N64

The Legend of Zelda: Majora's Mask - October 26, 2000 - N64

The Legend of Zelda: Oracle of Seasons and Oracle of Ages - May 13, 2001 - Game Boy Color

The Legend of Zelda: Four Swords - December 2, 2002 - Game Boy Advance

The Legend of Zelda: The Wind Waker - March 24, 2003 - GameCube

The Legend of Zelda: Four Swords Adventures - June 7, 2004 - GameCube

The Legend of Zelda: The Minish Cap - January 10, 2005 - Game Boy Advance

The Legend of Zelda: Twilight Princess - November 19, 2006 (Wii) / December 11, 2006 (GameCube)

The Legend of Zelda: Phantom Hourglass - October 1, 2007 - Nintendo DS

The Legend of Zelda: Spirit Tracks - December 7, 2009 - Nintendo DS

The Legend of Zelda: Skyward Sword - November 20, 2011 - Wii

The Legend of Zelda: A Link Between Worlds - November 22, 2013 - Nintendo 3DS

The Legend of Zelda: Tri Force Heroes - October 23, 2015 - Nintendo 3DS

The Legend of Zelda: Breath of the Wild - March 3, 2017 - Nintendo Switch

The Legend of Zelda: Tears of the Kingdom - May 12, 2023 - Nintendo Switch

#the legend of zelda

563 notes · View notes

girlactionfigure · 1 month

Text

The @UN created an exhibit dedicated to all terror victims worldwide, without including a single Israeli victim of terrorist violence.

To highlight the blatant absurdity of the UN, here’s an incomplete list of terror attacks against Israelis, by decade:🧵

2020s

1. April 7, 2022 Tel Aviv Shooting - Casualties: 3 people killed, 6 injured - Group Responsible: Palestinian Islamic Jihad

2. November 23, 2022 Jerusalem Bus Bombing - Casualties:2 people killed, 18 injured - Group Responsible: Hamas

3. October 7, 2023 Massacre - Casualties: Over 1,200 people killed, thousands injured, and many taken hostage - Group Responsible: Hamas, along with several other Palestinian terror groups.

2010s

5. March 11, 2011 Itamar Attack - Casualties: 5 members of the Fogel family killed (parents and 3 children) - Group Responsible: Two Palestinian attackers, later linked to the Popular Front for the Liberation of Palestine (PFLP)

6. March 23, 2011 Jerusalem Bus 74 Bombing: - Casualties: 1 person was killed, 30 injured. - Group Responsible: Hamas.

7. November 18, 2014 Har Nof Synagogue Massacre - Casualties: 6 Israeli and 1 Druze killed - Group Responsible: Two Palestinian attackers, praised by Hamas

8. June 8, 2016 Tel Aviv Sarona Market Shooting: - Casualties: 4 people were killed. - Group Responsible: ISIS.

2000s (Second Intifada)

9. June 1, 2001 Dolphinarium Discotheque Bombing - Casualties: 21 people killed, over 100 injured - Group Responsible: Hamas

10. August 9, 2001 Sbarro Restaurant Bombing - Casualties: 15 people killed, over 130 injured - Group Responsible: Hamas

11. January 17, 2002 Bat Mitzvah Massacre: - Casualties: 6 people killed, 33 injured. - Group Responsible: al-Aqsa Martyrs' Brigades.

12. March 2, 2002 Yeshivat Beit Yisrael Massacre: - Casualties: 11 people, including 7 children, killed. - Group Responsible: Fatah al-Aqsa Martyrs' Brigades.

13. March 9, 2002 Café Moment Bombing: - Casualties: 11 people killed. - Group Responsible: Izz ad-Din al-Qassam Brigades (Hamas).

14. March 27, 2002 Park Hotel Massacre - Casualties: 30 people killed, 140 injured - Group Responsible: Hamas

15. November 15, 2002 Hebron Shooting Attack - Casualties: 12 Israeli soldiers and security personnel killed - Group Responsible: Islamic Jihad

16. November 21, 2002 Kiryat Menachem Massacre: - Casualties: 11 people killed. - Group Responsible: Hamas.

17. January 5, 2003 Tel-Aviv Central Bus Station Massacre: - Casualties: 23 people killed, over 100 injured. - Group Responsible: Fatah al-Aqsa Martyrs' Brigades.

18. March 5, 2003 Haifa Bus 37 Suicide Bombing: - Casualties: 17 people killed, with most victims being students from Haifa University. - Group Responsible: Hamas.

19. May 18, 2003 French Hill Suicide Bombings: - Casualties: 5 people killed - Group Responsible: Hamas - Event: A suicide bomber disguised as a religious Jew detonated on a bus. A second bomber prematurely detonated, only killing himself.

20. August 19, 2003 Shmuel HaNavi Bus Bombing: - Casualties: 24 people killed including 7 children, 130 people injured. - Group Responsible: Hamas.

21. September 9, 2003 Tzrifin Bus Stop Attack and Café Hillel Bombing: - Casualties: 14 people killed - Responsible Group: Riyad-us Saliheen Brigade of Martyrs - Event: Two Palestinian suicide bombings occurred within hours of each other; one at a crowded bus stop near Tel Aviv, the other at a popular Jerusalem nightspot.

22. October 4, 2003 Maxim Restaurant Bombing: - Casualties: 21 people killed, over 60 injured. - Group Responsible: Islamic Jihad.

23. December 25, 2003 Geha Interchange Bus Stop Bombing: - Casualties: 3 people killed - Responsible Group: Popular Front for the Liberation of Palestine (PFLP)

24. March 14, 2004 Ashdod Port Attack: - Casualties: 10 people killed, over 23 injured. - Responsible Group: Hamas and Farah.

25. August 31, 2004 Beersheba Bus Bombing: - Casualties: 16 people killed, over 100 injured - Responsible Group: Hamas.

26. February 24, 2005 Stage Club Bombing: - Casualties: 5 people killed, over 50 injured. - Responsible Group: Hamas.

1980s - 1990s

27. 1987-1993 First Intifada - Casualties: Hundreds of Israelis, both civilians and soldiers, killed over 1,400 injured - Group Responsible: Various Palestinian groups including Hamas and Islamic Jihad

28. October 19, 1994 Dizengoff Street Bus Bombing - Casualties: 22 people killed, 50 injured - Group Responsible: Hamas

29. January 22, 1995 Beit Lid Suicide Bombings - Casualties: 21 Israeli soldiers and 1 civilian killed, over 60 injured - Group Responsible: Islamic Jihad

30. July 30, 1997 Mahane Yehuda Market Bombings - Casualties: 16 people killed, 178 injured - Group Responsible: Hamas

1970s

31. May 22, 1970 Avivim School Bus Massacre: - Casualties: 12 people, with 9 victims being children. - Responsible Group: Popular Front for the Liberation of Palestine – General Command.

32. May 30, 1972 Lod Airport Massacre - Casualties: 26 people killed, 80 injured - Group Responsible: Japanese Red Army, in collaboration with the Popular Front for the Liberation of Palestine (PFLP)

33. September 5-6 1972 Munich Olympics Massacre - Casualties: 11 Israeli athletes and coaches killed - Group Responsible: Black September (Palestinian terrorist group)

34. April 11, 1974 Kiryat Shmona Massacre: - Casualties: 18 people killed with 8 victims being children, over 16 wounded. - Responsible Group: Popular Front for the Liberation of Palestine – General Command.

35. May 15, 1974 Ma'alot Massacre - Casualties: 31 people, including 22 schoolchildren, killed. - Group Responsible: Democratic Front for the Liberation of Palestine (DFLP)

36. July 4, 1975 Zion Square Massacre: - Casualties: 15 people killed, 77 wounded. - Responsible Group: Palestinian Liberation Organization (PLO).

37. March 11, 1978 Coastal Road Massacre - Casualties: 38 Israeli civilians killed, 71 injured - Group Responsible: Fatah (a faction of the Palestine Liberation Organization)

1950s and 1960s

38. Fedayeen Raids (1950s): - Description: A series of cross-border attacks by Arab militants (Fedayeen) from neighboring countries, targeting Israeli civilians and military personnel. These raids included shootings, bombings, and infiltrations, leading to significant Israeli casualties.

38. March 17, 1954 Ma'ale Akrabim Massacre: - Casualties: 11 Israeli civilians killed - Description: A bus traveling from Eilat to Tel Aviv was ambushed by Palestinian militants who shot and killed most of the passengers.

39. November 23, 1964 Latrun Convoy Attack: - Casualties: 11 Israeli civilians killed - Description: A civilian convoy was ambushed by Palestinian militants near Latrun, resulting in multiple deaths.

End 🧵

The Persian Jewess

@persianjewess

#Israel #Terror Attacks

121 notes · View notes

nobodysuspectsthebutterfly · 2 months

Note

Is there a comprehensive list of actors GRRM cites as faceclaims or is it all in disparate blog posts?

Most of it isn't in blog posts at all, it's things GRRM's said at conventions or interviews. (Note for anyone going "Them, really?", check the dates and what the actor looked like at the time.)

So, a quick list:

Sandor Clegane: Ron Perlman

Cersei Lannister: Nicole Kidman

Jaime Lannister: Cary Elwes

Tyrion Lannister: Peter Dinklage

Tywin Lannister: Kurtwood Smith or Robert Duvall

Renly Baratheon: Adrian Paul (also for young Robert)

Arianne Martell: Apollonia Kotero

Nymeria Sand: Janina Gavankar

Daenerys Targaryen: Tamzin Merchant

And sources:

November 2000, fan con report: "Pearlman, from BEAUTY AND THE BEAST, would be great for Sandor. Best guy for Tywin: the father on THAT 70s SHOW and who was the father of the kid, who shot himself, in THE DEAD POETS SOCIETY (I think I spelled it all right)."

December 2003: "...I have a few people in mind. I think Nicole Kidman would be good as Cersei. I always liked Ron Perlman, the actor I worked with on 'The Beauty and the Beast’. He would be great as Sandor Clegane. Ron is very good in heavy make-up and he’s also a big, strong kind of guy. He has a great voice that he can do all sorts of wonderful things with. I think he would be terrific as the Hound. For Jamie Lannister, a couple of years ago I would have said Cary Elwes but he might be too old now. I don’t know…"

c. 2006: "Myself, I'd love to see Tywin played by Kurtwood Smith (as in DEAD POET'S SOCIETY) or Robert Duvall (THE GREAT SANTINI)."

July 2006, fan con report: "On being asked about "the casting game" (picking actors to play the characters), he said the only one who he would definitely choose was Ron Perlman to play Sandor "The Hound" Clegane because of Perlman's aptitude for acting through prosthetics."

February 2007, fan con report: "When asked about ideal casting choices, he formally endorsed the idea of Nicole Kidman playing Cersei. He says she has the perfect look for her. But it would never work, because where are you going to find a guy that looks like her to play Jaime? I really got a kick out of that. He also said Ron Perelman would be perfect as the Hound -- but I am pretty sure I had hears or read that somewhere before."

date/source uncertain, but c. 2007: "Adrian Paul and I actually worked together once, long before the Dreamsongs audiobook. Wonder if he remembers. Back then he had a great look for Renly…but of course, that was twenty years ago."

February 2008: "Much as I *cough* admire Salma Hayek, I picture Arianne as looking more like Appollonia Kotero, as she was around the time of PURPLE RAIN."

November 2008, Elio Garcia: "George has said in the past that Adrian Paul is Baratheonish in looks (years ago he said he could see him for a young Robert or Renly)"

May 2009: "Playing Tyrion Lannister will be Peter Dinklage, who was almost everyone's "dream casting" for the role (he certainly was mine)."

August 2009: "I know my readers play the casting game. Well, confession time, so do I. Ever since I began A SONG OF ICE AND FIRE (way back in 1991, thought it wasn't until 1994 that I got writing in earnest), there was always a little part of me that would watch every television show and movie with one eye looking for actors and actresses who might work as my characters.

And so there I was, watching THE TUDORS (which I have VERY mixed feelings about, I confess), when Tamzin Merchant came on screen as the fifteen year old Katherine Howard, Henry VIII's fifth wife. I sat up at once, thinking, "Hmmm, she could be a good candidate for Dany.""

July 2011, Janina Gavankar: "George just told me I look like Lady Nymeria." (additional link 1) (link 2)

116 notes · View notes