#Other goals

[theearlgreymage]

Despite having written close to 25k words this month, I have been SLACKING on making any type of "Six Sentence Sunday" or "WIP Wednesday" Posts. Partially because my NaNoWriMo Project is a secret gift. Partially because I have been cursed by an eldritch deity and never know peace.

Anyway. To each and every one of you who continues to tag me - you're gems. Sweethearts. Sparkles of Light on my bad days. I love and appreciate each of you, even if I do it silently from my little corner of the world.

Setting the emotions aside now.

Here are as many sentences as I feel like sharing from my project. Because I've been quiet lately and ya'll deserve more than just six measly sentences for not abandoning me. (And if you're from the CO Fandom, know that I'm coming back to all my SnowBaz WIPs as soon as I finish this beast)

An Excerpt from Chapter XI

As I finish Erwin’s request, I level my gaze back on him. Finding his eyes with my own, there’s a look, an intensity, in them that leaves my mouth dry. There’s a question flying in the blue of his irises, a curiosity that I want to sate.  What does he want from me?  Swallowing, I lean forwards in my seat. Propping my elbows on the table, even though Erwin told me that proper nobles keep their elbows off the tops of tables and desks. “How much of this is true?”  Erwin’s eyes flash at my question, and he leans in himself. Bringing our heads close enough together that I can smell the tea and cream from breakfast on his breath. “What do you think?”   “I think I’m not being told everything,” anything, “and that’s on purpose.”  Apparently, that was the right thing to say as Erwin grins at me. And again, I’m struck with how much he reminds me of that boy who’s name I can’t recall. Brilliant white teeth and pink lips that soften his angular face. The sight stirs something reminiscent in my gut. I’m half tempted to ask Erwin if he feels it too, if I remind him of someone from his own childhood. But before I can gather the courage to potentially make a fool of myself if I’m wrong, Erwin is asking more questions of me.  “And why would they do that? Why not tell you, tell everyone the truth?”  “The same reason anyone avoids the truth, because they have something to hide.” It’s an easy answer. One of the first lessons that Kenny taught me. Everyone has something to hide, and if you can find that truth in an individual you can best them every time.  “Exactly,” Erwin agrees with me as he pushes the books we’ve been studying away from us. “So what could the royals and nobles be hiding from us?”  At that, I’m stumped and shrug my shoulders. Erwin deflates with me, almost like he was expecting me to actually have the answer to that question.  He does think I’m a noble, maybe the idiot thinks I have some secrets.   It wouldn’t shock me to discover that he wants to use me for something. He’s clearly working against the nobility in some regard, and I’m sure having a noble on his side could be beneficial. But if he thinks I’m going to be some grand advantage, he’s surely mistaken. I’m nothing more than a good fighter and decent thief.  “I think we’ve covered enough for today,” Erwin redirects the conversation suddenly. Moving to restack the books and parchment we’ve been using all afternoon.

Consider the Tags below as both a Hello, but also How are you all doing?

@aristocratic-otter @aroace-genderfluid-sheep @artsyunderstudy @bazzybelle @bookish-bogwitch @buffy @captain-aralias @confused-bi-queer @cutestkilla @ebbpettier @erzbethluna @facewithoutheart @fatalfangirl @foolofabookwyrm-activated @gekkoinapeartree @hushed-chorus @ic3-que3n @ivelovedhimthroughworse @ileadacharmedlife @ionlydrinkhotwater @j-nipper-95 @johnwgrey @krisrix @larkral @martsonmars @letraspal @moodandmist @mostlymaudlin @onepintobean @palimpsessed @prettylightsbigcity @raenestee @shrekgogurt @skeedelvee @stardustasincocaine @stitchyqueer @tea-brigade @theimpossibledemon @thewholelemon @wellbelesbian @whogaveyoupermission @you-remind-me-of-the-babe

[callalillywrites]

Writing Goals for August 11-17

I decided to start this series to help push me to get more writing done each week, especially with the kiddos going back to school. It frees me up to get more writing done.

While I don't expect to get through this entire list, I'm definitely looking forward to seeing what I get done this first week of school and setting myself up for the next week.

Fics I'd like to write/make progress on:

Song Fics - His Dream Come True and The Light of His Life (Jake Jensen and Curtis Everett fics; first Curtis Everett fic, too)

Part 2 of To Repay a Debt (Ransom Drysdale/Reader series)

Their Sweet Omega fics - Omega Upsets Steve (getting new title) and A Permanent Mark (also may be getting new title)

Part 1 of The GODDESS Project (there will be a lot of chapters and possibly parts to this one)

Part 1 of Cupid's Arrow (will probably be a lot of smaller series within this bigger series but we'll see how it goes)

Cool Rider Barber Shop & Hair Salon (Bucky Barnes/Reader - another first fic and hopefully a longer one-shot, possibly two-shot but we'll see how it goes with that)

I'm sure there's more I can add to this list, but I think this is a decent start. Let's see how many I can get done.

Other Goals for the week include:

Rewatching Knives Out and Gifted (refreshers of Ransom and Frank); also on this list is The Covenant

Watching for first time Lisa Frankenstein and The 355

Getting the house cleaned back up from summer break

Reading and reblogging a few new fics from incredible writers here on Tumblr

Updating my AO3 with new fics

Getting back to reading novels, starting with a final one in a series I've been wanting to finish for a while

[hinamie]

10 years later

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[chloesimaginationthings]

Vanessa's first impression on Mike in the FNAF movie

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[newrelationshipgoals]

A happy relationship is about three things: memories of togetherness, the forgiveness of mistakes and a promise to never give up on each other.

[girlmagicfr]

This is your sign to keep showing up for yourself....

[bitterly-almond]

[inspired by that lovely painting of @_K0TTERl_ on twitter (creator of "Veil" manga)]

They're such a rarepair lol but once I saw the vision I cannot go back.

[dykealloy]

[hyunpic]

HYUNJIN for CARTIER

[phoenixkaptain]

I love it when pre Original Trilogy era shows how much effort went into making the Death Star. It took decades, literal decades, and it took so much money and so many people and it was such a secretive thing and it’s staffed by millions because it’s the size of a small moon.

I cannot express how much all of the added information makes it so much funnier that Luke blew it up.

Luke destroys literally everything Palpatine built. He blows up the Death Star, which was referenced in universe as early as the second movie. He blew up the weapon of mass destruction twenty years in the making. And he blew it up pretty much directly after it’s first and only successful attack. It was operational for fifteen minutes, fifteen minutes that Palpatine had the thing he’d been building for longer than Luke has been alive, and Luke blows it up. First day retirement, but first hour retirement.

Luke convinces Darth Vader to turn back to the light side, a feat thought literally impossible by literally everybody. Sidious clearly doesn’t see Vader’s betrayal coming. Vader’s betrayal was not in his plans, nor was it something he was prepared for. Sidious is a powerful Force user with all four limbs while Vader is a man in the tin can Palpatine put him in. If Palpatine had seen Vader turning coming, he would not have allowed it to happen.

Luke literally should not even be alive. Palpatine almost definitely got Padme out of the way on purpose, and he almost certainly was trying for her unborn child as well (there was way too big of a risk that a cute liddol bebe would bring some humanity back to Anakin, and Palpatine did not want Anakin to have any humanity) Luke living is literally the first step in Palpatine’s ultimate downfall, especially once Vader finds out that Luke is his son. His very alive son. His son that is not dead, despite Palpatine claiming Anakin killed Padme. Implying that Anakin killed Padme and she posthumously gave birth. But, she didn’t give birth on Mustafar, which was the last place Anakin interacted with her. And once the mother dies, you have to get those fuckers out fast or they die too.

I imagine Darth Vader piecing all of this together is that meme with all the math floating around his head, because how could Padme have died by his hand and then given birth like two hours later?

Luke killing Palpatine is what ultimately leads to the dissolution of the Empire as an omnipotent entity. Luke killed the Empire. Luke spends a good amount of his adult life killing Empire remnants. We see that in the Mandalorian, since he’s so recognizable that Gideon immediately knows he’s fucked just by seeing an X-wing. We read it in Legends’ continuity, where Luke terrifies Imperials because he can walk into their changing room and stand in their for a minute and they don’t even notice.

Luke destroyed Palpatine’s life’s work. Everything Palpatine spent his whole life working towards, and Luke kills all of it. He blows up not one, but two Death Stars (he may not have pulled the trigger on the second Death Star, but without him, it never would have been destroyed). He convinces not one, but multiple Sith and Dark Jedi to return from the Dark Side. He is the only reason that Obi-Wan Kenobi, the biggest pain in Palpatine’s ass ever born, lives long enough to make it to the Death Star.

Palpatine went through so much effort. And just when he had finally won, when he finally had a weapon capable of destroying entire planets with a single blast, making it impossible for any planets or peoples to go against him, Luke shows up nineteen years late to the Jedi party with space Starbucks and a droid twice his age and almost singlehandedly destroys everything Palpatine ever had a hand in creating.

Luke manages to become even worse than Obi-Wan Kenobi, the ultimate thorn in the side of politicians, and Luke doesn’t even understand any politics. He wasn’t trained in diplomacy like Obi-Wan and Leia, no, he’s a farmboy who left home for the first time in his entire life, just this morning. And he is the one to destroy the Empire.

If they rewrote Star Wars and had it entirely from Palpatine’s perspective, Luke Skywalker would be his greatest foe. Luke Skywalker would be the final boss. Luke Skywalker is the antithesis of everything Palpatine believes in and he is the one character that Palpatine cannot predict. He isn’t as moldable as Anakin, he doesn’t respond to threats very well, he’s apparently impossible to kill via Force lightning (still the funniest scene of all times, the progression of Palpatine’s face falling and him looking like “what the fuck??? Is this kid rubber??? I’ve electrocuted him eight times???”), his unwavering faith in his father’s goodness makes Darth Vader want to be a better person, Luke Skywalker is the big bad of Palpatine’s story and—

There is nothing in this world that is funnier than someone’s biggest antagonist being Luke fucking Skywalker. Luke Skywalker, who saved the galaxy with the power of love and who shouldn’t exist, by Jedi rules and by Palpatine’s own attempts, and whose best friends are literally droids, which Palpatine canonically hates!

Everything about this is hilarious, this is the funniest thing in all of media, Palpatine loses absolutely everything to some backwater farmboy who fucking likes droids.

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[drulalovescas]

Jensen Ackles [San Francisco, July 14, 2024]

"There's few people that when the cameras are rolling you get to truly create moments that aren't on a page. And it's hard sometimes to find rhythm, and cohesiveness with everyone you work with. And when you find the rare person that can play at a level that makes you wanna be better, and also it almost is like a high that you get when the creative juices are flowing and you're making moments that you maybe didn't even planned to be there. "Happy accidents" we used to call them, of emotion, or between the lines nuanced moments. And I think there's a reason that the story of Dean and Cas scewed to where it was, was because I kept being able to have that creative ignition with Mish when those cameras were rolling that was --uh-- that made me a better actor, and made me wanna be -- wanna find that even more. And it's a testament to not just his [Misha's] talent but his-- the way he preps, the way he plays, the way he -- he entertains, and performs. There's just such an openness. I say that as an actor, people have asked me "I wanna be actor, do you have any advice?" I say "know your stuff but be emotionally available to any and everything when the cameras are rolling". And that is when you find the magic. and the magic was always there when Misha would walk on-set and those cameras were rolling."

Jensen out there basically admitting that Destiel is Cockles fault. I mean wbk but the confirmation warms the Cockles of my heart.

[mischievous-thunder]

A couple that's single-handedly changing the narrative

[chloesimaginationthings]

Baby weirded out the others in FNAF sister location..