#Physics of music

[druid-for-hire]

There's this sort of anthropomorphizing that inherently happens in language that really gets me sometimes. I'm still not over the terminology of "gravity assist," the technique where we launch satellites into the orbit of other planets so that we can build momentum via the astounding and literally astronomical strength of their gravitational forces, to "slingshot" them into the direction we need with a speed that we could never, ever, ever create ourselves. I mean, some of these slingshots easily get probes hurtling through space at tens of thousands of miles per hour. Wikipedia has a handy diagram of the Voyager 1 satellite doing such a thing.

"Gravity assist." "Slingshot." Of course, on a very basic and objective level, yes, we are taking advantage of forces generated by outside objects to specifically help in our goals. We're getting help from objects in the same way a river can power a mill. And of course we call it a "slingshot," because the motion is very similar (mentally at least; I can't be sure about the exact physics).

Plus, especially compared to the other sciences, the terminology for astrophysics is like, really straightforward. "Black hole?" Damn yeah it sure is. "Big bang?" It sure was. "Galactic cluster?" Buddy you're never gonna guess what this is. I think it's an effect of the fact that language is generally developed for life on earth and all the strange variances that happen on its surface, that applying it to something as alien and vast as space, general terms tend to suffice very well in a lot more places than, like... idk, botany.

But, like. "Gravity assist." I still can't get the notion out of my head that such language implies us receiving active help from our celestial neighbors. They come to our aid. We are working together. We are assisted. Jupiter and the other planets saw our little messengers coming from its pale blue molecular cousin, and we set up the physics just right, so that they could help us send them out to far stranger places than this, to tell us all about what they find out there.

We are assisted.

And there is no better way to illustrate my feelings on the matter than to just show you guys one of my favorite paintings, this 1973 NASA art by Rick Guidice to show the Pioneer probe doing this exact thing:

"... You, sent out beyond your recall, go to the limits of your longing. Embody me. ..."

Gravity assist.

[incognitopolls]

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[gingermintpepper]

I think, perhaps one of the funniest things to come from EPIC popularising the Odyssey is that now a ton of people think Poseidon wanted to kill Odysseus.

In the Odyssey, Poseidon has no intention of killing Odysseus. In fact, part of the whole reason Zeus lets Poseidon do whatever he wants even though he thinks Odysseus is rad and should get to kiss his wife is explicitly because Poseidon had no intentions of killing Odysseus. Poseidon wanted to pay back the suffering/inconvenience blinding Polyphemus would have caused. It's a really abstract thing tbh. How do you pay back someone permanently disabling your son? Poseidon's solution was just to amputate Odysseus from his other half; i.e. Penelope. The end game was never murder, it was always an endurance race.

(Od. Book 1: Zeus reassuring Athena that he is not, in fact, a part of Odysseus Hater-Nation. Trans. Robert Fagles)

Also, for those wondering if there's any sort of in text reason for why Poseidon wasn't around in God Games - at the time in the Odyssey when Athena petitions Zeus to let Odysseus leave Calypso's island, Poseidon was -checks notes- on vacation in Ethiopia. Yep. He left to Ethiopia for a festival and thusly was very much absent for Athena's whole "please let Ody go? Please? 🥺" request.

(Od. Book 1: While Odysseus was suffering, Poseidon went to party in the east)

I am begging y'all to read the Odyssey. It's a comedy for everyone except Odysseus and Penelope who are, in fact, suffering 24/7 365.

[anniflamma]

Anni what is your favourite EPIC Yuri/Lesbian ship?

Aphrodite x Athena!

When Athena came to visit, Aphrodite stripped all of her clothes, lay down on to her bed, waiting for the right moment to show her hoha. Being more on the nose you can't be.

[ruinedholograms]

Flora (1987)

[witchrealms]

(x)

[burning-thistle]

they have an effect on me

[vor-leser]

i love that in the book poseidons sole motivation for hunting ody for A FULL DECADE is just because of his son polyphemus,, like,,, hes not even trying to teach him a lesson like in the muscial,,, just a very passionate dad!!!

also close-up under the cut cause the face rendering kind of slays

[kasel-the-mightless]

Pov: You, waiting 7 years for this idiot to get out of Ogygia

It's should have been a reference of my design for Poseidon, but at some point it all went wrong and now I have a bunch of sketches where Telemarket befriended Poseidon like Hiccup befriended Toothless from 'How to Train Your Dragon'

[snowflakebottles-art]

finally finished this and i MAY JUST keel over and die but YAYYY IM FREE AND I WIN!!!!!!! i love u rhythm games ♥

[burke-juliet]

what the hell is my life. i should be working in a record store

[fr0gst0mpp]

a picture i took

[shepscapades]

69. BIG SHOT — Jhariah

I need to know if someone out there's listening How come they don't ever call back to me? Will I ever know you're close or die waiting for your attention? Big shot, think you're a big shot I think you're raveled up in a tangle of did-nots You're always just a bit shy, following behind I think you've spent enough time singing the same lines

UGHHH I'm gonna start biting and tearing fhfjsbfjendfh Every single Jhariah song on Android 24's playlist (on any of the dbhc playlists, honestly) just devastates me /pos. Jhariah's music is so raw and powerful and desperate; there's truly nothing else like it, and it's so so perfect for 24. I'm so excited to draw to more Jhariah in the future >:3 but for now, take my absolute insanity about 24 and how he views himself and Xisuma :-) <in pain

[mayoiayasep]

one piece fan letter was beautifully animated and written all the way through but this scene was the part that really got me

[seaglassdinosaur]

The most brilliant and impressive thing Ryan Coogler did in my opinion was figure out how to communicate to the audience the actual tangible power of Sammie’s music, so we could truly conceptualize what it was that Remmick wanted and what he threatened to take away.