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yup-no-way · 2 months ago

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Astro Observations pt. 2

Well hello there! I was not rlly active ever since my last post given I am now being absolutely obliterated by uni assignments and projects(save me).But, I’m back now and I am striving for a more consistent schedule with my posts. I hope everyone is doing well and taking care of themselves(kiss xoxo). I was kind of hoping to start doing some tarot here as well, I’ll see how that works out. I am leaning towards pick a pile general readings, or smth like that, just to practice my tarot skills. I am also thinking of doing a master-list once I have more content so people can navigate it easier.

Now let’s get into the blog!

These observations are based on my personal experiences so don’t take it as full facts. These placements can also be influenced by other things in someone’s chart like degrees, houses and aspects. Also if u have any suggestions for what content you’d like to see feel free to let me know. English is not my first language lads so don’t drag me for grammatical errors. xoxo

Leo sun/Sun 1h: genuinely determined people. It’s like these people knew from a very young age what exactly they wanted. They really move through life with a purpose and that shows through their work or personal relationships. Also depending on what other placements they have, they tend to be quite assertive when they genuinely know what they want. Also noticed that it’s important for them to have partners that push them to become better or overall partners that are determined. They can’t stand lack of purpose or laziness in people.

Taurus placements: so this applies mostly to Taurus stellium, Taurus in big 6, MC or NN Taurus. While it’s true that these placements strive for comfort, a lot of people dim down this to just money or assets. For every Taurus placement(mostly depending on the remaining of the chart or even the environment the grew around), the definition of comfort will be different. For some it’s as simple as a comfortable house but to others it can be a stable relationships that bring comfort. It’s not all about money and assets but you have to admit these people are also heavily motivated by money most of the time because it can bring a sense of stability in their lives. But again, for a lot of these people their idea of comfort is subjective and it’s not all ab food, clothes or money.

Virgo sun: so this placement is fairly disliked (at least that’s what I saw online), but I don’t think all the hate is deserved. I just think Virgo placements are just like an onion(stay with me now), the more you get to know them, the more you discover(good or bad). Very interesting people overall, just not all people have the patience to deal with them. One thing that I noticed is that this placement is not the biggest people person; like they will interact with you and all but it’s out of pure necessity. They are fine by themselves and don’t feel the need to always chat with people. Buuuut once they find someone they care about, it is very hard for them to let them go. They will be very protective of the ones they care about and depending on other placements(like maybe they have some water placements), they will even tend to be very receptive to people’s emotions. For example, if their partner is sad, they’ll feel it straight away. You feel a bit off, they’ll know and they’ll ask you ab it for sure. Overall, they r hard to get to know but they aren’t hard to understand(in the sense that they r clear with their communication). If they think you are worth their time, they wont hesitate to “invest” in you.

Mars/Venus in 2h: Now remember when I said that Taurus placements aren’t all about money. Well 2h placements are. These people love money and one of their biggest motivation is life is money. They will 100% be more inclined to date someone from a well off family just for the stability it has to offer. They are also kind of blessed in life in this context. Money does seem to gravitate towards them(but be aware Mars 2h cause u can obtain money fast but spend it just as fast, just mind your spendings or you won’t really be able to keep anything you earn). If you have any of these placements and you are into astrocartography, I would highly suggest u move to one of these lines(mind your aspects tho, make sure there is an easy flow of energy in your chart in that area). Love this placement overall, but be mindful of your relationship with money since I noticed for some people, they tend to let themselves be consumed by the greed for more and they end up with an unhealthy mindset where they could potentially sabotage their life for the sake of more abundance. But if you keep that in mind you should be grand.

Big 6 different elements: If you have multiple elements in your big 6, then I would genuinely say you’re blessed. It’s honestly quite refreshing to have all elements or more than 2 elements in your big 6 since it can really diversify your personality. It also makes you quite an adaptive person. Most people that I’ve met with these placements are good in multiple areas and seem to be overall really balanced people. But one thing I have to say, they at least once have gone through a moment in their life where they didn’t know who they were. And I’m not talking about what everyone goes through, like your average identity crises when you’re young and you want to discover yourself. I mean a full blown out identity issue, where they never feel like they quite fit anywhere and no one fully understands them. It’s hard sometimes cause having so many different elements they feel like they can get along with anyone really, but they don’t feel like others will ever truly understand them. These people also are good as mediators or they tend to be quite open minded. If un evolved can get two faced, if evolved, honestly one of the best people you’ll know. Lots of love to yous and I hope you guys figure out your stuff!

Ok so this was it for today! I hope you guys enjoyed this post! I tried something new with the layout and I think it looks quite cute. I’m going to experiment a lot with how I display my content but I hope you like this one so far! I am also thinking of doing an intro blog just to get to know me a little. But for now just refer to me as A.Please stay safe and take care of yourself! xoxo

#astro community #astrology #zodiac #astro observations #astrophotography #zodic signs

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madscientistshowdown · 9 days ago

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PROPAGANDA

Agatha Heterodyne

The main character mad scientist in a comic full of them

She's the titular Girl Genius, which is a good start. In the comic, mad science is genetic and called the Spark; she's the latest in a long line of of powerful, mostly evil Sparks who terrorized Europa for centuries, until her father and uncle became heroes instead. She's a bit in between the two extremes. Some of her greatest hits include: building a small army of self-replicating robots, briefly killing one of her romantic interests in order to cure him of a terminal illness (he thought it was a brilliant idea), repeating the procedure on herself, nearly blowing up after glimpsing the fabric of the universe, repairing the sentient castle at the heart of her town, frequently having to shuffle around brains that end up in the wrong body (they are usually happier afterwards), building a giant robot in order to ask the Godqueen of England to dance, and making coffee. At this time in the comic, she recently rescued her town from being frozen in time and is working to kill a horror from another dimension.

Caesar Clown:

Pathetic ass man that gaslights everyone around him in order to use them as experimental guinea pigs as he makes chemical weapons of mass destruction after he blew up an island to escape being locked up. The only thing he has somewhat affection for is his pet that he made from poisonous gas and unleashed it against everyone on an island. Also, he has a weird ass laugh that goes like this “shirorororo”.

He worked with Dr. Vegapunk! When they broke up, he moved into one of Vegapunk's old labs and continued working on weapons of mass destruction to sell on the black market, and kidnapped children the government didn't care about to experiment on them.

He is a master chemist, part of which comes from being a gas-man. He works seemingly only on evil projects and is very selfish. Caesar Clown has no problem abducting and gaslighting children into being test subjects for his concoctions, not caring what happens to them. He is jealous of the greatest scientist in the world, his former boss, and has done a lot of harm in his attempts to become the greatest himself. He is part of an Evil Scientist alliance. He is the manufacturer of an artificial substance that is key in a mutation-making fruit sold on the black market and discarded as the only food available to some poor communities. Many characters in One Piece have real life inspirations, Caesar’s seem to include Julius Caesar, two pirates, Pierrot dolls, and a particular 1940s German experiment-driven man.

This guy took children from their families and altered their DNA to make an army of giants out of them. He made them addicted to a candy so they wouldn't escape from the lab. He created a giant axolotl made out compressed poisonous gas. He also made atificial Devil Fruits but a large amount of them were failures, making the ones who eat them never being able to stop smiling and laughing.

#mad scientist showdown #round 2 #girl genius #one piece #agatha heterodyne #caesar clown

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sunshowersanddandelionwine · 8 months ago

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au where soap is medically discharged and doesn’t really have a “purpose” anymore. He enlisted so young, and had been in the military for so long that he’s got no fucking idea what to do next. In the end, he moves in with his oldest sister and her kids after his brother-in-law passes away suddenly.

While getting his feet back under him, he takes up drawing again. More seriously this time than just doodles on paperwork and scribbles on briefing notes. But real illustrations. It starts as a way to keep his hands occupied while idle at home, but then it becomes an actual hobby of his. He gets better and better, watching YouTube tutorials to learn things he wouldn’t have picked up otherwise.

It’s his 15 year old niece that gets everything rolling. She (without his knowledge) sets up a social media account to share his art. But a very specific series of art. See, he started illustrating the stories his 5 year old nephew told him. And the art, just like the stories, are mindblowing. Soap didn’t do it for recognition, but his niece insisted on sharing his work with the world.

The account starts to get a following, and when his niece shows it to him he nearly has a breakdown. But then he sees the comments. Parents of kids who feel seen in his art. Young self taught artists feeling seen through him. A whole community of people who connected with his work on such a deeper level than anything he’d expected. So, begrudgingly, he lets her continue to post.

Then comes the storefront. With prints and merch and all sorts of wild ass things he’d never dreamed of. And while the income is modest, it still an income. For a while, a part of him had felt guilty for “mooching” off his sister (despite her protests to the contrary) and now he can really start contributing to the household. Plus, a little bit of each sale gets squirreled away for his niece and nephew. Since without them, this whole thing wouldn’t be happening.

And then the email comes. It’s innocuous at first, something he’s gotten a number of times. The sender asks him if he’s willing to illustrate for an upcoming project with a children’s book author. They’d seen his work online and thought his style would match perfectly with the book. Initially, soap was going to politely decline the offer. As much as he’d come to accept the minor fame he’d gotten online, he didn’t think he was good enough to actually illustrate something for a traditional publication. But then he sees the sender’s signature.

S. Riley.

Not much was known about Riley as a person. Their personal life, much like their first name, was kept down tight under lock and key. But their books were beloved by so many, including Soap and his family. Riley wrote on topics that not a lot of other children’s book authors dared to touch, and not with the deft and delicate hand necessary to properly tackle them. Things like parental abuse, neglect, trauma, death; there wasn’t a subject Riley was scared of, and there wasn’t a subject that they handled with anything less than the utmost grace. Their book on dealing with grief and loss had gotten Soap’s niblings (and his sister, to be perfectly honest) through those first few months after their father’s death.

So, despite his misgivings and anxieties, soap accepts.

(Across the country, one Simon Riley waits with bated breath to see if his nephew Joseph’s (and his) mysterious favorite artist will say yes. For no other reason than professional curiosity. It definitely has nothing to do with the briefest glimmer of a bright blue eye caught in the corner of a recent post.)

#ghostsoap #soapghost #john soap mactavish #simon ghost riley #wayward seeds #I feel like ghost would be a good author #idk why but my brain says so lmao #cod mw2 #cod mwf2

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helslastangel · 9 months ago

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Random Astro Placement Observations

Original individual posts combined into this single post. Based on personal interpretation. If it doesn't apply, LET IT FLY. Enjoy.

˖°.🪐.ೃ࿔*:･

Uranus in Aquarius in 1H

-Free-spirited and eccentric with a unique way of thinking and inspiring change

-Does not care to conform to societal norms; wants to carve their own path

-Others associate their unconventional approach with leadership potential

-Highly innovative and good at communicating their ideas to others

-May endure setbacks and unforeseen changes in their life; unpleasant surprises

-Can fall into a rut if their progress is interrupted too drastically and too often

-Can appear to be attention-seeking at times, especially in dress and mannerisms

˖°.🪐.ೃ࿔*:･

Jupiter Sextile Neptune in Synastry

-These two dream together so well that they might as well be lost in Wonderland.

-The Jupiter person hates stagnancy and always wants to be growing, expanding outwards into who-knows-where.

-The Neptune person has a huge imagination and enjoys venturing into the unknown, even if only through the mind.

-When the Jupiter person gets stuck in a rut, unable to think of a path forward, the Neptune person floats in to whisper a little random something in their ear that revives the spark and saves the day.

-The benefits don't only go one way either, when the Neptune person gets lost in all the mist in their head, unable to act on anything, the Jupiter person can gallop in to hoist them up above the fog and carry them forward to a real destination.

-That is, assuming they both don't start having too much fun poking holes in the clouds instead.

-A risk with this aspect is that both people could end up enabling each other's inaction and being too content to build castles in the sky if they're not careful. But if they keep an eye on that, this can be an incredibly creative pair who will never grow bored with each other.

˖°.🪐.ೃ࿔*:･

Natal Pluto Trine Ascendant

-Projects a strong outer appearance even when feeling the exact opposite inside

-Charismatic people who others find attractive or at least intriguing

-Can be blunt but are perceived by others as charming and "just being honest"

-Shares what they want to; hides their life from the public eye without trying

-Can leave others feeling left in the dark or excluded from their inner circle.

-May be the subject of many rumors; some true, some false

-Others assume this person is healthier, wealthier, or more popular than they are

˖°.🪐.ೃ࿔*:･

Natal Sun Sextile Mars

-With Sun Sextile Mars in your natal chart, you are brave, full of energy and often look young for your age. Some of you might be into sports or some kind of intense activities (dancing, martial arts, rock climbing, HIIT, etc.).

-If you’re more of a homebody, you could be the type to engage in causes online, standing up for endangered or marginalized beings.

-People might hit on you often or even if not, you might have a little trouble with the people who DO show interest in you mainly being interested in sex. At least, at first. Depending on your personal preferences and other placements, this may or may not be a problem.

- You’re the type of person who can work equally well alone or in a group, though you may prefer solo work if the groups you end up in can’t keep up with your energy.

-You’re usually popular and make friends very easily, though your direct way of speaking can rub some people the wrong way. However, people get used to you and quickly overlook this, as your honest nature and authenticity is very refreshing for most.

-The dynamic between you and your father/father-figure may be unique or just noticeably strong in some way. Others may often describe you as a “chip off the old block,” “Daddy’s girl” or some other phrase that highlights this connection.

-This can also go either way - You may have a positive or negative relationship with the masculine parent, it will just be a strong one regardless.

˖°.🪐.ೃ࿔*:･

Natal Neptune Trine Lilith

-Unafraid of things others find controversial, extreme or taboo

-Tend to be open (or at least comfortable) with their sexuality

-Highly expressive and does not bend to societal expectations

-Refuses to be controlled or held back by anyone but themselves

-Surprises others with their unconventional, free-spirited approach to spirituality

-Met with curiosity and acceptance rather than scorn for their views

˖°.🪐.ೃ࿔*:･

Natal Mercury in Libra

-You're diplomatic and fair, but also take forever to make up your mind.

-People love you for the way you consider everyone's point of view, but it's okay to have your own opinion and stand on it too.

-Your partners love you because you'll never embarrass them in public.

-You believe in a united front and will stand by those you love in public and correct them in private.

-Somehow you have the best advice. Even if you don't always take it yourself.

-One thing about you, you're gonna make a list of pros and cons.

-Your voice is so smooth and sexy. People fall in love with the way you sound and you don't even know it.

-Your friends call you when they can't sleep, and not in a bad way. You're just so calming to listen to that it takes their stress away.

˖°.🪐.ೃ࿔*:･

Natal Sun Trine Moon

-You are popular and generally likable, but may be somewhat private or secretive.

-Others see you as someone who has mastered the balance between showing humility and displaying confidence. This fact alone makes you so much more attractive to others.

-Speaking of attraction, people are often attracted to the sense of security they feel around you. You're generally easygoing, or at least you try to appear that way.

-Harmony is important to you and you'll go lengths to maintain it. It can be difficult for you to understand people who seem to be at war with themselves, because your own ideals and feelings are rarely at odds.

-If there aren't enough challenging aspects in your chart to make you more familiar with inner conflict, you could find yourself becoming avoidant and sweeping things under the rug or delaying tough conversations with others.

-People think you know what you’re talking about, even if you don’t. There’s an aura of “knowing” about you and may often be picked to lead teams or call the shots in some way. This can be either flattering or annoying, depending on whether you enjoy being in charge.

-You’re a friendly person and avoid conflict, but you can certainly defend yourself if necessary and others are sometimes surprised when a more firm side of your personality comes out. Overall though, you're most likely to live and let live whenever possible.

-You can be extremely accepting of others and yourself, but sometimes to a fault. It's a good idea to get in the habit of questioning things or seeking out perspectives on life that are different from your own.

-Family can be your Achille's heel as you’ll put up with things from loved ones that you’d never tolerate from anyone else.

-There are many things you’re good at, but you’re unlikely to brag. Your efforts may go unnoticed for a short time simply because you never bring them up and don’t point out anything you’ve done to anyone.

-You may embody the sentiment of “if it doesn’t affect me, then it doesn’t bother me." Can have an easier time achieving goals since emotions won't get in the way.

˖°.🪐.ೃ࿔*:･

Sagittarius Sun in 11H

-Optimistic and freedom-loving; constantly seeking adventure

-May be a strong presence in their social circle, if not the leader

-Values friendship highly and wants to work/live/travel with friends

-Can be idealistic but surrounds themselves with people who think differently and can offer varying perspectives

-Could be involved in social justice matters and be a voice for change

˖°.🪐.ೃ࿔*:･

Sun Sextile Mercury in Synastry

-Conversations between the Sun person and the Mercury person are lively and extremely enjoyable for both of them.

-These are the friends or partners who can easily spend hours on the phone or facetime, talking about anything and everything under the sun from why humans speak so many different languages to what color socks goes with what outfit.

-The Sun person brings new concepts and raw perspectives to the conversation, which the Mercury person is all too happy to process and put into the best combination of words.

-This aspect is especially sweet for pairs who have compatible hobbies or skills/professions, e.g. a singer/musician and a writer/poet, or a web/software developer and a copywriter.

˖°.🪐.ೃ࿔*:･

Natal Ascendant Conjunct Uranus

-Original thinkers who can usually back up their ideas with actions

-Like to be around open-minded, progressive types of people

-Love to play the devil's advocate; can rebel or argue for the sake of it

-Others view them confident and creative, yet also eccentric

May sabotage themselves by constantly trying to shock people

-Looks for partners who need freedom and personal space, like them

˖°.🪐.ೃ࿔*:･

Natal Moon Conjunct Neptune

-You are highly imaginative and creative. Possibly a great storyteller who can take the most mundane experience and recast it in an interesting and theatrical light. This can make you popular and very well-liked by others.

-You might make an exceptional actor, whether professionally or in everyday life. Though if overdone, this trait can backfire and lead to you being loved for who you are not.

-This is rarely malicious on others' part: Neptune's misty illusions, combined with the changeable nature of the moon cause you to unintentionally fool others and sometimes yourself.

-Internally, you could be quite sensitive, but whether you wear this on your sleeve or conceal it depends on your moon sign and other aspects. Regardless, you often absorb all the energies in a room and constantly process everything you see and feel.

-Sometimes, it could feel like you have no idea where you end and others begin. Struggling with emotional boundaries can be a negative theme in your life if not balanced out by other aspects.

-People who do not this (or similar) placements can find it difficult to empathize with you and might spread rumors or make your personality a frequent topic of their conversations.

˖°.🪐.ೃ࿔*:･

Natal Venus Trine Saturn

-Extremely loyal; can be reserved and controlled in social settings

-Not obviously introverted or extroverted; quiet but not shy

-Usually attracted to older partners or people with mature energy

-Afraid of rejection but will try to hide this from others at all costs

-Highly determined when their mind is set to achieve something

-Can be creative and will usually finish the projects they start

-Blends structures with aesthetics well; may enjoy interior design

-Extremely responsible people who others look up to and rely on

˖°.🪐.ೃ࿔*:･

Natal Juno in Scorpio

-While Venus may show how we fall in love and what traits attract us most, Juno shows what we truly need to feel safe and secure in a marriage or long-term partnership, regardless of what we're attracted to.

-In my case, I have both Venus and Juno in Scorpio, so there isn't much difference between what I need and what I desire in a partner. But some may not be so fortunate and experience a war with themselves.

-Juno in Scorpio natives like an element of mystery around their relationships. The allure of having a whole other side to their lives behind closed doors that the public knows nothing about.

-Traditionally ruled by Mars, Scorpio approaches emotion with a lot of passion and a sense of urgency. When Juno is placed in this sign, the natives can experience intense power dynamics with the object of their affection. A fear of betrayal and obsession with loyalty is also present.

-Scorpio Juno people NEED depth in their relationship, otherwise they will fall out of love. If they cannot connect deeply with their lover for any reason, they will do everything possible to reestablish the bond.

-However, if their partner makes no effort to restore the connection, they can often grow to hate their partner just as deeply as they once loved them. Depending on the rest of their chart, they may either stay in the relationship out of obligation, but entertain secret affairs, or they may sever the relationship entirely and seek another, or become celibate and closed off to relationships entirely.

-Scorpio Juno people will not be happy with anything less than a true soulmate relationship. Despite being slow to open up themselves, they desire partners who are trusting, loyal and unafraid to show vulnerability.

-The ride or die type of relationship is usually the only kind of relationship these natives feel truly satisfied in. They can often find this kind of connection in people with whom they have Juno-Mars, Juno-Venus, Juno-Sun, or Juno-Sun synastry, or people with significant/many planets in Scorpio.

˖°.🪐.ೃ࿔*:･

Natal Ascendant Conjunct Mars

-Cares about others but does not over-identify with their emotions.

-Can spend hours trying to figure out why everyone else is so upset.

-Joyful (unless depressed) but also impulsive and easily angered

-Comes on strong, which thrills some and overwhelms others.

˖°.🪐.ೃ࿔*:･

Natal Venus Conjunct Jupiter

-You’re a gentle peacemaker. Aggression and conflict grieve your spirit in ways that words can’t express.

-Harsh personalities can drive you to step out of character yourself, so you tend to seek out agreeable people to be friends with. This isn’t difficult as you’re generally popular in your social circles unless other placements in your chart suggest otherwise.

-Anytime there is a dispute, you’re likely to walk away or try to delay getting into the argument.

-You may be physically attractive, but the brightest aspect of your appeal is how affectionate you are to those you care for. Unless depressed or otherwise weighed down by circumstance, your presence is naturally cozy and very soothing to others, even if you don’t quite understand why.

-Others can see and feel the warm aura that surrounds you and makes them feel like anywhere with you is a safe space.

-Another thing you may notice is that people open up to you very easily, telling you all about their dreams, hopes, aspirations and other things that you wouldn’t normally discuss with a stranger.

-You also may be extremely creative, whether in the way that you think and dream, or in the things that you do (music, design, writing, dance, poetry, etc). This is one of the more promising aspects for love and relationships, and these may come relatively easily without too much effort on your part.

-Of course, for every dawn there is dusk: you may be rather lazy, self-indulgent, and greedy, if not careful to keep your desires under control. However, with a bit of self-reflection and determination to improve, you will get along in life just fine.

˖°.🪐.ೃ࿔*:･

Moon Trine Venus in Synastry

-If your Moon trines someone's Venus (or the other way around), you could have more compassion for each other than for other people.

-There will be a strong emotional connection between you.

-Others might complain that you let each other get away with everything, lol.

-There's an unspoken "handle with care" vibe between you that's very sweet.

-It can be hard to suppress this vibe if being close with that person is wrong or taboo in some way (e.g. coworkers, boss, etc.).

˖°.🪐.ೃ࿔*:･

Natal Mars Opposite Neptune

-May try to present an image that fits the social expectations of their environment instead of their current reality (esp. with 1H Mars).

-Tends to hide internal insecurities with external confidence that may seem unnatural or "fake"

-Depending on where Neptune is placed, certain people or places will appear to be safe, leading the native to reveal themselves more clearly, only to find out it was a trick.

-People who can see past their brave façade will either try to be safe space for then, or will study their insecurities to take advantage of them

-Can be a prime target for energy vampires, narcissists, etc., if unhealthy/unevolved

-They are a frequent topic of discussion in their social groups; can be positive in some cases or if other aspects outweigh this one, but with mars opposing neptune, these natives are usually gossiped about/slandered more than anything else

-Their morals/ethics can appear questionable to others due to Neptune's influence clouding the native's good intentions and honest motivations behind their actions.

-They may notice that people often accuse them of being sneaky or seeming "sus" without being able to give any real reason.

˖°.🪐.ೃ࿔*:･

Natal Venus Square Jupiter

-Highly motivated to create things, but often lacks the right skill set to do so

-May try to sooth their frustration by spending large sums to own luxury goods

-Draws others in with their playful, mildly risky sense of humor

-Makes friends easily but can lose them all to long periods without contact, irreconcilable differences in religion or politics, or generally drifting apart

-Charming and fun to be around, but can be extremely selfish in connections

-Often has lonely spells because their loved ones find them too demanding

˖°.🪐.ೃ࿔*:･

Natal Saturn in Pisces

-You may be hard on yourself and not see your talents and abilities for what they truly are. Learning to trust your intuition and nurture self-confidence will help a lot.

-You could tend to hold on to the past and have trouble letting pain go. Often paranoid or defensive as a means of self-protection

-Highly compassionate and may be extremely practical too, Can struggle to draw the line where you end and others begin.

-You are patient and will often forgo your own comfort in the present to help others or to achieve a greater good in the future

-Usually artistic, or highly appreciative of artistic traits and creations from others

-Might turn to religion or some other kind of spirituality for structure and faith in life

-Your feet can give trouble, perhaps pain in the bones or issues with walking/gait

-You're sensitive and feel vulnerable or unprotected in life, even if you don't admit it.

-Victim or martyr complexes are common if not avoided through self-reflection and overcoming negative thoughts and emotions

˖°.🪐.ೃ࿔*:･

Mercury in Leo in 12H

-Can have a dramatic or over-confident way of speaking

-Very charismatic, enthusiastic; impossible for others to ignore

-Wants to be noticed and admired for the things they choose to say- May share their thoughts and opinions often hoping for feedback

-Sometimes aloof, reserved; struggles to express certain emotions

-Might keep part of themselves locked away from others at all times

-Tends to explore their environment more than their inner world

-Could have sporadic issues with short-term memory or comprehension

-Too much overthinking can lead to depression and self-imposed isolation

˖°.🪐.ೃ࿔*:･

Natal Neptune Opposite Ascendant

-You might not have a set persona and will appear one way today and completely different tomorrow.

-It's possible that your appearance, mannerisms, and speech change drastically from one day to the next.

-Others may see you as a shapeshifter or even deceptive in some way. At best, you're generally unpredictable and confusing to those around you.

-Only a few can see clearly through the fog without you having to explain yourself. These people often become your best friends or even romantic partners.

-You give off varying auras at different times to different people so it's not uncommon people with this aspect to have one set of friends who know them to be one way, and others who know them to completely different.

-E.g. seeming reserved or shy in one friend group, naïve and innocent in another, mysterious and dark with a 3rd, outgoing and free-spirited with others, etc.).

-Depending on your personal tolerance for chaos, you may spend an enormous amount of time and energy keeping your friends/friend groups from ever meeting each other.

˖°.🪐.ೃ࿔*:･

Natal Sun Conjunction Mercury

-The self is expressed in a natural, flowing way; charismatic and a great talker

-May enjoy intellectual topics but struggle to be objective about them

-Connects well with other as they easily & quickly adjust their tone and delivery

-Talks more than listens, easily distracted unless others are equally engaging

-Great public speakers, writers, etc., but can be unreliable and procrastinating

˖°.🪐.ೃ࿔*:･

Jupiter Opposite Sun in Synastry

-This can signal a difference of opinion between you and your partner on key topics, such as religion, philosophy, politics, etc.

-This does not have to be a bad thing, but it can cause conflict between partners with strong egos who aren't so invested in making things work.

-But if both are committed to going the distance with each other, they should hear each other out and see their differences as opportunities to learn and grow together.

˖°.🪐.ೃ࿔*:･

Natal Mars Trine Neptune

-Highly creative; can bring fantasies to life in some shape or form

-Usually cultured and can hold their own in a variety of environments

-Action-oriented, yet charming and persuasive; liked by others

-Quick to defend those who cannot defend themselves

-Has knowledge of theoretical things, but struggles in day-to-day life

-Could easily become a starving artist due to their impracticality

-May seek partnerships with people who possess life skills they lack

˖°.🪐.ೃ࿔*:･

Natal Moon Conjunct Uranus

-Requires a lot of personal space and almost total freedom. Highly independent and hates relying on others for anything or being misjudged.

-Has a busy aura or a buzzing kind of underlying energy, even at rest, but is easily drained emotionally. People view them as unpredictable and hard to pin down.

-May be called energizer bunny or simply get lots of comments from people telling them to relax/slow down, even when they're not doing anything.

-Can inspire others easily, from the small things like getting chores/assignments done, to the big things like career changes, moving overseas, starting a business or relationship, etc.

-Lives life completely on their own terms; very unhappy if forced to submit to anyone else's agenda

-Has strong words for those who try to control or "fix" them; will only befriend the most open-minded people.

-May seem open and like the type to wear their heart on their sleeve, but are quite detached and show only what they want others to see

-Prone to conceal their true emotional state and convince themselves and others that they've said how they felt when they have. Hold things in until they inevitably explode.

-Can be stubborn or not like being told what to do, but makes up for it with their conversational charm and quick-thinking/problem-solving abilities

-Wants to be included and important to the family (biological or otherwise) but does not want to held hostage or smothered by others' emotional demands

-Can become very restless if life becomes too dull/stagnant. Needs constant stimulation and may spend a lot of time consuming media on the Internet.

-Might feel differently about things from one moment to the next. Highly impulsive

-Starts new friendships/relationships with a lot of passion and attentiveness; struggles to keep this up long-term; often accused of becoming nonchalant

˖°.🪐.ೃ࿔*:･

Natal Mercury Conjunct Pluto

-Seeks challenges; does not like to deal with anything that is too easy

-Persuasive speakers who convince others with flawless arguments

-Can be extremely stubborn and believe that they are alright right

-May study psychology or be more interested in the topic than most

-Highly diplomatic; they would rather sway than slay their opponent

-Quick, but chaotic thinkers. Others find it hard to keep up with them

-Naturally inclined to the sciences; easily notices causes and effects

-Leaves no stone unturned; will not try to escape their problems

-Can be somewhat overzealous in communication and alienate friend

˖°.🪐.ೃ࿔*:･

Natal Chiron in 3H

-Might talk a little too much at all the wrong times. Even if the quieter type, they can end up oversharing without realizing it, which might not be the worst thing in the world if they are generally popular and well-liked, but it can be devastating if people already don't like them before they even open their mouths.

-Regardless of social standing, they can have problems in the workplace if they reveal the wrong things to the wrong people. Either getting into hot water with HR because of the way someone interpreted the things they said, or losing opportunities for promotion because something got back to a manager and ruined their reputation.

-Often, these people had social problems in childhood that never got resolved and continue to follow them into adulthood. A lot of it has to do with not being listened to and feeling ignored or like they had to outdo themselves constantly to be noticed. This often leads to people pleasing or becoming clingy with anyone who shows (or appears to show) genuine interest in them as a person.

-People with this placement can go from being the chatterbox or trauma dumping friend to being THAT person who everyone goes to for advice or even just to listen to because of the interesting stories and thoughts you have to share.

-People with Chiron in the 3rd house can overcome the negative aspects of this placement by becoming more mindful of how quickly one gets comfortable with others. That's not to say you have to be standoffish or aloof, but just consider whether something really needs to be said before saying it. With time and practice, you can become an excellent and highly empathetic communicator who knows what to say and when to say it.

˖°.🪐.ೃ࿔*:･

Natal Lilith Sextile Ascendant

- Can physically manifest in the native being extremely tall or short

-Often appears confident no matter how they really feel about themselves

-Usually gains genuine confidence and increased self-esteem with age

-Might enjoy saying or doing things that shock or surprise others

-Attracts sexual attention without intending to, or realizing others feel this way

-Can trigger very strong reactions in other people, especially if female/feminine

-May be shunned by the majority of women, or the topic of their conversations

-Misjudged by people who have no intention of getting to know them or the truth

˖°.🪐.ೃ࿔*:･

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#astrology observations #astro notes #astrology #astro posts #astrology signs #astrology tumblr #astro observations #astrology blog

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ohnoitstbskyen · 2 months ago

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I am a long-time fan of you and I know you care a lot about social issues. When I saw your analysis on the HH designs, I feel you missed two major aspects of Alastor's design that are suspect. One, the 'deer' aspect of Alastor is a reference to a Native American Cannibal spirit which name is taboo and so I won't type it here. Though the creature itself isn't associated with deer, the common depiction of them is a cannibalistic deer-monster. Second, the 'magic symbols' Alastor uses are straight up Voodoo/Vodoun symbols. Not used in the right context or with an actual voudoun priest/priestess serving as a sensitivity reader. I bring these up, because I feel your analysis lacked a lot of context. If you answer this, thank you in advance.

Ah, you might be able to help me on this, I've heard before that the creature in question is taboo to mention or depict, but I've looked around multiple times for a source on the taboo. Which indigenous cultures is it that have the taboo on the creature? It's part of multiple nations' folklore, do they all collectively have the same taboo on the creature, or do they have differing stances on it?

I have seen this claim of taboo repeated across the internet, it's on various poorly-sourced mythology blogs and it gets repeated by TikTokers and in social media discussions, but I haven't been able to find any official sources from Algonquian-speaking indigenous nations, whose cultures originate the stories, asking that outsiders not discuss or represent the creature.

I've been able to find anecdotes shared by people that their elders have told them not to say the creature's name at certain times or in certain circumstances, because it supposedly draws the creature (or the evil it represents) closer, but I've not been able to find any strong indications that that taboo extends to non-members of the culture, or people speaking outside of the nation's lands, or on the Internet.

I saw a few people who identified as Ojibwe make fun of the idea that the word needs to be censored in text especially, with one of them calling it "colonizer nonsense." According to them, the rule they grew up with is not to speak the creature's name out loud in certain circumstances, and they claimed that it was considered significantly more taboo (at least in their communities) to whistle at night, since that would call the creature. Again, this is all anecdotal, but better sources seem scarce on the ground.

Do you have a link or a source, or some knowledge of which nations or organizations are calling for the taboo to be respected by non-indigenous people? The main reason I did not bring up this subject is because I simply cannot find any good sources on which to base a criticism. I don't want to spread the idea that First Nations people are calling for a taboo on depictions or mentions of a creature from their culture unless I can positively confirm that they are actually doing that.

Similarly, if you have a solid source from an authoritative Vodoun practitioner criticizing Alastor's design, I'd love to read it, it might come in handy someday. Not asking you to do my research for me, obviously, just that if you have one to hand or off the top of your head, you'd be doing me a favor.

As I say in the video itself, it was meant to be a fairly short project, and I did not have a lot of research time available. If I'm going to broach a critique on Alastor's design as it relates to Vodoun practises and culture, I need to study some primary sources from those cultures outlining what they consider to be best practises and faux-pas when it comes to depiction and use in pop culture. It's maybe a subject for a future video some day, but not until I've done the reading, and I would probably make it a much broader discussion than just Alastor and Hazbin Hotel.

#tb answers #reikiajakoiranruohoja

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kleopatra45 · 11 months ago

Note

Do you intend to make a post about stellium in the houses on the solar return chart ?

Stelliums in the Houses [Solar Return]

1st House

A 1st House stellium in the solar return chart highlights a year of self-focus and personal development. You'll be driven to assert your identity, make changes to your appearance, or take charge of your life direction. This is a year to focus on self-awareness, personal goals, and how you present yourself to the world. Expect significant changes in how you view yourself and how others perceive you.

2nd House

A stellium in the 2nd House indicates a year of financial focus and re-evaluating your values. Your earning potential, material possessions, and financial stability will be central themes. You may be driven to increase your income, invest in new resources, or reassess what you truly value in life. This is also a year where your self-worth and how it relates to your material wealth will be tested and potentially redefined.

3rd House

When the 3rd House is emphasized by a stellium, communication, learning, and your immediate environment become pivotal. This is a year of increased mental activity, where you might take up new studies, start a writing project, or strengthen relationships with siblings and neighbors. The pace of daily life may quicken, with more travel, social interactions, and exchanges of ideas.

4th House

A 4th House stellium points to a year focused on home, family, and your emotional foundation. You might move, renovate, or invest more energy into your living situation. Family dynamics and your relationship with parents, especially your mother, will play a significant role. This is also a time for inner reflection, dealing with past issues, and strengthening your emotional roots.

5th House

A stellium in the 5th House brings creativity, romance, and self-expression to the forefront. This could be a year of artistic pursuits, new romantic relationships, or a stronger focus on children if you have them. Your desire for pleasure, fun, and taking risks will be heightened. You might feel a strong urge to create something unique or to fully express your individuality in a new way.

6th House

With a 6th House stellium, your work, health, and daily routines become the focus. You might take on new responsibilities at work, become more health-conscious, or make significant changes to your daily habits. This is a year where you are called to service, whether through your job, volunteering, or simply helping others in practical ways. Health and wellness practices may take on new importance.

7th House

A 7th House stellium in the solar return chart emphasizes relationships and partnerships. This could be a year of significant developments in your marriage, business partnerships, or other close relationships. Issues of balance, cooperation, and commitment will come to the surface. You might also attract new partnerships or face challenges that require diplomacy and negotiation.

8th House

The 8th House stellium brings transformation, shared resources, and deep psychological processes into focus. This could be a year of dealing with joint finances, taxes, inheritances, or debts. Intimate relationships might go through profound changes, or you may confront issues of power, control, and taboo subjects. It's a year for deep emotional work, facing fears, and perhaps a symbolic or literal rebirth.

9th House

A stellium in the 9th House highlights a year of expansion through travel, higher education, or spiritual pursuits. You might be drawn to new philosophies, religions, or cultures, seeking to broaden your understanding of the world. This is a time to explore new horizons, whether through physical travel, academic study, or a quest for truth and meaning. Legal matters or international connections may also play a role.

10th House

With a 10th House stellium, career and public life take center stage. This is a year where your professional ambitions, reputation, and long-term goals come into sharp focus. You may receive recognition for your achievements or feel a strong drive to advance in your career. Authority figures, including bosses or even your own role as a leader, will be significant. Expect changes in your public image or career trajectory.

11th House

A stellium in the 11th House emphasizes friendships, social networks, and long-term aspirations. This could be a year where you play a more active role in groups or communities, or where you align yourself with causes and organizations that reflect your ideals. Friendships may become more important, and you could find support for your goals through social connections. Your vision for the future will be a central focus.

12th House

The 12th House stellium points to a year of introspection, spirituality, and dealing with hidden matters. You might feel the need to retreat, focus on your inner life, or confront subconscious patterns. This could be a year of letting go, healing past wounds, or dealing with issues related to confinement, isolation, or endings. Spiritual growth and self-awareness will be key themes, as you prepare for a new cycle of personal development.

I will post 'Stellium in the Signs' soon!

I hope this helps! ♥️

©️kleopatra45

#astrology #astrology community #astroblr #astrology observations #astro notes #astrology readings #astrology tumblr #houses in astrology #solar return #solar return chart #solar return notes #astro community #astrology asks #astro asks

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copperbadge · 2 months ago

Note

Thank you so much for your post on ADHD and managing communication. It was really interesting see your thought process and an example of how you set up systems that work for you. I was wondering if you'd mind sharing a little about how you handle task management (the “make sure you do the tasks promptly” part). This is something I (also only diagnosed with ADHD as an adult) feel like I really struggle with, especially at work. Thanks!

I wish I had as...systematic an explanation for that as I do for other aspects of my work and life management, to be honest. For me the most important part is remembering that I even need to do the thing in the first place, so I always focus on systems that will help with that. While I do have trouble starting projects sometimes, I rarely have trouble finishing them, so that aspect is not the most significant part of the struggle for me and not something I've spent as much time on. Still, I do have some advice!

For me the problem, when it happens, is almost always with getting started. I have a few strategies for that. The very first is to remind myself that it's never going to take as long or be as hard as I think it is. That kind of reminder has to feel true and that truth really only comes with time -- you have to be taught over and over, through experience, that "the task isn't that awful". For this the best I can recommend is, every time you finish something, take a moment to stop and reflect how hard it was to get started, and how once you got started it was actually much easier than you thought it would be. If you can identify "being scared of starting" as being the hardest part, eventually you can come to believe that the fear is normal and can be ignored because it's also your brain lying to you.

Another thing I do very often is break tasks I don't want to do (or am struggling to start) into extremely granular portions. If I have to make a powerpoint presentation, and I'm struggling to know where to begin, I'll take it really small steps at a time. Like, my to-do list for the presentation might read:

Open Powerpoint

Fill out the title slide

Gather all research into a folder (do not open any of it)

Start reviewing your research one file at a time

Start sorting your research into appropriate groups based on subject matter or where in the presentation they'll go

Look at the way your research is grouped, just look for a while

Which part of the research would you tell someone to start with if they're new to the subject matter?

That's slide one.

Usually at that point I'm in the "flow" enough that I can stop looking at those granular steps, but it's also fucking astonishing how often just opening the program I need to do the thing in can drop me into the project so deep I'll surface hours later having nearly completed it.

So my first step for any task, once I know it's time to work on it, is just to open the program needed and gather all my resources in one place and give myself permission to ONLY do that. Those two things, which are easy in themselves (they usually don't need much thought) trigger that "this is what I'm doing now" state and even if I don't finish the project, I will at least make headway. This works in non-digital, non-work ways too -- if you're going to paint a wall, gather all your supplies first in one place and make sure you have everything you need. In the process of doing that you start to become more at ease with the idea of actually doing it, and even if you don't do it right that minute, now you're actually feeling prepared for when you do.

And honestly even knowing all that I still struggle sometimes. That's just the nature of the beast. Adderall helps a lot, and age has helped because I know what I'm capable of and it's often more than I believe at the start. But it's just always going to take more energy for me than for some people. Making sure I'm fed, rested, clean, and medicated helps a great deal, so I recommend looking after yourself when you DON'T have a project looming, but I also recommend giving yourself some grace when you do -- these things are just the challenges we face.

#sam has adhd #adhd

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astrofaeology · 28 days ago

Text

Mercury in the Signs

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ᡣ𐭩 Please support me by reposting, liking, following me and commenting your placement. Mercury is the planet of communication and rules over siblings. By analysing your mercury placement you can understand more about how you think and communicate.

0º is the degree which doesn't have a coresponding sign assigned to it. It's a fresh new degree and will amplify the themes of the sign that it's in

Aries (1,13,25º) Your tounge is like a spitfire, you have a force that you project to the people you talk to. Your mind is s quick, direct, and often impatient. You speak and think impulsively, valuing honesty and straightforwardness above all else. You're a natural initiator of ideas, eager to jump into discussions and debates, though you may sometimes speak before fully considering all angles. Your communication style is energetic and enthusiastic, often inspiring others with your bold and pioneering thoughts.

Taurus (2, 14, 26°) This placement gives your communication and thought processes a careful, methodical, and useful approach. You take your time and carefully consider the information before drawing well-founded conclusions. You have a talent for breaking down difficult concepts into easily understood terms, and your statements are frequently well-founded and trustworthy. Even though you might be slow to change your mind, once you've made up your mind, it's hard to get rid of.

Gemini (3, 15, 27°) Gemini blessed you with a naturally curious, flexible, and clear mind as Mercury's home sign. You excel in compiling data, having different kinds of discussions, and tying several ideas together. Your writing is clever, flexible, and sometimes marked by a fast-fire delivery. You are a real master of words since you have a great capacity to pick things fast and modify your approach of communication to fit any audience.

Cancer (4, 16, 28°) Mercury in Cancer offers your communication a simple, sympathetic, and usually emotionally charged approach. Your emotions greatly shape your ideas, and you usually interact sensitively and warmly. Your words help to create comfort and security and you are quite good in picking the unspoken subtleties of a conversation. You might communicate best when you feel emotionally linked and safe.

Leo (5, 17, 29°) Your communication approach with Mercury in Leo is confident, expressive, and often dramatic. You value recognition of your ideas and enjoy listening. Often trying to inspire and entertain your audience, you clearly and passionately express your ideas. You can make even the most boring subjects sound fascinating and interesting; you have a natural knack for narrative.

Virgo (6, 18° ) A precise, analytical, and well-organised mind is bestowed by Mercury in Virgo. You are very good at classifying information, processing details, and accurately and clearly communicating. You tend to be a very good editor and proofreader, and your ideas are realistic and focused on solving problems. While sometimes critical, your communication is always well-intentioned and aims for improvement and efficiency.

Libra (7, 19°) Mercury in Libra promotes polite, fair-minded, and appealing communication styles. In your contacts, you seek for balance and harmony, taking into account various points of view before expressing yourself. You excel at resolving conflicts and finding common ground. Your remarks are typically graceful and polite, and you have a natural ability to establish connections and hold pleasant conversations.

Scorpio( 8, 20°) Mercury in Scorpio provides you a sharp, introspective, and frequently private intellect. You explore beneath the surface of topics to uncover hidden facts and motivations. Your communication style can be passionate and direct, and you excel at discovering secrets and asking probing questions. While you may not always express your whole ideas, your words have weight and frequently create an indelible impression.

Sagittarius (9, 21°) Your mind is broad, philosophic, and constantly seeking out new information when Mercury is in Sagittarius. You take pleasure in delving into complex concepts, offering your opinions, and engaging in discussions about more general subjects. Though you may occasionally be prone to overgeneralisation, your speech is usually straightforward, enthusiastic, and upbeat. You love inspiring others with your inspiring ideas and are a born teacher.

Capricorn (10, 22º) Your communication and thought processes will be more methodical, pragmatic, and strategic when Mercury is in Capricorn. You value accuracy and measurable outcomes, and you approach information methodically. You frequently use succinct, authoritative language that is goal-oriented. You have great organisational and long-term planning skills, and you speak with accountability and foresight.

Aquarius (11, 23°) Mercury in Aquarius brings a creative, unbiased, and often unconventional intellect. You enjoy thinking imaginatively, challenging conventions, and examining unusual notions. You frequently speak in an educated, progressive, and humanistic way. You might have a distinct communication style, and you excel at brainstorming and generating novel ideas.

Pisces (12, 24°) Your thinking is curious, creative, and incredibly sympathetic when Mercury is in Pisces. You use emotion and intuition to interpret information, often picking up on nuances and feelings that are not expressed. You can use metaphor and symbolism to make your speech artistic, sympathetic, and occasionally indirect. You are very good at understanding different viewpoints and communicating in a universal way.

DISCLAIMER: This post is a generalisation and may not resonate. I recommend you get a reading from an astrologer (me). If you want a reading from me check out my sales page.

#astr #astro community #astro notes #astro observations #astrology #astroblr #mercury #mercury in the signs

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beifong-brainrot · 11 months ago

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Hey so can we like stop with the "Zutara is for the girls and Kataang is for the boys" thing. It's silly and it's breakdancing just on the edge of gender essentialism.

The assumption that there is something inherent to Zutara that appeals predominantly to women and Kataang that appeals predominantly to men is dishonest because every ship can have appeal to all genders.

The discussion of the "female gaze" in Zutara and the "male gaze" in Kataang is also redundant. I enjoy dissecting the concept of "the gaze", however it is important to note that the "female gaze" doesn't have a set definition or grouping of conventions it adheres to. Lisa French, Dean of RMIT University’s School of Media and Communication says:

“The female gaze is not homogeneous, singular or monolithic, and it will necessarily take many forms... The aesthetic approaches, experiences and films of women directors are as diverse as their individual life situations and the cultures in which they live. The "female' gaze” is not intended here'to denote a singular concept. There' are many gazes."

Now excuse me as I put on my pretentious humanistics student hat.

Kataang's appeal to women and the female gaze

Before I start, I want to note that the female gaze is still a developing concept

There are very few female film directors and writers, and most of them are white. The wants and desires of women of colour, the demographic Katara falls into, are still wildly underepresented. Additionally, the concept of the female gaze had many facets, due to it being more focused on emotional connections rather than physical appearance as the male gaze usually is. Which means that multiple male archetypes fall into the category of "for the female gaze".

The "female gaze" can be best described as a response to the "male gaze", which was first introduced by Laura Mulvey in her paper: "Visual Pleasure and Narrative Cinema" , however the term "male gaze" itself was not used in the paper.

Mulvey brought up the concept of the female character and form as the passive, objectified subject to the active voyeuristic male gaze, which the audience is encouraged to identify, usually through the male character.

To quote her:

"In a world ordered by sexual imbalance', pleasure' in looking has been split between active'/male' and passive/female'. The determining male gaze' projects its fantasy onto the female' figure', which is styled accordingly."

Mulvey also brings up the concept of scopopfillia (the term being introduced by Freud), the concept of deriving sexual gratification from both looking and being looked at. This concept has strong overtones of voyeurism, exhibitionism and narcissism, placing forth the idea that these overtones are what keeps the male viewer invested. That he is able to project onto the male character, therefore being also able to possess the passive female love interest.

However, it's important to note that Mulvey's essay is very much a product of its times, focused on the white, heterosexual and cisgender cinema of her time. She also drew a lot of inspiration from Freud's questionable work, including ye ole penis envy. Mulvey's paper was groundbreaking at the time, but we can't ignore how it reinforces the gender binary and of course doesn't touch on the way POC, particularly women of colour are represented in film.

In her paper, Mulvey fails to consider anyone who isn't a white, cis, heterosexual man or woman. With how underrepresented voices of minorities already are both in media and everyday life, this is something that we need to remember and strive to correct.

Additionally Mulvey often falls into gender essentialism, which I previously mentioned at the beginning of this post. Funny how that keeps coming up

"Visual Pleasure and Narrative Cinema" started a very interesting and important conversation, and I will still be drawing from certain parts of it, however huge swathes of this text have already become near archaic, as our culture and relationship with media evolves at an incredible pace.

And as filmaking evolves, so does our definition of the male and female gaze. So let's see what contemporary filmakers say of it.

In 2016, in her speech during the Toronto International Film Festival , producer of the TV series Transparent, Jill Soloway says:

“Numero uno, I think the Female Gaze is a way of “feeling seeing”. It could be thought of as a subjective camera that attempts to get inside the protagonist, especially when the protagonist is not a Chismale. It uses the frame to share and evoke a feeling of being in feeling, rather than seeing – the characters. I take the camera and I say, hey, audience, I’m not just showing you this thing, I want you to really feel with me.

[Chismale is Soloway's nickname for cis males btw]

So the term "female gaze" is a bit of a misnomer, since it aims to focus on capturing the feelings of characters of all genders. It's becoming more of a new way of telling stories in film, rather than a way to cater to what white, cisgender, heterosexual women might find attractive in a man.

Now, Aang is the decided protagonist of the show, however, Atla having somewhat of an ensemble cast leads to the perspective shifting between different characters.

In the first episode of atla, we very much see Katara's perspective of Aang. She sees him trapped in the iceberg, and we immediately see her altruism and headstrong nature. After she frees Aang, we are very much first subjected to Katara's first impressions of him, as we are introduced to his character. We only see a sliver of Aang's perspective of her, Katara being the first thing he sees upon waking up.

We see that she is intrigued and curious of him, and very excited about his presence. She is endeared and amused by his antics. She is rediscovering her childish side with his help. She is confiding in him about her own trauma surrounding the Fire Nation's genocide of the Southern Waterbenders. She is willing to go against her family and tribe ans leave them behind to go to the Northern Water Tribe with Aang. We also see her determination to save him when he is captured.

As the show moves on and the plot kicks into gear, we do shift more into Aang's perspective. We see his physical attraction to her, and while we don't see Katara's attraction quite as blatantly, there are hints of her interest in his appearance.

This is where we get deeper into the concept of Aang and Katara's mutual interest and attraction for one another. While her perspective is more subtle than most would like, Katara is not purely an object of Aang's desire, no more than he is purely an object of her desire.

When analysing this aspect of Katara and Aang's relationship, I couldn't help but be reminded of how Célene Sciamma's Portrait of a lady on fire (in my personal opinion, one of the best studies of the female gaze ever created) builds up its romance, and how it places a strong emphasis on the mutuality of the female gaze.

Portrait of a lady on fire's cinematography is very important to the film. We see the world through the perspective of our protagonist, a painter named Marianne. We also see her love interest, Héloïse, the woman whom she is hired to paint a portrait of, through Marianne's lense.

We see Marianne analyse Héloïse's appearance, her beauty. We look purely through Marianne's eyes at Héloïse for a good part of the movie, but then, something unexpected happens. Héloïse looks back. At Marianne, therefore, in some way, also at the audience. While Marianne was studying Héloïse, Héloïse was studying Marianne.

We never shift into Héloïse's perspective, but we see and understand that she is looking back at us. Not only through her words, when she for example comments on Marianne's mannerisms or behaviours, but also hugely through cinematography and acting of the two amazing leads. (Noémie Merlant as Marianne and Adèle Haenel as Héloïse. They truly went above and beyond with their performances.)

This is a huge aspect of the female gaze's implementation in the film. The camera focuses on facial expressions, eyes and body language, seeking to convey the characters' emotions and feelings. There's a focus on intense, longing and reciprocated eye contact (I have dubbed this the Female Gays Gaze.). The characters stand, sit or lay facing each other, and the camera rarely frames one of them as taller than the other, which would cause a sense of power imbalance.

The best way to describe this method of flimaking is wanting the audience to see the characters, rather than to simply look at them. Sciamma wants us to empathise, wants us to feel what they are feeling, rather than view them from a distance. They are to be people, characters, rather than objects.

Avatar, of course, doesn't display the stunning and thoughtful cinematography of Portrait of a Lady on Fire, and Katara and Aang's relationship, while incredibly important, is only a part of the story rather than the focus of it.

However, the 'Kataang moments' we are privy to often follow a similar convention to the ones between Marianne and Héloïse that I mentioned prior.

Theres a lot of shots of Katara and Aang facing each other, close ups on their faces, particularly eyes, as they gaze at one another.

Katara and Aang are often posited as on equal grounds, the camera not framing either of them as much taller and therefore more powerful or important than the other. Aang is actually physically shorter than Katara, which flies in the face in usual conventions of the male fantasy. (I will get to Aang under the male gaze later in this essay)

And even in scenes when Aang is physically shown as above Katara, particularly when he's in the Avatar state, Katara is the one to pull him down, maintaining their relationships as equals.

Despite most of the show being portrayed through Aang's eyes, Katara is not a passive object for his gaze, and therefore our gaze, to rest upon. Katara is expressive, and animated. As an audience, we are made aware that Katara has her own perspective. We are invited to take part in it and try to understand it.

Not unlike to Portrait of a Lady on Fire, there is a lot of focus placed on mannerisms and body language, an obvious example being Katara often playing with her hair around Aang, telegraphing a shy or flustered state. We also see her express jealousy over Aang, her face becoming sour, brows furrowed. On one occasion she even blew a raspberry, very clearly showing us, the audience, her displeasure with the idea of Aang getting attention from other girls.

Once again, this proves that Katara is not a passive participant in her own relationship, we are very clealry shown her perspective of Aang. Most of the scenes that hint at her and Aang's focus on their shared emotions, rather than, for example, Katara's beauty.

Even when a scene does highlight her physical appearance, it is not devoid of her own thoughts and emotions. The best example of this being the scene before the party in Ba Sing Se where we see Katara's looking snazzy in her outfit. Aang compliments her and Katara doesn't react passively, we see the unabashed joy light up her face, we can tell what she thinks of Aang's comment.

In fact, the first moment between Katara and Aang sets this tone of mutual gaze almost perfectly. Aang opens his eyes, and looks at Katara. Katara looks back.

There is, once again, huge focus on their eyes in this scene, the movement of Aang's eyelids right before they open draws out attention to that part of his face. When the camera shows us Katara, is zooms in onto her expression as it changes, her blinking also drawing attention to her wide and expressive eyes.

This will not be the first time emphasis is placed on Katara and Aang's mutual gaze during a pivotal moment in the show. Two examples off the top of my head would be the Ends of B2 and B3 respevtively. When Katara brings Aang back to life, paralleling the first time they laid eyes on one another. And at the end of the show, where their gaze has a different meaning behind it.

We see Katara's emotions and her intent telegraphed clearly in these instances.

In Book 1, we see her worry for this strange bald boy who fell out of an iceberg, which melts away to relief and a hint of curiosity once she ascertains that he isn't dead.

In B2 we once again see worry, but this time it's more frantic. Her relationship with Aang is much dearer to her heart now, and he is in much worse shape. When we see the relief on her face this time, it manifests in a broad smile, rather than a small grin. We can clearly grasp that her feelings for Aang have evolved.

In B3, we step away from the rule because Aang isn't on the verge of death or unconsciousness for the first time. It is also the first time in a situation like this that Aang isn't seeing Katara from below, but they are on equal footing. I attribute this to symbolising change of pace for their relationship.

The biggest obstacle in the development of Katara and Aang's romance was the war, which endangered both their lives. Due to this, there was a hesitance to start their relationship. In previous scenes that focused this much on Aang and Katara's mutual gaze, Aang was always in a near dead, or at least 'dead adjacent' position. This is is a very harsh reminder that he may very well die in the war, and the reason Katara, who has already endured great loss, is hesitant to allow her love for him to be made... corporeal.

However, now Aang is standing, portraying that the possibily of Katara losing him has been reduced greatly with the coming of peace, the greatest obstacle has been removed, and Katara is the one to initiate this kiss.

Concurrently, Katara's expression here does not portray worry or relief at all, because she has no need to be worried or relieved. No, Katara is blushing, looking directly at Aang with an expression that can be described as a knowing smile. I'd argue that this description is accurate, because Katara knows that she is about to finally kiss the boy she loves.

Ultimately, Katara is the one who initiates the kiss that actually begins her and Aang's romantic relationship.

Kataang's appeal to women is reflected in how Katara is almost always the one to initiate physical affection with Aang. With only 3 exceptions, one of which, the Ember Island kiss being immediately shown by the narrative as wrong, and another being a daydream due to Aang's sleep deptivation. The first moment of outwardly romantic affection between Aang and Katara is her kissing his cheek. And their last kiss in the show is also initiated by Katara.

I won't falsely state that Kataang is the perfect representation of the female gaze. Not only because the storyline has its imperfections, as every piece of media has. But also because I simply belive that the concept of the female gaze is too varied and nebulous to be fully expressed. With this essay, I simply wanted to prove that Kataang is most certainly not the embodiment of catering to the male gaze either. In fact it is quite far from that.

The aspects of Kataang that fall more towards embodying the female gaze don't just appeal to women. There's a reason a lot of vocal Kataang shippers you find are queer. The mutual emotional connection between Katara and Aang is something we don't have to identify with, but something we are still able to emphasise with. It's a profound mutual connection that we watch unfold from both perspectives that sort of tracends more physical, gendered aspects of many onscreen romances. You just need to see instead of simply look.

✨️Bonus round✨️

Aang under the gaze

This started off as a simple part of the previous essay, however I decided I wanted to give it it's own focus, due to the whole discourse around Aang being a wish-fullfilling self insert for Bryke or for men in genral. I always found this baffling considering how utterly... unappealing Aang is to the male gaze.

It may surprise some of you that men are also subjected to the male gaze. Now sadly, this has nothing to do with the male gaze of the male gays. No, when male characters, usually the male protagonist, are created to cater to the male gaze, they aren't portrayed as sexually desirable passive objects, but they embody the active/masculine aide of the binary Laura Mulvey spoke of in the quote I shared at the beginning of this essay.

The protagonist under the male gaze is not the object of desire but rather a character men and boys would desire to be.

They're usually the pinnacle of traditional, stereotypical masculinity.

Appearance wise: muscular but too broad, chiseled facial features, smouldering eyes, depending on the genre wearing something classy or some manner of armour.

Personalitywise they may vary from the cool, suave James Bond type, or a more hotblooded forceful "Alpha male" type. However these are minor differences in the grand scheme of things. The basis is that this protagonist embodies some manner of idealised man. He's strong, decisive, domineering, in control, intimidating... you get the gist. Watch nearly any action movie. There's also a strong focus placed on having sway or power over others. Often men for the male gaze are presented as wealthy, having power and status. Studies (that were proved to be flawed in the way the data was gathered, I believe) say that womem value resources in potential male partners, so it's not surprising that the ideal man has something many believe would attract "mates". [Ew I hated saying that].

Alright, now let's see how Aang holds up to these standards.

Well... um...

Aang does have power, he is the Avatar. However, he is often actually ignored, blown off and otherwise dismissed, either due to his age or his personality and ideals being seen as unrealistic and foolish. Additionally, Aang, as a member of a culture lost a century ago, is also often posited as an outsider, singled out as weak, his beliefs touted as the reason his people died out and.

Physically, Aang doesn't look like the male protagonist archetype, either. He isn't your average late teens to brushing up against middle aged. Aang is very much a child and this is reflected in his soft round features, large eyes and short, less built body. This is not a build most men would aspire to. Now, he still has incredible physical prowess, due to his bending. But I'm not sure how many men are desperate to achieve the "pacifist 12 year old" build to attract women.

Hailing from a nation that had quite an egalitarian system, Aang wouldn't have conventional ideas surrounding leadership, even if he does step up into it later. He also has little in the way of possessions, by choice.

As for Aang's personality, well...

I mean I wouldn't exactly call him your average James Bond or superhero. Aang is mainly characterised through his kindness, empathy, cheerful nature and occasional childishness (which slowly is drained as the trauma intesifies. yay.)

Aang is very unwilling to initiate violence, which sets him aside from many other male protagonists of his era, who were champing at the bit to kick some ass. He values nature, art, dance and fun. He's in tune with his emotions. He tries to desecalate situations before he starts a fight.

Some would say many of Aang's qualities could be classified as feminine. While the other main male characters, Zuko and Sokka try to embody their respective concepts of the ideal man (tied to their fathers), Aang seems content with how he presents and acts. He feels no need to perform masculinity as many men do, choosing to be true to his emotions and feelings.

These "feminine" qualities often attract ridicule from other within the show. He is emasculated or infantiliased as a form of mockery multiple times, the most notable examples being the Ember Island play and Ozai tauntingly referring to him as a "little boy". Hell, even certain Aang haters have participated in this, for example saying that he looks like a bald lesbian.

I'd even argue that, in his relationships with other characters, Aang often represents the passive/feminine. Especially towards Zuko, Aang takes on an almost objectified role of a trophy that can be used to purchase Ozai's love. [Zuko's dehumanisation of others needs to be discussed later, but it isn't surprising with how he was raised and a huge part of his arc is steerring away from that way of thinking.]

Aang and Zuko almost embody certain streotypes about relationships, the forceful, more masculine being a literal pursuer, and the gentler, more feminine being pusued.

We often see Aang framed from Zuko's perspective, creating something akin to the mutual gaze of Katara and Aang, hinting at the potential of Zuko and Aang becoming friends, a concept that is then voiced explicitly in The Blue Spirit.

However, unlike Katara, Zuko is unable to empathise with Aang at first, still seeing Aang as more of an object than a person. We have here an interesting imbalance of Aang seeing Zuko but Zuko meerly looking at Aang.

There is a certain aspect of queer metaphor to Zuko's pursuit of Aang, but I fear I've gotten off topic.

Wrapping this long essay up, I want to reiterate that I'm not saying that Zutara isn't popular with women. Most Zutara shippers I've encountered are women. And most Kataang shippers I've encountered are... also women. Because fandom spaces are occupied predominantly by women.

I'm not exactly making a moral judgement on any shippers either, or to point at Kataang and go: "oh, look girls can like this too. Stop shipping Zutara and come ship this instead."

I want to point out that the juxtaposition of Zutara and Kataang as respectively appealing to the feminine and masculine, is a flawed endeavour because neither ship does this fully.

The concept of Kataang being a purely male fantasy is also flawed due to the points I've outlied in this post.

Are there going to be male Kataang shippers who self insert onto Aang and use it for wish fulfilment? Probably. Are there going to be male Zutara shippers who do the same? Also probably.

In the end, our interpretation of media, particularly visual mediums like film are heavily influenced by our own biases, interests, beliefs andmost importantly our... well, our gaze. The creators can try to steer us with meaningful shots and voiced thought, directing actors or animating a scene to be a certain way, but ultimately we all inevitably draw our own conclusions.

A fan of Zutara can argue that Kataang is the epitome of catering to the male gaze, while Zutara is the answer to women everywhere's wishes.

While I can just as easily argue the exact opposite.

It really is just a matter of interpretation. What is really interesting, is what our gaze says about us. What we can see of ourselves when the subject gazes back at us.

I may want to analyse how Zutara caters to the male gaze in some instances, if those of you who manage to slog through this essay enjoy the subject matter.

#ok getting off my soapbox #i forgot how much i love to write these long sprawling essays...#kataang #pro kataang #aang #pro aang #aanglove #aang defense squad #pro katara #katara defense squad #kataang love #zuko #avatar #atla #avatar: the last airbender #the last airbender #avatar the last airbender #aang the last airbender #anti zutara

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mostlysignssomeportents · 9 months ago

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There’s no such thing as “shareholder supremacy”

On SEPTEMBER 24th, I'll be speaking IN PERSON at the BOSTON PUBLIC LIBRARY!

Here's a cheap trick: claim that your opponents' goals are so squishy and qualitative that no one will ever be able to say whether they've been succeeded or failed, and then declare that your goals can be evaluated using crisp, objective criteria.

This is the whole project of "economism," the idea that politics, with its emphasis on "fairness" and other intangibles, should be replaced with a mathematical form of economics, where every policy question can be reduced to an equation…and then "solved":

https://pluralistic.net/2023/03/28/imagine-a-horse/#perfectly-spherical-cows-of-uniform-density-on-a-frictionless-plane

Before the rise of economism, it was common to speak of its subjects as "political economy" or even "moral philosophy" (Adam Smith, the godfather of capitalism, considered himself a "moral philosopher"). "Political economy" implicitly recognizes that every policy has squishy, subjective, qualitative dimensions that don't readily boil down to math.

For example, if you're asking about whether people should have the "freedom" to enter into contracts, it might be useful to ask yourself how desperate your "free" subject might be, and whether the entity on the other side of that contract is very powerful. Otherwise you'll get "free contracts" like "I'll sell you my kidneys if you promise to evacuate my kid from the path of this wildfire."

The problem is that power is hard to represent faithfully in quantitative models. This may seem like a good reason to you to be skeptical of modeling, but for economism, it's a reason to pretend that the qualitative doesn't exist. The method is to incinerate those qualitative factors to produce a dubious quantitative residue and do math on that:

https://locusmag.com/2021/05/cory-doctorow-qualia/

Hence the famous Ely Devons quote: "If economists wished to study the horse, they wouldn’t go and look at horses. They’d sit in their studies and say to themselves, ‘What would I do if I were a horse?’"

https://pluralistic.net/2022/10/27/economism/#what-would-i-do-if-i-were-a-horse

The neoliberal revolution was a triumph for economism. Neoliberal theorists like Milton Friedman replaced "political economy" with "law and economics," the idea that we should turn every one of our complicated, nuanced, contingent qualitative goals into a crispy defined "objective" criteria. Friedman and his merry band of Chicago School economists replaced traditional antitrust (which sought to curtail the corrupting power of large corporations) with a theory called "consumer welfare" that used mathematics to decide which monopolies were "efficient" and therefore good (spoiler: monopolists who paid Friedman's pals to do this mathematical analysis always turned out to be running "efficient" monopolies):

https://pluralistic.net/2022/02/20/we-should-not-endure-a-king/

One of Friedman's signal achievements was the theory of "shareholder supremacy." In 1970, the New York Times published Friedman's editorial "The Social Responsibility of Business Is to Increase Its Profits":

https://www.nytimes.com/1970/09/13/archives/a-friedman-doctrine-the-social-responsibility-of-business-is-to.html

In it, Friedman argued that corporate managers had exactly one job: to increase profits for shareholders. All other considerations – improving the community, making workers' lives better, donating to worthy causes or sponsoring a little league team – were out of bounds. Managers who wanted to improve the world should fund their causes out of their paychecks, not the corporate treasury.

Friedman cloaked his hymn to sociopathic greed in the mantle of objectivism. For capitalism to work, corporations have to solve the "principal-agent" problem, the notoriously thorny dilemma created when one person (the principal) asks another person (the agent) to act on their behalf, given the fact that the agent might find a way to line their own pockets at the principal's expense (for example, a restaurant server might get a bigger tip by offering to discount diners' meals).

Any company that is owned by stockholders and managed by a CEO and other top brass has a huge principal-agent problem, and yet, the limited liability, joint-stock company had produced untold riches, and was considered the ideal organization for "capital formation" by Friedman et al. In true economismist form, Friedman treated all the qualitative questions about the duty of a company as noise and edited them out of the equation, leaving behind a single, elegant formulation: "a manager is doing their job if they are trying to make as much money as possible for their shareholders."

Friedman's formulation was a hit. The business community ran wild with it. Investors mistook an editorial in the New York Times for an SEC rulemaking and sued corporate managers on the theory that they had a "fiduciary duty" to "maximize shareholder value" – and what's more, the courts bought it. Slowly and piecemeal at first, but bit by bit, the idea that rapacious greed was a legal obligation turned into an edifice of legal precedent. Business schools taught it, movies were made about it, and even critics absorbed the message, insisting that we needed to "repeal the law" that said that corporations had to elevate profit over all other consideration (not realizing that no such law existed).

It's easy to see why shareholder supremacy was so attractive for investors and their C-suite Renfields: it created a kind of moral crumple-zone. Whenever people got angry at you for being a greedy asshole, you could shrug and say, "My hands are tied: the law requires me to run the business this way – if you don't believe me, just ask my critics, who insist that we must get rid of this law!"

In a long feature for The American Prospect, Adam M Lowenstein tells the story of how shareholder supremacy eventually came into such wide disrepute that the business lobby felt that it had to do something about it:

https://prospect.org/power/2024-09-17-ponzi-scheme-of-promises/

It starts in 2018, when Jamie Dimon and Warren Buffett decried the short-term, quarterly thinking in corporate management as bad for business's long-term health. When Washington Post columnist Steve Pearlstein wrote a column agreeing with them and arguing that even moreso, businesses should think about equities other than shareholder returns, Jamie Dimon lost his shit and called Pearlstein to call it "the stupidest fucking column I’ve ever read":

https://www.washingtonpost.com/news/wonk/wp/2018/06/07/will-ending-quarterly-earnings-guidance-free-ceos-to-think-long-term/

But the dam had broken. In the months and years that followed, the Business Roundtable would adopt a series of statements that repudiated shareholder supremacy, though of course they didn't admit it. Rather, they insisted that they were clarifying that they'd always thought that sometimes not being a greedy asshole could be good for business, too. Though these statements were nonbinding, and though the CEOs who signed them did so in their personal capacity and not on behalf of their companies, capitalism's most rabid stans treated this as an existential crisis.

Lowenstein identifies this as the forerunner to today's panic over "woke corporations" and "DEI," and – just as with "woke capitalism" – the whole thing amounted to a a PR exercise. Lowenstein links to several studies that found that the CEOs who signed onto statements endorsing "stakeholder capitalism" were "more likely to lay off employees during COVID-19, were less inclined to contribute to pandemic relief efforts, had 'higher rates of environmental and labor-related compliance violations,”' emitted more carbon into the atmosphere, and spent more money on dividends and buybacks."

One researcher concluded that "signing this statement had zero positive effect":

https://www.theatlantic.com/ideas/archive/2020/08/companies-stand-solidarity-are-licensing-themselves-discriminate/614947

So shareholder supremacy isn't a legal obligation, and statements repudiating shareholder supremacy don't make companies act any better.

But there's an even more fundamental flaw in the argument for the shareholder supremacy rule: it's impossible to know if the rule has been broken.

The shareholder supremacy rule is an unfalsifiable proposition. A CEO can cut wages and lay off workers and claim that it's good for profits because the retained earnings can be paid as a dividend. A CEO can raise wages and hire more people and claim it's good for profits because it will stop important employees from defecting and attract the talent needed to win market share and spin up new products.

A CEO can spend less on marketing and claim it's a cost-savings. A CEO can spend more on marketing and claim it's an investment. A CEO can eliminate products and call it a savings. A CEO can add products and claim they're expansions into new segments. A CEO can settle a lawsuit and claim they're saving money on court fees. A CEO can fight a lawsuit through to the final appeal and claim that they're doing it to scare vexatious litigants away by demonstrating their mettle.

CEOs can use cheaper, inferior materials and claim it's a savings. They can use premium materials and claim it's a competitive advantage that will produce new profits. Everything a company does can be colorably claimed as an attempt to save or make money, from sponsoring the local little league softball team to treating effluent to handing ownership of corporate landholdings to perpetual trusts that designate them as wildlife sanctuaries.

Bribes, campaign contributions, onshoring, offshoring, criminal conspiracies and conference sponsorships – there's a business case for all of these being in line with shareholder supremacy.

Take Boeing: when the company smashed its unions and relocated key production to scab plants in red states, when it forced out whistleblowers and senior engineers who cared about quality, when it outsourced design and production to shops around the world, it realized a savings. Today, between strikes, fines, lawsuits, and a mountain of self-inflicted reputational harm, the company is on the brink of ruin. Was Boeing good to its shareholders? Well, sure – the shareholders who cashed out before all the shit hit the fan made out well. Shareholders with a buy-and-hold posture (like the index funds that can't sell their Boeing holdings so long as the company is in the S&P500) got screwed.

Right wing economists criticize the left for caring too much about "how big a slice of the pie they're getting" rather than focusing on "growing the pie." But that's exactly what Boeing management did – while claiming to be slaves to Friedman's shareholder supremacy. They focused on getting a bigger slice of the pie, screwing their workers, suppliers and customers in the process, and, in so doing, they made the pie so much smaller that it's in danger of disappearing altogether.

Here's the principal-agent problem in action: Boeing management earned bonuses by engaging in corporate autophagia, devouring the company from within. Now, long-term shareholders are paying the price. Far from solving the principal-agent problem with a clean, bright-line rule about how managers should behave, shareholder supremacy is a charter for doing whatever the fuck a CEO feels like doing. It's the squishiest rule imaginable: if someone calls you cruel, you can blame the rule and say you had no choice. If someone calls you feckless, you can blame the rule and say you had no choice. It's an excuse for every season.

The idea that you can reduce complex political questions – like whether workers should get a raise or whether shareholders should get a dividend – to a mathematical rule is a cheap sleight of hand. The trick is an obvious one: the stuff I want to do is empirically justified, while the things you want are based in impossible-to-pin-down appeals to emotion and its handmaiden, ethics. Facts don't care about your feelings, man.

But it's feelings all the way down. Milton Friedman's idol-worshiping cult of shareholder supremacy was never about empiricism and objectivity. It's merely a gimmick to make greed seem scientifically optimal.

The paperback edition of The Lost Cause, my nationally bestselling, hopeful solarpunk novel is out this month!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/18/falsifiability/#figleaves-not-rubrics/a>

#pluralistic #chevron deference #loper bright #scotus #stakeholder capitalism #boeing #economism #economics #milton friedman #shareholder supremacy #fiduciary duty #business #we cant have nice things #shareholder capitalism

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marimoscorner · 1 year ago

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Consumerism & Witchcraft

Written by Marimo (he/they)🌿

I’ve seen a turn for the better in some witchy spaces regarding consumerism in the past few years, but overall it still tends to be an issue for us as a community. I’ve decided to try and breakdown the pitfalls I’ve noticed in my own journey, in the hopes that it will inspire and assist others. I’ve also provided alternatives and ideas on how to make small changes in our practice to help us better protect the Earth, stick it to the failing system and still acquire our bits and bobs we love so dearly.

As always, I am no authority on any subject nor am I perfect—but we’re all learning as we go, so let’s dive right in 🌿

A Preface

There are some things that should be made entirely clear before we begin:

You are not a bad person for wanting an aesthetic

You are not a bad person for unknowingly falling into pitfalls. Only if you continue to purposefully do so after knowing better

You are not a bad person for consuming content/objects or for not always making the most sustainable decisions. At the end of the day, we can only control our small part of environmental impact, while the rest is left up to the major corporations that make more pollution than any of us ever will

You are only human. Show yourself some grace and understanding that the internet so lacks.

My Experience in Consumerist Hell

I have fallen victim many times to consumerism in witchcraft. Starting my journey at the ripe age of about ten years old and heavily in the broom closet, I was quickly drawn in by the shiny rocks, the brand new candles and scents, the promise of new tarot decks and pendulums and other fancy, shiny new equipment. I was consuming an online aesthetic along with my ideals, and it distracted me from starting my journey by learning well.

I began to spend my birthday and holiday money on the aesthetic of things. While, granted, I still did buy a few literary resources now and again from my local secondhand bookstore—I was stubbornly ignoring the sage advice to learn and understand first before diving in headfirst.

I purchased statues, crystals, too many tarot decks to use. I purchased osteomancy bones I later returned to the earth, for I had not done enough research to know that that animal was mine to practice with. I had a tankard full of incense sticks, and even a growing pile of books that would not be read. While I liked to consider myself crafty with my homemade Maypole and various hand-bound Grimoires, something was becoming apparent: this was all a distraction.

The aesthetic I was partaking in was providing me with a false sense of progress and practicality.

When I’d go to do a tarot reading, I’d become far too overwhelmed with choosing a deck to read in the first place. When making an offering to a deity, I’d feel pressured to also bolster the altars of all the other deities I’d set up, and with my wide pool, the connections felt muddy. Often times I’d be off-put on a project or spell because I knew I needed to film it and it needed to look nice.

In the long term, I don’t have many of these items today. I’ve sold and donated a vast breadth of them. Feeling overwhelmed costed me a few years retreat from my craft to recuperate. However, what has stuck with me is the knowledge I picked up along the way.

So, What’s the Issue? TL;DR

I’ve noticed a few issues here in making these mistakes myself.

Consumerism absolutely distracts you from learning and your craft

Overconsumption leads to environmental damage. If everyone hoarded supplies, there would not be enough to go around. And with what gets thrown away every year…it paints an ugly wound on the Earth

We damage our learning abilities by not allowing ourselves to be anything less than perfect

The need for aesthetic creates barriers to entry within the community and creates a divide of haves and have-nots

You won’t be able to truly follow your individual path if you are only consuming and not creating for yourself

Consumerist culture promotes appropriation. Metaphysical stores carry items from closed practices (such as white sage and palo santo, or coyote bones) because someone is buying them. Don’t be that person, and find alternatives relating to your own culture instead

Consumerism can influence your spiritual decisions based upon monetary inclinations (where some may sacrifice a quality ingredient over a higher quantity of a lower quality ingredient)

So, what can we do?

Firstly, I want to clarify that I am not against collecting, nor am I against maximalism or the beautiful visual aesthetic we carry as a community.

I am an artist a very visual person and understand the longing for a beautiful home and workspace. However, this aesthetic shouldn’t come at the cost of irresponsibly harming the Earth or another community.

Thus, I’ve compiled a list of small things that I will be incorporating into my practice to make it more mindful and sustainable. I hope that you’ll join me in a few of them.

Minimize Supplies. While I used to have a huge selection of stationary for my Grimoire, I now limit myself to a simple pencil and watercolor set if I’m feeling artistic. This helps me actually use my Grimoire for study, rather than to keep perfect. It’s also friendlier on my wallet!

Thrift Supplies. There are plenty of perfectly good items that get donated daily. You can get high-quality candles and holders, old crystal bowls for altar offerings, spare crafting supplies, fabric for alter cloths and even clothing if you so wish—all for a fraction of the cost new and while saving the planet just a little bit more. Hell, you can sometimes even find good silver!

Share Supplies with your Community. You can create a sort of barter system with other witches in your area. Perhaps you create a sigil for them, and they provide you with a candle spell. Play to your strengths and grow together!

Look for Creative Outlets. Do you really need to go buy an altar statue that’s been mass-produced? Or can you give your deity the personal gift of a drawing, painting or even hand-modeled or hand-carved rendition? This will also deepen your connection to your craft and your magic, and make it more meaningful and stronger. If you really like something, though, go for it!

If you aren’t the artistic sort, consider supporting an artist before going to a large company. While I haven’t purchased from them myself, Blagowood on Etsy has beautiful deity statues carved from wood by their small team in Ukraine for a comparable cost to the standard mass produced metal statues. I consider this extra labor of love going into these pieces and those of similar small companies to be much better energy for my practice. I myself may put out some art prints and other handmade supplies in the future, but I will likely spread them around my community first.

Try Secondhand Books. While not available in every area and further still not as available for witchcraft and occult books, you may strike luck! Not only are secondhand books less expensive, but you’ll be supporting a local business. That’s not to say you can’t buy firsthand books, but some searching around may be beneficial to the earth and to your wallet in the long run.

Be mindful of where you source supplies and decor. If you are a fan of taxidermy decor, make sure that you source cruelty free. Bats can practically never be sourced without cruelty, so if a shop carries them, I’d be mindful of their other specimens. The same goes for if a shop decides to forgo a culture’s wishes and carry supplies sacred to them, such as white sage or dreamcatchers. Supporting folks who turn a profit off of others’ suffering is not something many would wish to include energetically in their craft.

Search the Wild for Tools. Find sticks, flowers and other plants out in the forest. Learn how to rockhound in your area for crystals. Your craft will be more powerful the more connected it is to the land you are surrounded by. Be sure to reference guides for safety and legality!

Get Creative with Purposes. If you are having difficulty finding exactly what you need by thrifting or searching, make another tool multipurpose if it would do the job good enough. Find supplies that are easy to source and work as substitutes for other ingredients (ex. Quartz as a stand in for other stones)

Spend more time Doing. Go out into the woods (safely) and advance your connection to the earth instead of worrying over the perfect item for your collection. Your craft will benefit

At the end of the day, all of this is your decision. Take what you like, and leave what you don’t. Even if we don’t agree, I thank you for your time and open mind. I will continue updating about how I incorporate these steps, and I will also hopefully post more on witchy crafting in the future.

I wish you well, and hope you’ll decide to follow along on our journey!

#pagan #pagan witch #paganism #witchblr #witchcraft #marimo writes🌿

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