#Putting them vertical should work

[kaiyonohime]

Look at all the lovely leaves growing from my needles! Got a solid three hours of knitting time this weekend and am nearly at row seventy!

Next weekend I should get a ton more knit as my husband is taking the tiny tot to a marathon to cheer. Although I do need to put the second hank on the swift to wind, I'm hoping to get that done some time this week. Tiny tot has started sleeping well when put down at night, so that does free up an hour or two. Though I've been using that time for getting things done for work. A nursery school teacher's job is never done.

[jibunbosh]

Mesmerizer is a satire of TikTok, YouTube Shorts, and the rest of the modern short-form vertical video format

A brief thematic analysis.

I'm sure there are countless people already interpreting the imagery and details in this wonderful song & MV, like here and here, so I won't spend too much time retreading that ground. Miku and Teto are dancing. Miku gets hypnotized. Teto signals for help, but gets hypnotized at the end as well.

That part is obvious enough, but that's still pretty surface-level. What is this seemingly hyperspatial horror scenario supposed to mean to us?

While checking to see if anyone before me's already come to the same conclusions as I did and if I should bother not writing this text post at all (lol), I came across udin's great analysis video. She comes to the conclusion that the song tackles themes of disillusionment with reality and the ways we indulge in escapism to relieve ourselves of the pains of the world.

I agree with that reading! From practically the very beginning, we have Miku call to us - the viewer - to push away our true feelings. Teto comes in to peddle a solution, inviting us to surrender and empty our minds - in her words, "pretending to know nothing."

You, the viewer, are a critical character in this masquerade. For nearly the entire video, Miku and Teto's eyes are unfailingly trained on you. Or, well... perhaps they can't actually see you, but they can see a camera, or whatever other aperture the point of view is supposed to be from. And they know they're being watched. (Who else would Teto be sending distress signals to?)

Let's put a pin on that for later.

udin notes very early on that Miku and Teto are, conspicuously, kept in vertical frames - very similar to the video formats of TikTok (and Instagram Reels, and YouTube Shorts, and whatever other clones of the format exist.) You know, just like the animator Caststation's Rabbit Hole fan MV that went viral some months ago.

Hey wouldn't it be crazy if the song's producer, 32ki, released Mesmerizer shorts too haha. Wouldn't that be crazy.

Wow, wild.

These short-term vertical videos are captivating & alluring. If you're reading this, it's more likely than not that you've also found yourself caught up in them at least once, scrolling through the infinite algorithmic slurry and forgetting about the real-life issues you have at hand. Would you say, then, that you felt hypnotized? Mesmerized, even?

And so these two invite us to join their world and focus on the... uh... rectangle.

Their dances are repetitive, following the same loop. Their outfits are distinct, but their choreography isn't. They're copying the same formula, repeating it ad nauseam to the best of their ability.

They're doing a fucking TikTok dance.

Back to the pin I told you about earlier, with Miku and Teto looking at a camera.

Miku sways with the camera, eyes looking directly at it like a swinging pocket watch. She's been looking at it the entire time, after all. We've been seeing her via our screen this entire time, but, again, she doesn't necessarily see us. She's beholden to the camera, which she dances for day after day, caught up in its spell. She's hypnotized by it. Eventually, she breaks.

Teto, on the other hand, resists. For a while, anyway.

Despite her being the one jumping to us with the "solution" at the beginning of the MV, there's very quickly good reason to question how much agency she has in this. She dances for the camera as well, but she doesn't want to. She's signalling for help. She wants out.

Many content creators (as much as I personally loathe the non-specificity and soullessness of the term) have struggled with the adaptation to the short-form video format, and the preference the algorithm has had for these captivating, bite-sized videos. They're catchy, and easily drive up metrics. Practically anyone who's publishing their work via video format online needs to learn to adapt or fall behind, even if that means whittling their content down to fit the frame, the time, and people's shortening attention spans. Sometimes, that means compromising on specificity and completeness... or, in other words, the true representation of a full work.

The song's writer, 32ki, has been releasing songs on YouTube for several years. Their first YouTube Short, however, was posted only a year ago: a short, whittled-down segment of their previous song, CIRCUS PANIC!!!, hoping for it to win the ProsekaNEXT song contest. It was their first song to achieve widespread popularity and hit a million views.

The shorts, however, aren't the "true" versions of the song. The full song just won't fit.

We're being mesmerized as consumers of this endless stream of content, rather than appreciators of music and art. However, that relationship isn't completely symmetrical across the plane that is the 4th wall. Miku and Teto are trapped not by their attention spans, but by a compulsion to project their "truthful acting" and peddle that window into a colorful, problem-free world.

We, as the collective audience, need not dwell on any one thing for too long - we need only swipe, and move on to the next video. However, Miku and Teto are trapped behind the screen for eternity, day after day.

They're the only characters we get to see, of course. There's no evil 3rd voice synth character that's plotting to keep them trapped in there. We can't put a face to whatever force is hypnotizing them and trapping them behind the screen. It's faceless - like the inscrutable algorithms of YouTube recommendations or the TikTok For You page, or the impersonal corporations that develop & maintain those aforementioned apps. Miku and Teto's likenesses, on the other hand, are being exploited and extracted from for their entertainment value, being strung along by that metaphorical hypnotizing force like puppets on a string.

Many people, represented by Miku, enjoy their success on such platforms. It's freeing and liberating to throw oneself wholeheartedly into such an endeavor, of course! Others, represented by Teto, harbor their doubts of the emotional veracity of such a medium, but know they have little choice lest they face destruction... perhaps not literally as a person, but as an idea.

Wouldn't it be easier just to let oneself be swept away by it and give in?

[sizzleissues]

Its May.

Okay so this is in the same AU I had last year its just changed and evolved while also being the exact same. Except now I have 15,000 words of it written, like 7,000 words of planning and lore and hours upon hours of research that I will be pointedly ignoring. Will be posting more stuff this month about the AU and my hopes and dreams for it

Also slight art improvement check? I’ll put their original mermaid designs below the cut.

It’s Marinette as a mermaid and … its not Adrien or Chat Noir but a third worse thing (Catwalker but in the purest manifestation of it being a curse and not who he wants to be) I will be making designs for mer!Ladybug, and mer!Adrien as its own thing later on.

Okay if you want to indulge me look below the cut

Old mermaid designs first. I am going to be talking about my design thoughts, thoughts and ramblings about this AU and what I’ve been up to. You have been warned

As you can see, some things have changed but neither design I hated, I just wanted to go further with it.

My brain is quite specific about mermaids and how I want them to generally look. I wanted to distinguish biological merfolk from transformed humans by having them being anatomically different. So Adrien has a vertical tail instead which is also way faster underwater. His transformation is quite distressing for him and very chaotic. Of course when he accepts it he’s not so raggedy.

Marinette similarly avoids her life as a mermaid by becoming human and I wanted her mermaid design to hint toward her fascination with humans. She wears a top she fashioned from human fabric she found in a sunken merchant vessel. In general all other merfolk either forgo clothes or wear things fashioned from materials available to them. There’s deep fear of humans and human things so even though human clothes are available to them (off dead bodies but…. Whatever) they choose to difference themselves as much as possible. The same taboos don’t exist for them and their bodies are already adapted from the temperature of their environment. Adrien has stray bits of netting and seaweed on him because he’s not exactly the best at controlling his speed and often crash’s through fishing nets and patches of seaweed resulting in stuff being caught on him.

A lot of their designs are still being worked but I’ve definitely pushed them the right direction!

On to the AU. You might have seem me cryptically talk about something I’m writing the past few weeks. This is because it’s been in my brain since last May and been on and off writing it since then. I decided I’d talk about it once May came back around but and then when I finished writing it, start posting sneak peaks and more spoilery art until it was fully edited and I felt confident in it to post with an aim for it to finish posting once May rolled around again. Oh god.

It’s set in the late 1700s in a fictional version of France that’s actually fragmented over a bunch of islands. I have done more fashion research than I ever thought I’d do and in the end we will still be taking creative license but know I do know what they actually wore! I ALSO did a butt tonne of research about sailing ships and turns out they are super complicated and now I know too much and yet too little still about them. It should be super fun and action packed if I can manage. Have some really good scenes already in my head I know you’ll love. We’re already three ships battle deep and I’ve only written four chapters. (It chills out for a bit after that)

This is entirely self-indulgent by the way. I’m writing this for me, you guys are just a bonus. I literally don’t care as long as it satiates my rabid need for the fic that only lives in my brain at the moment. Saying that, I do want to put my best foot forward.

The next thing I will be posting for this is their human forms and more blabblerings about that. For I am insane and all.

[flametrashiraarchive]

why do i get the feeling muzan would love endowed! reader in a maid costume- GHGHJBVGFGHHIJHU

Haha I can see it! (and also the other way round someone please please ask me about Maid Costume Muzan)

NSFW below the cut

Muzan x F!reader.

Part 1 | Part 2 | Part 3 |

Muzan and the Maid

Part 4 of the Muzan's Epic Titty Sucking Saga

"Put it on." The tone of Muzan's voice told you there was no room for negotiation. He held the skimpy maid's uniform out toward you, the crimson of his eyes half-flooded out by his vertical pupils. His eyes only ever looked like that when he was just about to feed, or he was just about to work out his stress on your ample bosom. You trusted it was the latter.

You knew better than to argue with his demand. Protesting the tackiness of the uniform would only earn you an hour-long diatribe about how everyone disappointed Muzan and he should let the infinity castle crumble to ruin.

Taking the garment with a sigh, you stepped behind a modesty screen and started to change.

"With less attitude next time," Muzan grumbled from the other side of the screen as his silhouette crossed the room toward your, luxurious bed.

As you pulled on the dress, you glanced down to find that the bustier barely covered... anything. It didn't even fully conceal your areola. The blushing crescents peered over the top of the dress as your nipples tented the sheer fabric. You were almost certain that Muzan somehow lowered the temperature in your room whenever he felt like it.

"Well?" you asked, stepping out from behind the screen to find Muzan sat on the end of the bed; knees spread wide and hands clasped in the chasm between them.

He glanced up at you. "Yes. Come here." His hand slipped over your hip as you stepped into the gap between his thighs. "You're nothing more than a cheap slut," he whispered, caressing the mound of your breast. "My cheap slut to do whatever I want with. Isn't that right?"

Heat prickled on your cheeks as you nodded. "Yes, my lord."

"Good," he groaned. "That's my good little harlot." At once his mouth was on you, sucking your nipple through the fabric as his brow raised and knitted together. "Mmmhhh"

Your breath shuttered as you fought the urge to put back your head and moan. For all his faults--of which there were... a couple... Muzan definitely knew how to get you off with the simple act of lavishing his demonic attention on your breasts.

The wet heat of his mouth through the fabric was divine, the graze of his teeth over your hardened bud sending pangs of desire to your core.

He chuckled, fondling your breasts through the fabric with one hand while sliding the other up under your skirt. His fingers slipped through the wetness spreading across the top of your thighs as he continued to tease and lick your breasts.

"Mm... you're always so damn wet for me..." he smirked, giving your nipple a reprieve and pushing his face into your cleavage, covering it in hot, wet kisses. "Maybe one day I'll do something about that. But tonight, my little maid..." He leaned back and scooted his way up the bed, his clothing magically turning to tatters and falling away entirely as he gave you a devilish grin. "Your lord has been a very dirty boy..."

Let me know if you want part 5... where Muzan gets a tit-wank.

[mariowritesforyou]

Try writing a "plot irrelevant" scene

We all have it drilled into our our literary heads: every piece of writing, every scene, every beat, every single sentence has to have a purpose or be justified for its inclusion on the plot.

I'm a big fan of justifying my narrative decisions but sometimes the writing can't have a purpose right from the moment it's being written.

So much bandwidth is allocated to the intensive brain-intensive process of putting stuff to words, I feel I should myself some slack if I can't fit them into the overarching themes or theses.

This especially becomes a problem on longer works where there's so much room for meaning and mistakes and mishaps. Worrying that everything has to be foreshadowing or pay off or symbolic can sap the enjoyment of building a scene and thus, kill the velocity of writing it.

So, how about if we just don't care for a bit?

Write a scene or sequence that you sort of know might make the cutting room floor, but has something in it for you if you write it, be it spending time with your favorite characters, coming up with lines for later, or fleshing out the tone. Imagine outlandish meetings of characters that would not meet otherwise, see how they react to situations unseen inside the plot.

You see, we know that readers need variety in a story, but the writers need the variety too. There's a point of critical saturation where chipping away at something will yield diminishing returns whose solution is often to rest by doing something different. Your brain will still be working on that plot thread you left on pause, but in a freer, open and more relaxed state on the background.

A bit of horizontal progress can go a long way for vertical progress.

[anyataylorjoys]

Someone asked me how I created the fade transition in this gifset which I’ll try to explain in the most comprehensive way that I can. If you've never done something like this before, I suggest reading through the full tutorial before attempting it so you know what you'll need to plan for.

To follow, you should have:

basic knowledge of how to make gifs in photoshop

some familiarity with the concept of how keyframes work

patience

Difficulty level: Moderate/advanced

Prep + overview

First and foremost, make the two gifs you'll be using. Both will need to have about the same amount of frames.

For ref the gif in my example is 540x540.

I recommend around 60-70 frames max total for a big gif, which can be pushing it if both are in color, then I would aim for 50-60. My gif has a total of 74 frames which I finessed using lossy and this will be explained in Part 4.

⚠️ IMPORTANT: when overlaying two or more gifs and when using key frames, you MUST set your frame delay to 0.03 fps for each gif, which can be changed to 0.05 fps or anything else that you want after converting the combined canvas back into frames. But both gifs have to be set to 0.03 before you convert them to timeline to avoid duplicated frames that don't match up, resulting in an unpleasantly choppy finish.

Part 1: Getting Started

Drag one of your gifs onto the other so they're both on the same canvas.

The gif that your canvas is fading FROM (Gif 1) should be on top of the gif it is fading INTO (Gif 2).

And here's a visual of the order in which your layers should appear by the end of this tutorial, so you know what you're working toward achieving:

Part 2: Creating the grid

Go to: View > Guides > New guide layout

I chose 5 columns and 5 rows to get the result of 25 squares.

The more rows and columns you choose, the more work you'll have to do, and the faster your squares will have to fade out so keep that in mind. I wouldn't recommend any more than 25 squares for this type of transition.

To save time, duplicate the line you've created 3 more times, or as many times as needed (key shortcut: CMD +J) and move each one to align with the guides both horizontally and vertically. You won't need to recreate the lines on the edges of the canvas, only the ones that will show.

After you complete this step, you will no longer need the guides so you can go back in and clear them.

Follow the same duplicating process for the squares with the rectangle tool using the lines you've created.

Align the squares inside the grid lines. The squares should not overlap the lines but fit precisely inside them.

This might take a few tries for each because although to the eye, the squares look all exactly the same size, you'll notice that if you try to use the same duplicated square for every single one without alterations, many of them will be a few pixels off and you'll have to transform the paths to fit.

To do this go to edit > transform path and hold down the command key with the control key as you move one edge to fill the space.

Once you're done, put all the squares in their separate group, which needs to be sandwiched between Gif 1 and Gif 2.

Right click Gif 1 and choose "create clipping mask" from the drop down to mask it to the squares group. This step is super important.

After this point, I also took the opacity of the line groups down to about 40% so the lines wouldn't be so bold. Doing this revealed some squares that needed fixing so even if you aren't going dim the lines, I recommend clicking off the visibility of the lines for a moment to make sure everything is covered properly.

Part 3A: Prep For Key framing

I wanted my squares to fade out in a random-like fashion and if you want the same effect, you will have to decide which squares you want to fade out first, or reversely, which parts of Gif 2 you want to be revealed first.

In order to see what's going on underneath, I made Gif 1 invisible and turned down the opacity of the squares group.

If you want text underneath to be revealed when the squares fade away, I would add that now, and place the text group above Gif 2, but under the squares group.

Make a mental note that where your text is placed and the order in which it will be revealed is also something you will have to plan for.

With the move tool, click on the first square you want to fade out. Every time you click on a square, it will reveal itself in your layers.

I chose A3 to be the first square to fade and I'm gonna move this one to the very top of all the other square layers.

So if I click on D2 next, that layer would need to be moved under the A3 layer and so on. You'll go back and forth between doing this and adding key frames to each one. As you go along, it's crucial that you put them in order from top to bottom and highly suggested that you rename the layers (numerically for example) which will make it easier to see where you've left off as your dragging the layers into place.

Part 3B: Adding the Keyframes

This is where we enter the gates of hell things become tedious.

Open up the squares group in the timeline panel so you can see all the clips.

Here is my example of the general pattern that's followed and its corresponding layers of what you want to achieve when you're finished:

So let’s try it!

Expand the control time magnification all the way to the right so you can see every frame per second.

As shown in Part 3A, select your first chosen square.

Where you place the time-indicator on the panel will indicate the placement of the keyframe. Click on the clock next to opacity to place your first keyframe.

Move the time-indicator over 3 frames and place the next key frame.

Things to consider before moving forward:

Where you place your very first keyframe will be detrimental. If you're using a lot of squares like I did, you may have to start the transition sooner than preferred.

If you're doing 25 squares, the key frames will have to be more condensed which means more overlapping because more frames are required to finish the transition, verses if you're only using a 9-squared grid. See Part 4 for more detailed examples of this.

The opacity will remain at 100% for every initial key frame, and the second one will be at 0%.

Instead of creating two keyframes like this and changing the opacities for every single clip, you can copy the keyframes and paste them onto the other clips by click-dragging your mouse over both of them and they'll both turn yellow. Then right click one of the keyframes and hit copy.

Now drop down to your next clip, move your time-indicator if necessary to the spot where the first keyframe will start and click the clock to create one. Then right click it and hit "paste".

Tip: When you have both keyframes selected, you can also move them side to side by click-dragging one of them while both are highlighted.

Your full repetitive process in steps will go as follows:

click on square of choice on the canvas

drag that square layer to the top under the last renamed

in timeline panel: drop down to next clip, move time-indicator tick to your chosen spot for the next keyframe

create new keyframe

right click new keyframe & paste copied keyframes

repeat until you've done this with every square in the group

Now you can change the opacity of your squares layer group back to 100% and turn on the visibility of Gif 1. Then hit play to see the magic happen.

PART 4: Finished examples

Example 1

the transition starts too soon Cause: initial keyframe was placed at frame 0

the squares fade away too quickly Cause: overlapping keyframes, seen below. (this may be the ideal way to go with more squares, but for only 9, it's too fast)

Example 2

more frame time for first gif

transition wraps up at a good point Cause: in this instance, the first keyframe was placed 9 frames in, and the keyframes are not overlapping. The sequential pair starts where the last pair ended, creating a slower fade of each square.

Part 5: Final Tips and Saving

You can dl my save action here which will convert everything back into frames, change the frame rate to 0.05 and open the export window so you can see the size of the gif immediately.

If it's over 10gb, one way to finesse this is by use of lossy. By definition, lossy “compresses by removing background data” and therefore quality can be lost when pushed too far. But for most gifs, I have not noticed a deterioration in quality at all when saving with lossy until you start getting into 15-20 or higher, then it will start eating away at your gif so keep it minimal.

If you've done this and your gif is losing a noticeable amount of quality and you still haven’t gotten it below 10gb, you will have no choice but to start deleting frames.

When it comes to transitions like this one, sometimes you can't spare a single frame and if this is the case, you will have to return to the timeline state in your history and condense the key frames to fade out quicker so you can shorten the gif. You should always save a history point before converting so you have a bookmark to go back to in case this happens.

That's pretty much it, free to shoot me an ask on here or on @jugheadjones with any questions.

[mysteryshoptls]

SR Azul Ashengrotto - Apprentice Chef Vignette

"Master Chef"

[Kitchen]

Master Chef ― Azul Version ～Let's Make Rice Croquette 1～

Ghost Chef: Alright, today we'll have you make "rice croquettes."

Azul: Rice croquettes, hm. The ristorante my mother manages serves them, so I have tasted them before.

Azul: If I recall, the crisp shell on the outside and the soft risotto on the inside, as well as the different possible combinations of ingredients within it, make for a fantastic dish.

Ghost Chef: Your family runs a ristorante? Then you must be very knowledgeable in the kitchen. This course may be too easy for you.

Azul: Oh no, not at all. I appreciate all the guidance and encouragement you can give me.

Ghost Chef: Come now～ Don't be so modest! Alright, time to start cooking.

Ghost Chef: First, you'll make the risotto. Mince the onion and fry it in the pan.

Azul: Mince the onion, right. …Just in case, I will go over the proper procedure once. Could I ask you to confirm if what I say is correct?

Ghost Chef: Absolutely. It's good that you don't try to breeze past the basics.

Azul: After cutting the onion in half lengthwise, place the cross-section face down on the board. While leaving the root intact, make cuts at even intervals from the edge to the center.

Azul: Then, turn that onion 90 degrees and cut perpendicular to the previously made cuts… Does that sound correct?

Ghost Chef: Yep, that's perfect. Make sure to cut them in 3 to 4mm intervals so they're big enough to taste and use for forming the balls.

Azul: Understood. Now then, I hold the knife in my dominant hand, hold the onion with my other hand, and slice with the knife vertically…

[slip! roll…]

Azul: …Pardon me. It seems I didn't have a tight grip on it.

Azul: …Now then, I'll try that once more―

[slip! roll…]

Ghost Chef/Azul: …

Ghost Chef: Uhhh… Azul-kun, by any chance… Do you not have much experience in cooking?

Azul: That's correct. I am hoping to improve myself in this regard slightly through this Master Chef curriculum.

Ghost Chef: So, when you said you'd appreciate my guidance and encouragement, you really meant it!?

Azul: Indeed. Is something the matter?

Ghost Chef: You were carrying yourself with the confidence of a seasoned chef… So I completely assumed you were already skilled in the art of cooking.

Azul: I am able to discern the difference between something tasting good or bad, but cooking is outside of my wheelhouse.

Azul: And thus, I enrolled in Master Chef, as I believed that since this course is geared towards those unfamiliar with cooking, it would be a perfect way to start gaining experience.

Ghost Chef: I see… I find your approach commendable, Azul-kun. You're completely different from the owner of the restaurant I worked at back when I was alive!

Azul: The owner of the restaurant from when you were alive? …Could you perhaps elaborate a little more on them?

Ghost Chef: That owner couldn't cook anything at all, but would always find something to complain about my dishes.

Ghost Chef: Every time they tried to lecture me, I'd fume and think, "They're all talk, they don't know a thing about the amount of effort I had to put into this!"

Azul: …I think I understand. Just the other day, one of the staff members of the Mostro Lounge said something similar to me.

Azul: Something along the lines of… "MAAAN, AZUL, ALL YOU DO IS YAP YAP YAP EVEN THOUGH YOU DON'T KNOW SQUAT 'BOUT COOKING～"

Ghost Chef: Is that so? Then… Is that the reason why you decided to try to gain cooking experience?

Azul: Indeed. Although, I wouldn't say I'm quite so immature as to take such an emotional outburst that seriously…

Azul: But I find it vexing to even be told such a thing, so if someone believes I lack experience, then I should work at it to mitigate that. Thus, I've come here.

Ghost Chef: Good for you, Azul-kun, listening to what your staff has to say and putting yourself in their shoes.

Ghost Chef: Hearing that situation, I'll make sure to do my best and explain everything to you from a chef's point of view.

Azul: I can't possibly imagine that there would be any similarities in the point of view between the temperamental guy from my dorm and a chef that worked at a five-star restaurant…

Azul: But this should surely be a good experience. I am fully open to your instruction.

Ghost Chef: Sure! If you ever have any questions, you're always free to ask me anything.

Azul: Thank you.

[sizzle, sizzle…]

Ghost Chef: Looks like the onions are cooked. Time to add the rice into the frying pan.

Azul: Understood.

[rice pours into the pan]

Ghost Chef: If you stir too much, you can damage the rice. The key here is to gently cook it over low heat.

Azul: Chef, what constitutes low heat?

Ghost Chef: You'll want to set it to about where the tips of the flames aren't touching the bottom of the pan.

Azul: I see. I'll lower the heat slightly, then.

[click…]

Azul: Perfect. Now I just need to stir the wooden spatula slowly so the rice doesn’t get dama… HUH!?

[cracking sounds]

Azul: In the short amount of time that I took to adjust the heat, the rice started sticking to the pan…!

Azul: If I were to try to forcibly peel it off, the rice could be damaged and there is a risk that the quality of the dish would be lowered.

Azul: However, if I were to factor in the cost of the ingredients and the time until judging, I won't be able to remake this from scratch…

Azul: Chef, is there a way to recover my progress when the rice has stuck to the frying pan?

Ghost Chef: Yep. Just add a bit of the bouillon we were going to add later, and slowly peel it with your spatula.

[sizzle!]

Azul: It came off so cleanly…! Even in the face of a mistake, you can quickly turn things around… As expected of a pro chef.

Ghost Chef: Ahaha, you must be exaggerating! Although I can't say I dislike your compliment.

Azul: Not at all, this was very eye-opening for me. Please, let us continue.

[Kitchen]

Master Chef―Azul Version ～Let's Make Rice Croquette 2～

Ghost Chef: ―While the risotto cools, why don't you select what you want to put inside the croquettes?

Ghost Chef: Just like you said earlier, part of this dish's fun is the different combinations of texture and flavor that can be made from the chosen ingredients.

Azul: I can absolutely do that. Fufu… I should be more capable of this process.

Azul: For this dish, there will be 3 croquettes on 1 plate. …With that in mind, I would want to create some kind of theme to bring them together.

Azul: My chosen theme will be… "A Subtle Surprise."

Azul: The risotto has a simple tomato-based flavor… Therefore, with these standard ingredients, the results could go either way.

Azul: I'll have to weave everything together and consider good texture, how fulfilling it is, and that hint of surprise― All while not deviating from the recipe…

Azul: …Alright, I'LL GO WITH THESE!

[Cafeteria – Judging Venue]

Silver: …Something smells good.

Silver: I do hope I can live up to what's expected of a Master Chef judge…

Azul: Pardon me. I have brought your dish... Oh, I see, so the person who ordered this was Silver-san.

Silver: So, you're the chef, Azul? I'm looking forward to tasting it.

Azul: I, too, look forward to your tasting it. Here are the rice croquettes that you've ordered.

Azul: These have just finished cooking, so the insides will be hot. Please take caution when eating them.

Silver: Got it. Then… I'll try them now.

Silver: [blows on croquette]

[bite, chew, chew…]

Silver: Oh… There's cheese inside of this one. Delicious.

Silver: This one… There's shrimp. This is also delicious.

Silver: Finally, the third one… I see it has quail egg inside. Right, all three were delicious.

Azul: …Huh, are those your only thoughts?

Silver: Yes. It's was very good.

Azul: Please think a little harder. Isn't there anything else, like comments on specific ingredients you liked, or certain surprising flavors?

Silver: Specific ingredients I liked…? That would be the quail egg.

Silver: It was nice to see the meal I chose was not only filling, but filled with highly nutritional eggs.

Azul: YOUR MAIN TAKEAWAY WAS HOW FILLING IT WAS!? …Ahem, pardon.

Azul: Perhaps I should ask this differently. How did it taste?

Azul: The first one you tried was filled with cheese. I mixed basil into it to help its compatibility with the tomato-based risotto.

Azul: For the shrimp one, I added fried garlic chips to it to give it a little flavorful kick.

Azul: Finally, the boiled quail eggs. I flavored it with a tad bit of ketchup to add a bit of extra favor.

Azul: With that added moisture, it should have softened the flakiness egg yolk slightly, and make for a more enjoyable flavor…

Silver: I see, you put a lot of thought into it.

Silver: Even after your explanation, I still don't really get it at all, but everything truly was delicious.

Azul: YOU DIDN'T GET IT AT ALL!? That's absurd…

Azul: If the judge himself doesn't understand, then all of the extra efforts and ingredients that I put forth into it will have all been for naught!

Ghost Chef: Come now, Silver-kun is saying it's delicious, so I don't think it was all for naught at all.

Azul: However, if my efforts truly couldn't be conveyed… Did I not use enough basil, garlic, or ketchup?

Ghost Chef: I feel like you wouldn't want to put too much in it, either… It can be difficult because everyone's tastes are different.

Silver: My apologies. Perhaps if your judge had been anyone else, they would have been able to fully taste the efforts you put into it the flavor.

Ghost Chef: But you thought it was delicious, right, Silver-kun? That means that Azul-kun's flavoring was still spot on.

Azul: Right… That's right. Putting aside any improvements needed for the cost in time and ingredients, I was able to actually put together a dish that someone considered delicious.

Azul: If I can keep improving my cooking skills little by little, then I won't ever have to hear someone say I'm just "yapping" ever again!

Ghost Chef: Ahaha… Even though you said you wouldn't take something like that seriously… Looks like those words really did have a hold on you.

Requested by Anonymous.

[tommykinrd]

Hello! Just popped into say your gifsets are soooo stunning!! Thank you so much for making them!! 💕 I was also wondering if you have any resources/tips for text layouts. I feel like the text on my gifs never goes together well, but I absolutely adore the way it does in your gifsets. Appreciate your efforts!

Hi hi! This is so sweet omg thank you for the kind words 🥺💖 I'll try to articulate everything as best as I can but to be completely honest a lot of what goes on in my head when planning out typography is just ~vibes~. Putting some tips and resources under the cut because this got long oops (and has a lot of examples)!

Some tricks I use often:

Pick 2-3 fonts per gif: 1 simple small font (either serif or sans serif, but I usually lean towards sans serif), 1 decorative/fancy font, +bonus: 1 more decorative/fancy font

Here are some gifs I did using 2 fonts (with a sans serif small font on the left, and a serif small font on the right

And here are some gifs using 3 fonts. Whenever I use 2 decorative fonts in the same gif I usually make one of them a cursive font to contrast the blockier font

2. Figure out which words to emphasize: I usually use song lyrics as the text, so it's easy for me to place emphasis on words that the singer/instrumentals emphasize, but this also works for poetry/other types of writing. The important part is realizing that you can only have a few emphasized words/phrases per gif, so sometimes a lot of your text is gonna be in your "simpler" font, like I did in this gif

3. Using multiple decorative fonts per gifset: So one thing I enjoy doing is matching fonts to the ~vibe~ of each lyric, like I've done here, here, and here for example. I still use the rule of 2-3 fonts per gif, and the common thread between each of the gifs are my small font and my layer styles on the decorative fonts. It's honestly just a lot of trial and error until I end up with something I'm happy with.

4. Using the words to guide the layout: I've never been original a day in my life so here are some examples of what I mean

Left: Lyrics say "reverse" and "symmetry" so I make the typography reversed and symmetrical

Middle: Lyrics talk about dominoes so I try to make the text look like falling dominoes (inside a clock because the lyrics talk about... clockwork)

Right: Lyrics talk about a labyrinth so I make the text look like a maze path, and so on. Like I said, not original lol

5. Play around with font size, text warping, rotation, and glyphs: So this gifset used only a single font throughout, but I played around with both the font sizing and text warping to not make it feel monotone

When you use the text tool on Photoshop to type out your text, text warping can be accessed by clicking this icon on the top toolbar

Making sure you have your desired text highlighted, you can play around with the style, horizontal/vertical warp, and the values to your liking. I usually go for flag, wave, rise, or twist, but you can use any of them to get your desired effect.

Here are some more examples of where I used different warp styles

You can also use command + t (or ctrl + t) to rotate your text and place it at an angle (make sure you're not on the text tool)

You can also get cool alternate versions of letters when you go to the glyphs tab on photoshop (go to window > glyphs, and make sure it's checked, and you should see the tab in your photoshop workspace). This is how I got the cool loops on the letters in this gifset which also guided how I placed the small text.

6. Use shapes to make your small font more interesting: You can put rectangles or ripped paper shapes with layer styles on them behind your text to make the words stand out without having to user your decorative fonts, like I did here

7. Fit your text together like lego blocks (+ overlap text): One of the biggest things for me is finding spaces within the text where other text can fit. I usually do this by laying out my decorative fonts first, and then seeing where my small font can fit within it. So below are some examples of layouts I've done with the red circles showing potential places for text to go, and this was after I figured out my decorative text layouts.

The tails of letters like "y", "g", "p", and "q" are good for guiding layouts, as well as the tall points of letters like "l", "t", "h", "b", and "d". Sometimes you'll have to apply the slightest warp/angle/change the font size by 1 pt to make the text fit nicely. Also don't be afraid to let your text overlap a little! I especially like doing this when I have a delicate font and a blockier font, like I did here

Also make sure you have your different phrases on different text layers! Sometimes each word will need to be on a different text layer if that's how your layout goes, but doing this will help you move the different pieces around until you're happy with it (just like legos!)

6. Get inspired outside of tumblr: People are paid to make album art, lyric videos, posters, etc. Use these things as inspiration!

This gifset mimicked the back cover art of Taylor's Swift's ttpd album

This gifset used Noah Kahan's stick season album title layout

And this uses Big Time Rush's lyric video as inspiration

Some other resources:

Get inspired by other gifmakers and their layouts! Some that come to mind are @eddiediaaz @cal-kestis and @nataliescatorccio, and @usergif is also a great place to find amazing gifmakers who do cool typography

@usergif also has typography resources, font recs, and font pairing guides which are super useful

There are some typography layout guidelines floating around tumblr, here's one that I have saved and is a good way to start thinking of typography layouts, and here's a follow up to that

This got super long and may be more than what you wanted anon but I hope this all helps!

[talenlee]

3e: Winners and Losers In Lawful Space

Planescape is a silly place.

Dungeons & Dragons is a wholeheartedly silly game, and it’s important to remember that what makes it silly is an expansive growth out of a particular root. It is a tree of many branches but thanks to the way that it encourages people to build their own things on top of it, it has become a sprawling kind of folk narrative and generally accepted consensus material that then a company comes along and tries to augment and supplement. Still, as much as a corporate mind is at the head of what gets published, what gets handed to that corporation is going to derive from the mind of a dork who likes D&D. To that end, D&D’s lore is a constant push-pull between the kinds of nerds who like organising lists and the kind of nerds who like to invent new types of dragons they want to have sex with and they’re all trying to integrate one another’s material because that’s how nerds demonstrate mastery over a topic.

The result is that D&D lore is composed of parts that neatly and smoothly fit together and parts that should be airbrushed on the side of a van, and all subjects exist in a space between those two points, on a spectrum. And nowhere is this more evident than in the way that 2e’s setting Planescape introduced elements that 3rd edition tried to hide.

Planescape, as a setting, exists very close to the ‘airbrushed on a Van’ side of things, and it’s extremely obvious when you look at its roots in 2nd Edition. In this space, much of what makes Planescape Planescape was codified. For those of you unfamiliar, Planescape is a setting made up of the idea of ‘planes’ as distinct, discrete universes with their own rules separated not by time and space, but just by barriers or magical boundaries. You know how Narnia is supposed to work, with the wardrobe? It’s like that, but there are a lot more wardrobes and they all go to different places. Think a sort of multi-level Isekai scheme.

Anyway, it’s a setting with like, multiple whole universe-sized worlds, that may or may not have planets inside them, some of which follow a very narrow set of identifying rules, like the elemental plane of Fire, which is full of Fire, or are just like ‘here, but a bit weird,’ like Bitopia, which is a whole plane that is mirrored vertically at a certain height. If you look up in Bitopia, you see another whole country up there – that’s why it’s called that. Also everyone there is bisexual.

Planescape sought to build out more of that structured universe and then in each structured space, fill it with interesting notions. But the structure is a little odd, in that it’s hard to make an infinite number of chairs organise neatly, someone is always putting out one more where they shouldn’t. That means there are tidy diagrams of the Planar cosmology, and then you look inside any of the bubbles in that diagram and find it’s full of gibberish.

It was in 2e that, as far as I know, we were introduced world-wise, to the characters of the Modrons.

There’s a whole writing form that involves referring to Modrons in deliberately obtuse ways, with Modrons being the individual, plural, categorical, and utility terms for this people, but what you need to know about them is that Modrons are weird lil guys that are made out of a basic geometric shape – pyramid, cube, dodecahedron, all the way up to sphere (or down to sphere, depending on who you ask). They are truly perfect Lil Guys, a byproduct of a plane of true law and order which doesn’t in any way cohere to what humans (the people playing the game) necessarily assume about law.

They make a lot of sense in a storybook kind of way where you don’t need to have big answers for what they are or how they work or even how their philosophical bias towards pure lawfulness works. In the world of 2ed, where sometimes things that sound like they should be well explained, clear rules are kinda yada-yada-yada’d in a space that you might imagine is flavour text, the Modrons left a bunch of questions unanswered and seemingly, that was good. It was good that they were heavily ambiguous because what was the life cycle of ‘an orb?’ Any answer made them less mysterious and pushed them away from the oddness that they represented.

Anyway, 3e was an attempt by a serious company to do serious things and that’s why when they went back to talk about the Creatures That Lived In The Lawful Planes, they came up with the Inevitables.

Inevitables are the demons of small minds, writ large. Literally, the point of an Inevitable is to be a Lawful Neutral version of a Demon, an entity that exists purely based on rules, coalesced out of a world made of rules, and with nothing holding them back from expressing that. Each of the Inevitables is meant to respond to a rule in the universe and then enforce it. They are self-appointed near-immortal construct cops, and they’re meant to oppose things and people that break the rules that they, specifically, are meant to care about.

These rules are completely out of whack, though, because one of them is meant to enforce say, justice, another the inevitability of death and another, the way the desert is a fixed ecosystem that nobody should try and change or interact with. And in that case, there are a bunch of plants that the Inevitables are going to have issues with, that don’t seem to be capable of forming complex political allegiances.

There’s a really interesting distinction between Inevitables and Modrons, to me. Modrons are weird and interesting but also, there’s nothing they can do that answers a question. Inevitables are a fun challenge that’s supposed to be present to oppose players or potentially be recruited into an adventure, but not for too long. But Inevitables, the 3e attempt to populate Lawful Planes with A Kind of Guy, sort of fell apart and are now more of a trivia question while Modrons have endured into 4th and 5th edition.

I don’t think there’s some greater, better reason for it or anything. I don’t think that Inevitables failed because they were Bad Design or something. But I do think that for me, the way that Modrons represented Weirdness was much more interesting than the ways the Inevitables sucked weirdness away with their simple, clear consideration of certain things as being part of natural reality.

After all: Inevitables would hunt down people who extended their lifespans because ‘everyone must die.’ But Inevitables were immortal. That’s a pretty interesting thing to juxtapose and maybe a character could struggle with that.

Or maybe they could make a big speaking trumpet and demand that everyone else refer to them as a Spokesmodron which is, in my opinion, much funnier.

Check it out on PRESS.exe to see it with images and links!

[raven-at-the-writing-desk]

In honor of pajama Jamil, Fellow should drop his nighttime routine too.

So tell me, do you wanna go?

“My nighttime routine?” Fellow repeated your words slowly. They made sense apart, but not together.

He was squashed on a thin, dusty mattress, shoved away into a corner of an attic. Fellow had shed his suit and top had for a sleeveless shirt, boxers (red and white vertical striped, like a classic carnival tent), and ratty socks, a big toe poking out from a hole. Next to him, Gidel laid on his side in an oversized shirt and pants, yawning.

Night had descended, leaving only the golden circle provided by a waning candle as a light source. You leaned closer, out of the darkness and into the illuminated safety of their corner, nodding.

“Hah. I was shocked when first saw those fancy schmancy ‘routines’. Thousands of thaumarks on skincare products, entire yoga sessions before bed, preparing a set of clothes for sleeping in, feasting and then passing out from a food coma… Who has the time or energy to commit to those?!

“Giddie and I, we do the basics. If we can find a source of water—a river or something—we’ll wash in there. Ah, and we’ve gotta have dinner beforehand, in case any of it spills on our clothes. Then we’d have to wash those off too. We tend to eat fast. Can’t let food sit around uneaten for too long, or it’ll go bad.

“I keep some things for our travels, but it’s not much. We’ve whittled down our last bar of soap to a few scraps, and I think we’ve just about squeezed all we can out of our last tube of toothpaste. Our toothbrushes are getting pretty ratty too, we’ll need new ones soon…”

The candlelight seemed to make Fellow appear older, especially when he spoke of his hardships. The darkness of his pupils more intense, almost pulsating, his weariness put on show.

“We’re lucky to even have a place to sleep tonight. Worst comes to worst, we sleep under the stars in the clothes we wore during the day. That’s all we have to really call ours: the clothes on our back and the freedom that comes with it.”

A weak thread of joy sounded in the mention of freedom. Lighter, breathier, like a bird in flight, unbound by the land.

“Some nights,” Fellow admitted with a bitter laugh, “it’s hard to sleep at all. If it rains or snows, if we haven’t had a decent fill of food from the day’s work… The cold, the hunger, the dread of an uncertain tomorrow, keeps us up.”

“That sounds rough,” you frowned. “How do you manage to fall asleep like that?”

“I have my ways. When reality is too hard to deal with, you’ve got your imagination to fall back on for a distraction. We’ll look at the stars, try to find shapes and meanings in them, talk until we’re tired.” Fellow prodded Gidel with a finger. “Right, Giddie? Remember that story I told you about a girl with the matchsticks? And the big bear in the sky?”

Gidel nodded sleepily. Another yawn—his lids were heavy.

Fellow’s own eyes fluttered. He, too, yawned, catching the dregs of sleep that had fallen over his companion.

“Haha, looks like you’ve talked yourself tired already,” you said, careful to keep your volume down. “I’ll let you guys catch up on your Zs then.”

“I’m not tired,” he insisted, but there was little fight in his voice.

“Shhhhh, shhhh. It’s okay. Go to sleep. Tomorrow will be a better day,” you gently coaxed.

His lids lowered, flickering in a futile effort to stay awake.

The dying candlelight compelled him. The steady and soft cadence of your words, a lullaby.

Fellow fell asleep, Gidel hugging him as though the fox were a massive stuffed animal. He slumped, nestled the boy protectively.

“… Good night,” you murmured.

You blew out the candle, sentencing the room to the realm of darkness and dreams.

[ssspringroll]

DL (mediafire)

Today I bring you not cc, but a small collection of .blend files for making cc a little easier. If you've ever wanted to quickly put a braid into a custom hair without completely obliterating your poly count*, then these might be able to help.

*braids will still add a LOT of polygons to your hair, but since every single polygon is visible** on these tiling braids, at least you know they're all being put to use, whereas if you were to physically braid 3 strands of geometry, lots of those polygons would wind up inside the braid, just adding to your count without contributing anything to the look

**if some polygons end up inside of other meshes, you may want to delete them to reduce the poly count further. The boolean modifier may be able to help you, but I haven't tried

These are completely hollow, tiling braid "facades". They just look like a braid, without being anything more than a stylized tube. Available in 9 shapes (which are all pretty similar, more or less, but have different 'vibes', and one of them technically doesn't resemble a braid, but if you squint it looks close enough) and 3 polygon counts to hopefully fit in with your project.

TOU: Same as my cc. Read it here. I obviously don't own this concept, so feel free to reverse engineer, make your own braid tiles, etc. Just don't use mine for anything commercial (using them in commissions is fine, just not paywalled final products!)

You will need to be using one of the newer versions of blender, I believe 2.8 and up. These were made in blender 3.6, so the files will not be compatible with old versions like 2.7x.

Quick start guide:

Open your hair wip's .blend

In object mode, 'Append' the 'BraidTile' object of your choice

Select 'BraidPath' and, in Edit mode, position it however you like

Additional info under the cut, because I tend to ramble, and these require a little bit of a primer before use, probably. Unless you for sure know what you're doing, in which case, feel free to just take these and run with them.

THIS IS NOT A TUTORIAL ON MAKING HAIR, OR HOW TO USE BLENDER. Seek that information elsewhere.

Before appending braids, you may want to open up the blender file and look at all the shapes, to decide which one you want to use.

When you first append your braid, or open the blend files, you may notice it does not look like the preview images above, and instead looks like a shiny pink slug. This is intentional! For previews and development work, I use @/simandy's base textures, but your hair will probably be using a different texture, so I have not included a texture at all.

Simply switch the material of the 'BraidTile' to the same material your hair is using, and adjust the uv map accordingly. I'm going to assume if you are making hairs that you know how to do that, so it will not be explained here.

Once you have your braid appended, and have edited the UV Map of the 'BraidTile' piece to your liking, you can also try scaling the tile in the X, Y, and Z axes to change up the look a little. Make sure you select all of the vertices before scaling, to make sure it still tiles. This should be safe to do, and not mess up the tiling at all, but make sure you do it in Edit mode, not Object mode. (If you mistakenly do it in Object mode, you just have to press ctrl+A and select 'scale', and that should fix it)

When you have your braid adjusted, switch over to the 'BraidPath' object, and use edit mode to move the points around however you want. This is just like any other hair strand, if you're used to making hairs with paths and curves then this should already be familiar to you. All the same controls should work.

And, if you already have a curve in your hair that you'd like the braid to snap to instead, you can select the 'BraidTile' object, locate the curve modifier, and switch the curve object to any other curve in your .blend. You'll want to change the curve in the array modifier to the same one, most likely.

If you haven't used curves to make a hair before, here's a couple quick controls you might like to know:

ctrl+T will let you Twist the object around the selected point(s) alt+S will let you Scale the object around the selected point(s) selecting the first or last point of the 'BraidPath' and pressing E will Extrude a new point, making your braid longer

Remember to do all of your positioning on the 'BraidPath' object! You do not need to edit the 'BraidTile' at all once you've set up the UV map and adjusted the scale!

It should tile, twist, etc. with little issue, and should get longer or shorter according to the length of your curve with no issue. If it doesn't, make sure both the array and curve modifiers of your 'BraidTile' object are using the same curve. They should be using the 'BraidPath' object by default, but if you changed this manually, ensure that both modifiers match for best results.

Unless you know what you are doing, I do not recommend messing with any other settings in the modifiers, or adjusting the 'BraidTile' mesh in any way besides scaling the entire object at once. Otherwise you could end up with gaps and holes in your braid.

When you are done posing your braid, you can apply the modifiers to turn the whole thing into a regular mesh. I like to make a copy of my 'BraidTile' and 'BraidPath' first, just in case I want to go back and change the shape later. After converting it to a regular mesh, I'd recommend going in with proportional editing turned on and randomly scale and move a few of the pleats just a little, to make the braid look a little more organic. You can even add a couple strands to make it look messier, if you dont mind adding to your poly count even more. But this comes down to your preference and style. The braid below has had some half-assed editing done to demonstrate the concept. (Note: This is actually the low-poly version of this particular braid shape)

Ultimately, it is up to you to decide how you want to blend the braid in with the rest of your hairstyle. I can't tell you how to do that, as it is ultimately going to come down to your own personal preference, workflow, and the hairstyle you are making.

How do I know if I should use Hi, Mid, or Lo poly?

This is largely due to personal preference, and how you're using the braids in your project. I have included the three different poly versions to try and be mindful of the overall poly count of your poor poor meshes, but even a lo-poly braid is going to add an easy couple thousand polygons to your project. Keep that in mind! If you plan on having a LOT of braids, something like this EA hairstyle, for example:

You will probably want to follow their example and use a very simple mesh and just apply a braid texture instead of using these. EA's braids here appear to be a simple box shape painted to look like braids.

If you only plan on having one, maybe two braids in your entire project, especially if they are very large braids, then you might want to go with the hi-poly option. They're the smoothest, roundest choice.

If your braid has a very small diameter, you can probably get away with just using the lo-poly option, and save some polygons you won't need anyway.

The mid-poly version exists as a sort of happy medium. They aren't quite as pointy as some of the lo-poly shapes, and they won't inflate your poly count as much as the hi-poly models, so you may find you prefer them for your applications.

It's all very subjective.

I think that's pretty much everything I wanted to say. If you have specific questions, my inbox is open.

Keep in mind I am not very skilled in blender! There's probably some optimization that can be done if you know what you're doing, and I welcome you to tweak these meshes to your heart's content, if that's you! I made these for me, but I figure they could make someone else's life a little easier too, so here you go.

If you make anything using them you are welcome to tag me! If you don't end up making anything with these then I hope you at least have some fun playing with them!

[no-name-publishing]

Kill the Director by erikschampion

My part in a gift exchange taking place in Renegade's California satellite server. This was a lot of fun and very experimental for me. My idea was to pursue something a little grunge, a little smudged, to go along with the early 2000s Brit punk vibe that the fic gets its title from. Spray paint, screen printing, some blood, some tears, and it's to its new home. Glamour and process shots under the cut!

The yellow base is a plain linen bookcloth that's been coated with acrylic. The pink accent color is a combo of spray paint and smudges of pink Golden Fluid acrylic paint. The endbands are sewn with Gutermann polyester florescent sewing thread, and the endpages are my attempt at an italian vein marble with pink, yellow, and black paint.

Some shots of the typesetting, and a video showing the book as a whole. The fic has some exposition written in a script format, so I typeset that to reflect. And it's always fun to include text message bubbles and emails and stuff.

The graphics on the case were done with screens and waterbased screen printing ink! I went through a few iterations and even tried to set my kitchen on fire in order to get it right before settling on the screens. I'm very very pleased with the result. (The fire was from my DIY attempt at making my own gelli plate with gelatin, glycerin, and rubbing alcohol. All the instructions were telling me to be careful about how many bubbles I was stirring into the mix but I was like, it'll be fine. I'll use my heatgun or a lighter to pop whatever bubbles are there. It works with resin so it should here. Yall alcohol is flammable lmao. Why did I do that. I put my lighter up to those bubbles and lost my vision for a moment at the flash of light. I've never done something that stupid)

The freshly marbled paper hanging up to dry in my kitchen; the screen for the front of the case; my practice piece including the spine design; the case drying on my shower rod (along with some pieces of fabric for another project lol). I have fewer process pictures than I thought lol.

The graphics on the front and back were also partially designed by hand. I printed images of the characters then cut them vertically, and alternated the slices. Copied that, then did the same horizontally. Scanned that, and then did some cleaning up digitally on my computer. Here's some shots of the steps and the pieces themselves.

The third picture shows my first attempt, as I actually did this process twice. The first time I didn't feel like the first pass was pixelated enough, so I cut it again both vertically and horizontally and alternated them once more. This was a mess, and ultimately I didn't like the finished result. Round two (second image) was the final round, and what wound up using in the project instead.

Thanks for looking!

[milkweedman]

hello! need help learning how to do a thing and it's your area of expertise so im squirrelling into your ask box (dad joke, sorry.) ANYWAY

i have a lot of jeans that i really really like. however, my most worn jeans tend to, uh. rip in the seat after some time. either near the ass, or at the crotch. this is super irritating, and i don't like tossing the jeans just because of that but i have no idea how to fix them or what to do about this.

i vaguely remember you posting on here about jeans wear and tear as well. sorry if im asking you something that you have already answered, but just wanted to know - what's a good way of mending jeans ripped in the crotch area?

better yet, how do i reinforce my jeans that are showing the warning signs of ripping at the crotch?

My jeans literally just ripped a couple days ago and ive been wearing sweatpants to work out if laziness, so you have good timing 🐿

There might be many ways to do this (and there's definitely NEATER ways to do this) but here's how I fix mine:

They just sort of wore right through. Luckily I was able to catch it before they started ripping too. The sooner you catch a hole the better--and noticing before it rips is best.

You will need a sewing needle (for jeans I like the shortest sharpest needle with a small eye but use whatever needle is comfortable), scissors, a strip of scrap fabric, and some thread. Ideally thread in the same color as your jeans, but I'm using one that will stand out so you can see the repair. Also, nobody will see this later so it doesn't really matter. Pins will also help keep things neat but aren't strictly necessary.

The strip of fabric should be big enough to cover the entire area that wears out, doubled over, on this leg. You can of course just patch the hole, but then you'll grow a new hole a centimeter to the left, so its less work to just do this now.

For preventative measures (sewing a patch on before there is a hole) the process is exactly the same. Just patch the area you know will wear out.

Step 1: turn the pants inside out. fold your patch and pin it in place. We want a doubled patch because a single layer might wear through as well. If you don't have pins, you can use a spare needle or just set it over the repair site.

Like so. If you want these to look nice, keep everything neat and straight. I just want these mended and don't care how it looks one iota, so mine will be messy.

Step 2: thread your needle with doubled thread. A single thread can and probably will wear through here.

Step 3: put your non dominant hand down the leg you're fixing. Your hand should be under the patch supporting while you sew. If you have an embroidery hoop or something leg-sized to put there to hold things taut, that's even better.

Step 4: start sewing the patch down. First we just want to secure it before we do any reinforcing. You could use any stitch here ( whipstitch would probably be good, backstitch is good as well) but I just use a simple running stitch. Go around the entire patch, removing pins if present as you go. Keep your stitches loose here, or at least not tight.

Step 5: reinforcing ! This part can be done on either side, and the front is going to look way neater than the back. If this is in matching thread I'd go ahead and work on the inside because the messy outside won't be seen. If it's contrasting thread you may want to work on the outside, so that at least you have a good pattern. I don't care either way, so I'll work on the inside as it's a little easier. Like I said, this repair really won't be seen when wearing the pants, so the aesthetics aren't very important imo.

To reinforce, I will stitch plus signs/x's over the entire patch. You can do them one at a time or sew all the horizontal lines, then sew vertically to intersect. It's up to you, I like doing them one at a time though.

Yes, they're very bad. Yes this will still extend the life of these pants several months at least. Yes it would be even more effective if I took the time to be neater.

On top on the right image is the patch I did on the other side when they started shredding 5 or 6 months ago. The fabric on the front is only just now starting to fail again, so they will need another round of mending. I will probably extend the patch down the leg a little but mostly just sew more. When you add a layer of thread over fabric, now you have to wear through all of the thread before you start wearing down the fabric again. That's largely how these patches work.

A much much neater and more aesthetic form of this basic idea is sashiko sewing. It's a great way to mend things like jeans (I just don't care about my jeans being anything other than usable so I save my effort and creativity for where I will enjoy it).

Here's the front. I highly doubt anyone will ever see the yellow but I sharpied it black (can also do blue on most shades of blue jeans) and now it stands out less.

One last thing--if, when you look at the front again, you see there are some damaged areas standing proud, sew over those until they have compacted back down and are smooth again. This is important--whatever stands the highest will wear first. So your repairs should be sitting on top, standing higher than the damaged fabric. Otherwise this is all for naught.

Some tips:

A canvas fabric is better. Go for something thick and with some weight to it if you can--immobilizing the repair site will also help some with how long the repair will last.

Similarly colored thread will render this almost invisible. Almost invisible means hard to work on... so make sure your patch is a different color so you're not mending like black thread on black fabric. Save your eyes.

Smaller stitches are better if you have the time/coordination. Large stitches can snag in the wash and also aren't as effective here.

That said, chicken scratch looking garbage will absolutely still make your pants wearable again, as you can see.

If the physical act of moving the needle is going terribly, it's because it's the wrong needle for the job. For jeans, you want a short needle as thin as possible with a small eye. I switched halfway thru this mend because I found a better needle and it was way easier after that.

That's all I got, good luck with your pants ! I usually can double or triple my jeans life this way

[killzenin]

Dude u should totally make a third part on the sugar daddy gojo/nanami fic but this time its only nanami 😋yum love me some nanami fic what u wrote was delicious i devoured that shit like it was the last meal on earth bro the aftercare was my fave part

ive rewritten this a thousand times as well as procrastinating it bc i didnt think it was good enough, and kinda still don't think it is *dies from impostor syndrome*. though this msg made my day thank you and i hope you like it as well as sorry for the delay.

۫ ⋆ ࣪.afab!reader, implied sexting/nude sending, sex toys, cowgirl position, lingerie, jealousy, teasing, fingering (m→f), Nanami's pull out game's strong here 💪 ۫ ⁎ .

★W0RD C0UNT: 1.5k ★

★𝗣𝗔𝗥𝗧 𝗢𝗡𝗘 𝗔𝗡𝗗 𝗧𝗪𝗢★ (i recommend u read them first)

you pressed on the ‘sent’ button on the message app, flipped it on the cafe’s table so the screen was not on display and took a sip of the bitter coffee. awaiting patiently for the shit storm to unfold with a devilish smile on your face.

you sat comfortably in the opulent yet cozy space, scrolling away on your phone. and a few minutes later as if on cue, the blond showed up to the shop agitated. nanami’s eyes settled on you sitting in a corner near the window. your wave at him across the room persuaded him to reach where you sat.

nearing you, he holds your chin, maneuvering it to face him and places a delicate kiss on your lips. even though he ached for more than that, far more than what he's done. “humor me, beautiful, let’s get out of here,” he started, and subsequently leaned to whisper in your ear. “and let me wreck that pretty pussy while wearing that cute lingerie you bought.”

you chuckle, “whatever you say,” holding on to his hand nanami began to lead you out, “bought it just for you.”

⠀⠀⠀⠀     ̟ ˙ ̟ ˙ ˖ ̟ ˙ ˖ ˙

"moan for me more, princess." nanami's thick fingers eased themselves in and out your entrance vigorously and his palm rubbed around your clit just right. encouraging you to be as vocal as you wished, though you were fearful. after a hot make-out session on the ride to his home, nanami was called in for a meeting.

but he did not fret in the slightest, it was through a video call after all. that is why he had your back facing his chest, with your legs spread apart and squirming on his lap as your arousal dripped down on you, creating a small, wet stain on his fashionable pants.

with the camera and audio off his other hand ventured to play around your tits. pinching and teasing around your nipples so that they would perk up to his liking.

your lack of vocality made his face scrunch into a displeased frown, your pleasure was his after all. "you can be as loud as you please, gorgeous, they won't notice. i promise." he pinched around your hardened nipple to get a rise at you. which worked, making you throw your head back on his shoulder and squeal in his ear.

"that's it, pretty thing, love the way you sound." he teased followed up with kisses around your exposed neck. his gaze then fixed itself on the small bag near his laptop. the blond was so hot and bothered that he forgot to put the cute lingerie on you.

he reached for the bag and placed it on your lap. “i wanna see you put it on, darling.”

your mouth curved at his words, shoving your desperateness to be ravaged all the way at the back of your mind. you stood up to undo the little clothes left on your body, taking the set out and shoving your previous garments in the bag.

nanami’s brown eyes glinted in delight, observing as the dark blue began to drape around your figure. proving the live spectacle to be even better than in the picture you had previously sent. classy fabric patterns adorned your skin, barely, but in nanami’s view you were just perfect.

your cunt was exposed only holding itself by the way it hugged your waist and the hook it had connecting to some knee-high socks. a vertical slit ran down the bra cups, letting your nipples on full display.

nanami's dick twitched at such a sight, pleading to be set free and find comfort inside you. “do a spin for me, gorgeous.”

doing as told, you did a full 360 circle on the spot slowly. coming back to your original spot you stretched your hand to him.

the blond yanked you towards him, setting you on his lap to straddle on it. "let me have you, hmm?" the sides of your waist began to be caressed by his touch, easing you as he spoke. "they will never know."

you mimicked his caresses on the sides of his neck, making him feel pure bliss by your touch. "then, how about i take care of you."

nanami’s persuasive speech finally made you give in. his shirt was swiftly unraveled, as well as the upper part of his pants and briefs. the blond's thick shaft bounced towards his stomach once set free, your delicate touch provoked precum to leak uncontrollably from his tip and heavy breaths to drop from his lips.

you observed the mess you made him in delight. your hand smeared around the precum, starting from the top, coating it around as best as you could.

noticing, nanami opened a drawer at the side of his office desk, revealing a variety of sextoys and lube. sparkles reflected in your eyes looking at such a packed drawer with such nasty toy options. "i know how much you love to fuck here." he says.

"i'll never get disappointed with you." you mused, kissing his lips and grabbed whichever lube was closer. nanami took your words to heart and ego, he bet you have not told these or any similar words to gojo. and he'll make sure you will never utter such words to that man child.

you made sure the cold lube was enough for it to fuck with ease. "lay back, baby, i'll do all the work this time." you say hovering on him, nanami liked his chairs to be reclinable as a means to rest in between late-night work shifts. you hovered over him while lying him down and playing around with his tip on your slimy pussy folds.

nanami’s head flew back and held deep moans back at your teases, feeling himself rub against your clit. though he was not patient when it came to getting inside you. he was precautious sliding himself in until he finally reached to be fully installed between your legs. nanami’s mind spiraled by the melody of your low moans, evidencing the pleasure he gave you while slowly grinding and moving your hips in circles on him.

"c'mon baby, if you wanna take good care of me, bounce on my cock." you released a sigh of pleasure as you smiled to yourself. beginning to slide yourself up and down on the blond you felt yourself tighten around him, taking in how he filled every inch of you.

continuing your bouncing motion your calves and thighs began to ache but the gratification of pumping his dick overrode the pain, blending itself with the increasing pleasure. 

though the blond could see your face scrunch in mild discomfort, his hands gripped around the flesh of your hips and with intense motions began to pound you to him. his firm grab on you, as well as his rapid thrust to your cunt blew your mind into oblivion.

the chatter of the laptop faded, thumping and squelching of wet skin and filthy moans engulfed nanami’s office and your minds. not caring for the people displayed on the screen talking of whatever statistics they were on about. 

“na-nanami ughh, m-more. please~ baby more! you're s-so goo~d nana.” more, more, you needed him to the fullest, you needed to reach your sweet orgasm soon. you wanted to gain your high desperately from him. 

listening to your orders, nanami composed himself and reached for the drawer he previously opened with the stash of toys. not forgetting to ravage on your lips as he collected a wand vibrator. 

that vibrator found itself being set to the highest mode and rested in between your legs. “hold it darling, while i fuck your cute cunt.” 

shaky hands held onto the toy, and once you pressed it on your clit and his base, something just snapped. electric shocks reverberated through your bodies and reacted in desperateness to finally orgasm. beads of sweat started to drip on your bodies as his thrusts and your grinding turned sloppy. 

you came after some thrusts, not caring if you lasted too little. your juices began to leak around and settle on the blond’s pelvis. drunk in such ecstasy you continued to ride nanami as the vibrator kept your oversensitive clit going. though as you reached your orgasm your pussy contracted in such a way nanami wouldn't pass the opportunity to piston himself and bury as deep as he could in you. 

but before he could relieve himself, nanami pulled out of you remembering the lack of a condom which should be wrapped around his cock. white strings of his cum shooted out of him to rest on your stomach. 

just as he pulled out you flopped on his chest, relatively exhausted and you could tell he was as well. “love the way you fuck me old man.” you teased, remarking the way he was as tired as you. 

he held back a laugh at your joke. “let’s rest for the rest of the meeting and continue… i want to eat you out with that set.”

“all right, all right.” you say, snuggling close to his frame as you both listened to the boring meeting.

reblogs are deeply appreciated🩵 more works here!

[luciawithoutj]

Hey hi hello!

I have some things to say about new merch and jo merch in general so this is gonna be a litrle longer post and actually I think I should cange my semiotics theme (which is already about jo) about how bad their merch design is.

First of all little disclaimer: this is all my humble opionion based on what I learned in my one year of being graphic design student and an artist and designer on the internet for last 4-5 years. Before going to uni I learned most of about art and graphic design stuff by reading books and watching tons of yt videos. Second of all this critic is just coming from place of love for this band because I see so mucb potential and they could do some amazing merch designs if they give it a chance and I am fully aware how expensive the touring is and why they had to cut the quality of merch products.

So far my favorite jo band merch designs are cds (that probably required some designer to make), condoms (because they are really funny, genius, nicely designed and unique merch that fit the vibe of the band and matches their songs as well) and the new tshirt from last merch drop (which design is made by one slovenian fanartist : link.

Main reason that made me want to speak up is seeing that this merch drop will only have 100 products (my friend said that could mean 20-ish shirts per size) which how big this fandom has gotten in last year is pretty really dam limited. For a limited product I am really disappointed and I hoped for more. For such a limited product that design is the most default design they could have gone for and I am so sorry for Damon because his work is goregous, amazing, breathtaking and I could talk about it for ages and how inspiring it is but this shirt design isn't serving.

If they wanted to do bare minimum of design with those 5 images here is some of my ideas (unfortunately I don't have time to visually show them to yall on a mock ups because of finals that I should be studying for instead of writing this so try to imagine what I am trying to say and demonstrate). First is just simple instead of white choose black shirt or even better a thisrt. If you want it to go a stepp further is using their name logo font (font name is Avaline btw if anyone wants to download and use it for their designs :))) and either put it how they did when they promoted the everybody's waiting or to write idk therapy sessions or anything related to the band or it can even be some inside joke.

Something like this would make design just a bit more intersting but still bare minimum but amazing for regular merch. If they want to go a step further but want to keep the long sleeves (this idea was suggested by few people I talked too) they could put pictures vertically on the sleeves. I would find it a bit cooler if it is on the right sleeve out-side and then they put their band logo (the heart one) on the left side of the shirt where people's hearts normally are.

After exams I would definitely like to try to make some designs and just limit myself with this 5 pictures and play with typography and photoshoop to make something interesting.

Another I want to mentioned is how in my humble opinion if you are gonna sell limited edition either make it really pretty or good quality or really cursed and funny with inside jokes.

I think people (and me first) would eat tshirts (but also other merch designs) with some cursed designs or just texts that say "sparklative" or "slay pose" or "I feel SloveNACE" (this 3 were suggested by amazing people in tumblr discord server) or even let Jan photoshoop their faces on most random picture. This 5 guys with their gen z humour could make and do some hilarious merch like how amazing idea the condoms are.

Last thing I want to say is how many amazingly talented fans are. I mean even Damon was so shocked and moved by amount of talent and art made in this community. Furthermore I know (some of them as online friends and mutuals, others as just artists from same fandom) who are also either graphic design students or they work in art/graphic design/entertainment fields and some of them (including myself) would be so happy to even make few merch designs or art for them for freee or for a ticket for their show. Personally I would die from happiness if I get a chance to work with my favorite band that inspires me so much everyday to the point people at my uni think I am from Slovenia and know slovenian because of how much I include them in my uni work and how much fanart and designs I made because of them in last 6 months.

I just think there is so much potential guys might not be aware of (Idk honestly because who knows what is going on backstage in their lives). But yeah they could have even asked Damon to help them with composition of the pictures on that shirt or even hire Racik to make some pretty art or any fanartist honestly. Here is just few links of my favorite fanartists who also do a lot of graphic design related stuff (and also some of them sell their products on their own websites/redbubble/etsy/inprint/etc) :

Tia <3

Roxanne

Vic

jo.kam_ (previously mentioned her design)

Lemon

yelecx

Racik (ofc)

There is probably more but my brain for hell of it won't remember any names so feel free to add in the comments or tags more artists <3

I could probably go more in depth and give more ideas how to improve merch designs the cheapest and best way as possible but still trying to keep the quality good as it needs to be. I know there is still gonna be people fighting for this shirts and people are still gonna buy their merch but just it hurts my art/designer soul seeing this bad designs when there is so much potential and they have amazing fans and amazing crew and they work with so many talnted people and they themselves are so talented and their music inspired so many and so much.

Thanks everyone for coming to my TedTalk. <3

Actually now I am thinking and from just talking about jo work from design and semiotics perspective for that semiotics seminar I could just focus on their merch design and go more in detail about it and if yall want when it is done and I translate it in english I could share it here for people who want to read about it. Let me know I guess.

Also if someone is interested my art and design insta is lucia.without.j and my redbubble is lucia-without-j and my dms are always open if someone wants to chat or complain about anything art, design, joker out or any other fandom I am in related.

P. S. I am so sorry for any spelling mistakes and if what I said doesn't make sense. English isn't my first language.

[multiwreckedmess]

Kinktober Day 6

Prompt: Dubcon/Noncon Pairing: Frat!Changbin x fem!reader WC: 2,170 Summary: Changbin’s boys went out for a boys night. Changbin stayed in to stay with you. You stayed in to work on your capstone.  This is a work of fiction, it does not represent Changbin or any Stray Kids member. On top of this it is an 18+ work. For my comfort and boundaries please if you are under age do not interact with this. 

I feel the need especially with “rougher” prompts like this to put the disclaimer - fanfic should NOT ever be used as a guide to relationships or sex. ESPECIALLY SEX. Again, it’s fiction. Stuff gets glossed over for the sake of a good story. Please PLEASE please again, not fact, not a guide, just a fantasy.

TW/CW: DUB. CON. Coercion, overpowering, pestering, objectification, constant boundary violations. Pet names: love, babe, bunny boy. Unprotected intercourse. Oral (m. receiving). Dry humping. Masturbation (male)

“Surprise!” Changbin yelled as he threw open the door to greet you. The boys were all gone for once. All the boys except for your boy. Changbin instead of being social and going out for boys night had decided to forgo the movie and drinks for working out and lazing around.  Arms laden with a tote full of books, your overnight bag, and your laptop bag, you tried to feign excitement for him. “Yay?” You push past him to drop your things in the entryway. “It’s…it’s so quiet.” You marvel. “I can hear my own thoughts.”  Changbin attaches himself to you immediately, full weight pinning you to the wall as his hand delves into your jeans with a groan. “I’m gonna fuck you on every horizontal surface. Shit, even the vertical ones. Gonna make this apartment ours.” He promises as covers your neck and shoulder in kisses and bites.  You shove your elbow into his side, he barely budges. “Binnie,” you whine, “hey, hey, HEY! I have work! I have work!” Your plees crescendo into shouts, finally bucking him off.  He stands stock still, eyes wide and lip pouted like a puppy. “Study later?” Asking, aegyo voice in full effect. It’s hard not to roll your eyes as his switch up from domineering to begging. It was the duality of the man you loved.  “No, study now. The faster I study the faster we can fuck,” you say the magic word and watch his face light up. “Maybe fuck, MAYBE.”

 Your belongings practically levitate to his room, Changbin in full cheerleader mode. All in the name of getting your work done so that he can have his way with your cute ass. He tries so hard, really, he does. Practically hovering over you to make sure any need you have is met. Water? Check. Post-it notes? Check. Snacks? Check. He sits eagerly in his computer chair awaiting your requests, no matter how small.  But even the best of boys gets impatient with a cute girl lounging in their bed. Belly down into the mattress the natural curve of your spine up to your perky ass has him fantasizing about all the things he wanted tonight, each passing minute needing to narrow down his list. You suck on the cap of your pen, a habit that helped you focus, an oral fixation. Oh it was too much for him, watchin you poke at your upper lip before placing it just between them. He shoves his hand down his pants, thumbing over the head of his dick as it flexes.  You see him out of the corner of your eye, staring at you unabashedly as a conspicuous lump in his pants moves in time with his breaths. “Changbin, are you kidding me? Are you getting off in the corner?”  “You won’t stop sucking that pen so yeah. Yeah I’m getting off to my girlfriend. Sue me.” He keeps pumping his fist as you glare at him, gaze quickly shifting back to your laptop screen. Your mild annoyance is a little hot. Or is it your attention that he gets off on? Changbin doesn’t think much further about it, getting out of his computer chair to stand just over your shoulder. “Maybe you could help me, help you.” He offers, sliding down his sweats. “You know, something to have in your mouth.”  Rolling your eyes, you ignore him. You know if you give him and inch he’ll take a mile. The drooling head of his cock presses to the outside of your cheek gently, a physical suggestion paired with his words. Bold. You still stare at your computer screen, not even reading the article pulled up in your browser. He presses again, a strand of precum clinging to your cheek as he pulls back.  “Just a kiss, just a little peck? C’mon babe, I promise, you just keep putting that pen in your mouth and it should be me.” He whines, pairing his words with another jab, lower into the corner of your lips.  “I won’t be able to see my computer with your cock in my face,” you hiss, eyes unwavering.  Rubbing the side of his shaft against your lips he pouts. “It’s not that big. See? Just, just kiss the side for me. I won’t ask for any more, okay?”  With a sigh your lips pucker and softly peck his dick which seems to shut him up. He doesn’t stop though, continuing to let your lips rub against the velvety skin, teasing up along the veins. He knows eventually, eventually you’ll slip. And you do, your mouth doesn’t stay closed forever and eventually you refocus on the article and what do you do when you focus? You suck. It’s your habit. Lips curling around the spongy tip, letting it bump against the walled fortress of your teeth. Even this much has Changbin entranced, watching your cheek hollow as he tugs the head from your suckling lips with a pop. How easy it was with just enough persistence to slide even a little more inside with the next thrust, pressing out that same hollow leaving the imprint of his cock.  You don’t even realize that your jaw has slackened and he’s pushing further into your mouth, letting your teeth lightly drag along the shaft. It tingles as he shallowly thrusts against your tongue, slowly lapping at his slit. His gaze softens as he loses himself to the inviting warmth of your mouth, tugging your head into a better position, even as you fight to maintain some semblance of studying.  “Changbin! I can’t-” you start to try to tell him that you can’t see your work, but he doesn’t care.  “Just a little more love, a little more and I won’t bother you I promise,” he’s breathless as he uses the opportunity to shove himself even deeper, cock head pressing past the tight ring of muscle and into your throat. Nose pressed to the soft skin of his lower abs he fucks deeply as your body starts to fight him. Gagging and tearing up, your hands come to his thighs, trying to push off of him but he’s unrelenting. Finally you tap him twice and he releases his hold.  Mascara running and saliva clinging to your frow, you’re unamused. “Changbin let me finish. Then you can finish.”

 His cock is violently reddish purple and ready to blow. “What if-what if I just hump your ass?” Changbin tries to bargain. “You’ll be able to see your computer. I’ll be able to cum. I won’t get in your way at all I promise.”  “Seo Chang Bin. You keep promising-”  “I know, I know, I know,” he’s already straddling your hips, palms pressing your jean covered ass. “See? There’s no way for me to get in the way here. Please? Please I really, I won’t get in your way.” Turning over your shoulder to give him a withering glance, he sticks his lower lip out in a pout. “I’ll get blue balls please. Don’t give your darling boyfriend blue balls.”  “Going to wish I gave you blue balls,” you mutter under your breath. “Yeah, okay, fine. Hump away you dumb bunny boy.”  Without a second thought he roughly yanks your jeans and underwear down, just under the globe of your ass. The drag of the fabric burns slightly, much to your mounting annoyance. Even worse is his fingers, probing between your lush thighs to spread your gathered slick along your crack. “I fucking knew you liked it.” Changbin smirks, the smug bastard. Spreading your cheeks to accommodate his girth he slowly runs his spit soaked length along your crack.  You continue to try to read this stupid idiot fucking article as your big horny boyfriend uses you like a toy. Pulling your hips up just a bit to meet his thrusts, he relishes in the way you rebound and jiggle with each push and pull of his cock. While he’d prefer to watch your walls stretch around his girth, this will have to do. His thumbs keep him sandwiched between as he humps away, force dimpling your lower back.

 As much as you try to remain head down in your research, the twisting turning snake of desire is awake in your belly. It’s not that you don’t want to fuck him, it’s that you can’t fuck him right now. It would be irresponsible. To get into a good graduate program you had to be responsible, one of you did at least. His lewd grunts and rutting was not helping you stick to your gut. Fuck, your guts weren’t helping, winding like a spring, tension without relief.  It’s not enough, his grunts and groans of effort as he fucks the cleft of your ass filling the room. He adjusts you again, your hands clinging to the edges of your computer as he grabs your waist to arch your ass higher. God you’re glistening below him and he can’t help but note that you haven’t progressed at all in your reading. The clock ticks closer to his roommates coming home and losing the opportunity. A thick finger travels your slit, greedy eyes seeing nothing but opportunity. Changbin slips a single digit into your entrance, cunt squeezing down and pulling him in.  “Changbin! Are you kidding me?” Your head swivels around. Try as you might to sound stern, your leg twitches as he swirls his finger inside of you. Vision going fuzzy for a second you blink extra hard to force your focus. “Changbin, are you listening?”  He pulls his finger from you, licking it clean with a smile. “Yeah I am.”  You don’t even get to turn around before his cock is pressing into you, your arm lashing out to swat backwards at him. “I gave you a fucking inch, dickwad!”  “Just the tip, I just need to put the tip in. Please it’ll be like two minutes, I’ll cum fast, I promise I’ll cum so fast if you let me-” his mouth runs a mile a minute, like a caught con man. The tip is already well buried past your entrance, thick ridge popping in and out as his hips roll.  To your chagrin and shame it feels so good. You’re so wet and ready for him the slide is easy, your protests is hollow as your hips fuck back on him, eager to fill your walls more. “God damn it, fuck you’re thick. Fuck Changbin.”  “God, I know, and you’re taking me so well. I promise, two minutes,” he pushes deeper as he leans over you, closing the lid of your laptop and moving it safely to the side. It’s that small gesture that clues what’s left of your rational mind into the fact that you’re fucked. Not just fucked as in being penetrated, fucked as in brace for impact. Changbin braces himself against the frame of the bed, knuckles white, using every muscle in his body to rail you into the mattress.  You’re screaming and shaking, legs scrambling to get under you unsuccessfully. The speed and force is overwhelming, leaving you breathless with each percussive hit. Your hands find his arms, grabbing on and slipping and grabbing to try to rebalance yourself. Sweat from his brow drips onto your back. Neither of you breathe, Changbin gritting his teeth. He could at least keep this promise, two minutes.  Changbin can feel his peak coming, fucking blindly into your heat. Without warning your walls clamp around him hard as your feet kick and legs stiffen. Gasping your release floods his cock and ruins the sheets, leaving you ragged below him. Just like a little fuckdoll. The ringing in his ears all but forces a crazed tunnel vision. He’s been denying his release for so long, delaying it and saving it for your wet warmth. Ramming himself as deep as he can go he practically topples off the bed as he cums, grunt caught in his throat, sounding more like a half choked whine.

 Both of your releases spilling out and coating the back of your things and his lower abdomen he rolls the both of you to the side to keep himself from crushing you below him. Small after-shocks rock your bodies as you lay quietly together. Changbin takes mental stock of the physical damages; nail marks clawed into his arms (deserved), bed soaked through (a small triumph), potentially sore vagina (whoops), and a growing hickey on your shoulder that he hadn’t realized he’d left. His hand rests on your shoulder, raising and lowering with your slowing breaths.  “I can carry you to the bath,” he offers quietly. “If you want.”  “Did you cum inside me?” You hesitate for a second, knowing the answer but needing to hear it from him.  “I got carried away- I-, shit,” Changbin drapes his arm over you and squeezes. Comically this small squeeze is enough to force more cum to leak out between your thighs, emphasizing his answer.  You sigh. It would be fine. It was always fine. “A bath would be nice, babe.”

Yeah. That’s. Well. As a debrief I just wanted to say again. Even if a person seems to “want” something you should always ask for consent. Even if someone starts out wanting a sexual experience they can revoke it. Fantasies and experiences should be planned beforehand and both parties need to agree. Anyway. I think that’ll be about the heaviest it gets.

Sorry Binnie i love you so much. Sorry i made you a pest.