What character would you be if you were in a movie/series/book?
pile 1
you would be a badass person, you recognize and know your values, your limits, everything that happens and doesn't happen, you remind me in a way of hippies, you would definitely have that vibe, of being those good vibes friends who never seem like they are in a wrong frequency because they already understand what life wants but with a roguish smile they carry that secret in their pocket.
pile 2
bridget jones, yes, you have that vibe, or something similar, in some way you would be starring in a romantic film or series or about overcoming a relationship, one of those stories where the person is completely devastated at having ended the relationship but discovers in the end that all along she just needed to give herself a chance.
pile 3
look, it would be something related to a journey of self-discovery, you feel lost with life, or something that you thought would be right for you turns out not to be putting all your beliefs into a thoughtful mode, you would travel to somewhere far away and relax and maybe discover something new from you, it reminds me of one of my favorite films that I love most in the world, eat pray love.
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Tracker episode 1.10 “Into The Wild”
Character: Colter Shaw, performed by Justin Hartley.
Type of whumps: [training, grunting for physical effort,] ambushed and under gunpoint, shielded another person and got shot at his shoulder, rough landing on the floor and shot at again, grimacing getting up, almost hit by a car, bleeding and heavily breathing, field approximative medicine, panting, brief scuffle, hunted, arm into a sling.
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[Eng] Elle Italia - Daily Venezia: THE HISTORY IS US
Luca Marinelli is almost unrecognizable in the role of Mussolini in the series M. Son of the Century, directed by Joe Wright. Two greats together to tell one of the darkest and most criminal periods in History
Personal opinion: M. Son of the Century is one of the masterpieces of the 2024 Mostra. It's a shame it can't win, because it's a TV series, even if its director continues to call it a film. A seven-hour long film, which will be released in eight episodes on Sky and Now in the early months of 2025. It’s produced by Sky Studios and Lorenzo Mieli for The Apartment, a Fremantle group company, based on the novel by Antonio Scurati, written by Stefano Bises and Davide Serino. The director is Joe Wright, the protagonist is Luca Marinelli. It tells with historical accuracy the rise of Mussolini and our country's surrender to dictatorship.
Sensitive material, it reminds us that we invented fascism, and perhaps a foreign director, let's say, could have approached it with greater detachment, without our sense of guilt. Wright looks at me almost with pity, in a good way: “But I share that sense of guilt, I reject national borders, there are no nations: the similarities between us human beings are more than the differences, I feel as responsible as you Italians…I was very careful to tell the truth without being didactic, I tried to understand without sympathizing, maintaining a critical distance... Mussolini was fascinating, he seduced a nation and many others. If I hadn't shown that charm then people might have thought that Italians were all idiots. That balance was my main concern... On a more personal level it's a series about toxic masculinity, which is like nothing else in us, we have it inside us. We have to understand our responsibilities and turn our backs on them, so as not to end up morally bankrupt".
Every day it took Marinelli two hours of makeup and hair to get into Mussolini's shoes. "It was something I brought home with me," the actor confesses, "in the same shape as on the set: the 22 kilos I had gained, my hair cut as you see it in the scenes. The black lenses. were the things I could leave in the makeup van. Working with all the different departments was fascinating”.
It must not have been easy for him to shoot so convincingly in the fascist salute: “These are filthy and brutal things that the role required of me, but of course there is a big difference between what is considered right and what the role requires. I certainly did not take pleasure in carrying out certain actions or even in expressing myself in that way, but rather the opposite. What I had to face during the production of the project, as a convinced anti-fascist that I am, really cost me a lot. I did not come out of it intact”. But he was in the hands of an excellent director, a master in the cinematic transpositions of great books (Anna Karenina, Atonement, Pride and Prejudice). How does he approach them? "The film," Wright continues, "is what happens in my head while I read the book. I'm dyslexic and so when I read I think I see beyond the words, I create the scenes and I edit, zooming in on small details that interest me. M. is a mash up between Scarface, Man with a Movie Camera and 90s rave culture." Tom Rowlands' techno music creates the right atmosphere: "I didn't want anything classic, kids have to see it too, they have to understand the roots of fascism." Luca Marinelli is monumental in the role of the "duce." "He's one of the greatest actors in the world, along with Gary Oldman. But, like Gary Oldman, he doesn't know it."
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Tracker episode 1.1 “Klamath Falls”
Character: Colter Shaw, performed by Justin Hartley.
Type of whumps: under gunpoint and on his knees, shot at his arm and collapsed on the ground, groaning in pain, grunting getting up, furious chase through the woods by foot, jumped on a running truck and almost fallen off, grunting in effort pulling himself up, hanging over a waterfall from a falling truck by only one arm and bleeding by the other, jumped into the waterfall from a great height, arm sling, shown bicep bandaged.
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