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dalekowrites · 5 days

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What would your favourite choice of the games interactive stories be? Would you have a favourite type? Romance, Fantasy etc. and did any of the inspire you with the ones you are currently writing? 😁

Oh boy! This is going to be a long answer, brace yourself lol

Let me start by saying that I have a degree in English literature (in fact, I'm going to do a PhD on it), so reading, in general, is one of the core activities of my life.

As for text adventures, even if not from Choice of Games Ltd., I'd like to mention a few inspirations: my passion first came from the original Choose Your Own Adventure series, and I still remember which numbers obsessed me as a child: Mountain Survival #28, The Dragons' Den #33, and more than any other, Space Patrol #22! (The latter may have also fueled my unhealthy obsession with Star Trek TOS, actually). For those unfamiliar with this fantastic book series, the genres of the three books I mentioned are, respectively, adventure, fantasy, and sci-fi. This gives you an idea of how varied my tastes are...

Later on, I discovered interactive fictions and text adventures. Dude, it was a dream come true. I started with Adventure ('76, never finished it, of course) and Zork ('79, never finished that either… of course. How damn hard were they?!). Then Mystery Mansion ('78), Castle Adventure ('82), and too many, many others. I'm a sucker for Sorcery! from inkle, and I deeply loved Magium (RIP Chris, you won't be forgotten). For my Italian-speaking friends, I also really enjoyed the Fra Tenebra e Abisso series (although its current status is unknown).

But back to CoG-related things. I've read a lot, and I'd probably be faster telling you what I didn't like! As you may have figured out by now, I don't have any particular genre preferences as long as a story is well-written, though horror-thriller stories usually grab my attention more easily.

Important note: I've read a lot of stories and, with a few exceptions, I liked most of them. To avoid writing a too-long list, here are the published stories that really impressed me:

A Crown of Sorcery and Steel,

A Midsummer Night's Choice,

Blood for Poppies,

Blood Moon,

Broadway: 1849,

Choice of the Cat,

Choice of the Vampire,

Donor,

Doomsday on Demand (1 and 2),

Gilded Rails,

Golden Rose: Book One,

Jazz Age,

Lies Under Ice,

Life of a Mercenary,

Life of a Space Force Captain,

MetaHuman Inc.,

Noblesse Oblige,

Paradox Factor,

The Evertree Saga (all four books),

Rent-a-Vice,

Revolution Diabolique,

Siege of Treboulain,

Tally Ho,

The Daily Blackmail,

The Dragon and the Djinn,

The Fernweh Saga: Book One,

The Fog Knows Your Name,

The Gray Painter,

The Grim and I,

The Ghost and the Golem,

The Lost Heir,

The Midnight Saga: The Monster,

The Parenting Simulator,

The Play's the Thing,

The Soul Stone War (1 and 2),

The War for the West,

Tudor Intrigue,

Vampire Regent,

Vampire: The Masquerade (all of them),

Way Walkers: University (1 and 2),

Welcome to Moreytown,

Werewolves: Haven Raising,

Zombie Exodus,

Zombie Exodus: Safe Haven.

And now, onto works in progress! There aren’t that many because I barely have time to follow my own (heh…), so here, in alphabetical order, are the ones I'm following with the most interest:

Adoriel's Tears (@adoriels-tears-if),

A Father's Love (@kal-down),

Crown of Ashes and Flames (@coeluvr),

Dawn Chorus (@dawnchorus-if)

Disenchanted (@disenchantedif),

Dragon's Edged (@dragonedged-if),

Elysium (@elysiumcircusif),

Fallen Lights (@fallenlightsif),

For King and Country (@forkingandcountry-if),

From The Ashes We Rise (@kal-down),

Hubris (@hubris-the-if-game),

Kingdoms and Empires (@kingdoms-and-empires),

Return to Misty Cove (@fluorescent-if),

The Abyssal Song (@ri-writes-if),

The Adventures of Sherlock Holmes - An affair of the heart (@doriana-gray-games),

The Lonely Shore (@thelonelyshore-if),

The King's Hound (@the-kingshound),

The Reaper Watches Me (@thereaperwatchesme),

The Bureau (@thebureau),

The Unseelie (@theunseelieif),

Van Helsing (@vanhelsing-if),

When Life Gives You Lemons (@when-life-gives-you-lemons-if).

Okay, that was… a lot. As for direct inspirations, I don't have any direct ones, but I can say I felt like writing a post-apocalyptic story after reading Doomsday on Demand! Other than that, I guess the collection of narrative, text adventures, and interactive fiction I've read have led me to where I am now.

Damn, it took me hours to write this answer. I hope it's satisfying at least! Thanks for asking ☺

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dutchdread · 10 months

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A small rant

I've noticed that a lot of places that discuss the LTD are less focussed on analyzing and explaining final fantasy VII, and more focussed on throwing insults at either the characters, or the people who support them. I think I've done a fairly good job at making sure this place stays relatively matter-of-fact, and despite believing that "Cloti" is the only interpretation of the story that makes sense I am usually pretty positive about Aerith as a person, and more importantly, as a character. My stance tends to be that the only version of Aerith I think is fundamentally unlikable is the one presented by Cleriths. So permit me to slightly backtrack on that as I ask:

Am I the only one getting sick of Aeriths character?

And I don't mean "the only Cloti supporter who is sick of Aerith", I mean isn't the general fanbase of the game getting sick of her?

I ask this because I was watching the new Rebirth trailer, and I couldn't help but roll my eyes during the scenes where Aerith sings, or where it tries to survival-bait the viewer. In FFVII Aeriths death plays only a small part in the grand scheme of things. It neither prevents nor causes holy, holy was summoned before she died and is actually held back by the will of Sephiroth, which is the bulk of the external plot. And it doesn't cause Clouds mental break, which was an inevitable outcome of his history with Tifa, Sephiroth, and Nibleheim.

So why does the trailer make it feel like Final Fantasy VII is the story of Aeriths potential death? I thought the point of Aeriths death was that it comes suddenly and unexpectedly, without a large fan-fare, leaving nothing but a hole in its wake. I thought the point was to show a death that wasn't like "in hollywood". So why does her death now get it's own musical accompaniment and stage play?

Aerith was once a normal girl with a big destiny, one that she was as unsure of as any of us, she was just a person, just like us, with maybe a hint of something more. She got angry, she could be petty, she could be clueless. In another words, she was human.

But what is she now?

Aerith is now Jesus and Mary all in one. Fans got so upset at her death that Square-enix felt the need to include her in everything and every time Aerith became a bit less human, and a bit more idolized, until in remake she became a walking, talking, deus ex machina. In advent children she was presented as almost angelic, giving guidance to lost souls both good and bad and healing the children. But it was still ok because most of it was centered around Clouds psyche. The problem isn't with Aeriths death having importance to Cloud. The problem is square-enix trying to milk Aeriths death for all it's worth, making it into a soulless spectacle.

Aeriths death is now the horror monster that loses its terror once you see it. It's everywhere and everything has to revolve around it and because of it it's no longer a good story, but cheap emotional manipulation.

Within the remake Aerith is no longer the playful and innocent GIRL she once was. She's Gandalf the white, come back from the dead to pass down quests and wisdom from up on high. Step aside Cloud, this is Aeriths story, all you other side-characters are only here for back-up. Aerith is now a self-insert fan-fiction character. She has no flaws, everyone loves her, her death is more important than those of other people, the universe, time, and destiny will all bend to make sure the Mary-godessue doesn't die. Because everything has to revolve around her you know? So yeah, of course Aerith can sing! Who cares that there was never before any indication of this. Sure, Tifa will probably get to play the piano, but here is the thing….Tifa being able to play the piano has actually always been a part of the game! Since when is Aerith suddenly a broadway performer? Probably since the same time that she became a picasso at random wall art.

Years of fan obsession have deified away everything that once made Aerith interesting. The grand story of Final Fantasy VII, the quest to save the planet, and the internal heroes journey about accepting the past and the true self. Clouds backstory and struggles, it's all overshadowed by the once irrelevant plotpoint of "will Aerith die?".

Like with Sephiroth, fan obsession has caused square-enix to destroy all sense of mystery, magic, and restraint in order to "give fans what they want", even if it ruins the product.

While I think the cheap spectacle of hyper focussing the marketing and potentially early game around Aeriths death have already essentially poisoned the remake, making it into a mere shadow of what it could have been, I still believe that Square-enix has enough integrity left to actually kill her and move focus back on what actually matters. But I have to say, at this point it's not even just because I want the story of FFVII to be protected and experienced as it should be. But also because I am just getting sick and tired of what Aerith has become, and would now consider Sephiroth stabbing her as a mercy killing for what's left of her character.

#ffviii #ffvii remake #aerith gainsborough #rant #square enix

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takitafulily · 11 months

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Misadventures of the MCs #11

Working the Night Shift: Custom Night 4/20

(In honour of the FNAF movie release)

WHB!MC: ...Are we allowed this many people as night guards?

TWST!Yuu: Probably not but it's not like Phone Guy is alive enough to stop us *shrug*

LTD!MC: Yayyyy!~ Emotional support MCs!~

OB!MC: Are they drunk?

MM!MC: I gave them a few drinks, they were planning to ditch out on us because they were too scared to go again

OB!MC: Ok, since only me and TWST!Yuu survived our nights-

TWST!Yuu: LTD!MC! MM!MC! LIGHTS AND DOORS! WHB!MC! FOXY! I'M ON CAMERAS AND OB!MC YOU'RE ON SOUND LOOKOUT- *smack*

OB!MC: Will you stop yelling child! We can hear you just fine! There's five of us crammed in a tiny ass office!

TWST!Yuu: ...ₛₒᵣᵣᵧ

WHB!MC: Someone's using too much power, we're already on 69% and it's only 1am.

MM!MC: It's not me I think, Chica's behaving so far and OB!MC is scarily accurate with their sound cues, what about you LTD!MC- ...are they asleep?

LTD!MC: ....hehe .....pizzaaaa ...... mmmmm ...hehe

OB!MC: This is why you don't give someone drinks right before- BONNIE INCOMING!

MM!MC: I got it! *shuts door*

MCs: Phew!

WHB!MC: One security guard down I guess...

WHB!MC: Hmm... Say-

OB!MC: No.

WHB!MC: But I didn't even-

OB!MC: No. You can't fuck the animatronics, save that for your demon harem.

WHB!MC: Oh pooh, you're no fun.

OB!MC: It's dangerous- CHICA INCOMING!

MM!MC: Got it... *yawn* *shuts door*

TWST!Yuu: Don't you fall asleep on us too, it's only 2am

MM!MC: I'm not, just bored

WHB!MC: Actually, that reminds me, I saw a pack of uno somewhere

OB!MC: Uno? Are you kidding me? Do you want us to die?

MM!MC: It's better than just pressing buttons for 6 hours.

TWST!Yuu: Fuck yeah, I'm in

WHB!MC: What about Freddy?

TWST!Yuu: Fuck it we ball

OB!MC: ...*sigh* I can't catch a fucking break...

TWST!Yuu: Plus 4! UNO!

WHB!MC: Oh come on! Again? How many fucking plus 4s do you have?

TWST!Yuu: Not telling, OB!MC, plus 4! It's the rules!

OB!MC: ...I can hear Freddy.

TWST!Yuu: Nice try but-

MM!MC: *shuts door*

OB!MC: Bonnie's also coming.

WHB!MC: *shuts door*

OB!MC: *deep breathe*

OB!MC: Reverse, 7, Plus 4, Plus 4, 2, Plus 2, 5, Plus 4, Colour change, Plus 2, 6, 3, 1, 1, Plus 2, Plus 4, Plus 2. Uno.

MCs: ...

MM!MC: Come on TWST!Yuu, that's draw 24.

TWST!Yuu: ...

TWST!Yuu: *bangs door* FUCK THIS GAME!

*Foxy bangs back*

WHB!MC: FUCK OFF FOXY!

OB!MC: Wait how much power do we have? What time is it?

MM!MC: 5am, We're on like 5% thanks to Foxy

OB!MC: Oh we'll be fine then, keep the doors shut and keep playing

MM!MC: 'Kay

OB!MC: TWST!Yuu, draw 24

TWST!Yuu: *whines* fineeeeeeeeeeee

MM!MC: Oh, my turn? Ok. 6, 9, uno, Plus 2. I win. :>

OB!MC & TWST!Yuu: ...HOW ON-

*Lights go out*

OB!MC: Shit. Brace yourselves.

...

*6am Jingle*

MCs:

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seandwalsh · 9 months

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The Origins of Pikmin (Part 1)

The following is Part 1 (because Tumblr's text limit sucks) of an adaptation of my first published Pikmin Theory in written form. While I’ve previously presented this as a YouTube video, it was actually originally written for this blog. As Pikmin 4 has released and only provided even stronger support for the theory, I’ve decided to publish it here once again, as originally intended, with more evidence from both Pikmin 4 and its predecessors - an extensive expansion to say the least, so even if you've seen the video this should still act as an interesting piece of supplementary material.

I hope you all enjoy!

In Pikmin 1, Olimar crashes on what we know as Earth, seemingly after the extinction of humans and familiar wildlife:

“This is an ever-surprising ecosystem. What has caused this planet's vegetation to grow to such gigantic proportions? In comparison to the Pikmin and the other creatures of this planet, the scale of the plant life here seems inexplicable. Perhaps, long ago, creatures of incomprehensible size walked the surface of this planet. Just imagine!”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 1, December 2001]

“This must be the fossilized remains of an enormous land-dwelling creature. I was unable to piece together the entire beast, but it certainly had a massive head! It's obviously quite different from the Pikmin and other creatures I've encountered. Perhaps it's an extinct creature that couldn't adapt to changes in its environment.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 2, August 2004]

“This appears to be a huge bird feather, but I've never seen the creature it once belonged to. I wonder if I ever will. I've only seen a few airborne creatures on this planet. I wonder why? Maybe it's just because I haven't encountered them yet. Oh no... What if they saw me take this feather? They could be watching me, waiting for the perfect moment to take their sweet revenge!”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 2, August 2004]

When Olimar arrives on the planet, later dubbed by Koppaites as “PNF-404”, he discovers the Pikmin, species of plants with animal-like features. The Pikmin are seemingly quite close to extinction upon discovery, with their nests, the Onions, buried in the ground and incredibly low in population. In fact, it appears the only reason they aren’t extinct is because the Onions are able to produce emergency seedlings after a Pikmin extinction. The Pikmin don’t seem to know how to hunt for the nutrients necessary to survive and reproduce without Captain Olimar’s help.

“Even some wild Pikmin have become extinct, it seems, and there are some very rare varieties that can only be created by tossing Pikmin into a flower called a Candypop Bud.”

[Source: Chet, Mihaman Scientist and Research Task Force leader, Pikmin Garden, Nintendo Co., Ltd. website]

At the end of Pikmin 1, we see that Olimar has taught the Pikmin how to fight for themselves, when they attack a Bulborb on their own and seemingly remain on the planet’s surface overnight as Olimar heads for home. This carries over into Pikmin 2, where the Red Pikmin are seen fending for themselves when Olimar and Louie return to PNF-404, as well as Pikmin 3, where the Red Pikmin, Yellow Pikmin and Rock Pikmin at the very least have somewhat large populations despite some of their Onions being in peril.

The essence of my point is that the Pikmin don’t seem equipped to survive on this planet, which begs the question of how it is they survived through the planet’s evolutionary history until the point of Captain Olimar’s arrival…

The Pikmin certainly have some peculiarities. They’re Ambuloradices, described as having both plant and animal features by explorers in various games:

“Pikmin are part of the Ambuloradicis class, which consists of creatures that exhibit both plant and animal characteristics.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

“[#] days have passed since I began my search with the Pikmin. They are an ever-mysterious life-form. They grow like plants do, but they're also mobile and active like animals are. Individually, they seem weak, but in truth, I am beginning to believe that they could be an exceptionally mighty species if properly organized. I certainly hope so.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 1, December 2001]

“What exactly are these Pikmin? One could classify them as both plant and animal. They mature from leaf, to bud, and finally to blossom. When all of one color are lost, the Onion instinctively puts out new seeds... How does it know to do this? What a mysterious life-form!”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 1, December 2001]

“The Pikmin sprout from seeds and transform from plants into animals when uprooted. They treat outsiders like us as their leaders, obediently following us and even risking their lives for us when necessary. Yet it's this obedience that has aided in their propagation and survival. Perhaps it is actually the Pikmin who are controlling us.”

[Source: Alph, Koppaite Scientist and Engineer of the S.S. Drake, Playable Character in Pikmin 3, July 2013]

“The leaf on a Pikmin's head can develop into a bud, and then into a flower. It seems that if a Pikmin sprout is left in the ground, these developments take place over time. In this way they appear very plant-like, and yet once they have been plucked they show their animal aspect. A completely fascinating creature...”

[Source: Brittany, Koppaite Botanist and Crew Member of the S.S. Drake, Playable Character in Pikmin 3, July 2013]

This is despite the fact they're believed to have evolved from terrestrial root vegetables:

“It is generally believed that the Pikmin body was originally the root of a plant that has evolved over centuries, if not millennia, developing structures analogous to muscles, neural networks similar to those of a brain, and more.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

“The accepted theory is that Pikmin evolved from terrestrial root vegetables, and so would be unable to breathe underwater and subsequently drown.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

The bodies of Rock Pikmin are special stones stored within Rock Candypop Buds and Rock Onions which the root system and vital organs of the Rock Pikmin spread throughout. Why and how would the Onions and Candypop Buds develop this stone stockpiling functionality?

“This species is definitely a member of the Pikmin genus, but its body does not share any of the plant-like traits that Pikmin are known for. Instead, it's composed primarily of stone. The stone is actually the chosen host for a parasitic subset of Pikmin species nicknamed "Hermikmin." Similar to how a seed can sprout and push through the cracks of a rock, the Pikmin's roots stretch deep into the stone, storing its vital organs in an interior cavity that resembles a crystal geode.Because this species displays characteristics common in parasitism, one could hypothesize that the Rock Onion and Rock Candypop Bud stockpile stone that will eventually host the Rock Pikmin.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

Winged Pikmin feature distinctly insectile wings on their bodies, a massive evolutionary improbability. It's hypothesised by leaders that perhaps the Winged Onions absorbed DNA resulting in the modern Winged Pikmin's body plan, but why would Onions have that capability?

“The wings on the back of this flying Pikmin species closely resemble the wings you would find on a flying creature. It's possible that an ancient Winged Onion somehow absorbed a flying creature's DNA, which then resulted in the precursor to the Winged Pikmin transforming into the species we recognize today. If this theory is correct, then Onions might also be serving the role of messenger, transmitting new traits and characteristics to their Pikmin.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

Olimar even mentions that it’s almost like the Pikmin were waiting for the brain of an alien leader of some sort to lead them, like they knew following Olimar would help them survive.

“I wonder if these Pikmin were waiting for me to arrive. No... Not necessarily me, but an alien being like me who could fight alongside them. On this planet they are a weak species, but maybe they see that they can use the power of an alien brain to climb to the top of the natural order. Such ideas make me wonder if it isn't I who is being used by them...”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 1, December 2001]

“The Pikmin's Purpose I wonder if these Pikmin were waiting for me to arrive. On this planet, they are a weak species, but if they're trying to use the power of an alien brain to climb to the top of the natural order... I have to wonder if it isn't me who is being used by them.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

They seem to have a natural inclination towards or instinct for following and taking orders from intelligent humanoids, as is further noted by the Hocotate Freight ship in Pikmin 2, Alph in Pikmin 3 and Olimar in Pikmin 4:

“At last, you have encountered them! They seem to have gill-like ducts on their cheeks. They must be blue Pikmin! Like the other types, they look to you for direction. While they are indeed surviving naturally they still seem to long for a valiant leader.”

[Source: The Hocotate Freight ship (First model S.S. Dolphin), Deteriorating Hocotate Freight adventure vessel, Non-Player Character in Pikmin 2, August 2004]

“It seems that Pikmin are driven by instinct to carry away anything they see lying around. Prey that will increase their numbers are carried to the Onion, whereas things they cannot use are carried to the spaceship or to their original location. Thus, their carrying instinct lets them form symbiotic relationships with species like us. This could be the key to their success.”

[Source: Alph, Koppaite Scientist and Engineer of the S.S. Drake, Playable Character in Pikmin 3, July 2013]

“A Pikmin will instinctively follow whoever plucks them from the ground, so it is quite common for them to form symbiotic relationships with another species or accept a leader of a different species, as it serves the goal of propagating their own species as a whole.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

“Pikmin have a disposition to carry things that will increase their ranks to the Onions, and to carry everything else to their leaders' spaceship. They may instinctively sense what we need and seek to strengthen our symbiotic relationship...”

[Source: Chet, Mihaman Scientist and Research Task Force leader, Pikmin Garden, Nintendo Co., Ltd. website]

Pikmin form a natural symbiosis with the leaders from the moment they're plucked. With their leaders commanding them, Pikmin quickly become one of the most powerful species on the planet.

“TOPIC 2 - A SYMBIOTIC RELATIONSHIP WITH LEADERS What is a symbiotic relationship? Symbiotic means a mutual relationship that different organisms have with each other while active in the same space. But both sides don't always benefit from it; sometimes it only seems to be a one-way street. What about Pikmin though? LEADERS AND PIKMIN EACH BENEFIT When a Pikmin sprout is plucked, it will appear to recognize its leader as such and follow them. From this moment on, a symbiotic relationship of sorts between leader and Pikmin is formed. (The leaders' benefit) With lots of Pikmin in tow, they will be able to transport heavy objects and defeat creatures that stand in their way. (The Pikmin's benefit) With a capable leader on board, the Pikmin can rapidly increase their ranks and become the most powerful creatures on the planet.”

[Source: Chet, Mihaman Scientist and Research Task Force leader, Pikmin Garden, Nintendo Co., Ltd. website]

Even Pikmin that have become separated from the squad, fail to form a symbiotic relationship and become wild will instantly fall in line and take orders in the presence of a leader to command them. It's almost like it's part of their very DNA...

TOPIC 3 - WILD PIKMIN Spotted by the Crew! Pikmin in the Wild The Pikmin that fail to establish a successful symbiotic relationship and decrease in number, as well as those who become separated from their group, may sometimes revert to a wild state and move their activity underground.

[Source: Chet, Mihaman Scientist and Research Task Force leader, Pikmin Garden, Nintendo Co., Ltd. website]

“Wild Pikmin Wild Pikmin found underground can be brought to the surface and added to an Onion. However, when tasked with transporting a pellet, the resulting seed ends up the same color as the Onion. I must be careful, as these Pikmin cannot be propagated right now.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

That’s not to mention some other oddities, such as the natural cap of a certain number of Pikmin being active within a given radius of a set of Onions in the field, which is apparently believed to help prevent a Pikmin extinction, or the fact that in order to reproduce Pikmin require being plucked from a sprout after being planted.

“I have made yet another Pikmin-related discovery. Just when I was about to exceed 100 Pikmin in the field. the Onion stopped expelling seeds, yet the total number of Pikmin continued to climb. It seems that once there are 100 Pikmin in the field. subsequent seeds get stored inside the Onion. Thus, no more than 100 Pikmin can be in the field at one time in any area.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 1, December 2001]

“The Onion stopped spitting out seeds! But the Pikmin inside the Onion still seem to be increasing in numbers. Apparently, once the number of Pikmin in the field reaches 100, any new Pikmin will stay inside the Onion. This means that a maximum of 100 Pikmin can be active outside the Onion at any one time.”

[Source: Alph, Koppaite Scientist and Engineer of the S.S. Drake, Playable Character in Pikmin 3, July 2013]

“Maybe Pikmin have evolved to self-limit how many can be out on the surface at a time to prevent unnecessary loss.”

[Source: Captain Shepherd, Giyan Leader of the Rescue Corps, Rescue Pup trainer and Captain of the S.S. Shepherd, Non-Player Character in Pikmin 4, July 2023]

“Preservation Instincts The Onion stopped releasing seeds! I went to check on it and saw that the Pikmin will only propagate inside the Onion once a certain number are out on the surface. Could limiting the number of active Pikmin be a strategy to avoid extinction?”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 1, December 2001]

“When the number of Pikmin on the surface exceeds a certain number, they start to multiply inside the Onion. Apparently, they are trying to control the number of Pikmin active at one time to prevent their total extinction.”

[Source: Chet, Mihaman Scientist and Research Task Force leader, Pikmin Garden, Nintendo Co., Ltd. website]

Who “naturally” does this plucking when beings like the Hocotatians and Koppaites aren’t around? How can the Pikmin exist in the way they do?

There’s also an odd, seemingly “intentional” way for Pikmin to reproduce - using the easily accessible crystallised nectar of Pellet Posies, which develop quickly and pull all of the necessary nutrients from the ground. They even produce pellets with colours matching each Pikmin type in a region, tend to grow near Onion landing sites and have literal human numbers on them, indicating exactly how many Pikmin are required to carry them. It’s clear there’s a deeper connection here.

“In the stem of the pellet posy, one can observe the muscle fiber unique to half-plant, half-animal species such as the Pikmin and candypop flowers, so the pellet posy is a species that can be considered a close relative. Although the ability to crystallize nectar is unique to a small group of the pellet weed family, the fact that these plants reach maturity so quickly and that their pellets contain such high concentrations of the natural nutrients in the soil explains why the Pikmin and so many of the other indigenous species are so reliant on these pellets for sustenance.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 2, August 2004]

“The pellet cradled in its petals changes colors like some form of chameleon, aligning to match the color of nearby Pikmin. It's almost as though it's inviting us to come harvest it to make more. Even though it appears to be helping out, it's really just using us to spread its seeds!”

[Source: Dalmo, Sozorian Animal Enthusiast and researcher, Non-Player Character in Pikmin 4, July 2023]

Which brings me to the Onions themselves. When Olimar first discovers a Red Onion in Pikmin 1, he notes that it awoke as if it was waiting for his arrival. He questions what it is, whether or not it’s alive and then whether or not it’s a machine.

“A strange thing has appeared before me. I had barely begun my search when it reared up as if it were waiting for me. It then dropped a single seed. What is it? Is it alive? Is it a machine? It resembles a vegetable on my home planet that we call an onion. I shall call this an Onion too.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 1, December 2001]

Onions are clearly unnatural in some sense. They seemingly have mechanical parts, such as their flower-like propellers and jets. Some types even have what appear to be solar panels. Some types have a unique pattern, which also appears on the wrists of Mamutas, who themselves have a clear connection to planting and growing Pikmin. Onions take flight, entering orbit during the night, and are described as “a Pikmin mother ship” by the Hocotate Freight ship in Pikmin 2.

“The Onion ejected more seeds! The pellet from that flower must hold nutrients that breed Pikmin. Yes! The Pikmin gather nutrients, haul them to the Onion, and further propagate the species! The Onion is a Pikmin mother ship! Reviewing Olimar's report, it seems holding {A} lets one rapidly pluck Pikmin sprouts.”

[Source: The Hocotate Freight ship (First model S.S. Dolphin), Deteriorating Hocotate Freight adventure vessel, Non-Player Character in Pikmin 2, August 2004]

“Sometimes it lies dormant, much like a bulb, but dig it up from the ground and provide it with the right stimulus—for example, a good, hard shake—and it will activate, sprouting three rootlike legs. It serves a role similar to a nest or an incubator for the Pikmin, absorbing pellets or the bodies of dead creatures for their nutritional value, then propagating Pikmin the same color as itself. Onions also seem to greedily attempt to replicate certain characteristics of the matter they absorb by combining with, or absorbing, other Onions, sometimes of the same type. It's been confirmed that just like Pikmin, an Onion has muscle fibers in its body, and though it is unable to walk it is capable of a small range of motion. However, when one breaks down the biological matter it has absorbed a fuel similar to bioethanol is created. Onions spray this fuel out of the mouths on their underbellies and are able to fly using their flowerlike propellers for stabilization.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

The Onions were later classified by scientists as an entirely different species from Pikmin. This means that much like the Pikmin-leader symbiosis, the very basis of Pikmin reproduction is symbiosis with the Onion species.

“"The majesty of nature," "the mystery of life"… I feel that these stale clichés can't fully express the extraordinary symbiotic relationship between Pikmin and Onions. Is there a connection here of an affectionate nature, perhaps? There's so much we still don't know!”

[Source: Dalmo, Sozorian Animal Enthusiast and researcher, Non-Player Character in Pikmin 4, July 2023]

“Pikmin not only increase in numbers by living symbiotically with their leaders, but seemingly even the means by which they are born are obtained through symbiosis. By providing nutrition to the Onion, an object which can be considered their nest or incubator, they sprout seeds and multiply. But in fact, while Onions are similar in species to Pikmin, they are said to be completely different beings... Next time, we'll report about these so-called Onions.”

[Source: Chet, Mihaman Scientist and Research Task Force leader, Pikmin Garden, Nintendo Co., Ltd. website]

On the subject of Onions, Pellet Posies and Pikmin reproduction, the recently observed Lumiknoll exist in a very interesting related position. Lumiknolls and their juvenile form Tricknolls sprout at night and produce Glow Pikmin. Glow Pikmin, while resembling Pikmin in appearance and behaviour, are not technically classified as Pikmin. Lumiknolls appear at Onion landing sites, smell like Onions and are even speculated to be Onion rhizomes of some sort. It seems that Lumiknolls and Glow Pikmin, with their leaf-dissolving enzymes, exist for the purpose of breaking down deceased Pikmin (and other nectar-based wildlife) and returning their nectar to the soil for Pellet Posies to absorb and crystalise, perpetuating the life cycle of the Pikmin.

“Besides the fact that they serve as incubators and nests for Glow Pikmin, we know very little about the Lumiknoll's ecology. When nocturnal creatures die, a Lumiknoll can break them down into glow pellets through its strong dissolving enzymes. This matter, when condensed, becomes glow sap. One might assume glow sap is then an extremely dangerous substance, but it has hardly any negative effects. In fact, I've had it administered to me personally as a curative medicine to break down growing leaves. Lumiknolls will only appear in places where an Onion was located earlier in the day, and since they propagate Glow Pikmin, one could surmise that they are rhizomes from those Onions. Perhaps, using its dissolving powers, it returns the nectar that supports the ecosystem back to the soil.”

[Source: Captain Olimar, Employee of Hocotate Freight and Captain of the S.S. Dolphin, Playable Character in Pikmin 4, July 2023]

“Smells a lot like an Onion. The green juice is particularly delicious!”

[Source: Louie, Employee of Hocotate Freight, Playable Character in Pikmin 4, July 2023]

[PART 2]

#pikmin lore #pikmin theory #pikmin 4 #pikmin #captain olimar #olimar pikmin

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plantify · 1 year

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TOONTOWN HEADCANON/LORE POSTING

This post is based around TTCC, and is entirely about headcanons I have about Suits/Cogs, mostly about their physiology, how they're created, etc. I might write more at some point. (Also I am sorry if this is extremely long and incoherent, I tried to at least break it up into sections with big titles and colored text)

What are Suits?

Suits are a “race” or “species” of robotic beings within the world of Toontown.

The ones seen within the game are Cogs, which is simply what employees of C.O.G.S. Inc. are called. Other businesses may have a similar naming formula, a different one, or none at all. (e.g: S.C.R.E.W. Ltd calling their employees Screws)

Considering that the world that Toontown is in, is in fact a cartoon/cartoonish world, this would by technicality make Suits a type of Toon. (I believe the term "Toon" to just be the characters that exist within that cartoony world or whatever) Therefore. they are still bound to the same wacky physics that Toons are, though they do not always interact with it in the same way. Think of it as two different kinds of cartoons interacting and living in the same world.

Toons would be more akin to rubberhose ish/Mickey Mouse/Ducktales style compared to whatever the Suits would be like, though that doesn’t mean the Suits don’t have some of those properties as well.

Most Suits probably wouldn’t even know what a Toon is, since they are scarce throughout the world, and the ones seen in the game are isolated within the area they live in.

Life Details (Organs, Sustenance, Etc)

Suits are very much like humans (which do not exist in this world). They have distinct lives, personalities, traits, desires, etc.

Unlike humans, they do not typically die of old age, though they can begin to weaken and die because of SIDE EFFECTS of ageing without maintenance that is usually easily attainable. Because of this, many Suits live for a long, long time. There is still a bit of a limit though.

Suits cannot catch viral or bacterial illnesses, (I mean obviously they're robots) but can get sick from overexertion, overexposure to temperatures they aren’t built to withstand, or physical damage. In very rare cases, malware can be an issue.

They have “organs” within their bodies, and require sustenance to survive. They CAN eat “normal” food, though more often than not their food would be stuff like coal, oil, paper, metal, etc. Stuff that vaguely resembles human food but is made of stuff like what I mentioned.

Their “blood” (if they have any) would likely be some form of fluid, or pure electricity in some cases. Nearly all would not cry or sweat the same fluid as their “blood”, as the human parallel would be crying or sweating blood, and that's just no. (Think how people sometimes draw robots as having oil blood, yet also crying that same oil) Much like how the human body has more fluids within it rather than just blood.

Some Suits may use “alternative” sustenance, such as plugging themselves into outlets or using other means to absorb pure electricity, though not every Suit can do this. Suits who can do this are rare, and a special kind of physiology is needed for this to be done without short circuiting themselves/otherwise hurting themselves.

Suits do not produce waste in the way humans do, other than sweat and tears.

Their brains are like processor chips. Though most Suits have to learn information like how humans do, some Suits have the special ability to simply upload and download data like a traditional computer. Suits who can do this are also rare, for similar reasons as the chargeable ones.

Despite this, all Suits can have everything stored in their chips stored in real time to databases in the event that they perish or are irreparably destroyed, to be transferred into a new body. Despite this, it may not be the most common technology, and may be costly, so Suits still try to preserve their lives and bodies. The Cogs have this technology. How they're able to keep it up for so many Suits is a bit of a mystery. Something fishy's going on, probably...

Sleep/Rest

Most Suits have to sleep in a way similar to how humans do. They must get a healthy amount of rest. Stuff like insomnia and restlessness still exists for most Suits. It is necessary in order to preserve energy, prevent exhaustion, the wearing down of their parts, as well as being a quick way to cool off.

Just like humans, it is not necessary to have a bed to sleep, but it has the same benefits for Suits as it does for humans, though it's a bit more likely to see Suits falling asleep on the floor/standing up than it would be for humans.

While asleep, a Suit is merely unconscious, but they still function, much like humans. Same thing with comas and being unconscious.

If their processes are completely stopped, they will die. However, Suits can last a lot longer with their processes completely stopped, compared to humans, as they aren’t biological, and won’t rot or whatever if that happens to them. If they can be reactivated, and their vitals weren’t excessively damaged, they can be resuscitated.

Suits that can absorb electricity do not NEED to sleep, as they can merely be charged back to full power. These Suits may or may not choose to sleep anyways, and may gain the other benefit from it, aside from energy regeneration.

Injuries

Suits have to be maintained to keep themselves functional and clean. Especially when they get injured. They are unable to naturally heal in the way humans can. (Maybe some can with nanotech or whatever but that's getting into extremely sci-fi ish territory which isnt bad but I don't wanna go too in depth/thoughtful about that kind of thing, especially since a lot of things are possible in a cartoon world like this one)

Minor injuries like small cuts, scratches and dents are easy to repair, to the point where it can be done manually.

Sort of like how first aid kits/bandages/etc are sold at pharmacies. Literally just patch yourself up with polishing kits/anti dent/spare parts or whatever

They can't go through healing processes like how humans do, but they're lucky since if a bone is broken or whatever, all they have to do is get it repaired and then they’re fine. (I wish it was like that for US!!!)

More severe injuries may require healthcare and/or more surgical reparations. Severe injuries are able to debilitate or even kill Suits if they’re bad enough. Injuries like gashes are still easy to fix, but stuff like loss of limbs is harder. In the case of limb loss, a replacement can be made to fit that Suit, typically within a few days.

Internal injuries and extreme damage to inside circuitry and vitals may take longer to fix, but are still way easier to fix than with humans, for obvious reasons. Too much will kill the Suit, though :/

Life Details (Physique)

They are more often than not humanoid in appearance, though some Suits may have extra limbs or proportions less akin to those of humans. Some may not even be humanoid at all, like being centaurs or whatever, though said Suits are extremely rare. Some may be semi-humanoid, like the Cog Bosses. Suits may receive surgery of sorts to change body type, though it would be difficult to change a 10 cm tall Suit into a 20 ft tall Suit, for instance. There are limits, and crossing them adds extra risk of dying/ending up with psychological damage.

While most Suits have a discernible face, mouth, eyes, and have the usual set of limbs, some may not have a face, or have a face that does not vaguely resemble that of a human’s. (Like how Cogs in-game range from having human-like faces, to object heads, to animal heads, etc) Some may have entirely different limbs, other than just arms and legs.

A Suit can have their face/entire head modified/changed, as well as the rest of their bodies. Some may want to get entirely new heads, though many tend to get attached to the one they already have. Think of it sort of like plastic surgery and actual surgery, except to a more extreme degree. Despite this, there are still limits, and extensive surgery may damage a Suit physically and/or mentally.

The most common type of Suits tend to range from anywhere as short as a few centimetres, to as tall as nearly 20 ft tall, though most fall within the range of 4-9 ft tall. Obviously there's height diversity among all Suits

Some Suits may be built to be specially resistant towards things compared to others. One Suit may be built to resist extremely high temperatures, while another might legitimately just start to melt in those same temperatures.

Life Details (Psyche)

Suits are not evil by nature. The reason why such a high number of them are very pro-industrialism, pollutive, toxic towards fun, etc, is because they were conditioned to be that way because of the way their society is structured, and the needs that they need to survive.

Despite this, there are still Suits that may enjoy fun or even be Toony in nature. Some may enjoy nature, and dislike the pollutive, industrial nature their world is so full of. Toons tend to be very ignorant to Suit culture and the personality differences between Suits, and understandably so considering what it must be like from their perspective, being invaded and all. Still ain't great to be that way for obvious reasons, though. Many assume all Suits are evil and the same.

There would still be entertainment within Suitopia and other Suit cities/society, much like the many kinds that humans are familiar with.

How are Suits created?

Suits are created, most commonly within factories, though some Suits may be skilled enough, either through innate knowledge or through learned skill, to create another Suit on their own, making them the “parent”.

When a Suit is created, they awaken already having some base level knowledge of themselves and the world around them, under most circumstances. As a byproduct, “child” Suits are not really a thing. They can exist, they just typically don't. (Being born into the world as an adult must suck)

Suits can be made without a specific purpose, and that is how many are created. They will find one on their own.

Those that are made for a specific purpose will usually already know how to fulfil said purpose. For instance, being built for a specific type of job will generally cause you to be naturally skilled at it. Meanwhile, Suits who are hired for that same job without being created for it may have to learn it. They typically have a form of fondness for fulfilling said job, but may lose it over time, or not have it to begin with, which may result in wishing to pursue something else.

What are these factories like?

It depends. There are many kinds. Some factories may build the base model of the Suit, some may build only the skeleton, some may even build the entire individual, appearance and all. Some Suits are built with the purpose of serving the owner of the factory. Big variety in purpose for these factories and whatnot.

Many factories are automated, run without owners, with the sole purpose of creating new Suit life. Other factories may be owned by a company or force, such as those run by C.O.G.S. Inc.

What about all the clones of Cogs we see?

All the “Standard” Cogs (e.g: Pencil Pusher, Flunky, Cold Caller, Money Bags) are clones created with the sole purpose of serving C.O.G.S. Inc. Despite this, they are all created with their own individuality and personalities, and are all different.

They mostly identical while working for C.O.G.S. Inc. as it is a “dress code” of sorts within the company to dress and appear that way.

Their facial and body appearances may have slight/moderate differences between one another, whether it be a quirk with how they were built, or a change they chose to make. The Cogs seen in the game are all 1:1 identical because of limitations. Same goes for Skelecog skulls. (For skelecogs, an example I think of a lot is how I wish Two-Face skelecog heads were two faced as well) They typically fit the face.

They are allowed to change their appearances so long as it does not violate the “dress code”. (Still have to be able to tell what Cog they are. A Big Cheese can't get a head that is not in fact a big cheese. A Glad Hander can't make themselves look TOO much like a Hollywood, etc.)

(Speaking of Hollywoods, they're referred to as “Mr. Hollywood(s)” ingame, though they can go by Mr, Ms, Mrs, Mx, and more if they choose, or forgo having that title at all.)

Standard Cog models that appear very feminine/masculine (e.g: Mingler, Glad Hander, Corporate Raider, Name Dropper) can be the opposite gender of ““what their model would suggest””. Yes, we can have Minglers that are men, enbies, etc. They may or may not choose to slightly alter their appearance to match this.

It is possible for these creations to stop serving their creators and direct their own life. It would be inhumane (or whatever Suits call it) to create mindless drones, and not give them these opportunities.

A Cog like this could end up changing their appearance or getting an entirely new head/body to compensate for the lack of restrictions to conform to.

If you made it this far and actually read the entire thing (without scrolling by to get to the bottom instantly) I profusely apologize for putting you through this. If this catches on and you're interested, I'm open to hear your thoughts on the lore, and suggestions, whether it also be for the lore, or for a better way to format this.

#toontown corporate clash #toontown #ttcc #toonblr #toontown cogs #corporate clash #toontown lore #headcanon #lore #ramblings #ramblings of the deranged #text wall #long post

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the-monkey-ruler · 4 months

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Legend of Wukong (1996) 悟空外傳 – 外傳

Date: 1996 Platform: Sega Mega Drive / Genesis / Windows / macOS Developer: Gamtec Publisher: Ming Technology Co., Ltd / Super Fighter Team Genre: Role-playing video game Type: Reimanging

Summary:

After putting the finishing touches on his new time machine, the prestigious Dr. Tang steps back to admire his life's work only to see it vanish before his very eyes. Waking up hundreds of years in the past, the doctor's young and careless neighbor soon realizes the shocking mistake he made while playing around in the laboratory. Pursued by hordes of fierce demons, will he survive long enough to retrieve the time machine and return home?

During the course of the adventure, players take control of a young, monkey-faced boy named Wukong who goes in search of his time machine in order to return to the year 1996. Along the way he is joined by Pigsy, a man-pig hybrid, and Wujing, a kind and beautiful young girl.

Legend of Wukong is a Chinese-made role-playing game in Japanese style. The game's story and characters are loosely based on the classic Chinese novel Journey to the West. The gameplay follows the Japanese template, with a party of heroes roaming a top-down world map, visiting towns and hostile areas, and fighting enemies in turn-based combat using either regular attacks or magic.

Source: https://en.wikipedia.org/wiki/Legend_of_Wukong

Link: https://youtube.com/playlist?list=PLs_ktejZPUq9FniwLGdMmHP7KENoeWq9F

#Legend of Wukong #悟空外傳 – 外傳 #Wucom Legend #悟空外傳 #Wukong Rumors #外傳 #jttw media #jttw game #video game #game #reimaging #reimagining #continuation

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nanda-writes · 6 months

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College girl sells soul to pay rent (not clickbait)

“So… your last wish is to make a deal with the devil?”

The ghostly woman nodded.

“It won't be possible, look, you need a physical body to perform this type of ritual,” said the medium “and I can't do it for you, because if I did, it would be my soul on sale.”

What if I possess you?

The spirit's voice echoed, the candles in the small clamped room in which the medium worked began to shake, transforming the trinkets scattered around the room into frightening dancing images. This could work… in theory.

“Not going to happen. Possessions are expressly prohibited on University internships. And honestly?” she added “I wouldn't endanger myself for a job that’s not even paid.”

I can pay.

The human raised one of her eyebrows. The candle flames flickered intensely, the ghost was desperate.

“Pay? Sorry, but we don't accept drachmas or whatever currency ghosts use, only cash or pix.”

She was joking, of course. What she didn't expect was the disembodied woman's response.

What's the key?

“Excuse me?”

Your pix, what is the key?

It wouldn't be possible that...?

Is ten thousand enough? Half now, half later.

It's worth a try, isn't it?

The medium shared her key. A few minutes later, she received the following message:

“Bank: Your pix has been received! Vellota ltd. sent you 5.000 reais”

Along with several confused emails by Grandma Vellota.

Looks like someone wouldn't have to worry about rent for a long time.

Kethelyn Correia — 21 years old, necromancy student at the Brazilian Federal University of Mystic Arts — is a medium in desperate need of additional hours for college and money. Kethelyn accepted the first internship that came her way without hesitating, realizing too late it was an unpaid one. Fuck it, we ball.

After months of late rent, days and nights on ramen noodles and various odd jobs to try to survive, selling a soul to the devil didn't seem like a bad idea. Anything was better than going back to her parents' house.

And that's how she ended up, three days later, on Carlos' — a college friend, master's student in demonology and ex-boyfriend — terrace at 2:30am on a Wednesday.

It was a nice evening, the sea nearby brought them a salty breeze, refreshing the warm summer night. The street lights were very close, illuminating the terrace together with the candles, revealing the unceremoniously dragged mess at the corners of the terrace. Carlos said they needed as much space as possible, the chalk circle in the middle of the terrace was the only clean space there.

“Okay, everything’s ready” said Carlos “candles lit, circles drawn, incense burning. Has she memorized the chants?”

Kethelyn nodded, they had practiced on this part together.

Carlos blew out the last match, looking around nervously. His eyes looked big behind the thick glasses he wore, his curly hair dancing with the breeze.

“Great, but seriously, this ghost couldn't have chosen a simpler invocation? Why go full catholic? There’s so many easier options…”

“Her name is Alice, I don't know about the choice for the ritual, but… thank you. Seriously. You didn't need to do all that.”

Kethelyn was being sincere. When she asked for her help, she expected at most a borrowed grimoire and some tips on how to not die.

“No problem, ha,” he replied, hands on his nape “it's the least I can do after that mistake I made.”

The “mistake” in question was the trigger for the end of their relationship. He cheated.

He cheated in a game of uno, shuffling the cards in a way that gave his friend — some 19 year old snake kid he befriended while traveling abroad — the advantage, causing Kethelyn to lose a bet.

“Ah, yes” She sighed, Alice's spirit approached floating upside down.

Hm? Share the tea, sis.

“Mind your own business.”

Rude.

“She’s here?” Carlos asked, shaking hands making the sign of the cross.

“I still can't believe that you work with literal demons, but are afraid of ghosts.” She laughed, “obviously she’s here, she's the one who's going to make the pact, duh.”

“Oh, my saint” Carlos sighed, repeating the sign “You how much of a bad idea this is, don't you?” he spoke gravely “After all, why does she want this? She's already dead!”

“It's quite a story…”

***

Alice Vellota was a young lady from a rich family, you see, her parents were rich, her grandparents were rich, her great-grandparents were rich and so on.

Alice had everything she could want, except the person she loved.

Coming from an extremely Catholic family, it is not surprising that her love for Maria Eduarda, a college friend, was a big scandal. Her parents threatened to disown her if she pursued her love, all empty threats of course. Fortunately, nothing can stop lesbians in love, not homophobic parents, not even death.

But when Maria Eduarda suddenly passed away, Alice was devastated. Her only consolation was the possibility of meeting in the afterlife. She knew Maria Eduarda would be somewhere in hell — she was a Satanist after all — she hadn't gone to heaven! But, she thought, hell is huge... how can I find her among so many people? So, she decided to solve this problem in the most logical way possible, selling her soul.

I'm already going to hell, at least I can ask to be close to her.

The plan was perfect. She home alone and everything was set, she just had to sing the chants and…

A window broke next to her and figures started to circulate around the apartment with loud wailing sounds. It was just the neighborhood kids playing football, but the scare was too much for Alice, she had a heart attack, dying before even starting the ritual.

***

“So, here's the problem. She's supposed to be in heaven now. “Kethelyn explained “technically she didn't make any pact, but the desire to join her girlfriend keeps her on this plane.”

“Why didn't you try… I don't know” Carlos shrugged “convincing her not to go to hell?”

“I tried, believe me.” Kethelyn's eyes were dead-serious “she's as stubborn as a mule.”

“Oh my saint, give me strength…”

“If everything is ready, let's begin.” The necromancer looked at Alice's ghost and signaled her to come “Get in loser, we’re summoning the devil.”

Suddenly, the coastal breeze refreshing the dawn stopped, the candle flames flickered without wind, Kethelyn bent over her stomach, the lights from the nearby street lights went mad. Carlos looked apprehensive when suddenly everything just… stopped.

The breeze, candles and the street lights returned to normal, only Kethelyn remained in the same position.

“Kethelyn? Are you okay?” Carlos asked worriedly. He was about to touch her on the shoulder when she straightened herself on a whim, her curly hair covering half her face, a smile weirdly wide creeping through her face.

“Boo” the ghost mocked him in the deep voice of the possessed, “still afraid, scaredy cat?”

Kethelyn saw everything in third perspective, she saw her mocking smile and Carlos' pale face. It was a funny feeling floating around, was that how her customers felt all the time?

She wanted to tell them both to start straight away, but she had difficulty vocalizing her thoughts, she didn't have a mouth after all. How did Alice do it? In any case, she didn't need to do anything. She saw her body go to the center of the circle, Carlos raised the barrier and sat on top of an old freezer away from the circle, she — or rather — Alice started singing the memorized chants.

As electrifying as a ritual to summon the bad thing itself may seem, it's pretty boring when you're just a spectator. Kethelyn spent the next 15 minutes bored to death — hah! — she passed her time enjoying her choice of outfit for the night, a pair of pink cargo pants and a matching tight crop top — what? You have to look stylish when you're going to meet someone famous, even if it's the devil.

Suddenly, a strong smell of sulfur filled the air and an unnatural fog began to rise inside the terrace. From within the fog lights glowed like flames.

There he was.

***

Kethelyn had a lot of expectations about the devil, but she wasn’t expecting that. A white man, bald, wearing a polo shirt and the most hideous goatee. Hadn't Lucifer been the most beautiful angel in heaven? What a glow down.

Disappointing.

The Demon stood still for a while, staring. All the corporeal beings present froze. He might have an ordinary appearance, but his aura certainly matched his fame.

“…So?” The Evil One broke the silence “What do you want, mortal?”

Kethelyn saw her body swallow hard, her hands shake. Alice finally took courage and said:

“I wan…” she hesitated “I want to have a reserved place, for me Alice Vellota and my girlfriend Maria Eduarda Almeida, in hell. A place where we can be together.”

The Fallen Angel raised an eyebrow.

“I want so that the moment this soul of mine leaves this body,” Alice kept going, more confident this time “I go straight to hell and meet her.”

Sathanas began to laugh.

“In so many centuries of work” his laugh was strondous “this is the first time I've seen someone who wants to go to hell!”

He continued laughing for a few more minutes, bending over himself and slapping his knees.

“So…” Alice was distressed “you accept the deal?”

“Ah, that, err…” Old Harry wiped a tear from the corner of his eye. “No.”

“Why?!”

“Sweetheart, do you think I'm stupid?” He said in a fake-offended voice. “I know that the soul inside this body died a long time ago.”

He laughed mockingly.

“I am the devil” he stretched the last word as if he was RuPaul “having the courage to lie in the face of the father of lies?” he clapped his hands sarcastically “You’re a real one, baby.”

Kethelyn could see her shaking, Alice must have been desperate.

“To tell you the truth,” The enemy continued, looking at Alice again “your soul is worthless to me. But hers…” Kethelyn didn't have a body at the moment, but she felt her soul shiver the moment Satan made eye contact with her, grinning. “Oh, her soul is very precious”

Why did she think he wouldn't be able to see her? He was the devil!

Carlos, who was just watching, felt chills when he saw The Old One pointing into thin air, he did not need to see her to know.

The devil wanted Kethelyn.

***

The Serpent made Kethelyn and Alice switch places, the sale of a soul should not be done by third parties, and Old Nick was more than willing to buy Kethelyn's.

“Not gonna happen.” Kethelyn denied the moment she got her body back.

“Come on, dear” insisted the prince of darkness with the warm gentleness of a salesman. “There must be something you want, do you want me to help you summon more souls for your studies? I can make all the sinners in hell available to you! You want money? Fame? I can do it in the blink of an eye! I have great references, artists loved me in the 90’s. Just tell me your price.”

“Can you help me get my degree while keeping my mental health?

“Unfortunately, reality-bending miracles are my father’s department.”

“Then no,” Kethelyn was determined “I know what you want me for. I will not send innocent souls to your domain. I may work with spirits, but I still have decency.”

Beelzebub took a deep breath.

“Well, I wasn't called here for nothing.” His facade fell, the warm voice gave way to a cold, cruel tone. “Either you give up your soul, and stay alive for another nine years... or you both come with me to hell, now.”

That was the last straw. Carlos ran through the old furniture and Nick Nacks squashed on the terrace to get the holy water and his other emergency supplies. If he had to fight the devil, so be it, but he wouldn't let him take her friend.

However, before he could invade the barrier, Carlos heard a yelp:

“Wait!”

It was Kethelyn.

“Lucifer Morningstar, I challenge you to a duel!”

Carlos wanted to tear out his own eyes, Lucifer grinned.

“And what are your terms, mortal?”

“If I win, you leave me alone and fulfill Alice's wish.”

“What if you lose?”

“...You can have my soul, as long as you fulfill her wish anyway.” She looked in the direction of Alice's ghost. “I know that fulfilling her wish is no big deal for you.”

From outside the barrier, Carlos was jumping, shaking his head, making an ‘’x’ with his arms, and mouthing ‘nooooooo’'. Kethelyn might be crazy, but she wasn’t suicidal, was she?

Was she?!

Lucifer pretended to think really hard.

“Okay, I accept your terms.” he smiled “And what do you challenge me to, little girl?”

Kethelyn smirked.

“Uno.”

Carlos was banging his head on the support pole of the terrace, and Alice — if she had eyes — would have them wide open in shock. They both thought the same thing:

She wants to kill herself!

***

“I'm sorry I didn't notice you before, Carlinhos!” Lucifer patted an inconsolable Carlos on the back.

The barrier had been broken, but Lucifer could not and did not want to attack any of them until the end of the challenge.

“It’s okay, Mr. Capiroto… it’s okay” Carlos repeated defeatedly. The two had met before, college projects can take you to unusual places, huh?

“So” Lucifer looked at Kethelyn “how does this… uno thing work?”

Kethelyn and Carlos looked at each other.

If the devil doesn't know how to play uno... they have a chance!

Carlos' eyes shone. Kethelyn looked at him smugly as if she had predicted this from the beginning — although it wasn't the case.

The humans took turns explaining to the prince of hell the rules of the esteemed — and supposedly — human card game, even Alice tried to help, mentioning observations and details the couple missed.

***

The clock was already striking at 3 am when the game actually started. Carlos raised another barrier for the participants. This particular barrier prevented either of them from cheating, a necessary measure for those playing with the devil.

The house rules say that the deck must be shuffled facing away from the players by someone who is not participating. As the only corporeal being left, Carlos had to take the dealer's role.

Kethelyn and Lucifer sat at the table found by Carlos somewhere in the mess. They both held their 7 cards from the uno deck, the starting card was in the center of the table, draw deck on the side. Carlos took a coin out of his pocket to decide who would start; Heads to Lucifer, Tails to Kethelyn.

The coin was tossed. Seconds of tension dragged on like hours. The coin fell into Carlos' hand. He opened his palm:

Heads.

***

It begins, Kethelyn's cards had nothing special, just a +2 red card as a special card and a predominance of reds, leaving with only one card for each other color.

The initial card, taken from the draw deck, was a green 3.

Lucifer started his attack, immediately launching a +2 green card. Kethelyn was unfazed, launching her red +2 card, doubling the attack and reversing the damage. Kethelyn, however, did not expect Lucifer to have a trick up his sleeve, as he placed another card in the pile.

+4.

Kethelyn had no way to counterattack this time, the medium let out a frustrated sigh as she picked up her eight cards: three red, three green, one blue and a special card, a red reverse.

“Color?” asked the medium.

“Yellow.”

Kethelyn nodded and threw three cards of number 7 into the pile, the bottom one yellow, the top one red.

Lucifer had no choice but to draw and place the same color.

Kethelyn places her red reverse card — drawn from the batch she just took — and then two number 4 cards, red and green.

Lucifer draws again and soon passes.

Neither red nor green cards… maybe the advantage is coming back to me. Kethelyn thought.

Kethelyn places her card again, this time two cards numbered 0, green and red, respectively. But the card Lucifer had just drawn was also red, so he places it in the pile combined with another card, changing the game's color to blue.

The game continues with blue cards until the devil places a card numbered 2, where Kethelyn manages to change the game's color to red again. Lucifer draws, and passes. But just one round later, he uses the same trick on Kethelyn, this time changing the color to green, Kethelyn places a card, Lucifer draws and places.

It's number 1, green.

Kethelyn ponders, she has three cards at the moment, the numbers 1 and 6 in red and the number 9 in green. She could try to change the color to red, she knows that her opponent doesn't have any red cards, but it would certainly inconvenience her later. She knows that Lucifer doesn't have any green cards either, and getting rid of the green card would avoid inconvenience, so that was the most obvious option, right?

Kethelyn wasted no time, playing card 9.

Lucifer smiled demonically.

— Uno! — he exclaimed, throwing the yellow card 9 on the table.

Kethelyn wanted to bang her head on the table, how had she not realized he only had two cards? What will she do now? She doesn't have another 9 card and much less yellow cards, she doesn't know the number or color of the last card, if it isn't a special card! She can't lose this game.

I can’t… I can’t…

The necromancer's hands shook as she tried to pull the next card from the deck, so much that the entire deck slid off the table.

Carlos approached it with an intense look, he looked Kethelyn in the eyes, silently asking her to trust him. Kethelyn didn't understand, but trust she did.

Carlos picked up the cards from the floor and explained that he would have to shuffle everything again.

Wait, will he…?

The game of Uno that Kethelyn lost last time was changed after Carlos shuffled the game, he knew many card tricks, including how to manipulate a deck without looking suspicious, and would never hesitate to cheat his way to uno.

But how? The barrier would prevent…

Kethelyn realized.

Carlos was outside the barrier.

The barrier unables Kethelyn and Lucifer to cheat, but that didn't count the Croupier.

When Carlos put the deck back, Kethelyn's hands were stable, she pulled out the top card...

A +4.

Kethelyn almost cried with joy as she threw the card on the table.

Lucifer drew his cards resignedly and asked the color:

“Red.” Kethelyn felt triumphant.

Lucifer played his card and Kethelyn followed without any problems, this time she was the one shouting Uno.

She placed the red 6 card. The only card left in her hand was the red number 1.

But instead of passing, the devil placed a new card on the pile.

A yellow 6.

Kethelyn felt a growing despair. She still had a chance, but it was frustrating. She was so close…

The human pulled a card from the deck and almost cried with joy for the second time that day.

It was number 1 in yellow.

Kethelyn could hardly believe her luck.

“I won!” Kethelyn announced, throwing the letter into the pile and standing up. “I won!”

Lucifer sighed mockingly.

“It seems so” he replied, and added, narrowing his eyes “this time.”

Lucifer stood up, assuming a relaxed posture as he looked in Alice's direction.

“Are you coming or not?”

The spirit looked dazed, her form flickering like candlelight.

“Already?”

“Isn't that what you wanted? No going back now.”

“Yes, yes” Alice alternated her gaze between Lucifer and Kethelyn “I just need to do one thing first, quick.”

“You know you can't run away, right?”

“I know!” She yelled before disappearing.

Lucifer looked at Kethelyn and Carlos.

“Don't think it's over yet, kids.” He gave another devilish smile. “I have as many tricks up my sleeve as you.”

Alice returned before the humans could respond.

“Let's go!” she exclaimed.

“Yes, let's go.”

Lucifer looked at the couple one last time, and pointed his two fingers first at himself, then at them in an “I'm watching you” sign, and disappeared into the darkness.

Before Kethelyn could open her mouth, a notification.

Bank: your pix has been received! Vellota ltd. sent you R$5,000.

Carlos looked at the cellphone screen clearly impressed.

“You know,” he broke the silence. “I kind of saved your life just now, so, I don't know... you could buy me a burger? As a thank you.”

Kethelyn smirked.

“Yeah, I guess we're even now, huh? I don’t know if there’s a burger place open at this hour, how about an açaí?

“Deal.”

They laughed.

Kethelyn wouldn't have to worry about rent for a long time.

#original #mystical uni shenanigans #writing #writeblr #paranormal comedy #paranormal writing #urban fantasy #artists on tumblr

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pennybloodfanficweek · 2 months

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What is Penny Blood?

It has come to my attention that perhaps throwing a fanfic challenge out there for a very new IP without any sort of context on the IP itself was not a good idea. Well, I'm here to fix that now! So, what is Penny Blood, you ask? Penny Blood is a dark/horror JRPG IP created by the team behind the Shadow Hearts series, more dark/horror JRPGs that released on the PS2 between 2002 and 2006, themselves having spawned from a survival horror/JRPG hybrid know as Koudelka, released on PS1 in 1999.

Penny Blood itself is a spiritual successor to the Shadow Hearts series, and was successfully Kickstarted in August and September of 2022 alongside a Wild ARMs spiritual successor, Armed Fantasia. (The week of the event actually starts on the anniversary of the Kickstarter's opening!) Since then, updates have been rolling out, giving backers and anyone else interested a look into the characters, world, monsters, and mechanics planned for the game. As of 2024, Yukikaze Ltd. and Studio Wildrose have been having trouble securing a publisher for Penny Blood, but are working to find one, as well as creating for other Penny Blood projects.

In December of 2023, Penny Blood: Hellbound was announced and a close beta phase was opened to Penny Blood backers. Penny Blood: Hellbound is an action roguelike set in the same universe as Penny Blood, with the main game's villains, the Hellhounders, as playable characters. As of March 2023, the game has been released on Steam Early Access, with a full release planned for the Summer (Northern Hemisphere) of 2024.

Relevant Links and information: - Armed Fantasia & Penny Blood Kickstarter (The Kiscstarter can no longer be backed, but updates are still being posted monthly for both games.) - Penny Blood Official Website (Contains information on the game and dev team, trailers, archived Kickstarter updates, and press kit.) - Penny Blood on Youtube (Trailers, interviews with the creators, Creators' Radio, and Hellbound trailers) - Penny Blood: Hellbound on Steam - Penny Blood Wikia (Run and updated by the same lovely people as the Shadow Hearts Wikia!)

#penny blood #shadow hearts #jrpg games #horror games #koudelka

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gebo4482 · 11 months

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Beyond Hanwell Teaser: The Royal Hallamshire

#beyond hanwell teaser the royal hallamshire #beyond hanwell #steel arts software ltd #indie games #horror games #survival games #screenshots #steam

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mariacallous · 2 years

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Must we, really? I’m afraid there is no avoiding the great crown soap opera as this finely crafted Prince Harry publicity spectacular engulfs the news. However nugatory the revelations about scenes of brotherly rivalry, beards, bridesmaids and broken dog bowls, it’s no use pretending it’s not happening or that the country and its households aren’t dividing into Harryites and Williamists.

Pollsters see a leave v remain rift – with leavers on the side of the monarchy and remainers inclined towards Meghan and Harry. While older people back the palace and the young lean more to Montecito, I doubt that last night’s angry and contrary ITV interview will restore Harry’s sliding ratings.

The interview landed as the next neatly choreographed step in the ace publicity machine of Prince Harry’s publishers. After the Oprah interview in 2021, six episodes of the Netflix series, teasers for his four TV interviews this week and the early leaking of his book, was there really anything new for him to say or for us to think? Nothing, beyond the painfully raw spectacle of his inchoate rage.

The palace, with its hordes of PR specialists, spent weeks war-gaming its response – it was prepared for devastating revelations, ready to break its silence if absolutely necessary. So far, its worst fears have “not come to light”, which tantalisingly suggests it thought Harry had more lethal missiles to unleash.

Of course, Harry’s words evoke some sympathy for an angry, damaged man. In what family is it psychologically acceptable to consign the younger son to service the elder for life? Few parental divorces are as horrible as the one these boys suffered, their schoolfriends snickering over the tampon tape and the James Gilbey recordings, everyone ogling Diana and Charles’s self-justifying TV interviews and books, capped by their mother’s horrific death. The monarchy teetered as the Queen misjudged the Diana moment, but then she held it together. If it could survive all that, the blow of a minor twig breaking from “the Firm” to seek his Californian revenge is hardly fatal – as he voices full support for the monarchy itself, condemning only its toxic relationship with certain portions of the press.

His one act of heroism is this dangerous duel with the tabloids that he blames for his mother’s death, as he pursues cases against the publisher of the Daily Mail, Associated Newspapers and the owners of the Daily Mirror and the Sun, the Reach plc subsidiary MGN Ltd and Rupert Murdoch’s News Group Newspapers, accusing them of phone-hacking or other breaches of privacy. His father warned that it was a suicide mission, but Harry says the royals have, in feeding the beast, made a pact with the devil. He rages at their failure to stand up to them: there was not a word from the palace in rebuke for Jeremy Clarkson’s disgusting hate attack on Meghan.

Everyone knows Harry is entirely right about the filthy, hypocritical, moralising amoral press and its corrosive effect on national life. Yet in his mist of confusion and contradictions, he doesn’t see that publicity is the monarchy’s lifeblood. When Queen Victoria withdrew from the public eye for years, her popularity plummeted. That oxygen is how the royals make their pointless living as fantasy creatures: they need the press to justify their very existence, like any celebrities. Their only role is to entertain us, and Harry plays his part perfectly. Walter Bagehot was wrong: the royals were never the “dignified” part of the constitution, but undignified performers who reduce us to infantilism in following their small dramas. Bagehot wrote that the purpose of the monarchy is “to excite and preserve the reverence of the population”. Indeed, citizens are reduced to subjects in revering this family of nothingness. Nor was Bagehot right to claim the monarchy’s “mystery is its life” and “we must not let in daylight upon magic”. The public needs feeding constantly with each new royal episode.

Of course the press is retaliating with a sewage outflow of bile, the full firing squad of rightwing commentators hating the Sussexes’ “wokery”. It stays unspoken that “wokeness” means #MeToo and Black Lives Matter, race swirling around in their loathing of “victim culture”. Harry sounds ill-equipped intellectually to take them on, unfocused in his fury against them, unpolitical, tin-eared and clueless about how his Afghanistan kill-count angered other soldiers, giving fresh ammunition to the enemy press. Don’t expect him to examine the slavery sources of some royal riches: the future William IV made a pro-slavery speech in the Lords accusing William Wilberforce’s abolition campaign of misrepresenting the treatment of enslaved people in the British sugar colonies, whose good living conditions he could attest to himself.

With the battle to re-examine the legacy of empire and slavery barely begun, the royal family’s failure to prevent Meghan’s flight is a disaster for them. Whatever restraint it took, it needed to embrace her. The Queen is gone. Charles’s pitiful King Lear plea, “Please, boys, don’t make my final years a misery”, reminds us that he lacks her reinforced steel. The monarchy’s popularity has declined for years: more 18- to 24-year-olds would now prefer to have an elected head of state, while only 53% of 25- to 49-year-olds are in its favour. As Graham Smith of Republic says, three white men in a row as kings stretching ahead for maybe the next 100 years looks singularly out of step with modern Britain.

Look at the Clarksonesque roll-call of Harry and Meghan haters and you might instinctively take Harry’s side, but no, let’s not be dragged into the psychodrama of this spin-off from The Crown. This country is braced for the deepest recession in the G7, so badly misgoverned that people can’t call an ambulance to a heart attack or police to a burglary, catch a train or stretch their shrinking wages to pay for food and heat, while public services are drained dry by austerity. Yet how easily we succumb to the great distraction of another instalment of the royal charivari, briefly diverting public anxiety and conveniently relieving pressure on the government.

Monarchy is a cast of mind that blocks reform, an unholy religion made of these remarkably unremarkable people. Despite the best education for generations, their most useful genetic function is to demonstrate that talent and intelligence is randomly assigned. Monarchy breeds in Britain a feudalism of the imagination that gives a stamp of approval to inheritance and to the inequality, risen rampantly in recent decades, that is at the root of our social and political malaise. Harry exhibits the epic unreality the royals inhabit when he imagines this: “I genuinely believe, and I hope, that reconciliation between my family and us will have a ripple effect across the entire world.” The rest of the world, I fear, enjoys the show, but laughs at our absurdity.

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greaterbalrogcat · 8 months

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so we know that kunio good because he starts you with a good level combo, what does that make Atantis Logistix? Cat transport is the same thing, and 9 times out of 10 courier is on your team anyway. In most scenarios they both take up but one slot. iis Logistixas good?

(gonna note that i refer to Mighty Aethur Ltd., Atlantis Logistix, and Ultra Atlantis Logistix all as aethur because it's just easier to say. i'm referencing the true form when i say aethur unless specified otherwise)

first off, you gotta understand that aethur is actually a really strong unit regardless of combo.

despite being an iron legion, it's a 2010 cost 51.2 second cooldown unit with 30% dodge and 100% survive. this thing has crazy mobility, not just for an iron legion, but for an uber in general.

backwards omni is something that can only work vs zombies, and that niche actually becomes half decent. as one of the only non-LR units with insane damage, it has a crazy *121500* damage per hit vs zombies, and *20250* damage per second. this will melt down any zombie it outranges. its attack cycle isn't bad, and it has effectively four knockbacks with guaranteed survive to keep dishing out damage. it's a pretty straightforward unit with no real gimmicks or anything, it's just strong.

so how good is the combo? short answer: busted. long answer: pretty damn busted.

while you will obviously be bringing courier more often than aethur, aethur works against a trait that courier tends to not see much play vs, and you can add courier in the first row to get a worker cat boost on zombie stages, which are notoriously low on cash. obviously, bringing aethur on stages where you're bringing courier already provides those same extra two levels, and it's just as consistently viable.

while i wouldn't say you're bringing courier "9 times out of 10", it's pretty often a viable choice, and the only real issue is that sometimes you lack the extra slot. kunio is more consistently useful given that you can throw it in for one slot whether you'd already be using aethur or courier or not, but cat transport is a crazy combo and is one of the best dojo combos in the game. very strong unit, very strong combo.

#the battle cats #battle cats #battle cats meta

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usagirotten · 9 months

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Movie Review: Godzilla Minus One reflects the greatness and spectacularity of quality cinema

1954 marked a before and after in science fiction and fantasy cinema, this genre so popular today has seen endless stories parade on the big and small screens, ranging from the most original to the adaptations of novels by great contemporary writers. Toho Co., Ltd. is a Japanese high entertainment company that stands out mainly for the production and distribution of films and the production and exhibition of plays. This studio was responsible for bringing one of the most iconic monsters in film history. Godzilla is a gigantic fictional kaiju monster. Its creation and conception in the mid-1950s ended in a film directed and co-written by Ishirō Honda and since then this colossal creature has become a representative icon of Japan and pop culture. appearing in 32 Japanese films produced by Toho Co., Ltd., five American films, and numerous video games, novels, comics, and television shows. 2023 marked the return to the big screen of this kaiju in Japan, Godzilla Minus One is his thirty-third film, directed by Takashi Yamazaki, this film is probably a reboot of the entire franchise as we know it today or, it is opening the door to a multiverse of probabilities in which we can see new things with older overtones.

What is the film about?

After the war, a desolate and devastated Japan witnessed the emergence of a monster called Godzilla, leading the country to even greater destruction. In the moment of greatest desperation, the inhabitants will join forces to try to combat this threat before it ends. with everything and everyone. That Japan returns to this character on the big screen is one of the best things that could happen to this franchise, although on the one hand, we have the Western monsterverse that is becoming more and more popular, it is the original that causes the most expectation among its own and strangers, in 2024 Godzilla will turn 70 years old and to celebrate, its parent company Toho Co., Ltd. is bringing forward its celebration in style. To talk about Godzilla is to refer to a franchise that has been very successful over the years. We can say that Godzilla Minus One is the most conventional film of recent times or the most sobering and least extravagantly pretentious work produced in Japan since the original from 1954, this is not intended to be a reboot or a continuation of what we already know, it is a midpoint between a promising future that opens and transforms its original franchise and a past that still has a lot to tell. Set in 1946 where a group of ex-military members exhausted after the passage of a war come together to try to defeat a creature unknown to all, a being about which they know absolutely nothing and that threatens to end the devastation, among the survivors is the Kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) who after a stop on an island witnesses that they cannot stop Godzilla, he will destroy Ginza and then all of Tokyo. Koichi suffers from survivor's guilt, for not having done what was necessary to defend his people and his comrades who had fallen in battle. This is how the film opens, placing us on Odo Island, where this giant makes his appearance, destroying the surviving military camp. Koichi from his plane aims at Godzilla and in a panic he does not dare to shoot him, as a result, several of his companions die, one of the fundamental axes in the story is the fact that its main character has to relive the patriotic feeling and the consequences that this brings to his life after the war.

This type of nationalistic passion is essential to fighting Godzilla and at the same time having to take care of other survivors most of whom have also lost their loved ones, their homes, and their will to fight, we can see this in a very superficial way the havoc caused by war, hunger, lack of resources, people's fear of the unknown, facing a harsh and cruel reality in which no one has more than their own life, the latter is crucial and is not intended to give us a moral discourse simply poses what survivors would do in the face of an even greater threat. The human factor in the Godzilla films is fundamental and serves as the guiding thread of a story seen through the eyes of someone ordinary, a rule established by Ishirō Honda from the beginning, whether they are men or women or children or an entire population. which witnesses the devastation that this giant causes when facing a vulnerable humanity or an enemy at its height, in this case, there is an intense need to demonstrate the worth that people have when facing an unknown enemy and an even more future uncertain. Koichi teams up with Kenji Noda (Hidetaka Yoshioka), a former weapons engineer, and Sosaku Tachibana (Munetaka Aoki), a former Navy mechanic. Each one has a development parallel to that of the protagonist. The film establishes that their fears are based on their traumas. of the post-war period, the female co-stars, the affectionate and selfless Noriko Oishi (Minami Hamabe) and her recently orphaned adopted daughter Akiko (Sae Nagatani), are the motivation to fight in another war where no one knows what it will end in. Although we see very little of Godzilla within the film, it is due to another of the rules established by Honda, unlike his appearances here we can see and appreciate that his appearances are very well calibrated and it is simple, he appears when he should appear, not before. nor after, this is what greatly enriches this project, as connoisseurs and fans of this genre we are more than pleased with the result, and those who are not, will be pleasantly surprised. Writer and director Takashi Yamazaki focuses on representing more of a question of national honor than a giant monster that destroys everything, a plot that complements very well with the subplots that directly involve part of what Japanese military culture is, and immediately jumps out. on display when the locals curse Koichi for failing to do his duty and allowing the devastation to continue even two years later. The traumas lead him to wonder if this is real life or if he is just trapped in a post-war hell as punishment for his cowardice. Themes that are deep and serious enough to be dealt with in the middle of the attack of something giant and unknown, possibly it is in this very specific point where the success of Godzilla Minus One lies, the story in general does not take so many restrictions nor does it worry about falling into excess of explanations, an idea that is taken and paid homage to that of 1954 where at every moment we can make a comparison between the two without detracting from the merit and importance of each one. No matter how convincing the human part is within this same work, Yamazaki does not allow this to be a distraction from the main event, Godzilla himself, another thing that is surprising in the middle of 2023 is that this film is a cleaner and more honest cinema, while other productions make an impressive waste of visual effects that serve to complement a plot, here things change, as visual effects director alongside Kiyoko Shibuya, Yamazaki presents a Godzilla very different from his current American counterpart without losing that wonderful feeling of having a person wearing a bag made of cloth and rubber. The quality of the effects is at the level of what is required for a film of this type, what should impress us is not only the creature but how it interacts with its environment, it is not about destroying for the sake of destroying, although one would think that Making a model and putting someone to wreak havoc on it is simple, the reality is that it is more complicated than it seems, a filming process like this not only takes hours of planning but days and even weeks in its execution for it to be completed. See as realistic as possible within how unbelievable it can be. Its ending is something completely new and worth seeing, something that tells us that there will be more of this Godzilla in the future and that he is not as indestructible as in previous films, this contribution greatly enriches this new franchise and takes it to another level within itself, reinvention is not something that can be handled so easily and here it is so simple to propose that it not only convinces a demanding audience it also flaunts everything we can expect, a monster that dies but can regenerate? The idea sounds crazy but here it is perfectly well executed and justified. Perhaps, and I say perhaps, the biggest flaw that this film has is in the proportions from small to large and vice versa, as well as its perspective when changing from one scene to another, for example, in the almost climactic part we see a very good Godzilla. planted and balanced on a seabed, moments later we see that the depth of the ocean in which they are exceeds it by 100 to 1, this seems to be something already established and not a sequential error, we have seen it in other productions of the genre, series animated, and even in comics. Another detail to consider if we are talking about a colossal creature, something very similar happens with movements on land that are more clumsy or with the displacement of the water when it is swimming, these details can go unnoticed and can be justified because we are dealing with a job. merely fantastic that aims to be as realistic as possible.

Unlike Toho Co., Ltd's latest production, the equally excellent Shin Godzilla (2016), the monster's design continues to have fundamental bases of something similar to a dinosaur, we can see a partial evolution, a young Godzilla that appears at the beginning and that reminds us of a T-Rex attack sequence in the first Jurassic Park film (1993) and it is until the middle and towards the end where we can see it in all its splendor, another contribution that Yamazaki makes to this franchise is to reinvent its atomic breath, here seen as a buildup of atomic energy that activates along with the scales on its back when they turn blue, followed by a mushroom cloud at the point of impact that destroys the surrounding area that first radiates. and then it implodes, when we see this on screen there is a total absence of sound which gives more drama to the sequence. It cannot be overlooked that the central message in the 1954 film was the use of atomic weapons, Minus One's Godzilla once again represents the uncontrollable destruction that these cause and the consequences that exist in its environment and its fauna, It is very well stated that Godzilla here is the result of this, a being that is not a dinosaur but is a mutant humanoid creature that perhaps is only looking for a place in a world that it does not know and that equally terrifies it as it terrifies us as humans. presence, here there is already a link between the monster and wars in general, a synonym for destruction and seemingly unstoppable death without a motivation that is understandable to us. This sudden and surprising change in the character's line not only reveals the commercial ambition of the studio but also competes with its American namesake, which completely distances itself from any nationalism and patriotic message, despite all the violence on screen Godzilla Minus One It is an infinitely hopeful film that reaffirms the survival of humans as a dominant species that sees in Godzilla a representation of the warrior nature we have to face adversity and the determining will to live. The cast is made up of Ryunosuke Kamiki, Minami Hamabe, Yuki Yamada, Munetaka Aoki, Hidetaka Yoshioka, Sakura Ando, and Kuranosuke Sasaki who understand their characters perfectly well and what they must face, their construction is still based on the first film that here it is recreated in a more current, modern, convincing and terrifying way. The music composed by Naoki Satō has precise samples of what was composed by Akira Ifukube for the 1954 Gojira without losing its personality, each piece is perfectly well cared for and synchronized so that as spectators we can become audiovisually involved in a great show. In conclusion, Godzilla Minus One is a clear example and shows us that with a very modest budget of less than 15 million dollars, you can make a great film, that it is not necessary to make a commercial waste to present a mediocre product, that when projects like this, they are in the right hands with a concrete and precise approach to where they want to go. These are the results. A worthy, honest, and awe-inspiring work, it takes all the classic elements such as Godzilla's scream and transforms them not in a modern way but with a vision of the past that marks the beginning of a new future, something very worthy of presenting to the new generations and that is up to the task of competing with any monster verse, what took the West 5 films, a comic book prequel, and a television series, it was enough for the East just to do this to capture the world's attention. A film that has already been positioned as one of the best of the year is already a classic and that plans to have a re-release in Japan in a more classic format in black and white, without a doubt the projects of this studio will give a lot of something talk in the future and we look forward to more work like this at a very high level. Godzilla Minus One is now out in theaters in your country. https://www.youtube.com/watch?v=PShgB-ielBI Read the full article

#Godzilla

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