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#THIS IS SO PATHETIC LMFAO
fun-k-boards · 3 months
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M'LORD M'LORD PEOPLE ARE ASSUMING THE HUMAN EXPERIENCE REVOLVES AROUND SEX AGAIN
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oetscop · 11 months
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anyway my moms work found a bunch of unopened alcohol from a party they had like a couple years ago. so they just let everyone take whatever
just took one entire sip of sake and immediately got heartburn 😀
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lotus-pear · 8 months
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bsd rewatch w my friend means obligatory art of my fav found family ever
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mercurymacaroons · 9 days
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arrives 15 min late with a latte
......sup
#yosuke hanamura#persona 4#cool now that its done i can ramble in the tags#fellas im surprised hes here and done#did not think that was gonna happen#fuck i forgot smth#eh ill fix it before i make my print#anywho i might make more i might not who knows not i#yukiko is the next one i have half an idea on but also i have some shining nikki designs rattling around with my sole braincell#i also made a shadow alt for the back but idk if i like the mouth so yall arent gonna see him#also i need to find a gold foil guy that does odd sizes and like moq of 1#bc i wanna do this in gold foil#and its tarot card size bc im dumb as hell#but i want a print for my wall and i know sure as shit no one else will want one hence the moq of 1#my heart wants to make the whole major arcana for p4 but my past completed works says °❀⋆.ೃ࿔*:・ 𝑛𝑜 °❀⋆.ೃ࿔*:・#so whatever gets done will get done#also im gonna reblog this a lot bc i put in too many hours to get a singular note by me so like if you dont wanna see it block me lmfao#if you have any hot takes for future cards please share with the class bc i only have ideas for yukiko and a full cast she does not make fr#so uh yeah yeehaw#idk what else to ramble about but like cannot believe yosuke fucking hanamura is the first chara to get a completed piece in 5 years#im not fucking kidding#the rest were all quick graphite or abandoned#hes not even my fave in p4- thats naoto protag chan kou and nanako#boys lucky to hit top 5#he just kinda crawled into my affection like some kind of sad pathetic creature idk how it happened either#maybe hes overprocessed now that im looking at it#nope i looked too long this is it this is how he is#ill do better by the women i promise
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revasserium · 1 month
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Why does this scream second chance romance?
reqs are open!
at first sight
hayato suo; 6,284 words; fluff, slight angst, fem!reader, no "y/n", passing mentions of divorce, childhood friends to lovers, hurt/comfort (a little), the slowest of burns, suo is a simp, introspection, more plot than not
summary: and isn’t it strange, that a person doesn’t have to be dead to serve a haunting, how there only need be absence and sorrow and the utterly world-ending ache of what used to be?
a/n: this was not supposed to be this long or this self-indulgent but welp.
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He sees you sometimes in his dreams, in the spaces right before he falls asleep — that sweet, weightless, liminal space where anything and everything is possible, even probable. He sees the shape of your laughter, feels the weight of your breath, can almost taste the sugarplum sweetness of your smile. He’d lose himself, then, in the firefly lights of your eyes.
On those nights, he wakes up with a scream curdling up the back of his throat like soured milk.
Because no matter how hard he tries to hold onto the good memories, the ones bathed in the precious, pale gold of summer sun, truth always slips through like a sharp, silver knife. Cold. Ruthless. Unrelenting.
“— so, I know we don’t know each other very well but… you’ve done so much for our shop and my grandma is so grateful and… it always makes me so happy to see you come by —”
The girl in front of him is pretty, in the delicate, unassuming way that all young girls might be called pretty. She is dark, pin-straight hair and thin-rimmed glasses. Suo can tell that she’s put on a sparkly sheen of lip-gloss just for this occasion. Her cheeks are tinted sunset pink; there’s a letter in her hands.
“Thank you,” he says, dipping his head, his hand linked behind his back, his expression schooled into one of polite affectation, the most gentle rejection. He listens to her run herself out, babbling on about visits and admiration and the shape of him outside the shop window, how her heart would skip a beat. He finds himself, wistfully, thinking about the shape of you — when you were small enough to wiggle under the fence in his backyard, dirt caked under your nails, your hair always chopped short, one of your front teeth missing as you tossed pebbles at his windows.
“I’m… sorry,” he says, finally, when the girl presses the letter into the center of his chest, bowing low enough for her long silky hair to cover her face. He slowly folds his fingers over the letter, giving her hand a squeeze as he presses it back towards her.
“B-but…” she looks up; there are tears in her eyes, “why…?”
“I suppose,” he says, voice light and conversational, almost as if he were remarking on the weather, “I’m just not the dating type.”
The girl mumbles something before sniffling and wiping at her eyes. She is, Suo admits, not a very pretty crier. But then again, he thinks, most people aren’t. She nods again, as if to herself, clutching her unopened letter to her chest before dropping into another deep bow and dashing off. Suo can hear the clipped echoes of her sobs as she races down the near empty streets, and he sighs.
He turns on his heels and makes his slow way back to his own house, the place small and empty, but clean. The single wooden shelf is lined with books, alphabetized. His futon is folded neatly in his closet. He goes through the motions of making tea, pouring the boiling water over the dried leaves, watching them unfurl. He breathes in deep and thinks of you —
You were the one who first taught him how to brew tea, your small hands not yet big enough to hold a teapot proper, but whatever you’d lacked in skill, you made up for in determination. He’d always admired that about you, the sheer recklessness of your nature that bled, somehow, into courage in his young mind.
“Careful! It’s hot…” he’d warned, reaching out to catch your wrist, but too late, the water had already spilled a little and you wince, but you don’t let go, your arms quaking as you set the scalding teapot down, biting down on your lips to keep from crying out.
“I know it’s hot! But you gotta use hot water if you wanna make good tea!”
And there, through the misty haze of steam rising from the pair of cups, sitting across the table from you, Suo thinks you’re the most beautiful creature in the entire world.
He loses you, he reflects, the same way he loses most things in his life — accidentally and to the well-tempered beat of fate from which no one can escape. One minute you were right there in front of him and the next, well…
“Moving…?” he says the word as if he’d never heard it before. You sigh, nodding, staring listlessly into empty space, your knees curled up and pressed into your chest, your chin propped on your crossed arms.
Suo blinks, “But… where are you moving to?”
You shrug, “Tokyo, I think,” you say the word with a soft resignation only found in those who have seen and lost, seen and lost again. Suo thinks he understands; looking back, he’s not sure he did just then.
“Because of… your dad’s work?”
“Yeah. He says that if his company does well there, we’d be ‘set for life’ — whatever that means,” you say, picking at a bit of invisible lint on your sleeves.
“But… what about your mom? And the teashop?”
You purse your lips, mulling over your words as if you’ve got a sour cherry pit caught beneath your tongue.
“She says… she can’t leave it. So… she’s staying here.”
“Oh,” Suo says, sitting back against his bedroom wall. Even back then, he was smart enough to understand the implications.
You nod.
Judging by the look on your face, so are you.
“So… when…” he can’t really make out the words; there’s something stuck in his throat that feels oddly like an entire handful of sand.
“End of the month,” you say, finally looking up at him to catch his eyes. And there, he sees the insurmountable sadness, the longing he’d sometimes catch a glimpse of in the slanted summer light. As if you’re waiting for him to do something, to say something. He could never figure out what exactly it was you’d wanted him to do. To say.
Stay.
He’d later realize.
Please.
He’d repeat the words to himself in the encroaching dark, lying on his futon, watching the light cast on his walls go from white to gray to gold, and slowly, sinking into cool, hollow blackness.
Don’t go.
He mouths the words until he can almost taste the shape of them on his tongue. He swallows around them like a fistful of sand, flips onto his side, and tries to go to sleep.
You appear before him like a daydream, a near mirage in the summer heat. One second, he’s laughing with Nirei at something Sakura’s said, and the next, he’s standing stock still, staring at the end of the street where he’s sure he’d just seen you —
You look older now, but then so does he, and your hair is longer, but the shape of your laughter, the light of your eyes — he wouldn’t miss those anywhere. Not then, not now, not ever. Even after all these years.
“Suo-san…?” Nirei peers up into his face, tugging on his sleeve.
“Hm? Oh sorry — I just thought —” he glances back at the end of the street. Just a large van and a few young workers, hauling things out from the back.
“Oh, there’s a new teahouse opening in town! That must be them, moving in!” Nirei says, cheerful and oblivious as always.
“What’s a teahouse do, anyway?” Sakura asks, picking at his ear and flicking something off the end of his pinky.
“Uhm… make tea?” Nirei offers.
“Yeah, but don’t we all know how to make — where the hell’s he goin’?”
Suo takes off down the street, whipping passed their usual haunts, the taiyaki shop, the okonomiyaki stand, Pothos cafe, to the corner of the street, just where the sidewalk threatens to curve into some more residential place —
“Oi!” Sakura calls after him but he doesn’t listen.
There — that sound. Sugarplum and silver bells.
The space is undone, the door propped open with a wooden crate, the young men with the moving company tutting as they grunt and step around Suo to carry more boxes into the space, setting them down along the walls.
“— there’s good, oh no — not that one — that one goes… oh here’s good! Thanks!”
You.
He sees you like something from his wildest daydreams, the shape of you in smoke and stardust — the light twisting and twining around you as if it knows, treating you differently than it might all the other people and objects in the room, focusing around you to paint you in richer tones, in brighter lights and deeper shadows. The air seems to gather around you like a held breath.
And for a moment, Suo himself forgets quite completely that he himself might need to breathe as well.
You turn your eyes on him and the world seems to shift focus like a camera lens shifting zoom. Everything blurs, sound slows, drags, distorts. The room around you fades until it’s nothing more than a suggestion of shapes and space.
Suo sucks in a breath.
“Sorry — we’re not quite open y…”
Your voice trails off, and vaguely, Suo thinks that you sound different than you did before. But there’s still the same lovely cadence to your words, the rounded edges, the crispness of your diction, the sheer weight of your conviction in the things you say and how you might will them into truth.
“It’s… been a while,” he says. His own voice is weak, wavering, dry and scratchy and sounding nothing like himself but he sees the moment you recognize him, wholly and completely.
“H-Hayato-kun!”
“Oi, Suo — who’re you —” Sakura rams a shoulder into him at this exact moment, Nirei pattering close behind, trying to hold him back. Sakura blinks at you, his head flicking between you and Suo as if watching an invisible tennis match. And then, some understand seeps into the depths of his eyes and his cheeks go a ruddy shade of pink.
“Uh — sorry, I didn’t — who —” he looks bewildered and awkward all at once.
“We’re Suo-san’s friends — from Boufuurin!” Nirei cuts in, finally succeeding in tugging Sakura to one side and peering around the rather narrow door frame. He bows slightly before jumping half a meter in the air as a mover clears his throat loudly behind the group of boys now clogging the door way.
You jerk out of your reverie and point the mover towards an empty corner before making your way over, your steps steady. It takes everything in Suo’s being not to move, to neither shift forward, to press into your personal space just to make sure you’re really real, or to turn tail and run till he doesn’t have the breath to keep running any more.
He can’t tell which he’d prefer more, but he knows that neither is the best option right now.
So, he forces himself to stand still, to wait for you to come to him.
And you do, drifting over in a cloud of light linen and a flower patterned apron.
“Hi! Long time no see!”
Suo registers faintly that though your hair is longer, but your bangs are still choppy, and the ends of your hair badly cut, as if you’d gotten annoyed one day and tried to do it with kitchen scissors. He bites back a smile at the image. But there are other subtle changes too — the round babyfat on your cheeks slimming out to a sweet, heart-shaped face, the hugeness of your eyes, almost alien-like in your child years, now balanced out by the depths of your features. Your lips are small and plush as an overripe plum — that, at least, hasn’t changed in the slightest.
“Yeah… what… are you doing here?” he asks, still struck dumb by the sight of you here, in Makochi.
You raise an eyebrow and Suo almost feels the motion like a gut-punch, the familiarity of it overriding your older features until he can’t really tell if he’s living in the present or if he’s been suddenly and unwillingly shunted into the past.
You scoff, “Opening a teahouse, duh!”
Nirei laughs and Sakura lets out a snicker that kicks Suo out of his stupor. He clears his throat, having the decency to at least look abashed.
“Sorry, yes — that much is obvious. Is there… anything we can do to help?” he tries to ground himself in the established notions of aiding the citizens of Makochi. At least here, he knows what he has to do. His voice evens out, his smile returns.
You regard him with that same, questioning look before casting your eyes around the room.
“Sure! Plenty to do if you guys have the time —” and then you start pointing to the various tasks they might help with.
Nirei and Sakura jump to, already used to the pattern, with Suo trailing behind them, moving slower than usual, his limbs feeling heavy, as if they’re full of lead. It takes them the better part of the afternoon to help you set up most of the bigger pieces of furniture. And somehow, by the time they’re done, a good chunk of the freshman class is there, chattering and laughing, lounging at the newly built tables.
“Alright! Who wants some tea? Fresh and on the house — consider it payment for a job well-done!” you clap your hands, grinning as the boys all cheer.
Suo keeps quiet, sitting at a corner table with Sakura beside him, Nirei across. It isn’t until Sakura digs his elbow rather painfully into Suo’s ribs that he turns his face towards them, hitching a smile to his face.
“Hm?”
“What’s with you?” Sakura asks, never one to mince words. Across from them, Nirei nibbles on his lips as if debating on whether or not to add on to Sakura’s line of questioning
“What do you mean?” Suo asks, folding his hands carefully on the table. He’s not fooling anyone; he knows, but that doesn’t mean he shouldn’t at least try.
Finally, impulse wins out and Nirei blurts out —
“You’ve been staring at that girl all afternoon and — and I’ve never seen you look at anyone like that before. And you’re the one that gets the most confessions out of anyone in our year, so it figures that if this girl c-can capture your attention like this, she must be someone really special.”
He finishes slightly out of breath, before ducking behind his little notebook, even though he’s holding it upside-down.
Suo lets out a helpless laugh.
“I didn’t know you were keeping track of how many confessions all of us got — that statistic seems irrelevant to our fighting abilities, no?”
“Quit tryna change the subject,” Sakura cuts in, loudly.
Suo sighs, nodding, “I was getting there. We —” he cuts off, clearing his throat as he feels his entire body catch on the edge of the confession.
He takes a deep breath and starts again, this time, pressing a slight smile between his lips, taking on a tone as if telling a story about someone else.
“We were neighbors growing up.”
Nirei blinks, “Is… that it?”
Suo’s smile goes a bit stiff and plastic, “More or less.”
“Liar,” Sakura folds his arms, frowning as he stares Suo down. His cheeks are still pink, but there’s a determined glint behind his eyes that never bodes well.
“Ah… well,” Suo weighs his options, but then lilts his head and shrugs, “you caught me — we were a bit more than just neighbors… more like childhood friends.”
Sakura narrows his eyes but doesn’t push. Suo looks down at his hands, laced carefully on the wooden table before he speaks again.
“We… spent a lot of time together and… her mother owned a teashop like this one.”
“Oh! A family business!” Nirei says.
Suo opens his mouth to correct him but your voice cuts him off.
“You still have them!”
A finger slips along the long tassels of his earring and Suo nearly jerks away, casting his eyes up to find you, a familiar teapot in your now steady hands, your eyes somehow bright and dark at the same time as you look down at him.
“Oh… yes, I —” again, he feels his throat catch, “of course I did. You were the one who made them for me.”
You let out a light laugh, setting a few teacups down at their table and prepping their tea.
“You didn’t have to — I’m surprised they held up after all these years. You know I bought the red beads at the craft store right?”
“Yeah, you… you used your New Years money. I remember…”
“And you helped me pick out the tassels from the lady who sells lucky knots at the market!” you say all this as if it weren’t one of his most precious memories, as if he hadn’t gone to great lengths to make sure the earrings you gave him (one of the only things you’d ever given them, other than perhaps a broken heart) never came to any harm.
Across from him, he can see Nirei putting the pieces together. Next to him, Sakura seems stunned still by the same revelation.
“If I’d know you’d like them so much, I would’ve made you a few more pairs. At least that way, you can try to match them with your clothes,” you grin, leaning down to seep their tea. Suo watches as the hot water washes over the dried leaves, rehydrating them till they each unfurl into their own shape. A deep, floral fragrance fills the air and he feels his stomach both twist and settle in the same motion.
“Jasmine green,” he says.
“Mhm. Your favorite. It’s a little basic but I love it too.” You shoot him a surreptitious wink. Then, you pause, “Ah — but it might not be your favorite anymore, I guess —”
“It still is,” Suo says before you can second guess yourself.
The smile that re-alights your face is nearly blinding in it’s brilliance.
“Anyway, I’ll leave the water here for you guys, yeah?” you set the teapot down next to Suo’s elbow, flash them all one more smile before twirling around and going to serve the next table.
It isn’t until much after dark that everyone leaves and Suo, having made up some vague excuse to linger, finally has you to himself. You hum as you flit from table to table, wiping them down and pushing in the chairs. Suo watches you for a solid minute before moving to help.
“Thanks,” you say, as he helps you push in the last chair and you wipe a forearm across your forehead with a long breath, “phew! Ma really made it look easy back in the day, but this is hard work! And we’re not even officially opened yet!”
“We’ll come by to help whenever we can,” Suo says, the response automatic.
You nod, folding the tablecloth neatly into a square and setting it on the counter.
The silence thickens around you, swirling and charged. Suo grasps for something to say, anything to say. He wishes you’d do something — turn on a light, hum another song, say something strange and outlandish, punch him, perhaps.
You do none of those things. Instead, you wipe your hands on your apron and turn to look at him, your eyes huge in the darkness.
“I’ve missed you.”
It nearly knocks him from his feet. The quiet force of your words, the raw-edged honesty behind them. The way your voice doesn’t waver. The way you say them not like an accusation but an admittance. He thinks he really would’ve preferred if you punched him instead.
“Yeah,” he says, feeling breathless, heat cresting up his chest, and suddenly, he’s thankful for the darkness within the not-yet-opened teashop.
“I’ve missed you too.”
He feels hollowed out by the confession, as if just speaking the words had carved him clean, so clean that the words echo through him, reverberating through his bones till he feels it down to his marrow. He hadn’t known that missing a person could feel like this, or that the word could mean so much until he’d said it out loud.
Missing. The lack thereof. A nothing where there used to be something.
It is a wrongness in the matrix, a hole, an abnormality.
It’s as if he’d been sleeping on the mattress from the Princess and the Pea ever since the day you’d left, a subtle incorrectness that permeated every single moment of every day, so obvious in it’s presence that it had folded back into itself and become something.
That the lack of you was a presence in and of itself, a living ghost that had loomed over him, slinked behind his shadow, hovered over his shoulder until —
He reaches out to touch you, fingers skimming against the skin of your cheek.
You lean into his touch, the motion slight but he catches it almost immediately, and the force of it is the catalyst that propels him forward. He tugs you into his chest and holds you there, burying his face in your hair.
“I — I’ve missed you…” he says again, and you nod, fingers crumpling in his school uniform as you press your forehead into his chest.
“Y-you’re so much taller than before — it’s not fair,” you say, your voice muffled by his shirt. He laughs, ruffling your hair for a second before his fingers so soft and he’s running them through from root to end.
“If I had a sister, I’d tell her to keep her hair long, so I could braid it,” he’d once told you when the two of you were barely in elementary school. You’d tugged at the ends of your chopped short hair and frowned.
“Ugh — I could never grow my hair out long. It’ll just get in the way!”
“It’s longer,” he says now, tugging at the ends even as he takes half a step away, releasing you from his embrace. You glance down at the uneven bits, crinkling your nose in distaste.
“I — I tried to grow it out but… I kept getting annoyed.”
“Yeah, I thought so but… I’ve always liked your hair short.”
“You have?”
“Yeah —”
I’ve always loved everything about you.
He swallows, “Short hair… just fits you.”
You stare up at him for a second longer before nodding, your eyes flickering away.
“Yeah. Guess it does, huh.”
Something clunks in Suo’s chest.
You turn away and he has to physically beat down the panic rising in his chest.
“W-where do you live now? I’ll walk you back. It’s not safe to walk around alone in the dark,” the words tumble from him like a bag of spilled marbles, scattering across the hardwood floors.
You turn back to regard him with a curious look.
“I — I live above the teahouse. So…” you shoot him a lopsided grin, a finger pointed up towards the ceiling of the teahouse.
“Oh. Right.” Suo blinks, watching you watching him before he notices the flight of stairs behind the open door in the back of the room.
“You wanna walk me to the stairs?” you ask, grin slanting sideways till its positively devilish and Suo feels a shiver kiss it’s way up his spine.
“I mean, it’s dangerous to walk alone in the dark, right?” you tease, before turning and slinking towards the back room door. Suo hesitates for a second before he sighs, shaking his head and following behind you.
He pauses at the foot of the stairs just as you pause on the step right above him. You twist around to face him, and the sudden closeness catches his breath in his lungs. Like this, he can feel the heat of your skin, can smell the shampoo in your hair — the same one you’d used when the pair of you were still kids, apple blossom and aloe.
You cock your head, your faces now on a level, your eyes searching his.
It’s so dark, but even in this lack of light, he can make out every single feature of your face.
“I think I can make it up the stairs by myself,” you say, your voice barely more than a whisper, conspiratorial and low.
Suo lets out a small laugh, nodding, “Good. It wouldn’t be right for a gentleman to leave a lady feeling unsafe at this time of night.”
Your head slowly cocks the other way; he’d almost forgotten that habit of yours, like a sparrow listening for the rustle of leaves or the first breath of autumn wind.
“Since when’ve you been a gentleman?” you ask, still in that soft, whisper-voice, the kind of voice that compels the listener to lean closer, to tip forward until they’re falling into something they don’t even have the name for —
“And… more importantly, since when have I ever been a lady?”
He kisses you then. Or perhaps, you kiss him first. It doesn’t matter — or perhaps it does, or it will. But not now, not in the soft, nebulous darkness that surrounds you, not when your fingers are curling into his hair and his palms are settling at your waist.
And there are no fireworks, but there is light — electricity coursing through his body and yours, neurons firing and firing and firing. A cataclysm of yes and more and finally.
The first time you break apart, Suo is breathless; the second time, he feels punch drunk; by the third, he’s determined that this must be what it’s like to be thoroughly inebriated. His head is spinning, his face is hot, he has to remind himself of where his hands might be — oh, there — one in your hair and the other pressing you to him so hard he’s certain it’ll leave a mark.
The thought pleases him more than it should. Or perhaps it pleases him just as much as it should and always will.
“H-Hayato…"
“Mm — stay — please…” his voice is nearly broken as he drops his had into your shoulder; he takes a shaky breath, “don’t go.”
You let yourself be held, the pair of you propped awkwardly on the first few steps of the stairs, your fingers threading through his hair.
“I’m not going anywhere… this is my house now.”
Suo nods, vaguely aware that there are questions he wants to ask you — how’s your mother? Where’s your father? How are you here, alone, opening this teashop by yourself? Living here, by yourself?
But he will get to those later, tomorrow maybe. Right now, he forces his head up and regards you with hazy, blown-out eyes and kiss-slick lips.
“If I sleep on the floor, can I —”
You laugh, running a thumb along his cheek.
“We’ve shared a bed before and nothing’s happened. You don’t have to sleep on the floor — bed’s big enough for the both of us.”
Suo presses his lips for a second before shaking his head.
“It’s not that. I just… don’t think I could trust myself.”
There’s a hoarse, ragged edge to his voice that has you chewing on the inside of your cheek. He glances up the stairs and offers you a weak smile. You consider him for a second more before nodding.
“Yeah, c’mon. I’ll show you where the futons are.”
Upstairs, your bedroom is silver and alien with moonlight. It seems too bright, too sharp. But you step into it and suddenly, everything is alright again. You both wash up in silence, and you dig up an ancient band t-shirt from somewhere in your closet. He wonders how long you’d been here already — how many days and night he’d spent mere minutes from you.
He lays down in the futon after you slip beneath your sheets. He watches the shape of you as you shift this way and that.
Finally, you say, “Night, Hayato.”
“Sweet dreams,” he says.
And he falls asleep counting the sound of your breaths against the rhythm of his own, thundering heartbeats.
“Y-you what?!”
Sakura’s face is tomato red and Nirei looks just about ready to go into anaphylactic shock. Across the classroom, Kiryuu, who’s obviously been listening in, catches Suo’s eye and gives him a cheeky thumbs up.
Suo smiles, cheery and unabashed.
“I slept over.”
“B-b-but — you — I — she just —” Nirei seems to be fighting against some invisible force inside himself even as Sakura continues to gape.
Suo chuckles, nodding.
“Yeah, she moved here last week — it’s a total coincidence that we met up again. She had no idea that I was even here.”
He thinks back to the quiet moments of the morning, of waking up to find you sitting up in bed, staring out the window, your hair mussed and a little frizzy. He remembers the way the morning light had dappled the soft of your skin, how you’d smiled and asked him how he slept.
“Well. Better than I’ve slept in…” he clears his throat, suddenly self conscious of the gravel there. And here, in the unforgiving light of day, the night before seems miraculous and distant. Had he really held you in the dark like that? Kissed you till you’d said his name like something of a prayer?
Had he really held your hand all the way up the stairs?
You catch his eyes and smile, and like this, looking up at you as the rising sun halos itself around your shape, Suo wonders if he still might be dreaming. Because surely, surely — heaven couldn’t have been so close as this.
“So, what do you want for breakfast?” you ask, swinging your legs out of bed, your pale feet pattering against the fresh tatami floors. Suo is momentarily stunned by the sight of your bare legs, the large shirt you wore to bed now somehow terribly short and insufficient as it brushes by the middle of your thighs.
He swallows and forces himself to look away, to shake his head and focus on the words you’d said.
“Whatever you want to make,” he says, by way of an answer.
You hum as you cook, putting a bowl of rice in the microwave and putting on a pot of water to boil. The kitchen here is smaller than the one up front, in the main body of the teahouse, but it feels more homely, every surface effused with a sort of lived-in quality — clean, but rounded at the edges as if worn down by the love of days and weeks and months.
“How long…” he tries his voice again, only to find it wanting. He lets his words trail off and hopes that you understand.
“Hm? How long have I been here? Just a week. It was weird — my mom had bought this place a while back, and started the renovations, but I’d never had time to visit.”
“And where…” again, his voice trails off, his palms pressing flat to the thin counter, his eyes tracking the shape of you as you flitter through the small kitchen like a bird or maybe just a trick of the light.
“She’s not here,” you say, your movements slowing as you take the boiling water from the stovetop and pour it over some rough tealeaves, letting them seep for a few minutes before straining them out and tossing them into the trash.
“She’s… in Tokyo, finalizing the divorce with Pa.”
“Oh.”
His mind makes several inferences at once, even as he watches you soak the rice in the steaming hot tea and split the ochazuke into two bowls.
“I thought they’d… already done that,” he admit, nodding his thanks as you hand him a bowl and offer him a container of store-bought furikake. He takes it and shakes some over his bowl before handing it back.
“Yeah. Most people did.” You don’t offer up anything more and the both of you eat in silence. He polishes off the entire bowl and feels the heat settle in his stomach like a gap being filled.
“So… will she come after… everything is settled?” he choses his words carefully, peering up at you over the empty dishes. You slurp noisily at your own breakfast before licking your lips.
“Yeah, but who knows how long that’ll take? Might be weeks, might be — years, or something…” you drag the back of a hand across your lips and reaches over to pluck the empty bowl from his hands, dropping everything into the sink to soak.
“C’mon, don’t you have school or something to get ready for?”
“So… she’s here to stay?” Nirei asks, his eyes a bit overbright as Suo relays a version of the story, skirting tactfully around the more tender parts.
“Yeah, as far as I know. I promised we’d come by after school today to help her set up some more — you don’t mind, do you?”
“Nope! Not at all!” Nirei beams, but Sakura’s eyes are narrowed. Suo turns his gaze on Sakura and tilts his head with a questioning smile.
Sakura’s cheeks redden, “It’s just — ah, whatever — never mind!”
And no amount of prodding or teasing could tantalize him into saying more.
Time passes by strangely after that — at times slugging by slow as molasses, at others jumping forward in great leaps and bounds. Suo spends nearly every waking moment when he’s not at school or on patrols with you, sometimes simply sitting in the corner of the teahouse, flipping through a book, watching as you served your growing roster of regular customers, at times helping you catalogue new shipments of tea and organizing them by type, brew time, and temperature.
Sometimes, when the light catches you in just the right way, Suo finds himself arrested by the sight, and it’s times like these when he’d tug you forward, a finger under your chin, his lips gentle on yours till he can taste the tang of your smile.
“I heard you’re quite the lady’s man,” you say, casually one day, brewing a test batch of a new varietal of white tea.
“Oh? And where might you have heard such a thing?” Suo grins, pillowing his chin on the heel of his hand, watching you as he always does.
“Just the baker’s granddaughter — she goes the prep school I do, you know the one in the next neighborhood over?”
“Ah… that.”
Your grin goes lopsided as you carefully blow on the top of your teacup and take a dainty sip.
“You got your hair cut,” he says, smiling as he rakes his eye over the cut of your bob, tickling just beneath your earlobe. You go slightly cross-eyed as you tug a strand down over your forehead before blowing it away again.
“Yeah. Figured it was about time I got a proper haircut.”
“I liked it the way it was before.”
“You did?”
“Sure I did. I’ve always loved everything about you.”
Between you, a single column of steam rises in a slow, lazy spiral from the surface of your half-drunk cup. And like this, Suo thinks you’re still the most beautiful creature he’s ever, ever seen.
Your blush is quick and brilliant. Your eyes cut away; you push your hair behind your ears.
“Don’t changed the subject — so what’s this she said about you not really being one for dating, hm?”
Suo shrugs, “I’m not.”
You quirk an eyebrow.
“Then…” you blink at him, cheeks flushing darker and darker, “what do you call this?”
Suo fixes you with a steady look, and now, his voice doesn’t waver when he speaks to you, because he knows that he’d never let the certainty of you slip away from him again. This time, he knows the words to say — knows without the shadow of a doubt his truth, and yours, too.
“I don’t know what I’d call it but… I know that I’ve never really believed in dating.”
You lick your lips, setting the cup down with a soft clack.
“Then what do you believe in?”
Suo doesn’t miss a beat.
“I suppose… I’ve always just believed in soulmates.”
Your mouth falls open ever so slightly. Suo smiles as he reaches forward to tug the strand of hair free from behind your ear just to run his thumb over the smooth, silken ends.
“And, I’ve always, always believed in love at first sight.”
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fleshdyk3 · 2 months
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currently thinking abt the time i posted smth along the lines of "we should do 9/11 again. just keep doing it until nyc is gone" like i cant remember the exact wording but ykwim and this guy i used to be friends with who was i guess trying to find anything wrong with me he could at the time dmed me with a screenshot of the post and was like "are you for real..." like yeah man. yeah i'm going to crash a plane into every building in new york
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chronicowboy · 1 year
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buck and eddie's conversation on the fountain in merry ex-mas gets infinitely funnier to me every time it's like: your estranged wife who you're sleeping with on the DL comes to your place of work and announces to your nosiest co-worker and best friend that you can't talk without fucking, your platonic male bestie ✨ is absurdly quiet about the whole situation which is very uncharacteristic of him so you invite him to bring your son to a mall santa whilst wondering if you can ever trust your wife with your son again, once said child is out of hearing distance you bring up your bestie's silence, bestie replies that it's none of his business and you agree in a way that sounds like you're begging him to question every life decision you've ever made before immediately launching into a full explanation of the situation despite no homo bro sitting there awkwardly listening after doing the absolute Most to avoid this conversation because he's been talking about the situation with his future brother-in-law whilst christmas tree shopping, then he commiserates with you about the never-ending complications of sex with women, both of you are exactly three seconds away from wondering aloud whether sex with men is simpler, but then your son returns from santa's village with an elf who will tell your work husband that the two of you have an adorable son and he will skip away without denying this. just normal best friend things <3
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hamartia-grander · 1 year
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Smthn about Luis giving the lamest kick in the world to an already dead zealot while wearing cat ears is making me piss myself
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lunarharp · 1 year
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into the deep end - 30k T orufrey fic, focusing on memory trauma, disability, and romance.
the sweet oblivion of the victim, the poisoned freedom of the other.
for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.
the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.
but they were never whole to begin with, were they?
qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.
olly says nothing.
#witch hat tag#orufrey#sorry i wanted to make a new post for my fic since the first illustration is new.#*stands in the middle of a desolate field in the pouring rain* Please Read My Tale...Blease..Oh god please..*collapses to the ground*#someone asked if there's spoilers in it. Um...yes. Sorry...it's about everything#maybe i should describe it more? it's about qifrey becoming more and more disabled - as i feel is his canon trajectory#and both of them processing the choices that have been made. it was necessary for me to explore this in order to fully understand orufrey#and for them to have the cathartic conclusion-that's why this is important to me for my witch hat fanwork making life. this connects it all#and having dived into qifrey's mind and lived through oru's feelings i was able to get to a place that is possible for them.#the hit/kudos ratio is so pathetic idek what happened. ppl opening it realising its long and saving it for later or just bailing lmfao#idek any more i hate advertising my writing i hate trying to get more ppl to read my long fics it's so hard 🥲#i'm so much prouder of this than my art...i was able to sink deeply into the orufrey feelings i had always wanted to fully explore#so. it's there lol.........i reread the date/kiss segment today after trying to forget about it thinking maybe the fic is just BAD lol#and like.....nope! i like it very much and this is what i was trying to get across. and it's always there to be read by anyone who wants to#and i will always remember the bliss i felt while writing when i was just lost in their world and living as them. dear GOD i love them.#i'm grateful to myself that i put in the work and love to make this so that i can always come back to it. i wanna illustrate scenes properly#but i'm never satisfied with drawing things i've written because i just can't capture the vivid experience in my mind. maybe one day.
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overleftdown · 9 months
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saltburn and privilege; an investigative tangent
god, where to begin.
i've seen a lot of people discussing this moving and specifically using the word "privilege," along with power, dominance, desire, control, greed, etc. me included. these are all very essential aspects of this movie. what i want to focus on is emerald fennell's nuanced portrayal of how different types of privilege interact. which one trumps the other? which types of privilege are more visible, while others are more subtle? what differentiates different levels and layers of privilege?
when emerald fennell describes the core of this movie, her inspiration for this script, she talks about desire versus untouchability. she chose the most absurd type of wealth to represent untouchability: the british aristocracy. old wealth, generational wealth, so far removed from the majority of their ancestors' sins that they can arguably ignore that the money they're standing on is dirty. and they live in fucking castles. this is one of the most unbelievable, gaudy, visible types of privilege you can imagine. everyone is entirely aware and feels entirely justified to call attention to this type of privilege.
oliver, being the main character, might be considered the least privileged within this movie. i'd like to take a critical look at this. this movie is not a straightforward class commentary; there is no traditional "the poor eat the rich" dynamic. because although some people perceive oliver as the least privileged character in this movie, he is incredibly privileged. oliver comes from a comfortable upper-middle-class home in the suburbs. oliver has two loving parents and two sisters. oliver is white. oliver is a man. interestingly, from oliver's perspective, he's not privileged at all. he hates the cattons because they are more wealthy, more comfortable, more untouchable. this extends to venetia and farleigh, even though oliver has applicable layers of privilege stacked above even them. he knows he has a certain type of power over them... yet he still hates them because they have one type of power he doesn't have.
that brings me to my next point. the existence of one type of privilege does not negate the effects of another, entirely different, type of privilege (or marginalization) [quote]. this is what venetia and farleigh's characters draw attention to. venetia experiences some of the same struggles as many women; she is ignored in her own household, perpetually existing within her brother's shadow (rosamund pike once lovingly pointed out that venetia does not have a single conversation with elspeth in this movie). she's insecure about her body and her worth, so she takes what little opportunity she has to use felix's friends as a form of self-fulfillment. farleigh is not only half black, but he's also queer, non-immediate family, and unaccustomed to english culture (specifically this type of english culture). farleigh is, in some ways, more financially unstable than oliver's family because his mom was too sheltered to understand money and his dad is, apparently, "a lunatic." (that's not to say farleigh isn't economically privileged because oh boy, he absolutely is).
this movie doesn't intend to incite pity from the viewers for any of these characters, and it generally doesn't. oliver is pathetically greedy, ungrateful, and desperate for a chance to lick the boots (or bathtubs) of those above him. venetia is pathetically bored of the privilege she does have yet is still so entrenched in emotional turmoil due to other areas in which she is marginalized. farleigh is pathetically attached to uninterrupted comfort and arbitrary white-centric expectations, constantly running from or attacking any threat of struggle. none of these people understand, comparatively, what the less fortunate experience. they are so ignorant to the bubble they exist in and just how grateful they should be for what monumental privileges they do have. but... felix.
felix is the epitome of privilege. oliver is specifically obsessed with felix. just like oliver, felix is a white man. but felix is more wealthy, more comfortable, more untouchable than oliver. oliver isn't as infatuated with farleigh and venetia because he's fully aware of the privilege they lack. he's fully aware of the privilege he holds above them, and he enthusiastically uses this power he has against them. to be in the position of oliver is to be consumed by jealousy and greed so bottomless that you will assert your dominance over any group that you're able to. felix doesn't need to do this. he's been handed every privilege under the sun and therefor welcomes the less fortunate with childlike interest and an equally childlike attention span. there's an aspect of farleigh and venetia's marginalization that is so invisible, so quiet and unassuming, that felix doesn't even notice it. he can't possibly be confronted by it. to be in the position of oliver is to understand what power you hold over others, because there is always more power to have.
racism, sexism, wealth, power, control, desire. there are so many facets of this movie that come into play. it may seem overwhelming, but this is... how things work. commentary on wealth is, and should be, equally a commentary on other areas of privilege. to be black and wealthy means different things than to be white and wealthy. to be a wealthy woman means different things than to be a wealthy man. to be rich to some also means you're much less rich than others, unless you're the richest person in the world. and, as this movie so beautifully portrays, to be richer than most doesn't make you less messy. the catton family is an ugly one, but also a complexly human one. each catton (or start) is jealous of someone else for another reason. each catton is emotionally damaged or incompetent for another reason. each catton has a different layer of privilege over the other. and each catton loves everyone in saltburn, because this is still a family, albeit a terrible one.
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every-dayiwakeup · 2 years
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If Billy Hargrove is your idea of evil, you’re a life virgin. Seriously, you must live in a hell of a security bubble.
 An abused teenager who spent the majority of his screen time in tears and being taken advantage of repeatedly isn’t evil. Labeling stuff you don’t understand as evil or problematic... do y’all ever get tired?? 
Being exposed to “the other side” is literally a part of life, and it’s not a bad thing. It can be good for you, actually. 
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nkogneatho · 8 months
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sub gojo, reader is riding him. they both moaning but gojo is louder than reader and whiney with his moans. he’s like so overstimulated he starts crying through it while praising reader. he also slips out at some point but he quickly slips it back in by holding her hips and just goes off the rails from how good it feels.
🧍🏽‍♀️no hii? no hello?? /j
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nonconstories · 3 months
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Someone pissed me off a couple of days ago
So! Below are several links to programs and foundations that promote adult literacy! Hundreds of millions of adults world wide were failed by their education system and now must fend for themselves while trying to read contracts and hospital bills and infographics from the CDC. But they don't have to be alone, and it is never too late to learn!
ProLiteracy: A network of educators, researchers, and advocates which provides research reports, learning materials, and other support to adult education programs. They assist with connecting volunteers to local programs and provide guidance and support to community leaders trying to use their programs' findings to advocate for social and political change.
Adult Literacy League: An adult education program in Central Florida, which aims to provide students with one on one attention to foster growth and confidence. It also offers English Second Language courses and job skills training, and each new student receives a comprehensive assessment to determine the best plan for them.
Saint Vincent and Sarah Fisher Center's Foundational Skills Program: A 100% free adult education program aimed at adults reading below a fifth grade level. It operates year round and is either in person or remote, and they now have a GED testing center that is open to students and the public alike.
Washtenaw Literacy: A free network of trained tutors for adults in Washtenaw County, Michigan.
Adult Learning Program (Las Vegas/Clark County): Free education classes to those lacking a high school diploma, those seeking to learn ESL, and adults who read below an eighth grade level. Also assists in students' search for gainful employment. Nevada got so fucked by COVID and the education/literacy numbers in the South West are grim. Please help these guys.
Hawaii Literacy: In addition to helping adult residents of Hawaii Island learn to read and write AND bridging the education gap in Hawaii's underserved children, they offer computer literacy classes, ESL classes, and a bookmobile. 1 in 6 Hawaiian adults struggle to read and write.
#Not Stories#mutual aid#adult literacy#'uuhhhggg its soooo disappointing when i meet a girl who's like 'yeah omg i luv 2 read'#'and then she only reads booktok trash and grocery store thrillers and manga'#'like come on thats such a turn off :/'#'like aren't you bored??? what about reading The Foundation and War & Peace and Grapes of Wrath where's THAT girl haha'#nobody gives a shit what sort of high school reading list gets your dick stiff! NOBODY!#I'm too busy dealing with the fact that most public education systems hate students of color and anyone with a learning disability#from the very bottom of my very dyslexic heart go fuck yourself#'this chick only read 8 books in twelve months lmfao thats so pathetic'#'i read eight books a MONTH some people really give up after high school'#do you think my great grandfather or his father got to fucking finish high school????#or were they busy getting fucking shot at in germany in two different fucking wars????#thank every god you wanna name that my lunatic mother stopped abusing me long enough to put me through FIVE YEARS OF TUTORING#to get ME literate because that's what it fucking took#I watched more than one kid from my underserved semi rural district drop out at 17 or 16 or 15#because their parents needed a third paycheck or they were gonna lose the goddamn house#10% of my majority black school district graduated FUNCTIONALLY ILLITERATE and not an ounce of it was those kids' fault#our racist ass school district failed them and the district did NOT protect my white ass when I was diagnosed dyslexic#the adult literacy crisis is not about you getting a girlfriend who can discuss Ayn Rand with you#the adult literacy crisis is about us being exploited and neglected and made easier to control and manipulate#reading is FUCKING HARD and learning to read after the age of six is SO MUCH HARDER#so from the VERY very bottom of my VERY very dyslexic heart#FUCK. YOU.
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dceasesd · 3 months
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i just re-read batman: three jokers and man. it could have been such a decent comic if not for the forced romance plot between jason & babs
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sh4rksp34r3 · 3 months
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Anyone: does literally one thing Me, internally: LMFAO look at this idiot they're such a pathetic bitch
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silusvesuius · 4 months
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N*loth is literally prime NPD representation and that's just how it is. Dat's just how i feel . if iiiiiii hear anyhing ab him needing to be humbled or put in his place i'll just tear my hair out right here and match his look. not even trying to lift him up or defend him i'm just defending the mentally ill skajrim characters nobody wants to understand,
#text#literally sick to my stomach from people sayin that shit omfg#no i'm exaggerating but be serious#my sk*rim NPD trifecta is n*loth + s*ddgeir + m*raak#s*ddgeir is the one you all should be humbling cause he's just gay (derogatory)) and materialistic#i swear n*loth didn't do anythign to any of you people he doesn't even like fancy stuff even tho he has the bag#people see a smart bih with a rocket science degree and just wanna say she needs to be '' '' put in her place '' '''#my hyper sk*rim character rambling. .. but seriously tho...#i think 2 this site its: traumatized character = 'sad wet cat'#intimidating woman = 'MAMA DOM'#and character with blown out ego = 'actually pathetic'#like i'll start swinging idc#m*raak is a good personification of NPD cause he doesn't wanna believeee there's someone better than him in his 'skill'#notice how he's Always throwing shit on U for no reason#he's so mad. lols#the entire DB DLC is about m*raak's NPD and how it consumed him. very artistic..#but n*loth i find to be extremely realistic even in the little things#how his NPD isn't an escape from anything but just pillars of his existence#+how his ego doesn't help w/ not caring about wat others think about him.. he neeeeds that validation to feel good 2#but not to survive. his Ego can carry him on it's own#i'll defend n*loth's mental illnesses with my life idrc abt m*raak's diagnosis tho just cause he annoys me from the gameplay LMFAO BYE#if i sound crazy when i post shid likethis it's cause you don't LOVE sk*rim like i do.........rubbing my temples
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