#THIS IS UNBELIEVABLY LONG

[quillkiller]

what do you think about ludora (lucius x pandora)?

i haven’t really considered them, sorry!! i’ve seen a few of saints posts where they’ve been tagging them and i’m intrigued!! but i don’t know any lore about them other than that, so i dont really have thoughts:/

however. i am very big on lurthur (lucius/arthur) which is genuinely the only thing that’s been on my mind for days now. so let me take this opportunity to talk about my (and @sugarsnappeases ) lucius <3

my lucius is transfemme but doesn’t ever come out. she does present as sort of androgynous, but in a way that she gets away with it. she’s tall and well respected, but she has her long hair and she’s sooooo pretty. she yearns for everything bellatrix despises. they’re absolut polar opposites to me. lucius wants to be a fragile woman, someones wife, more than anything. she’s a coward bad at being a father and worse at being a husband and she’s just bad at being a man. she yearns for womanhood. to me. but will never live as one.

except for! with arthur. they’re secretely dating at hogwarts. arthur was a mix of bill and charlie back at school. he was a soft punk leftist stoner type guy. and they’re just drawn to each other and start having this secret affair behind closed doors. arthur wears his leather jacket and tells lucius that she’s so pretty. such a pretty thing. braids her hair and touches her gently. like lucius has always longed for. however! they dont communicate. lucius never actually tells arthur her deepest desires about being a woman. never tells arthur how badly she wants to be his wife. arthur treats her like this because he knows her better than anyone, but lucius never lets him all the way in. so arthur knows lucius wants to be treated gently, wants to be called pretty, wants to bat her eyelashes at him and wear pretty things. and thats enough for lucius. its as good as its going to get. they’re always doomed because lucius has to marry a woman and produce an heir. its her only duty.

they break up eventually and both of them get married. athur marries molly, which is ALSO lucius’ opposite. everything she’ll never be. she’s funny, happy go lucky, charming, pleasant— and a woman. lucius is tall, bony, lanky, unpleasant, a downright cunt— and not (percieved as) a woman. she hates molly with a passion. she’s resentful and jealous and downright nasty whenever molly visits arthur at work. because arthur and lucius both work at the ministry <3

lucius marries narcissa. narcissa who’s so similar to lucius. according to me and @sugarsnappeases. they’re both quiet, prefers being in the background, scared, timid. lucius is essentially marrying the woman he so desperately wants to be. which is so interesting in contrast to narcissas own self hatred about her position. like yeah there’s probably a small pool of pureblood witches she’s allowed to choose from, but she’s still percieved as a man and has the choice. and she picks narcissa because it’s the version of herself that’s allowed to be a woman. it’s an okay marriage at first. they sort of understand each other. but it turns more and more sour the older lucius gets, the more she pushes down her own womanhood. she resents narcissa just for being allowed to be her wife.

the affair with arthur continues because neither of them can stop. it continues for years! years!!!! and they’re still not really communicating. lucius has this entire one sided version of their affair where she’s arthurs mistress. she makes sure they’re always messing around in arthurs office because lucius wants to feel like the wife/mistress coming to seduce their husband at work. but she never actually outright tells arthur all of thus. again, arthur knows her better than anyone and makes lucius feel like herself in ways no ever has, but never completely. never fully. arthur doesn’t know about how lucius yearns to be his wife. his girl. he asks arthus to tell her she’s prettier than molly. and arthur does. always. lucius asks him to tell her shes prettier than narcissa. and arthur does. tells lucius she’s the prettiest thing he’s ever seen. lucius will dress up for arthur, wear womens underwear, silk anything, do her hair and arthur will treat her gently and worship her

so like. lucius never gets to live as a woman but she gets (almost) everything she wants from this affair with arthur. because she has her own idea about what this affair is. in her head she really is arthurs good girl. she’s made it out in her head where she’s the woman of arthurs dream. AND SHE IS !!!!!! AND ARTHUR WOULD SAY SO !!!! IF THEY TALKED !!!!! BUT THEY DONT !!!!!!!

molly gets pregnant. its fine. arthur has lucy on his lap in some weird wizard motel and tells her it doesnt matter. i’ll never leave you. i cant leave you. i’ll be here. you’re my pretty star. i’m your man. it doesn’t have to change anything.

bill is born. it changes everything. arthur falls in love at firt sight. having a kid changed arthur wholeheartedly. he looks into that baby’s eyes and he decides there and then he’ll clean up his act. hes going to be a good husband and a good role model.

arthur loves his kids more than he loves lucy, but he loves lucy more than he loves molly. he spends his days with his kids (HIS MILLION KIDS) and its enough. it fills his heart and there’s no lucy shaped void. then he goes to bed with molly and that’s when lucy comes running back into his mind again.

so they break ut off. for real this time. and arthur doesn’t come back. he wont let himself. and lucius just. goes off the fucking deep end after this.

she finally produces an heir and hopes maybe she’ll understand. she’ll see her kid and feel what arthur feels. but draco is born and lucy doesn’t feel anything. but narcissa connects with draco immediately. and lucy hates her for it. hates her for her maternal instincts and is so jealous and resentful. arthur is gone and even tho arthur never knew the full truth, it was the closest thing lucy had. the closest thing she had to feeling like a woman (which. unhealthy. and isnt fair on arthur obviously. this is not a wholesome love story). now she’s fully and completely trapped being a well respected pureblood husband, statis, a father, there’s a war at the horizon. etc etc etc .

arthur and lucy almost relapse once. years and years later. after the first war. maybe even after ginny is born. lucy is in arthurs office. and theyve just been talking. and its getting intimate. and arthur knows its dangerous territory. and hes been avoiding this. but he just cant this time. and eventually they’re so close. their lips are only inches apart. and lucy says ’i’d leave it all for you, if you asked.” and that’s. ruins everything. arthur snaps out of it immediately.

BECAUSE WHAT LUCY MEANS IS I WANT TO BE YOUR WIFE. I WANT A SECOND CHANCE AND I WANT IT WITH YOU. BUT WHAT ARTHUS HEARS IS I WOULD LEAVE MY FAMILY WITHOUT THINKING TWICE. I’D ABANDON MY CHILD. AND THATS THE THING. THEY HAVENT EVER COMMUNICATED. ARTHUR DOESNT KNOW WHAT LUCIUS THINKS SHES OBVIOUSLY TELLING HIM. all arthur hears is that lucy would abandon her son. and arthur changed when he had children. and what lucy means is i did it all wrong and i regret it and i want to be your wife.

kara had this really interesting point about lucius and narcissa being very similar in that way of not communiacting. and in being hopeless (irrational) romantics. like. lucius thinks that arthur should just know. lucy is convinced that arthur is the love of her life. that they were made for each other. and arthur should just be able to know. be able to read between te lines. lucy thought she was being romantic when she said she’d leave everything behind for arthur. BUT THATS NOT WHAT ARTHUR HEARS .

anyway. yeah. lucius gets to feel like a woman twice in her life and it’s with arthur and bellatrix. you can read about her relationship with bellatrix here and here. which to me takes place during the first war, post arthur breaking it off with lucius. it’s unbelievably unhealthy and self destructive and not dynamics i endorse! but dynamics i find interesring nonetheless <3 also tw for pseudo incest i guss because lucy begs bella to tell her she’s prettier/better than narcissa and bella does <3 because she’s also fucked up !

[sculkshrieking]

Saw IV and V but make it one of those classic children's cartoons

[libraryofgage]

Been watching sooooo much say yes to the dress so.....

Steve and Robin are consultants and co-designers at Kleinsfeld. Robin especially loves designing and Steve really loves that moment brides find The Dress because they light up and he helped make that happen and it just makes him smile

Enter Eddie Munson, rockstar and definitely not in a relationship but at Kleinsfeld to find a dress he can wear for an upcoming music video that's a little corpse bride vibes re revenge and murder (dead bride raised by necromancer and given opportunity to get revenge on her killer ex)

Eddie shows up with the guys and Steve/Robin are their consultants (they can't be separated bad things happen like Robin knocking over a rack of dresses bc Steve isn't there to pull her back in time) and when Steve (knows who Eddie is, doesn't care that much, they get celebrities all the time) asks who the bride is neither blink at Eddie raising his hand with a shit eating grin

They just go right into the design/style/budget questions and Eddie is almost disappointed he didn't get to cause more of a scene lmao

Anyway Steve is the one helping in the dressing room and he's getting Eddie into this big dramatic ballgown when Eddie asks why he's a consultant

Steve inadvertently just rambles about helping brides and making them feel the center of attention and cared for and special during their appointments. He also talks about designing affordable but fashionable dresses with Robin since he has experience with high fashion and general design and she knows best about keeping costs down without making things ugly

Obviously Eddie Munson is immediately heart eyes listening to this guy describe all of this while expertly lacing a ballgown corset and getting clips in place so it fits right and before he knows it Steve is leading him to where Robin and the band are waiting

The guys are immediately all giving Looks (derogatory) but can't describe what's wrong until Robin looks at Eddie and asks if he's adverse to negative feedback

Eddie is like "???? No, I guess???"

And is just even more confused when Robin goes, "No. Really, think about it."

So when he says it's fine Robin pushes Steve forward and tells him to let loose. Eddie is surprised cuz Steve is so sweet? How could he possibly be mean? And then Steve just holds nothing back like "the color washes you out, that beading makes your chest look uneven, the ballgown is actually a horrible silhouette on you because you just look uncomfortable having so much dress hanging off you"

And he says it all with this little popped out hip and slightly pursed mouth and raised eyebrow and it's so so bitchy and Eddie is fucking in love okay, he's gone, he needs to make fun of other people with Steve immediately

But also he's a gremlin so he's like "can a guy even look good in a wedding dress tho, like, does it matter?"

And Robin immediately jumps in like "of course it does you plebian especially if you want the music video to be any good"

This leads to Eddie and the guys not believing them so Robin and Steve share A Look and they do love proving people wrong so they're both like "bet" and tell Eddie to wait there

Cue them grabbing a sample dress (click to see what I'm thinking literally this is such a pretty dress holy shit) from their collection, putting Steve in it, and then showing it off

Eddie is dead. Immediately. Steve's arms? His legs? His chest? His confident little smirk as he spins in front of them?? 4 braincells dead and 28 injured in Eddie’s head

Anyway he literally ends up on his knees begging Steve to be in the music video, Steve agrees cuz he thinks Eddie is hot and funny, and CC fans lose their shit over the bride and his dress in the music video, especially when he and Eddie kiss at the end after the revenge murdering

[ashoss]

hello fellow jason enjoyers

[ohpassenger]

someone really liked gale in the animation team i feel like

[fras-redacted-shapes]

Saga was beginning to see why Casey disliked the woods so much.

-

this was supposed to be a quick painting to soothe the soul - I always forget how difficult painting is :')

Commission Info

[thinwhitedoc]

SHERLOCK | Martin Freeman as John Watson

[cherrycherryking]

UMM UMM WALLY PAINTING THE READER AS THEY MODEL FOR HIM

✧It was exciting when he asked you to model for him, even if you happen to be embarrassed by it.

✧All of that washes away the moment you realize. huh. That's- a pretty intense stare.

✧Wally is moving his brush against the canvas but does not move his glance in the slightlest.

✧Well, he actually does! Is just that by dumb coincidences it happens every time you blink. so silly.

✧You say something along the lines of being surprised he got you so right in the painting on his first attempt! he's so talented.

✧Yeah. First attempt. "Thats because youre such a good model!" Wally responds with a smile on his face.

✧Technically not his first time drawing you, just the first time you were actually modeling!

yoo this was my first request!!! thank you very much :)

edit: CRYING I FORGOT TO TAG IT

[orionsangel86]

Suddenly remembering the best and funniest Good Omens fanfiction I ever read which was set at a mutual Heaven and Hell "work party" and all the demons had bets to see who could bed an angel by the end of the night. It was hilarious and of course you read it presuming that Crowley will win but be gentlemanly enough to not claim the prize - which of course is what happens, but at the last minute it hits you around the face by revealling that Beelzebub hooked up with Gabriel

and well.

I think I'm gonna go reread that fic...

[cerise-on-top]

hi! how would Valeria and Kate react if their wife’s got hurt because of their work, both of them working highly jobs and it ended up catching up to their s/o. hoe you are doing well and drink plenty of water! thank you!

-🍒

Hello! Both of them would be absolutely distraught, but would go about it in different ways!

Valeria’s and Laswell’s Wife Gets Hurt Because of their Job

Valeria: Whoever hurt you will wind up tortured and eventually, once she thinks they’ve had enough of their miserable life, will wind up dead. Naturally, the first thing she does is check up on you, see if you’re alright and well, that’s her priority. You’re the love of her life, there’s no one else in this world she wants to see do well. You’ll be admitted to the best hospital nearby and will only get the finest treatment. Once you’re stabilized, that’s when the hunt begins. Whoever hurt you won’t get too far since that bastard’s life will be on the line. Regardless of where they might be hiding, Valeria will find them and show them that death is actually a kind of mercy. She has pretty much everything at her disposal, everything money can buy, this sucker won’t know what hit them. If it’s revenge they want, then revenge they’ll get. Valeria promises you that their head will be on a silver plate. She’s not very good with words when it comes to comforting someone, but she will have that person killed in the most cruel ways she can imagine. In fact, she’ll take the pleasure of torturing them upon herself. Once she’s done, she’ll take some days off, which is surprising since she usually can’t afford that at all. You’ll be under her direct care for those days. Anything you want you’ll get. Afterwards there will be a slight shift in her demeanor, Valeria becomes more protective over you. Sometimes she might even assign some trusted people of hers to watch over you since she can’t afford something like that happening again. While she can’t always take some days off, she’ll try to be closer to you anyway. Always texting you, finding excuses to come home for a day maybe. She just really needs to make sure you’re okay, she wouldn’t know what to do with herself if you died.

Laswell: Laswell will try to be a bit more diplomatic about it at first, trying to coax whoever hurt you out of hiding. This person will be held accountable for their crimes against her world. Naturally, she rescues you first, gets you to the nearest hospital and won’t leave your side until you’re stable again. If it takes you a while to wake up again, she’ll leave to find the fucker and make sure they swim with the fishes. She has a pretty large, efficient network and will find out who it was fairly easily. Once she knows who they are, she won’t hesitate to find out all their past crimes as well, if they hurt you then they must have done some other awful things as well. Once that phase is over, she’ll go to their home herself and have them arrested, put in the worst prison imaginable where the inmates are treated especially badly. She won’t kill them, but she wouldn’t be surprised if they wind up dead anyway. Laswell usually isn’t an evil person, but she does hope that person dies during their time. Their sentence will be as long as possible so there’s no chance of them ever seeing the sunlight again either. Once all of this is over, she, too, would take some days off to spend with you. You’re a priority above all else, so Laswell will want to be there for you, no matter the cost. While she usually isn’t, depending on how severely you got hurt she might become a bit overbearing, a bit overprotective. That overprotectiveness will last for a few months, afterwards she’ll try to give you some space again. However, she’ll always be keeping a closer eye on you, always texting or calling you every once in a while to make sure you’re okay. If she needs to, she’ll put you under her protection officially, but the situation needs to be dire for that to happen. Either way, she’ll be keeping you safe.

[keepthetension]

went back to the first few eps of dff to get a memory refresher and when fluke says por will probably die soon, jin says

and the camera cuts to phee giving jin this look

which may be absolutely nothing at all but i can't stop thinking of it as a "oh? now you're desperate to help? now you're worried about letting a friend die?" face

[roachemoji]

🤡 ⭐️ funny little cardigan 🌙 ❤️

maybe I'll actually dress up and style an outfit or something

[superprofesh]

I’d like to thank Colt Seavers for inventing attractiveness

[im-sorry-what-ii]

i personally will forever hc ice as a shaking ball of overthinking and anxiety with an m&m shell of artificial calm and control to keep it all together. and i would be correct.

[mossy-rainfrog]

[ID: A doodle page for the Malevolent podcast, featuring several sketches of Arthur, John, Kayne, The King in Yellow, and Yellow. More detailed description in ALT Text.]

Bringing y'all my mid-season 3 Malevolent arts because this podcast has a grip on me. Featuring my Kayne design because I have SOOO many thoughts about that freak <3 his voice sounds a bit similar to Arthur to me and so I thought it might be fun if he was mocking the lads by wearing Arthur's face. As of s3 we have no idea wtf Kayne is supposed to be, anyways, but altering his form doesn't seem to be a power that's off the table. Also the concept of John not recognizing Arthur's face on a happier, less scarred form makes me want to throw up :) hope this helps!

[sarucane]

Ed Teach's Stories

From practically the moment we meet him, Ed's identity is unstable. We know who is he (Blackbeard) from context, from the story told by the the room around him, by Izzy and the flag his crew. But the thing is, Ed doesn't fit the story of the Mad Devil Blackbeard. Two of his first few words are "good" and "love" for crying out loud. He's called "Blackbeard," but his beard is grey.

This instability exists because Ed himself isn't sure what story he's telling--or wants to tell. "I shouldn't be bored, I'm fucking Blackbeard!" All through his early episodes Ed is in increasingly desperate tension with his own identity. He's trying to tell stories within stories, wanting all the stories to be true at the same time, yet aware of the reality that the world is constantly trying to wipe one or another of the stories away. And not really trusting that he can tell the whole story of who he is.

In the first season of OFMD, Stede wears a different outfit every episode. Yet Stede remains the same: despite his internal tensions (almost despite himself) there's a stability to his identity. But all through both seasons of OFMD, Ed putting on a new outfit means he's trying to tell a completely different story about himself.

And underneath this cacophony, there's Ed. And Ed is himself a chorus of stories, a living contradiction. A patricidal murderer who was protecting his mother; a paragon of masculinity who longs for softness and fluidity; a man renowned for violence and madness who has in fact carefully cultivated that reputation and is extremely careful with his violence; a killer who doesn't kill, yet who does kill all the time just at a bit of a remove; a half a dozen names and personas and yet always Ed; unloveable, yet deeply loved.

At the beginning of the show, Ed isn't actually good at telling his own story. He's good at listening to other people's stories, and conforming himself to them often without conscious effort. But when he tries to really tell his own story--asking Stede to run off to China, singing his break-up song song, going to become a fisherman--he fails. We don't understand in the first season why his judgement clouds, why he becomes weak when he tries to tell his story. But in the second season after spending half an episode in Ed's mind, a painful truth is undeniable: Ed, like Stede, doesn't think he's worthy of telling his own story.

So instead of telling his own story, Ed let other people tell his story. In the first season, Ed built off what Izzy told him he had to be. But he couldn't lose himself in Blackbeard, no matter how hard he tried. So in the second season, when Ed couldn't face living with his contradictions anymore, he wrote an ending worthy of Blackbeard.

All this, because Ed thinks he can only be "himself" by telling one, single story about himself. By denying his contradictions, rather than embracing them. Splitting himself in two to tell himself a story, rather than telling the story himself.

What Ed doesn't believe or trust is this: For Ed to really be himself, he has to be impossible. Two contradictory things, at the same time.

The second season of OFMD is about learning to embrace all these contradictions. In each episode of OFMD, character look at the same object or situation (a wanted poster, a unicorn, a velvety suit, a relationship, a past trauma) and they tell two completely different stories about it. Sometimes one of those stories turns out to be wrong, but more often than not both are true, and something else--something beautiful-- is born from the place where those contradictions meet. And the characters, Ed most of all, learn to accept and balance this dissonance.

Thematically speaking, I'd argue that's why the second season of OFMD is more fantastical than the first: fantasies are contradictions, real and not-real at the same time. And isn't that what transformation is, in the end? What you are and what you are not, meeting and becoming "you"?

Transformation isn't all good. At first, Ed's fantastic stories hide his pain or invoke despair

But later, the fantasies make their way into reality. The impossible begins to shape reality--and opens a way for hope.

In the last episode of S2, Ed emerges from the waves as the kraken--but there's 3 musical tracks playing, three themes: the kraken, Ed, and Blackbeard. Then he reads a love letter, and has a deeply romantic moment with his boyfriend. He puts on a new outfit to escape the British, yet his personality doesn't change at all. When Izzy first apologizes to him, Ed says "I'm the one who should be apologizing," but then Izzy changes his entire understanding of their relationship. Becomes the first family figure to offer Ed permission to be himself.

Contradictions galore, and yet Ed is still Ed. Both who he was formed into by other people (his father, Izzy, Pop Pop) and yet who he is.

In the final scenes, Ed begins to finally accept the tensions of his life. He tells Zheng that yes, he wants to kill Richie--but he doesn't go on a revenge quest. And while before his forays into being someone else meant changing his name, his clothes and mannerisms, his whole story, he doesn't act like that at all in the last scene of the ep.

And Ed's been able to do all this, to come this far, because of Stede. Stede, who Ed was drawn to because he was a "fancy man who leads a brigade of imbeciles," yet had won a fight with Izzy. Stede, who looked at Ed at his lowest moment, after Ed had admitted that the entire basis of their friendship had been in bad faith, and said, "I'm your friend." Stede who, even knowing Ed wouldn't want to hear from him, poured his heart into letters about how their bond was unbreakable.

Stede is everything he is, all at the same time. And when Ed was drowning in his own contradictions, (a rope tied around him that he could not undo and yet had put on himself) trapped somewhere "inevitable, yet impossible," Stede appeared as a fantastic, beautiful creature and brought him home.

Stede lets Ed be everything he is, and sees it all as true and worthy of love. Even when Ed fucks up, it's all right.

And sometimes, telling two different stories about something doesn't lead to a fragmented self, doesn't drive people apart.

Sometimes, it means understanding. Means acceptance, safety, connection.

From discordance (contradiction), harmony. A gentleman can be a pirate. A man can be a bird, or a unicorn. Izzy can have been one of the good ones and a fucking nightmare. And Ed can tell all his stories, they can all be true--and he can still be Ed.