#The protection is from hell

[mikesflaccidlemonade7]

Earlier I was on the Wikipedia page for the word don and this portion stood out to me

Anyway fuckem's razor says don cantuccini is in fact a priest who just acts like that

[eurydicees]

i spent THIRTEEN YEARS waiting for an age accurate casting of percy jackson but now that it's here and i am no longer a child looking at heroes my age, i'm just plain HORRIFIED on behalf of these children.

[montyfinchirl]

A dead boy with a cricket bat and a magic backpack: if you wanna get to him you have to go through me!

Another dead boy who spent over 70 years in hell AND clawed his way out of it, is an insanely skilled magic user, doesn’t even notice when he’s burnt by iron, and got up and started walking around like he was in barely any pain after being trapped in a machine for half an hour that evaporates other ghosts in SECONDS: :3

[inkskinned]

okay if you're really cool about things, i can be honest with you. before you read further, decide if you're a girl's girl. if you're cool and actually cool or like not cool.

men don't talk in my book because i was fuckken tired of the way they're the center of every fucking story. i was tired of how every story takes a moment to let them talk. men can shut up for literally one fucking book.

unfortunately not everyone is cool. professionally what i usually say is i didn't want to add violence to the world. the only men in my book are abusers, so they don't get to talk. they don't get to take up space. they ruined my life, they don't get to have their words echo anymore.

because like, yeah! you find practically any story about a person surviving trauma and... there's a man at the center. men are often rescuing us from these things. a "good man" is always standing around, being a good man, proving to the victim that good men are the real men. that her experience was unique rather than universal.

the redacted text has not been taken well by all of my early readers. there is this weird, crouching growl that keeps occurring with men-of-a-certain-age. why don't we hear his side of the story?

when i sat down to write everything that happened to me, i couldn't look at the frank brutality of my abuser's words on a page and think to myself: i actually let him speak like that. i had to redact his words from the manuscript. i then left it redacted. no victim is going to read this book and hear the person who hurt them. it is a book for the victims to speak. abusers shut up challenge, forever. for eternity.

my father once told me, chuckling, i should just have a page of redaction where i let the man just finally talk. it is funny to joke about how we should make a whole page in my book about a man that hurt me. this was not the only time someone commented - it feels like you're hiding things. how do i know you're actually a victim if he doesn't get to speak?

there are books where women aren't even present. i even genuinely like some of those books. like, who doesn't like the hobbit?

i keep running into people defending this imaginary man. the default narrative is so true to some people that they will defend any man, just by virtue of the assumption - "if he's acting like that, you had to push him." certain people need definitive proof that you didn't accidentally make your partner into an abuser. they need to decide if you deserved it, because they want to be able to judge you.

which makes sense, i guess, from a hind brain perspective. if you can figure out "why" someone was cruel, you can protect yourself against it. if you defend the bully, the bully might side with you. i don't really know their explanation for feeling this about a character in a book. trust me, i wrote the guy. he is not going to protect you.

i guess i just - there was a time in my life where i desperately wanted anyone to defend me. where i could have really used someone saying holy shit are you okay instead of what did you say to make him act like that to you.

instead, over dinner, a friend-of-a-friend i just met is pouring herself wine. i heard you wrote a book, she says. she gives me the kind of chilly smile i associate with knives. i heard it's unfair to men.

[fluffylord]

Look how far I went, for fear of losing you.

[biorust-art]

Take a bow Bells Hells!

Cus wow what a show... I'm going to miss them so much, I am so fond of each and every one of them. This was a group that fought so many inner demons (and real ones) a group figuring out who they were and who their family was, a group that ran through the forest full of deadly things 100% naked. Ya'll remember that??

Through the laughs and the joys, the ceiling crawling, moon magic, fae shenanigans. Through the tragedies, the deaths, the goodbyes. I enjoyed their story. So, not a goodbye to Bells Hells, but a thank you.

Love is a vine, it'll grow and entangle not only yourself but the others around you. Pull your pieces back together and keep someone's hand close to hold. Love is a vine, and no matter the damage, it will always continue to grow.

[Image Description. A drawing of Bells Hells from Critical Role. They all stand on a wooden stage in a cast bow like after a play and smile. From left to right, Ashton holds his hammer in one hand and holds Fearne's hand up in the other, victorious. Fearne looks joyously into the light and keeps Laudna's hand close. Pate hovers over Laudna's shoulder as she smiles at Imogen with sharp teeth, holding her girlfriend's hand. Imogen smiles back at her while also holding Orym's hand. Orym looks up dreamily at Dorian, and has a hand on his lower back while Dorian has one on Orym's upper back. Dorian cheeses at the lines with his other hand in a flourish. Chetney stans below him with his hands on his hips and Braius, awful hoove hands that he possesses, has one hand up like he could hold Dorian's hand but isn't, and the other on his hip as well. Blue lights float around them, the purple curtains are halfway drawn and in the black of the stage behind them, the words 'en fin' float above Imogen's head. END ID]

[prideprejudce]

I think alot more people would enjoy the show if they learned to see Rhaenyra and Alicent as Unreliable Narrators, and characters who are supposed to have glaring flaws and weaknesses.

Mandatory preface- There are Issues™️ with season 2 that are its own other ask- but the complaints ive seen about character assassination on both women kind of tells me ppl just wanted to see the two just GirlBossing around, not being tragic characters trapped in their own circumstances.

For Alicent specifically- she just isn't written to be Cersei 2.0, and while it was really interesting to see motherhood from cersei's point of view, its already been done!! I actually prefer seeing Alicent's mercurial clinging to and abandoning motherhood- its interesting!! She was made a mother at what- 15? An age where you truly arent mentally developed enough to raise 3 kids, AND be a child bride, AND be a queen, (AND be a lesbian).

Alicent is interesting to me because she's stunted at 15 years old, she's an adult woman who talks to and sometimes bullies her kids as if they are her peers, and is obsessed with her childhood crush(es). She hasn't built any new relationships* past the ones she was entangled with as a teenager, she's obsessed with both acting out to make SOMEONE see that shes suffering, (she's honestly pretty blatant for someone who prides themselves on being the Temperate Voice of Reason) but also to erase herself and reset to before she had to marry the king, before aemma died.

I think most of her 'bad out of character' decisions are just these two impulses winning out, her trying to force a reset, go back to a time where none of this had happened yet, when things were simpler and she had love and every day wasn't the worst day of her life™️.

She sleeps with cole, the man she thought was pretty at 15 (her last uncomplicated attraction just before it all went wrong and aemma died) -she doesnt seem to like it that much, but she does seem compelled to seek him out, esp when upset- shes obsessed with, and desperate to reconnect with Rhaenyra, her childhood best friend (and first love) and get back to where they were as kids, AND she still treats and asks her father for absolution as if he's still the only authority that matters to her just like she did at 15. Alot of her 'victim complex/bewildered they took it so far' behaviour in the plotting of rhaenyra's usurption reads to me like a teenager in over her head, she talked big game and now its real and shes panicking!! She's tragic BECAUSE she's still a teenager- so stunted shes unable to meaningfully grow up and learn to make healthier choices for herself, or move on and stop trying to grasp at the 'if i could just go back' urge.

As a mother, I think this creates an interesting dynamic as well, and I do like that in the casting even, she seems closer in age to her kids than rhaenyra does to hers. I think the contrast ppl are drawing with Alicent Protecting Her Kids in season1 compared to her giving them up in season two isn't bad writing to me, just massive differences in context. Sure she protected Aemond in driftmark, but we cant ignore that she probably felt humiliated by her husband choosing rhaenyra's side over hers in front of everyone, did it seem like a grown woman fighting for her son?? or a teenager furious with her ex winning one over her again? or both!! both sides twisted together is still interesting! When she protected Aegon from Rhaenys, is stepping in front of her son the king to protect him from the enemies dragon fire not the most romantic daydream of a deserving death a child bride could come up with?? Was it the impulse to protect the son she couldnt decide if she loved or hated, or was it to have the most heroic death possible to escape the reality that she sees coming. And if Rhaenyra hears about how Brave she was in the face of a dragons maw, and cries about it forever and feels sooo bad and regrets it til the day she dies, thats an added bonus. I think Alicent loves her kids, but is teenager selfish about HOW she loves and protects her kids, and is unable to be a mature, consistant, protective mother to them when she also sees them as having ruined her life. I think in season 2 when she 'gives them up' shes relieved, and once again following the compulsion of 'if i reset to when Rhaenyra was heir, i had no sons, and i wasn't married or queen, everything will be better'. I think theres complexity to it, i think she does love her sons and feels insane about it, but I think Alicent has been trying to Go Back in more and more Intense ways ever since she got married, and we might be giving her sanity more credit than it deserves when it comes to the need to wipe the board clean and go back to being 15.

hey anon are you trying to get married to me or what

[pop-punklouis]

-

[blizardstar]

Me when Ashton Greymoore is denied honorable and meaningful self-sacrifice, and now must face the reality that they MUST keep living after it’s All Over

[ghostbsuter]

Can be read as a continuation of this

.・゜-: ✧ :-

It's been a few weeks, really, since the day he met his biological father.

The oversized hoodie drowned him, a perfect haven while he waits near the entrance to arkham asylum.

The whole week rushed by after the event. His mom, wonderful, black belt, kickass mom had fretted over him the whole time, messaging his therapist not long after and getting an appointment.

His dad had been clingy, giving him bear hugs left and right, it felt nice. Jazz hadn't let him out of her sight for one moment, always searching, always studying.

Man, he loved his family.

"Are you going to visit him?" The gruff voice of Batman asks, and danny shrieks, jumping away as he looks at the vigilante with wide eyes.

"Oh Ancients—! Don't scare me like that!" Danny scolds, hand over his chest and breathing hard.

He can feel the amusement wafting off of Batman. Or something.

Huffing, the child leans against the brickstone pillar holding the gate again.

"No," he ends up answering. "I'm not here to visit... him."

Batman listens quietly, simply standing next to him. He doesn't pressure nor demand anything. If danny thinks more of it, he might get a headache.

"My sister is an intern in Arkham, we're gonna have dinner with Harley and Ivy today." A shrug, and the wind lovingly pushes him.

"Good." The man states, he hesitates a moment before he stretches his arm out towards danny, opening his hand and showcasing the items.

First is a lollipop, famous for being handed over to children after being saved by the bat himself. Second is a pin, in the shape of Batman's signature bat, it had a red button on the other side however.

"It's an emergency alert, in case anything like this happens again." Is quickly explained and Danny takes them, if not a bit tense.

He is unused to the trust the man shows him despite how short their time was spent together. Danny wonders if the bat already snooped around.

"Thanks—"

"Danny!"

His head snaps to the gate opening, brightening up as Jazz runs through and hugs him.

"Jazz!" He eagerly hugs back, thank looks up at her.

"You gotta meet Bat—" He trails off when they turn to the empty spot next to the pair, wind rustling leaves just as he finished. "man..."

Damn batman.

Danny huffs and tugs at Jazz's jacket. "Nevermind then, c'mon let's get a nice present before we visit harley."

Simply bringing her up seems to have Jazz excited. "I still can't believe we're having dinner with THE Dr. Harleen Quinzel!!!"

"And her wife."

"aND THE Dr. Pamela Lillian Isley!!!"

Her enthusiasm is rubbing off on him, he grins, hooking up his arm around hers, and they're skipping towards town, laughing like maniacs.

[betterlucknexttime]

thinking of how renee gives andrew her knives (protection) and jean her cross necklace (faith), being the first person to give them what they needed most.

[shadystranger]

sam had a boner here

[the--firevenus]

Like to think about Jason being the most over protective Robin between all the Robins, like they all are protective of the batman but he's the most vocal about it and will not be shy saying it cuz it's the truth also that's his dad bro hello? Yes he'd say it out loud!?

Like to think that habit didn't die actually, just repressed really really well but the second a threat was aim to Batman's head suddenly you got punch good square in the face by red hood, it's scary cuz for a big guy (bigger than batman) they didn't hear him coming nor does they expect the goddamn crime lord to protect batman, but he did, he's very pissed about it too, then he yelled at Bruce for his lack of awareness to the surrounding

And if Bruce felt nostalgic for a moment from that, well, he won't say it to anyone but his ever slightly soft smile on his face as he type his report would gave it away to anyone observing

[cheaploafs]

no fights are ever won without sacrifice

[bookshelfdreams]

one thing i love about charles is that he's always ready to throw down. no problem is so complex it can't be solved with violence. he looked at this fucked up, illogical world of supernatural horrors beyond comprehension with its myriad complicated rules, where every entity has it's own unique vulnerability and decided that you know what? there actually is a universal solution to every problem called Bash That Thing's Fucking Head In - and it works a solid 99% of the time!

Much like he doesn't care about every lock having a unique key, he doesn't care about the specifics of defeating monsters and nightmares. Yeah he knows all about casting spells, this next one is something called MOLOTOV COCKTAIL

[danandfuckingjonlmao]

good night and sweet dreams to the best, sexiest, sluttiest, smartest, realest, most based, valid, relatable, girlipop, sympathetic, cunt, fun, cool, feminist, aspirational girlboss character in dead boy detectives: doll spider <3

good night to her and no one else. i hope the rest of y’all have a bad night and terrible dreams.