#WHAT COULD HAVE BEEN…

[galactic-space]

I find it funny that Izuku was suppose to be a quirkless hero, but it was scrapped cuz horikoshis editor said that it wouldn’t do well in the manga daily

His name was gonna be Akatani Mikumo, and horikoshi actually wanted him to be more of a Batman type character who gets into U.A though wits and strength

Which looking at the final product, you can definitely see how he kept some of the ideas in. It would also explain his rather odd neediness to want to put in a lot of political and social issues in the manga when Izuku himself is never directly involved, because I think Akatani was suppose to be involved somehow in the story before horikoshi changed it

Which when you put it like that, it would also explain a lot of other things in the sorry

And him liking bakugo so much? Cuz originally, bakugo was very “boring” in his prototype version, and hori thought he would do better in a more slice of life mangaka

Also it’s worth noting in My official manga translation, first vol, he talks about bakugou and I think he says “He was like that at first. But now; he would make bakugo angry” not “it would make me angry” so… idk.

I’d show a pic but I’m literally at school talking about this LMAO

[theemarsrover]

forever mourning the fact that we didn’t get short rests for the second installment of hot boy summer :(

[undyingembers]

△Lenarius - I know you love Daeran with all your heart. I also know you were at one point interested in Galfrey. Is there any possible scenario you can think of where you would've ended up choosing Galfrey over Daeran?

“Of course,” Leonosa replies, “if Galfrey had stayed steadfastly by my side, accompanied me into dangerous stretches of the Worldwound, didn’t doubt my decisions, and followed me into the Abyss.”

S/he shakes his/her head. “In all seriousness, I’m not certain in what context Galfrey could win over Daeran without any major changes to their personalities, and at that point, they would not be the people I could love anymore. Galfrey was my romantic lead, straight out of a fairy tale, but still human when I got to know her. Daeran is my true match, complementing me in style and temperament. We are so different, but there is no one I would rather have. The reality he brought won over the fantasy Galfrey and I could have had. I hope that suffices.”

3.0/10

[sylvies-kablooie]

i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.

[rochenn]

I think we should write more straight relationships with 2010s TV queerbait tactics. Let that man and that woman's lives be horribly intertwined, let them take bullets for the other, let them be each other's meaning but NO KISSING. They are holding each other platonically. You're crazy for reading anything romantic into it at all tbh

[retquits]

1.6 is coming—see you march 19th!!! 🥹🌱

[lungthief]

listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.

like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been

[apollos-boyfriend]

so my younger cousin is flying in to visit from brazil on sunday, and will be staying here for like, the entirety of july. which, don't get me wrong, is super cool! i love the kid! but it felt like a super weird move, considering his parents are the SUPER strict and borderline helicopter parents. even the smallest prank/roughousing with him/his little sister would lead to a strict talking to from his parents, he couldn't ever do anything without their clear permission, that sort of stuff. so letting him fly at alone at 16 to a whole different country and stay there for a whole month seemed WILDLY out of character. additionally, it just felt like a super last-minute trip. it's not like we have any plans to do when he gets here, and the flight itself and stuff only got booked like, midway through june.

and i was talking to my mom about it, kind of trying to nudge some answers out of her, and after a while she went, "yeah, i think they're sending him over here to get away for his boyfriend. see if the distance breaks them off." which, first of all, surprised me because last i checked, they didn't KNOW he had a boyfriend. literally everyone in the family did EXCEPT for them because while that entire side of the family being semi-conservative, his parents (mostly his dad) are EXTREMELY old-fashioned. so clearly something already went wrong. and considering the only reason the rest of the family knew is because one person found out and it spread like wildfire, i have a sneaking suspicion he wasn't the one to tell them, either.

and second of all. they're sending him HERE. to try to make him forget his homosexuality. i couldn't do anything but just wordlessly gesture to the multiple pride flags scattered around my room, then to myself, because really? he has like two other cousins in the us and they're sending him to me? honey i am about to introduce this kid to queer scenes you have never even heard of. he'll be returning home with labels only shrimp can perceive

[weirdly-specific-but-ok]

Pt I good omens but i've never watched it

i've never seen good omens but it's all over my tumblr dash so this is what I've gathered can someone please confirm if i've got it right

there's a demon named crowley

there's a biblically inaccurate angel named aziraphale but like it's very sexy when the demon calls him 'angel'

the demon and angel have been married for 6000 years and they still keep looking at each other all sappily

Neil Gaiman is somehow involved, I think he's the writer but also he's on tumblr (uh, @neil-gaiman) and people keep questioning if he's real

is neil gaiman like a fandom inside joke why is everyone asking if he's real

there actors are called michael and david and amazon prime thought they were the same

there is a bookstore and crowley is sad

they kiss and it is very nice and desperate and crowley says we could have been us. i have no context for this. someone is going to heaven i think.

there is a god, i'm not sure if they're good or evil though

the demon wears sunglasses

it's a comedy but for some reason everyone's crying after whatever the last season was, are you guys okay

things are on fire

they are very gay

there was a book and at one point they switch bodies

more fire and crowley screaming

they are called ineffable husbands i dont know what that means

they fight crime or they do crime or they fight crime by doing crime i really cannot remember which

gay

[mangozic]

archivist be upon ye

[waywardblackkitty]

The unspoken truth

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[buttersteps]

ayo edebiri: the movie reviewer we deserve

and her dad also has an account

[cemeterything]

the thing about "callout/cancel culture" that convinced me it's rotten to the core is the dehumanisation you face once you become the subject of a campaign like that. a lot of criticisms of callout/cancellation attempts appeal to the humanity of the subject, pointing out that it's unfair and unproductive to treat a person, a fellow human being, regardless of how much harm they've caused and how genuinely unlikable they are, like that. but unfortunately the reality of being the target of a mob mentality often means facing the very isolating and traumatising experience of realising that you've ceased to exist as a person in their eyes. you're a representation of your transgressions, an embodiment of harm that needs to be erased like a blemish, a spectacle for entertainment, a means of earning social approval by publicly condemning and humiliating you in what quickly becomes a competition to see who can strike the blow that knocks you down so you never get up again. nobody cares about who you are outside of what you did. people make mistakes and hurt one another, but there is always the capacity for change, for regret and reparations. you are an irredeemable monster. you can't change. the only way to make sure you can't cause harm ever again is to neutralise you entirely. to drive you off and hurt you so badly that you never consider coming back. and it often succeeds. but it doesn't make the world a better or safer place. it just tells everyone that certain behaviours will be punished, so you should conceal them, and harshly condemn them in others so that everyone knows where you stand; nobody will stand up for you if you're accused and brought out for judgement, so you shouldn't trust anyone, and always be on the lookout to take them down before they can do the same to you. you're not creating a safe, welcoming community. you're creating a panopticon built on fear and punishment.

[lassieposting]

Tav, using their Pet Owner Voice: What have you got in your mouth? What are you eating? Drop it! Drop it right now!

Scratch: [whines and drops Wyll's boot]

Owlbear Cub: [guiltily spits out Boo, alive and unharmed]

Halsin, currently a bear: [drops a half-eaten salmon and makes an indignant noise]

Astarion: [startles at the raised voice, lets go of Tav's wrist, reclaims it and goes back to his breakfast once he realises they're not talking to him]

Gale: [chewing faster]

Tav, sternly: Gale...

Gale: [reluctantly spits out a powerful magical artefact into Tav's outstretched hand]

Tav, muttering under their breath: Can't have shit in the Gate.

Gale, ruefully rubbing the back of his neck, also under his breath: Gods forbid a wizard do anything