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#WHAT WOULD BE THE PURPOSE STORY WISE?!
epickiya722 · 9 months
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Shaking my head at something I saw. Like... Katsuki already done enough so far, even rooted for Izuku last chapter. Y'all can't do the same for Izuku? Like, can Izuku now get his chance to shine again? HE ALREADY GOT ONE OF HIS QUIRKS TAKEN!!
LIKE, LET THE MAIN CHARACTER DO HIS MAIN CHARACTER THING!
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gothamcityneedsme · 9 months
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i have complex feelings about it but in td when karkat is actually like fully integrated, he is much more static because the story is... Less directly affecting him? hes there as Dave's Boyfriend largely
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infamous-if · 13 days
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✭INFAMOUS UPDATE IS HERE ✭
238K -> 457K WORDS
Please read this post before playing! It's finally here! After five months of writing and rewriting and salvaging and crying and sweating and bleeding I finally finished sort of kind of! Firstly, I want to thank you for your patience and understanding over this duration of this rewrite. It was stressful at times but I'm happy with the end result and I hope everyone else will be too :)
This will be the last chapter I release without beta testers/other sets of eyes so expect errors. I can playtest until my fingers turn blue but I'm just one person </3 I'm bound to have missed stuff.
Please let me know of errors! I tested it a few times with no problems but we know how it goes lol
IN THIS CHAPTER THREE UPDATE:
drama
mayhem
chaos
some betrayal
some surprises
just...read it lmao
PROLOGUE - CHAPTER 2 CHANGES:
**chapter two was too large of a file to upload on dd so I had to split it last minute and I uhhhh dont know how that translates in the demo but it should work lol please let me know if its wonky!**
fixed up grammatical errors and typos
expanded some scenes and added some more choices
you can now choose that your mc has "changed" in some way (drinking, no longer drinking, partier, no longer a partier, negative, positive, attached, detached, or a general default. I was asked to add an MC who "gets around" or hookups a lot but I'm still debating on whether I'll add that since there's already quite a bit lolol)
you can choose to have changed your band's genre before/after seven
TECHNICAL CHANGES:
you will be able to explicitly state your sexuality in the beginning. this was a big ask and I apologize for not doing it earlier! I wasn't good at coding when I started and I knew I always wanted to make the genders separate from MC's sexuality but I didn't know how to do that at the start :) So you can still choose the genders of the ROs for story purposes and variety. IF YOU DO NOT SEE ROMANCE OPTIONS THAT IS NOT A BUG. You simply chose a RO gender that doesn't correlate with the sexuality you chose for your MC. Having said that, if you do see a romance option available and it's not supposed to be there please let me know! That means I may have missed it coding-wise.
the stats have been all fixed! I've added all the necessary variables and such. The stat portion of the game has been updated with the appropriate pages but they're not finished. Still, the stats should be fine.
You will now have confessionals in the stat page! The feature still isn't a thing yet because I haven't come up with the confessionals lolol but you can click on it to see what it's about. Essentially, as you progress through the story you will be able to see confessionals from the cast of Infamous throughout. They disappear and appear periodically so if you miss it, THAT'S IT! You won't get a chance to see them again until MC watches an episode where it's relevant.
There is now a: Discography page, Infamous wiki, botb cast and staff page, and other characters page for organization. Those are not finished but they're there!
I changed a few stat names but their functions remain the same.
You will be able to choose how you would like to be described (masculine, feminine, neither, both).
O is officially gender-selectable.
You can set the genders of the ROs at the start or wait till you meet them.
PLAY HERE
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hannieehaee · 9 months
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WANTED U
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18 + / mdi
summary: everything about your relationship with minghao was perfect, leaving you with no complaints. except maybe in one area: minghao's stoic attitude during sex, making you entirely insecure about whether he wanted you as bad as you did him, or if he was maybe just too in love with you to let you down.
content: misunderstandings, established relationship, he's very very in love with reader, he's just a bit backwards, smut, afab reader, miscommunication (shocker), oral (f receiving), penetrative sex, dry humping, mentions of fingering, etc.
wc: 5.7k
a/n: based kind of maybe a lil bit on personal experience but 100% reimagined for fanfic purposes lmao
masterlist | kofi/patreon
support me through a one-time tip! <3
You were absolutely head over heels in love with your boyfriend. There was no way to fight it - not that you wanted to. It was as if his sole goal in life was to love you. He had even told you that before, claiming that his parents had been the greatest love story he had ever seen, and that he had wanted nothing more in life than to find a love like theirs. He'd said that his father had once told him, 'live to love, and love to live', advice which Minghao took to heart.
His father was a wise man when it came to love, even letting Minghao in on the secret that all his ambitions were driven by his love for his mother. Minghao had communicated their entire love story to you soon after meeting. You had only known each other for a short period of time before Minghao confessed to you, claiming that a friendship would not suffice for his heart, which had been taken by you upon your first meeting. He would've respected your decision if you had decided to remain friends, but was relieved to hear your enthusiastic agreement in becoming his girlfriend.
Being his girlfriend came with endless perks. For one, you got to be with the absolute love of your life; a man who was never shy to express his love to you through any means possible. He was also a successful idol, something that came with its troubles, but allowed you to see and support your boyfriend in all his passionate endeavors. He'd spend every free moment tending to you and showing you what it meant to be loved. There was no world in which you weren't completely enamored by the man.
You'd only been dating for four months by now. He had already introduced you to his friends and family, proudly letting them know that you'd be around for a long time, being completely certain that you were the love of his life. Sure, it might've been a bit soon, but the moment Minghao saw you, he knew you were the one. His certainty always made you a bit shy, a reaction which he'd kiss away by reassuring you that he'd never meet a love greater than yours. It was all perfect. You felt at home with his friends and family, quickly growing used to what would now be your forever family, as you also believed Minghao to be the one and only love you would ever come to know.
He showed you love through every means possible. He insisted on taking care of you financially, while also supporting your independent and professional endeavors. He took care of you emotionally, always lending an ear to listen to your problems and lips to soothe your worries. He'd constantly feed you with words of affirmation, almost as if he'd grow sick if he went a single day without you knowing how enamored he was. He'd make love to you ... and that was it on that matter.
Not to misunderstand, your sex life with Minghao was magnificent. There was no form of pleasure the man could not achieve to give you. He had you delirious with arousal with one single touch, making you beg even when he never demanded it from you. As many of his fans guessed, Minghao was just as experienced as he appeared. There was large variety of things he would entertain in the bedroom, never leaving you dissatisfied.
The issue laid in you, truly. Although you were always enthusiastic in the pleasure your boyfriend gave you, you weren't sure you could say it was the same for him. He would always shower you with endless praise and affection in every other circumstance, but while in the throes of passion the most you could really get out of him was a few muffled groans or one or two short-lived praises. You felt as if there was a imbalance in the pleasure you gave one another; almost as if he didn't want you as much as you did him.
You had recently realized that you were often the one to begin any sexual encounter, never having to beg for reciprocation, but also very rarely being enticed by the man himself. You almost felt embarrassed at the realization, having already been feeling a bit off at his lack of reactions towards you during the fact. Was he simply entertaining you out of pity? Did it not feel as good for him? Was he not into you physically as he was emotionally? You knew he always came when being intimate with you, always letting out a lone groan of your name when he finished. It was still hard to feel confident about your sex appeal when your boyfriend never gave you much to work with. You also felt a bit pathetic knowing he gave you the utmost pleasure while you seemingly gave him the barest minimum of it.
Talking to him about it was out of the question. You knew your boyfriend thrived off of healthy communication, but he hadn't mentioned any issues in your sex life, so you felt embarrassed to bring it up. Not only that, but you didn't want to come off as desperate or ungrateful. He was your best friend; the perfect boyfriend. You didn't want to open a can of worms that would have things go awry. So you decided to come up with a plan; maybe test your hypothesis.
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Getting Minghao undressed and ready to fuck you was never too difficult. Just a few kisses and whispers asking him to please take care of you and he was ready to take charge. Currently you were in the middle of it, sitting on the couch as he kissed your neck, pulling breathy sighs out of you as you moaned his name, but received no reaction in return. You decided to act as usual, maybe gauge what got him going and what didn't. So far, he had spoken no words as he simply did what he knew you liked. He ran his hands through your body and kissed you deeply, drawing moans and whines out of you at the simplest of touches.
You felt a bit embarrassed, realizing how easy it was for him to get you going while it was the complete opposite for him. Now on the bed, he ground against you, still making no sound or any other indication of pleasure as he thrusted his hardness against you. You wondered how that felt for him. He was hard, so surely he was aroused, right? Shouldn't that equal some type of pleasurable reaction to the feeling? You weren't able to ponder on this for long, as he suddenly knelt next to bed, going straight to business against your heat.
"H-hao ... fuck!", you pulled at his hair, extremely sensitive to his touch as you usually were.
You couldn't help yourself in pulling at his hair, even grinding against his skilled tongue. You were completely lost to the bliss, moaning endlessly at the pleasure, unlike your boyfriend, whose only sounds were the slick of his tongue dragging against your pussy. If the tables were turned and Minghao was growing delirious on the feeling of your mouth on him, you'd be just as affected, getting off on the sound of his voice moaning out your name. So, you couldn't help but still feel disappointed at him eating you out with no further reaction.
However, the feeling of your orgasm overtook your disappointment, making you forget about any ill feelings and cumming against his tongue. What followed made you hollow out again, though.
He got up from his knelt position, nodding at you and asking a simple, "ready?" before undoing his pants and climbing on top of you, entering you immediately after putting on a condom.
You moaned and whined against his ear, scratching at his back at the pleasure; all things you usually did when he fucked you, but received no reaction in return. He'd give you the occasional muffled grunt, not even seeming like he was holding back, but more like he had nothing to give. It was a conflicting feeling. On one hand, you felt an insane amount of physical pleasure, but on the other, your emotions couldn't help but feel hurt by his lack of arousal towards you. Call you shallow, but you just wanted to feel like your boyfriend found you sexy, damnit!
"F-fuck, Hao! Gonna cum, don't stop. Shit!", it was easy for him to get you there, knowing all your weak spots by now. And it was just as easy for your body to take control of your mind, making you forget all worries as you came once again. He didn't take long to reach you, releasing into the condom with a grunt.
What made it worse was how sweet he was afterwards, calling you his beautiful girl and helping you clean up, only to cuddle you afterwards.
"You okay, my love? Felt good?"
Now, to any reasonable person, this would've been the perfect chance to speak up, maybe let him know about your concerns, but you just felt too pathetic. What were you supposed to do? Force your boyfriend to moan? Force him to give you the reactions you wanted rather than the ones that came naturally from him? You were supposed to accept him as he was, just like he did you. So, you responded with evasion.
"Yes, baby. Felt amazing. Love you."
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You decided to go for a different approach this time.
Within the few months that you and Minghao had dated, you had really only spent a little under two months physically around each other. His job had a tendency of pulling him away from you for extended periods of time, so you were lucky if you ever got a whole week with him. This meant that the two of you would always try to make the best of the time you did get to spend together.
Within those two months of physical proximity, you two had a healthy sex life. You had sex for the first time only two weeks into the relationship, then proceeding to have it very regularly after that. Although, you were usually the one to initiate it.
In order to change things up, you decided to stop. You wanted to see how long it would take Minghao to approach you himself. Maybe gauge what it'd be like if you suddenly took it away. Would he react then? Would it feel better for him if you allowed a short period of time for things to mellow out?
The answer was no.
Only three days after your previous time having sex, he came home from dance practice, greeting you with a kiss. Except that instead of pulling away, he kept your lips connected, grabbing onto your waist to pull you close to him. Things went pretty much as usual after that. No words were exchanged (at least not from his side of things) as he undressed you and entered you while laying on the couch.
It was insanely pleasurable as per usual. His pace was slower than normal, and you heard a few more muffled grunts, which excited you like crazy.
"H-hao ..." you couldnt help but sigh as he angled himself perfectly to hit that sensitive spot inside you. You scratched at his back, arching your back against his chest.
He made no response, only going faster as he clearly realized your end was coming. He held you close to him, caressing your body tenderly despite the rapid movement of his hips. It was all perfect, sans the thing you wanted most; his lust for you. He cleaned you up afterwards, sheepishly apologizing for jumping you with no warning, giving you a quick peck as he said it. The conversation regarding sex ended there, with him expanding about his day and you yours. Had this been progress? You weren't sure.
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Next attempt felt a bit pathetic.
You looked amazing. You needed no confirmation, you just knew it. You had bought a pretty lacy number, exactly in a style you knew your boyfriend would like. You hadn't had a chance so far to really dress up for him yet. So far, you had worn pretty panties and matching bras while being sexually active with him, but there had been no instance in which you really pulled out a whole set for him.
It felt a bit silly, resorting to perfectly trimmed lace in order to see if maybe your boyfriend would show some lust towards you. You even lit some candles, for god's sakes. This had to work, or else you'd feel like the biggest loser alive. You were a bit anxious, to be honest. You had never dressed up for a guy, but you'd heard it worked wonders in the bedroom. You knew the sex itself would be amazing, but you hoped that everything else also lived up to standard.
It wasn't long until you heard the keys unlock the door, which signaled that you should put into position. You had a matching silk robe, throwing it on as if to hide Hao's gift under a perfectly tied knot. He hadn't noticed you upon entering the room, having to do a double take to take notice of your pretty hair and makeup, way too fancy for an usual occasion.
"Love? W-what's with the look? You look beautiful," he approached you with a sweet smile, arms going directly to your waist
"Just wanted to do a little something for you, Hao. Do you like it?"
"Of course, angel. You look so pretty. Is there anything under the robe?", he lifted his eyebrow at you, hands playing with the knot.
"Find out?", you wanted to give him free rein, wanting to once more gauge his reaction. This was all for research purposes, after all.
"Oh ... Baby, you didn't have to do this ... You look gorgeous ..." he breathed out upon undoing the tie on the robe, immediately pushing it off as he ran his hands up and down your body. Yes, this was a good start. An amazing start, actually. He wanted you? That had been just your goal. His breathy sigh? God, that had you reeling.
He seemed to get distracted by the sight of your body being hugged by the expensive fabric, but eventually snapped out of it, shaking his head as if to get himself out of a trance. He kissed you after that, no longer paying any mind to the lingerie, nor to his previous reaction to you. He kissed and kissed you, same as he always did. Your moans against his lips fell to deaf ears, as he did not reciprocate with more moans of his own. You kissed him back, unable to not match his enthusiasm in making love to your lips.
What had just happened? You were going in the right track! He had suddenly just snapped himself out of it, basically willing the lust away. Had he wanted to hold back on purpose? Did you just need to incite him?
You let him kiss you for a while before gesturing for him to kiss down your neck, playing up your moans a bit and pushing your chest towards him. Eventually you placed his hands on your chest, now being a bit more direct.
"H-hao ... Do you like it? Did I do good?", okay, now you were a bit more embarrassed. You had never really delved into dirty talk with Minghao, much less submissive speech. There had never been a need since the man had no tendency to speak during sex at all - sans the times he'd check up on you. You hoped maybe he would react well to it.
"Yes, angel. You're perfect. Let me take care of you now, yeah?"
That was code for be quiet and let me get to business. Or at least that's how you took it. You were disheartened, but allowed him to continue, still enjoying his touch regardless of anything. You appreciated the compliments, but you did not feel sexy anymore. What you were feeling could better be described as childish and dejected. You felt like you'd shown a desperate side of yourself only to be met with nothing in return.
Your thoughts faded away the moment he began to drag his thigh between your legs, quickly drawing moans and cries of his name out of you. Was it that hard for him to do the same? What more did you need to do?
Logically, it didn't take him long to make you cum. You came in your lace panties, still earning a groan out of him upon feeling your cunt spasm against his bare thigh.
"Hmm, baby. Looked so pretty today ... Are you okay? Need me to clean you up?", he gave you a sweet kiss, running his hands up and down your sides in a caring manner.
"I'm fine, Hao, thank you. I, uh, what about you? Are you ... ?"
"I'm fine, baby. Don't worry about it," he smiled at you despite the obvious boner concealed by his shorts, "Get changed, angel. You'll get sticky and cold."
And that was it once again. Your outfit had given you a favorable reaction, but it died off quicker than you expected. You were back to square one all over again.
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You had one final plan. If this didn't give you answers, you weren't sure how to proceed from there.
What if you pulled a 'Minghao' on Minhhao? Would he react if you suddenly became stoic while in his arms? It felt disingenuous, and the mere thought honestly made you feel a little mean, but you had grown desperate by now. It had been months of amazing sex that you were sure was gratifying only to you.
Next time you and Minghao found yourselves in that mood, you decided to lay pliant in his arms; not react to his touches and movements the way you usually would.
It was weird, not letting him know how much you loved his touch. You kissed him back, even held him back too, but your mouth was silent, as was your body. He kissed down your neck, soft hands touching at every corner that usually had your eyes rolling back, but you persisted. There were no reactions out of you, only muffled groans just like his own. You felt some hesitance in his touches, sometimes pausing as he didn't get the desired effect from his actions. He didn't vocalize his concerns, however, only continuing his path as he fingered you. His lips never left your skin as he worked you through your first orgasm.
It had been a feat, truly. The feeling of his lips against your skin was enough to have you mewling for more. His fingers curling inside you usually had you whining his name, but this time the most you could allow yourself to muster was muffled or broken cries as he drew you to completion. Even then he didn't question you, eyebrows furrowed in confusion with the question trapped between his lips. He moved on to undo his pants, prepping you a bit before sliding inside you. He let out the lone moan he always did upon sliding through you, but made no further noise.
You were going insane, toes curling and body completely tense, trying your hardest not to react. It wasn't just the pleasure, but your intense feelings for the man. The way he felt against you and gave you all his love through his touch. You felt like crying at the thought. Which is what you did without realizing. You couldn't help yourself. The love you had for your boyfriend was indescribable, even if you had been dating for so little. He felt the same, which was something he'd always let you know on the tender nights you'd spend sleeping in each other's arms. Right now, though, you felt like shit. It was hard for you to even enjoy his touch, which was a new experience for you.
Minghao must've noticed your cries, which had been louder than you realized, instantly halting his movements and checking on you.
"Angel? My love, what's wrong? Are you hurt?", he pulled away completely, still keeping his arms at your sides in an attempt to soothe you, but pulling his still hard cock out of you.
The sudden lack of proximity only made you cry louder, sniffling as you tried to catch your breath.
"Baby, tell me what's wrong, please. I'm so sorry, I didn't- I didn't mean to hurt you. Where does it hurt. How can I make it better?"
"Why- why don't you want me?", the question left your lips before you even realized, face heating up at your own words.
"What? Want you? What do you mean?"
There was still time to run it back, maybe make some type of excuse about why you'd been crying. But your emotions decided for you, not allowing your brain to formulate a lie before your mouth was opening again.
You took a quick breather, allowing yourself to catch your breath before responding. Minghao seemed to understand this, running his hand up and down your back in a soothing manner.
"I just ... I just don't understand. I love you, Minghao. I love you so much. I want you so much. Why don't you want me back? What do I need to do? I cant ... I can't keep doing this," you had stopped crying by then, but your emotions were still heightened.
"Love? I love you. What are you talking about? I'm in love with you, you know this. Please tell me what you mean? Tell me if you're hurt. I can't- I'd never want to hurt you."
He was now sitting right by you, your legs now closer while his hand came up to your cheek, wiping one of the last few tears remaining on your face. It made you feel like an asshole. He was being the amazing boyfriend you always knew him to be, reassuring you of bis affections while being worried for your wellbeing, not once stopping to care about himself. Meanwhile, you were crying because you wanted your boyfriend to feel lust for you. It was pathetic, really.
"I know you love me, Hao. You're the perfect boyfriend. I'm okay, I just ... fuck. I'm so embarrassed, I'm sorry. I don't want you to worry about me, it's so stupid, I'm sorry, I-"
"Angel, please stop apologizing. Tell me what's wrong. You don't have to be embarrassed. I need to know what you're thinking so that we can talk through it, okay? I'd never judge you," he was sincere in his words, taking on a soft smile as he tried to welcome the idea of an open conversation about whatever was on your mind. It was now or never, you guessed.
You took a deep breath, avoiding eye contact at all costs, "I feel like ... I feel like you don't want me."
"Want you how, angel?"
"I've tried everything Minghao. I've pursued you, I've let you pursue me, I've been loud, I've been quiet. Fuck, I even threw myself at you with stupid lingerie that you didn't even care about, but it never works. You don't want me, and it's driving me insane. I'm sorry, I know it's so stupid. I don't want to- I don't want to force anything on you or make you feel uncomfortable, but I feel so, fuck, I feel so pathetic. Like you have sex with me just to humor me. Like you're giving me something and I have nothing to show in return. I'm so- I'm so sorry."
You weren't sure what you were apologizing for. It was either the embarrassment or the warm gaze that wouldn't leave your own as you rambled.
"My love ... You think- you think I don't want you?"
"You don't have to humor me, Minghao, I already know. I've made peace with it, it's just .. tonight was too much. I tried to keep my emotions out of it, but it only made me break faster."
"Oh, angel," he closed the gap, pulling you even closer to him as he put his palms on your cheeks, drawing you closer while looking into your eyes, thumbs caressing the skin there, "I think I owe you an apology."
"No!", you grabbed onto his wrists, interrupting him before he could continue and separating yourself in the same breath, knowing you could never speak your mind while he held you so lovingly, "You don't have to apologize for anything. I'm sorry. I should've never tried to pressure you, I did this to myself, I-"
"I need you to let me talk, angel, please. I need to explain myself."
"Oh. I- okay. Continue."
"I adore you, my love. You know this. To think that you could ever think I don't want you breaks my heart. It's all my fault, I should've never done this, I- I'm sorry if I ever made you feel like I don't ache for you the way you do me. I want you in ways I can't describe."
"But-"
"Let me finish," his hands were back on you, one caressing your cheek while the other ran up and down your arm in an almost sensual manner, "You think I don't think about you every passing moment? That you don't plague my thoughts every day? My beautiful girl ... You're the prettiest thing I've ever had. Holding you in my arms as you writhe under me is the biggest form of pleasure I've ever felt. You- you think-" he took a deep breath before continuing, "You think I don't think about you on my lonely nights away from your touch? That I don't touch myself thinking of you; your curves, your soft skin, the way you cry my name ..."
"H-hao ..." your breath was just as heavy as his by now, mouth dry as you heard him recite his one and every emotion towards you.
"You think you don't plague my mind at the most inopportune moments?", he continued despite your interruption, "I think of you every day. When I'm at practice, when I'm performing, fuck, I think of you when I'm having dinner with my parents. Your body invades my every thought. You beautiful, gorgeous thing. I ... I've had to hold back. Didn't want to scare you away with the impossible lust I feel for you. Every time you let me have you, I have to hold back. I can never fully have you. I don't know what it'd do to me. I've wanted you from the moment we met. I've wanted to explore every inch of your body and make you mine. But your pleasure is my main priority. Always. As long as you're satisfied, I could never ask for more. But to think you ever believed I didn't want ache for you every passing moment pains me. I ... I want to .. Can I show you? Will you let me show you how badly I need you?"
"Please .. Fuck, Hao, please, I-"
He moaned the moment he finally connected your lips, hands going crazy at the way he squeezed and caressed every inch he could reach. His moans against your lips did not halt as you whined desperately at his kiss, relishing in the speech he had just delivered to you. What you were feeling was beyond lust at this point. You felt something you had never before, having waited months for your boyfriend to finally want you the way you did him. You weren't sure if he was playing it up for you, but you didn't want it to stop regardless.
"My love," he finally disconnected your lips, "Going to give you everything. Everything I've been holding back, I- I don't even know where to start."
His eyes could not stay in one place, darting around every inch of your nude body. You had known Minghao to be attracted to you, it was something he expressed many times, but you had never seen the calm man so frantic before. His calm nature was completely gone.
"You can do anything you want, Hao. Just, please ..."
He shut you up with yet another kiss, laying you down on the bed in the process. He dragged his dick against your cunt, groaning at the feeling. You were still drenched from your ruined orgasm from earlier, and he was hard due to your prior interruption, so it wasn't difficult to get the two of you ready for each other.
"Wanna be in you so badly, but .. Fuck, you just feel so good like this angel," he was grabbing onto your thighs by now, lifting them up in order to angle himself just right to drag his cock right against your clit. His eyebrows were furrowed and his face flushed. He was a broken version of himself, with his only purpose in mind being to bring the two of you the most pleasure imaginable. You felt like an idiot for never expressing your concerns to your boyfriend, not imagining that it'd end up so favorably for you. The pleasure you felt at his lack of self-control as he played with you couldn't compare to any previous time in which you'd made love.
He separated himself from you before either of you could come, muttering something along the lines of 'Wanna savor you, my love.' He still seemed frantic, not fully sure where he wanted to touch first or what part of you to enjoy at that moment. He went from kissing your chest to rubbing your pussy with his long fingers. He put you in all positions he could think of to kiss up and down your body, waxing poetic at you repeatedly as he sighed against your skin. The occasional times in which his cock would accidentally grace against you had you burning, wanting him inside you more than anything. Now that you knew he wanted you just as bad as you did him; now that he was fully yours.
"My beautiful girl ... Love you so much. The pleasure you bring me .. You have no idea. How could I ever let you think I didn't carry a torch for you night after night. Is this okay? Is it okay to want someone this badly? To ache for you day and night, only thinking of your touch?," he was finally facing you again, close enough to invade all your senses.
"Gonna have you now, okay, angel? Gonna show you how strongly I feel about you. How you make me lose all my inhibitions."
He entered you with no further warning, letting out the groan he always did, but this time his mouth would not stop running, moaning and sighing your name against your ear, letting you know how your cunt around him made him lose his mind.
"My most beautiful, girl ... fuck. Gonna break you ... I've held back for too long ... Need you every day," the way he was fucking you was nothing short of animalistic, with both his words and the slapping of your skin filling up the silence of the room.
"God, that day you showed up with that pretty set for me? Do you have any idea how difficult it was to not pin you against the wall and rip it off of you? Make you cry as you took all of me until every single drop of my cum was leaking from your cunt? The image has not left my mind for a single moment, angel. Can't think, shit ... Can't breathe without thinking of you," despite his insane dancer stamina, his breathing was becoming disheveled as he continued to piston into you.
You had thought that Minghao had already given you all types of pleasure throughout your relationship, but now that he had finally snapped you had truly reached heaven. And it seemed like it was the case for him too. He was unable to stop himself from telling you his every thought, with his emotions getting the best of him as he fucked into you almost animalistically. His fingers were bruising your thighs as he held you with all bis might; something you thought your soft and sweet Minghao was incapable of doing.
"Hao ... I need .. I'm gonna cum, Hao, please!"
"Yeah? Gonna let me have it, angel? Love when you cum for me. So soft and pretty, all for me. Cum, my love. Cum and I'll give you all of me in return."
The thought of his cum filling you up made you lose control, cumming as your back arched almost completely off the bed. You felt like you'd ascended, being given the most intense orgasm of your life, followed by a warm feeling inside you; the feeling of Minghao's essence penetrating you.
He almost fell on top of you as he finished, breath hot and heavy against your skin.
"My love? Are you okay? Was that too much?," it only took a few moments of silence for him to speak up, showing immediate concern for your limp and breathless state.
You had been more than okay, having never felt more loved and wanted in your life. From his words to his actions, Minghao had managed to make you realize how wrong you'd been all along. It wasn't that he didn't want you, but that he wanted you too much to hold back if given the chance to fully give himself to you. But now it was all out in the open. Now you could finally enjoy each other to the fullest extent.
"I'm okay, Hao. Thank you," you felt shy in the aftermath of it, now fully processing all the words of lust your boyfriend had whispered against your skin as he fucked you into the mattress. You had seen a side of Minghao you hadn't known existed.
"Are you sure? I didn't scare you off, did I?"
"Are you kidding? I've wanted you to do that for ages. I was going insane throwing myself at you!"
He chuckled, booping at your nose lovingly, "You were making my resolve break, my love. Wasn't sure how much longer I could go without going past my limit."
"Could've talked me through it at least once, you know. I wouldn't've objected," you humphed.
"How about I make up for it now, hmm? Let me clean you up in the shower?"
"Yeah? Gonna tell me how much you want me again?", you grinned against him.
"Yes, my angel. Every single day."
a/n: not proofread and i also had no idea how to end it my bad </3
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moonreader1010 · 3 months
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Pac- what are you known for/famous for 💋
Note- 1. The pictures used do not belong to me. All rights go to the owner. (2) This is a general reading for entertainment purposes so take what resonates.
Pile 1. Pile 2
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Pile 3^
Pile 1- He said, "You bad, Nicki, " I said, "Thanks, sir" (thanks, sir)
Stay in some fresh prints, Ashley Banks, sir (banks, sir)
Call me A.I., sir, I'm The Answer (Answer)
I'm in the playoffs, sir, I advance, sir (advance, sir)
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okay so I feel like there is soo much masculine energy (not to be confused with being a male) . It’s more like your energy is veryy dominant and assertive. This is how people perceive you. You are this untouchable personality to other’s. You are perceived like a perfect leader who can deal with literally anything that’s thrown at them. You are also known as someone who is very stable. And people know you as someone who can control anything. Due to this, there could be many people who come to you for support. You might have a rags to riches story (or might have this in the future) and this will influence greatly what you are known for. This will be your trademark like you will be known as someone who went ahead and built their own empire. You will be also known for you financial success. You are also known as someone who is very wise and compassionate.
Channeled/above mentioned song- sir by Nicki Minaj ft. Future
Pile 2: "Ayo, just last week I told 'em to pick a side (side)
I bust shots, don't duck if it don't apply ('ply)
Bae out in Paris, he told me to pick a ride (ride)
Sike, made you look, I still didn't pick a guy
I'm the trophy of the game, everybody tryna win me (win me)"
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What’s with so much earth energy?? Lol. Anyway, before I even started shuffling the Cards I felt like you have a lot of jealousy surrounding you. Especially by women. Like you just get hated for no reason at all. So yeah. You could be known for being praised or being awarded a lot. Like it’s not even necessary that you actually get praised or awarded. There could be someone else getting the same things as you but no one would bat an eye but when you get those exact same things than everybody is protesting and being all jealous and bitter. And you know, when it comes to you then people only notice your success and achievements but they literally refuse to acknowledge the actual efforts that you were putting behind the scenes to get all that. They are almost blind when it comes to your efforts. Due to this, they could see you as someone who just gets stuff and gets a lot of opportunities. They might start rumours to ruin your reputation too. Despite this I can tell that you are known as someone who is fun. Like you know how to enjoy yourself. This makes these haters sooo mad omg keep it up. You could also be someone who speaks the absolute truth. You don’t really care who you are speaking against because for you if something is wrong then it’s f*cking wrong. You could also be known for your financial decisions like investments and stuff. And also the way you notice every detail.
Channeled/above mentioned song- hard white by Nicki Minaj
Pile 3- I don't want no drama
I just wanna be your diamond, babe
Guaranteed to be a problem
Every time I get around you, babe
I just want you to need me
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You are known as someone who has been through a big event and that event has totally changed you. You could be someone who USED to compromise or let anyone walk over you but now you know your worth and won’t let anyone play with you or you heart. You are known as someone who is very difficult to approach as you keep your heart safe and hidden. Karma could have a lot of significance for you. You are known as a very balanced person. You are also known as someone who can’t tolerate injustice. You are known as someone who is dangerous and people shouldn’t message with you. People see you as someone who is very very brave. And they might see you as someone who is still looking for the right people to let in. You might have been overkind at some point in your life and people took advantage of that. I just wanna give you a hug so bad. But now you people think thrice before even considering using you or your kindness. You are also known as someone who is very independent.
Channeled/above mentioned song- favourite by Nicki Minaj
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intheholler · 5 months
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the appalachian murder ballad <3 one of the most interesting elements of americana and american folk, imo!
my wife recently gave me A Look when i had one playing in the car and she was like, "why do all of these old folk songs talk about killing people lmao" and i realized i wanted to Talk About It at length.
nerd shit under the cut, and it's long. y'all been warned
so, as y'all probably know, a lot of appalachian folk music grew its roots in scottish folk (and then was heavily influenced by Black folks once it arrived here, but that's a post for another time).
they existed, as most folk music does, to deliver a narrative--to pass on a story orally, especially in communities where literacy was not widespread. their whole purpose was to get the news out there about current events, and everyone loves a good murder mystery!
as an aside, i saw someone liken the murder ballad to a ye olde true crime podcast and tbh, yeah lol.
the "original" murder ballads started back across the pond as news stories printed on broadsheets and penned in such a way that it was easy to put to melody.
they were meant to be passed on and keep the people informed about the goings-on in town. i imagine that because these songs were left up to their original orators to get them going, this would be why we have sooo many variations of old folk songs.
naturally then, almost always, they were based on real events, either sung from an outside perspective, from the killer's perspective and in some cases, from the victim's. of course, like most things from days of yore, they reek of social dogshit. the particular flavor of dogshit of the OG murder ballad was misogyny.
so, the murder ballad came over when the english and scots-irish settlers did. in fact, a lot of the current murder ballads are still telling stories from centuries ago, and, as is the way of folk, getting rewritten and given new names and melodies and evolving into the modern recordings we hear today.
305 such scottish and english ballads were noted and collected into what is famously known as the Child Ballads collected by a professor named francis james child in the 19th century. they have been reshaped and covered and recorded a million and one times, as is the folk way.
while newer ones continued to largely fit the formula of retelling real events and murder trials (such as one of my favorite ones, little sadie, about a murderer getting chased through the carolinas to have justice handed down), they also evolved into sometimes fictional, (often unfortunately misogynistic) cautionary tales.
perhaps the most famous examples of these are omie wise and pretty polly where the woman's death almost feels justified as if it's her fault (big shocker).
but i digress. in this way, the evolution of the murder ballad came to serve a similar purpose as the spooky legends of appalachia did/do now.
(why do we have those urban legends and oral traditions warning yall out of the woods? to keep babies from gettin lost n dying in them. i know it's a fun tiktok trend rn to tell tale of spooky scary woods like there's really more haints out here than there are anywhere else, but that's a rant for another time too ain't it)
so, the aforementioned little sadie (also known as "bad lee brown" in some cases) was first recorded in the 1920s. i'm also plugging my favorite female-vocaist cover of it there because it's superior when a woman does it, sorry.
it is a pretty straightforward murder ballad in its content--in the original version, the guy kills a woman, a stranger or his girlfriend sometimes depending on who is covering it.
but instead of it being a cautionary 'be careful and don't get pregnant or it's your fault' tale like omie wise and pretty polly, the guy doesn't get away with it, and he's not portrayed as sympathetic like the murderer is in so many ballads.
a few decades after, women started saying fuck you and writing their own murder ballads.
in the 40s, the femme fatale trope was in full swing with women flipping the script and killing their male lovers for slights against them instead.
men began to enter the "find out" phase in these songs and paid up for being abusive partners. women regained their agency and humanity by actually giving themselves an active voice instead of just being essentially 'fridged in the ballads of old.
her majesty dolly parton even covered plenty of old ballads herself but then went on to write the bridge, telling the pregnant-woman-in-the-murder-ballad's side of things for once. love her.
as a listener, i realized that i personally prefer these modern covers of appalachian murder ballads sung by women-led acts like dolly and gillian welch and even the super-recent crooked still especially, because there is a sense of reclamation, subverting its roots by giving it a woman's voice instead.
meaning that, like a lot else from the problematic past, the appalachian murder ballad is something to be enjoyed with critical ears. violence against women is an evergreen issue, of course, and you're going to encounter a lot of that in this branch of historical music.
but with folk songs, and especially the murder ballad, being such a foundational element of appalachian history and culture and fitting squarely into the appalachian gothic, i still find them important and so, so interesting
i do feel it's worth mentioning that there are "tamer" ones. with traditional and modern murder ballads alike, some of them are just for "fun," like a murder mystery novel is enjoyable to read; not all have a message or retell a historical trial.
(for instance, i'd even argue ultra-modern, popular americana songs like hell's comin' with me is a contemporary americana murder ballad--being sung by a male vocalist and having evolved from being at the expense of a woman to instead being directed at a harmful and corrupt church. that kind of thing)
in short: it continues to evolve, and i continue to eat that shit up.
anyway, to leave off, lemme share with yall my personal favorite murder ballad which fits squarely into murder mystery/horror novel territory imo.
it's the 10th child ballad and was originally known as "the twa sisters." it's been covered to hell n back and named and renamed.
but! if you listen to any flavor of americana, chances are high you already know it; popular names are "the dreadful wind and rain" and sometimes just "wind and rain."
in it, a jealous older sister pushes her other sister into a river (or stream, or sea, depending on who's covering it) over a dumbass man. the little sister's body floats away and a fiddle maker come upon her and took parts of her body to make a fiddle of his own. the only song the new fiddle plays is the tale about how it came to be, and it is the same song you have been listening to until then.
how's that for genuinely spooky-scary appalachia, y'all?
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phantomarine · 1 year
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Clam's Quick Tips for Starting Your Very First Webcomic
Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.
1) Make Your First Chapter a Pilot Episode
You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.
But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.
Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.
2) Simplify Your Art Style For Your Own Sanity
Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.
But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.
Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!
3) Resist the Reboot! RESIST!
The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."
You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.
I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.
But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."
Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!
---
That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!
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halemerry · 1 year
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On the Bookshop, the Concept of Home, and Going Too Fast
So, weirdly enough, I want to start with a scene that has very little to do with the actual Bookshop: 1967. We get Crowley planning a heist and being interrupted by an angel clutching a thermos full of holy water and promising that someday, maybe, they could let themselves have the life they want together. And we get that line. You know the one. You go too fast for me.
This one line of dialogue went a very long way to cementing the fanon perception of their roles in the relationship as we've largely been shown them - Crowley gently pushes and gives Aziraphale space to slowly feel comfortable setting his own boundaries or adjusting his worldview. And I’m not saying this is wrong - it’s definitely what we're primed to expect in their pattern - but I do think it ignores a fairly common variation of their pattern. See, sometimes, Aziraphale is actually the faster of the two of them - he's just not quite as flashy about it.
Crowley very rarely actually does any pushing without getting some kind of signal from Aziraphale first. Aziraphale, whether consciously or otherwise, quite frequently is the player making the first move on their metaphorical chess board. We see that he's the first to push for them to work together in the story of Job. We see that he's the first to invite Crowley to socialize together in Rome. We see as early as the Globe that Aziraphale has discovered and weaponized how to ask Crowley for things with a simple look and that Crowley has gotten very good at reading those asks. We actually see this dynamic in real time as Aziraphale drops signals to Crowley on how he should form his deception of the angels in the Book of Job. Even the Arrangement itself is something Crowley doesn't push for until he knows explicitly that Aziraphale isn't happy with the terms of his work. In other words, Aziraphale sets a cue, Crowley picks up on it and adapts.
So what does this have to do with the Bookshop?
Well. The Bookshop is a prime example of Aziraphale getting there faster. Because the bookshop, whether he knows it at the time or not, is absolutely a nest.
Nesting is behavior typically associated with birds, but is actually something lots of animals do. Even humans exhibit this behavior to some degree. It’s functionally gathering a bunch of stuff to create a safe, comfortable place, typically constructed for the purpose of raising children or attracting a mate. In other words: the creation of a home.
Because the Bookshop is their home. It is their safe space and sanctuary. It is a space for them to meet and just Exist without worrying about being seen. A home base where they can just Be themselves. It’s a constant in a world ever shifting around them. It’s a place for them to come back to. A place that will always be waiting for them both. And a place that they both have to be able to check in on each other. This is why the Bookshop burning hit as hard as it did. Their home was destroyed in fire and flame. And they both know it. Every expression and shift in tone when they talk about it speaks to the gravity of that loss - even if it was only temporary. And I think it was always intended to be just that on some level from the very start.
So timeline wise the closest scene we know about to Aziraphale starting his plans for the shop is the scene at the Globe. This takes place in 1601 and features the two of them being very conscious of being seen and the potential consequences thereof. They pick going to the Globe expecting it to be busy enough to blend into the crowd and Aziraphale's objection re the Arrangement has shifted onto the idea of Hell destroying Crowley.
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It is less than a century later that Aziraphale buys the land that will eventually become the bookshop. In 1630 he purchases the land with his own money. That’s his money. Money that he made mostly the human way. Although this space would eventually become an embassy to Heaven it was made via earthly means. It’s his, not Heaven’s. Less than 30 years after we first see them express concern for how dangerous it would be to be seen Aziraphale starts making a space for them to retreat to.
And he does it slowly. He spends decades slowly buying up the land in the area. In fact, it’s nearly 200 years before the Bookshop will be ready to open. By the time we hit the Bastille, he’s clearly decided on a bookshop and has clearly told Crowley all about it. They’re comfortable with each other and already trust each other to a frankly absurd degree. Aziraphale risks discorporation on the sure thing that Crowley will know he’s in danger and come save him just because he wants to see him. In other words, by the time they’re at the point where they’re making elaborate excuses to see each other, Aziraphale is less than a decade away from naming the home he has been carefully making for himself A.Z. Fell and Co.
The and Co is important here for obvious reasons. We all know there’s only one person that it could be referring to. Even as Aziraphale is still denying that they are friends, he is plastering the idea that they are a unit all over the front door of his home long before even he realizes that what he is feeling for Crowley is love.
This is part of why the conversation about ‘our car, our bookshop’ comes much easier to Aziraphale. And it is an easier jump for him to make. He's the one that brings it up and he does it quite casually. He's testing the waters a bit, but is confident the conversation will go his way. Of course we have a car. Just as we have a bookshop.
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The thing is I don't think Crowley ever really got that memo on a conscious level. We can see his relationship to the shop shift in the way he moves around the shop shifts over time. The earliest we see him in the shop itself is 1941. It's night time which gives the whole thing a bit of clandestine air, which is fitting for where they're at on the timeline. He stays mostly in one spot in his shots here, sort of hovering about the shop not getting too close to Aziraphale but not drifting out on his own either. He also stays as close to sitting normally as we tend to see Crowley ever sit and his glasses stay on. Which that's not to say he doesn't relax at all. He takes off his hat and make himself comfortable and, most telling, doesn't bother with fixing his glasses when they slip off his nose. He's comfortable and familiar here but it's in a strained sort of distant way. There's trust there, for sure, but he is clearly a visitor in this space.
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The next we see of Crowley in the shop is the mid 2000s. It's still night time. His glasses stay on until he's drunk and the he takes them off of his own accord. He moves about the shop, touching various objects and leaning against various pillars and shelves and furniture. He's more comfortable here, but he still he needs a bit of alcohol in his system to get there.
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We then see him briefly in the daytime after they realize they have lost the Anti-Christ. The glasses stay on here and alcohol is notably present. And then we do not see him in the shop again until it is burning. All and all most our shots of the bookshop from season one are Aziraphale alone moving about his space. We know Crowley's there enough that his smell lingers in the place, but we don't actually see that much of it beyond those first tom scenes.
Season 2 couldn't be more different in this regard.
Crowley moves in and out of the bookshop as it suits him. At one point he wanders off in the middle of Aziraphale zoning out in a memory without bothering to shake Aziraphale out of it. We even get him doing what is functionally a bird courtship dance right here in the middle of the shop. Aziraphale in turn takes active steps to get Crowley into the shop whether it's leaving him to watch it while he's gone or suggesting that Crowley likes waiting in the shop for him - a thing Crowley does not outright deny beyond objecting to Gabriel's presence there.
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And we get a lot of Crowley in the shop this season- both with and without Aziraphale. And regardless of Aziraphale's presence, Crowley's behavior doesn't really shift too much. He's moving around the shop far more that we've ever seen him historically and he spends half that time sprawling on the furniture like it's his.
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And, of course, nearly every time we see him enter the Bookshop to engage with Aziraphale, the glasses come off.
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He lets his face stay exposed in the shop, even eventually in front of Gabriel. The only other place we've ever seen him take his sunglasses off by his own choice are in his own flat or when he's trying to make a point about his own nature. Even when he's engaging with Hell, so long as he's not grabbed unexpectedly, he has them on. Crowley wears them around people well before sunglasses had technically even been invented. But not here. Not anymore. Not in this story that is framing the bookshop as a literal safe haven.
Even the palette for the Bookshop this season speaks volumes. Now Season 1 in general is a little grayer than Season 2 (this is in part because of the general aesthetics of when they were made and in part because of the difference in tone between the two seasons) and it's very very noticeable in the shop itself. Here's some side by sides of similar areas of the shops between two seasons, I bet you could guess which was which based on the colors themselves.
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The palette season 1 suits Aziraphale just fine. It's more neutral tones like he tends to favor on himself. It's still cozy but in a dusty sort of way. The palette of season 2 is warmer. Less white and more orange to the point where even the pillars holding up the bookshop are more vibrant. There's more natural light and we see it more often during the day. It's a warm, shared, space now. They both get plenty of use out of it.
And Crowley now looks like he fits there too. The shift in his palette makes him feel in conversation with the bookshop in a way his season 1 red can't quite mesh with the more washed out palette. I won't repost all these images I was going feral over last night but you can find a lot of shots of him in the shop windows here that really show the ways he works with the colors of the shop.
So why hasn't Crowley moved in officially if he's practically done so already?
Because this is their whole problem in a nutshell. It's a prime example of the way their pattern doesn't work anymore. It's not built for a world like this. Its built for a world where they have to hide and make excuses. And while being free of that is objectively good it also means they have none of that to hide behind anymore. Subtext doesn't have to be subtext anymore and that can be as scary as it can be exciting. Freedom from things like Heaven and Hell can be hard when that's all you've ever known. This is all new territory for them. The meaning of what home can be to them shifts a lot in a space where they can more or less do as they like.
Aziraphale doesn't need to be indirect about what he wants anymore but can't quite figure out how to be more direct in the asking. He's ready but can't quite parse how to say that out loud. Or why he would even need to when he's been saying it quietly for more than a century. He built a shop full of human knowledge into a safe haven for the demon that fell for asking questions. He invited Crowley into the shop on day one, just like everything else he loves. He's already left the door open for Crowley to come and go as he pleases and as far as he's concerned Crowley has already half moved in anyway. From his perspective he's already set a large blinking neon sign up that says 'this is your home too'.
Crowley, for his part, can't read this cue. Not without thinking about going to fast or starting a battle with his own sense of self worth. He's been in keep them alive mode for so long I'm not even sure he really knows how to let himself have needs outside of that on any conscious sort of level. There's nowhere to push if you don't have an endgame. And even if he did have one the last explicit boundary he had established by Aziraphale was telling him to slow down.
But I do think they both realize this. Crowley grumbles about what's the point from the start of his first scene and of course eventually does take a shot at expressing his wants. Aziraphale's fixation on the Ball comes into play here too. He says they allow humans to realize they have misunderstood each other and that they're actually in love. Which is just flat out their whole problem summarized for us nice and neatly.
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They're not understanding each other. They haven't had the conversations they need to have. But they are trying. They still trying, even if they don't understand the ways each other is doing so. And at the end of this season even as they are separated again, the nest still stands. And, maybe the next time we get to see them, they'll decide it's in good hands right now and start building another nest together in in South Downs, but, no matter what, the shop is still home. And even if it is a place they have lost each other twice, there is no doubt in my mind that it is a place they will find each other again.
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tales-of-wocdes · 1 month
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Tales of Wocdes: The Silver Protector
A WIP Twine game! The demo is now available (demo updated 20.9.2024):
Tales of Wocdes: The Silver Protector is a high fantasy interactive fiction made in Twine. During the story, your protagonist will change from a helpless child to a Silver Protector, an elite warrior and protector. In time, you may wield powerful magic, or be a master of the blade.  
The game is in early development. All content is subject to change.
There is also now a kofi page.
Premise
Wocdes is a world full of magic, monsters, and secrets. No beings in this world embody all three better than the Ancients,  godlike in power and unbeatable in battle. Incredibly wise and compassionate. Incredibly terrible and cruel. Immortal and glorious. Petty and vengeful. Or so the stories go. 
Not that you know the stories. Why would you? You are a child kidnapped for unknown purposes.  You barely know anything about yourself. Your life is one of pain and suffering at the hands of people you do not know. 
In a moment of desperation, a plea leaves your lips. Or perhaps it is only in your mind. Unexpectedly something hears you and will never ignore a broken child alone in the dark asking for help. You are saved but you are permanently scarred by your experiences. Given into the care of the newly created Orphanage of Firgrat, here is where your journey truly begins. How will you cope with your past and current reality?  Can survive the cruel world of Wocdes, the weight of your trauma? Can you help others survive?  Can you grow up, make friends, learn to love, and become a real person again?
What to look forward to
In this game, you will (eventually) be able to:
Customize your character, from their appearance and gender (male, female, non-binary) to their abilities and personality.
Admittedly, your characters emotional development has taken a bit of a hit due to recent events, leaving them a bit confused in general about... everything. 
Discover why you were kidnapped, eventually.
Protect those you feel deserve it, become stronger for yourself or to protect others.
Grow up alongside other orphans and kids from the city, journey through childhood at the orphanage and the surrounding city, to adulthood with responsibilities. 
Develop your relationships with your fellow orphans and other companions, maybe even get into a romance. 
Speaking of romance, the author aims to offer an option to be completely and utterly dense about romance, like completely oblivious to the degree people worry about you. Or maybe you will be a smoother operator.
Go on adventures and missions, both innocent and not, in an original fantasy world full of magic, wonder and cruelty.
Characters
Primary
The twins Atru (m) and Azha (f): The original inhabitants of the orphanage and the only children already there when you arrive. Both twins have short blond hair and green eyes. Atru is a seemingly silent emotionless boy who clings to his sister Azha. Azha is a little girl shaped ray of sunshine and well-meaning mischief. And chatter!
More characters will be filled out later.
Secondary
Havard (m): The head custodian of the Orphanage. A father figure to all the children. His duty is to guide the children, and it is a duty he takes very seriously.
Lexia (f): The Silver Protector in charge of you. Young, excitable and strong. One of the first to be chosen for the new elite order called the Silver Protectors.
Alessa (f): The custodian in charge of the twins. A sweet young somewhat shy woman who the twins adore, both in their own ways. 
Sandor (m): The Silver Protector in charge of the twins. A good-natured and somewhat shy young man often trailing after the twins with a fond look. 
The Ancients
RAFO (Read And Find Out). You might meet some. 
Disclaimer
This is a work of fiction! Any potential resemblance of appearances, names, or personalities of characters with people in real life, living or dead, is coincidental.
This story is meant for adults. The game contains depictions of violence, blood, gore, sexually suggestive content, black humor, explicit language etc. A more complete list can be found in game. Like everything else, this list is subject to change. 
The game contains dealing with traumatic events. The author is not a qualified medical professional, and the in game responses to trauma are not in any way encouraged.  If you are uncomfortable with what you are reading, please refrain from continuing until you feel better. Or drop the story entirely. None of this is worth your health.
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sevensoulmates · 5 months
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Buddie 7x06 Meta
HURRAH! It's not a four-parter this time!! Just a one-parter! It's a Madney/Chim-centric episode (which by the way I loved) but the buddie we got was AMAZING! I'm so excited for the rest of the season. We're just gonna dive right in!
First, I want to say that with the hindsight of this episode, we now know that the bachelor party was not ACTUALLY something that needed to happen, narrative-wise. It didn't actually contribute anything to the Chim plot, as that would've happened with or without buddie going crazy in the hotel room. So, all of the Bachelor Party was written purely for the purpose of watching Buck and Eddie have a good time. Maybe for comedic relief, maybe for the purposes of furthering their story at a later point in the series. Time will tell.
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First, I've seen other people point out that Buck expected Eddie to be early (even though he's the first person there) because he wanted Eddie to help him set up for Chim's party. To Buck, Eddie is the person who helps him with everything. This is Buck's idea, yes, but Eddie is the proverbial co-host in this married dynamic. So Eddie being "late" feels more like Buck being disappointed his partner wasn't there to help him behind the scenes to make everything perfect. It really does make the whole scene feel like Buck-and-Eddie (the bro-in-laws) throwing the party. So of course Eddie's breaking the unspoken rules by being late.
I love how Eddie walks in completely ready to be fawned over by Buck with their couple's outfit. It's hilarious to me because 1.) Tommy was planning on coming, Buck could've told Eddie he wanted to do a couple outfits with Tommy instead?, and 2.) Eddie was fishing for compliments and it just makes me giggle. If Buck wasn't so stressed out over this bachelor party, he likely would've reacted how Eddie wanted and given him a bunch of compliments on his look. It was jaw-dropping. If most of us (the audience) were blown away seeing Eddie in a pink suit for the first time in the bts (to the point where most of us were like "no way he's in character, this has to be Ryan's wardrobe choice"), I know that the other characters were too. It's not Eddie's typical wardrobe choice. In fact, it's such an out-of-character fashion choice for him, that it's unlikely that Eddie just had this lying around in his closet to throw on. He probably had to go and buy a suit like this just for the occasion. Eddie had to put in a lot of effort to do this couple's costume with Buck, and he did it all happily and enthusiastically. We'll come back to this in just a second because...
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CLIPBOARD BUCK IS BACK! sans clipboard but you get my drift. I love how this visually connects Buck to his sister and harkens back to a lovely Buddie moment "This is Eddie's house, I'm not really a guest" back in season 3. This time around, we have Eddie assuming he would get special husband privileges and is pouty when Buck doesn't allow it.
BUT at the same time, he's not getting on Buck's case too much about it beyond the initial pouting. He may not know why Buck's so insistent on throwing a party, but he knows it's what Buck wants, so he moves on, and even watches with somewhat amusement when clipboard Buck gets turned on Ravi for doing the same thing later.
I also want to point out that Eddie has never once, ever, been upset with, annoyed by, or irritated with Buck when he's in Clipboard Buck mode. Most of the time, Eddie either finds it amusing cute, or is just generally accepting of it. This is no exception, however, this later devolves into Buck and Eddie going absolutely wild. This further exemplifies how Buck and Eddie accept and support each other, even when the other is being lowkey stupid (everything they do at the bachelor party) or unreasonable (clipboard Buck). It's all very much partner in crime coded.
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Framing. Jesus Christ the FRAMING. Tommy walks in and not even two seconds into the interaction, the camera frames Eddie FRONT AND CENTER between them, watching Buck and then watching Tommy. Buck and Tommy hug and when they pull back, there's Eddie watching them with an odd look on his face. I'm not going to go so far as to call this jealousy/pettiness, but it is odd. There's an intimate physical moment between Buck and Tommy, and then Eddie, who constantly haunts their narrative, is just there. And he's actually objecting to Tommy's presence there. Not in a mean or hostile way, but just a second ago he was high-fiving Tommy, welcoming him in, but once the physical special relationship between Buck and Tommy is established, Eddie starts to bristle a little bit.
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This entire exchange is just odd. Eddie knows that Tommy is friends with Chim. He has every right to be there for Chim alone. He's also aware that Buck now has a closer relationship with Tommy, and Buck's the only one who wants this bachelor party, so it should be obvious that Tommy would come. And yet...Eddie is questioning Tommy's presence there. He's reducing Tommy to Buck's "date", not Eddie's friend or Chim's friend, or someone who's slowly integrating into the group. No, it only becomes a problem when Tommy is there as "Buck's date".
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This is then proven by Tommy, who's actually known Chimney longer than either Buck or Eddie have known him. He has all the right to be invited. But what's especially interesting is Buck's face when Eddie starts expressing objections to Tommy's presence. He looks shocked, a little worried, loss for words. Like he's worried Eddie is disapproving of them. It could be worry lingering from last episode, where Buck was afraid of his queerness pushing Eddie away. It also showcases a bit of awkwardness between Tommy and Eddie too. Eddie has been established as enjoying spending time with Tommy, and now he's hesitant to have Tommy in spaces with Buck as a romantic partner. It demonstrates that maybe Eddie isn't as comfortable with Buck and Tommy together as he led Buck/the audience to believe. But where is that uncomfortablity stemming from? That's yet to be determined canonically.
Buck then goes on the deny that Tommy is his date (for the bachelor party) and insists that Tommy is only his date officially tomorrow at the wedding. I personally don't understand why Buck would need to clarify that Tommy isn't his date to the bachelor party. If they're dates for one, it's usually assumed they're dates for the other, especially given how close the events are. I get that Buck wants to make the night about Chimney, but it can be about Chimney and still have Tommy there as a date.
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This is also an interesting line that I've pondered over. Because while it's true that taking Tommy as a date anywhere would be hard launching both Buck's queerness and his relationship with Tommy, which could draw attention away from Madney and to Buck, but it also shouldn't be that big of a deal (and is proven at the end of the episode too). If the wedding had gone to plan originally, then Buck and Tommy going together wouldn't have had to have drawn too much attention. He could've told Chim, Hen, his parents + everyone separately before the ceremony even began. It didn't have to be such a huge deal, so I was wondering why Eddie brings out the usual phrase the show tends to use when they want to remind Buck that not everything is about him. But Buck wasn't trying to make it about him. Eddie should know this. As much as Buck has had issues in the past of taking things far too personally, and believing things to be more about him than they actually are, that's not what is happening here.
I actually think Eddie saying this line is more revealing of Eddie's feelings than it is about Buck making it about him again. It's revealing that Buck, his relationship with Tommy, and Buck's queerness are a big deal to Eddie, enough so that he believes it will draw a lot of attention. And maybe Eddie's not as cool with the idea of everyone knowing about Buck and Tommy as he tells himself. I want to reiterate that I don't believe any of this stems from legit homophobia towards Buck and/or Tommy, but more so a discomfort Eddie harbors about Buck's queerness, what it means for Eddie, and what Buck being with Tommy takes away from Eddie. All of this is unconscious, confusing, and frustrating for Eddie, and therefore what comes out of Eddie's mouth is a barb at Buck's expense. And it's why his reaction to BuckTommy at the end of the episode is kind of muted but mostly positive. He's confused.
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Buck had told Tommy previously that it was an 80s theme party and asked him to dress up. This brings me back to my previous point that Buck could've asked Tommy to dress up with him. Instead, Buck and Eddie are framed as the literal "couple" here visually, and Tommy is framed as the odd one out. Not only that, but what he is wearing is a Henley, which as most of us know, is a staple of Eddie's wardrobe. (General author's note: I don't usually harp on about wardrobe choices in the show because that's not my specialty but I will here because it is a textual part of the plot).
We've previously established in the last few episodes that Tommy is a narrative mirror to Eddie. Tommy's meant to be like Eddie in almost every way, same interests, similar personality types, etc. He's even paralleling Eddie here by dressing the same way Eddie normally dresses. But it's being juxtaposed by Eddie standing right beside him (once again Eddie is framed in the middle throughout this entire exchange with Buck/Tommy when Eddie very easily could've just stepped off to the side to let them have some privacy). EDDIE is dressed way differently than he usually is in a bright pink suit, going out of his way to make Buck happy even if it brings him out of his comfort zone wardrobe-wise. And in contrast, Tommy did not take the time to dress up, even though he knew Buck wanted him to. I'm not saying that this makes Tommy a bad person, or inconsiderate of Buck, but it's just one of those little things. One of those forethought things that Tommy just isn't aware of because he's only been dating Buck for a few weeks at this point.
Others have pointed out that Tommy would've had to change out of his clothes and into his uniform regardless if he was on standby, so why couldn't he have at least just added a little bit of 80s flair to his current outfit? It wouldn't have been any more time-consuming. Maybe it would've put Tommy out of his own comfort-zone, or maybe he would've been a bit embarrassed, but that's the kind of thing that one might reasonably risk in order to make their partner happy.
Tommy isn't aware that by not dressing up, he's hurting Buck's feelings. That's just one of those things he wouldn't know about Buck because he does not have the lived experience of what Buck needs emotionally from his partners. Eddie, on the other hand, has years of experience with Buck and knows that if he really wanted to he could be just like everyone else who didn't dress up and that Buck would put on a face of being fine with it, but deep down inside, it would make Buck feel ignored and hurt. Eddie doesn't want to ignore Buck, and as we've seen from his last line about "making it about you", Eddie can't ignore Buck. So even if it means pushing himself out of his comfort zone, Eddie's going to show up in full costume, ready and enthusiastic to be with Buck.
All of this is being done for a purpose. It's to show us that while Buck and Tommy are still learning and developing their relationship, something is off, specifically in comparison to Eddie. The show is purposely framing Eddie as a better partner to Buck than Tommy is being in the current moment. Which is kind of unfair, if you think about it. If the show was setting Tommy up to be Buck's newest love and future endgame, they would instead be giving them opportunities to grow together, to get to know each other. Instead, the show is telling us in every subtly way it can that hey, wouldn't Buck fit so much better with Eddie instead? It's contradictory and doesn't further the plot if BuckTommy growth was the purpose. These bachelor party scenes as plot devices only work if the purpose is to show the audience that something isn't fitting with Buck and Tommy, but whatever that missing piece is, it does fit with Buck and Eddie.
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Tommy then doesn't understand that they're supposed to be dressed up as the Miami Vice characters. He instead assumes The Wedding Singer (1998). First, I want to say that this is the 2nd Adam Sandler/Drew Barrymore romcom that's been mentioned in canon in relation to Buck (the first being 50 First Dates in the season 5 finale) and as a huge fan of those movies, I'm fangirling. Second, it aligns with Tommy's s2 characterization where he loves romcoms (Love, Actually, and now The Wedding Singer). Third, it's an interesting choice from the writers here to pick The Wedding Singer as the movie that springs to Tommy's mind. There are plenty of 80s movies with bright colors that could've been name-dropped. They instead purposely went for a movie about the 80s but made in the late 90s, for the express purpose of having Eddie point out that Tommy's wrong. This is all very subtle, but it definitely does feel like Eddie is trying to lowkey one-up Tommy. But why would he feel the need to do this?
I've seen others point this out as well, but The Wedding Singer is about two people who are engaged to other people who are very obviously not right for them, though they might try to convince themselves differently. I rewatched the movie yesterday morning and I found it very enlightening. Adam Sandler's character is very much in love with Drew Barrymore's character, and almost tells her to leave her fiance for him, but in the end, he assumes incorrectly that she's happy with the other guy, and leaves them be. Drew Barrymore's character was ready to settle with someone she didn't fully love for security, and the only reason she doesn't tell Adam Sandler's character the truth is because she thinks he's still in love with his ex. It's all very miscommunication-y, but at the same time, it's reflective of Buck and Eddie's characters currently too given that neither of them really knows what they're looking for, they're just seeking a feeling, and may or may not be finding it in their current respective partners. But in the end, even after all the miscommunications, there's a HEA in The Wedding Singer.
Something else of mention was how in the movie, Adam Sandler's character was asked how he knew that things weren't working out with his ex and he said something along the lines of "It was the little things. Like, one time we were going to the Grand Canyon, and I had never been there before and she had, and instead of letting me take the window seat in order to see the beauty of it from above, she took the window seat for herself." This reminded me of this scene with Tommy, where it's just the little things that aren't fitting between him and Buck. I will come back to the topic of BuckTommy and misalignment later.
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There have been many posts discussing how Crockett and Tubbs are another one of those "manly" buddy-cop pairings who were very queer-coded best friends who obviously never got together. Many people believed Crockett to be bi-coded as well. What's interesting to me is that this marks the second/third time in the last two episodes where they argued about who is the bi-coded character. I just find it interesting meta-textually when you think about the fact that fans used to argue incessantly (still do honestly) about whether Buck or Eddie could be queer and now that Buck is confirmed to be queer, people argue that Eddie can't be queer now. Additionally (I don't watch Miami Vice but I looked at a lot of the pictures) it seems that visually, Eddie should be aware that he is dressed as Tubbs, since most of pictures of them feature Crockett in blue/green semi-casual and Tubbs in pink/elevated suits. Visually, their roles should be obvious to anyone who is familiar with the show. Just like how Buck's queerness is now obvious. But now, the argument is well, there's an argument to be made that Eddie could be Crockett, and subtextually, also queer.
The narrative continues to hint with every single episode that passes that it's very likely Eddie will discover his own queerness at some point in the show. Just like there's no need for Buck and Eddie to argue over who gets to be Crockett, they can both be Crockett for christ's sake, they're both gonna end up queer. Of that I am certain.
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So not only was Eddie totally down to clown with Buck at this karaoke bachelor party, but he was the one who suggested the couple's costume. We see more instances of Eddie not trying to tell Buck "hey, Chim said he didn't want a party, so don't do it", instead he goes along with it and finds a way to be even more enthusiastic about it. And I don't think that that was just because Eddie really wanted to party. I think it was because Eddie realizes that Buck must be wanting to do this for a reason. Possibly Buck might be doing this because he wants to show Chimney just how supportive he is of him and Maddie, maybe it's because Buck never got to be too involved with Maddie's last wedding because Doug hated him. Maybe this is his way of trying to make up again for his actions in season 5 when Maddie left and Buck didn't tell Chim. Or hell, maybe it's just now hitting Buck that he's going to have a brother, for real now, after realizing all he lost with Daniel, and wants to make this day special for Chim to showcase his appreciation of their brotherhood.
Buck is obviously overcompensating for something, and Chim and the rest of the gang don't realize why the bachelor party is so important to Buck. Hell, Eddie might not know entirely either, but he does sense that there is something more than just "I want to party" going on with Buck and this bachelor party. And so, as always, he is ride or die for Buck.
Then, when everyone else gets up to leave karaoke, Eddie doesn't even get up. He doesn't make it look like he's also considering leaving either. He doesn't check his watch or phone or make it seem like it's a burden or an inconvenience to be there or like there's somewhere else he'd rather be.
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Once again, this scene with Tommy and Buck is framed with Eddie clearly in the picture, to show how he's just chilling, drinking, and ready to stick it out with Buck regardless of what happens. And then Tommy is the last one to finally leave and disappoint Buck that night.
And now I want to bring it back to BuckTommy, misalignment, and the ever-present Screaming Universe. If this was real life, it would just be a coincidence, but it's not. This is scripted fiction and everything is done with a purpose. What purpose did the writers have to get rid of Tommy but keep Eddie around to party with Buck all night long? If the writers wanted, they could've had Tommy stick around, more so to show a juxtaposition between the three of them hanging out. Or the writers could've had Eddie leave, and Tommy stay. It would've served the same purpose. Tommy still could've left the next morning for work and come back sooty for the kiss. Instead, the story/universe wanted Tommy to leave and this undeniably creates a micro-conflict between Buck and Tommy. It's undeniable that Buck is disappointed that Tommy's leaving and that he didn't really seem all that enthused to be there in the first place. Tommy then leaves, he's gone for the majority of the episode and comes back at the end. This is now a pattern for the third time in a row.
In Tommy's introduction episode 7x04, he and Buck have a moment at the beginning of the episode, a conflict between Buck and Tommy is introduced, Tommy is there a couple times throughout but he and Buck do not have any one-on-one scenes again until the end where their "miscommunication" is resolved by their kiss. In 7x05, they have their date at the beginning where weirdness happens and Tommy ends it, is gone the rest of the episode, until he returns at the end for Buck to make up with and rekindle. And now in 7x06, Tommy is there at the beginning, there's a misconnection, Tommy leaves for the rest of the episode, and they reconnect at the very end.
That's three whole instances of conflict with BuckTommy all written in a very similar way back to back to back. All of these conflicts revolve around the theme of misalignment and not knowing what they want personally nor what the other person wants. All of this harkens back to that first little moment with Buck and Tommy in 7x03 where Buck pats Tommy's arm, Tommy reaches to connect their hands and misses. I predicted that this would be a metaphor for the rest of their relationship, and so far I've been right. Because it seems like no matter how hard both of them try, they aren't quite connecting, not to the fullest. There is always a conflict that pops up that pulls them apart every single episode and they have to find ways to resolve this at the end. Again, if this was irl it'd be a different story, but as part of a narrative where they're not only trying to showcase Buck's first-ever queer relationship but also strongly comparing it to his "platonic" relationship with Eddie, it feels pointed and poignant. Buck and Tommy's constant misalignment feels like the "universe" trying to tell them something but they're not yet at the point of understanding what.
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I highly doubt Buck would've wanted to party with a bunch of strangers if he wasn't feeling so disappointed by both Tommy and Chim. Eddie too, I'm wondering why he didn't want to go home or go be with Chris and visit his family. Or maybe go and see if maybe Marisol wanted to hang out. In fact, Marisol not being in this episode at all, or even mentioned, after the last episode is telling as well.
Many people have pointed out that the karaoke scene parallels Maddie and Chim, and this is even more pointed when the song that is playing when Maddie and Chim get married is Island in the Stream which is the song they first sang karaoke to. Buck and Eddie we know sing "What I Like About You" by the New Romantics, which Oliver, Ryan, and Tim all described as the best song for them to sing to/with each other at this point in time. I still think of it as canon even though we didn't hear it (I get why, they had little time and also licensing is expensive). This song is a romantic song, that's undeniable, and it also makes me think of Shrek and Fiona so it's double iconic. It's also an interesting choice in the moment where Buck is at a low emotional point, and Eddie chooses to stick around with him, indulge with him, and have fun together. It really is a great moment to show how not only are they there for each other in serious and emotional moments, but they also just enjoy spending time with each other, and would choose to spend time with each other any time they can.
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Now I wanna talk about just how close physically Buck and Eddie get in this episode. For a lot of us, it's kind of whiplash because while Buck and Eddie have hugged and touched before, never so much in this way, or this much, or this intimately. Buck has his arm around Eddie's neck, their faces closer than they've probably ever been before? Buck is literally whispering into Eddie's ear ("keep on whispering in my ear, tell me all the things that I wanna hear because it's true, that's what I like about you") pulling Eddie into his chest. Eddie's leaning his entire upper body onto Buck, resting most of his weight on Buck. They're pressed together thigh to thigh, leaning their knees on each other. All of this demonstrates not just an emotional closeness, but a physical closeness (thank you, ABC, fuck u Fox), and not only that but an intimate physical closeness. All of this coming right after an episode where Buck came out. I love this because it shows a lack of Eddie being weirded out by being physically close to a queer man as a (seemingly) straight man. But it's also just so telling because Buck and Eddie have not been this physically close before....like ever...in this show. And now they are at the turning point of Buck's queerness being made textual and Eddie's queerness being STRONG subtext? Oh my goodness it's such strong storytelling.
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This might be reading into it, and I acknowledge that, but this dialogue exchange felt to me less like they were talking about all the nameless people who were around them and more so like they were talking about each other. These are strangers, they don't know Chim, let alone love him. Neither do these people know/love Buck or Eddie. Instead, this conversation reads to me more like Buck talking about how Chim should be here because his friends (Buck, Eddie, Hen, etc) love him, and Eddie agrees. Looking even deeper, given that Chim didn't show up and the rest of their friends left them for the night, this feels more like Buck and Eddie talking about themselves. Because why is Eddie here? There's no reason for Eddie to be here partying it up except for the fact that he loves Buck and he wants to make him happy and enjoys spending time with him. This exchange is Buck recognizing that, and Eddie agreeing that he really, really does love Buck. And that's why their shenanigans continue as they all move on to Chim's hotel room.
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They could've given up/left once Chim's door was locked, but Eddie encourages Buck to keep on going. Touching Buck like how Eddie loves to touch Buck, in the way that's most appropriate for them, on the shoulder like this. Then he kicks the door in and when Buck is ready to go wake Chim up to party, Eddie's like "Eh let him sleep", because, for Eddie, he doesn't really need Chimney around to have fun. Despite what they were just saying about bringing the party to Chimney so that Chimeny could feel the love too, Eddie's perfectly content just partying it up with Buck and only Buck.
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These three clips in the bachelor party montage....I'm just gonna be frank with you, they're so obviously meant to look sexual. So CONTENT WARNING**** for me about to talk about sexual positions and such.
I don't have to tell you that although Buck and Eddie are technically partying with a bunch of other people, none of them are actually important. They're NPCs there to give Buck and Eddie an excuse to do all of this stuff with each other. So everything they do in this scene is more so a reflection of their relationship with each other, as well as their metaphorical queerness than it is about just general partying.
We know (due to bts) that at some point Eddie was leaning over to pour alcohol into Buck's mouth. It looks like Buck is leaning back on the couch in his most favorite/frequent canonical sex position (girl on top/riding) that we've seen in the past. This time with his mouth wide open with a phallic symbol pouring a liquid directly into his mouth. It looks like a blowjob/cum shot. Then we have Eddie with his clothes being pulled off and torn away. From the bts, we know that Buck is behind him and helps the girls pull off his sleeves. Other than the obvious "ripping each other's clothes off" metaphor, there's also the "orgasmic" look on Eddie's face as well. Others have also discussed how Eddie appears to be recreating the "crucifixion pose" /Jesus on the cross with his arms out like that in a reference to his catholic guilt arc and how before he's very much let that guilt control him and now in this scene with his close being ripped off, it can also be a metaphor for Eddie's eventually freedom from compulsory heterosexuality and guilt.
The last still with both Buck and Eddie vigorously shaking champagne bottles near the crotches (mimicking mutual masturbation) and then both of the champagne bottles "explode" mimicking both of them reaching a mutual climax, which then cuts immediately to both of them waking up the next morning. It's very very obviously a metaphorical gay sex scene.
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Separately from that, I want to discuss this specific still, with both Buck and Eddie in between 2 very clear-as-day drag queens. This inclusion elevates the scene subtly yet very clearly to represent both Buck AND Eddie in proximity to queerness/the queer community. It further cements the queerness of this entire montage scene.
Finally, to conclude the bachelor party scenes, I just want to reiterate, that Buck and Eddie could've figured out Chim was missing any which way. They could've gone over the next morning w/o partying there. Buck could've gone by himself, etc. There were many ways the "Chim is missing" plot could've been done without needing to go this route for Buck/Eddie. Which means that this plot was not for any necessary reason other than to bring Buck and Eddie together.
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Then while they're going on their chase to find Chimney, Buck and Eddie are paired up together the entire time, working together as a team, once again looking more like an established couple than anything else.
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Then, as if fitting with the BuckTommy "beginning and ending only" episode pattern, Tommy comes back only at the very end of the episode, and he and Buck kiss, transferring soot onto Buck's face and providing a very quick and easy way to come out to all the rest of the people who haven't yet known about Buck. Most people look surprised, others smug (Henren, we'll get to them) and Eddie gives an interesting close-lipped smile. This moment in and of itself isn't very loud. His face is purposely vague here (hats off to Ryan, king of microexpressions). Of course, Eddie's going to look happy for them, he's not going to look jealous. But his smile could be brighter, his eyes could be warmer. There's again just something off about his expression there. I think it's confusing for a reason, because Eddie too is confused about everything he's feeling.
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Hen is incredibly smart, so I'm not surprised that she clocked Buck's queerness a while ago. Her telling Karen this, and Karen's agreement means that this is something they likely discussed in private as well. In my opinion, if she was able to clock Buck, there's no way she hasn't also clocked Eddie. She just isn't saying anything because she's a respectful and empathetic person.
Hen wasn't really there for most of Buck's Tommy-arc, but she WAS front and center for all of Eddie's "performance anxiety" around dating women. Trust me, when Eddie figures it out and he and Buck finally get together, Henren will say something along these lines again, I'm certain of it.
And that's the end of this episode! It was such an emotional ride! I loved everything they did with Maddie and Chimney, and the Buddie plot was so fun! I had a blast, and I'm so excited for next week! I get the feeling the latter half of the season is gonna dive deeper into Eddie's storylines. Yay!
283 notes · View notes
seeingivy · 2 months
Text
late night talking
phd!student eren x f!reader
**part of my canary mate fic
--
[lizontopoftheworld]: do you ever think we’ve met in real life? 
[busstopbilly]: I’d like to think that I would remember that. 
[lizontopoftheworld]: what do you mean…
[busstopbilly]: I mean, I’d like to think that I would just be able to tell if I saw you out there in the real world. 
[lizontopoftheworld]: so you’re delulu…got it…
[busstopbilly]: Delulu? 
[lizontopoftheworld]: fun way to say delusional 
[busstopbilly]: It’s not delusional to think I would be able to recognize you. 
[lizontopoftheworld]: you don’t even know what i look like 
[busstopbilly]: Are you so materialistic? Is that the only way people can recognize one another?
[lizontopoftheworld]: are you insinuating that there is some alternative way unbeknownst to me that people can recognize one another? 
[lizontopoftheworld]: i must be living under a rock! 
[busstopbilly]: Or you’re just feeble minded. 
[lizontopoftheworld]: feeble is crazy btw
[busstopbilly]: :) 
[busstopbilly]: I like to keep you on your toes. 
[lizontopoftheworld]: OK OH WISE ONE. tell me how you would be able to recognize me with the very limited information you have… 
[busstopbilly]: Limited? I like to think I know you very well. You and all of your deep dark secrets. 
[lizontopoftheworld]: always one for theatrics…
[busstopbilly]: Nothing as theatrical as buying a replacement of the class fish you killed on the week you were supposed to take care of it.
[lizontopoftheworld]: THAT WAS ONE TIME OH MY FUCKING GOD 
[busstopbilly]: Are you insinuating that murder is okay if it was only one time? :)
[lizontopoftheworld]: im just a girl…
[busstopbilly]: I’d be able to recognize you if I saw you out in the real world because I’m pretty sure we knew each other in another life. 
[lizontopoftheworld]: :O 
[lizontopoftheworld]: :OO 
[lizontopoftheworld]: :OOOOOOOOOOOOOO
[busstopbilly]: Are you broken? 
[lizontopoftheworld]: ONLY MY HEART :((((
[busstopbilly]: Are you deflecting because you don’t want to say something serious in response? 
[lizontopoftheworld]: :/
[lizontopoftheworld]: ://////////
[busstopbilly]: Are you scared to say it back because I make you nervous? 
[lizontopoftheworld]: >:(((((((
[lizontopoftheworld]:: >:(((((((((((((((
[busstopbilly]: Liz. 
[busstopbilly]: Come on.
[busstopbilly]: Tell me what you really think. 
[lizontopoftheworld]: …
[busstopbilly]: It’s just me, you know. 
[lizontopoftheworld]: sometimes you say things that i’ve thought for a long time really out loud 
[lizontopoftheworld]: i live in my own head sometimes, so much so, that i think that most of the things that i think are outrageous or ostentatious – a complete figment of my imagination that i’ve just made up. 
[lizontopoftheworld]: that could never be real. 
[lizontopoftheworld]: it just throws me off when they’re coming out of your metaphorical online mouth. 
[lizontopoftheworld]: …it reminds me i’m not crazy…because you think those things too… 
[busstopbilly]: :) 
[busstopbilly]: Maybe that does make you crazy. But maybe the same type of crazy as me.
[lizontopoftheworld]: well either way it’s very comforting
[lizontopoftheworld]: i feel so out of place…almost all the time…it’s nice to know sometimes that it’s not an original thought…that other people do think like that too 
[busstopbilly]: So you think we’ve met in another life? 
[lizontopoftheworld]: ding ding ding 
[busstopbilly]: What do you think we’re doing there? 
[lizontopoftheworld]: something cool 
[busstopbilly]: I’d be a soccer player. 
[lizontopoftheworld]: didn’t u tell me a story about how u literally used to cheat in pe when you were in grade school?
[busstopbilly]: Hence the alternate universe. 
[busstopbilly]: Either way, I think we’d be the same as we are now. 
[lizontopoftheworld]: such a romantic notion for your canary mate. you know we only know each other bc of an algorithm right…
[busstopbilly]: Wrong. 
[busstopbilly]: Defeats the whole purpose of the “we knew each other in another life” notion. 
[busstopbilly]: We were always going to meet. It just happened to be an algorithm this time around. 
[lizontopoftheworld]: you know, you kind of get delirious around three am… 
[busstopbilly]: You love it. 
[lizontopoftheworld]: :DDDDD 
[busstopbilly]: Good night, Liz. 
[lizontopoftheworld]: good night billy boy!!!! <3 
--
“i hooked up with my canary mate.” 
you feel your eyes widen, as you shoot out of your desk chair and peek over the little divider, to where jean – one of the fellow phd students in your computational neuroscience program – is chatting with connie. 
you must make some measure of a strange noise because they look over at you, connie giving you a sweet wave, while jean smirks. 
“hear something that tickled your fancy, newbie?” jean asks. 
“you hooked up with your canary mate?” you whisper. 
“i wish i had a canary mate. we could have started a pyramid scheme together or something.” connie states. 
shiganshina university has a weird set of rituals that the student body engages in. dipping into each of the fountains during finals week to get good grades on your exams, eating breakfast at midnight the first day of classes in the student union, and an algorithm that finds you the perfect friend. 
canary mates. an old student in the computational data sciences had made it for his thesis project, a preliminary algorithm for a dating website, that would pair incoming students with someone they would be compatible with as friends. 
you filled out a simple survey – questions ranging from your favorite color to your philosophies on life. and at the end of it, all of the answers were scored and fed through an algorithm that found you your perfect pair, a fellow shiganshina canary to be friends with.
the usernames remained anonymous to protect participant privacy, though most people tended to reveal themselves upon first message – just to promptly never talk to one another again. 
unless you’re jean. you hook up with them instead. or unless you’re you – because you’ve been talking to your canary mate every day for the past nine months now. 
“they don’t do that for the staffers?” you ask. 
connie is the administrative assistant at the research lab you matched into with the program – the shiganshina interdisciplinary brain research group. he was a recent graduate from marley technical institute with a masters in business administration, who assisted with all the clerical aspects of the lab. 
you appreciated connie more than most people. only because the soft skills and things like that were lost to you – the type of things that you can’t google, like etiquette with visiting professors and why you need to network on linkedin — were always the ones connie remembered to explain to you, without shame.
you have a hunch that erwin had asked him to do it. he was freakishly intuitive in that way, though you suppose that’s what made him perfect for his job as the director of the lab. it was part of the job description – reading people, maximizing almost every thing for the best gain– which in his case, was making sure that his phd students knew what they were doing. 
“staffers don’t deserve sexy online hookups apparently.” connie states. 
a few feet way, you hear an irritated sigh, your line of vision treating you to the most annoying sight known to man – eren jaeger setting up for the day at his desk. 
“you know, one day you’ll get reported to hr connie.” eren states. 
“jean, are you going to report me to hr?” connie asks. 
jean shakes his head. 
“y/n, are you going to report me to hr?” 
you smirk.
“not without a big fat kiss on your cheek to go with it!” you joke, earning you a laugh from the two of them. 
eren rolls his eyes.
“what the hell are you even talking about?” eren asks, setting his bag down as he pulls up the stand up desk and starts connecting his displays. 
“jean was talking about how he hooked up with his canary mate.” you state. 
eren’s eyes widen. 
“you did what?” eren asks. 
jean nods, but not before immediately straightening up against the wall and sheepishly rubbing his hand around the back of his neck – a natural response to the sight of mikasa suddenly appearing at his side. 
mikasa ackerman was quiet, a cold kind of pretty, and the sweetest lab coordinators that you had ever worked with. she was one of the applicants in the previous round of phd students – and unfortunately, the only one from her close knit group who didn’t make it. 
eren, jean, armin, annie, and sasha were all members of the bridge program that linked with the neuroscience undergraduate degree. mikasa was apparently one of the brightest members of the bunch, but for some reason, wasn’t accepted when time came around. she was taking the year to pad her resume before she tried again.
“what are we talking about?” mikasa asks. 
“about how jean ho-” connie starts. 
“nothing! we aren’t talking about anything mikasa! how was your weekend?” jean asks. 
“it was great, jean! thank you for asking.” she responds.
“he was talking about how he hooked up with his canary mate that he got matched with when he linked with the graduate programs.” eren states, not even stopping to look up from his computer. 
you watch as jean visibly pinkens at the blunt nature of eren’s words and don’t miss how mikasa’s eye twitches in the slightest, before she presses her laptop closer to her chest. and you’re sure it stings – knowing the guy you liked hooked up with someone else or perhaps even worse, being reminded that you were left out of yet another thing, even something as arbitrary as a canary mate – because you weren’t the only one who was accepted into the program. 
the group of them awkwardly shuffle away, connie and mikasa heading over to their meeting in the fishbowl conference room, as jean walks over to the mri imaging room to test out the equipment. and you spare eren one glance – one glance – before he makes his very first irritating comment of the day. 
“do you have something you want to say to me, newbie?” 
you shake your head. 
“i can tell you do. so why don’t you just come out and say it?” eren asks, tone scathing. 
you brush the lint off the hem of your skirt. eren always seemed to intrude into space like that. if erwin thought that connie needed to teach you the sleight of hands to interacting with people in a professional setting, you figured that eren would probably need some lessons in keeping his thoughts to himself. 
“i thought that was a little bit mean.” you state. 
eren scoffs. 
“they obviously like each other. and it was clear that he didn’t want her to know, so maybe you should have just kept it to yourself like connie and i did.” 
eren averts his gaze from his computer for the first time, piercing green eyes that meet yours, but not as piercing as his words. 
“you don’t think mikasa deserves to know if they’re going to talk to each other?” 
you scoff. 
“they aren’t even together yet. he would obviously divulge that eventually if they were talking for real. you’re kind of nipping them in the bud before they can even get there.” you state. 
“why do you talk like that?” 
you feel your throat dry. 
“like what?” 
“the words you use. kind of…maybe…. you don’t sound very confident when you speak.” he responds, his voice flat.
eren hits a nerve. he hits a nerve like he always does, in the way that only he can, and it’s infuriating. so infuriating that you feel the need to fight back. 
it had been like that since you met him. on the very first day, you walked up to him – the only person in the phd program that you really knew, because he was the son of world famous neuroscientist grisha jaeger – and introduced yourself. and ever since then, he was always keen on showing you exactly who he was – an egotistical prick. 
it drove you crazy. everything about him drove you crazy. 
 “we can’t all be as arrogant as you, eren.” you state. 
eren’s eye twitches. 
“and we can’t all be pushovers like you either, l/n.” 
you roll your eyes, dragging your feet open to the cubicle as you quickly click to the open tab, fingers coming in fast and hot as you type, a burning sensation tingling in the back of your eyes. 
[lizontopoftheworld]: I’M GOING TO KILL HIM 
[lizontopoftheworld]: I’M GOING TO TAKE ONE OF THE SYRINGES IN THE LAB AND SHOVE IT INTO HIS EYE SOCKET TILL HE BLEEDS 
[lizontopoftheworld]: STUPID ARROGANT PRICK IM LITERALLY GOING TO BE ON THE NEWS 
[busstopbilly]: Good morning, Liz. 
[busstopbilly]: What a way to start the day. What happened? 
[lizontopoftheworld]: STUPID FUCKING IDIOT ANNOYING GUY I TOLD U ABOUT JUST HAD TO BE A FUCKING PRICK THIS EARLY IN THE MORNING 
[lizontopoftheworld]: HE WAS JUST DOUBTING ME LIKE HE ALWAYS DOES BC I KNOW HE DOESN’T WANT ME TO BE HERE OR HE THINKS I DON’T DESERVE TO BE 
[busstopbilly]: Hey. 
[busstopbilly]: You deserve to be there. What the prick thinks doesn’t matter. 
[lizontopoftheworld]: i’m so frustrated I WILL KILL HIM 
[busstopbilly]: I fear you’re incriminating me as an accomplice to murder. 
[busstopbilly]: So very flattered I’ve been chosen as your closest confidante. 
[busstopbilly]: I know that you think he has something over you because his family has ties to research and has been in the field for years. 
[busstopbilly]: That doesn’t make him better than you. 
[busstopbilly]: I’d argue that the spot that you hold is way more important. You actually bring something new to the table. 
[lizontopoftheworld]: yeah yeah i know i worked to be here im capable blah blah blah blah 
[lizontopoftheworld]: just doesn’t feel that way sometimes 
[lizontopoftheworld]: i guess i’ll just put my head down and do the work to prove myself 
[busstopbilly]: That’s my girl. 
[busstopbilly]: You’ve got this. 
[lizontopoftheworld]: i hope ur morning is better than mine…
[busstopbilly]: Quite the contrary. I fear I was told only a few minutes prior that the devil himself will be making an appearance today. 
[lizontopoftheworld]: NO WAY
[lizontopoftheworld]: YOUR DAD? 
[busstopbilly]: The one and only. 
[lizontopoftheworld]: you’ll get through it. it’s just one day. 
[busstopbilly]: Quite hopeful of you. We’ll see how it goes. 
[lizonstopoftheworld]: HE WON’T STOP U DOCTOR BILLY!!!! 
[lizontopoftheworld]: MEDICAL DOCTOR BILLY 
it’s the first time eren’s smiled since his early meeting with hange at the coffee shop. he should have known something was strange from the start – his weekly meeting being pushed up to the start of the day, being offered free coffee – sweetness like that only came from hange when they thought it was something that was warranted. 
and seeing his dad was no easy feat. unfortunately for him, word had somehow gotten out to his dad that he had deflected to a clinical study with the shiganshina medical school neurosurgery department – something that warranted him coming all the way down here to discuss it with him personally. 
he was anticipating the same problem as usual. another check in to make sure that eren was staying focused on his career – his career in academia – and that he was holding up to his family name. he came from a family of sixth generation neuroscientists and he wasn’t going to be the one to break the streak now. 
which killed his dreams of being a medical doctor in his tracks. all of the stuff that he got to do in undergrad was afforded to him because his dad thought it was just a phase – him working as a first responder, volunteering at free health clinics – before he was harshly put in line at the end of his senior year. 
it was looking rather bleak a year into his phd. but hange was trying to help him as much as they could. 
[busstopbilly]: Funny. 
[lizontopoftheworld]: :PPPPP 
[lizontopoftheworld]: you will do what you want to do or so help me GOD. 
[busstopbilly]: Not really how that works, Liz. 
[lizontopoftheworld]: eh. 
[lizontopoftheworld[: i’ll get you there >:) 
[lizontopoftheworld]: you will be a doctor, billy. 
[busstopbilly]: You’re very hopeful, Liz. I like that about you. 
[lizontopoftheworld]: MARRY ME! 
--
“what did you do as an undergrad for research?” gabi asks. 
every week, there are two mandatory in person days that everyone has to be present in the laboratory. monday for lab meetings, where everyone cycles through presenting their research or relevant papers, and wednesdays, for team building lab lunches. 
part of levi and hange’s grant money is allocated to pay for the lunches every week, as part of team building and more casual discourse about what everyone was working on. 
“armin, eren, and i actually did research here. armin and i had been here since our sophomore year but eren joined us when he was a senior.” mikasa states. 
“we actually used to be in your spot, if that gives you any hope.” armin offers, giving her and falco a smile. 
falco and gabi are the only two undergraduate students who are involved over the summer. there’s usually a set of five or six undergraduate students that assist during the calendar year, but the two of them had applied and been selected to partake in a competitive summer research fellowship, which afforded you their presence now. 
falco was going to be assisting you on the magnetic stimulation project that you were working on; you had taken on mentoring him, alongside levi, for the past few months in preparation for the fellowship and his eventual application to a phd program at the end of the year. he was a sweet kid, one that very hauntingly reminded you of yourself, and in a weird way – it almost made you determined to see him succeed. 
gabi was working with eren on the new clinical study that he was going to be doing under hange, since she had eventual goals to pursue a career in clinical psychology. she was a sneaky applicant, meaning she didn’t come into it as prepared as falco. and unfortunately enough, eren left her to her own devices to figure things on her own a lot of the time – and you appreciated that she had yet to be discouraged. she was determined to prove herself. 
“i used to do research under nanaba in the maternal health lab. i spent all of undergrad doing a research study on the neurological changes that different birth control brands cause.” sasha states. 
sasha is the person that you feel closest to in the lab, besides maybe connie. she was definitely the most personable of the group – the most of them being a little more awkward and reserved – and she was always willing to help you out when you needed it. 
she was a big personality. and you’re sure that it’s the part of you deep down that’s messed up – that gets jealous, that doesn’t work like a real person – but there are rare moments throughout the day that she makes you feel small. and consequently, disgusting, because you’re unsure how someone sweet could bring out something so sour in you. 
it said more about you than it did about her.
“annie and i worked with shadis over in the physical therapy department. they worked with technical eeg sometimes, which was mainly what we were focused in since we knew we wanted to come here eventually.” jean states. 
falco looks over at you, offering you a sympathetic smile, as gabi turns over to you, eyes expectant. 
“and you?” gabi asks. 
you shove your fork deep into the leaves of the salad. 
“i didn’t go here for undergrad. you wouldn’t know where i came from.” you state.
gabi gives you a nod, as she dives deep into asking sasha about her experiences with working under nanaba, as you feel your cheeks glowing under the heat. you weren’t embarrassed of it – in fact, very determined to not be embarrassed of it – but sometimes it felt like a stark reminder that you were the only one who got to the same place in a different way. 
you quickly type underneath the table. 
[lizontopoftheworld]: do you ever feel like you’ll never belong, no matter what you do? 
three feet way, at the very end of the table, eren’s having the most uncomfortable conversation amongst the crowd. nestled in between hange and levi, across from his dad and erwin, his brain feels like it’s heavy. 
“i just don’t understand the direction that we’re taking with his thesis. this doesn’t really match the psychosocial work that he was doing before.” grisha states. 
“he’s just trying something new. it doesn’t have to go in his thesis.” hange offers. 
eren watches as his eye twitches. 
“my fear here is that this will become the main focus of his thesis. i would just prefer for him to be focusing on his goal here.” grisha asserts. 
eren watches as levi clenches his jaw. 
“it’s a holistic program, dr. jaeger. we would be doing your son a disservice, as a researcher and neuroscientist, if we kept him so…razor focused on one thing.” levi responds. 
“i don’t think eren is even qualified to work with these patient populations. he doesn’t have a license or the experience.” grisha states. 
“we have the tools to help him here. that’s a non-issue.” hange offers. 
“we appreciate the advisement and the direction, dr. jaeger, and we will keep you updated as things will progress. eren is very bright and motivated, that much is sure, and i can promise you myself that he will be just as successful and fulfilled as you would like him to be.” erwin offers. 
it was ironic. but eren knew that erwin was just playing to the role that he had to play here – being the diplomat that he was trained to be. and while the words were laced with politeness, the message was there – that his call was final. and while erwin’s direction alway seemed to place people in the most ideal situations, eren always felt like he was going to get the short end of the deal wherever he went. 
he got a clinical study, but his dad will stop him from pursing it too much. the clinical study is close to what he wants to do, but not exactly. he’ll spend his entire life three steps behind where he wants to go and unable to do anything to stop it. 
he looks at his phone under the table and it softens the terseness in his chest. 
[busstopbilly]: All the time, Liz. 
he watches the little typing bubbles appear, before fighting the urge to smile fully. 
[lizontopoftheworld]: <3 
--
“do you have a minute?” 
you look up from the lines of code to find levi – your thesis advisor and mentor – peering over the wall of your cubicle, eyes expectant as they wait for an answer. you give him a nod, following his gesture, as you make the way down to the office. 
levi’s stoic. very stoic and sometimes you don’t know how to act. but in a weird way, sometimes that’s what you appreciate about him – that it doesn’t take a lot of effort, that you don’t have to rehearse what it is that you’re going to say to him for small talk in the mirror, because you can almost count on the fact that he won’t oblige to that anyways. 
hange and eren are at his desk, eyes pouring over a document on eren’s laptop, as you give them a wave and take the seat next to levi. eren swallows hard – and you note that the rims of his eyes are red – before focusing in on what levi is saying. 
“you do have that experience, right?” levi asks. 
you look over at him, before giving him an awkward smile. 
“sorry, what?” 
“you used to be a behavioral technician, right? back in marley?” levi clarifies. 
“oh! yes, yes, i did. why do you ask?” 
levi nods, before sliding a set of files over to you. 
“eren’s working on a clinical study. we talked with the administrators at the hospital and the college about it and they’d prefer if someone who had experience working with similar patient populations was working on this with him.” 
you open up the file to see the letters in bright bold lettering, staring back at you. and it makes your throat itch a little bit, as you look back up at levi. 
“right, so what do i need to do?” you ask. 
“you’ll just accompany eren when he needs to converse with patients, at the minimum. you’re welcome to take on more of a lead role with eren if you would like.” 
you look over at eren, who looks deeply unhappy that he has to succumb to getting help from the likes of someone like you, and it’s quite possibly the only reason that you decide you’re going to do it. 
and it irritates eren. irritates eren that his dad was able to butt in enough to convice everyone that he needed a babysitter, and that he’d need to be around you more than the allocated two  hours that he saw you every week.  
“of course.” you offer. 
and at the end of the very long day, when eren can finally quietly drive home and settle into his bed, he indulges in the only part of the day that he can enjoy. the one part of his day where he isn’t grisha jaeger’s son or a phd student or a neuroscientist – he was just eren. or billy, if he was going to focus on semantics.
[busstopbilly]: Liz. 
[lizontopoftheworld]: no hello? no good evening? no how was your day?
[busstopbilly]: Hello. Good evening. How was your day? 
[lizontopoftheworld]: hi billy boy! good evening to you too <3 my day was dogshit 
[busstopbilly]: Me too. 
[busstopbilly]: Did the prick do anything else? 
[lizontopoftheworld]: not rlly 
[lizontopoftheworld]: i just don’t get why he doesn’t like me and it drives me crazy. i don’t want to assume that it’s because of my background or anything like that, because i can’t fathom that people would actually be like that, but it can’t help but feel that way :/ 
[busstopbilly]: Unfortunately, I think he’s just going to be the first of a very long list of pricks that you meet in academia. 
[lizontopoftheworld]: yeah…just feels really bleak that my parents and i like…did so much to get me here and i still won’t ever belong 
[busstopbilly]: You’ll call the shots one day. 
[lizontopoftheworld]: how was the talk with daddy-o
[busstopbilly]: It irritates me that he can weasel his way into everything. I would like to have something that’s just mine. 
[busstopbilly]: Like, when I was in school as a kid, when I was an undergraduate student. Even the friends I had…
[busstopbilly]: I hate that he’s everywhere. 
[lizontopoftheworld]: was ur dad the guy who created the canary mate algorithm 
[busstopbilly]: No. 
[lizontopoftheworld]: boom. you have something that’s just yours. 
[lizontopoftheworld]: me. 
[lizontopoftheworld]: ;) 
eren feels his cheeks blush an embarrassing shade of red.
[busstopbilly]: Quit flirting. 
[busstopbilly]: I’m going to fall in love with you. 
you bite down hard into your cheek, before turning over in your sheets to the cool side of your bed. because this was definitively the best part of the day – the late night talking that you indulged in. because it was the one place where you weren’t you, where he couldn’t hold anything about your background or your past against you, and had to take what you were at face value. you were just you. 
[lizontopoftheworld]: that was the plan all along :)
--
next part linked here
an: sorry ive been going through a lot and haven't written stuff lately. I actually was being randomly very critical of how this came out and just decided to yolo and post what I have
lmk if you want to be on the taglist!
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rwrbmovie · 1 year
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BTS of #RWRBMovie: NYE kiss
via Consequence:
It was important for Henry to be the grab-and-kiss-er in this scenario, Lopez says, because “there’s something very striking about a character such as Henry, who has spent up to that point in the film being very buttoned down and seemingly in control of his urges in that moment, losing the ability to control his urges and give into the desire to kiss Alex.” Plus, there’s the additional context of Henry being literal royalty: “There’s something very sexy and romantic about a prince dropping his guard. And taking things that are old movie tropes and letting two boys do it — that was definitely the romantic gesture that we wanted to go for.” Of course, on a practical level, the grab-and-kiss has certain practical elements to consider. “The only danger on set was that sometimes [Nicholas Galitzine] would come at [Taylor Zakhar Perez] so forcefully that they would just bang faces. We were really worried about fat lips and bloody noses,” he laughs. It wasn’t just the passion of the actors that was an issue, but the terrain — according to Lopez, “they were on a slope. So Nick was going downhill.” (Passion with a little help from Newtonian physics.) On set for this as well as the film’s other, more graphic scenes was intimacy coordinator Robbie Taylor Hunt, who oversaw shooting the kiss in two different ways: “We had one where Alex is completely taken by surprise and doesn’t respond to the kiss. And then we did Version B, where Alex is taken by surprise and then does respond to the kiss. Because I wasn’t quite sure what was going to work, so I gave myself the option of having both.” Process-wise, this meant rehearsing both versions and then shooting different angles and framings, which means “those lads kissed easily like 40 or 50 times that night,” Lopez laughs. “There’s nothing like having to kiss someone 40 times in a row to really, really take the allure out of kissing.”
While the grab-and-kiss is the best term I’ve been able to come up with for this maneuver, it’s not my favorite — if only because if you Google the phrase “grab and kiss” today, the search term pulls up very unsexy results. These unsexy results (including phrases like “attempted sexual assault” and “Donald Trump”) do serve as a necessary reminder of how delicate a balance one has to strike with this particular maneuver. As Lopez puts it, “there is a gray area and I think you see it in some older movies, in which they do the grab-and-kiss and it’s icky — it just feels not consensual at all, or very uncomfortable.” What’s so powerful about the grab-and-kiss is that it’s an embrace with purpose. There’s a backstory to it, usually one involving repressed emotions and deeply held longing. That was the strategy Lopez used with Red, White & Royal Blue, using the scenes leading up to the kiss beneath the tree to emphasize “the pull between them.” (Specifically, Lopez got what he calls his “West Side Story moment” during the New Year’s party, when a crowd dancing to Lil Jon’s “Get Low” does as instructed by the song, leaving a still-standing Henry and Alex to gaze at each other across the dance floor.)
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kalki-tarot · 10 months
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WHICH BOLLYWOOD FILM CHARACTER IS YOUR FUTURE SPOUSE ?
Characters can be female/male, it's not gender specific, just focus on their personality.
Take a deep breathe and focus on your third eye chakra ✨️ pick a picture that calls you out.
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1 - 2 - 3
4 - 5 - 6
Pile 01 🪞
. . Aditya from Jab we Met💌
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Omg! The biggest Green Flag ever !
Your future spouse's personality is just like him. Romantic and sweet. He's always there for you, even in your bad times. You can always rely on him. He's a great friend too, listening to your likes and dislikes. You like his sense of humor the most haha.
Like every other human being, he has his own flaws too. But he works on them and becomes a better man for his highest good.
Message is that often in life when you hit rock bottom, there is only one way to go and that is UP. And just like Geet and Aditya, some trains are supposed to be missed, so that you hop into one that takes you to a better, happier and healthier destination.
Pile 02 🪔
. . Qais Bhatt from Laila Majnu 💌
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The way he looks at laila is amazing and heart throbbing. His love for laila is pure and serene. He is madly in love with her. Totally out of control but in a healthy way.
You both may be star-crossed lovers. They were Destined to love each other. Like the dailouge in the movie says —
" Our story has been destined. And neither the world nor the people can change it. "
There was something unique between you guys. You may know him/her since childhood or even a past life was shared by you together. You are twinflames or even soulmates. I can also see people were against you both due to many differences like religion or ethnicity, but your love never dies despite the circumstances.
Pile 03 🪞
. . Guru from Ek Villian 💌
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Guru is a typical bad boy from fictional stories. He's life is totally is chaos. Your fs would be like him personality wise, except the illegal or evil things portrayed by the character.
Your fs is someone who's sad and lacks purpose in life currently. But like in the movie, when guru meets Aisha, his life changes. And he tries to become a better person and lead a better life. It's like moving from the bad and fearful times to the good ones.
He would gain a purpose, and that is you. He'd love you but he won't say that quite often, his eyes would tell. The warmth and soft feeling when he looks into your eyes will melt you right away.
Pile 04 🪔
. . Dr. Jehangir from Dear Zindagi 💌
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Even though Dr. Jehangir was not an active love interest of Alia's character in the film, your fs would have the friendly and guide-like personality aspects of Dr. Jehangir in the movie.
Your fs would be a great listener. They may even belong the the medical field somehow. They'll drag you out of your worst situations in life. You two would share a comfortable, open and cozy bond together. Whenever you need some advice, they'll always be there for you.
I'm also getting that your fs can be your doctor or counselor at first. Or maybe just a great listener and giving you good advice.
Pile 05 🪞
. . Inder from Sanam Teri Kasam 💌
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He literally holds Saru on her deathbed till she takes her last breathe 😭 What a wonderful character he is!
He's literally the most selfless and giving person to the love of his life. Your fs would be like him, pile 5, you're so lucky ♡ Your fs may have some legal issues going on or they may be a lawyer, as the justice card came up.
What I'm seeing is, like saru in the movie, you too are often betrayed or belittled by your own loved ones. You are often deceived by others and your fs does not like it at all. They just want your happiness. Even after you die, (may god not let it be) they'll still love you. They will give you whatever they have, you just name it. Wow. I'm in love with this reading ;_; ♡
Pile 06 🪔
. . Jordan from Rockstar 💌
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Your fs is like Jordan from Rockstar. This movie is my personal favourite. Your fs is a heartbroken person, but when you arrive their life gets filled with happiness but when you leave their life burns into ashes. You may be twinflames.
There is something which holds you back from accepting this love between you both. You need to work on that fear.
I see your fs is famous, Despite being famous their heart yearns for love. There is still a void in their hearts Despite having money, power and wealth. Maybe they are waiting for you.
They are definitely an introvert and kind of famous online. Their heart burns with passion, very passionate and romantic individual. They may play an instrument or even sing. People like their rough and passionate personality.
Please like and rb if resonates !
I worked hard while making this so please show some love ❤️
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Text
The Meet Cute - Ace's Story - 7
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Source for pic
Firestarter 7
Word Count: 4883
Tags For The Whole Story: Fem!Reader, slight NSFW (It's mature, not explicit), slightly sugestive behaviour, flirting, jealousy, frenemies, sexual tension, miscommunication, unresolved tension, slight angst, slow-burn, romantic comedy vibes, alternate universe modern setting, swearing, drinking, fluff, feelings realisation, denial of feelings.
Special Warning: English is not my first language, I apologise for any possible spelling or grammar mistakes.
Summary: After moving away from the hustle and bustle of Grand Line City to help your father around the property following a horse-riding accident - and in the hopes of healing your broken heart after your asshole ex-fiancé cheated - you settle into the country calmness of the Calm Belt. You intended to have some alone time, to reflect and heal, but your childhood friend's older brother, Ace, seems to be there just to upset that fragile peace you're striving for. He's a flirt and a womaniser. But why does he also have to be so handsome and perfect? And how long can you resist his charms?
Notes: Just enjoy this one 🥰
Tag List: @rosidaze @beachaddict48
Masterlist for previous introductory chapters.
|Previous Chapter| | |Next Chapter🔞|
You get home early by party standards, but it is still past midnight and Shanks is already in bed, so you try your best not to make much noise, even though you are forced to bite down on your cheek to stifle the annoying sobs that won’t stop clawing at your throat. 
Robin was kind enough to drive you home before returning to the party, because she was still sober, and you thanked her all the way. She did not ask why you were in the state you were and you did not share. Robin was very wise in realising you needed space and not probing and she knew that you would share what had happened once you were ready for it. 
After going to the bathroom you curl up in your bed and finally sob relentlessly, letting your pain drip away with every tear you shed. 
It’s official and there’s no denying it now. You are desperately in love with Ace.
And you’re sobbing the hardest because of that realisation. Because you know he’s not boyfriend material and he won’t settle for one girl. Especially you. Because you’re nothing special. He can have any girl he desires, so why would he want you?
You should have known better than to give in to your feelings. You should’ve never kissed him. You would’ve still been hurt, sure, but you would not know the softness of his lips, the warmth of his touch, the feel of his tongue and the intensity of his gaze. 
You’re broken.
But maybe time will fix it?
-*-
Shanks knocks lightly on the door of your bedroom before opening it. You’re awake. You’ve heard the rooster call. But you’re still curled up in the same ball as you were when you tucked yourself in last night.
“Bug?” He calls gently but you do not stir. You pretend to be asleep and Shanks closes the door again. 
Sighing, you grab your phone to check the time. It’s almost ten in the morning. And you have around ten missed calls from Ace and an increasing amount of texts. You don’t open any of them and throw your phone to the floor with a soft thud.
Another fresh wave of tears threatens to spill from your eyes and you let it, covering your head with the sheets and biting down the pillow, trying to stifle the painful gasps. 
If only there were a way to stifle the ache in your chest.
-*-
You keep ignoring calls and texts and by lunchtime Shanks makes another visit. This time he purposely makes some noise so you can’t really pretend to be asleep. Rising, you sit cross-legged on the bed.
“Hey, bug.” He sets a glass of water by your nightstand with two pills, thinking that you are hungover. “Are you well?” He lets his body fall at the foot of your bed, making you jump slightly when the weight shifts. 
You simply nod, not trusting your voice, and take the water but not the pills. 
“You’re not sick? Hungover?” He asks with a mischievous grin and you shake your head. “Want to tell me what happened?”
“No.” You say, but your words resemble a weak whimper and you fall back into the comfort of your bed, throwing the sheets back over your head in a silent plea to be left alone. 
Shanks remains in silence for a few moments before rising. “I’m going to leave you, then. There’s lunch in the fridge, if you’re hungry. I’m leaving for the Jubilee but I will come home before dinner to check on you, okay?”
“Yes.” You croak.
You hear Shanks’ footsteps all the way to the door before he pauses and sighs heavily. “Ace keeps calling. He says you’re not answering any of his calls or texts. Want me to tell him anything?”
Biting your lower lip, you will your voice to come out firm and steady.
“Tell him to go to hell and leave me alone.”
The silence weighs heavily while your shoulders rock with the effort of keeping your sobs and wails quiet. 
“Alright.” Your father answers before leaving and closing the door. 
-*-
You doze off for the rest of the day, only getting up to go to the bathroom or to fill your glass of water. You’re not even hungry. You keep returning to bed but you’ve already made up your mind: you will only allow yourself one day to wallow in misery.
Tomorrow is a new day and you will no longer think about Ace or your shattered heart. 
So you take time to be depressed today. 
You manage to answer some texts from Nami and Robin, just assuring them you are fine and that you’re just feeling a bit ill, not really wanting to get into details when everything is still so raw. But you still leave all of Ace’s growing pile of texts unread.
You don’t even care what he has to say.
You must have closed your eyes again at some moment or other, because when you wake up, the sunlight coming through the window is casting a lot of shadows already, so it must be nearing dinner time.
You hear muffled voices but can’t tell who it is or what is being said. It must be your dad and Beckman, probably. 
After a few moments, you hear footsteps and, sure enough, Shanks knocks and enters the room, just to find you still curled up in bed. 
“You’re still in bed?” He seems upset, the wrinkles in his eyes prominent and his lips turned down into a scowl. 
“I’m fine, dad.” You sigh.
He grunts and rolls his eyes, opening and closing his mouth, not really saying anything, but clearly meaning to say something. Until he closes his eyes tightly and exhales a breath. 
“Ace is downstairs. Should I let him up?”
You comb your fingers through your hair in a desperate gesture as you inhale deeply, trying to regain composure.
“No. I don’t want to see him.”
Shanks breathes out heavily and nods. “Okay, bug. I’ll tell him. You need to eat something, though. I will be waiting for you so we can have dinner.”
Then he closes the door and leaves. You hear the heavy thumps of his boots against the steps and quickly get up, opening the door just a smidge so you can listen in on their conversation. 
“Can I go up?” Ace sounds hopeful.
“No.”
“Fuck!”
“Language, young man.” Shanks seems pissed.
“Sorry.” A pause. “Sir.”
“What did you do to her?” Your father’s voice is raspy and tense. 
You hear Ace groan. “Nothing! It was all a misunderstanding!”
Shanks scoffs. “She told me you were only friends and I didn’t want to meddle. I knew she would get hurt. I should’ve intervened!” He’s talking more to himself than to Ace, at this point. 
“I never meant to hurt her, Shanks!”
“It’s sir!”
“We had… we had a moment. And then a random girl appeared and-...”
“And you traded my daughter for some other girl?” Shanks’ voice echoes in the corridor and you gulp.
“I would never, Sh-... sir!” There’s a pregnant silence and you can bet they are having a staring contest. “She misunderstood the situation. It was a mistake. That’s all.”
You scoff and close the door again, not wanting to listen to anything else he wants to add. Obviously you misunderstood. You were the mistake he made. And you thought you were more than you actually are. You thought that kiss had actually meant something, that you could be special. 
That was the only misunderstanding that happened. 
Because Ace will always have his girls, his fans… and you’ll be left on the sidelines. Because why would he settle for someone as boring and bland as you? When he could have the whole world?
-*-
You sit at the dinner table, fork in hand but barely eating. Your cheek rests against your fist and you sigh from time to time. Shanks has an unreadable expression on his face, though he seems to be struggling with emotions. 
You set down your fork and stare at him. “Can I, please, be excused?”
“No. You haven’t eaten all day.” He pouts.
“Dad, I’m no longer a child.”
“You’re still living under my roof, aren’t you?” You raise your eyebrow and he sighs, setting down the fork on his untouched plate of food. “Sorry, that was out of line. Please, bug, eat something. I’m worried.”
Forcing a smile, you nod and place another piece of meat in your mouth. Chewing it is akin to chewing rubber. You’re drained.
“I’m fine, dad.” You pick up the conversation after swallowing the meat with water. “There’s no need to worry. I just needed to process some things. I’ll be up and about tomorrow, okay?” You try to sound confident.
Shanks nods and repeats the process that you’ve been through with the meat himself. He must not be very hungry either.
“You know, for what it’s worth, Ace seemed really apologetic. He claimed that whatever made you mad, was a misunderstanding on your part and he never meant it to happen.”
You scoff and your mouth hangs open. “Are you seriously taking his side?” He shrugs and opens his mouth to speak but you don’t let him. “Unbelievable! You don’t even know what happened! Goddamned Ace and his smooth ways! I can’t believe he fooled you too!” You slam the fork on the table.
“Calm down, bug, I’m not taking anyone’s side on anything. You’re both adults. I’m just saying that he made some valid points when speaking to me earlier. Perhaps you should just listen to him.”
What is he talking about? You heard their conversation and Shanks was pissed! No, wait. You did not hear the entirety of the conversation. And now you’re regretting it because what could Ace have said to your dad to actually get him on his side?
Gritting your teeth, you collect your plate and water glass. “Can I, please, be excused?” You try again, forcing the words out of your mouth through pursed lips.
Shanks nods with a heavy sigh and you go. Then, after cleaning your plate and without even bothering to change clothes - tank top and pyjama shorts - you grab your car keys, put on sneakers and open the door. “I’ll be back in a while.”
You barely give time for Shanks to mutter a ‘be safe’ before you bang the door, purposely irritating him with the process. 
Getting in the car and turning the ignition makes your mind blank. Where were you aiming to go? There’s the Jubilee in town, the beach will probably have another party going on, and the lake as well… everybody must be out during Jubilee week. 
Sighing, you start driving. Driving aimlessly it is. Just to try to clear your mind, anyway.
You blast the music because music always helps you relax, and open the windows to let the wind flow freely inside of the car. It’s all bliss for almost an hour. Until your car decides you’re being too harsh on it and starts fuming.
You pull over, turn on the blinkers and get out, opening the hood and letting out an intense cloud of smoke that leaves you coughing. You’ve been here before… Your dad said Kid didn’t need to replace the engine, but perhaps he should have because you’re pretty sure this has no salvation at the moment. 
Resigning to your fate, you call your dad. “Bug? Are you all right?”
“Dad, sorry for earlier…” You start, having cooled off by now. “We’ll talk some more about it later, but I need your help. I’m stranded again! The engine is fuming and I guess this time it really is dead. Kid’s shop is closed so I need a ride.”
Shanks stays silent for a moment and you hear the loud noises of the Jubilee in the background. He’s still working. You’re hoping Beckman can cover for him as he comes and saves your ass.
“Okay, hang tight, tell me where you are.” You tell him and he grunts. “You’re in the middle of nowhere! Where were you going? Were you leaving?” He lets out a deep, resigned sigh. “Stay inside the locked car, please. I’ll be there soon.”
You hang up and do as he says, leaving the hood open, you crawl back inside the car, turning off the lights and leaving only the blinkers on, so ongoing cars can see you. Picking up your phone, you settle for a long wait. Shanks doesn’t drive too fast. 
You shiver unconsciously because the air is a bit cold and you’re only wearing shorts.
There’s no music because you turned off the car but the nightly sounds are quite relaxing. There is a big, full moon in the sky and, though your heart still clenches and aches, you know you’ll be fine. 
-*-
The wait doesn’t seem as long as you thought it would, so you are still inside your car when you see a pair of taillights parking behind you. It doesn’t look like Shanks’ pickup and you start to breathe a little faster and make sure the doors are locked. 
Until you can get a good look. A guttural groan leaves your throat as you close your eyes.
It’s Ace.
You hide your face in your hands to stifle a frustrated scream. You will be so angry at your father when you see him again.
You still haven’t moved when you hear him knocking at your window. Shaking your head but keeping it hidden behind your hands, you groan again. “Go away, Ace! I’ll wait till morning for the tow truck.”
“You’d seriously rather spend the night in the car than come home with me?”
“Yes!” You hiss, still hiding from him.
“Fine. You can stay there, but I’m not leaving either.”
He presses his butt against your door, leaning in, and crosses his arms over his chest. Removing your face from the safe cocoon of your hands, you cross your arms over your own chest. And realise you don’t even have a bra on, since you’re basically wearing pyjamas. 
And you’re uncomfortable.
And cold.
And pissed off.
“Fine! You’re unbelievable!” You groan, grab your stuff and open the door with all the might you possess, trying to unbalance him, but he moves out of your way with ease. 
As soon as you set foot outside you gasp. The temperature dropped a lot while you were inside the car and you shiver while hugging yourself. “Let’s just go.” You mutter, closing the hood of your car with force. You haven’t looked at his face once.
And you don’t intend to.
You can almost feel his eyes on you and, when once that left you flattered, today it only leaves you flustered. Since he seems to take forever to move, you stomp towards his jeep and try to open the door but it’s closed. 
He approaches, car key in hand and slow steps. “I locked it. I was ready to spend the night outside your car.”
“How chivalrous.” 
Before opening the doors, he reaches through the open window of the back and fishes out the jacket of his fireman uniform, setting it over your shoulders. It falls just under your butt, longer than your shorts, and it’s warm so you slip into the sleeves, cradling yourself in its warmth.
Fuck.
It smells like him. Closing your eyes, you inhale deeply. Then you shake your head and try to clear the knot in your throat. “Can you open the door now, please?”
He presses the button and you open the door. Just as you’re about to climb up, he settles one hand on your hip to help you and you hiss. “Don’t touch me.”
Ace retreats and you look at him over your shoulder. He seems hurt. Actually you have yet to hear or see a hint of a smile or a jest coming from him since he arrived. Which is very weird.
“You’re right, sorry.”
You climb on your own as he goes around the jeep and enters. Putting on your seatbelt and staring out the window, you prepare yourself for a long, uncomfortable drive.
Yet, he doesn’t start the car. 
You turn your eyes away from the window to see what he’s doing and catch him texting. Rolling your eyes and scoffing you mutter ‘figures’ under your breath, automatically assuming he’s texting a girl saying he’s busy.
“I’m telling your father that I’ve got you and you're safe. In case you’re making up stuff in your mind already.”
You can’t even argue with him. You were making stuff up already. Suddenly, a thought crosses through your mind: how much of your musings are merely assumptions and how much are actually true? Could he have been telling Shanks the truth about everything being a misunderstanding?
And what would that actually mean?
He sets his phone down and starts the car. The music is very low on the radio and that makes you very attuned to all of his noises. For a few times it looks as if he’s about to speak, yet he doesn’t.
His sighs and little tsks fill the air. Sometimes even a groan or a grumble. But not a single word.
You’re not in the mood to speak, anyway, so you’re glad. 
And you were right. The ride is pretty awkward. Until he makes a wrong turn and your head whips towards him.
“Where are you going?”
His eyes are still on the road but his lips curve a little bit up. “I want to show you something.” You are about to protest, but you don’t. Maybe you should really clear the air. Just to let him know that nothing will ever happen. You will stop being mad soon enough and you can go back to being friends, or neighbours, or acquaintances, and that’s it.
His jeep makes its way up the mountain very easily and you soon understand where he’s taking you: to the viewpoint. A prime location to take lovers to. Secluded and ideal for lovemaking under the stars.
You scoff. “What exactly do you want to show me here, Ace?” Your words are full of scorn and disbelief.
“You’ll see.” He mutters. 
But you’re at a loss once he passes the exit for the viewpoint and continues up. After a while, he stops the car in front of a battered-up pebbled path that has a chain closing it off, and he stops the car, leaving the engine on.
“Hang on.”
Getting out of the car, he unlocks the chain with a key he fishes from his pocket and then climbs back into the jeep, making his way across the path.
It’s really bumpy and you grab onto the handle of the door with strength. Your other hand almost instinctively goes for Ace’s hand but you stop just in time and settle it under your leg.
“Almost there.”
After a few moments, he parks the jeep and gets out, telling you to do the same. As soon as you look around, your lips open up to let out a small gasp as you take in the breathtaking view. You remember the viewpoint, but it only overlooks one side of the town, and a little bit of the beach. This place has a panoramic view of everything, including the vastness of the sky and all of its shining, twinkling stars.
You twirl on your feet, eyes up in the sky and arms slightly open. A small smile tugging at the corner of your lips.After your little exhilarating twirl, your eyes land on Ace. He’s staring intently at you, a full smile finally on his lips. 
“This is beautiful.” You exhale in a whispery breath.
“Yes. It is.” But his eyes remain locked on you. You hold his stare for a moment before turning back to the view. There’s a feeling of dread in the pit of your stomach. He must bring all of his girls here. To this special place.
To have them. To fuck them.
You grit your teeth as he removes the duvet and pillow from the back of his jeep and you start to hum negatively. This is where you draw the line.
“No, no, Ace. I’m sorry but I’m not one of your bimbos. You can’t just wow me with an astonishing view, have your way with me and then leave me to rinse and repeat with another random girl. I refuse.”
Tears threaten to spill from your oversensitive eyes again. God, you’re such a crybaby. 
He still sets the duvet down and props the pillow up against a rock. “I don’t bring girls here.” The finality of his words and the gravitas with which he delivers them make you believe him without questioning. “Come here.”
You approach him with slow steps. 
“See.” He points at the rock where the letters ASL are carved. “Luffy, Sabo and I used to come here when we were teens. This place is closed off to people because, since it’s private property, it doesn’t have any fences like the viewpoint below, but Grandfather had a key from when he helped the rangers patrolling in summer, and we made a copy.”
He sits and motions for you to sit near him. You are still eyeing him suspiciously. “This place is special. You’re special. I wanted to show it to you.”
And once again, you believe his words. Because he is being serious Ace and not silly, goofy Ace.
You move forward and sit down, far from him, almost at the feet of the duvet.”Fair enough.” He replies and chuckles softly.
You missed his chuckle. 
Only one day without him and you missed his goddamned chuckle. 
“I want to apologise for yesterday. You have every right to be upset, but I didn’t ‘arrange’ any encounter with that girl. I was going to leave the party alone.” He lowers his voice to a whisper. “Or with you, if you would have me. She just assumed something. That was all, I swear.”
Taking a deep breath, you concentrate on the faraway lights from the Jubilee. If you listen closely, and when the wind turns your way, you can almost hear the music and the gleeful screams of the crowd. Nodding slowly, you show Ace your acknowledgment even though you don't say anything. So he continues.
“You said before that you wanted honesty from me. Ask whatever you want to ask. I will answer honestly. You have my word.”
You turn to stare at him and you can only perceive truthfulness and seriousness in his warm gaze. So you nod again.
“Okay.” But you’re not quite sure where to begin. Though your mouth opens up immediately and the phrase rolls from your lips without having been properly processed by your tired brain. “Am I just another girl to you?” Your lower lip trembles and you will it to stop by clamping your teeth over it. 
“Easy question, Firestarter. You were never just another girl to me. Make it harder, will you?”
His easy grin makes an appearance on his face and you sigh in relief, letting out a small, hidden chortle at his answer. Which is short-lived as you think of another question that’s bothering you.
“Did… did you end up getting together with that girl yesterday…?” Your voice is a mere whisper and you are actually dreading his answer. You thought you both had shared something special at that beach, if he says he got with the girl…
Well… That will end everything before it even has a chance to start.
“Obviously not. I couldn’t stop thinking about you and about how I might have messed up the greatest thing to happen to me in a long time… I told you just now, I was either going to leave the party with you, or alone.”
You unconsciously cuddle against his jacket and take a whiff of his scent. He keeps saying all the right things. But he promised you the truth. So it must be true.
Your eyes are still trained on your feet and you remove your sneakers so you can put them over the duvet and hug your knees against your chest. 
“Why can’t you have a serious girlfriend? And do you want one?”
He leans back, arms crossed behind his head and stares up at the endless sky. “I told you back at the fire station that I never felt good enough for a number of things, that I always fell short on any kind of achievements.” He scoffs. “I just never felt like I could be enough for a girl. Like I’m not worthy of that kind of pure, devoted love that comes with a relationship.” His eyes lock with yours and soften. “Obviously I can also tell you that I had never met the right girl before you, but that is such an obvious line that I doubt you’d believe me. Despite it being true.” He shrugs and you blush deeply, your heart skipping a beat and making you gasp. 
Your eyes dart downwards and you bite your lower lip again but this time it’s not to stifle a sob or a trembling, but a smile. You focus on the bracelet on your ankle and there’s a warmth in your chest that fills your heart.
“I do want one.” You raise your eyebrow at him. “The second part of the question, if I want a serious girlfriend.” He smirks. “If you’re willing to, of course.”
Your blush deepens and you gulp. “I’m not done yet.”
Raising his hands in the air, he chuckles again. He’s much more at ease now, and you realise that it’s because you are also more at ease. 
Like mirrors reflecting each other.
“Since we’ve reconnected, I’ve seen you with a bunch of girls. Deuce called me ‘this one’ at the fire station, meaning you’ve been using all your usual moves on me.”
You’re about to ask your question when he interrupts. “Not true.”
“What?”
“I’ve not been using any moves on you. You’re not that predictable. I’ve been shirtless around you more times than I can count and you didn’t even bat an eye! And that’s usually all it takes.”
That’s not true, either! You batted an eye! In fact, you ran the battery of your vibrator dry because of said chest and abs, but you’re not going to admit it. 
“You’re blushing!” He replies. “Ohhh, so that affected you?” You blush deeper and try to look away. “Firestarter! Did you use up your batteries for me?”
Just thinking about it has you flustered and gasping for air. What you wouldn’t have given for the real thing these past days. 
“You’re so damn cute.” He mutters, more to himself than for you to hear. 
“That's not the point. I'm not the one answering the questions!” Regaining your composure never seemed like such a daunting task, but you inhale deeply until he stops chuckling. 
You don't even know where you were going with that question anymore. So you have to take a moment to gather your thoughts. 
“How can you be sure that I’m different? That, once you’ve had me, you won’t lose interest and want to move on to another more challenging chase? A prettier, more interesting girl?”
You want to look at him for this answer, so you do. And he gazes back at you, a strange intensity in his dark eyes.
“All I know is that I’ve never felt this way before. You fill every thought of my day and you’re there even in my dreams. I want to be with you. Not just have you, like you say.” Your breath accelerates as his eyes bore into yours. “And I don’t even know what you mean with prettier and more interesting girl. You’re all I could ever ask for.” He’s speaking the truth. You can tell. 
But your heart is still so bruised and tattered from the past. Will you be able to trust?
“Any more questions?” He says softly.
You downcast your gaze and get on your knees to shift closer to him. He straightens up, sensing your seriousness and you stop just a few inches from his face, sitting on your legs, never dropping his gaze. 
Your heart's thumping against your chest in an unholy rhythm and you're shaking from more than the cold. 
“Are you going to break my heart, Ace?” Your voice is nothing but a whisper and carries with it a sliver of hope. 
Ace searches deep into your eyes, his freckles move with his sincere smile and he uses the tip of his fingers to tuck a lock of hair behind your ear. 
“I don't intend to, Firestarter.”
He's leaning in, or you're leaning in, you're not quite sure. Does it really matter, anyway? 
“Ace… Please, please, don't make me regret this decision.” His forehead touches yours and the hand hovering near your face cups your cheek. He's not forcing anything. He's waiting for you. 
“I won't. Give me a chance to prove it.” He murmurs your name. 
“I have one more question.” You murmur back, your lips ghosting his, both your breaths mingling with unspoken promises. “Can you kiss me?”
“Yeah, I can definitely do that.”
111 notes · View notes
yuurivoice · 4 months
Text
A few folks seem very intrigued by the somewhat vague pre-BitterSweet ideas I had for Seth I was discussing on stream last night (and a few times before that) so I'll share in my own words here as well!
Seth's embryonic stage was straightforward.
Create a sexy rival for Alphonse who shares a criminal history with him, and wants to use Boo as a means to fuck with Al. Biker bad boy who fucks. That was all there was in the beginning.
From there I considered doing the Good End, Bad End approach that would expand on a concept I tried out with early Alphonse, where Boo and him hooking up on their first night was a non-canon bad end. This would have been more of a Bad Path rather than just an end, a few audios where shit just gets real wild.
I don't remember a ton of specifics now, but long story short after meeting (not the same as episode 1 of BS) Seth would be a lingering menace stirring shit and taunting Al/Boo before ultimately kidnapping Boo and luring Alphonse to a remote location, something similar to a trainyard or warehouse, like the settings seen in BS3. The climax involved a gun, and an ambiguous ending where we're not sure who got got in the end.
Then, after I sat with it for a while and started hammering out what I wanted his introduction to look like, Seth was not becoming that character. I held on, thinking maybe it'll take shape, and then the "THEY WERE LOVERS!?" bit hit me and it really started to get some movement...and nowhere near the direction of Seth really being a menace.
Also, I find the whole thing so overplayed and cliche in the ASMR roleplay niche that I did not think it would be wise in the long run to introduce even the optional Bad End thing because a lot of people cannot grasp the concept of "this is just a spicy branching alternate story for fun".
And honestly, I don't find it all that fun. A by the numbers kidnapping plot for the folks who enjoy that sort of thing would not have been the level of work I'd go on to do, nor would it have created the long lasting emotional attachment to Seth we have today.
Also, knowing your audience fucking matters. That era of the my audience had people freaking out at the idea that Alphonse might leave Boo. They were not prepared for that kind of content whether it was clearly labeled non-canon or not.
I'm pretty happy with where we ended up, and I am much more equipped to tell a story involving a fucked up asshole causing problems on purpose now than I was all those years ago.
But I hear the folks who want various boys behaving badly, and perhaps one day Seth will have a bad dream about what could have been. 🙏
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deus-sema · 5 months
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My two cents on Shogun finale with spoilers:
I think the way this finale was handled can be used as a fine example of how to subvert expectations in the *right* manner. This is not the kind of ending that would make us go WTF after momentary shock value only to disappoint us terribly but an ending which might not be what I - as a show only fan had predicted - but one which makes sense in the longer run like all the pieces of a puzzle falling into place to make a beautiful picture.
The actual event of the battle matters not as much as the actions of the people involved who contributed to its occurrence and affected its results. The wheels of fate are already in motion. We know that, come what may, Toranaga shall prevail. But that is a tale for another day. The one which we have been following until now was about Toranaga fighting against all odds and carefully setting the stage in order to achieve his dream, about Blackthorne who started his journey as an outsider in a foreign and hostile land with less than noble intentions finding a home in that place and about Mariko who patiently strived to fulfill her destined purpose and add meaning to her existence. And so she did. For even after her death, her presence was imbued in almost every scene leaving an everlasting impact on them.
The misleading opening of the episode with an aged Blackthorne who seemed to be back in England reminiscing about his days at Osaka clinging onto Mariko's crucifix was done in a clever manner. I was momentarily led to believe that Blackthorne might get to sail home afterall and I failed to understand why they would do that. But the lines between what was a fleeting dream and reality became abundantly clear when I witnessed Blackthorne letting go of Mariko's crucifix into the oceans. Mariko had become one with her homeland and by living there forever, Blackthorne had become one with her.
The writing of Shogun also shows us how one can make significant changes to certain characters and their relationships that differ from the source material and handle them wisely while adapting a story which is linked to the actions of its key players. Mariko's friendship with Ochiba and Ochiba's regard for her paid off because her death led Ochiba to withdraw her support for Ishido, even if she wasn't going to ally with Toranaga. This particular change from the books affected the plot and in a meaningful way. It's an achievement which certain other adaptations that introduce drastic changes without any regard for the overarching plot cannot boast of.
As a MariThorne shipper, I was left satisfied albeit in a bittersweet sense because while John had lost Mariko, his love for her still persisted. It was heartbreaking but this is a tragedy well done. One that I would remember forever. The last scene was oddly satisfying because, even if he doesn't know it yet, Blackthorne is exactly where he belongs now.
The acting was stellar as usual. Cosmo Jarvis and Tadanobu Asano deserve a special mention for this episode while Hiroyuki Sanada never disappoints. I'm grateful to the entire team of Shogun for delivering a show that I enjoyed wholeheartedly until the very end. And off I go to read the book next.
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