#WHICH. not totally inaccurate i think

[todayisafridaynight]

Yeah, alot of people recognize you as "The dude with the Araki artstyle that drew Xehaqus and funny Ansem content, FE7 & FE6 content and some Eliwood fluff, used to have a jojo blog, draws dragonball shit and ships Tien with Yamcha, and now the Yakuza dude with the jojo artstyle that loves Yakuza 3 & Yakuza 7." The thing that keeps you from getting bigger is that u run mulitple blogs, so it's hard to find you unless we find your art or your other posts.

you have to hunt me down like a creature of legend, like a unicorn even

[britneyshakespeare]

My toxic trait is that I like how my incomplete drawings look better than the finished things

[gamebunny-advance]

*Exhale*

Alright, I've been teasing it long enough. Anyone that's been paying attention has probably figured out what my oh-so secret project has been (not that it's going to stop me from vague-posting about it), and he really is close to being finished.

Face-up. Done. (Though I would like to touch-up where the paint has chipped)

Clothes. Painted.

Wig. Styled.

I literally just need to put the fringe on his scarf, but for whatever reason, I've just been hit with this wave of fatigue since about the time I wrote the last confessions post (frankly, if you ever see me writing/posting long-ass posts, it's because I've lost the energy to use my hands to make things).

I guess I just burned myself out from making both him and Kun3h0 at the same time, that when Kun3h0 got finished, my whole body shut down having felt relief from "completing" the project. To be fair, this has been going on since at least mid-Janurary, so I am more than ready to close the book on this one.

I'll try to finish him within the month, but there are also a lot of other things going on with me ATM, so I wouldn't hold me to it.

[t3tr0m1n0]

the sound of fight the good fight by the interruptors is kind of easy to intuit from its album cover alone, i think. the ska sound was taken really seriously considering this came out well after even the 3rd wave, but it also dipped into a more nondescript pop punk sound from time to time (like on gave you everything). i think the music was good. the use of keyboards (organ (hammond?) specifically) would appeal to me, i'd Think, but weirdly enough it didn't do all that much for my enjoyment. it helps them stand out among the ska-pop punk scene of the 21st century. the vox were also fairly standout, but they felt really early 2010s in a way i don't hear from most other ska. i think it was the l.a. in them. 7.8/10 not enough salt & spit

[max1461]

Thinking about this post. "The only way to make a cell is from another cell" is somewhat of a troubling fact to me. I mean, not for any practical reason, just because it underscores the precarity of *gestures broadly*.

It's like, some people talk about trying to de-extinct the mammoth. And people are trying to sequence the genome of the mammoth, I don't know if they've done it yet. But even if they do, one of the problems with the idea of de-extinction is... to grow a baby mammoth, you need another mammoth! Last time I heard people talking about this, I think they were talking about using an elephant as a surrogate mother. But imagine if elephants were extinct too.

The point is that information is often tied to the systems that transmit it; even if you know everything in the mammoth genome, once all the mammoths are gone there's nothing capable of reading and using that information. Like when you can't read the data on a perfectly good floppy disk because your computer doesn't have a floppy drive.

This is related to why language death troubles me so much. Even the most well-documented languages aren't actually that well understood; linguists have produced more pages of work on English syntax than maybe any other specific descriptive topic and yet still the only reliable way to get the answer to any moderately subtle syntactic question is elicit native speaker data. We know almost nothing, we can barely extrapolate at all! And every language is like this, a hugely complex system that we know basically nothing about, and if the chain of native speaker transmission is ever broken it's just gone.

"Language revival", I mean from a totally dead language, is kind of a myth. It's like the "came back different" trope. In Israel they revived Hebrew, but Modern Hebrew is really not the same thing as Biblical Hebrew at all. I mean in a stronger sense even than Modern English isn't Old English. All the subtleties of Biblical Hebrew that a native speaker would have had implicit competence with died without a trace. All they left is a grainy image, the texts. The first generation of Modern Hebrew speakers took the rough grammatical sketch preserved in these texts and imbued it with new subtleties, borrowed from Slavic and Germanic and the speakers' other native languages, or converged at by consensus among that first generation of children. There's nothing wrong with that, but it would be inaccurate to imagine Biblical Hebrew surviving in Modern Hebrew the way Old English survives in Modern English. For instance, you can discover a great deal that you didn't know about Old English by comparing Modern English dialects. There is nothing you can discover about Biblical Hebrew by comparing Modern Hebrew dialects in this way.

There's nothing wrong with this, of course. I'm not like, judging Modern Hebrew. I'm just making a point.

Mammoths died recently, so we still have (some of?) their genome. Something that died longer ago, like dinosaurs, we have traces of them in the form of fossils but we could never hope to revive them, the information is just gone. Even if we're not aiming for revival, even if we just want to know stuff about dinosaurs, there's so much that we will never know and can never know.

We imagine information as the kind of thing which sits in an archive, because this is the context most of us encounter information in, I think. Libraries, hard drives. Well obviously hard drives don't last. And most ancient texts only survive because of a scribal tradition, continuous re-writing, not because of actual archival. So I think that imagining archives as the natural habitat of information is sort of wrong; the natural habit of information is in continuous transmission. Information is constantly moving. And it's like one of those sharks, if it ever stops moving it drowns. And if the lines of transmission are broken, the information is gone and can never be retrieved.

Very precarious.

[corvidcall]

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

[adriennebarnes]

Prince of Ferrari

Charles Leclerc x Hispanic/Latina! Reader

Summary: Y/N meets F1 driver, Charles Leclerc, in a surprising and completely unexpected way.

Warning: THIS IS MY FIRST CHARLES LECLERC FANFIC, inaccurate F1 details (I’m a new fan, I’m learning) Grammatical and spelling errors

A/N: inspired by the way Ella of Frell met Prince Charmont in the movie Ella Enchanted. It is kinda a mix of Ella Enchanted and the DCOM Starstruck which really mad eme believe I'll have a Y/N moment, I really hope y’all like it!

Y/N was not a huge sports girl, but she LOVES Formula 1. Y/N started watching F1 with her dad when Checo Pérez joined in 2011 and now she’s living in Miami with the Grand Prix being only a few days away. Though everyone is a Ferrari fan according to Sebastian Vettel, Y/N was a total Red Bull fan.

That brings her to the Aventura Mall where Charles Leclerc and Carlos Sainz had an event with Ray-Ban.

"Do you know why there are so many people here?" Y/N asked her friend, trying to push through the crowd to get to Guess.

"Didn't you hear? The Ferrari boys are coming to the mall because of their Ray-Ban sponsorship/partnership, how did you not know this? I though you were a big F1 fan." Y/N's friend, Francesca, said.

"Exactly, I am an F1 fan, not a Ferrari fan. Isn't there are a Ferrari store here too? Why can't they do a Ferrari event?" Y/n asked.

"I think that is Sunday after the race." Francesca said, Y/N was going to say somwthing before she heard screaming. "Looks like the Ferrari boys are here. Can I meet them please?" Francesca asked Y/N with puppy dog eyes.

"Sure, I'll try to go to the Dolphin mall and see if I can get my mom a birthday gift without the crowd, let me know if you get a photo with them." Y/N said, she kissed Francesca goodbye and made it towards the exit.

Charles and Carlos were entering the mall, signing things as people were taking photos and videos of them.

"Remind me again why we are here?" Charles asked Fred.

"We need to maintain a good relationship with Ray-Ban." Fred said.

"It is completely fine, Lord Perceval, lighten up." Carlos said. They kept signing things until they made it to the stage set up in the center of the first floor.

"Welcome Formula 1 Ferrari drivers Charles Leclerc and Carlos Sainz!" Ray Ban employee said. The crowd cheered and got closer to the stage to see the Ferrari boys even closer as the boys walked on stage, shaking hands with the Ray-Ban employee before sitting down on the chair set up and with microphones in their hands. "Before we get this event started, we are raffling off 5 sunglasses with cases signed by the drivers themselves, if you haven't bought tickets, do so now. Carlos and Charles will be answering your questions." The employee said.

The event itself was going well for the first 10 minutes until..

"Charles, are you a fast runner?" A girl asked.

"Not particulary, no, why?" Charles asked.

"Get him!" That same girl said and Charles saw how there were many girls trying to get on stage so Charles did what any guy would do and thats run off the stage and through the exit, 13 girls chasing after him.

"This cannot be happening!" Charles exclaimed to himself. He ran to the parking garage and looked behind him and there were still girls chasing him. He tried to hide behind a car when he bumped into a girl.

"Puta madre, watch where.." Y/N didn't finish her sentence because Charles covered her mouth, pulled her close to him by her waist and slid down the car door, successfully hiding from the girls chasing him. Y/N psuhed his hand away from her mouth. "Huh, well if it isn't the prince of Ferrari."

"Please, call me.." Charles looked into her eyes. "Call me Charles. Sorry about that, occupational hazard." Charles said getting up, dusting himself off. "Allow me." Charles said, helping Y/N off the floor as she dusted herself off as well.

"Does this kind of thing happen often? Being chased by girls?" Y/N asked, looking around the parking garage.

"I don't get chased like this, thats for sure, its more the American fans. But i do get approached often when I am in Monaco." Charles said.

"Well yeah, you're not exactly subtle driving around the country in a fucking sports car that all your fans recognize." Y/N commented.

"So you know a lot about me?" Charles asked with his arms crossed and a stupid smirk on his face.

"Charming, such Libra behavior. Now as you are clearly not in danger from screaming fans and I am nothing but a humble American, I'll leave you to it." Y/N said, about to unlock her car when Charles put his hand over hers.

"Wait, what is your name?" Charles asked.

"Y/N." Y/N responded.

"Do you have anywhere you need to be?" Charles asked.

"Well I'm shopping for my mom's birthday present. I couldn't really do the shopping in this mall." Y/N said.

"Maybe I can help you, as a thank you of course for not blowing my cover." Charles said.

"You gotta lose the Ferrari merch if you don't want to get chase again." Y/N said.

"Oh, of course." Charles said. He took off the Ferrari hoodie he had on and Y/N couldn't help but look when Charles's shirt started riding up when he did so. "Better?"

"I have a Disney baseball cap and sunglasses in my purse, just wear the 'Marvel disguise'." Y/N said laughing as she handed Charles the items and he puts them on.

"Do I look like a normal guy?" Charles asked posing.

"Sure, get in." Y/N said, unlocking her car to get into the driver's seat and Charles circled the car to get into the passenger seat. "Wouldn't your team principal freak out that you are missing?"

"I'll let him know I'm okay, It's only Wednesday, press is not until tomorrow, I think I can have a little fun." Charles said. Y/N started the car and left the parking garage when she got a call from Francesca.

"Digame Fran, como te fue?" Y/N asked her friend.

"Mal, no sabes lo que paso, some girl decided to fucking jump the stage, her and a group of girls chase Charles out of the mall, and now the event is canceled. Like what the fuck. How about you? Did you make it to the other mall?" Francesca asked.

"Actually Fran, you have no idea what happened." Y/N said.

"Hello Fran, how are you?" Charles spoke and Francesca went silent. "Are you alright?" Charles asked again and Francesca screamed.

"You bitch, you have Charles Leclerc in your car?!?" Francesca screamed.

"Relax, he's helping me with something and in turn, he plays hooky until this whole thing blows over." Y/N said. "I'll call you later, okay?" Y/N said, hanging up. "Sorry about her, she is a huge Ferrari fan."

"What about you? Ared you a Ferrari fan?" Charles asked curiously.

"Sorry, red is not my color, I'm a Red Bull fan." Y/N told him. Charles put his hand on his chest.

"Ouch, you hurt me." Charles said and Y/n laughed. "Its such a shame, you would look great in red."

"Charming." Y/N replied.

"So i have been told." Charles said. Y/N played music in the car until they made it to the Dolphin mall. "Miami has a lot of malls."

"Yes, yes it does." Y/N replied before getting out of the car and getting reusable bags from the trunk. "Lets pay for parking."

"You pay to park the car yourself?" Charles asked.

"oh you have so much to learn." Y/N walked to the meter at the entrance of the mall to pay before Y/N grabbed his hand to enter the mall.

"As my tour guide, where do we go first?" Charles asked.

"I wanted to go to Swarovski to get a necklace for my mom." Y/N said.

"Any stores you want to go to?" Charles asked.

"There is a Saks Off Fifth but I don't think I have enough money." Y/N said. Charles pulled out his wallet.

"I'll pay." Charles said but Y/N shook her head.

"There is no way I can let you do that." Y/N said.

"I insist. You are helping me a lot by treating me like a regular guy. Its the least I can do, you are babysitting me after all." Charles said.

"Well I can't argue with that." Y/N said.

That is exactly what happened, Charles helped Y/N pick out a necklace with matching earrings for Y/N's mom and paid for it. Charles was very insistent in Y/N trying on clothes from different stores she wanted to look at. When Charles saw Y/N's eyes light up in a certain item, he always said "Do not look at the price tag, do you like it? Do you want to get it? Then its done, I'll buy it for you." Charles ended up carrying Y/N's shopping bags after every trip. They went to the food court and Charles also paid for their lunch, they sat in a far away booth.

"So how did you get into F1?" Charles asked, taking a bite out of his sandwich.

"Well my dad is a fan, we like Checo Perez because he is Mexican, Latino power and all that." Y/N said, eating her Chinese food.

"So that is why you are a Red Bull fan, good to know." Charles said.

"Yep, that's why. I hate to ruin the moment, but what happens after today?" Y/N asked.

"Well I wouldn't see you in person until the next Miami GP, but we could talk everyday if you give me your phone number, If you want fo course, I liked spending the day with you." Charles admitted.

"I liked spending the day with you too, I never had a guy friend before so this type of relationship is new to me, but i don't hate it." Y/N replied. Charles got out his phone.

"Here, put your contact in." Charles handed Y/N his phone. Y/N added her name and her photo, han ding it back to Charles. "'Y/N American', very cute." Charles said.

"why thank you." Y/N did the nose scrunch and Charles found it adorable. "Now do you want to buy anything sir or are you okay? It's almost 5 and tomorrow is your media day." Y/n said.

"yeah, we can go." Charles said, they finished their food, threw out their garbage, left the mall, and went to Y/N's car, she got in front of his hotel. "You should come over one day." Charles said, unbuckling his seatbelt.

"If your team principal says its okay." Y/N said.

"I'll make sure he says its okay, see you around." Charles said, leaving the car. Y/N drove back to her house, her parents watching TV in the living room.

"Como te fue, mija?" Y/N's mom asked.

"Me fue bien, Mami, luego te cuento." Y/N said, dropping off her bags in her room. She closed her door and collapsed on her bed when she got a text.

Unknown number: Fred said its okay, whenever you want to come over, let me know.

Unknown number: It is Charles by the way.

Y/n laughed and replied to him.

You: Sounds like a plan, I'll let you know, Charlie.

Y/N saved Charles's number as Charlie and sighed. Today was a good day.

The End

Hope y'all liked it, if you did, maybe I can write more, I don't know, I need more Latina representation. Up to you if you want more or if i should just stick to reading F1 fanfics.

[headspace-hotel]

facts about The Fear, after 20 years of life with her

The Fear is NOT:

an intruder, invader, or some other entity from "outside" You

inappropriate, wrong, or incorrect

a responsibility

a punishment

"irrational" or otherwise able to be understood through a relationship to "rationality"

an "inaccurate" representation of reality

The Fear IS:

an innate part of you

extra-rational—she exists outside and completely independent from "rationality" and does not respond to being judged according to that lens

self-love—her purpose is to protect you and keep you safe

self-sufficient—fear is a 100% whole, complete entity that doesn't "represent" or "reflect" something else

earnest—fear is always a 100% real experience that is exactly as it is felt, and, needing no comparison or reference to any external reality, it is not "dishonest" or "inaccurate"— it asserts a claim about only itself

subversive [not quite the word I am looking for but it will have to do]— is not necessarily beholden to social and cultural norms of what should be feared, how much, and how you should respond. She does not stop existing in the absence or suppression of vocabulary to describe her.

a demand for care— she does not just communicate to you but to the community you are part of; she calls attention to an obligation that this community has toward you, to make sure that you are safe within it and that your experiences are heard and understood.

yeah, so, i've had severe anxiety for my whole life and the way it's been treated and dealt with, and the way I've been taught to understand it, has really fucked me up so I am trying to lay the groundwork for understanding it differently

I think it's pretty fucked up that we're taught to see anxiety as deceptive or inaccurate. Now, obviously the images or projections in my fearful thoughts do not usually "reflect reality," but I have come to see this as...not particularly important?

Teaching an anxiety sufferer to restructure their thoughts to dismiss and contradict "irrational" fear is, in my opinion, the same as teaching a chronic pain sufferer to restructure their thoughts to dismiss and contradict pain with no clear physical source. You might as well speak of "irrational" pain, and pain has the same relationship to rationality that fear has.

"Irrationality" is a quality assigned to fear that is judged by an outside observer, or by the collective cultural biases and hang-ups of a society, as not appropriate to a given situation. This is total fucking nonsense and we should be talking about that, because...well, the first reason is that it implies some kind of fixed standard for what fear ultimately is and isn't for. i like to tell people to watch one of those Coyote Peterson videos where he's going to get a tarantula hawk wasp to sting him, because he's obviously having a strong physical fear response, even though he knows it won't kill him. Is it "rational" to fear suffering and not just death? How much suffering? Sit with that one a little while.

The second reason, which is even more convincing, is that the "rational" brain is not consulted at any point, ever, when a person feels afraid. It's just a response. The fear response is not routed through the conscious, sapient, reasoning brain. And thank God, because if we needed to hear back from an upstairs executive before we could decide whether to run from a lion, our species would be extinct.

Techniques like Cognitive Behavioral Therapy were absolute fucking shit at making my life any better, but fantastic at wrecking my ability to identify my own emotions, because Cognitive Behavioral Therapy for anxiety basically amounts to trying to brainwash yourself into thinking you don't feel the emotions that you do. It's a really neat way to develop bizarre psychosomatic symptoms and start experiencing anxiety through constant body pain, swollen lymph nodes, and digestive issues.

For an institution that pathologizes having "alters," psychiatry sure loves to encourage a suffering person to view normal and ultimately good parts of themselves as distinct, intruding entities to be shoved in a closet somewhere.

And yes. Fear is ultimately a good part of you, a part of you that loves you.

What began to set me free was feeling that acid terror and sickness and rage course through my body and realizing—really realizing—that I was being illuminated with this ancient, powerful force driving me to LIVE.

I want us to make it. I want you to live.

And you know what, I want me to live too.

I abandoned the doctrine of calming down—Lord knows it had never worked anyway—and started really just exploring and existing in the Fear.

How did that feel? Bad. Very very very very very bad and really not productive or helpful at all initially. Which was unavoidable. Necessary. She had been frantically clawing to communicate with me for so long, and I had been shutting her away, silencing her, resenting her presence in my psyche. I started trying to show gratitude toward the signals my body gave me. I started trying to show gratitude toward her—and i guess the Fear was a Her now, this just seemed more respectful.

And it seemed like nothing happened, but several things happened.

I stopped searching for validation. That was a big one. At some point I just...stopped needing a "reason" or justification for the fear I felt (trauma???? neurodivergence???? neurodivergence trauma????) and the fact that I experienced it became completely sufficient and satisfying to me. So much guilt and confusion disappeared.

I also became steadily more confident about my own boundaries, particularly in regards to recovery.

It's awful now that I think about it, but I think I felt this sense of almost moral obligation towards "recovery," as if I needed to "overcome fear" to be Courageous and Virtuous. It made me feel crushing guilt to feel any hesitation about this.

But then this started to change. It became more real to me that was the only person affected by the steps I did or didn't take toward recovery, and there was no moral dimension to it. A therapist couldn't put me in a box I wouldn't willingly go into.

Freedom from these judgmental frameworks is really important to me. I think that I always hated the idea of getting "better" because it seemed like "better" would mean just getting better at submitting to things I was afraid of while everything felt just as bad as it always did on the inside.

And on some level—even though I could never put it into words at the time—I violently hated the idea of "recovery" from some of my fears because it seemed like the ultimate denial of agency. I didn't want to "become okay with it"—the possibility felt dehumanizing. It felt awful.

And I realize now that this is because The Fear represented something I needed to have a right to. Many of my most life-destroying fears centered around things being done to my body, and if I could have pressed a button and been no longer afraid, I wouldn't have, even though it would have spared me so much suffering, because...I needed it to be okay to want agency over my body. I needed it to be right. The Fear, in this case, was a demand that my body be treated as sacred.

I realized that there were many cases where The Fear was a territorial claim of sorts, a demand that certain needs be honored and met—She needs this. This is FUCKING non-negotiable.

And it really...prompted me to look backward on my life and see The Fear differently: not as a responsibility I had failed to shoulder (me?? a little child??? responsible?? Responsible for being brave, when every day felt like facing a firing squad?????) but as a collective responsibility

Because I was not alone in those memories—I was surrounded by adults that saw me suffering, and often dismissed, ignored or ridiculed it. The Fear grew larger and larger; why?—to protect me. Because teachers, nurses, doctors, and camp counselors did not do any of the thousand thousand things they could have done to make that little girl feel safe. Because my well-meaning parents praised me when I was "brave" but I, a little kid, literally couldn't communicate how awful it always felt.

The Fear was not there to torture me. The Fear was and is doing her best to keep me safe. It's not wrong, there's no need for guilt. It just is.

It doesn't feel good. But maybe one day it will feel better.

[sturnioloskyline]

Idk if your right something like this but I’d find it so silly if you could! So the idea is Matts girlfriend and she’s has ADHD and she like vocal stims a lot when she’s comfortable around people,and she’s always saying the most outrageous things she hears from TikTok’s as a vocal stim ( I can’t go a second with out going “ hundred bans in my panties” because the cortisa star song that’s on my fyp but you can do any TikTok sound!) And she’s like either whispering it or yelling it when she deems it to quite around her! Or something of the sorts if you don’t do this it’s totally ok! Have a wonderful day/night! 🤍💙

blurt out

pairing: matt x fem!adhd!reader

warnings: language, adhd(obv), stimming, cheesy fluff, not proofread

summary: whenever there’s a catchy audio on tiktok, it somehow becomes one of your stims.

disclaimer: i am by no means romanticizing adhd. some of this is slightly based off of my own experiences with being neurodivergent, but i also did some research online, so i apologize if anything is inaccurate!

matt was incredibly understanding and supportive when it came to your adhd. when you first started dating, you were so nervous to tell him, and would mask it all the time around him. but as your relationship progressed, you realized that matt would never judge you or think of you any differently for your adhd.

so you became a lot more open about your adhd, and to be honest, matt loved it. he loved when you told him about your hyperfixations, and he adored the way you’d try to focus so hard while he spoke to you.

after a few months of dating, matt and his brothers had grown completely used to your adhd symptoms. they understood that your short attention span and fidgeting were just parts of what made you you, and they wouldn't have it any other way.

this particular day, nick had suggested that you join them as a special guest for their next car video. you were sitting in the passenger seat of the car, waiting for matt to check the camera angle. chris sat behind you in the backseat, with nick to his side.

you watched as matt stood in front of the minivan, bending slightly over the hood to get a good look at the viewfinder of the camera. he gestured to the left, and you reached out to the dashboard to adjust the camera's position. matt gave you a thumbs up and made his way back to the driver's seat.

"okay, looks good," matt said as he got in the car. he smiled at you warmly, wanting to provide you with a sense of comfort. this was the first video of theirs that you would ever be in, so it was safe to say that you were a bit nervous.

"alright. hey guys, happy friday," nick addressed the camera, leaning forward so he was farther in frame. "today we have a special guest."

you smiled and waved at the camera, glancing at matt who just grinned.

"this is matt's girlfriend, y/n," nick explained. chris let out a cheer, causing you all to laugh. "we're gonna do a q&a with y/n using questions that you guys sent us on instagram."

nick pulled out his phone and began to scroll through the thousands of answers to the triplets' instagram story, searching for a good starter. you looked back at him expectantly before something shiny next to chris caught your attention.

"what's that?" you asked chris, pointing to the can that was in the cupholder next to him. chris pulled it out, scanning the label.

"uhh, it's peach redbull," chris shrugged.

"oh my god, can i please have it?" you asked excitedly. matt chuckled as chris handed you the can, which you immediately grabbed and cracked open. you took a sip and let out a sigh, smiling and setting the can down in the cupholders between you and matt.

"okay first question," nick said, sticking his hand out to grab everyone's attention. "what's it like dating a triplet?"

"um..." you looked out the window, thinking about how you wanted to answer. "i mean, it's like dating any other person, just with triplet brothers? yeah, i guess you could say it's different, because i hang out with you guys all time, but that doesn't mean that me and matt don't like, have our own little moments. but being a triplet doesn't really change anything much. this way i get a boyfriend plus two built-in best friends, which is cool. but me and matt have a pretty normal, average relationship."

you blushed with self-consciousness as you realized you were rambling, quickly shutting your mouth and ending your rant with a quick nod. matt found your word vomit adorable, however, bringing his hand close to your knee, lightly brushing it with his knuckles out of view from the camera. you smiled softly at the reassurance.

nick scrolled through and asked a few more questions, occasionally interrupted by a random tangent that chris went on or something that caught matt's eye through the widow. the video ended up growing longer as the four of you jumped from topic to topic. it was as if you just couldn't stop talking, all of you interrupting each other excitedly and laughing loud enough for the entire parking lot to hear. you grew much more comfortable, slightly forgetting that you were even on camera.

while nick returned to his phone to look for more questions, you, matt and chris were silently communicating. the three of you passed looks to each other, holding back fits of laughter.

"okay, someone asked what you like to—"

"head so good she on honor roll," you blurted out loudly, interrupting nick. the car went silent as you clapped your hand over your mouth, glancing over the camera.

chris erupted into giggles, causing matt to join him. nick started chuckling too.

"sorry! that song is literally all over my for you page right now," you apologized, laughing slightly out of embarrassment. that song had been all you were hearing for the past week, so naturally it worked its way into becoming one of your vocal stims.

"you're fine, y/n. let's move on," nick rolled his eyes at his brothers, who were smacking each other out of laughter.

...

author's note: been a busy week, will post way more on the weekend i promise. also, would it be more fun if i posted one fic every monday, wednesday, and friday? lmk! love u guys 🤍

[c-is-for-circinate]

Elements of real science I'd love to see in more fictional magic systems

Categories are defined by people, not by nature, and way looser around the edges than everyone thinks. "We like to divide spell-casting into rituals, runic magic, instantaneous spells, and curses or blessings, but the 'curse or blessing' category has more to do with how long a spell LASTS than how it's SET, and the line between ritual and inscribed runes gets really blurry in places..."

Models of 'how this works' that get taught to little kids which are fully debunked later as 'over-simplified and actually totally inaccurate, but a good way to learn, this is better', only to be replaced two years of study after that because, 'actually that was also a lie for the sake of learning, learn this one instead'. "Yes, we teach kids that planes stack in layers and sometimes holes form between them, and I know last year we covered the Humperdink Theory Of Planar Interweaving where those so-called holes are areas of enmeshment with the fibers of multiple planes at once, but today we're finally going to talk about the Planar Mosaic Model."

Frenzies of curiosity each time something unexpected happens, as wizards try to figure out, if this is a divergence from the pattern they THOUGHT they knew, then what is the bigger pattern? IE, "We've seen the Power of Friendship be insufficient to slaying this balrog for years! Why were these particular adventurers finally able to do it now?"

Basically, magic not as an objective force of the universe, but a hodgepodge thing humans made up to try and talk about and interface with the truth of the actual universe.

"Yes, we've been studying the lore and secrets of the universe for a thousand years. Things still just happen sometimes! That's why it's magic!"

[etz-ashashiyot]

A lot of people have already spoken at length on why "Judeo-Christian" is an inaccurate and often disingenuous and supercessionist term, but one thing that occurred to me today is that it is also just linguistically awkward in a way that I think contributes to the inaccuracy.

You'll note that it's always "Judeo-Christian" and not "Christo-Jewish" (or even "Christo-Judean") and presumably the reason for this is because they are trying to equate them but Judaism came first so it's listed first, right? But because English is a garbage frankenstein language, the order of a compounded word like that can have other meanings, such as:

The first thing is the primary thing

The first thing is an adjective that modifies the second thing (and thus the second thing is the primary thing)

Sometimes it's incredibly easy to tell which meaning is intended, but with this phrase it is not easy to parse because its actual intended meaning is to equate them.

That said, all iterations or interpretations of the term are incorrect, because the areas where Jewish values and Christian values overlap with each other and no one else are very, very small.

Equating them fails because they are not the same and is a way to pretend like Christianity isn't alone as a colonial force driving society in a particular direction and totally includes minorities. Reading it as the values being primarily Jewish with Christianity overlapping secondarily is not correct because the values don't overlap and because it allows people to blame Judaism for Christianity's failures. Reading it as the values being primarily Christian but modified in some way to be more Jewish is not correct again because they are not the same and heavily implies that all failures of church can be attributed to judaizing cultural forces.

Anyway the term is irredeemable and you shouldn't use it in earnest.

[ohtobeleah]

Was It Over? // Jake Seresin

-> Chapter Eleven: [The Man]

Summary: When Jake and Jensen go head to head over who means what yo you, things escalate to new heights, so much so that Jake lashes out and says something that may not be forgiven.

Warnings: Sick!reader. Breast cancer diagnosis. Jake Seresin x F!reader. Angst, hospital & medical inaccuracies. SLOW BURN ROMANCE/ Inaccurate medical information. Relationship turmoil. Mentions of religion. JEALOUS JAKE!

Word Count: 5.6K

Author Note: This chapter brings the total word count of this series to 50k....I cannot believe that an idea that began as a one-shot has turned into this. Thank you all so much for your support on this one. xxx

Series Masterlist | Main Masterlist

There was a brief moment right before your shower where Jake was able to step out into the hall to call his sister Jasmine. He knew the call he was about to make was going to be neither short, nor pleasant. But he also knew that deep down, you weren’t mentally prepared to tell your children you were sick. But the pair of you had to start somewhere. And that somewhere was Jake’s sister. 

“What the FUCK is going on!” One single ring. One dial. That's how long it took Jake's sister to answer, hell, Jake thought it would have been sooner but he gave her a little good grace for potentially having to step out of whatever family dynamic she found herself in. “Mum said Y/n’s sick?” 

“Did she say it like that?” Jake replied unamused as he found an empty chair to sit on in the waiting room area down the hall. He didn't want to stray too far away from your room. Although he knew that you were with the nurses, he couldn't find it inside himself to leave. If Jake tried hard enough, he could still see your bed socks at the end of your hospital bed. 

“Uh–” Jasmine's apprehensive silence confirmed all Jake needed to know. “She may have said it with a little hope in her chest, mentioned the words dropped and dead in the same sentence of wishful thinking.” Jake couldn’t say he was surprised after the way Janeen had spoken so poorly about you directly to his face. He couldn't really imagine what she’d been saying to other members of the Seresin family. “But what's going on? I'm keeping an eye on the kids as much as I can but holy shit mum's just on a warpath–” 

Fuck: Jake knew leaving the kids behind was a bad idea on his behalf. The guilt of running off on his children in the middle of the night was beginning to eat him alive. The idea of lying to them about your condition only made that guilt harder to rationalise. 

“Okay, can you just promise me you won’t tell the kids?” Jake groaned into the phone. “Y/n doesn't want them to worry so she doesn't want to say too much.” 

“Jake–” Jasmine's voice changed, the serious nature of the conversation at hand was beginning to shine through with ease. “She's alright, isn't she?” Jasmine asked as Jake let his elbows rest on top of his thighs. This whole situation, the newly found world of which you were living in was begging to give Jake the head spins. Keeping up was exhausting, but this wasn't about Jake now was it. “This is Y/n we’re talking about, she has to be alright.”

Unbeknownst to you, Jake had been reading all your files, all your reports, everything and anything he could get his hands on about your diagnosis. After all, he had been named your emergency contact not long after showing up. He’d made a convincing case. Jake knew a lot about your current situation. He knew the odds, chances, risks and possibilities. 

“She's been diagnosed with Stage three A, triple positive grade three invasive doctoral carcinoma.” Jake explained to his sister who on the other end of the call, sat watching his youngest try to eat the sand from the sandpit Jake himself used to shit in as a child. “The oral chemo they had her started on caused a stroke, apparently it's a common side effect, to me they shouldn't be pumping people full of that crap if its gonna cause a fucking stroke forty percent of the time.” 

Jake knew the silence on the other end of the line was due to an overload of information getting caught in his sister's cerebellum. It was a lot to take in, hell Jake still hadn’t really been given an opportunity to take it all in. since he found out he’d been go go go. He knew an impending moment of weakness mixed with overall exhaustion was coming. When that moment would come he wasn't sure. 

“You’re lying–” Was all Jasmine said. Jake wished more than anything he could say he was. 

“Fucked up thing to lie about Jas–” Jake responded softly as he listened to the hustle and bustle of the hospital wing his sat in. “She hadn’t been feeling well for a few months, Doctors say it's aggressive, feeds off her hormones and stuff.” Jake didn't understand a lot of it, but he was trying his best to navigate a field he wasn't an excerpt in. “She's in for a preventative double mastectomy on Christmas Eve. It would've been earlier but the strokes kinda set her back a few days.” 

“Jake– I don't believe you, the kids–what about the kids, what do I tell them?” Jasmine couldn't comprehend the devastation this would cause on the already struggling family dynamic. You and Jake were meant to be, everyone knew that. But this whole separation, the miscommunication and overall fractures within your marriage were all major contributing factors as to why love just couldn’t be enough.

“Don't tell them anything, please, for the love of God Jas don't tell them anything, I just–” Jake let out a sigh of frustration as he ran his hand free hand through his hair. God he needed a haircut. “We just need a little time to process what's going on and Y/n–she's been doing this for too long on her own, I can’t keep letting her down so just, take a moment to breathe for me.” 

“Holy fuck you aren’t kidding about any of this are you?” Jasmine with all her good graces and problematic marital issues of her own, looked over at where her husband sat with hers and Jake's father. The sight was enough to send a shiver down her spine. The man who raised her was not someone who Jasmine ever wanted her brother to become. Losing your wife to such a disease that was as unforgiving as it was inhumane could potentially be an origin story bubbling under the surface of Jake's skin. 

“Jake–You don't get to turn into dad if this ends anything less than Y/n walking away from this cancer free Jake, your kids deserve to have a dad that won't treat them like burdens and mistakes.” 

***~***~***~***~***~***~**

“Watch your step alright?” Our skulls are designed to cushion our brains. Our rib cages are specifically moulded to guard our hearts. The human body is built to protect our most vulnerable parts. At least, that’s how it’s supposed to work. 

The way in which Jake helped to guide you out of the bathroom with his hand pressed firmly against the small of your back made your heart skip a beat. You held tightly onto his forearm with one hand and in the other? Was your IV poll, still pumping you full of antibiotics and fluids. 

“I got it.” You tried to focus on just putting one foot in front of the other. That's what this whole thing was about right? This battle, this fight. It was all about putting one foot in front of the other. With Jake by your side, albeit with some underlying resentment still to be discussed, you felt as though those steps, small but meaningful in their own right, were made with intent and purpose to keep fighting. “Shit the air-con feels so weird on my head.” You chuckled to yourself as Jake shut the bathroom door behind the both of you. 

“Yeah holy shit it's like–” As Jake's eyeline faltered from you to the figure standing over near the door, his heart sunk into his stomach. His face turned to stone as the green in his eyes, usually an emerald colour, darkened to something more pine-like. The half finished sentence that left your husband's mouth and tailed off into complete and utter silence was what got your attention the most. It wasn't like Jake to not say what was on his mind. 

“What's up?” As you turned your head slowly, you saw the man who had been nothing but a pillar of support for you to lean on since your diagnosis. It was the man who had kept you above water when you felt like you’d been drowning in a sea of unprecedented mortality. “Jensen–” The shock and excitement in your tone was something Jake couldn't miss no matter how much he wanted to. “You came?” 

Jake made no attempt to move as you shuffled forward, he stood still with his heart hammering inside his chest. He stood completely still as his thoughts carried him away into a world where nothing made sense to anyone. Into a world where he didn't have you, a world where for the last year he’d tasted of that very misery and hated every last second of it. 

“I uh–” Jensen held out the bouquet of sweet peas, peonies and pansies he’d brought for you. The overwhelming colours and signature scents captivated the entire room with their freshness. “I wanted to stop by, see how you were doing, hope I'm not intruding?” 

The body tends to adapt quickly to new circumstances and pressures it’s put under. It knows how to protect itself. But it can’t close off completely, or well—we’re not really living are we? Biology tends to override our fears, so we leave the door open, just a little…hoping like hell that it's worth the risk. 

“Oh no, no we just finished up some DIY haircuts.” You beamed, the smile that ignited across your face was a smile Jake hadn't seen in years. A smile so pure and full of love that it couldn't ever be faked. “Jake, this is Jensen.” You introduced the two men who had played significant roles in your life, having no clue that they had both already met one another in the hall. “We met at the doctors office, as unfortunate as that sounds, it's been really nice to have someone who just, knows.” Jake slowly but surely aided you over to your bed before he made his way over to where Jensen stood watching idly. Assessing the situation unfolding before him. “Jensen convinced me to go to a few of those CCA meetings, although not my cup of tea–it's nice to know that that support system is there.” 

Jake eyed Jensen and his bouquet of flowers off as he stepped closer and closer with a look Jensen couldn't quite read in his pine green eyes. The betrayal of love often has boundaries that people end up living with for the rest of their lives. For Jake, his betrayal and the consequences of his emotional ineptitude inside his marriage was starting to play out right before his very eyes. 

He saw the potential that there was in fact another man. And oh boy did he hate it. 

“And Jensen, this is Jake, my husband.” Jensen took subtle notice of the way you introduced Jake to him as your husband, not your ex-husband like you'd been referring to him as since the two of you first met. Something had changed, Jensen could sense it. But for as much as Jensen could sense the chemistry between you and Jake, Jake could see the way your eyes lit up with overjoyous surprise when you realised that the flowers Jensen held in his hand were in fact for you. “Are those, are those for me?” 

“Oh–yeah.” Jensen beamed as he walked a little further into your room. “I thought they might bring a little light into your room but it seems that you have it pretty well decorated.” It was the small nod to the Christmas lights that hung around your room that made you smile even brighter as Jake made his way back over and helped you into bed. You could tell there was tension brewing just from his quietness alone. “And the new haircut suits you, good thing you don't have a weird ass head huh?”

“Hey Jarred–” Jake interrupted before you had a chance to reply, the way he intentionally called Jensen by a different name rubbed you the wrong way. The frown that cast itself across your face left little to Jake's imagination, but as he made sure you were as comfortable as could be in your bed, he kept going. “Nows, probably not a good time–” 

Jensen looked around your room carefully, he knew the system well and what times were more common than not for nurses to do their daily rounds and check-ins. He knew that by the looks of things you had just showered and were probably settling in for the afternoon. If Jensen was correct in his assumption as he looked back towards where Jake stood at your bedside, he would assume that he couldn't have picked a better time to drop by. 

“Seems like a pretty good time to me man, besides, why don't we let Y/n here make that call.” Jensen replied calmly as he went about finding a place for your flowers to go. Jensen could have played the safe card, he could have chosen to be the bigger person and not mention it, but he didn't really have a hell of alot to lose. After all, he was a dead man walking. What was the harm in stirring the pot a little where he still could. “Honestly, I didn't expect you to be here if I'm being completely honest.” Jensen smirked as he turned back to face Jake. You felt like your heart was about to explode right through your chest as you looked back and forth between the two men who had seemingly gotten into a mines bigger than yours contest on either side of your bedside. “Didn't think you knew your wife was sick–” 

The silence was deafening as Jake thought about all the ways he could kill a man in one single motion. The rage he felt inside his chest was red hot jealousy. Jensen could practically see the steam spewing out of Jake's years. 

“What my wife decides to share with me has nothing to do with you–” Jake growled, you could just see the way he was grinding his teeth. Jake's jawline had never seemed more profound. His knuckles were almost entirely white as he leaned against the railing of your hospital bed. Lowered down for convenience of getting in and out. 

“It does when I’ve been the one listening to how much she wishes you loved her the same way she loves you.” Jensen shrugged. “Come on man, don't play this game, don't pretend that I don't know what been going on–” 

“Enough!” You couldn't have shouted it slider if you tried. “Both of you, my god we’re all supposed to be adults here?” You sighed as you looked at Jake and then over to Jensen. Something was off with him, this wasn't the Jensen you knew. He seemed off, very off. “Can you two just back up, let's start over.” However, it was a plea that fell on deaf ears.

Remember that impending moment of weakness mixed with overall exhaustion Jake mentioned earlier? Yeah– about that. Guess it was coming around the corner sooner rather than later. 

“Nah–” Jake shook his head as he let out a sigh. This was bullshit, you really had him fooled. He really did think that there was a possibility here that maybe, just maybe, the two of you could fix what he had unintentionally broken while focusing on your health. “Nah, I'm not gonna put up with this dickhead.” Jake hissed as unclenched his hands from the railing on your bed. “I'm gonna go get a coffee, try not to catch each other's cancer cells while I'm gone.” 

“Jake, don't leave!” You begged as you sat up a little straighter in your bed. “Please—“ The panic that followed was something otherworldly as you watched Jake round out of the hospital room that had become your home away from home. “Please!” 

Jensen was if anything, enraged. He hadn’t helped the situation but he never would have left your side after making a remark so thickly lacquered with jealousy. He didn't think Jake would react the way he did, so quick to make assumptions. The small gift Jensen still held in his hand was quickly placed on your bedside table. 

“I’ll go talk to him—“ Jensen pressed his lips together as he let his hand fall gently to your shoulder. “My fault, I shouldn't have said what I did, I'm sorry.” Jensen didn't pretend to not see how upset you truly were. He understood what it was like to feel the weight of the world crushing your spirit. “He didn't mean what he said Y/n.” 

“He did–” You sighed as you wiped away your tears. “He asked me when he came to take the kids to his mum's house if I was seeing anyone–” 

Ah, Jensen thought to himself as he stood by your bedside and listened. 

“He wants to get back together, fix what's broken, change.” You sighed as you looked over to the open door that Jake hadn't long before walked out of. “He probably thinks you're more than a friend.” In another life, perhaps Jensen could have been more than just a good friend. In another universe somewhere he hoped that maybe you never had this unforgiving disease. But this wasn't another reality, this was right now. 

“All the more reason to fight for his girl.” Jensen cooed as he leaned in to kiss the top of your now very smooth head. “I'll go talk to your husband.” 

You caught onto the not so subtle subtlety of the way Jensen teased that title. Husband. Jake Seresin was still very much your husband. He was the very definition of a man who was supposed to be at your side through thick and thin. But right now? You were doubting his ability to fully comprehend what was happening to you. Jake’s focus shouldn’t have been on Jensen and who he was to you. But yet you couldn’t not defend him. 

“He’s not a bad guy, he’s really not—“ There was an awkward silence that lingered in the room as Jensen chose to take in what you’d said. “This is all just so much for him to take in.” 

“You don’t need to explain your relationship to me.” Jensen wanted to say that if Jake was such an alright guy, then you wouldn’t have left. He wanted to remind you of all the conversations the two of you had had over the past few months. All the times you’d cried about the man who didn’t value your time, your energy, your love. “But a woman like you should never have to beg a man to stay.” 

“I left him.” You felt the need to remind the man who stood at your bedside with an ora surrounding him you didn’t recognise. “I stopped begging him to love me a long time ago and you know that.” 

Jensen could have thrown the fact you just called out after Jake back in your face, that you’d begged your husband not to leave. But he wasn’t that mean. He was just looking out for you. Someone had to. Someone had to make sure this Jake guy had his priorities in check and that you were at the very top of that list where you belonged. 

“I know—“ Jensen pressed his lips together into a fine line. “But that guy just walked out the second things got a little more complicated, what’s gonna stop him from throwing in the towel if your health declines more than it already has?” Jensen shrugged his shoulders like he wasn’t being nasty. It was his version of tough love. 

“I’m sorry—“ You scoffed as your face contorted into that of a frown mixed with frustration. “Are you, are you testing Jake?” 

“Cancer is one of the world's most leading causes of divorce.” Jensen added like it was a statistic you should have known. He knew you knew it. “I just wanted to see how well he handled a little external pressure.” 

“You’re—“ Before you could finish your sentence, Jensen was smiling down at you from ear to ear. 

“A menace, I know, but I’m a menace that only has your best interest at heart.” Jensen explained as he sat down beside you for only a brief moment. “Your fight isn’t with Jake right now, he shouldn’t be fighting you or anyone else in your life that may come and go.” 

“Jensen—“ You knew Jensen hadn’t been well, but he hadn’t explicitly told you how bad it was. There was something in his eyes though, the way he looked at you like he was looking at you for the last time that had you worried. “What’s going on with you?” 

“I’m just making sure if you’re letting that man back into your life that he’s gonna stick around when things don’t go the way he wants them to.” Jensen smiled softly as he picked up your hand to bring towards his lips. He left a fleeting kiss upon the palm of your hand and let out a sigh he wasn’t aware he was holding in. “I’ll go track down your sook of a husband, make sure he’s aware that you’re hopelessly devoted or whatever you wanna call it.” 

“Please be nice—“ You pleaded gently as Jensen stood from your bedside. “Please.” 

“Anything for you Y/n.” Jensen replied, he knew that this would be the last time he ever saw you apart from in his own version of heaven. “Anything for you.” 

***~***~***~***~***~***~*

Jake Seresin had never been a fan of hospitals. That mentality first started when he broke his leg in kindergarten and needed a full cast, but it grew with him well into adulthood. Jake had never liked hospitals, even when all three of his children were born he still hated them. Not even the love he had for his children could override the hate he felt towards the sterile environment that gave far too many infections to people to be considered ‘normal’ 

“Seresin.” But Jake had never hated hospitals more than he did the second he heard his last name being called from just a short distance down the hall. Called by a man who Jake would happily like to never see again. “The hell is your problem?” Jake caught the sight of the man who’d brought you flowers coming right towards him with a fire burning in his eyes. The man you had kept somewhat a secret from Jake. Much like your diagnosis. 

“My problem is asking me what my problem is.” Jake groaned as he took a sip of his shitty ass hospital coffee. “Don’t you and my wife have things to talk about?” Jake asked as he took a few steps away from where Jensen had stopped in his tracks. “Things I’m not privy to as it seems? Like her health or new love life?” 

“You don’t even know who I am to your wife!” Jensen barked loud enough to have Jake stopping in the middle of the hall. The six foot something aviator turned slowly on his heels to give the almost matching in height bald dude the time of day he seemed to crave. “But I know all about you, because I’ve been there for Y/n while you’ve been busy playing part time parent across the country.” Jensen had nothing to lose, he was just a dying man who had no time left to cherish. 

Jake wasn’t about to stand here and take this. He didn’t need some guy who’d stepped into your life to tell him what to do. You were the mother of Jake’s children, you’d always be that to him regardless if he could fix what he broke. 

“Get out of my face before you need a plastics consult.” Jake growled through gritted teeth all the while Jensen grinned. He was standing his ground as Jake continued on his defensive. “Because so help me god, you may feel like god right now with your self-righteous heart and knight in shining armour attitude, but you sure as hell won’t feel all high and mighty when you meet him.” 

Jensen didn't want to fight with your husband, but he did want to make it known that time was forever fleeting, and if Jake kept going the way he was there would be no time left to fix what he broke. You needed someone to be there for you, Jake had to be that person. 

Because Jensen couldn’t be that guy for you anymore, he had no fight left to give you. He had no fight left in himself. 

“You know I sympathise with you Jake, I do, it must be hard being the guy who broke your own marriage to a woman who loves so fiercely and so much.” Jensen started as he let his elbows rest atop his sweatpants clad knees. “And now having to deal with the fact that said wife is dying must be a lot to work through.” 

Jake remained speechless as his eyes lingered down to the man who was almost out of breath from his walk through the halls. He held his half drunk coffee cup in his hand with enough rage coursing through his veins that Jake was actually surprised he hadn’t crushed the flimsy cardboard vessel. 

“But you know what the worst part of all that is? Is that your priority isn’t your wife, or fixing your marriage—“ Jensen continued on. “No, it’s on the guy who your wife chose to confide in when you were nowhere to be found.” 

“You don’t know what you’re talking about.” Jake replied with a hiss in his tone that mimicked the deadliest of snakes. “I couldn’t give a shit who you are to her or what you want, because she’s my fucking wife—mine!” 

“And yet here you are arguing that point with me in the hall when you could be at her bedside appreciating all the small moments you’ll be lucky to look back on one day.” Jensen grew more heated as Jake took a few strides his way, towering over where Jensen sat. “You threw a fit the second I stepped into that room without using any critical thinking skills you aviators claim to have in the heat of the moment.” 

“She told me she wasn’t seeing anyone! Come to find out that that’s—“ Jake didn’t get a chance to finish his sentence before Jensen intervened that train of thought. 

“She’s not! You’re wife fucking love’s you!! She kept her prognosis from you because she was so scared you didn’t love her back enough to fucking care! And you’re hung up on the idea she’s seeing someone? Me!?” Jensen scoffed as he stood, the few strides he took towards Jake were made with intent behind every single one. Enough to have Jake stumbling back every so slightly. “Here’s a concept for you man.” Jensen pressed his index finger into Jake’s sternum. “Maybe, just maybe, if I was sleeping with your wife, she’d remember her worth.” 

“You really don’t know what you’re talking about.” Jake sighed, there was no way he was entertaining this delusion any more than he already had. “I think you should leave.” The idea of you being with another man sent Jake into a blind rage of jealousy that saw no reason. But at the end of the day, he was the one who walked out on you. He’d strayed too far from your hospital room and couldn’t see your bed socks anymore. 

Fuck….

“Maybe, maybe I should—“ Jensen agreed. “And hell I don’t even know you at all, but from what I’ve managed to piece together? it’s that you're a crap husband who doesn’t have the emotional capacity to handle the fact his wife could lose this battle.” Jensen retaliated with a stone cold expression. “But something I do know is that no amount of prayer or candles or begging will reverse time, so put your ego side and focus on the fact your wife needs you now more than ever before and if you leave her side the way you did today ever again, trust me when I say you’ll regret it every day of your life.” 

“Y/n isn’t dying—“ Much like Jensen was taking his fear of the unknown out on Jake, Jake was just about ready to let loose on the guy who was picking apart his very character. Sure, Jake recognised he wasn’t the best husband, but he also knew you weren’t dying. Not right now, not while he wasn’t by your side. 

“I wasn’t either, but as it turns out we all have an expiry date.” Jensen replied. The atmosphere and energy surrounding the two men who were going head to head suddenly shifted. “Some sooner than others, but we all have one, and when yours is up yours is up and there ain't nothing you can do you extend it.” 

“You’re—“ Jake couldn’t bring himself to say it. 

“A walking corpse.” Jensen finished the sentence he knew Jake was trying to speak into existence. Although he didn’t care to beat around the bush. “So trust me when I tell you that wishful thinking does shit when your body decides it’s had enough.” 

“Does Y/n know?” Jake's first worry was how this news, how this detrimental turn of events, would affect you. His heart forgot how to beat inside his chest when he watched Jensen shake his head in response. 

“She needs to focus on her own journey, and before I go I need to make sure she has a support system because for a while there I was all she seemed to have.” Jensen explained. There it was, the truth of the matter. 

Jake saw it clear as day, the care, the worry, the intention to make sure you had someone there for you because Jensen wasn’t going to be there anymore. You may not have slept with the guy standing before Jake but if Jake knew anything, it was the look of a man who was unequivocally in love with you. He saw his own reflection of Jensen's eyes. 

“Go back, apologies, and you fix your marriage man because that woman? That electrifying woman who sees the good in everything doesn’t deserve to go through this alone—and you turning your back on her the second someone made things a little difficult for you isn’t a good representation of the husband she deserves.” 

“You love her, don’t you?” Jake asked as he took a second to truly take in Jensens whole argument. The world seemed to go on around them, with doctors and nurses carrying out their daily duties and rounds. Family members walking to and from rooms visiting loved ones. But for Jake and Jensen? The world stopped when it came to you. “You’re in love with my wife, say it.” Jake couldn’t hide the pain in his voice. “Tell me you love her, then this all makes sense.” 

“Maybe—“ Jensen tried to play his love for you down into something that was just a social construct. “Maybe I love her, but I don’t get a chance to explore that, you do though.” Jensen was truly trying to hide the pain in his eyes, but Jake could see it all too easily. Jensen knew that. “So if not for yourself, for her, pull your head out of your ass man—“

“I never stopped loving her though.” Jake sighed out in frustration as he sat down on one of the plastic hospital chairs that lined the hallway. Jensen followed soon after, both men decided that the heat of the argument was settling into something more valuable. “I just—I lost sight of what I had.” 

“That’s just not a good enough excuse.” Jensen replied as he let his head fall back against the wall. “Listen, I don’t plan on coming back after I leave today.” 

Jake didn’t respond, he simply waited for Jensen to explain. But the explanation never came and Jake never pressed. If anything he was kind of relieved in a selfish way. 

“If you truly want to fix what’s broken, if you really want to fight for her and be by her side when she needs you the most, you’ll get up and you’ll go back in there and you’ll be the guy who gets to hold her like no one else does.” Jensen pauses momentarily before he continued on. “Because there’s better guys out there Jake, and she shouldn’t have to settle for one who doesn’t appreciate what’s right under his damn nose.” 

“Is this your way of telling me you’re a better man than me?” Jake asked cautiously, a part of him didn’t want the answer to be yes. But Jake needed to know what the man sitting beside him truly thought. You saw something good inside him, inside both of them.

“I’m not a better man than you Jake—“ Jensen sighed as he stood from his chair. It was getting late, he had said his peace, he had put the fear for a dying man inside Jake Seresin. There wasn’t much more Jensen could contribute to your life besides what he had already given. 

The body tends to adapt quickly to new circumstances and pressures it’s put under. It knows how to protect itself. But it can’t close off completely, or well—we’re not really living are we? Biology tends to override our fears, so we leave the door open, just a little…hoping like hell that it's worth the risk. But for Jensen….He was ready to close the door and lock it shut. 

“I’m just a man who’s run out of time and has nothing left to lose.”

***~***~***~***~***~***~

Tags: @blindedbythelightt @starset21 @tayl0rhuynh @mamachasesmayhem @marvelogic @itsmytimetoodream @maverick-wingman @kodzukenmaaa @eternalsams @seitmai @nota-professional @jessicab1991 @hardballoonlove @senawashere @fanficfandomlove @withahappyrefrain @dizzybee03 @maisie-rebloging-blog

@goldenseresinretriever @a-reader-and-a-writer @sunlightmurdock @shelbycillian @memoriesat30 @accioprocrastination @the-aspiring-fanfic-writer @athenabarnes @eternallyvenus @emma8895eb @kmc1989

[stolitzsings]

This is a sort of response to a post I've seen floating around, drawing parallels between the chains in Blitz’s trip that bind him to Stolas and the chains that bind Husk, Angel, and Fizz to Alastor, Valentino, and Mammon respectively. I'm not commenting on that post directly bc I avoid Discourse (tm) at all costs for the sake of my health, and I don’t want to get drawn into an unproductive argument that will mess with my anxiety for a week. I'm not trying to start a fight, just get my thoughts out on why I feel that comparison is inaccurate, and hopefully provide some helpful context and nuance.

So! Let's start with a few disclaimers! First of all, I'm not going to debate the moral purity of any of these characters. I just don't think it's an interesting or valuable critique. On a related note, I am not trying to excuse any of their behavior. I'm happy to admit that my favorite characters in this show have hurt people and are sometimes total assholes. Stolas treated Blitz very poorly at the beginning of their relationship, frequently pushed or even ignored boundaries, and was just kind of a dick about things. My objection to a direct comparison between Stolas and the other characters mentioned above isn't because I think Stolas hasn't done anything wrong; I just think that saying they're similar without further clarification or commentary ignores the nuance of the situation.

Read on below the cut, it's gonna be another long one folks!

Let's start by examining the "agreements" forged by Val, Mammon, and Alastor. I think it's important to note that, in their cases, the person they got to sign their contract could have been anyone. Husk and Angel could have been any sinners, Fizz could have been any imp. They aren't interested in them as people; they were only using them to gain more power for themselves. The only thing that matters to them is, "What can you do for me?" Angel and Fizz quite clearly become cogs in the machine of Val and Mammon's businesses, and Alastor only thinks of Husk as a tool to be leveraged in specific situations to further his own mysterious goals. Each of them has demonstrated to their subjugates that they own them, body and soul. They have signed legally and spiritually binding contracts that essentially surrender their autonomy to a more powerful demon.

Stolas and Blitz’s agreement is... not that. In the most literal sense, they don’t appear to have made any sort of binding deal. They just made a verbal agreement, which I sincerely doubt has anywhere near the force of a signed soul contract. Additionally, Stolas did not ask for and does not seem to want that sort of total control over Blitz. He very clearly does not view this as any sort of power exchange (which may actually be part of the issue, since it leaves him blind to Blitz’s discomfort with their class difference), he sees it as "favors for favors." While this agreement is inherently unbalanced due to Stolas's status, it's worth noting that they’re both putting something on the line here. The other three risk practically nothing (if the person bound to them fails they can always get a new one), but Stolas IS taking on a real risk by letting Blitz access the living world illegally using his book. Again, that doesn't make his actions right, and probably helped him to justify them, but it does set their relationship apart from the others.

In my opinion, some of Stolas's greatest flaws are his thoughtlessness and his ability to justify his own actions to himself. This manifests in the fact that he clearly doesn't see the ways in which their relationship is hurting Blitz. He convinced himself that this was just an equal exchange, and a continuation of the dynamic Blitz established in their first encounter as adults: "I fuck you, and you give me the book". As he becomes more aware of his feelings for Blitz, though (stay tuned for a deeper analysis of this progression later), he also begins to realize that Blitz isn't happy with this relationship. And this, as @masonshmason pointed out, is the central fact that separates Stolas and Blitz from the other relationships. Stolas did not realize- or chose to ignore- how he was hurting Blitz. Once he came to terms with it, though, he understood that he had to make things right. He specifically says this in "Just Look My Way"; "I will try to make amends/ For making you means to an end". None of the others could say this, because in their case, that was the POINT. Angel, Fizz, and Husk were ALWAYS a means to an end, intentionally trapped for that purpose.

We also need to talk about the CONTEXT of the scenes in which the chain imagery appears. For both Angel and Husk, the chain is at least semi-literal, a physical (and perhaps supernatural) manifestation of the way their souls are bound to an overlord. In "Two Minutes Notice," Fizz purposely CHOOSES to represent his relationship to Mammon as chains around his wrists. However, Blitz's scene is part of a drug trip after being forcibly dosed with hallucinogens. It does not exist in any literal sense, nor is it a representation of Blitz’s conscious, literal thoughts. What it DOES do is showcase Blitz’s deepest fears and his greatest flaws through symbolism and metaphor. Blitz is not literally afraid of being forced to wear a clown costume; he is afraid he'll never escape his past traumas or Fizz's shadow. THIS is the context in which Blitz sees himself being chained by Stolas: a bad trip all about his fear of intimacy and vulnerability.

Stolas appears in this trip as someone elevated high above him, something he's climbing towards, reaching for, even though it means being chained to him. It's directly preceded by his ex girlfriend and his former best friend berating him for how he pushes people away even though he hates being alone. Then Stolas directly asks him, "Are you afraid to love people, Blitzy?" Furthermore, the WAY in which he is framed is alluring, slightly hazy, golden and tempting. It couldn’t be further from the ugly, slime-covered past he's fleeing. It's a new start, a chance for something better that seems too good to be true. This trip is all about Blitz’s inability to be vulnerable with another person. The chain around his neck is a representation of the fact that, by getting closer to Stolas, he's giving Stolas the power to hurt him emotionally.

And man, there's a part of him that wants to give Stolas that power. At this critical moment, he's not baring his teeth in defiance or anger. He's blushing, just slightly, and he looks... nervous. Blitz's instinct, when things get too real, is to cut and run. Hurt them before they can hurt you. Abandon them before they have the chance to leave you. It’s how he tanked his relationship with Verosika. This is a manifestation of what might happen if he stays. This is the sort of trouble he can't fight his way out of.

This is the emotional climax of the scene. There are so many ways they could have gone with this if they wanted to represent Blitz being chained and trapped by his agreement with Stolas. If that was the fear--if that was the POINT--they could have had the chains wrap around him until he couldn't move, or glow white hot and burn into his skin, or a million other more direct metaphors. But the chains aren't the thing that hurts him. It's the feathers: the thing that's left behind after Stolas abandons him, sing-songing "you're going to die alone" right alongside two other people who he loved and who now want nothing to do with him.

Finally, let's look at Blitz’s reaction to this scene. It's a moment of revelation for him, in which he realizes he's pushing everyone away and starts to make an effort to change. It's why he's a bit more open with Moxxie in the next scene. The trip sequence ALSO inspires him to get closer to Stolas, indicating that the trip didn’t make him realize "I'm trapped and I need to get out of this" in the same way Fizz did. Rather, he realizes that he doesn't want Stolas to leave him like everyone else, and he wants to start feeling out what it would be like to deepen the connection between them. As I've mentioned in other posts, their kiss at the end of "truth seekers" represents a level of intimacy that we haven't seen before; it's teasing, affectionate, shows Blitz’s interest in making Stolas happy, and takes place in front of M&M, who have repeatedly teased him about their relationship before.

In summary, while the image of chains may have been invoked in all four of these relationships, they don’t necessarily mean the same thing across the board. Blitz and Stolas's relationship differs substantially from the others in its dynamic, and the context of their scene also sets it apart. It's important to look into the details and the nuance of their relationship to interpret what's going on under layers of trauma and unreliable narration.

[seelestia]

— ❝𝐎𝐇 𝐌𝐘 𝐆𝐎𝐒𝐇, 𝐘𝐎𝐔'𝐑𝐄 𝐋𝐈𝐓𝐄𝐑𝐀𝐋𝐋𝐘 𝐌𝐘 𝐃𝐑𝐄𝐀𝐌 𝐏𝐄𝐑𝐒𝐎𝐍!❞

SUMMARY. "oh my gosh, you're literally my dream person!" here's a list of red flags for you, honey. (inspired by a tiktok trend! the one with the soundboard, iykyk.)

CHARACTERS. wanderer, alhaitham, albedo, childe + GN!reader.

GENRE. full-on crack, some fluff, not-so serious and light-hearted character slander.

CW. has heavy refs to albedo's story / 2.3 event and wanderer's story, brief mentions of blood in childe's part (not detailed/graphic), one brief mention of kissing in wanderer's part, light cussing and terrible humor. + read the alt text on the headers for extra captions, hehe!

THOUGHTS. this is my most unserious work yet and for that, i apologize if this gets too unhinged or inaccurate at some point LMAOOO. red flags are fine, red is my fav color anyway (it's actually light purple) <33 can you guess who's the favorite here 🧍‍♂️

✰ masterlist.

[ WANDERER ]

❝Dream person, huh? That's oddly fitting because the day you win me over is only gonna happen in your dreams too.❞

Has some abandonment and mother issues. ...Yeah. These issues may result in emotional walls as strong and firm as the Great Wall of China but when you break through them, he's never ever gonna let you go (unfortunately). I'd tell you to start running but this silly guy can float and zoom in the air, so best of luck.

You'll only hear crickets if you fall asleep on his chest. On the very rare occasions where he allows you to, that is. If you're into that romantic "falling asleep on your lover's chest while listening to their heartbeat" stuff, you're not getting it with Wanderer here. But if you listen hard enough, maybe you'll get to hear termites or something because he's canonically made out of white wood. (I'm joking, I love him too.)

Terrible with feelings. He'd rather jump off a cliff than start talking about his feelings. ...Okay, fine. Harboring humane emotions is an annoyingly blurry line that he has vowed to stop caring about after regaining his memories. It doesn't mean he doesn't cringe at himself every now and then, though — knowing that he has talked about his feelings to someone else (only you and Nahida) keeps him up at night, as embarrassing as it is to admit. ("Hey, do you remember that one time when you told me—" "I don't.")

May prioritize his pride over you sometimes. Let's take a rainy day as an example. It's pouring cats and dogs which means that the risk of catching a cold is high as ever... thus, as the rain begins to soak you, you turn to your companion (whose clothes are saved by the hat on his head) with puppy eyes. His reply comes in the same speed as a lightning strike; "No," he says. Beg and cry if you want, he is not letting you under his hat because it's "not a damn parasol". Fine, maybe he just doesn't care about your well-being and that's totally fine (sarcastic) — but the very next second, as he grabs your wrist and starts dashing to a nearby inn with you in tow — you can't help but let a small smile slip. Maybe he does care? Pride just gets in the way sometimes.

Might accidentally suffocate you when you two kiss because how the heck is he supposed to remember that humans need to breathe when your lips are just so soft for no reason? Ugh, humans and their ridiculous needs (derogatory but he still loves you simp).

Has a long list of crimes and felonies that we don't talk about. Ah, yes, the courtesy of being a previous Fatui Harbinger, indeed. Irminsul may have forgotten about this list, but the Wiki sure as heck hasn't.

[ ALHAITHAM ]

❝So, you consider me someone who fits your type? I see. Unfortunately, knowing whether or not I fit into another person's ideals doesn't have much value to me.❞

Books > people. Is that really a flaw? He doesn't think it is. Books are a source of knowledge and aren't they supplements that enrich the minds of those who read them? Not to mention, there is no need to cater to whatever social standards with inanimate objects unlike when you're around people. ...But apparently, Kaveh told him that this mindset "makes him look like an absolute loner with no social skills and no friends whatsoever" to which he'd usually bite back with an "at least, I have a stable housing." TLDR: books are Alhaitham's closest friends and that's a little sad (he doesn't care about other people's opinions, though).

Unreachable when his soundproof headphones are on. Shush, he is in his official (but not-so-official) 'Do Not Disturb' mode. Sorry in advance, he may or may not accidentally ignore you when his soundproof headphones are on. If you want to have a few words with him, either be patient and wait or make sure they're of absolute importance lest you risk being given the deadliest, emptiest stare ever known to mankind. If looks could kill, you would've keeled on the spot. Instant unintentional (??) homicide, so true of him.

Awkward with small talks. Alhaitham is good at talking about topics that really matter and he very much prefers it that way too. But that's the thing; when the discussion of that particular subject ends, that's it. He often dodges the silence in a 'cool' way, though; either by taking an early leave or bringing out a book if the situation there still needs him present. (In his defense, if no one wants to start and carry the conversation, then isn't it a bit hypocritical to count on him to do that too?)

Physical affection stupefies him (it'll take time). Alhaitham doesn't hate it, no, but something about it just doesn't align much with his sense of familiarity. He usually keeps his distance; even with new acquaintances, shaking hands has never been his thing and it's been a long time since Alhaitham has had someone he feels comfortable enough to receive physical affection from or to give some of it to (his grandmother was the last, maybe). By all means, this isn't meant to be a sob story — it's just brought up to explain that physical affection is a thing he's not familiar with, so it'll take some time to get used to. Good luck to those with physical touch as a preferred love language (me), this feeble scholar who may turn into a stiff log when you hug him is in your capable hands!

[ ALBEDO ]

❝Is that a compliment of some kind? I must say it's certainly not one I hear very often, thus I feel inclined to appreciate it all the more. Thank you.❞

Has a lab located in Dragonspine. Yes, this is a red flag because look me in the eyes and tell me you would realistically travel up that death trap of a mountain every single time just to spend time with him. He comes down from the mountain at least twice or thrice a month, so you'll still get to see his pretty face regardless, just not as frequently — so, it's either you exchange letters every week or you go trekking up Dragonspine to see him yourself. (There is a better place to die on than that wretched mountain, but I digress.)

His mother caused world destruction and he has a twin brother that is out for blood (Imposterbedo). ...Seriously, what the heck is going on in this family? We need to keep an eye on them like they're fascinating wild animals on National Geographic, for real. If you don't mind crazy in-laws that might commit felonies against you (also looking intently at Alice as I say this, by the way), then you're all good to go! Aha, just watch your back and be safe out there, comrade.

Babysitting Klee comes as a 2-in-1. If you're good with kids, great! If you're not, good luck! You know what they all say; a child's curiosity is only limited by the skies (and a guardian's supervision), so be prepared for when Klee starts tugging you around to go fish blasting or exploring with her. Being with Albedo means you get to see her a lot and she's such an adorable ball of sunshine! But the way she innocently hands you a little bomb like it's a slice of Fisherman's Toast and not a weapon is certainly something to remember, huh? (At this point, this is basically an extra to my previous point about questionable in-laws.)

Eats spiders (not often, but has eaten them and that's concerning). Granted this only applies to a specific type of large spiders that can be found at the roots of Petrified Trees in Domains (in the words of the Chief Alchemist himself), but there will definitely be a time where he goes: "Are you hungry? If I remember correctly, there are still some smoked spiders left from the other day. Fortunately, the temperature here in Dragonspine aids in the preservation method—" Spiders can be cute to some and a nightmare to some, but the fact that he has a whole recipe for it really makes you want to know the how and most importantly, the why. Does he sprinkle parsley on them or some stuff like that, ayo? (at least, if you ever get stuck in a domain one unlucky day, this recipe might help you survive? thanks??)

[ CHILDE ]

❝Oh? I've never been called a dream person before. ...Heh, that sounds new, I like the sound of that!❞

Thinks combat and battles are a better substitute for oxygen. Okay, that may be somewhat of an exaggeration — but it isn't an understatement to say that the thought of challenge rushes the blood into Tartaglia's veins. Not one for the secretive schemes most Harbingers do, this man would even go charging ahead if that guarantees he'll encounter a good fight. Like seriously, if he and a fellow Harbinger are heading to a place where there is a good opponent, you bet Childe is about to speed there first. You could say he is speeding towards uncertain death, essentially.

Might have come home with blood on his cheek once or twice. And what's worse is that this guy probably doesn't even realize it's there. Sorry, he was just too caught up in the moment to properly notice any leftover 'trophies' from his previous fights... Aha, don't worry about it! ("I'm home!" Tartaglia cheers loudly as he, quite literally, throws open the front door to your shared home — only to be greeted by that dumbfounded look on face. "Please tell me that's just juice on your cheek," you frown. He scratches the side of his neck awkwardly, "Uhh. Things didn't go particularly well when I was collecting debts.")

A warrior in the streets, also a malewife who can make you treats. Why does he have that double side for, huh? For other people to swoon over and fall for? No way someone can be a househusband and a good fighter simultaneously. What do you mean he can cook and clean then beat up anyone who threatened you the next? And you're saying he is genuine about it too? I say deception, deception, deception! Sue this fellow for fraud this instant. (This might actually be a green flag in disguise, but you didn't hear that from me.)

No good with saving money. He's stinky rich and most of it might be from the Fatui. You have to wonder whether each Mora he gives goes on the Fatui's tab or something like that... You don't find the idea of owing something to the Fatui fun, but it's so ironic how you're more worried about this than the Eleventh Harbinger is. Welp, at least, you don't have to worry incessantly about saving money now...? ("There's that thing you said you wanted to buy the other day, right? Here you go, honey!" "Tartaglia, why is this Mora pouch heavier than a toddler—")

Has a long list of crimes and felonies that we don't talk about #2. You could definitely argue that Childe might have the least mind-boggling list of crimes amongst the Harbingers all, though. (And does he slay for that? Who knows.)

─ ⊹ ⊱ ・・・・・・☆・・・・・・・⊰ ⊹ ─

© SEELESTIA, mar 2023. do not repost, plagiarize, translate nor claim as your own.

✰ TAGLIST: @meimeimeirin @hcikazu @tsuk4sa-yug1 @catcze @semi-orangeapple @yuuki4646 @d-a-r-k-s-w-a-n @daisydkj @omgscaramouche @coquettemaiden @lemontum @herdrops @lleoll @xiaosonlybeloved @chiisananingen @irethepotato @ainescribe @blooodyvampy @starlightaura @jihyuniepark @duhsies @maybemiko @lordbugs — [ bolded names are unable to be tagged (check your settings!) + register here to be a part of my taglist! ]

[anghraine]

thatinsufferableb-st-rd said:

@anghraine so i have read the books multiple times and am an avid fan of the movies. I enjoy both for what they are. I think the main difference is that Peter Jackson was very open about what they chose to cut and why from anything I've ever seen. They even have Sam give a nod to the book readers by saying "by rights we shouldn't even be here". No I'm not happy about what they did with Faramir and Glorfindel got jipped, and I would have lover to have seen Elronds sons but at the end of the day there were acknowledgments of what and why. Rings of Power to me has always come off as hiding from any criticism by using the shield of "well if you don't like it it's because you don't like POCs in it". To which I genuinely could not give a fuck less, like there are so many branches of elves that went different ways so that could make sense within what Tolkein established. But don't hide behind that when your writing is just "Sauron is evil. We know. And we know she knows. But we have to make it seem like she's the only one who Has A Clue so we must all try to shoo her off to make a plotline"

@lesbiansforboromir has already correctly and politely pointed out that you are doing the very thing we were criticizing in that post—intruding on ROP fan discussion to unfavorably contrast the show to the Peter Jackson films, while also applying a degree of scrutiny to ROP that the Jackson films are rarely subject to in a remotely comparable way and could not bear. Frankly, @lesbiansforboromir is nicer and more restrained than I am about this, but you chose to tag me as well, so I'll also respond.

We (lesbiansforboromir and I) were talking about being excited about costuming in S2 of ROP and disliking the fandom meltdowns over ROP's costuming looking (somewhat) different from the films' aesthetic. Since it had already come up in their discussion, I added that I'm not convinced by the anti-ROP contingent framing their seething hatred of the costuming and design as just caring so much about fidelity to Tolkien's vision. I pointed out that Tolkien fandom broadly cares far more about their preferred, film-influenced aesthetics than Tolkien's actual descriptions and gave some specific examples of this.

There's been a lot of talk, for instance, about how the universally long, flowing hair for Elves preferred by the fandom and used in the films is actually totally canon according to Tolkien even if it's rarely mentioned in LOTR proper. This is inaccurate. Galadriel's brother Aegnor is typically depicted in the fandom/film-preferred style rather than per Tolkien's description of his hair as "strong and stiff, rising upon his head like flames" (indeed, in general neither Aegnor nor anyone else is ever depicted this way, and this description rarely shows up in the lists of "no it's about ethics in adaptation" Tolkien hair quotes).

Tolkien repeatedly describes Elvish, peredhel, and Dúnadan women as wearing their hair bound up in braided coiffures with jeweled hair pieces/nets rather than loose and flowing à la the films and the fandom. Nobody cares, any more than they care about Tolkien's description of Arwen's clothing as soft, grey, and noticeably devoid of ornamentation apart from a belt and netted cap (i.e. the opposite of her highly elaborate film costuming and typically loose, unbound, uncovered hair in the films and most illustrations).

Meanwhile, my fave Faramir's hair is nowhere near long enough in the films or most art to mingle with Éowyn's as Tolkien describes. It's usually also depicted as blond, reddish, or brown rather than black as in the book; in Tolkien's LOTR, all described Gondorians have dark or black hair, with the only difference in coloring being that some Gondorians are dark-skinned and some are pale. Again, almost nobody in the fandom cares about this when they're going on about costume design and casting to reflect Tolkien's vision, and male Gondorians are overwhelmingly depicted with short or shoulder-length hair in the films and in Tolkien illustrations.

Popular depictions of Gondor, including the Gondor of the films, very rarely reflect Tolkien's description of Gondor's aesthetic as similar to ancient Egypt, the Byzantine Empire, and the Roman Empire. Film Gondor has, at most, extremely vague allusions to Byzantine architecture amidst the general and deliberate westernization of Gondor's design—as just one example among many, Tolkien's explicitly Egyptian-based design for the royal crown of Gondor is converted to a generically western European-style crown in the films and overwhelmingly in the fandom.

I then pointed out that it's been very noticeable that ROP haters tend to have a powerful double standard wrt fidelity when it comes to the Jackson films. For over 20 years, most film fans have been constitutionally incapable of tolerating even slight criticism of the films without jumping in to defend their greatness and condescendingly explain the most basic elements of adaptation. (Yes, we know film is not the same medium as text, we know changes are part of adaptation to another medium, we all know that, we all know that a word-for-word adaptation would suck and never be made, this is not new information and does not make the PJ films' every choice a good one.) Yet most film LOTR fans who vocally despise ROP display none of the charity towards ROP that they demand for the films (demand even from someone like Christopher Tolkien, a dead man the entire fandom is deeply indebted to, whose dislike of the films still leads to regular attacks on his character from Jackson film stans).

This hypercritical yet hyperdefensive tendency in the fandom is neatly illustrated by the fact that you responded to a conversation about the double standards in evaluations of ROP's costuming vs the films' to go on about how ROP is objectively bad for reasons entirely unrelated to costuming, how you're totally not racist (something nobody was talking about), and to quote you directly, "Like the show was just Bad." Truly, an incisive critique. Meanwhile, your concessions with regard to the Jackson films are mainly about extremely minor and defensible omissions like removing Glorfindel and the sons of Elrond rather than the serious and fundamental problems that lesbiansforboromir and I have with them, or even the ways they do pretty much the exact same things you're lambasting ROP for.

I mean, if we're going to talk about action hero Elves in ROP vs the Jackson films, what about the action hero-ification of Legolas in the films? He was described by Tolkien himself as the Fellowship member who accomplished the least, so super badass battle-skateboarding Legolas hardly represents fidelity to Tolkien's vision. Why should that get a pass while film-stanning ROP haters seethe about ROP!Galadriel being too special, even though Tolkien described her as one of the most special Elves to ever live and specifically as remarkably athletic and insightful?

Meanwhile, film Gimli is reduced to comic relief, the only dwarves taken seriously are conventionally hot ones in The Hobbit films, and Frodo's expressions of strength and fortitude are consistently removed to glorify other characters. Film Gondorians were deliberately designed to seem like useless tin soldiers (which they are in the films, as well as whiter and blonder than Tolkien wrote them) rather than the physically imposing and highly effective fighting force of the book. ROP imagining Elvish rituals upon approaching Valinor that aren't based in Tolkien canon but don't directly conflict with it is absolutely trivial compared to the films' handling of Denethor and Faramir.

The point is not that you, personally, are not allowed to like the films or dislike ROP despite all this. Many people do love the films, including most of my followers. They do have their strengths, though they are extremely racist and few film fans will acknowledge this without soft-pedaling it in some way (esp, since you brought it up, given the context of the truly unhinged degree of racism that has accompanied much of the broader discourse around ROP).

The point is that film fans who hate ROP are constantly showing up in our conversations to be "well actually ROP is just objectively bad, unlike the films, because the show has failings that are also in the films but it's totally different there because of the contents of Peter Jackson's soul" or whatever. The point is the absolutely glaring and obnoxiously hypocritical double standard of defensiveness about the films and obsessive nitpicking of ROP that leads to ROP haters continually going on rants to ROP fans that are unwelcome, uninvited, and usually (as in this case) irrelevant to what was even being discussed.

[survivalove]

debunking lies zutara shippers say about the atla creators & writers

disclaimer: this is in no way an endorsement or defense of bryke or anyone mentioned. literally just debunking false statements i see spread throughout and outside the fandom as it pertains to kataang

1. that bryke made kataang endgame because the nice guy should get the girl

this is something I see often usually linked with this video of a man ⬇️ who they claim to be bryan/mike echoing this sentiment.

this man is in fact john o’bryan, one of the three known zk shippers in the writers’ room (we’ll expand on this in point 5) talking about how he saw aang. not the creators. so of course it shouldn’t surprise anyone that he doesn’t even like kataang in the first place.

2. that bryke made kataang endgame last minute and zutara was the original pairing

bryan and mike (notice how i’m using both of their names separately. this too will be important in the next point) have talked about how kataang was planned since they originally wrote the show.

they have also talked ad nauseam in a video (which I will not share here cuz it made a lot of ppl angry) about why they do not like zutara and its shippers, so this entire point is bogus.

++ the reason why they say zk was the original pairing is because of one of the zk writers (joshua hamilton) wrote this in the atla fun facts that used to run on tv. (we’ll get into him later) those atla fun facts contain a lot of inaccurate/non canon “facts” which you can check and verify on avatar wiki if you know what i’m talking about.

3. that aang is bryke’s self insert (specifically mike)

yeah, here’s where the separation becomes important. bryan (L) and mike (R) are two different men. mike has never said that aang was his self-insert, nor has he directly talked about relating to aang. bryan, however, constantly talks about how much he relates to zuko. even, going as far to say he tries to think like zuko when he writes characters and shows.

the only time mike has come close to saying he relates to aang is when dante said he thinks mike is more like aang while bryan is more like zuko, and they, mostly bryan, agreed. (mike has actually said he relates to korra more than aang but hey) bryan also is the one who drew mike’s beard on adult aang because he considered it a nice reference to his friend. this is the main reason why shippers ran with that self-insert narrative because half the time, they think bryke is actually one person ☠️

++ in fact, aang’s original character design is based off the mixed black-chinese son of sifu kisu

4. that atla was supposed to have a season 4 where katara and zuko got together

this is mostly something that has come out of a fabricated interview by the head writer, aaron ehasz. he was allegedly asked what he would have liked to do if given the chance to write a fourth season of the show and talked about an azula redemption arc among other things. zutaras then made up a whole fake interview including that he wanted to make the two characters endgame.

ehasz then came out to say that most of these “interviews” were faked and that he has never talked about having a preference for any ship. if you go on his twitter, you will see him talking about an azula redemption arc tho.

as for atla having a 4th season at all, it was never intended. the creators, the music composers have all said at various points in time, the show was written and pitched as three seasons, three elements.

5. that most of the other writers shipped zutara and bryke’s authoritarianism shut it down

as I said above, only three writers on the original show have come out to say they preferred zk at some point. atla has had a total of 21 staff writers. 3 out of 21 is not most if you ask me.

as for bryke (yes now i’m using the shorthand cuz i proved my point earlier) being authoritarians, no writer or staff that has worked with them on the show has said this so…? idk where that came from but i’m not here to back them up just mention facts.

6. that all the women who worked on the franchise shipped zutara while only men shipped kataang

atla has very few female staff as it is:

5 writers (elizabeth welch: zk; others: unknown)

1 director (unknown)

5 storyboard/character artists (lauren montgomery: ka; elsa garagarza: ka; angela song mueller: zk; others: unknown)

1 comic writer (faith erin hicks: ka)

2 comic artists (gurihiru: ka)

++ mae whitman (katara’s voice actress) has expressed her like for both ships throughout the years.

so i’m not sure what defines all and only for some ppl but those definitions are not in my dictionary. disclaimer: i’m not declaring anyone here as a shipper in any official sense. this is just based off statements they have made that you can google!

7. that katara is written poorly in post-atla content because of kataang/bryke

I mean the first part isn’t really a lie, more of an opinion which I can agree with to an extent.

why I mention this here is because zks will not only go on a tangent and link the misogyny in the writing to a m/f ship and say the other m/f ship would have been more feminist…

but they also refuse to hold all the men involved accountable. like I said, 3 known atla writers shipped zk and 2 of them (joshua & john) were men (who would’ve thought men could like a ship and it could still be considered feminist 😃). they were also 2 out of only 4 atla writers that came back for legend of korra, outside of the creators. (19 to 4 ☠️ no comment). these shippers very well know this and instead of holding these men accountable for the misogynistic writing, they instead brag about them shipping it and ask them about zk whenever they have the chance.

another example is gene luen yang, a comic writer who again shipped zk (another man GASPPPPP) responsible for the first 5 comic books. everyone knows his comics suck in terms of characterization, particularly katara’s. in fact zutaras have made multiple threads on how poor the writing is. funnily enough, they always fail to mention that gly was the script writer or acknowledge his part in this mischaracterization, while bragging about him shipping zk in other posts. ironic.

meanwhile, bryke have never offered writers’ commentary on any of gly’s comics besides the search - mike (because they were mostly writing legend of korra during his run.)

basically these shippers don’t care about misogyny or holding male writers accountable if they ship zk which is funny because I thought it was… for the female gaze? why are you hyping men shipping it anyway? confusion.