#WHY ISN'T THIS SHOWING IN THE TAGS?!?!?!?

[cryptoidantagonist]

also feel free to say your fandom + how long you were into dsmp in the tags (or literally anything else you want)

also the OP YOU FORGOT section (which is very valid idk why i chose any of these beyond 'i have seen it on my dash/on trending':

undertale

JWRI

general dnd things

magpod

one piece

star wars

homestuck

dr who

good omens

starkid

several misc videogames (including my own hyperfixation)

[star-sparkler]

Y'all if something isn't explicitly stated in a show, it's not canon. And even if it was, buddy, it doesn't matter. It's made up cartoons. I know we joke about touching grass but it's genuinely for real so important to get off the internet and get your body and brain out of the brainrot loop. The cartoons are all fake. The fan content is all fake. Let people have fun. You can have fun too! "In episode 123, XYZ, Blank character clearly stated their favorite color is [COLOR]." "Yeah? Well now their favorite color is [DIFFERENT COLOR]!" And that's okay! That's imaginative fun, baby! :D I love playing close to canon myself, but there are no rules. There Are No Rules. Give ur blorbo a mobility aid. Let them smooch an OC. Project your orientation onto them. Give them a trauma or a hobby they never had before. Draw them in clothes they'd never shown an interest in. As long as what you're creating doesn't hurt others (disclaimer that I'm NOT endorsing brother ninja turtles kissing or whatever. I don't want this in that tag so forgive the verbose roundabout), it literally does not matter. This is your fun time. So have fun! And if people can't handle that, that's a them problem, not a creatives' problem. I know it's not what people want to hear, but if you get upset over others playing with media because their interpretation doesn't match your own enjoyment/belief about a character/show, you can just take a deep breath and ignore it. Trust me when I say you'll feel a lot better by focusing on what you ENJOY instead of kicking up a fuss over what you dislike. Go engage in something you like instead! Utilize the block button. Mute things you're not interested in. You are the curator of your own internet experience. It's very tempting to voice opinions at every opportunity simply because it's so easy to DO that online and people love to hear themselves talk / be heard but like. There's power in just. Not doing that. It's okay to observe something and think "Hm. I don't like that / I don't agree with that." and then shrug and keep scrolling so you can enjoy stuff that DOES align with your joys. Chat with people about why you love it! Play in the happy sand! The really extra cool thing is that if you don't like what other people are making (or even if you DO like what other people are making) then you can whip up your own content that you like yourself! It doesn't matter what your skill level is. There's no greater way to learn to appreciate art (writing and everything that falls under the 'art' umbrella included) than by engaging in creation yourself. It's fun! So...Choose to have fun!! <3

[that-sarcastic-writer]

Mind Games (2)

Direct cntinuation to Mind games (til we lose control) (takes place before lost time)

Ben/Soldier Boy X Supe!Fem!reader

Summary: Herogasm proves to be a disaster for everyone involved, but at least you and Ben still have each other at the end of the night. Takes places during the Herogasm episode but like I did my own shit

Warnings: explicit sexual content, minors dni, unprotected sex (wrap it before you tap it mfs), p in v, shower sex (pls don't try to recreate this, SB has super strength, your man does not, you might break sum), oral (f receiving), fingering, multiple orgasms, creampie, dom!Soldier Boy, praising kink, Ben calls her mean things a lot (but she likes it), choking, hair pulling, spitting, Soldier Boy cause mf is a warning on his own, typical canonical violence for this show, no use of y/n, Violet isn't her real name, just a nickname.

WC: 6.9k I'm so sorry

A/N: WHAT DID I TELL YALL MFSSS. Took me 2 years to revisit it but yk what it's fine cause every year is Soldier Boy's year. So yeah here we are. I will warn yall im not too good at writing action/fight scenes, like it made sense in my head but idk if that image translated well into the scene. I only know how to write smut im sorry. But to my Ben/Jensen girlie's, this is for you. I'll see yall in hell <3

Gif is not mine I found it on Pinterest

Universe masterlist | I no longer have a tag list so if you'd like to keep up with updates follow @midnightreadinglibrary

Fucking Herogasm. Christ, you didn't remember the last time you were here. Funny, the last time you went to a Herogasm party it was coincidentally with Ben. And it was in fact the last one you ever went to. It never felt right to go back without him. 

"Fuckin' Herogasm," Butcher laughed and shook his head, glancing back at you with intrigue, "You ever been Violet?" 

Your lips curled up a bit and you licked your lips slowly, glancing at Ben for a second before you found two pairs of curious eyes on you. 

"Yeah, every year for like ten years." You responded, and you were met with a look of disbelief from Hughie, and even Butcher had a slight glint of surprise in his eyes. Perhaps they didn't take you as the orgy, drugs and depravity type of supe, not that you blame them, that never truly was your idea of fun. But you weren’t entirely innocent either. "I'm serious. You can ask Ben if you don't believe me." 

Both men gave Ben a long glance and he laughed, shrugging at you. 

"She ain’t lying, I took her to her first one, in 74' was it? Should've seen her, such a pretty doe-eyed lil’ thing, with a face like hers she fooled everyone." 

"Oh, yeah, you showed innocent little me all the ropes. It was very educational." You rolled your eyes, trying to hide the small grin on your face, and Ben had one of his own. 

For a moment you forgot neither of the other two men quite understood whatever was going between you and Ben, so you missed the uncomfortable look on their faces. 

"Oh, I showed you a hell of a lot more than just the ropes, sweetheart." 

"And I'll show you both the barrel of a gun if I have to endure another second of your trip down erotic memory lane. Can we focus here?" Butcher groaned, looking both annoyed and disturbed by your relationship, like a parent who was tired of keeping his two horny teenagers in line. 

You exchanged a look with Ben, eyes big and lips pursed as you tried not to laugh and you gave him a look of having just been scolded. He simply rolled his eyes and half paid attention to Hughie and Butcher as they went back and forth about who was going in first. 

You, as always, just stood there and observed, absentmindedly twirling your knife between your fingers as you listened to them agree that Hughie should go in first so you could be in and out as quickly as possible. In between your own priorities, Ben being the main one, you had almost forgotten why you were here in the first place. Despite the fact that you were picking off Payback's members one by one, you quickly realized this wasn't for you, or Ben and his plot for revenge. No, it was about Butcher getting his. And the two of you were simply there to make it happen. 

You had begun to wonder if this was all there was to it, a means to an end, and in reality neither you or Ben had much of a chance to make it out this revenge mission alive. But if there was something you knew for sure, it was that you would die before you let anything happen to Ben again. Deep down, you hoped he would do the same for you. 

"I'm gonna go check the area before we go in, make sure there aren't any surprises." Butcher announced after a minute or two of waiting, Hughie not being back yet. He started walking, but not before turning to glance at you both with narrowed eyes, "And you two behave, last time I left you cunts alone you broke a bathroom." 

You did a mocking salute to him and snorted when he rolled his eyes at you, grumbling something you didn't quite hear as he began to walk away. He was out of your sight pretty quickly and you could already feel Ben's intense gaze burn on your face. You ignored it at first, but when he stood in front of you, eyes never leaving you, you had no choice but to look at him. You stopped your fidgeting and you looked up at him expectantly as you leaned back against a tree.

"I don't need to read your mind to know you want to tell me something, what's up?" 

"What you said back at the motel, did you mean it?" He questioned, leaning close to your face as he placed a hand beside your head. You stared at him for a second, trying to dig in your mind for whatever it was that he meant. You found his green eyes and you realized. 

Ah. The three fucking words. 

"Seriously Ben?" You groaned, your head falling to the side with annoyance, but more of all you wanted to avoid his gaze, avoid the shame of having confessed your deepest feelings, knowing feelings wasn't something either of you ever talked about let alone ever admitted to. Because feelings meant vulnerability, and vulnerability meant weakness. And weakness wasn't something either of you would ever admit to.

He grabbed your chin, grip tight as he forced you to look at him, "Did you? ‘Cause I meant what I said, all of it." 

Your face softened and your lips slightly curved into a tiny smile. You never wanted to search his mind without his permission, it was like a line you never liked to cross, but you didn't need to this time. Just by looking into his eyes you always knew. You could tell a lot by looking into someone’s eyes. You searched his eyes for any kind of deceit or even manipulation, but you didn't find any. You knew what he meant, and coming from him, it meant everything. 

"Yeah," You sighed softly, "I meant what I said." 

"Good." His pink lips curved into a satisfied smirk as he squeezed your face and leaned down, capturing your lips into his own. It was slower, no rushed and desperate touches like before, but he still kissed you hard. There was nothing gentle about it, but was there ever anything gentle about him? 

His tongue slipped into your mouth as he dropped his hand, resting it on the column of your neck. He pressed his armored chest against yours, pretty much pinning you against the tree. His mouth was so skilled, like he knew exactly how to take your breath away in seconds, he knew you that well. You would never allow a man to have this much control over you. But it was always different with him. Your hands found his long strands as you explored his mouth, and you pulled hard. You felt him groan against your mouth and he squeezed your neck in response. You gasped, the sound quickly fading into a soft moan. He pulled back and watched with amusement the look of pure ecstasy on your face as he squeezed your throat. 

"You fucking slut, you still get off to me hurting you, don't you?" He bit his lip as he released your throat, thumb brushing over the skin he knew would bruise, just like everybody else's, even if it was for a little bit. 

You inhaled deeply, the short lack of airflow making you dizzy, but in the most delicious way possible. You opened your eyes, finding his green ones and god you wished nothing but to just ditch the mission and go somewhere where he could take you, over and over again. 

"Are we here to get revenge or are we here to get your dick wet? ‘Cause I'm getting some real mixed signals here." You mumbled, breath heavy and he chuckled. He leaned down, pressing his lips to your jaw before he moved them to your ear. 

"I'm gonna fuck you so hard I'm gonna break a hell of a lot more than just a mirror." He coaxed. The way he spoke in your ear made you rub your thighs together and the pool forming in your panties was impossible to ignore. It was embarrassing how quickly he could pull you apart and do with you what he pleased. "When we get back. Now pull yourself together, we're on a mission." 

And just like that he was standing a few feet away from you. He was looking behind his shoulder, almost as if he could hear someone. And of course, just in time for you to somewhat regain your composure, Butcher came back. Though it wasn't before you locked eyes with Ben one more time as you tried to control your breathing, and the cocky bastard winked at you, lips curled into a shit eating grin before Butcher actually approached you both. 

This motherfucker. 

"All clear. The twins are in there. You shouldn't have a problem going in," He said to Ben, but then looked at you, "You, though, you might get some attention. Pretty girl, dressed in black leather and strapped with knives, that's some BDSM shit if I've seen one." 

"Okay and?" You frowned, now standing by both men.

"Just stay close to him, people might recognize you and approach you. Do what you can to keep a low profile. You might have to get your hands a bit dirty." He looked between you and Ben. You stared at him with a small frown at first, but when he raised his eyebrows at you, you quickly realized what he meant. 

"Wouldn't be the first time." Ben commented with a chuckle when he caught on. You looked at him, slightly unimpressed by his lack of discretion but you simply rolled your eyes. 

Butcher sighed heavily, clearly done with your antics by then and he simply motioned you off with an unimpressed expression, "Off you go, ya dirty cunts." 

"Looks like you might get your dick wet after all." You commented to Ben as you both headed off to the house. 

He chuckled, shooting you a glance as you stood in front of the door. You were both eager to get this over with, you more than him. It was one thing for him to be able to face the assholes that betrayed him, and you were happy to do it with him. But the idea of being around dozens of supes, in an environment where there were no rules, no respect and no boundaries, made you uneasy. You didn't know if you could handle that many voices all at once. It had been a long time since you had been around other Supes, let alone that many, and you had made that decision for a reason. 

Almost as if he could feel the anxiety radiate from you, you felt a large hand fill your own. Confused, you looked down and saw he had intertwined his fingers with your own. "There's nothing to be nervous about, sweetheart, it wouldn't be the first time we do this." 

"I haven't been around other supes since…" You inhaled deeply, your throat slightly closing up at the memory. The last time you stepped foot at Vought Tower, when you realized you couldn't do it anymore. Ben looked at you, eyebrows slightly knitted into a frown, "It's been a long time is all." 

"Just stay by my side, nobody will lay a hand on you. I'll always protect you, remember?" He gave your hand a slight squeeze and the calm yet assertive ring in his voice made you feel almost at ease. Almost. 

You stayed silent, needing all your energy and focus to keep the dozens of voices beginning to infiltrate your mind one by one. The sound of Ben speaking as a very naked man opened the door sounded far, distant, you didn't catch much of what they said. You only knew to move when you felt Ben tug you along. Now the sound of your racing heart was almost as loud as the voices. So fucking many people here. So many Supes. So many voices. All at once. It was deafening. It disgusted you, to have to hear every passing thought these depraved beings had. You didn’t realize you started digging your blunt nails into Ben’s gloves.

It didn’t hurt, but your enhanced strength definitely made him feel the tightening grip of your shaking hands. He stopped and looked at you with a twisted frown.

“The fuck is wrong with you now? You look like you saw your father.” 

You eyes snapped up to find him looking back at you with both confusion, and his version of concern. You opened your mouth but you could only stammer but no words actually came out. You couldn’t think. It was so loud. Your lip quivered ever so slightly as you felt your chest start to grow heavy. Ben saw the look on your face, the way your eyes were frantically looking around the room, your jaw wound up so tight he thought you’d break it. The last time he saw you like this was when you first joined Payback and didn’t have full control of your abilities. 

“Stop that, right now.” He gripped your shoulders hard, really fucking hard, enough to make you shift your focus on him for a moment. You looked at him with wide eyes. “Hey, I need you to focus. Get your head under control. I need you to have my back here, okay?”

“I… I don’t.. I can’t get them to stop. They won’t stop.” You said, so close to being on the verge of tears. “There’s so many, I can’t get them to shut the fuck up. I--” 

“Hey,” He shook you ever so slightly, leaning in close to your face. “The fuck did I just say? Get. yourself. Together. You used to tune ‘em out, remember? So tune them out.” 

You breathed in, your chest rising as you tried to drown out the noise, focus on his face, on his voice. But you couldn’t. You hadn’t been around this many people in nearly a decade.

“I can’t. I just can’t. I can’t be here. I’m sorry.” You shook your head frantically and tried to slip out of his grip but he didn’t let you. 

“I need you here. Just—hey,” he grabbed your jaw, looking out of the corner of his eyes to make sure you weren’t bringing in too much attention before he met your teary eyes. “Just look at me. I’m right here. Remember you used to tune everyone else out and only focus on my voice, hm? Focus on my thoughts, okay? It’s just you and me, fuck everyone else.” 

You stared at him, the green in his eyes seeming more and more green the longer you looked. You even saw a ring yellow in there. His voice. His thoughts, they had always calmed you, centered you. The voices grew more and more distant the longer you looked at him. You listened to his voice as his thoughts became your own. Until only the sound of his voice was in your head. Your breath was shaky as you closed your eyes, a laugh of relief leaving your lips.

He held your face for a little longer, his deep frown less harsh as he watched your face slowly visibly relax and the tension left your body.

“Are we good?”

“Yeah, we’re good.” You exhaled deeply and nodded at him, feeling like you were slowly regaining control of yourself. “Let’s go find the terror twins.” 

You walked around this house for what felt like hours. But it didn’t help that you were being stopped every five minutes by every naked Supe you walked by. Ben was anything but amused.

“I swear to fucking Christ if one more of these slimy jizz-covered fuck faces asks you to use your knives on them I will actually shove my shield up their ass.” Ben grumbled with a look of disgust on his face.

“They’d probably like that.” You had to bite your lip to stop yourself from laughing at the death glare he shot you.

“Eat shit.” You actually snorted this time, and you were full on giggling when he started mumbling curses at you as he walked off. 

You ultimately decided splitting up was probably the way to go, the house was way too big and had too many rooms, you’d find the twins quicker if you each went your own way. Ben was reluctant at first, a bit apprehensive to leave you on your own after you almost broke down earlier. But you reassured him you were fine and perfectly capable of going on your own. You ultimately realized you made the right choice. You didn’t know exactly when or how but out of nowhere you heard a loud blast in the next room and you were launched right through a wall from the blast. Pain immediately started shooting through your body at the impact. You were a Supe, sure, but you weren’t Soldier Boy, you weren’t fucking invincible. You bled and you felt pain like any human. 

It took you a good minute to understand what the actual fuck had just happened. And when you did, you almost forgot about the throbbing pain going through your body. You pushed yourself up to your feet, stumbling and holding on to walls as you dragged yourself through the rubble and burned bodies. Your jaw slightly fell open at the sight of this much mayhem. You didn’t believe in God, but fuck were you praying to a higher power for Ben to be okay. 

You managed to stay on your feet despite the pain. It would go away eventually, in a day or so, but the first few hours were brutal. Still you pushed through, determined to find Ben. You stumbled into a hallway, the walls were falling apart and chunks of cement were all around the floor. But what caught your attention was the sight that fucking American flag and blonde head of hair you had grown to despise. Your heart stopped, you were frozen. You held your breath as you realized fucking Homelander was here. And he currently had Ben pinned to a wall.

This was such a bad fucking idea. You could die a very agonizing death. A bad idea indeed. 

Adrenaline kicked in, you sprinted and with a bit of momentum you landed on Homelander’s shoulders. You were surprised he didn’t hear you coming.You were thankful he was preoccupied with Ben. Your nails dug into the side of his temples and you used all of the energy and power you had coursing through your veins, and sent that straight to his brain.

You weren’t sure if it would even tickle. You tried using your shock powers on Ben once, a long time ago, just to test out how it worked on Supes with enhanced strength, he said it felt like being electrocuted. And right about now you were praying Homelander felt something, enough to stun him at least. You could kill an average Supe if you used enough power, but you weren’t so sure if you were strong enough.

You held on, but you were struggling, commanding your body to release this much energy was mentally exhausting but the sound of Homelander groaning in pain made you smile the slightest bit. The shocks of electricity weren’t going to kill him, but it sure did hurt, and it stunned him. Nobody’s brain was invisible afterall. 

“Hurts, doesn’t it motherfucker? Your body may be indestructible but your mind can only take so much before it breaks.” You spat. Sparks were coming from your fingers as your eyes flashed bright purple. “It’s fucked when its you being held down against your will, huh?”

He screamed, stumbling around as he attempted to grab at you, but this wasn’t the first time you tried to fry someone’s brain off while on their shoulders. You gasped when you saw his laser eyes go off as he screamed, leaving indents on the wall. This split second of distraction was enough to make your focus falter, and it gave Homelander the opportunity to find a grip on you. You cried in pain when he grabbed your ankle and tossed you off. 

You landed fucking hard, it knocked the air right out of your lungs. You coughed as you attempted to get up, but Homelander was grabbing you and pulling you up by your neck before you could blink. He held you up in the air as he levitated so you couldn’t find a way to escape. He held you at arm’s length so you couldn’t reach him, either. The way his empty, ice cold eyes stared you down with evil glee as you gasped for air was terrifying. 

“I always knew you were a fucking bitch. I should’ve killed you when I had the chance. Matter of fact, I’ll do that right now.” Your eyes widened when his eyes gleamed bright red. 

Out of the corner of your eye you saw Ben behind Homelander, with a grin as he grabbed Homelander’s cape and pulled down, and he pulled really fucking hard. Your body collided with the ground roughly, landing on your side with a pained cry. But you still saw Ben throw Homelander around by his cape, and had you not been mere seconds away from death, you would have laughed at the comedic irony. You were in and out of consciousness, an aura surrounding your vision. But in between your delirium you could see Butcher and Hughie had arrived, and the three of them were taking on Homelander. It wasn’t long before the three of them had Homelander pinned down. You could feel yourself fade, your muscles give out and your mind shut off. You hadn’t used that much power since you were in Payback. 

You heard indistinct voices and shouting before everything went black. 

“The fuck are you waitin’ for? Blast this cunt!” Butcher shouted and Ben grunted.

“I can’t! Just—Fuck.” His eyes found you in the corner, bloodied and passed out. You couldn’t run away and you wouldn’t survive the blast, he knew that. “You—kid, take her, and get out here. Now!”

“No fucking way!” Hughie shouted back, and Ben felt the urge to blast him instead. 

“Do what he says, take the fuckin’ girl and go!” Butcher shouted at Hughie, catching on to what Ben was trying to do. But before any of them could do anything, Homelander blasted his lasers, screaming as he overpowered the three of them while they were distracted. And just like that he was gone. 

The three men sat in silence, in defeat. They had a chance and they blew it. Ben knew it was mostly his fault, he shouldn’t have hesitated. But he refused to ever let you get hurt. In silent anger he glared at both of them and he stood and walked over to your passed out body. He clenched his jaw as he picked your limp body and carried you. He made eye contact with Butcher and Hughie and it took all of his power not to shoot both of them in the face. 

~~~~~~~~~~~~

Your whole body ached, and your head was founding. It was unbearable. You winced in pain as you began to peel layers of clothes off your body. God it fucking hurt. You closed your eyes as you attempted to hold back tears, only snapping back into reality when you felt Ben trace his fingers over your back. He noted every bruise and every cut. He knew they would heal, sure but it still made him seethe with anger. 

“What the fuck were you thinkin’, taking on Homelander like that? Did all the fucking pills you take for your psychosis fry all of your neurons or what?” He was so angry, and he never was exactly kind with his words. You always knew that, but it still hurt when he talked to you that way, especially when you had only been trying to help him. 

Your back was turned to him, so he couldn't see the hurt frown on your face but he did notice you huff at him and move away from his touch, refusing to look at him. 

“Okay.. Hey, no. I didn’t.. I didn’t mean it like that. Fuck.” He bit his tongue, squeezing his eyes shut with regret of his choice of words. You kept your back to him as you continued to undress. He groaned. “You would have died. And it would have been on me. I couldn’t live with that, is all.” 

“Well, I was passed out so it would have been a quick death, if that's of any consolation to you.” You answered shortly as you stripped down to your underwear. You don't think he understood that you stopped caring whether you lived or died a long time ago. 

“Okay, could you not be a bitch for two seconds?” He sighed, already annoyed by your attitude. 

“No. If you want a girl who doesn't talk back to you, go find Countess. Oh, wait, you can't ‘cause she sold you to the Russians. Guess you're stuck with me.” You answered with even more spitefulness, just to tick him off a little bit more. You didn't need to read his mind to know he was beyond pissed. You weren't exactly in a colorful mood, either. Your back was still turned to him as you tossed your bloodied gear in a corner. 

He breathed in deeply, pitching the bridge of his nose, “Violet, look at me when I'm talking to you.” 

You turned around with exasperation, your eyes open wide with a ‘what’ expression as you motioned your hands around passive-aggressively. 

“I didn't mean what I said. I know you were trying to help me… And I know that you can't always control your powers. I sometimes can't deal with my own head, I can't imagine having to deal with everybody else's.” Ben wasn't one to apologize. He was actually allergic to the words I'm sorry. You knew that. But you knew he at least tried to apologize using other words. So you listened. You knew he was having a hard time, too. “But I'm not really one to talk. I think I'm the one that's fucked in the head.” 

Your lips slightly parted at his words and you looked at him with a tiny bit of sadness. You never asked him details of what happened to him. Sure, you could look, but you never wanted to dig through his mind without his permission. He'd tell you if he really wanted to. But you didn't need to know everything to understand that what he went through messed him up. And it messed him up a lot. What happened at Herogasm was proof of that. 

“Do you want to tell me what happened at Herogasm? Don't make me look through your head, I don't want to.” You sighed softly, ultimately giving in, like you always did. Your delicate fingers dragged over his vest as you absentmindedly began to take off his gear. 

Ben stayed silent for a long time. He didn't think he even knew what happened. You were down to the last layer of the top part of his suit by the time he opened his mouth. 

“I blacked out. I don't.. I don't know what the fuck happened. I was talking to the fuck twins and then nothing. Next thing I remember is the burned bodies and the place was all fucked up.” He breathed out a little unevenly, a frown knitted deep on his face. He looked down at you when you stayed silent. “I didn't mean to. You believe that, right?” 

You did. But did he? 

“Of course I believe you.” You pressed a soft kiss to his lips, hands flat on his chest. He brought one of his hands to the back of your hair, holding your head in place. After a few seconds, you hummed, parting your lips slightly. “Can I ask you a question?” 

He nodded. 

“Why didn't you kill Homelander? You had a shot. Why didn't you take it? You would have done the whole fucking world a favor.” 

Ben stared at you with confusion. Did you really not get it? Were you that clueless or was he just that bad at showing his devotion for you? Probably the latter. 

“You saw what my blast did to the house. You wouldn't have survived that. I should have, I know, Butcher won't stop fucking reminding me. But he has nothing left to lose. Can't kill two girlfriends in the same week, y'know?” 

Your mouth fell open with indignation and you shoved at his chest, but deep down you felt warm at the fact that he chose you over his mission, for once. You still pretended to be angry at him, though. “Fucking prick.” 

He brought his lips to your jaw, leaving blunt kisses and you pretend to hate it. But the smile on your face was inevitable. 

“Wanna shower now or what?” He eventually said. That was the reason you were in the bathroom after all. 

You nodded. You could use the hot water on your bruised skin. You finished stripping, Ben just watched you with a perverted grin and smacked your ass before he stripped himself. 

He got in first, turning on the water and letting it run until steam began to fill the small space. He knew you liked it boiling hot. He didn't mind. You got in and immediately went under the shower head. You moaned in relief, the hot water running down your tense muscles, alleviating the soreness on your body. Ben watched you with a surprising amount of patience as he stood behind you. He leaned down and pressed his soft lips behind your neck, licking along the skin before he moved down your neck to your shoulder. He rested his hands on your hips, squeezing the skin as lightly as he could. You had enough bruises for one day. 

“I'm gonna take care of you tonight, m’kay?” He mumbled against your skin before he made you turn around. 

He crashed his lips against yours, rough fingers gripping your jaw as he slipped his tongue into your mouth. You whined, already craving more. When he kissed you like this, you just couldn't help yourself. 

“Need you, please.” You were breathless against his lips, your blunt nails digging into his chest desperately. He gave your bottom lip a small tug as he pulled away. 

He made you stand in front of him, his back to the shower wall as he slowly sank to his knees. Your eyes followed him longingly.

“C'mere.” He pulled you towards him, his eyes were full of greed as he made eye contact with you while he directed you to rest one of your feet on his shoulder. 

His eyes stayed locked with yours as leaned forward and licked a long stripe from your hole up to your clit. He wrapped his lips around the bud and sucked. You gasped, instantly pressing your hand against the damp wall to keep yourself up. Your mouth fell open in delight as he dragged his tongue around your sensitive clit. 

“O-Oh. Shit. Shit, Ben.” You whined softly, your free hand falling to his wet hair. He held your hip with one hand, steady vice grip holding you in place as he pushed his tongue into your hole. You swore the cry you let out was heard in the entire apartment. “Oh, my God. Fuck. That feels so good.” 

Ben hummed in approval as you wrapped your fingers around his hair and held his face against you. As if he would go anywhere. He happily kept his mouth on you, head moving up and down as he worked you with his tongue, his nose brushing your clit with every movement of his head. To say that you were so close was an understatement. You could feel your leg start to give out under you the longer you felt that heat build in your stomach. Ben was more than happy to assist you with that, too. His free hand grabbed the underside of your thigh and forced you further against his mouth until your leg was dangling over his shoulder. His other hand stayed on your hip, vice grip holding you upright effortlessly. 

His tongue found your clit one more time, and the emptiness it left was replaced by two long fingers pushing into your cunt. Your eyes rolled back as your mouth fell open in a silent cry. You leaned your forehead against the tile as you dug your nails into his scalp. Fuck, you didn't remember the last time a man ate you out, let alone ate you out like this. It felt so good you wanted to cry, you didn't even remember the pain in your body, all you could feel was pleasure. 

“Feels good, doesn't it sweetheart?” He spat into your clit as he fucked you with his fingers. If the shower hadn't been running the lewd sound of his fingers dragging in and out of your wet hole would've been so loud. But he could still hear it, and fuck did he love it. He took a second to look up at you. Such a pretty little thing when you were so close. “Oh, you wanna come don't you? Mhmm, yeah, you do. C'mon, gimme what I want. I know you can do it.” 

His tongue was back on your clit, he licked harsh stripes as he slipped his thick fingers in and out of your cunt with urgency. The sounds of him licking and sucking on your clit were almost as filthy as the sounds coming out of your mouth. His fingers fucked you without mercy, there was not a single thing gentle about his touch. It was rough and relentless. Just like he was. And it had you seeing fucking white before you even realized. 

You squeezed your eyes shut, lips parting in a silent cry as you held his face against you. But it wasn't like he'd go anywhere, if anything he kept his tongue on your swollen clit and his fingers never stopped. Tears formed in your eyes as your thighs shuddered. And when he didn't stop you were pulling at the ends of his hair to pull him off you. He groaned at this. Quite unhappy to be leaving the warm place between your thighs. 

“I wasn't done.” He looked up at you with a frown. You took in a deep breath, blowing out a small laugh as you grabbed at his face, weakly attempting to pull him back up.

“You can be down there all you want later, I just..” You swallowed hard, somewhat regaining your composure as he stood up to his full height. You pulled him down by his face and kissed him, and you kissed him fucking hard. And the taste of yourself still left on his tongue made you need him even more. “Just need you, okay?” 

“Need me where?” He grabbed your jaw, fingers sprawled out over your throat as he held your face back. He stared you down, malicious eyes full of greed as he waited for your answer. And he wouldn't give you anything until you did.

“Inside me.” You muttered through gritted teeth, almost delirious as you rubbed your thighs together with anticipation. He didn't look satisfied. You breathed in deeply, the aching need between your legs unbearable. “Need your cock, inside me, right now, Ben.” 

He lifted his eyebrows up in satisfaction and gave you a simple hum before he switched positions with you, without a word pressing your front against the shower wall. 

“I fuck you once and you're already acting like a pathetic whore? Okay. But you better fucking take my cock like the good fuck doll you've always been, hm?” He kicked your legs apart with his knee, his back pressing you further into the wall as he pressed the head of his cock against your entrance. You took a deep breath. “Yeah, you're gonna take this cock like a good lil’ fuck doll.” 

You gasped when he pushed himself inside with a snap of his hips, but it quickly turned into a moan when he pushed himself to the hilt, hips rutting against your ass. You dug your nails into nothing as you closed your eyes, taking in the delicious feeling of his thick cock stretching your walls.

“What a tight fucking cunt.” He grunted, gripping your hips, not wasting any time. He barely gave you time to adjust. “So fucking wet. Just for me, huh?” 

You were nodding against the wall instantly, pushing your ass back against him as he fucked you without mercy. You felt his lips on your shoulder as he leaned over you. The lewd sound of slapping skin was drowned out by the shower running but you could hear it clear as fucking day. 

“Yes! Mhmm feels so good.” You moaned softly, mindlessly reaching behind you to touch him, any part of him. Your fingers found his beard as you ran your hand over his face desperate to feel him, then you found his hair, and you latched on for dear life as he drilled into you. 

“Yeah? Like how my cock feels in your guts? You missed it, didn't you?” He pressed the side of his face into your head, allowing himself to close his eyes and soak the feeling of your nails on his scalp, he could even feel the faintest bit of electricity shooting through your fingers. He fucking loved it. 

“Yes! God yes.” You couldn't even describe how much. 

Ben smirked at this as he wrapped his arm over your chest and his fingers found your throat. He forced your head back, making you look at him. 

“Open your mouth,” He ordered, he held his finger to your pulse as he felt the fast rate of your heartbeat. You did as he said, and with a huff he spat in your mouth. “Slut. Swallow it.” 

How he could so easily break you down to nothing and treat you like no other man could, truly was beyond your understanding. But your mind didn't have to understand it. Your body just did it. You felt a pool of wetness seep through you at the damn near animalistic groan that rumbled in his throat. 

“You're such a good fucking girl.” He spat, pressing his lips against yours in a messy filthy kiss. You could barely keep your mouth open, not with the way he was so determined to make you fall apart for him. “You're my good fucking girl.” 

“I want to come. Please I—fuck.”  Your words were broken as your whole body burned up, and it wasn't from the hot water. 

“Of course, you do. It just feels so good, doesn't it?” He squeezed your throat harder, only choked out sounds could leave your mouth as he slipped his other hand to your swollen clit and rubbed harsh circles. 

Your orgasm hit you so hard you didn't realize it until you were shaking violently, your eyes rolled back into your head as you fucked yourself on his cock. Not that he ever stopped. He moaned loudly at the feeling of your wetness seeping on him. The wet sound of his cock slapping against your cunt made him want to come, too. 

“Fuck. Fucking Christ Violet. C'mon, make me come. Fuck yourself on my cock just like that. Be a good fuck doll for me, that's it.” His hand left your throat to pull at your hair. He dug his fingers deep into your scalp as his face fell on your shoulder. With a deep grunt he held you down on him. “Fucking take it, that's it, girl. Just like that. Fuck.” 

You could feel your mixed releases slip down your thigh. You sighed deeply, allowing yourself to close your eyes in ecstasy as he pressed his lips to your jaw. You hummed softly, reaching behind you to run your fingers through your hair. 

“I never want to leave this cunt. Feels so fucking good.” He muttered against your skin. 

You laughed softly, eyes still closed, you breathed heavily, “You're gonna have to eventually.” 

“Like fuck I am.” 

Both of his hands were on your hips and he turned you around. You whimpered softly at the emptiness he left you, but it was quickly replaced by choked out gasp when he grabbed both of your thighs and effortlessly hoisted you up around his waist. Your back was pressed against the tile wall and he slipped his cock inside you without a warning.

“Ben—” 

“You wanted my cock inside you? Well you better fucking take all of it. Every fucking inch ‘til I say so. You want it, don't you?” He spat, already fucking into you like you were nothing more than a toy. He held you up by your thighs as he kept them wide open so he could take as much as he wanted. And that he did. “Of course you do, this cunt is all mine to with as I fucking want. That ain't never gonna change.” 

What a long fucking night you were going to have. But you'd take a million of this over another day without him in your life. And this? This was all you ever wanted. You didn't need anything else, just him.

[tiktowafel]

do you ever think about how all you used to draw when you were 10 was ponies and that you should still know how to do that, then get an idea and proceed to draw something like these in nearly one sitting and it turns out better than any drawing you've done in the entire past month

sooo anyway does anyone have cutie mark or pony name ideas for them?? lol

[erinwantstowrite]

Let me just quickly say, cross-overs can sometimes get REALLY difficult to map out and write in a cohesive way but you have absolutely NAILED IT!! I absolutely ADORE LoF!!! I usually don’t even bother reading fics with the ‘Richard Grayson is Richard Parker’ premise cause I felt like they were super confusing and overcomplicated but this fic?? SUPERB. ABSOLUTELY INCREDIBLE. OH MY GOD I ADORE IT. Everyone’s characterizations are so nice and wonderful aaaaaaah!!!! <33333

Ok ok I did actually have a question as well: would you be willing to share what your writing process looks like in terms of a chapter you’ve already posted? I was just wondering since I’m also currently working on my own fic (it’s been a few years but I managed to get fixated on an idea and it grew legs lol) and I’m currently fighting the organization of it haha.

How do you keep track of the plot points and/or foreshadowing you want to get a ‘lightbulb!’ moment for later? Do you have any tips?

Thank you so much! I absolutely adore your writing AND your art is so gorgeous omg it adds so much to the incredible story :DDD I hope you have a good day!!

I have a secret: I actually didn't like "Richard Grayson is Richard Parker' tag for a while for the same reason. Sometimes they felt like they missed the mark or it's just. A thing that's there? I almost didn't include it for LoF, but I'm glad I did because it changed the direction in such a big way.

Another secret: this made me incredibly happy because I have read so many wikis and scoured the internet to make sure that I had enough info on both fandoms so LoF could make sense to anyone who's reading it, whether they know Spider-Man, Batfam, or neither at all. Sometimes I worry a lot before I post that I'll miss a mark and will confuse people.

As for the question: I definitely am willing to share what my writing process looks like!

Be prepared for under the cut, I love to yap. It's in my blood to yap. And that's why it took a minute to get to this ask haha

(Spoilers for Leap of Faith!! Everything mentioned has already been published ((Chapters 1-11))

I had to go and find out which chapter I wanted to use as an example and I think we're gonna go with Chapter 5 for the most part :)

My writing process is, as described by alighterwood:

I think the description fits because while I'm all over the place, I have to be very detail oriented and I store everything in one spot.

Starting with the overall process, what I find is most helpful for me, when organizing, is having a notebook rather than doing it all digitally. I've been using a 70 sheet notebook that I had lying around waiting to be used, and as of yesterday, I officially filled the entire thing front to back. It's been an incredible help, for a lot of reasons, but mostly because it's a lot easier to remember something I physically wrote down than it is to remember something I typed. I'm now on to my second notebook for LoF, and I might even have to get a third.

In another ask, startupkat asked me this:

And I shared a little about my outline process there, but I'll try to go into a little more depth here. Emphasis on little because this is so long.

I write a truly insane amount of outlines in this notebook.

This is just what I can show you, but a good chunk of the notebook is just outlines. Over and over and over again. That's because they're always changing/adapting based on so many different factors. Sometimes I get to a chapter I thought I had fully planned out and then realize it just doesn't work anymore. Other times, I get to the chapter and realize I don't want to write that anymore/isn't as interesting as I thought it would be. A few times I got halfway through a POV of a scene I was struggling on and decided to switch POV's, which will change up the outline for a chapter every now and then.

Which is why I don't write incredibly detailed outlines and try to keep it vague until I actually get to that chapter. It's a lot less daunting to rewrite a chapter outline than it is to rewrite the entire outline.

Fic outlines and Chapter outlines look a lot alike.

This is what I said in the other ask, but I didn't elaborate on it all the way.

I make a list just like that, and then I try to put it in chronological order/in an order that makes sense. I keep the Fic outline vague by writing down "Goals" for a chapter rather than scenes. But I also keep notes to myself if I really think something is important. The more important I think a scene needs to be, the more details I write down to make sure my future self recalls what I had in mind when I thought it up.

Really simple example:

Chap 1 Goal: Peter gets to Gotham and meets Babs while running around. Meet Nightwing too? Get shelter.

Chapter 2 Goal: Bats are like "???" about Peter. Batfam dynamic important... Peter stalking Batfam back? Peter meet Batman >:)

When I get to a chapter, that's when I make a far more detailed list of wants/needs/goals. It's the Step 2 from the Step 1. Here are some examples from Chapter 5:

Needed to have:

More POV's from universe 1299 (Peter's home universe)

Tony's POV more specifically, how he's doing/feeling, what he's figured out

What they've figured out on 1299 side vs what's going on in 1300 (Gotham)

Explaining more about Peter's trauma/his past

Dick learning more about Peter, and vise versa

Wanted to have:

Ned being a more central character

Natasha :)

Loki being a little shit

Tony and Cap bickering

Peter talking to Nightwing again

The last name Grayson

Gymnastics!!

(This is the shortened list, because the chapters are so long)

When I looked at this list before writing my outline, I had to figure out how I could incorporate everything. If I needed more 1299 POV's, and I wanted Ned, Natasha, and Loki, there's one scene accounted for. I had to get their side of things and wanted that trio together. I needed a Tony POV, and I wanted Tony and Cap bickering, so those went together, plus I got 1299's POV of Ohnn and his plans explained.

I needed to have Peter explaining more about his trauma, and Dick and Peter to talk/get closer. I wanted a Nightwing POV, to have Peter say his last name, and them doing gymnastics. I knew Peter wouldn't willingly talk about that, so I had him have a nightmare. Not only did it give readers perspective but it made Peter more susceptible to talking to Nightwing because he was more emotionally vulnerable/lonely, and that's how that scene came together.

That's when I would write down the chronological order of these events by writing out "Scene Blocks." (This is what I wrote down but my handwriting was so bad I can't subject y'all to it):

scene 1- Ned talking to Loki. Natasha should be nearby and observing Loki's behavior. They are not on friendly terms. Ned is more worried about Peter than he is as to what Loki could be up to, so Natasha takes on that role.

scene 2- Tony is freaking out about Peter being in an alt dimension. He should attack Ohnn when he's not prepared for it. Beat his ass? Beat his ass. Cap there too.

scene 3- Peter's nightmare. "Ben, where do you go when you die?" "Where do you think?" "With you. Where you went."

scene 4- Nightwing and Peter.

Of course, things come to attention when writing. Like originally, Tony and Cap were arguing in the Tower. But it was a little too much like his and Natasha's argument, and I kept in mind that Tony is smart. Sometimes I forget that the characters are smarter than I am, so I have to account for what they would figure out. So Tony would have picked up the puzzle pieces and come to more conclusions than I originally thought about, and I figured he'd be way more proactive about it than just. Being in the Tower and waiting.

Which means that that scene ended up being as listed above: having a squabble with Cap, learning more about Peter's dynamic with the Avengers in this universe, and seeing how Tony is reacting to it by throwing himself head first into trying to capture Ohnn.

I'll realize I need something else to be mentioned or put in and I'll have to shimmy things around, but that's basically how it goes.

As for other forms of organization:

Keeping a timeline is so important because it tells you a lot about the environment your characters are in. It's also important to remember what a character has on them, what money they've spent, who they've met/who you have mentioned, every alias that is being used, to read your work and write down edits you want to make before you make them, to write down ideas beforehand of situations you can use, and, most importantly: MAKE A MAP!! This has saved me so many times. Sometimes your brain WILL trick you or make it harder on you to envision a scene. Make a map of where your characters are physically!! It will save you too!!

As for foreshadowing and plot points, I'll let you in on yet another secret:

Your subconscious is doing a lot more than you think it is.

Sometimes when I foreshadow something, I didn't even know I was until I got to it. I very often go back to read chapters that came before this to see what I've mentioned and what I haven't, and when I do, I'll see something and go "I have to bring this back" or "I almost forgot about that!"

Other times, I am very aware of what I'm foreshadowing, and that's because I follow a mystery plot formula. You have to keep in mind everyone's intentions, all the time. How are they feeling? What are their motivations? And: what are they doing right now, while this character is doing this?

Like Beck and Ohnn. From the very beginning, I knew I had to make sure that it was obvious Ohnn wasn't working alone. From there, I had to weave through the story and slowly build him up as someone who's working behind the scenes. Even from Ned's first POV, I made sure to mention that this person knows Tony and is tech savvy.

My biggest tip is to make sure you reread your work or at least skip through it, because sometimes you don't even know that you placed something there.

And sometimes, it's very purposeful. :)

I hope this helped! I really tried to keep it short but I am insane and the process is sooooo long. It sounds complicated but it really is simple when you're actually doing it I swear

[heretherebedork]

Hi,

I have a question about your comments on Love Sea. Genuinely no hate, I’m just curious. Are you saying that, because we should have clear, enthusiastic consent 100% of the time in real life (which is obviously completely correct and I’m not disagreeing with that at all), we cannot/should not ever explore anything other than that in fiction? I’m not disagreeing that Mame romanticises a specific dynamic that includes ignoring ‘no’ in a way that would be completely wrong, immoral, and criminal, in real life, but this isn’t real life. If people enjoy that dynamic in fiction, and that is the dynamic Mame wants to write, and that viewers expect from her, isn’t that up to them? Even if they do also praise better representations of consent in other shows, isn’t it possible they enjoy seeing this dynamic explored, in fiction, but are also glad it’s not the only representation of consent out there and that there are also others that are closer to what would be appropriate in reality. It doesn’t have to be either/or, does it?

So. The answer to this is dear lord I didn't tag the show for a reason.

But also.

The answer to that is that sometimes it works. When Mut was carrying Rak into the sea and Rak was saying no and they were both laughing and it was fun and teasing? That was fine! That was a no that obviously wasn't meant as a serious no and was joking.

But when Mut was dragging him out to his motorbike and he was protesting the entire time and telling him he didn't want to go and didn't want to be there and to stop and Mut had to literally scare him to make him go with? That's not okay. Because that is literally takin g no means no and making it a joke.

The dynamic being explored here works in so many contexts without specifically making 'no means no' into a joke. There are so many ways that this kind of dynamic can work that doesn't have to specifically be 'man, isn't it romantic the way he ignored his no?'

I don't tag the show in my posts because I don't want to show up in the tag or bother people who enjoy this. I use specific tags to let people easily block my posts.

But the honest answer is that making it works and exploring the dynamic also includes acknowledging what you're exploring in the process. And neither MAME nor her fans are doing that. Typically fans write this off as romantic and sexy and not as anything they wouldn't want in real life. I've had people argue with me for literal pages about the diary reading scene in the Other Show and how it was so needed and romantic and just...

Look, I like codependency in fictional romances! It's not romantic in real life but I love it in fiction. It's one of my favorite tropes. I love Love Syndrome III and it's toxic as fuck. But that show knew it was toxic and fully embraced that it was toxic and didn't try to write that as the romance but rather as a fucked up relationship that was what the two leads wanted despite how toxic it was. And I loved it! A+!

The problem with exploring a dynamic without acknowledging that you're exploring the dynamic is that it turns no means no into a joke in the show and that's... that's just unpleasant.

People are free to explore things and enjoy things and I specifically don't tag my criticism with the show for that reason. But the problem is that people talk about how sexy all of this and enjoy it and will be very clear, just like MAME was last episode about 'people asked why characters do things' that what they want is... whatever that means, I guess?

I post criticism that is specifically tagged to let people avoid it because I want people to know what I think and that I do see these shows and can offer criticism but also that it's not for the fans of the show because it's specifically tagged for them to avoid.

[blindmagdalena]

"I am not who I am" Chance Pena inspired....

Thinking about reader and Homelander laying in bed cuddling, when Reader randomly ask if he wonders what life would be like if he never became "The Homelander." Him being confused and annoyed (becasuse why would he ever envisiom himself not as a God) would probably just give some thoughtless answer, but reader actually answers with their own reply. Reader imagines him as some historian that gives tour guides. He scoffs and rolls his eyes and replies with a sarcastic "oh really," highlighted with a questioning raised brow.

They go on to explain their reasoning with her, citing his love of history, reading, also his extraversion and love of being the center of attention. They make a joke about him leading a group of rabid kids and curious adults around various national treasures and all. Homie taken back and mess of jealousy for a John that would never exist, partnered with anger, annoyance, and eat up with insecurity at the feeling that the reader would think of a "mud person" version as better, would bite back at her in a paraphrased, "so you want me to be a lowly fucking human like you."

Reader patient and knowing his senstive moods would say, "No, I imagine a life where you were perfectly happy. Where Vought never hurt you, where there was no inciderator, or manipulative snakes ever waiting to strikes you."

They look at him and gently grasp his hand, "Being a normal human isn't so terrible, you know."

"I wouldn't be Homelander. I wouldn't be me. I'd nothing," he mutters quietly and hides his gaze away from her.

Gentle caressing his face you leans closer to him. He looks back at her.

"That's not true. You'd always be something to me."

You smile and him he huffs as he face rearranges countless times in front of you, all of them a different version of a heart breaking view.

"And I'd always find you. In this life, in that life, in the next, and the after now."

______

Ya, Homie is totally crushed after that. I thinking of writing this as a mini-fic, like 1-3 chapters. I have some ideas rolling around in this strange brain of mind, lol 😅

Also, sorry, I'm sending this as another copy. For some reason, Tumblr showed this as being anonymously, so....??

"And I'd always find you. In this life, in that life, in the next, and the after now."

😭😭😭 HOW DARE YOU! I AM SUCH A SUCKER FOR THIS!!!!

if you write it please tag me. i need it!!!!

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[boltedfruit]

KING STEVE! Available as a print, sticker, and more!

INPRNT | KO-FI

This one took all week! Closeups in replies~ (look at those lowkey steddie polaroids 👀)

[hydrachea]

I can't stop thinking about Blade saying gifts are unfamiliar.

And I can't stop thinking about Kafka and Silver Wolf, hearing that, and making it a mission to bring him gifts whenever they travel somewhere for their script - even if he's there with them. About the confusion in his eyes when they steal buy something and turn right around to hand it to him.

About his room starting out completely empty except for the bare minimum necessities, a few spare clothes and what he needs to take care his Shard Sword, but filling up with little trinkets and gifts over time. Clothes and jewelry and perfume from Kafka and posters, figures and plushies from Silver Wolf. About them also bringing food back, expensive specialties swiped from a restaurant and the weirdest option they could spot in a lone vending machine, a category of gifts that doesn't leave anything behind (except the photos they both take of the three of them eating together, or of the faces he makes when Silver Wolf manages to trick him into trying a suspicious snack while he's distracted with polishing his weapon).

About Kafka spending hours finding clothes and jewelry she thinks would suit him, because that's her love language. She gets him makeup too, refusing to let his good looks go to waste. She knows he can't put it on himself, they both do, and he doesn't care for his appearance enough otherwise - but he'll let her do his makeup for him anyway, because she enjoys it, and because he finds it soothing.

About Silver Wolf also buying him clothes, but the ones she gets aren't his style at all, and just barely his size. She gets them for him, but just so she can steal them right back - her love language is quality time, and she fills Blade's room with gifts she can borrow along with a moment of his day. It still counts as a gift, she insists, practically swimming in an oversized jacket she swiped from his closet.

About how in another life, Yingxing gave gifts to the people he loved and in this one, Blade receives them from those who love him.

[drrav3nb]

Carmy reacting to Claire's message/giving her a fake number vs Carmy reacting to Sydney's message and her having his real number

There's so much I could say about this. The first thing I want to point out is that Carmy gives Claire a fake number, not by accident but knowingly. She must've known this as throughout the season she asks him why and even asks him if it's even okay that she has his number.

Meanwhile, with Sydney it's established in season one that they already exchanged numbers as they're texting each other in the final episode. Now, they do work together and colleagues, especially business partners are going to need each other's contact information in order to discuss things.

But Carmy doesn't seem bothered by Sydney having his number, in fact in E5, he asks Sydney why she didn't call him about a problem that happened at the restaurant. And you can see a chain of text messages in E3 where they jest about Fak not having the proper tools. So then that begs the question as to why Claire having his number was such a big deal and why Carmy was so against it?

Like I mentioned before Claire brings this up a lot and Carmy either ignores it or answers her by not really addressing the question. He obviously didn't want her to have his number, as he's very surprised when she ends up calling his real number. This means that if she didn't chase his real number down by asking Fak, then they would've never reconnected or had a relationship this season, something Carmy might not have wanted. And honestly, it really did feel like Claire pushed the idea of a relationship on to him.

Then there's the differences in Carmy's reactions to Sydney's messages vs Claire's. I was genuinely surprised that when Claire gave him encouragement for passing the fire suppression test he looked at it like it was nothing, not a smile, not even a reply, just a blank expression. This is his 'girlfriend' and her encouragement means very little to him apparently.

Then there's Sydney. Though we didn't get to see them text often this season, or his reaction to her messages. Last season, we saw him smiling like a teenager when she told him to shove his idea up his ass. Now, the fact that Carmy texted Sydney before opening Mikey's letter shows just how important their relationship is to him, he couldn't fathom reading what his brother wrote him without first mending their own broken partnership. In a way, them mending their relationship was the encouragement he needed to open the letter and HE is the one that reaches out for that, HE is the one that texts Sydney first.

So yeah, that's all I have really. I noticed it and I thought I'd share my thoughts on here. I'd love to hear what everyone else thinks!

[1pcii]

oh, you like the idea of zolu or find the fancontent cute but can't bring yourself to ship it because you HC Luffy to be aroace? (ignoring that asexuality and aromantisism exist on a spectrum. and that QPR's/relationship anarachy are a thing). should we tell everyone??? should we throw a fucking party???

[freakadr0id]

ROTTMNT Character Fight Style Analysis - Part 3: Michelangelo

This is a continuation of my first post about analyzing each of the Turtles' (+April's) fighting style, their strengths and weaknesses in a fight, and how Rise uses that to highlight different aspects of their character. I highly encourage you read that first before hopping into this one for full context. There is a bit of a TL;DR at the end.

[Part 1: Leo] [Part 2: Raph] [...] [Part 4: Donnie] [Part 5: April]

Next up is Dr. Delicate Touch himself:

Michelangelo: The Wild Card/Disabler

Fight Style:

Dexterous and Versatile

Mikey is a very fast and acrobatic fighter, allowing him to move around and attack in ways his brothers are unable to. His small frame means that he is naturally inclined to be faster than his bigger brothers, and when paired with his gymnastic skills, he becomes an exceptionally swift and nimble fighter. He excels when fighting offensively – in fact, he’s the most offensive fighter on the team - and while he can handle himself on the defensive, it isn’t his strong suit. Mikey’s primary form of defense is to dodge the enemy as he can maneuver himself around foes in a way that makes him hard to keep track of, and even harder to hit.

Mikey also has the greatest versatility of the whole team. Like his brothers, he excels with non-traditional weapons, but Mikey seems to be particularly talented in this regard. Mikey also has a wide range of mystical abilities that he uses to extend the reach of his weapons by manipulating the chains of his nunchakus or kusari-fundo, improving his maneuverability, or even throwing comically large objects. This versatility in combination with his dexterity gives him the ability to attack enemies both nearby and at a distance with relative ease, while slightly improving his defensive skills.

Strengths and Roles in a Fight:

The Wild Card:

Mikey is the resident wild card as his fighting style wide range of abilities and make him the most flexible fighter on the team (both literally and figuratively) and seem very chaotic in a fight. His job is to be the unpredictable element in battle – he rounds out the team by being able to the changing needs of a fight. This is most effective when Mikey is on the offensive as he is less restricted in his fighting method than his brothers are - if a certain type of attack is needed, odds are Mikey can deliver. He can deliver quick, successive hits with his wild movements and fast reflexes, or he can utilize his wide variety of mystic abilities to blindside the enemy with an unexpectedly powerful attack. He can also help in disorienting an enemy or catching them off guard with his acrobatics and impressive strength despite his unassuming size.

Disabler:

When Mikey doesn’t need to fight offensively, he ends up primarily using his abilities to disable his enemies instead focusing as heavily on his attacks. He uses his surroundings to lead enemies into traps or he can manipulate the chains of his weapon(s) to wrap up a foe and inhibit their movement, creating the opportunity to perform a follow-up attack. Even when he throws things like a goddamn building at the enemy, this is usually only used to either crush or stall the enemy as opposed to straight-up defeating them.

Utility:

Due to his smaller size and the nature of his fighting style, Mikey tends to struggle when fighting by himself. He is a much stronger offensive fighter than a defensive fighter, which makes sense when looking at his weapon and physical attributes, but that also means he is at greater risk of losing should he have to fight defensively. While is by no means incapable of fighting alone (we see as much in 'Hot Soup: The Game'), it is noticeably more difficult for him and doesn't work with his strengths as a character.

Mikey's fighting is at his best when he has other people to work off of. His role as the wild card means he is able to assist any of his allies in battle by adapting to their respective fighting style and helping them in a fight without interfering with their attacks. This makes him a particularly good choice as a 'tag team' partner as Mikey can build on others' attacks while they can help him defensively if need be.

How it Plays into His Character:

Since Mikey's greatest weakness in battle (his inexperience) isn't necessarily a character flaw, but simply a product of his young age, his fight style does more to emphasize his personality. We see how Rise directly ties Mikey's fighting style to his character traits, ensuring that his fights still have the same depth as his brothers'.

The wild card role suits Mikey’s character as it complements his energetic and creative personality. Even outside of battle, Mikey moves in a very lively manner, quickly jumping around and rushing from place to place, which would naturally translate into how he fights. It also means that Mikey isn’t tied down to one particular method of attack which wouldn’t mesh well with his ADHD tendencies. His creativity also comes into play as his role as the wild card relies on him being clever and resourceful in battle. If he had a more rigid mindset, this would be difficult for him, but as someone who sees the world in an artistic light, Mikey is more inclined to be a bit more inventive in his attacks.

If Raph is the most protective of his brothers, Mikey is the most supportive. Even though Mikey is the youngest brother, he doesn’t feel overshadowed by his older brothers, nor does he crave the spotlight the way Leo or Donnie does. He wants to prove himself, but he is more than happy to do so by supporting his family, rather than outshining them. The Disabler role fits this part of Mikey perfectly. By disabling the enemy, he supports his brothers by stopping his foe from hurting others or by helping his allies by giving them a better opportunity to strike. Mikey still demonstrates that he is a capable, strong fighter, while still allowing his brothers to take a more prominent role in the fight.

In a Team Battle:

In a coordinated team attack, Mikey is actually capable of filling any position in the order of attack. His versatility gives him the ability to change his fighting method to fit whichever position he needs to, making his placement in the attacking order entirely situational.

When fighting in a strategic attack with the full team, Mikey is most effective going second, third, or second-to-last (depends on how many people are fighting) rather than first or last. Due to his fast movement and weapon’s versatility, Mikey can follow up on almost any type of attack, making him the best choice to go after more wild attacks that would normally throw off other characters. His role as a disabler also makes him a prime choice to set up a powerful final attack by halting the movement of an enemy and making them vulnerable to a finishing blow.

Mikey is able to go first or last in an attack when needed as he is more than capable of going into a fight quickly and delivering a strong attack by pummeling or crushing the enemy. However, considering that Mikey works best when playing off of his teammates, these are probably Mikey’s weakest positions in a team fight. He is also limited to really only one type of finishing blow (throwing large objects at people), which goes against his role as the wild card.

I had a really fun time analyzing Mikey's fighting style and roles. While identifying how he fought was pretty simple, understanding just how versatile our boy is was super interesting. I definitely didn't realize until going through this just how varied Mikey is during a fight, and it totally fits his personality. No wonder he's so fun to watch during an action scene.

~-~-~

[TL;DR: Mikey is a very speedy, dexterous, and versatile fighter. Due to his adaptability and wide range of mystic abilities has the greatest variety of attack methods out of all his brothers, making him the perfect Wild Card. His wild movements and fast (yet powerful) fighting style align well with his energetic personality, while his role as the Disabler fits in with his desire to support his brothers as opposed to outshining them.]

I really appreciate all the support I've been getting with these. It has been a blast making them and I am so glad people are enjoying reading them. Donnie is up next, but I'll have to push it off two days instead of tomorrow because of a test.

[gaypplshallarise]

I'd like to think peaches are like their symbol of friendship

Remember their fight when Wukong was sealed under the mountain? It ended up with Macaque crushes that peach and leaving Wukong

And in ss4, Wukong offered this peach popsicle to Macaque, which officially means that Wukong is offering Macaque a second chance. And he accepted it. HOW DID I JUST NOTICE THAT

[swan2swan]

Don't worry, Brooklynn.

From now on, Darius is going to make sure you know where he is at all times. When you need him, he'll be there. All the time. No more missing Darius. If he says he's going to be there, he'll be there.

[firepollox]

Starkid should make a nightmare time episode called "good mourning" about Dan and Donna