#We can say that this is the au version - this is an alternative version of her fanfiction with the same plot beginning

[xxnomadsxx]

Okay, parallel dimension travel idea, NOMADS AU Brozone gets sucked into a portal which takes them to a world where Branch never left the Pop tribe (let’s say canon pre movie 1) How would they react to seeing an alternative version of their youngest brother?

At first, they are surprised,they still feel a little sad for his situation (being gray and all) But they are excited!!!! because one: Branch is clearly in a better living situation (less scars, hair is neat, less murder of predators, and not as paranoid and violent) but the biggest thing they are excited about is Thing is gone,

so that means they have no competition for  brother role and basically become branches number one again! They go to the thought of “OK we can fix him. Let’s get him out of here and become a family again.” The only thing that’s been stopping them from trying to steal Branch and help him get his color back (via family stuff) was the village, but since there aren’t in the picture and clearly pop villages isn’t exactly going to miss the guy who keeps ruining their parties. Nothing is stopping them from taking this version of Branch.

Sadly, they will be taken back home before they can even steal him, but to be fair Branch wouldn’t let them kidnap him (he would def fight them)

[saneijeijei]

Academy of Sword and Magiс

[1\?]

Penelope and Callisto's relationship begins six months before the young woman's debut. Eckhart is in love with the Crown Prince and believes that her feelings are mutual. They meet secretly, knowing that neither the duke nor the emperor will support their relationship due to political tension inside the capital. They do not show their feelings and what they know in public, for fear of being revealed.

But after Yvonne returns, everything changes. Callisto rejects Penelope and laughs if she talks about their relationship, saying that she allegedly made them up. Heartbroken Penelope barely remembers how the debut is going, how the terrible thing happens - the poisoning of Yvonne.

The whole family blames her for this, not wanting to listen to any excuses and evidence. Left completely alone under a house ban in her room, the young woman did not know what to do when an angry Callisto came to her, wanting to avenge his new lover.

Penelope, miraculously manages to survive this meeting and escape.

Thanks to the low-ranking magic she learned, after the events of the hunting competitions, she was able to leave the capital and go to the most remote part of the empire, where she wanted to settle down and start living again, hoping that the duchy, like the Crown Prince, would not search for her anymore. They enjoying happy life with the real daughter of the Eckhart family.

But she didn't know at all how she could make money here. The jewelry and the torn dress that she was wearing, she sold for good money on the first day. But money tended to run out, and it was a bad idea to think about work when they were completely gone. Climbing into her small travel bag, Penelope found a fragment of a Mirror.

"What a useless garbage," she snorted and wanted to throw it into the swamp, as the shard began to shine brightly in her hands, showing her and the fact that she put the shard of the mirror back in the bag and went somewhere. "What the hell?"

Thinking about it, she decided not to throw it away and watch. Maybe the thing wasn't as useless as she thought it was. In the evening of the same day, after a hearty snack and going into the room she rented in a tavern, she took out a fragment and tried to make it show at least something other than a reflection again. But nothing worked. Giving up, she muttered: "Maybe I was dreaming.."

The shard shone again. Penelope looked there and saw herself creating something out of boards and fabric. Finally, she understood how it worked and figured out how to make money.

"Wizards? You mean the charlatans?" the owner of the tavern was perplexed with the guest's question. "If you need useless freeloaders, then they live on the outskirts of the city, towards Aunt Dor's farm. One of them also has such a strange sign.. With a cat? Or something similar to it."

Thanking for the information, Penelope went to the local wizard. The middle-aged man was immensely pleased with her until he realized that she was rather not his client, but just a random passerby who was unlikely to give money.

"I need a room. For divination, I see the future of people and can help them find out the truth." Penelope explained.

"A fortune teller? I hardly believe it, but if you pay rent, I will be glad to consider you a fortune teller" the man happily rubbed his hands, hoping for a promising income in his pocket from another "charlatan".

What was his surprise when the number of customers in a small fortune-teller's room became more and more every month. At first, the young woman did not charge her clients who were residents of a small town. Satisfied and especially impressionable, they told their visit to Penelope to their neighbors, and those to other neighbors from the neighboring village, spreading the story further and further.

In addition to ordinary citizens, aristocrats began to visit it, although not of the upper class, but still. From earls to viscounts. Fearing that she might be recognized, Penelope decided to furnish the room with an entourage and wear a suit that hides her eyes and hair. In it, she looked like a mystical fortune teller whose gaze is hidden from the visitor.

The fee for services grew, Penelope paid the wizard money for rent and assistance in servicing clients. A simple room has turned into a real mystical corner with incense and magical objects, one view showing that a real member of the magical world works here.

But in addition to the man, a nanny settled in the house, who looked after little Judith, who required a lot of attention and time, which Penelope did not have because of constant work and a desire to feed and provide a comfortable future.

Until one day, a strange old man comes to her for a foresighted session, asking her to tell about him and his past. Of course, she had similar clients who, due to illness, forgot where they lived or something important that they needed to remember and she did not charge them, letting them go with a pure soul to their loved ones.

But this old man was definitely not that kind of person. His past was filled with horror and death. A shard of a mirror reflecting fragments of the past into a glass ball chilled the blood in her veins. The old man, with a certain weariness and sadness in his eyes, watched his past.

"Let the Mirror show what will happen when I leave the city," he asked. "How do you know--?.." asked Penelope, frightened. "I know a lot of things, child. And I know that very soon the knight's guard will arrive here and take you to the capital. Aren't you, as one of the last representatives of the ancient magicians, afraid to be on your knees again in court for something you didn't do?" "Wh-what?.." "Ask the Mirror to show you if you think I'm lying, child. My name is Uwe, I am an elder from a small town where ancient magicians and ordinary magicians who were expelled from their lands live. I've heard a lot about your abilities and I see that you can use a fragment of an ancient magical artifact - the Mirror of Truth. This is amazing and truly an innate talent that not everyone can possess. I've come to help you. There aren't many like you and me left, but there is a place where you and your daughter will be safe. I can offer my protection and help so that you can live in peace without hiding behind all this masquerade. But we don't have much time and we need to decide right now."

Penelope looked at the flashing Mirror of Truth and clenched her hands into a fist nodded to the man. She needed to escape anyway if the imperial knights were already heading here. There's no reason for her to stay in this city. And Judith, too.

Seven years later, the empire makes a truce with the ancient magicians after a fierce struggle against Leila. In order to consolidate the alliance, the emperor and the elders sign a trade agreement on the purchase and sale, as well as participation in the cutting of precious stones for magical weapons. The Empire also creates conditions for magicians so that they can receive education and not be infringed on their rights.

In order to strengthen the established relations, an academy is being built on the territory of the empire, where both people and wizards will study in the same building in order to create a new generation that will rely on each other. Duke Eckhart's (Derrick) adopted daughter, 7-year-old Nora, and other children from aristocratic families become one of the elementary school students. Nora was a reserved but very kind child who was bullied despite the authority of her family.

The girl was taken from a shelter sponsored by the Eckhart family. Nora, who had lost her parents and was left completely alone, appreciated the duchy for sheltering her and giving her the opportunity to get an education that her own father could not have dreamed of. She was a timid and kind girl who knew that if she rebuffed her abusers, she could be worse off because of it, and not them at all. She kept silent about it and endured, pretending that she was not upset at all by the words of her peers.

Fortunately, by the beginning of the year, her roommate did not come because of family problems, so the first months of study the whole room was in her harness and no one could tell classmates how she cried, remembering all the hurtful things that other children did to her.

On one of the everyday school days, the girls called her behind the building to talk about her being too smart during math lessons. But as soon as the main offender managed to open her mouth, dirty water poured on top of her, which was used to wash the floor in the classroom. Offended girls screamed promising to take revenge on prankster until she saw who did it.

"You shouted too loudly, it prevented me from calmly preparing for the lesson," said a golden-haired girl looking out of the window with a bucket in her hands. "Oh, I'm sorry, Judith!..We're leaving!" classmates immediately ran away with a bully, apparently not wanting to get involved with a stranger.

Nora wanted to thank the savior, but Judith quickly lost interest and went back to class closing the window without saying anything. Eckhart spent the rest of the day in peace and quiet. Tired of the amount of knowledge she had gained, Nora went into her room and realized with horror that the same girl was sitting on the next bed.

"Hi, I'm Judith and I'm your roommate."

[gertstarlight]

Yes exactly!!! But if we can't get an earned redemption, it would be cool if for an episode or two we got an alternate timeline/universe version of Henry who wasn't a dick and a horrible boyfriend. Like maybe he was raised by his mom instead so he's a hero and true member of the JSA. Seeing the reaction of our other characters to something like this would be interesting.

I don't see any version of him being on the show full time though since I feel like the writers made the choice to kill both Brainwaves because they were just too powerful to keep on the show.

ALTERNATE HENRY!!!!!!! i would love to see that especially cuz i keep saying that stargirl needs to do more time travel or timeline jumping!! so seeing a better and decent version of henry would be iconic and he could be in the jsa too

[railingsofsorrow]

Recharging. . .

[spencer reid x reader]

summary: spencer's best remedy is his little family.

pairing: s.reid x f!reader (+ eden reid!)

w.c: 3.8K

warnings/content: fluff; cuteness overload; children; spencer is a girl's dad; discussion of a case; mentions of death and traumatic events; this is basically a hurt/comfort blurb; mentions of pregnancy; mentions of marriage; crying.

A/N: is anybody in need of some fluff? this was supposed to be a short drabble.... enjoy this old WIP as I finish some of my requests.

loosely inspired by ocie elliott's take me home

want to read more works about this au?

→ day-off

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You stopped the low humming to the song as you eyed the rearview mirror to check on your kid. The familiar scratching against your seat warning you she was awake.

“Hey bub,” you take advantage of the red traffic light to dive your hand back and tickle her bare feet. She'd always kick off her shoes the first chance she got. Your favorite sound echoes through the car: her giggle. “You were just napping, where'd that energy come from?” you refer again to the tip of her feet bumping against your car seat. Another reminder that she was getting bigger every day.

Eden raised her arms, wriggling her little fingers like she did when she was excited for something. You were pretty sure she got that from Penelope, you always saw they do this whenever she came over to your place.

“We're visiting daddy!”

A laugh bubbles out of you. Eden left you amazed by her perception of things. Although the route from your apartment to the BAU wasn't that strange for her anymore, given that you and Spencer drove a lot to drop each other off with her in the car.

“Are we?” You turn on an avenue, humming. “I didn't notice.”

Eden looks at you through the rearview mirror, “but you're driving, mommy. You need the GPS. It's in your head.”

“Is it?” You're amused at your toddler's choice of words. “Okay. Yes, we're visiting daddy at work. We've come to pick him up because he's very tired from a case and it's not good to drive while you're tired, right?”

“Right!” She nods vehemently, craning her neck to check on the view through the window. “And he needs me to recharge his bats.”

You finish parking your car and a smile curls up the edges of your mouth. Eden can't say the word batteries so she shortened it to an easier version which is bats. You still have to teach her what the word actually means.

“That's right,” you say, taking off your seatbelt and opening the door. By the time you reach the backseat, Eden is grinning like the Cheshire cat. Her excitement never ceases to rub off on you, even though you enter this building most of the days in a week. “Hi, baby.” You cooed, welcoming your child in your arms after unbuckling her seatbelt. Her light brown curls that you have no idea who she got it from tickle the side of your face as she snuggles to your chest to stare at the tall FBI building.

“Shoes on. Coat on. All warmed up. Shall we go up?”

An eager Eden exclaims a loud YES and that's enough for you to start walking.

From “Spencer”:

[6:34 p.m] No need to pick me up, angel, I can drive. I am not that tired.

[6:35 p.m] Is Eden still at your mom's? I can pick her up on the way.

This is the mutual feeling you have on workdays. Not in a million years you'd understand how hard it was to be away from your daughter for more than one day. Until it happened.

It makes your heart break when you're not able to tuck her into bed or pick her up at school to see her excited little legs run towards you. In spite of the fact that Spencer and you manage well to alternate days at work so she always has one of you close by, it's difficult to not see her every day when a case takes either one of you out of the city.

You can only image how much he misses her after being away for four days.

You left the messages unanswered and click on another chat instead. Light of my life with a bunch of hearts is the one you're looking for. Penelope somehow stole your phone someday and changed her contact name to this; you never changed it back, just left as it was, it suits her anyway.

“Smile.” You request Eden as you lift your phone to take a selfie of the two of you. Her grin exposes her two missing front teeth. “Done.” You kiss her cheek and adjust her in your hold to type another text, waiting for the elevator to reach your desired floor.

To “Light of my life 💗❤️💕”

[6:38 p.m] incoming at five... four... three...

You hit send right as the elevator doors spread open.

Just as you step into the bullpen, it's as if a switch has flipped because your daughter promptly tucks her face into the croak of your neck, her cold nose making your shiver slightly. Her hands clinging onto your blouse.

Eden gets shy under watchful eyes, no matter how many times she visits the BAU.

Penelope is walking briskly out of her office, her hands wriggling into your direction as she catches sight of you and the bundle in your arms. Every eye in the bullpen turns to you because of the commotion.

You haven't seen your husband yet.

“There is pumpkin!” That's the reason that pulls Eden out of her shell. She practically throws herself out of your arms and into her favourite aunt's arms. “Oh, hello, hello, my beautiful niece, whom I have missed so much!”

Eden is giggling and you can't help but smile softly at the scene. Soon, your friends start approaching one by one. It doesn't take long for Eden to have at least two new toys in her hands. Emily and Derek are competing which one she likes best.

“She's so big.” JJ entwines her arm with yours.

You sigh, leaning closer to her, “Yes, she is.” You say, observing Eden play with Emily. “Henry as well! How is he by the way? We haven't had a playdate in so long.”

JJ nods, “He's great, my sweet boy.” Her eyes hold a fondness that you relate. “And that's true. We have to set up a date, catch up on things that aren't murders and blood.”

“Preach, Jayge.”

Your laughter dies down when the two people missing from the group appear. Your eyes met Spencer's and his whole body seems to relax as if it physically pained him to stand and seeing you just helped him take a breath of fresh air. Luke greeted you with a side hug and was immediately captured by Eden's endearing spell, as expected. Although, once Spencer entered her line of sight, no one else mattered.

Spencer let his satchel drop to the ground without a care so he could scoop Eden up as she jumped into his arms. His sullen demeanor converting into a cheerful one in a blink of an eye. This is what Eden means by “recharging”.

You watch the reunion with a growing smile, deciding to approach them a little later.

“Hi, sweetheart,” Spencer says while peppering kisses at her cheek, her little nose and her forehead. Eden could only reply with giggles as her whole face became red at the overwhelming love she's receiving. “Daddy missed you so much, did you know that?” And the crack in his voice goes unnoticed by her, but not by you, so you take advantage of everyone's distraction to step towards your little family.

Eden is giving her dad a butterfly kiss when you get to them. That's her way of saying I missed you to any of you when you come back home.

“Hey,” you squeeze his arm in a gentle touch, grabbing his attention. “Tough one?” your question is discreet, only meant for him. Eden is fortunately too busy with her new stuffed toy that Derek is showing her to notice anything else.

The dimmed spark in Spencer's eyes along with the red outline of his eyelids are everything you need to know. You don't need words — you never needed words to understand Spencer — but he provides you a meek yeah and swallows hard. The only thing that seems to be holding him back from crumbling down is the fact that he's holding his daughter.

In an attempt of comfort, you pull his free hand to yours, intertwining your fingers and giving it a tight squeeze. Just for him to know that you were there and it's okay now.

He repeats the action, the corner of his lips pulling slightly. His attention is quickly stolen back to Eden, who starts listing possible names to the new friends that uncle Derek and auntie Emily had gifted her.

They discuss the matter until you bid everyone goodbye, a playdate, a babysitting afternoon and a girls night out scheduled. Trying to take Eden from Spencer was foolish, he didn't want to let her go. No matter how tired he was. Better yet, she didn't want to let him go either.

“I think grapes would be a great name, E.” Spencer praises her daughter's naming skills as he buckled her up in the safety seat. “What about this one?” He grabs the green bunny and places it in front of his face, his voice in a high-pitched tone to imitate an animal's voice. “What will you name me after, miss Eden Reid? I am green and I like carrots!”

Eden's bright caramel eyes glint with joy and she pulls the bunny to her chest, holding it tightly. “I know what I'm going to call them.”

“You do?” You were starting to be curious as well.

“Mr. Greenie.”

“You're so clever.” Spencer and Eden shared accomplice smiles and you see everything of him in her at that single action. It was in the nose scrunch whenever she found something particularly funny, in the spark of mischief in her eyes and even the outline of her mouth which you never stopped noticing from the moment she was born. Eden carried a lot of mannerisms and features from you but those things? They definitely came from him.

He's not even halfway to the driver's side when you steal the keys that he had stolen from you when you were in the building. You've known each other for ten years, for three out of those ten you have been married and Spencer still thinks he can be slick with you.

“You're riding shotgun today, pretty boy.”

His eyes are filled with amusement as you walk by and give his butt a soft squeeze.

“Really?” He says, leaning on your window. You had already turned the engine on when you give him a serious look. “It's a long drive. You already drove all the way here.”

Giving him an eyeroll, you muse, “It's not that long, Spence. And you're tired. Just get in.”

Quantico wasn't far from your home, but ten minutes in the road was enough to send Eden to dreamland. You were certain she had fallen asleep when her humming to Angeleyes, that was playing on the car radio, stopped.

You suppose Spencer has fallen asleep as well, until you stole a glimpse at him during a red light to see he was just staring out the window. A far away gaze.

His mind was far. You could feel that. You two enjoy the silence but it's not like that. This is not the kind of silence you want to bask in after a tiring day of work. No, this is different. It comes with the type of things you face at work, the voices in your head that claim they know what's best.

You know that silence. You've drowned in it once.

A gentle breeze caused a few strands to slip out behind his ear. He was letting his hair grow longer again. You liked it, it suited him.

“Hey.”

Your knuckles grazed his cheek softly, tucking a piece of his hair behind his ear. Your hand lingered at the nape of his neck and he let out a sigh, leaning back in a way that you knew he needed that kind of touch.

Good thing your love language is physical touch.

“You want to talk to me about it?” A whisper.

Spencer refrained from a verbal answer, but he reached up for your hand, lifting it to his lips to place a prolonged kiss which translated to I'm glad to have you.

“Not now,” he said, caressing your palm. Definitely later then. Your communication can be non-verbal sometimes and that's one of the great parts of your relationship. You knew that some days words were hard, so the touch and the eyes fulfilled the void of a voice.

He gave it a delicate squeeze and that's when you realized the light had turned green, so your attention was back to driving.

At some point, you could feel a comforting weight at your right thigh. It was the familiar warmth of Spencer's hand, something that he liked to do whenever you drove. Good thing his love language is physical touch.

“I got her.” He practically leaped out of the vehicle once you parked, walking around the other side to get Eden.

Your asleep child didn't so much as flinch while being picked up. You caught her little arms embracing his neck as you locked the doors of your car, her shoes on your hand and Spencer's satchel on another. He tried to fight you on that but you just ignored him.

“Sleepy head,” you mouth to him as the elevator went up. Eden's big eyelashes fluttered lightly when you kissed the top of her head.

The corner of your husband's lips quirked up, “Just like her mother. Sleeps anywhere.” He said, not breaking eye contact, his eyes twinkling with amusement.

Rolling your eyes, you hummed, “Don't know what you're talking about.”

The apartment was quiet, an unusual occurrence at this time of the day. Normally, Eden would be rambling about her day when one of you arrived from work — I learnt about seagulls today and we made a drawing; grandma made cookies!; Teacher Susan read a story about a princess saving her kingdom, I want to be like her someday. Isn't it like what you do, mama? I want to be like you — a range of subjects mixed with her occasional endless energy of a child. Some nights, she wouldn't stop running around until she tired herself — and both of you — off.

Today was different. She was asleep before you even arrived home, it was way before 8 p.m and the apartment was quiet, no toys scattered around, no ink stain on the floor. She was into painting nowadays which is a rather messy hobby for a kid, but you'd indulge your daughter's wishes anytime. She is a kid, she should be messy.

“I love you, bub.” Your ears pick up Spencer's faint voice from the entrance of Eden's bedroom. You perched up at the wall, careful enough to make yourself unknown. Not wanting to disturb the little father-daughter moment. “I'll always be here.”

That was something that didn't need to be said out loud because Spencer showed that every day. He didn't spare love demonstrations regarding you or Eden, he never had. Although you know part of the reason beneath that promise. Some people haunt us forever, even when they are no longer present in our lives. His father still walks somewhere in the corner of his mind, no matter how many times you tell him that he is not him.

“Is the whole bathroom drenched or...?”

Spencer chuckled, seeking for your hand to pull you closer as you stride to your bedroom.

“It wouldn't be Eden if she didn't make an entire spectacle during bath time.” He said. “But I cleaned it up, so don't worry.”

“That's true.” You eye his soaked shirt attempting to contain a smile. “Guess you already took your shower?”

“You're so funny,” Spencer murmurs dryly.

“Yeah, well,” you shrug nonchalantly, slowly encircling your arms around his neck. “Wasn't that why you married me? Or was it for my good looks? Nah, it was definitely my terrific sense of humour, wasn't it?” A peck on his lips. “You can admit it. I won't be mad.”

“Ego the size of a lake, that one.” He mumbles, burying his face in the croak of your neck and practically locked you in his hold.

You started to message on his shoulders to ease whatever felt heavy in his chest. At least, until he let you in.

It wasn't until after you both showered separately to finally call it a day and laid down to rest that he broke his silence.

“A little girl died. We couldn't get to her in time.”

Oh, kids.

Now it all made sense.

A shiver went down your spine at the thought.

“Oh, Spencer...” if the tone of your voice translated anything, it was that you understood. His body was entangled to yours when you tried to diminish a bit of his pain by showing that you were there. “I'm sorry, sweetheart,” you said into his curls. The moist sensation in your pajamas top let you know he was crying, but you didn't give it a second thought. It was what he needed.

“I could only think of her and I—” he said shakily, suddenly leaning away to cover his face. “Any rational thinking went down the drain.” His croaked out, drying his tears in the harshest way possible. You pulled his hands away from his face, replacing it with your softer touch.

“Spencer.”

“I can't even— even grasp my head around—”

You cut him off, “good. Don't do that. Because it's not real. Spencer,” you cup his cheeks, forcing him to look at you so he could focus on something that wasn't the disruptives thoughts in his head. “Eden is here, in the room next to ours, safe and sound.” That seemed to calm him down lightly, but you could see the conflict in his gaze.

“I wasn't fast enough.”

“It was not your fault.”

“You weren't there.”

You sigh, “I don't need to physically be there to know that you, as well as the team, did your best to crack the case, Spencer. As you do in every other case we have.” The hardest part of this job was still the loss that you had to live with. The guilt. The shame that, despite doing your best, you wouldn't be able to save everyone. “As we always do.” Sometimes, you needed some convincing too.

“I know it's hard to believe what I'm saying,” you forehead was touching his and your eyes were shut. “but it's the truth. You have every reason to feel that way, it never gets easy to face what we face every day. But, Spencer. It was not your fault. You did what you could, please trust me on this, okay?” Please, don't blame yourself. You don't deserve it.

“Our little girl is right next door, sleeping with her favourite plushie. Safe. Because we make sure of that every single day.” You know it's not that simple, to not doubt the dangers that run in the world, probably in your street, but you can't live in fear and you don't want your daughter to live in fear either. “And I'm right here. we're not going anywhere.” You won't lose us.

“Yeah,” he croaks out, releasing a batted breath. “Yeah, I know.”

Slipping an arm around your middle to bring you closer was the indication you needed to understand that he was hearing your words. Your husband settled for accepting your warmth for the time being, you were playing with his curls, gently brushing them away from his face.

That's all he needed, really. You. The home and family you have build together. Nothing else.

“You know,” you say, thumb traveling across his jawline until it reached the tip of his nose. “People keep saying she has your nose and I think I'm starting to see it.”

His body shook with laughter, causing his eyes to crinkle slightly.

“Oh, really? You're starting to see it now?”

Your lips curled up at the edges, “Yes.” You lied, poking his ribs, earning a glare. Your smile only widened. “No. The nose is clearly yours.” He raised an eyebrow and shrugged.

Spencer leaned close enough so he could press his lips to yours.

“She has the outline of your mouth, though.” He tucked a strand behind your ear. “And your eyes.”

Soft padding against the floor pulled you out of your trance and you knew who was at the door before looking through the open space of the door that's been left ajar.

“Is that a ghost that I'm seeing, angel?”

You decided to enter Spencer's playful undertone.

“Mhm. Good question, I think that's definitely a squirrel or something. Look at the red and yellow paws.”

Eden's mismatched socks flashed your eyes in the dim light of your side table lamp. Her soft giggling made you smile instantly.

“What are you doing up, sweetheart?” She curled up to his bare chest as soon as he scooped her up to hold her on his hip. “Mhm?”

She grabbed both of his cheeks, forcing him to lean down so she could say something to him. You observed them with a curious gaze. “It's not a squirrel,” Eden whispered. Spencer's face broke out into a grin, “tell mama it's me.” Spencer nodded and dutifully did as asked.

“Oh!” You exclaimed, acting surprised. “It's you, bub? With these tiny socked feet, I almost didn't recognize.” Eden's shrieks as you pepper her whole face with kisses. “You want to sleep with mommy and daddy tonight?” It's your turn to whisper as if it's a secret, but it's loud enough for Spencer to hear it as well.

Eden nods shyly, resting her head on her dad's shoulder. Her feet wriggling lightly. Who could ever resist those sweet doe eyes?

The three of you then lay down in your bed, Eden engulfed between Spencer and you. Hopefully, she wouldn't kick and turn all night like she commonly did. She was sleeping through the entire night alone in her bedroom, though some nights — like today — she would sneak in to yours.

Just like you expected, the toddler fell into dreamland with your soft chatter about random things you did during the day and what you needed to do during the upcoming week. You cracked a smile at her slight parted lips and wild curls dispersed on your arm which her head was laid on.

“Thank you.”

Your attention drifts from a sleeping Eden to Spencer. His eyes carried their usual light again. They now glinted with a familiar pride rather than the heavy darkness it was drowning in earlier in the evening.

“What for?” Your whole demeanor softened at the way he was looking at you, heart swelling with love.

“This,” he says, eyes falling on Eden. “For this. Her. You.”

You blink, the sudden urge to cry is being hold back by a thread. You don't know how to react.

“You're the best thing that's ever happened to me.” And he's said that before. When you first confessed and he said he felt the same. In your wedding day. When Eden was born.

“And you are the best thing that's ever happened to me, Spencer.” You manage to whisper beneath the crack in your voice. He lifts his torso to kiss both of the single tears that slipped out of your eyelids, caressing your cheek lovingly. “I love you.”

“I love you too, angel.” His mouth stretches into a soft grin. “And I love the life we have built.”

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taglist: @lilyviolets

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A/N: will never forgive the show for not making this man a dad.

[cherryredstars]

hello cherry!!

I really love your work, and I was wondering if you could do a second part of Miguel being CEO (In the job description)

I'm very sorry if I don't express myself well, English is not my first language

Pairing: Miguel O’Hara x fem!reader

Warnings: 18+, Smut with Some Plot, Semi-Public Sex, Use of Vibrators, Penetrative Sex, Mirror Sex, Slight Slapping

Summary: Don’t accept gifts from your boss…or wear it. 

A/N: I made an alternate version of this (basically part 1.5), so let me know if you guys want me to post that one!

Word Count: 3K (Not Edited)

Reverse AU Part 1 Part 1.5

It was extremely unprofessional.

That’s what you thought when Miguel passed by your desk the morning after your little… moment in his office. He gave you a fleeting smirk as he placed a medium-sized black box right in front of you. A deep blush spread across your face, unable to meet his eyes while he stared at you for a few minutes before walking away and shutting the door to his office. An uneasy feeling filled your stomach as you watched the door before sliding your eyes over the box.

It was the type of box someone would get clothes in for Christmas, only pricer and better quality. A pretty silk ribbon held the lid and bottom together, in a matching matte black color. Carefully, you pulled at one of the ends, the bow easily unraveling. When you took the ribbon off, a deeper blush spread over your body as you saw the words engraved into the cardboard. 

Stamped on the box was the name of the popular lingerie store in the shopping district. It was a store you passed by daily on your way to and from work, and a store that was most definitely out of your price range even with the gracious salary you had. Your hands instantly slapped over the words, leaning over your desk to see if anyone was coming or if Miguel was making any move to leave his office. When the coast was clear, you hesitantly sat back down. 

You cleared your throat nervously, staring at the box before giving into your curiosity. As gently as possible, you lifted the lid of the box, face slightly hiding behind it to obscure your view. An exhale leaves you as maroon tissue paper covers whatever is inside. You take another deep breath before leaning forward and lifting one flap of the tissue paper. A surprised gasp leaves you, staring at the 3 pairs of lacy underwear in the box. 

Each panty is made from lacy material, making them slightly see-through. When you run your hands over them, they’re delicate to the touch and you can tell its high quality stuff. Each one is a different color. The first is a set of white panties to replace the ones from yesterday that Miguel claims to have no idea about. The second one, a deep navy blue that is fairly similar to the navy blue of Miguel’s favorite designer suits. And lastly, a blush color that rivals the one across your cheeks. 

You’re so caught up in just marveling at the contents of the package, that you don’t realize Miguel is standing in front of your desk until he starts speaking. “I take it you like them?”

You’re instantly jolted and clumsily try to cover up the panties and close the box. You’re sure if someone saw your face, it would be a damn near perfect color match to one of those pairs of panties. You shyly look up at Miguel clearing your throat and leaning back in your chair to create more distance between the two of you. “I’m afraid I have no idea what you’re talking about.”

A lazy smirk spreads against Miguel’s face before he shakes his head in amusement. “I was calling you into my office, but you didn’t seem to hear the buzzer.” He hums, eyes trained on the black box he gifted you. You can tell he’s tempted to say something by the way his mouth straightens and his brows furrow slightly, but he ends up not commenting on it and continues what he was saying before. “I was going to tell you that the charity fundraiser is this weekend, and we have to attend to meet the new potential merger.” 

His words make you want to grab the box on your desk and slam it against your head a few trillion times. It’s no secret that both you and Miguel hate the monthly fundraisers. Okay, that sounds bad. Both you and Miguel are happy that somewhere over a hundred grand gets donated to great charities, it’s just the whole business aspect of it you hate. Having to sit around with smiles that are so fake that they cause the muscles of your cheeks to ache, listening to some old CEO who is in dire need to retire spew on and on about very old fashioned beliefs, and the undercooked batches of pasta they serve at the venues are barely anything to gush about. 

Miguel can sense the discontent rolling off of you in waves, an apologetic sigh leaving his lips. “Do you need a dress or shoes? It’s the Unique charity this year, black-tie event as per usual.”

A heavy sigh leaves you and your finger traces the edge of the box. You mentally go through your closet, trying to remember if you have any appropriate dresses that you haven’t worn in previous years. You come up blank, an oncoming migraine forming at your temple. “I’ll figure something out.”

Miguel gives a displeased hum, knocking his fists against your desk. He leans away, fixing the sleeves of his button up and ruffling his hair. “No worries, I’ll have LYLA send you authorization for my business card and a few dress and shoes options.”

You’re about to protest, but the sound of his phone ringing interrupts you. Miguel rolls his eyes as he sees the contact, answering it and turning away as he grumbles out a greeting. He walks towards his office and turns to give you one last nod before entering. A deep sigh leaves you and you close your eyes as you lean back into your chair. You squint one eye open, eyeing the box before stuffing it in your bag with a huff.

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“Oh god, oh god, oh god!” 

You run around your small apartment, nothing but a towel covering your body. Your hair is the only thing done, going for an easy blow drying and curling. You groan when you see the pile of laundry in your room, rummaging in your panty drawer to find nothing but a few that are in desperate need to be thrown away due to their worn out state. You’re on the verge of crying when you see the black box thrown carelessly on top of your other drawer. 

You bite your lip, nerves swallowing your being. You weren’t ever planning to wear them, I mean they’re from your boss for god’s sake! But really, you have no choice. With an annoyed groan and exhale, you grab the box and grab the navy blue pair, the color matching the color of your dress. You hastily slip them on, rushing back and forth between your bathroom and your bedroom to do your makeup and get dressed. 

By the time you finish the struggle of zipping up your dress, your phone rings with Miguel’s number. You grab your phone and your purse, answering as you slip on your heels. Miguel’s gruff voice echos as you press the speaker option and unlock your door. He grumbles that the driver is outside your house and you hum in acknowledgement as you check your bag for everything you need as you shut the door behind you after locking it. You rush down the hall and into the elevator, tapping your foot impatiently as you wait to reach the ground floor. 

Once the doors slide open, you’re speed walking to the exit and instantly spotting the sleek black car right against the curb. Miguel stands by the car door, a loud ping ringing from his phone that causes his brows to furrow. He looks up at the sound of your heels, that furrowed look still on his face as he eyes you up and down. You copy his facial expression, asking him what’s wrong. He only looks back down at his phone, dismissing whatever it was and opening the car door for you.

‿︵‿︵‿︵‿︵‿︵‿‿︵‿︵‿︵‿︵‿︵‿‿︵‿︵‿︵‿︵‿︵‿‿︵

You have no idea how you got here. 

The second you and Miguel entered the venue, the both of you had down a flute of champagne and gone through the agonizingly long process of greeting every current and future business partner that was present. Everything was going fine, your fake smile was yet to ache and the desserts looked promising. That was until, of course, a sharp zap ran up your spine as you felt something vibrating against you. 

You had choked on your words, trying to play it off with an abrupt sip of alcohol and a strained laugh as you conversed with some of Miguel’s business partners while he dismissed himself for a quick run to the bar. It had been sudden, maybe a trick played on you by your own mind, until it started again. But this time, it was more intense. You had hurriedly excused yourself, making up some excuse before dashing towards the bathroom. 

You rushed through the door, sighing in relief when no one else was inside. You hurried to the counter of sinks, leaning your elbows on the surface as you bent over and hissed. The vibration, that was most definitely coming from your fucking panties, just seemed to be more intense as you shifted from leg to leg and clenched your thighs to relieve the feeling. A struggling whimper left you as you lifted your head to look into the mirror, jumping when you see Miguel leaned against a bathroom stall and staring at you. You must not have heard him enter through the foggy mess in your head. 

You instantly snap up, legs crossed as you turn around and clutch the edge of the counter tightly. You open your mouth, about to scold Miguel for being in the women’s bathroom, but another desperate whine leaves you as the vibration around your clit focuses on the perfect spot from your new stance. Miguel’s brow raises as his eyes ghost down your form, catching the way sweat begins to break on your hairline. A lazy smirk crosses his face when he pulls out his phone from his dress pants, tapping around it a few times before you slouch. 

A sense of relief fills you as the strong vibrating stops and your clit is given a break. A heavy sigh leaves you, head tilting down before the realization hits you. Your head instantly snaps up, your wide eyes meeting Miguel’s mischievous ones. Of course. What else would he do but give you fucking vibrating panties. Your eyes trail down to his phone, watching as he taps it with his thumb again and suddenly the vibration is back. Your body tenses up again, and you watch helplessly as Miguel walks over to you. 

He presses his hand into the front of your dress, directly over your panties. The pressure of his hand makes the vibration stronger, and a choked gasp leaves you. Miguel hums, feeling the strong vibrations through your dress, his eyes moving to your face. “I didn’t think you’d ever wear ‘em.”

That makes two of us, You think as your eyes squint into a glare, biting the inside of your cheek to prevent a noise threatening to spill out. Your hands come up to hold onto Miguel’s wrist, trying weakly to take his hand away. He only chuckles, pressing his hand harder against you before taking it away. Your hands fall from him, insead returning to grip on the counter when he turns you around quickly. A wave of deja vu hits you when he presses down on your lower back so your chest is fully pressed, his hands hurriedly gathering your dress so the surplus of fabric bunches around your waist. 

His hand skims the center of your underwear, two fingers pressing against your clothed clit. A moan leaves you as the vibrations grow stronger under his fingers, your hips squirming to get away. Miguel’s hand tightens around your waist, making it harder for you to move. He watches you from the mirror, enjoying the concentrated and tortured look on your face. 

“You know,” Miguel starts lazily, fingers starting to draw slow circles on your clit, “You never answered my question before.” A loud gasp leaves you and you hiss out his name after his hand comes to give your clit a firm slap. “Do you like my gift?”

A weak sound leaves you as you bite your lip. Your hips try to press into Miguel’s hand when he starts his slow circles again, crying out when he removes his hand completely. You hear the rustling of a belt buckle and pants, your gasp in sync with the hiss Miguel lets out when he presses the head of his cock into your panties. The vibrations play against his head, his hand holding his base as he rubs himself up and down the length of your panties. His eyes flutter shut, mouth dropping open in a silent moan as he enjoys the feel of your increasingly wet panties and the vibrating. 

His hand pushes your panties to the side, his cock falling forward to poke at your glistening entrance. Even though the vibrating panties aren’t directly over your clit, you can still feel them from their place right besides it. Your own eyes flutter shut, moaning at the feel before Miguel’s hand grasps your face from behind. His large hand squishes your cheeks together and your eyes flutter open to see his face right besides yours in the mirror. Both Miguel’s and your eyes meet in the mirror, his demanding while yours are hazy. 

His tip slightly slides into you and you groan. Miguel’s hold tightens on your face when he pulls out. “Answer the question, preciosa.”

A weak nod leaves you, a puff of air escaping your nose as you lean your hips back to grind slightly against Miguel’s cock. A strangled grunt leaves him and His eyes fall down to where you’re grinding before looking back at you. His breath is hot against your cheek, causing shivers down your spine. “Don’t look away. Just watch.”

Without warning, he slams into you. A loud scream leaves you, eyes threatening to roll back as you watch him. His eyes are dark and focused on where he thrusts brutally into you, your body sliding closer to the mirror before he pulls you back towards him. You make a weak attempt to talk, stuttering out something about the door before he grunts and replies it’s locked. It does little to conceal your worries. As if sensing it, Miguel’s hand slides up to your mouth to cover it, muffling the noises you’re letting out. 

The only sounds that can’t be muffled are the soft, wet sounds that come from his heavy balls hitting against your wet heat. You’re so wet that you’re coating him, a stickiness connecting his balls to your cunt as he thrusts. Your eyes roll back and a harsh slap is thrown against your cheek. Unfocused eyes meet Miguel’s angered ones, his thrusts turning harsher and more punishing as he looks at you disapprovingly.

“I told you to watch. Keep your eyes on the mirror or I'll stop.”

A sound of protest leaves you, mumbling out sorry repeatedly as you try to keep your eyes focused on the mirror. The view is shaking from the way your body jolts with each pump of his hips, but he doesn’t seem to care. If anything, it makes him go faster and try to see how shaky he can make your vision and your legs. His hand gives you one more smack to the cheek before covering your mouth again. 

Your legs feel like they’re about to give out and that hotness is forming at the bottom of your stomach. Miguel’s is fast approaching too, the sensation of your tight, warm walls sucking him in and the slight vibrations running through your walls from the vibrating panties. His hand leaves your hip, moving in between your legs and moving the shaking fabric back over your clit. The angle is awkward, trying to find it under layers of falling fabric from your dress while he’s hammering his cock into you. But eventually he gets it, and you instantly fall apart. 

Your scream is muffled by Migue’s hand, your body shaking as you clench tightly around him and gush all over his cock. Miguel lets out a curse, his thrusts stuttering and becoming clumsy. You call out his name weakly, and he’s gone. He stills with a deep groan, filling you up with his warmth. You both stand there for a moment, basking in the aftershocks of pleasure before you start suffering from overstimulation from the still vibrating underwear. 

You weakly cry out to Miguel, who hurriedly turns on his phone and kills the vibrating. A deep, grateful sigh leaves you as you slump forward. A small moan leaves you when Miguel pulls out, reaching up to the tissue paper dispensers to wipe you and him down. He rebuckles his pants, pulling your panties back in place and your dress down. You flinch when the drenched fabric meets you, half expecting for it to start vibrating again. Instead, another piece of paper tissue is dabbed against your face and neck as Miguel tries to rid your skin of sweat without fully removing your makeup. 

A grateful noise leaves you before you stand up when Miguel steps back. When you turn your head towards him, a soft kiss is pressed to your cheek. Miguel strokes the spot with his thumb, eyes trailing to yours before he looks away and moves towards the door. 

“Not going to steal my panties this time?” You can’t help but call out, hands still gripping the edge of the sinks tightly.

Miguel turns with a teasing smile and shrugs. “Nah, you can keep them this time. Just make sure to wear one of the other pairs to work on Monday.”

A deep flush flows across your face at his innuendo, watching as he unlocks the door and slips out. A deep sigh leaves you as you turn towards the mirror again, an annoyed noise leaving you as you spot imperfections in your makeup. You open your bag, working on small touch-ups as you think back to what occurred a few minutes ago. A small smile crosses your face and you shake your head before you head to follow Miguel back out for another hour of socializing.

Just benefits of the job.

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[harufluff]

things they would say

warnings - none

genre - fluff, comfort, dialogue, txt x gn!reader, established relationship au

reblogs and comments are highly appreciated.

bolded is reader. enha version

choi soobin

"can we just like...stay like this? just for a little bit i promise"

"i like your face. it's my favorite face"

"i love you" "more than odi...?" "...your tied for first"

"it feels like ages since i've seen you!" "we just hung out yesterday..." "that was too long ago"

"am i aloud to look at you for this long...?"

"gimme a kiss riiiiiiight...here" *points to cheek*

choi yeonjun

"i can do whatever i want. im your boyfriend"

"i couldn't stop missing you if i tried"

"hold my hand, ok?"

"do you expire?" "im not ramen" "oh my god if you were i would love you even more." *gets punched in the arm* "OW WHAT THE HECK. I WAS JOKING CMON"

"i hope you know your stuck with me forever."

choi beomgyu

"wake up. its time for the day" "no"

"whatever, whenever, whoever. ill always be here"

"can i braid your hair...?" "why" "cause its pretty"

"I'LL KISS IT TO MAKE YOU FEEL BETTER"

"i'm dying!! you're to cute!!!"

"is there anyway you would leave me for someone else...?" "thats a stupid question." "why?" "because there is no possible way that i would leave your side in any universe."

kang taehyun

"did anyone hurt you? ill kill them"

"why do you smell like coffee? did you have a long night?"

"your smile makes my whole world better." "where did you find that...?" "google"

"why does everyone think youre scary. your like a cute little bunny" "i am scary." alternative "PEOPLE THINK IM SCARY???"

"can you do that again?"

"you need to stop smiling." "why?" "because my heart is beating too fast. so choose, hospital or no smiling"

"love you, sweets"

huening kai

"I COULD JUST EAT YOU!! YOU'RE SO CUTE"

"everything you do is perfect. don't change"

"uhm...do you want to hug one of my plushies?"

"why can't we sleep forever?" "i mean...technically we can..."

"does anyone else make you this happy...?" "hmm...i dont think so?" "ok good. thats my job now"

"i don't know how well me cooking will end, but i'll do it if your too tired."

let me know for an enha version.

©Harufluff 2023 | Do not copy, repost or claim any of my works.

[froggoon]

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I’ll love you in every multiverse I Five Hargreeves x Reader

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Post Apocalypse Au! ( Yes Im writing another one ) WC: 1,791

Summary: The Umbrella’s can understand jumping through time and all its rules, yeah fuck with the timeline and it’ll fuck you right back. But what happens when a portal opens up in the middle of the academy and outfalls a girl who claims to be Five’s wife from a different universe.

Disclaimer: This takes place after season one if Viktor didn’t blow up the moon. ⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡

The Umbrella Academy had saved the world from its supposed end. The siblings had lounged around the academy slowly letting reality set that they had avoided their demise. It was the next morning when each of them woke up to check their surroundings, making sure that doomsday wasn’t there.

Five went downstairs for his morning coffee when he saw Allison scrolling for flights on her phone and Klaus checking where was the next place he could buy drugs.

“Leaving so soon?” He questioned.

Allison looked up at him although happy to see her brother, guilty because he was right.

“I have to go see my daughter. After everything that has happened I need her now just as much as she needs me.”

Five nodded his head, understanding where she was coming from, although a little irked she wasn’t wasting any time running away.

At this time a portal had opened above the living room. The rest of the siblings (Luther, Viktor, Diego) had rushed down to see what the loud noise was. It was like Deja Vu when Five came back. In the portal, they could see a fight happening. Figures that had looked like them in a place that looked like their home. A woman’s back came close to the portal, they could see she was in combat but stood observing. Another man who they couldn’t identify, had pushed the woman through the portal.

A girl who looked to be in her early twenties had fallen through. Her face was covered in soot, her hair black as night, and her eyes closed in pain. She was wearing a navy body suit that clung to her figure, and blood, not her own, stained the fabric.

The Hargreeves gathered around to observe this strange phenomenon trying to assess the danger of the situation. They were used to people going after them, so why would this time be different.

You coughed loudly before sitting up, and each sibling tensed with adrenaline. The girl looked around the room with blazing blue eyes before she landed on the youngest Hargreeves.

“Five?” you questioned.

Everyone turned to look at Five.

Luther spoke up first, “You know her?”

“I have never met her in my life.” Five retorted.

The girl dusted off her suit before standing. “Well if you never met me, you either will meet me or I’m dead in this universe.”

“The names y/n , y/n Hargreeves.”

“I don’t remember our father adopting anyone else,” Diego said. He raised his knives, carefully ready to strike at any move she would make.

“That’s because I wasn’t adopted into this family. Married actually.” And with this, she held up her left hand, a beautiful diamond ring shone in the light with a gold band beneath it. The diamond was embellished with 2 smaller emeralds on the side, perhaps representing her lover’s eyes.

“Married? To who.” Viktor questioned.

“To him.” She looked back at Five.

“Well not to him, an alternate version of him. We met a few years ago and got married, thus me joining his chaotic family.”

“So what are you saying you guys are married in a different timeline?” Klaus asked.

“No, not a different timeline, a different universe.” She sat down on the couch.

Your brain felt like it was rattling against your skull, and your body ached. You took a minute to think. Fuck, it was going to be difficult to get back to your Earth. And to make things better you had no idea where to start.

“Alright before you all start firing questions at me, someone get me a cup of coffee, black please.” You threw a jacket that hung over the couch on you to hide the state of your clothes. "Allow me," The alternate of your husband said. Five quickly blinked the two of you into the car and began to drive. "So you and I, are married in another multiverse."

"Correct." "You look to be about my age, how come I haven't met you yet here." Surerly he would remember someone as beautiful as you. "Well it's as I said, my version here could be dead or you might not have met her yet. That being said although 18 out of the 20 multiverses I have visited, we are together." "And the other two?" "In Earth 216, we are strangers, never have crossed paths, and never will. We simply live our lives with other people." Five's eyebrows furrowed. For some reason even if he didn't know Daisy, he didn't like the idea of you with someone else. "In Earth 894, we were madly in love but our egos destroyed us, and we were never the same since." Five could tell there was more to that story but didn't press any further. "So tell me about us, how did we end up together." "I was Diego's friend first, he and I met in the police force. Diego kinda took me under his wing as I was the youngest graduate out of the academy. Perks of having a high IQ. Anyway, he invited me over after your father's funeral. " "Long story short, you fell in love with my charms and I was the only one who could tolerate you. We got married not too long after. It was a small wedding but it's my most precious memory. Our families had gathered together at the church no too far away from here. You cried on our wedding day by the way." Inciting a side glare from Five.

"But...that's where we had some problems." "Do you remember when I fell out of that portal?" Five nodded his head remembering seeing a fight in the alternate dimension. "Well, apparently some of the 43 are not too happy about their powers, nor happy about living among the common people, they believed themselves superior and it became chaos." The two of you arrived at Griddys. Five walked over to the side of your door and opened it for you. "Thank you, darling." You said with a smile. Five's heart spiked at the nickname. He shook his head at the feeling, obviously, it's just what you were used to calling YOUR Five. The two of you sat at the counter and ordered your coffees and sweets. You signed before pulling out a small stack of photos from inside your suit. "This is us and your family." The photo was a picture of you and Five on your wedding day. Five had never looked so happy. Beside him was Luther who he assumed was his best man, next to him was Viktor, Diego, and a man who looked like you. You must have caught his staring, "That's my brother Damien." He nodded and looked beside you. You were wearing a long white dress with intricate lacing, the dress was strapless with a square neckline and had a small slit on the side. Your veil was flipped over your head and flowed down your back. Beside you was Allison as your maid of honor and two other women who he assumed were your friends. You weren't looking at the camera but at him. The next picture you gave him was a close-up of the two of you. You were the one taking the photo. His alternate self was older and had longer hair and facial hair, but he faced your side kissing your cheek affectionately. "This is my favorite photo of you." You handed him another photograph but this one didn't have you in it. This one was a picture of just Five and in his arms a little girl. She looked like you. Five gulped, a million questions ran through his head. Could this... could this have been his future if he didn't make that stupid jump? You said that not all multiverses are the same, you and him could never meet in this one. But that didn't stop his heart from hurting at the thought of missing out on a life of happiness because of his arrogance. "Before you jump to conclusions, she's not ours. She's my niece that we were babysitting. You just looked so sweet with her. You had always told me you wanted kids before but I wasn't ready." You had looked away sadly. In your home, Five always wanted to settle down and raise a family of his own, but you felt like you weren't ready. Now you regretted not because you weren't sure if you would ever be able to get back home. The two of you sat in silence drinking your coffee, both thinking about the what-ifs. "So...how did you end up here. I've been able to time travel but I've never thought about the possibility of multi-dimensional traveling." "As I said there was a fight between us, your family, and some of the 43. They called themselves the Ascendants. Believe to be the superior race." You took a deep breath before continuing. "The Ascendants had a man who could travel the multiverse with his own power, no special gear or machine need. We had planned to capture him but miscalculated. He was ready for us and he aimed to take out me, his biggest threat."

You took another breath before looking into Five's eyes. "I can warp reality. It is essentially in the name. I can manipulate reality itself, altering the fabric of existence according to my will." "But not without a cost," you continued. "Each time I control something, and the bigger it is, the more of my life force I use." Five sat in silence. This was a lot of information to take in. "So what now. How do I help you get back home." "I have...no clue. You were always the smarter one of the two of us." You sighed. It was going to take a lot of research and time to figure it out. "Well, I'm newly retired and have nothing on my plate so let's start at the library come on." He hopped off the stool and made his way to the door. "You coming?" He said turning to look at you. You smiled, he was a great man. Even if this Five wasn't your husband you loved him no matter what. You ran up looping your arm in his making your way out of Griddy's. ⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚

Author's note: I got tons of drafts just full of ideas I've had and never gone through with. I've been rewatching the MCU films and Spiderverse so that was kinda my inspiration for this one. If you like my work check out my other Five stories here! I also always appreciate comments and feedback! It definitely keeps me going. She's my Angel Pt1. Shes my Angel Pt2.

[raven-at-the-writing-desk]

The Current event makes me smile since it kind of confirms a headcanon I had that the Great Seven have animated movies based on them. Makes me wonder about the plot of the movies

Disney should get on the Twisted Wonderland AU Animated Remakes. What is Ursula was a good witch, what if Scar was right to take the throne and did he take it from Mufasa? (Or whoever is the stand in for him)

The Evil/Beautiful Queen...actually GOOD?

Yeah, it makes sense! Since the Great Seven are historical figures and the stuff of legends, surely there would be popular media made in their image. It’s like how the Disney fairy tales borrow from stories in the public domain or how there are historical retellings and reinventions (Hamilton, anyone?).

I believe TWST has mentioned films based on their own stories and history before too, but purely in the animated sense rather than live action. In book 3, Ace and one of the Atlantica Museum guards talk about an animated movie based on the tale of the mermaid princess and her prince; this movie is said to have come out ~30 years ago, which corresponds with Disney’s animated The Little Mermaid. Ace compliments the movie’s soundtrack too way to stroke your own ego, Disney/j.

Later on in Tapis Rouge, the characters discuss other films based on the Great Seven, including one Queen of Hearts movie. A Sea Witch movie is also mentioned; in it, she “goes gigantic” and also sings as she brews potions. The Octatrio quite enjoy this particular film.

(Side note: Another anon once suggested to me that people probably also write fanfics of Neige and Vil since they’re celebrities… Think like “My mom sold me to One Direction?!” Wattpad kinds of fics, but replace One Direction with Vil or something. You can read those post here!)

It’s… interesting this event specifically has Vil promoting a live action adaption of an in-universe animated film about the Beautiful Queen—an animated film which was the first full-color animated movie AND it originally released close to 90 years ago. They also reference the funding issues that Disney suffered while producing Snow White + inviting bank employees in to preview the movie to acquire more investments, stating that the studio that made the animated Beautiful Queen experienced the same. The in-game live action is even slated to come out “NEXT YEAR”. They’re not being subtle here with TWST’s references to their own version of the irl Disney Snow White (the live action is coming out in 2025, the OG is also almost 90 years old, etc.). I wonder if the EN server will actually get Tapis Rouge around the time of the irl release of Disney’s live action Snow White as part of a promotional campaign? 😂

UPDATE: There are even more not-so-subtle references to Disney animations in part 4 of the event, including discussion of cel animation, rotoscoping, adding blush to the characters, and how Disney brought in real animals/observed the “real thing” to help with animating similar scenes or subjects. They also cheekily say that most animation nowadays is CG 💀

I know some books under Disney publishing try to show alternate tellings or show the villains in a more sympathetic light, but I don’t know that they would ever commit to fully animating a film like that. It definitely would not happen in the style of traditional animation, Disney no longer seems well-equipped to handle that task 😔 I feel like it would also be pretty niche or might not get overwhelming positive reception with recent audience calls for “true bad guys” instead of twist or sympathetic villains (though I’m not sure what percentage of people watching Disney actually have this opinion).

I do wonder how those “AU” films would work though…? It wouldn’t be as simple as suddenly turning the G7 into “good guys”. The scenario and other characters would also have to drastically change. TWST doesn’t necessarily make the original “good guys” “bad” in a world where the villains are historical figures; we still hear plenty of positive or neutral stories about the achievements of the mermaid princess and other Disney heroes.

There are also times when the same story diverges into multiple separate stories that seemingly have no connection to one another. For example, there is a story where a princess marries a street rat (clearly referencing Aladdin) and they live happily ever after in spite of the difference in their social statuses. However, there simultaneously exists a story in which the Sorcerer of the Sands saves a princess from being deceived by a fake prince (also referencing Aladdin). The same goes for the mermaid princess (Ariel)—there is both a story referring to a “mermaid princess” who married a human prince and also a different story (clearly still pulled from the same film) about a mermaid who made a deal with the Sea Witch to find true love but broke her contract in the end.

Very cool idea, just not sure where it would lead or it it’s feasible or worth it monetarily for Disney.

[suzukiblu]

Day twenty-seven of fic NaNoWriMo, obligatory sugar daddy Tim/sugar baby Kon AU.

They walk to their first planned destination, Kon being unfairly adorable and also an asshole at the same time, because it’s Kon so of course he can multitask that kind of shit. Tim gets teased about his taste in kids’ toys and his date budget and his theoretical Smash skills, which he’s clearly going to need to educate the bastard on the hard way. Alternately, Tim also gets Hawaiian gummy candy shared with him, never mind that Kon apparently both really likes it and hasn’t had it in months. 

Tim continues to be in way too deep and finds it sweet of him, possibly because of the excited and pleased way Kon grins at him when he tells him likes the candy. 

Tim is definitely in way too deep. 

They get where they’re going, and Kon . . . pauses, and then tilts his head and raises an eyebrow at him. 

“Seriously?” he asks. 

“Trust me,” Tim says with admittedly unwarranted confidence as he squeezes his hand, then leads him into the modern art museum looming in front of them. Kon isn’t the type to really be that into museums, he knows, but they did “meet” in one and also this specific exhibit seemed, well . . . 

Promising, he guesses. 

“Sure, pretty boy,” Kon says with a laugh, squeezing his hand in return. Tim is idly mystified as to why Kon keeps calling him that, but in no way intends to dissuade him from it. If Kon wants to call him completely illogical things, that’s up to him.

He takes Kon to the ticket counter and buys them both a ticket. The clerk asks for their ID and Kon hesitates, because he’s obviously never had or needed an actual ID in his life, but Tim’s already pulling out the fake ones he made for “Alvin Draper” and “Connell Hill”. They won’t stand up to Bat-level scrutiny, obviously–he didn’t have the time or see the point in going that far–but they’ll get them into an adults-only museum night. He’ll do up something more reliable to buy the cul-de-sac with. He has a few identities that could buy property established, but Bruce knows all of those identities, so he’d rather avoid using any of them. Easier to just build a new cover ID from scratch than hide an active one setting up a new residence that isn’t an obvious safehouse, he figures. 

He pays the clerk, pockets his receipt, and they head down the hall together. The museum is one of the nicer ones in Gotham, and decorated a little bit more nicely than usual for the event, but not outright extravagantly. It’s due to be open a little later than usual too, though Tim doesn’t know how late Kon will want to stay. He can probably push back their dinner reservations if it comes to it, though he’s not expecting that to be necessary. 

“It’s an 18+ thing?” Kon asks as soon as they’re out of the clerk’s earshot, raising an eyebrow curiously. “The frick kind of museum is this?” 

“Not that kind,” Tim says, trying not to blush. “They just do adults-only events sometimes. It’s just so there won’t always be a bunch of bratty kids and annoying teenagers running around distracting the older museum-goers. And there's hors d'oeuvres and drinks.” 

“Babe, I don’t know about you, but you are aware I am technically both a bratty kid and an annoying teenager, right?” Kon asks him with a smirk. 

“That would be why I got you a fake ID too,” Tim says reasonably. 

“So we just snuck into a museum with fake IDs,” Kon says with a laugh. “I mean, I’ve done weirder, probably, but what the fuck, Tim? Where’d you even get that?” 

“It seemed like a good idea at the time,” Tim says only a little bit sheepishly, carefully avoiding the latter question. Also every other version of this kind of exhibit he found was way more kid-oriented and definitely not going to count as the kind of “nice” date to have convinced Kon to dress up for or actually look like Tim had put effort into any of the night. 

“What, did the goat idol end up here?” Kon asks in amusement. “We checking up on the little guy?” 

“No, he’s still living his best life in Metropolis under increased security, last I heard,” Tim says, though that’d be kind of funny, so depending on how long they’re seeing each other maybe he should keep that idea in mind. 

“You actually checked?” Kon asks with a laugh. 

. . . right, that’s not something a normal teenager would do, is it. Well–too late now, so Tim’s just gonna have to lean into it. 

“I was just wondering what they were going to do with it, after a whole gallery wall got blown in and everything,” he says. “Apparently the answer was ‘close for a weekend and then back to business’. Don’t ask me where they found contractors that fast.” 

“It’s Metropolis,” Kon says. “If you can’t find a contractor to fix superhero damage, you’re not trying.” 

“It wasn’t actually superhero damage,” Tim points out. “You didn’t break anything.” 

“A real fucking important vase, apparently,” Kon snorts, but he’s smiling a little as he shrugs. “Alright, fine, but ‘mediocre museum robber damage’ probably doesn’t sound as good on the insurance, now does it? And I look much prettier in the paper than a bunch of mug shots of idiots who didn’t even know how to work their cute lil’ magic goat buddy.” 

“Definitely, yeah,” Tim agrees wryly, steering him down a side hall towards the sounds of other people. Frankly he’s counting them lucky the goat didn’t try to start a magical apocalypse or something, given how their lives usually go. And also it was Metropolis, which sucks enough as it is. So like, of course the apocalypse would come from Metropolis, given the option and opportunity to. 

“I don't know much about art or whatever, you know,” Kon says a little bit awkwardly, peering down the hall towards the dimly-lit gallery ahead. “Like–that was not prioritized in the ‘how to be Superman’ educational package. Especially because it was written by committee by a bunch of people who I'm still pretty sure had never even met the guy. Like ever.” 

“You don't have to know anything about art to like it,” Tim says reasonably, resisting a vague urge to frown over the way Kon phrased that. Note to self, maybe. Just–for later, obviously. “But this isn't really that kind of exhibit.” 

“Isn't this an art museum?” Kon says with a puzzled frown. “What else is there?”

“It's a ‘multimedia experience primed to dazzle and delight all of the observer's senses’,” Tim recites wryly off the website copy he was reading earlier this week. “Also known as a sensory exhibit.” 

“A–what?” Kon wrinkles his nose in confusion.

[strangersteddierthings]

Steve, Gareth and Chrissy are cousins AU (sad edition) [prologue] [part 1] [part 2] [part 3] [part 4] [part 5] [Part 6] [Part 7] [Final Part]

"So," Dustin starts as he falls into step with Gareth, "you were pretty interested in Steve's whereabouts earlier. What's up with that?"

Gareth debates not answering at all. Just ignoring Dustin until he jogged to catch back up to Lucas and Max. That's rude, though, and he has no reason to be rude to Dustin. The thing he has to decide is how honest is he going be? "Just thought he'd be at Chrissy's funeral and he wasn't."

"I wasn't either, but you didn't shove me."

"Should I shove you now to make up for it?"

Dustin glares at him before it morphs into a frown and he mutters, more to himself than Gareth, "the storm comes, and now all friends should gather together, lest each singly be destroyed."

"What- are you quoting Lord of the Rings to me? That's-"

"What, no, I'm quoting it to myself. Were Steve and you friends once?"

This kid is way to observant. Truth it is. "Uh, yeah. But also, he's my cousin."

Dustin processes this, if the silence that follows is anything to go by. "Wait. Like your cousin but- on whose side?"

"If you're asking if Chrissy is -was- also his cousin, the answer's yes. My dad, Chrissy's dad, and Steve's mom are siblings," Gareth spells it out, and hears a gasp from ahead of them. Looking forward reveals the distance between their two little groups has vanished, as Lucas and Max are mere steps away and stopped. Eavesdropping, apparently. Max whips around to look at him with the first expression he's seen on her face since they met at Skull Rock. He's a little impressed that she can look pissed off and concerned at the same time.

"Are you telling the truth?" she demands.

"Why would I lie?" Gareth says. "Ask Steve after we rescue him if you don't believe me."

The kids exchange looks that he can't decipher. Max jams the headphones back onto her head and turns on her heel, marching onward. The three boys have no choice but to follow.

"You've been worried for Eddie and Steve, haven't you?" Lucas asks.

"Yeah," Gareth says truthfully. He's been on just this side of freaked the fuck out since yesterday, but learning his best friend and his cousin were in the alternate dimension has done nothing to calm that. He's going to strangle them both when he sees them again. For stressing him out this much.

Steve has never been happier to see Dustin than he is now, standing in the Upside Down version of the Munson trailer, looking down at him. Up at him? He doesn't want to think on that too much.

The kids haul Eddie's mattress from his room to below the gate and make a rope of sheets, and soon enough Eddie is volunteering to go first. Steve watches, almost afraid that this easy escape is almost too easy, but Eddie lands on his mattress, looking startled before a wide smile breaks across his face. Eddie should smile more. Happy is a good look on him.

Before Steve can really have to process that thought, Gareth is helping Eddie up and Robin is asking for Steve's assistance to go next.

He watches her land before turning to Nancy. "You're turn."

Nancy's got a look on her face Steve hasn't seen in a long time. It's mischievous, almost teasing. She hasn't looked at him like that since before Barb died. "Steve Harrington. Who would have thought?"

"What?" Steve asks, confused.

"Eddie says one nice thing to you and you can't take your eyes off him?" Nancy says, using the same fake tone of surprise and shock that Carol used to use when she was making fun of someone.

"I don't know what you're talking about but we gotta go. Come on," he gestures for her to step closer, but she just smiles, almost too wide.

"Don't think I didn't notice," Eddie shouts from above him. Steve whips his head back to look up. Eddie, Robin, Dustin, Lucas, Max, and Gareth are standing in a circle around the sheet rope, all looking up at him. "You kept looking down at my lips, like you couldn't believe the words I was saying."

"Sure. Or another, less platonic reason," Robin wiggles her eyebrows at him.

"Is this really the time for any sort of conversation?" Steve asks, incredulously. "The heckling can wait until we're back on the right side."

"Was all the shit about trying to warn me to stay away from Eddie so you could stare without consequences? Didn't want a witness to your crime?" Gareth's voice comes out cruel. "Is that why it was so easy to toss me and Chrissy aside? You thought if we weren't close enough, we wouldn't see the cracks in your foundation?"

"Steve. Steve!" Nancy's shouting grabs everyone's attention, and Gareth scrambles to look up at what is happening. Nancy has her hands on Steve's shoulders, shaking him as he just stands there.

"What's-" Gareth starts to ask but Robin cuts him off.

"Music! Eddie, do you have Tears for Fears!?"

Eddie looks insulted at being asked but that quickly gives way to fear. He takes off to his room, Robin and the kids quick on his heel but Gareth stays. He doesn't understand why they need music. Not that he could take his eyes off Steve anyway. "Is Steve- What is happening?"

Nancy looks down (up?) at him, and says, "It's Vecna's curse. Music can reach part of your mind that other things can't. It helps pull you back, away from Vecna."

"Steve is- like what happened with Chrissy?" Gareth asks, unable to keep the rising fear and panic from his voice.

It looks like it pains Nancy to say, "Yes."

Steve isn't in the trailer anymore. Instead, he's watching as four gates spread and tear Hawkins apart, devouring the town building by building, slowly creepy towards him but he can't seem to bring himself to move.

"Just one more gate, Steve Harrington."

Steve blinks and he's not looking at the destruction of Hawkins anymore. In front of him is a monster.

"I could have picked you. Instead of Chrissy. Instead of Maxine. But I think I have a better use of you."

"I'm not doing shit for you," Steve spits with more bravado than he actually feels.

The monster, who can only be Vecna, just twists his lip up in a disgusting grin before Steve finds himself rapidly closing in until Vecna is inches from his face. "You will tell Eleven that I am coming for her. You will live to deliver this message. In return, I will let you choose."

"Choose what?"

"I will take one more life for my gates. It can be Maxine, or another."

"Me. Leave Max alone!" Steve screams in his face, fights against the force holding him hostage. He wants so bad to swing his fist into Vecna's stupid face.

"No. No. I took one cousin from you, and now you've only one family member left to might care that you exist at all, Steve. I took Chrissy, and now, perhaps, I'll take the other cousin, too. Gareth."

"If you even try-"

"Maxine or Gareth. Which means more to you? Who would you sacrifice to save the other? I think I know. Or, if you cannot choose, I can take both."

Everyone watches as Steve drops like a stone to his knees, hands shooting out to stop his decent further. It takes a second for that to sink in. That he's not dead.

Gareth almost cries over it. All his anger at Steve, the resentment, fades into nothing but relief. It feels so stupid to hold a grudge suddenly. What does he gain from being mad at Steve? For something he originally asked for? He told Steve, and Chrissy, to pretend to not know him. He can't be mad that Steve did that, even after graduating. Gareth never took back his request! How was Steve to know he didn't care about that anymore?

And now that Steve could have- that Vecna tried to- it just seems stupid.

There's more fussing and fretting but eventually Nancy and Steve drop onto the mattress and everyone crowds Steve.

Gareth waits just a few minutes before he bully he's was in. He takes Dustin by the back of his shirt, like Eddie does all the time, and drags him bodily backwards. Dustin fights for all of four seconds, until he turns to see who's moving him, then he lets himself be moved. All the kids take a step back, give him room.

Steve meets his eye and he looks so haunted. So hurt. Steve opens his mouth but Gareth beats him to speaking.

"I'm sorry. God, I'm so sorry," he says, then launches himself at Steve. Steve catches him easily and hugs him back almost too tightly.

In a barely perceptible whisper, Steve says, "I'm sorry, too."

Later, much later, Steve sneaks out to get some fresh air. He doesn't go far from Max's home, just around the back into the dark, hidden from the street lamps.

He lets himself break down, for just a moment, where no one can see and keeps his sobs silent so no one will hear.

He's going to hate himself for the rest of his life. Because Vecna told him to choose, and God help him.

He had.

[madelynraemunson]

CALL OUT MY NAME ♛

(Book #2 of the Hellfire Gentlemen's Club Series)

CEO!bachelor!steve × fem!college grad!reader

MODERN AU • 18+ | BOOK #1 (e.m.)

slight age gap (Steve is 31, reader is 23); reader goes by the nickname "Sweets"

CW: slight age gap relationship, drinking, smoking, gambling, physical altercations, manipulation, abuse (DV, emotional, financial, mental), profanities, eventual smut

*loosely inspired by sara cate’s salacious players club*

Summary: 𝐋𝐎𝐕𝐄 𝐈𝐒 𝐀 𝐆𝐀𝐌𝐁𝐋𝐄. Steve Harrington has the WORST luck with the ladies. His high school sweetheart left him for another dude, his former fuck buddy is dating his roommate, and his dream girl is a lesbian. King Steve is losing hope. That is until he meets you — a newly graduated university student from Seattle — when your paths cross on a fateful night in Sin City. What happens in Vegas stays in Vegas... that is until your risky business trickles over to Hawkins, Indiana, a town your best friend knows of a little too well.

theme song: call out my name by the weeknd

tag list is open 💌✨

Chapter 001: PROLOGUE

word count: 1.7k words

♛

Winter 2024

“WATCH OUT INDIANAPOLIS — you're about to get... absolutely SOAKED!”

The booming voice of a man in Steve’s bedroom stirs him awake.

Letting out a ferocious yawn, The King rubs his eyes free of the annoying crust in the corner of his sockets, flopping around one more time before doing his routine stretch.

“Google,” Steve commands. “Turn off the TV.”

The TV immediately switches off. It’s nothing personal to meteorologist Marcus Bailey, but if Steve ever needed an accurate forecast of Indianapolis, all he would have to do is look outside his penthouse window. And that, after brushing his teeth, is just what he does.

"G'morning Indy,” he sighs happily on his balcony before going back inside.

Steve then makes his way over to the kitchen to fix himself some breakfast.

“Google,” he calls out again. “Open the curtains, please.”

Google replies:

“Opening curtains. Good morning — Steve.”

"Google, what's my schedule looking like today?" "Google, text Dustin." “Google, what is the weather looking like in Nevada?” “Google, turn on my shower tunes.”

The best thing about not living with Eddie Munson anymore, is that Steve can shamelessly sing Amy Winehouse in the shower without being hounded about it.

“We only saaaid GOODBYE, with WORDS!” Steve sings, confidently off-key. “I died a hundred times! You go back to her, and I goooo baaack toooo…”

"Scanning fingerprint...”

an automated voice announces at the entrance of Steve's walk-in closet.

Swish...

The door slides open. Sauntering his way inside, Steve ventures for some slick black athleisure down to the shoes, his usual musky cologne, and some matching sunglasses (despite the gloomy forecast prediction).

Black. 🎶

Steve Harrington is ready for the day.

---

"Google, make reservations for 3 people at Tony's Steakhouse at 7pm please."

All Steve had left to do for the day now was grocery shop. Which was always a hassle. Because sometimes, the store doesn't have the specific brand he's looking for so the shopper has to opt for an alternate version. Or sometimes, the shopper assigned to him that day chooses produce that is nearing its expiration date making every fruit in his bag a mushy mess. It doesn't happen too often, but it sure feels inconvenient as hell when it does. There are worse problems in life though, so Steve really can't complain.

*Ring, ring. Ring, ring*

The very distinct and custom ringtone has Steve bolting across the room to answer the call. One of his best friends was on the other line.

"Yello?" he says into the phone.

"Hey, it's Shy Girl," comes a voice. "Eddie and I are pulling in."

"Pull off to the side. Valet's got it. I'll send you guys up."

A bottle of cabernet sauvignon a la Steve awaits the pair when they make their way over. Consider it a Tony's pre-game.

"GameWorld stock is up 4% today,” Steve's buddy, and owner of Hellfire Gentlemen's Club Eddie Munson announces as the two clink glasses. "I don’t have much faith in it though, figure I’ll get my pie slices from actual grocery stores. Like Meijer.”

“Everyone's always gonna need groceries,” Steve points out. "Definitely. Just don't day trade. Not now."

"Ooh, you hear that, Eds?" Shy Girl nudges him. "You gotta be careful where you put your money."

"I gotta be careful with my money, period," Eddie smirks. "You're a danger to my pockets, angel."

"Oh but you love me," she says.

"Yeah," Eddie gives in, grabbing his lover's dainty digits, trailing his fingers across hers, and rubbing the glistening rock that took up most of her left hand on the distal side. "I sure do."

"I'm just... so proud of us," Steve sappily reflects. "So much has happened over the past two years and we've all come so far."

"Yeah," Shy Girl agrees. "And it's about fucking time we celebrate."

"I agree," Eddie chimes in, raising his glass once again. "This weekend trip is going to be... one for the books."

"Viva Las Vegas," Steve toasts. "Cheers."

"Viva Las Vegas!"

SEATTLE, WASHINGTON

Black and red.

They're the two colors that occupy your closet the most. But of course, after graduating from Washington State University (or Wazzu, for short), you expected nothing less.

You could do with some more sequins though, you think to yourself as you pack your bags.

"What do you think of this, Sweets?"

Peering over your shoulder, you see that your best friend, Elle has started festivities early, managing to hold two glasses of champagne in one hand, and six-inch stilletoes in the other.

"Can't take the party out of the girl, that's for damn sure," you respond.

When you left Seattle to attend WSU Pullman, Elle was your only friend in business class. Mainly because the class was predominantly for dudes, but eventually you found out that you two have a lot in common.

Elle is everything you would want in an older sister figure: she is both book smart and wise, she is sexy, and she eats men for breakfast. And, now that she's about to celebrate the launching of her lingerie business (along with her Dirty 30s Era), and you're about to enter your new-grad era, you two are hitting up Las Vegas to go ham together one last time.

It's all so bittersweet. You owe everything to the Warrens, having taken you in when you were a lost undergrad. It also sucked quite a bit not having a support system after graduating high school. You and Elle were all each other has. Which makes this inevitable separation so much more painful.

"Are you sure you're okay with Vegas by the way?" you question. "I know since the split, being surrounded by gorgeous girls 24/7 can kinda be triggering.”

"Don't worry about it, love," she shakes it off. "The past is in the past. This is a new era of me."

Cheers to that. Clinking your airport-pregame champagne glasses with one another, you raise a toast to yourselves, celebrating how far the two of you have come over the past four years.

"To friendship."

"To friendship."

"To being elegant and educated."

"To elegance and education."

"And to being girl-bosses for the rest of our lives."

You giggle as you raise your glass of champagne even higher.

"To being girl-bosses for the rest of our lives," you two take a sip at the same time. "And no matter how near and no matter how far, we're always gonna be besties."

"I love you, Sweets."

"I love you too, Isabelle."

divider from @plum98

🏷️ taglist: @potatobeanpie @xblueriddlex @angietherose @winchester-angel @aactuaaltraash @hugdealer @hazydespair @frostandflamesfanfic @mediocredreams @bl0ssomanddie @corkadymu @eddiesguitarskills @mrsjellymunson @cadence73 @m-chmcl-rmnc @n-slayaaaaa @corrodedcoffincumslut okay i think i tagged everybody

[dana-chan-the-control-brain]

An alternate dream take of what Eclipse could have done with the Star

I had a pretty weird dream that was spawned on by a bout of "not-feeling-well" (no fever, just general sinus headache and fatigue)

But this dream gave a pretty alternate scenario and what I think they should have done when Eclipse had the star in tsams.

Eclipse basically gained the star, and took over. He wiped Lunar's, Sun and Moon's memories, and kept them as a pets/slaves, along with Solar.

However, Solar never had their memory wiped. My brain didn't give me a reason for this. But as far as I can figure, the most Eclipse reason is that "You're an Eclipse, you remind me so much of myself." Again, it's another case of companionship, and a case of that SOMEONE needs to Acknowledge what Eclipse is doing and look how bad he's being. And who can better understand him then himself? (well, a version of himself)

Solar meanwhile is playing the long game, and is loyal to Eclipse for now...

But Solar slowly was trying to awaken Lunar's memories, make him realize all the abuse and pain he's put him and his "brothers" through. But Lunar's memories never awaken. But Lunar ends up fighting against Eclipse anyway, cause Eclipse was mean, and the alternate scenario Solar was preposing sounded better. So he'll fight for that. Also Solar played with and engaged with Lunar in a way Eclipse never did. So he liked that one better. (like my dream has this image of Lunar and Solar laughing and throwing a goose around while Eclipse is just pissy and annoyed with those two but not doing anything cus they're still loyal to him techinically)

Also, in this preposed dream scenario:

Moon not having memories actually works to his benefit here. Cause he can just rewrite them if this is all he knows. Who's to say "the sun and moon show" is nothing but lies and propaganda? Especially if Eclipse got to Moon before he had a chance to watch that Show first.

Moon thus being the hardest to convince, the most loyal to Eclipse and the major threat once Solar and Lunar start opposing.

Sun found out the truth awhile ago cus Eclipse's power on the star is loosening. As Eclipse weakening from the Star power he's using is still a thing. But Sun's scared to go against Eclipse and doesn't want to lose what little of his brother he feels he has, and is convinced wiping Moons memories was part of Eclipses plan since Sun in this au wouldn't have gotten the message that OG Moon left before Eclipse starts fucking shit up. (Moon losing his memories was still a result of KC wanting to be his own person, and KC is trying to build his own body with the help of the AI with no one knowing he's around. Because he wants to stop his son and get things under control)

I actually think if the show dynamic changed like this for a month, it would have been a fresh take, especially since in multiple realities, we see that Eclipse likes to keep Sun or Moon (sometimes both) as pets or servants. Even Evil Lunar does a similar thing with his Eclipse.

So yeah. Thanks sick-haze brain for brining me this.

@ayyy-imma-ninja @twinanimatronics

[1dcommunityficrecs]

Time Travel Rec List!

No fooling, today we have 9 time travel fics for your reading pleasure! Three are short and sweet, under 10k words; three are moderate at around 50k, and three are behemoths of over 100k! We also have a rarepair in the form of a Ziam canon-divergence time-travel fix-it fic.

Please enjoy, leave comments and kudos, and get ready for the next theme (as soon as I can decide what it is...)

The Second Hands Unwinds by kingsofeverything (51573, Explicit, Harry Styles/Louis Tomlinson) - fic post

Louis Tomlinson is one of the first members of NASA's top secret Chrono Exploration Program. When things go wrong and he's sent further back in time than planned, he has no other option than to show up on his ex-boyfriend's doorstep.

Reccer says: I think everyone knows this fic, NASA au, but how can we not recommend it? The plot is great, it's emotional, it's really good. Sp, so beatuiful, so immersive, the characters are written perfectly and it absolutely made me cry.

De amore ex tempore by Persephoneflouwers (101471, Mature, Harry Styles/Louis Tomlinson) - fic post

Or: the Middle Ages AU where Harry is a philosopher, whose thoughts happen five centuries too soon and Louis is a painter, whose art happens five centuries too late. Or: the Time Travel AU where alternate versions of themselves live simultaneously in different realities and their paths collide every time, until somehow, they converge into one.

Reccer says: Much of the story takes place during the Florentine Renaissance, at the end of the Middle Ages, and it's beautiful and well-written. I was at the Louvre a while back and while looking at the Caravaggio and Trevento paintings, images of De Amore Ex Tempore came to mind. Beyond that, I also really liked the story, the meeting of this Louis from the future with a Harry from the Middle Ages. It just goes to show that, whatever the era, they're bound to find each other!

There’s Such a Lot of World to See by Crinkle-Eyed-Boo (125000, Explicit, Harry Styles/Louis Tomlinson) - fic post Warnings: Harry dies twice, but it all works out and has a happy ending!

Doctor Who AU with Louis as The Doctor and Harry as the Companion, inspired by the Impossible Girl story from series 7.

Reccer says: It has everything you need! Thrills, angst, romance, smut, and time travel!

billow and breeze (islands and seas) by Pleasinglouis (102506, Explicit, Harry Styles/Louis Tomlinson) - fic post Warnings: Graphic depictions of violence

Two words sum it up: Outlander AU.

Reccer says: And here again, two words are enough to recommend: Outlander AU...

Old Photographs & Times I'll Remember by Jaerie (53918, Explicit, Harry Styles/Louis Tomlinson) - fic post

A camera, a suitcase, and a relationship forged through time.

Reccer says: It's beautifully written and poignant.

i know i've grown (but i can't wait to go home) by LiveLaughLoveLarry (7230, Teen, Harry Styles/Louis Tomlinson) - fic post Warnings: Violence, murder, injury (not graphic)

Louis falls down a hill and into the past. A historical castle is suddenly full of life, including a hot prince -- and his evil twin.

Reccer says: I really enjoy the use of language and speech patterns between the modern Louis and the historical Harry!

Timeless by babyhoneyhslt (3867, General, Harry Styles/Louis Tomlinson) - fic post

Based on "Timeless" by Taylor Swift. Harry wanders into an antique shop and finds himself pulled back in time, through a series of lifetimes. And in every one -- there's Louis.

Reccer says: I'm always a sucker for the idea that in every timeline and every universe these two would find each other -- and getting to have that multiple times in one story just cements that.

saw some things on the other side by we_are_the_same (61352, Mature, Harry Styles/Louis Tomlinson) - fic post Warnings: Implied/Referenced Domestic Violence

When Louis moves into the mansion he’s inherited from his great grandfather, he has a plan that consists of three things. One, he’s going to finish writing the next novel in his series. Two, he’s finally going to get over his ex-fiancé. And three, while battling writer’s block and having to resist the urge to kill off the main character in his books – the hot detective based on his ex-fiancé – he’s going to restore the mansion to its former glory. Unfortunately, Louis’ plan doesn’t take into account the fact that instead of writing murder mysteries, he will find himself in one.

Reccer says: I love the way the writer manages the time/dimension travel trope!

(I pray to God I didn’t waste) all my good years by we_are_the_same (6864, General, Zayn Malik/Liam Payne) - fic post Warnings: Does "post-march 25th" count as a warning?

Liam goes to sleep in a world where Zayn has just left One Direction. He wakes up somewhere quite different.

Reccer says: The angst of it all!!

[simpletale-officiale]

farm sans!!

YIPEE!

farmer sans, he farm. hoohah! he likes to pretend to be a scarecrow, but he works with corn and cattle too, hoorah! his au is right next to the bar, so he likes to go there to drink, him and horror like to drink a lot! yay! farms personality is more laid back then the others, not reacting as cartoonishly to everything, likes eating and doing farm stuff, likes brewing his own beer and cooking some good ol meat on the stove, pretty much like your ol' uncle or grandpa out on the farm. says pardner and pardon a lot i got bored so, some miscellaneous outcodes and AU's are in the BAR SECTION

this is for general combo au asks as well as miscellaneous outcodes and aus combo asks? whats combo asks? for example, while you can ask the characters specifically associated with two seperate aus, like fell and swap, they answer the question, together! at the bar. but moving onto the characters specifically only askable in the bar starting with the focus of the drawing above, geno and paperjam! geno geno came from a AU where his brother tragically passed away, he wore his scarf in papyrus honor and became a sort of hitchhiker, one day he got beat up pretty bad when he found a grey, glitchy... block? he tried to lift it up and well suddenly he was in a dark glitchy space, bits and piece of his friends floating above him in pixel form he spent his time there for many, many years, eventually he sent out a signal through a similar glitchy block in an attempt to try to communicate with someone, this failed, but eventually he succeeded at escaping. alone in the multiverse, sans stumbled upon the bar, and decided to live there, never alone again! hes a little depressed, but less in the waa waa way and more in the soft kind of tired way. like for example he doesnt give a "hi!!" but a "hi......" paperjam pastel and error got a bit to.... errr, frisky lets say (no error doesnt have a penis nor nipples, but pastel does have the female parts, she can reproduce both sexually and asexually, the latter she can achieve through arousing means, but not necessarily inserting privates into eachother means. which gets her to be errrrr, pregrante) eventually she gives birth in a brutal manner, imagine the movie alien but instead of simple blood and whatnot your stomach slowly bulges until it explodes dropping a baby out. ink survived, but error had no interest in kids, ink didint really care, shes a hulking beast her instinct is to take care of the kid for a few months then leave it out in the wild to live but because paperjam is an interspecies baby hes a hybrid of error and inks anatomy so. he grows faster then a normal monster, but still has a moment as a child so, hes not ready for the big world yet, but ink didint know that, so she just dropped him off somewhere and left, paperjam grew up to be a sad child wishing for validation from his parents by any means, learned french to try to impress his mom. used to be a scam artist to try to impress his dads crime fascination, he only semi-succeeded with ink. sad, ambitious artist

404 and king sans

bio: 404 was born omnipotent, automatically more powerful then all the other simpletons. he would become aware of how through an alternative reality known as the prescratch timeline where that version of him speaks of what he was destined for. nobody believes him however and that bitch error keeps harassing me about talking shit well you werent talking at all when you were sucking me off you fucking whore i thought we would have a fucking future togheter but you just a fucking slut fuck you never talk to me again bitch likes: chaos, delinquency, anarchy, NOT following the rules, 100 gecs (the one with the stupid horse), being powerful, super transformations, hyperpop, chains, gold, copypastas, big hot strong men that could absolutely penetrate me hard, 100 gecks (literally, i have 100 of them as pets and its awesome!!!), flexing, being totally dripped out, colors associated with errors, busting it down (gay kind not cool kind) dislinks: order, rules, politics, leaders, having to follow instructions, horror sans from the evil guys fuck you you stole my place on that group which im not that upset about anymore after realising they all suck anyways but i still hate you because you refuse to actually fight and keeps saying random quips everytime youre on screen like actually shut the fuck up, gex, women because im severely femalephobic and extremely homosexual so they terrify me, error (cheater and liar dont ever trust him with anything), ink who stole my man with her fuckin cursed woman parts and apparently in the prescratch timeline everyone calls her mommy????? im bouta yiik out man yeesh omnipotent brat with a big ego king sans a sans who believes himself to be the king of the multiverse, goes around ranting about how hes the greatest and how everyone has to BOW before him, most of the time just gets called slurs and has beer bottles thrown at him wears a comically large crown made of cardboard, plastic, and 5% metal. speaks like an old englishman

paper crane a bunch of sanses got ripped to shreds like paper! oh no! and then they got glued together again, hoorah! but the pieces were all mixed up so they just glued it into one single entity hoo...rah? cheerful, a little... soulless. means good, wants a soul, wants to feel alive again.

horror part of errors gang, but since errors gang hasnt been unlocked yet hes gonna be in this category for now. coming from an au where the core has a malfunction and undyne and alphys asked him to fix it, sans the mechanic errr kind of just slacked off, ate a sandwich took a nap wasnt really paying attention to the subject. eventually after 5 months of sans doing nothing alphys and undyne snap and hit sans in the head with a metal pipe, smashing his skull and sending him flying into the waterfall-snowdin river, after washing up ashore in snowdin, he kind of just forgot his whole interaction with undyne and alphys, and even if he did, he probably doesnt care, same personality as simpletale, but hes slightly more brain damaged so hes a bit more clumsy and endearing. seems menacing at first but hes harmless, beloved by everyone. loves getting wasted at the bar with farmer

[shinakazami1]

TSP FERNATOR THEORY – THE ROLE OF NATURE IN THE STANLEY PARABLE

Oh gosh, I took this so seriously but hope someone will enjoy my rambling ;w; Just will say it here - this essay is game interpretation, it doesn't talk about Fernator AU (only mentions it).

Contents

0. What is Fernator AU?

 “Stanley, this fern will be very important later in the story.” (Confusion, Bucket Destroyer & Figleys Endings – Fern)

“It's all out of my control now.” (Skip Button)

“Yes, I have something very exciting to show you!“ (TSP 2 Expo)

“And Stanley was happy.” (Outdoors - Freedom Ending and Memory Zone)

“The office could use a bit of decoration.” (Other plants in-game, Games Ending, Epilogue) 

Conclusions

(Click 'Read More')

0. WHAT IS FERNATOR AU

Fernator AKA Fernnarrator AKA Fernie is my TSP AU where the Narrator takes the form of the Fern and gets moved into the Bucket.

His form can change into any plant, either through a conscious decision or subconsciously, based on his emotions. While some of his flowers blooming can fit the conventional flower language, he creates his own based on his own bias for the plants.

The AU isn’t purely cosmetic – depending on his and Stanley’s relationship before the discovery of Narrator being the Fern, it splits into 3 main pathways. 

Each one of them has different ending alternatives and on top of that, the AU has a linear story.

This post will NOT be focusing on Fernator AU - instead, it will talk about the plants of the Parable and my theories about their meaning. These do influence Fernator AU as a whole but I will leave AU talk for another time if anyone would be interested. 

Instead, let’s talk about the two main inspirations for the AU: Fern and The Skip Button.

1. “STANLEY, THIS FERN WILL BE VERY IMPORTANT LATER IN THE STORY.” (Confusion, Bucket Destroyer & Figleys Endings – Fern)

This Fern is one of the few plants in the game and the only one mentioned in dialogue. 

Its placement in the Confusion Ending is a set-up for a joke: something gets mentioned, said to have a big importance and then gets forgotten. Maybe that was its whole purpose - a gag about misplaced foreshadowing or there is more to it.

A reverse situation is the Broom Closet – it can represent the “show, not tell” rule in storytelling where an object isn’t mentioned through text but more through actions. Narrator is displeased with that and on the third reset in a row after interacting with it, the Closet gets temporarily boarded. 

That changes in the Bucket version– you can come in it as many times as you want and Narrator doesn’t get mad at Stanley (which overall is a theme in post-Skip).

So, these two are a perfect contrast:

Narrator doesn’t even mention the Broom Closet at first. However, it ends up getting new unique lines and gives long-term effects on the story (boarding the door).

The Fern gets mentioned in the story but doesn’t show up later in the ending.

However, the plant does appear in the alternative of Confusion – the Bucket Destroyer Ending.

 “We're the ones that matter Stanley! Classic characters from the first game.”

Each of the objects in this picture symbolises a person in Stanley’s life:

the Broom Closet = Player, since in the original version, if you stay longer, Narrator talks about them;

the pencil sharpener= 432 – in lore, madness through never being given a pencil to sharpen;

Stanley’s computer= Boss, due to the orders;

Wife mannequin;

Baby cut-out (might also represent Stanley’s kids);

Adventure Line ™ – it isn’t a person but is said to be conscious;

and the Fern.

(EDIT: Beau in Stanarr server also said that the mugs on the table could symbolise the Employees while the Baby could be The Essence of Divine Art. That could potentially mean that Adventure Line™ could also symbolise curiosity - just like, while TEDA seems to be a conscious being, might just be human creativity. )

We already have the Line ™ from the Confusion Ending. Other objects could have been used for this scene but somehow, it is the Fern that ends up being showcased. It could be just due to it belonging to this pathway but it could be also something else.

“You see, your friends and I are concerned for you, Stanley.”

He could be meaning himself just as the voice – after all, the separation between him and his friends is not that uncommon. He does use the word ‘friend’ positively only in the UD version of the game. He calls Stanley his friend only once and then, proceeds to call the Bucket and Stanley friends a few times, making it obvious the man projects on that object.

Here though, Narrator is against the Bucket - so, why couldn’t he start to project on something else? That way, he could visually show the group of friends with himself. 

So you know,,, Fernator real,,, maybe,,,,,,,

(Big thanks to Chris from Crowsx3 Discord for reminding me about this next part)

I was also reminded that Fern makes one more appearance - in the Figley Ending, Confusion Ending room.

You get to this room after a Red-Blue door choice that doesn't matter at all, leading to an open door. It perfectly blends so many parts of the game together - the choice between two pathways, the illusion of the choice and also brings something new - backtracking. In most of the game, we are unable to do so - the doors close behind us and that's it. But, just like in Confusion - Narrator wants to backtrack, to change the pathway, for one last adventure with Stanley.

Maybe that was the importance of the Fern. For it to show up when Narrator wants to do something fresh, something new, WITH Stanley.

"Oh, I want more memories, Stanley! I want to keep going!"

In the end, he wants to retire and move on. If he does and only leaves his recording, if he stays with everything TK has done - that's up to a debate for another time.

But one thing is known - we all remember the Fern, even if it doesn't heavily impact the story. Unless you know - Narrator took the form of it and then-

Ok ok, but this was the nice task – now let’s talk about The Skip Button.

2. “IT'S ALL OUT OF MY CONTROL NOW.” (Skip Button)

I will talk about the Memory Zone later – here, I want to focus solely on the Skip Button room.

The Skip Button plant is the only thing in the Parable that shows actual ageing. Sure, there are some other symbols of time passage - i.e. clocks, and scratches on objects but nothing else shows decay besides this one single plant.

Changes happen in Skips #5 and #6. 

In Skip #5, Narrator says it’s been a week or two. I know that people have done the math on how much time passed through each skip takes but we will base it only on the plant alone. While a week is too short for a plant like that to show signs of severe dehydration, 2 weeks is more plausible.

In Skip #6 - when he says he had stopped counting once it was over a year - the plant is dead.

Death is overall a bit of a theme in the Parable – the Countdown, Museum, Apartment and Zending especially have a lot of lines about Stanley’s death, which should cause permanent effects. Instead, the game just resets, not making any deal about it. This plant, however, does not return to its original form.

In Skip #13, concrete falls on it, leaving the plant trapped for the rest of this pathway.

I think the room overall (together with the plants and the clock) symbolises Narrator’s psyche. 

The first few Skips are alright for him - sure, the time in-between seems to grow but he still thinks it is a good idea. He starts to panic and begs Stanley not to press the button in Skip #4 and in Skip #5, both the plant changes and the lights dim down. This is when he has been left for those two weeks all for himself and just sounds so tired - and with each skip, another part of his psyche breaks.

The clock stops working and falls around #8 and #9. It’s still long since in #6, Narrator where he says he lost count but he might have just exaggerated it, only losing it in these runs.

After such a long period in solitude, any mind would start to decay - the plant, the pipes letting the water escape through them, the fire alarm going off (since batteries are low), the walls getting destroyed with time… Together with how silent Narrator gets at times, I genuinely believe this whole section is us being in his brain.

But then in Skip #15, (after the sunlight in #14) this happens: 

These skips are special because they are a glimpse of hope. Sunbeams, birds chirping, new life in the form of plants showing up – just for it all to disappear next Skip.

While the last time we hear Narrator talk is in #11 (The end is never), this feels like he is trying to talk to Stanley indirectly. The destruction of the ceiling feels like an attempt to break Stanley free, which, unfortunately, was a bit misplaced since we don’t have the jump option (curse you, jump circle for gatekeeping them / silly).

These can mean several things. 

Narrator hopes that the situation would soon end, as mentioned in the previous part.

It could also show that he is making new ideas and growing. I think it would be a poetic way of personal growth. It is visible in the Bucket version of the game - lack of Red-Blue doors, Countdown becoming silly birds ending, him calling Stanley his friend through the bucket - he wants to change for the better.

“You are not beyond redemption. You may change, and you may become more, so much more than you were before.”

And what better way to show that than through physical growth?

Even if his mind, in the end, becomes the sandy landscape we all know - he had tried to get better and, in some way, succeeded. 

I sometimes wonder if the New New Content & Bucket parts of the game are what Narrator wants to turn the game into during these Skips. How he wants to acknowledge Stanley, show that he cares for him and that he matured.

But, let’s go back a bit. The New New Content happening during these skips in Narrator’s mind are a cute theory but, it’s just that - a theory.

What is real though is the game content, like the plants in the TSP 2 Expo.

3. “YES, I HAVE SOMETHING VERY EXCITING TO SHOW YOU!“ (TSP 2 Expo)

This part alone has 4 new plants that were never seen before in the rest of the office (they later make an appearance again in the Bucket Apartment Ending).

Three of the plants have some resemblance to the one in the Skip button - a long office plant put in a pot, while the smaller ones seem similar to the Fern.

(Small note: these plants are based on real-life ones that are common in offices and are low maintenance but I am too tired to figure out their types. Possibilities from a bud: “the first one in the basket is prob Dieffenbachia Seguine, down in middle is calathea makoyana, low right kentia palm”. )

Interestingly, the whole Expo is red-themed so, to compliment that with the opposite colour - green - could seem like it’s a bolder move. It to be fair isn’t - there are a lot of greys, whites and browns that tie everything together, not letting this become a Christmas-themed event.

Expo gives us a lot of new and fresh Narrator ideas - the Bucket, Figleys, and Infinitive Hole. I think these plants also deserve a mention - they all tie perfectly to the theme of Narrator’s growth.

He wants to be better, to please Stanley and I think, maybe, to fit in more. He could have reused the same plant from the Office but no - he made new ones.

And just like the Broom Closet - they never get acknowledged in the dialogue.

Show, not tell.

4. “AND STANLEY WAS HAPPY.” (Outdoors - Freedom Ending and Memory Zone)

Stanley felt the cold breeze, blablabla, you know the drill by now. Most of us will remember the current Freedom Ending - lots of grass, some trees, blue sky…

But that wasn’t always the case.

The 2011 Mod had a way different ending screen.

The difference is probably due to the limitations of this being a mod but comparing it with the future renditions, it might portray how Narrator had gotten softer throughout the games.

In this one - the outside world is urban. You went out of the building you were mind controlled in into a town of some sort. It doesn’t look too appealing. Trees without any leaves, very short grass - it is SOME freedom but it feels rough. Just like the only other outdoor area in the Games Endings (more about it in the next part).

The newer versions, however, are WAY different.

More saturated colours, some rock roads, trees, and mountains in the background - nature is ALIVE and well. Just like Stanley is, being freed, in Narrator’s eyes.

Because it is Narrator who chose to make this the end screen. It is just visible, time and time again, how much this man adores nature. Sure, he might be scared about the open world (next point, again) but he could have just remade the buildings from the original. But he chose not to - instead, upgrading it into something more beautiful.

This isn’t just an ending for Stanley - it’s an ending for HIM.

I think that’s why Memory Zone is just so similar, in my eyes, to Freedom in this aspect.

“(...) I made something special and tucked it away here where the game’s developers won’t find it.”

Some things do not match - the tree types seem different, the sky is a different colour, and small flowers pop here and there that aren’t in Freedom.

But there is a key element that does match - mountains.

These two areas may be connected - Memory Zone seems to be on a higher standpoint, maybe on a hill rather than a mountain but due to just that, it is possible they are both connected, just in different parts of the world.

Memory Zone is special to Narrator - it is supposed to show his achievements and happiest moments. It would make sense that it was placed in a similar area as Freedom - just hidden so that the other game developers Narrator mentions, would not influence it.

The Maintenance area of the Memory Zone, however, is everything Narrator tried to repress. That is why he might not remember the reviews in there - it’s all hidden in his subconsciousness.

“I don’t recall this part of the Memory Zone before.”

Narrator had been probably working on the Memory Zone way before he shared it with Stanley. It was his safe space, or so he thought. The memory in the name seems to be the most important clue - it’s not like some remembering zone, history zone or something - it’s memory.

And memories like to get hazy.

As I mentioned - to me, Skip Button's room is a visual representation of Narrator’s mind, at least a part of it. And since it’s a part of this area - I headcanon the whole Memory Zone to be that.

Contrasting with the wild flora of the main Memory Zone, the maintenance seems very run down and secluded. The colours in Memory Zone are already desaturated in comparison to the rest of the game but this part looks dirty thanks to the focus on browns and greys. While some of the lovely nature is in there - birds, a big water pool, the trees are dead. 

These dead trees, just like the Skip Button tree or 2011 Freedom Ending ones might be a pattern for Narrator when he is not in his best shape.

Once again, the game shows just how important the nature aspect seems in the key part of the story. Narrator made the conscious decision to change the Freedom Ending and probably also had some saying about the Memory Zone, until the parts he wanted to repress that got run down.

Narrator keeps on repressing things a lot throughout the game. He shows denial and shifts the blame - on Stanley, the Player or the reviewers. At the end of it all - during Skip - he finally realises his flaws and mistakes.

But that realisation happened way too late.

Maybe that’s why he later tries to separate himself from that Memory Zone, putting it in the Executive Toilet.

Or maybe, it’s some not-so-hidden poop joke. But that’s not as important.

So let’s get to the rest of the game.

5. “THE OFFICE COULD USE A BIT OF DECORATION.” (Other plants in-game, Games Ending, Epilogue)

Besides Fern, there is another plant that keeps on being with Stanley a lot. It is there, never in the foreground but it’s always there. It’s like a hidden companion - maybe, as a symbol for not so hidden one.

This plant shows up in most of the Left Door pathway to the Boss’s Office - 5 times in different rooms:

desks 431- 436,

desks 418-424,

left-right door choice,

Meetings Room, 

and the entrance to Boss's office.

It also shows up in rooms we see around the pathway:

room with 456, 457 doors,

413 room,

Executive Bathroom

and two in the room with Elevator Music.

The plant shows up 4 times in Confusion Ending (including the earlier mentioned 456, 457 area)- and thinking how the Fern is also there makes me just feral. Narrator joins Stanley on his little adventure through the unknown territory - so he inserts himself in the story.

In the Right door pathway, we get through the first 3 from the Left door and 2 more - the Loungue and the Games Ending.

The Games Ending has very different alternations between the game version but one thing is stable - nature in the open words games.

“I wonder what he found.”

In 2011, once again, nature is quite dead and dried up. RIP all the plants in this version of the game.

The next alternations, however, take a different approach and make the plants more alive.

The 2013 version uses Minecraft as it outdoor area.

Narrator doesn’t focus at all on the nature aspect - more on the crafting one which is fair, he is a storyteller and a game designer.

In Ultra Deluxe, there are two areas - Rocket League and Firewatch.

Rocket League won’t get that much attention from me - it’s just a typical grass for sports fields. The Firewatch, however, is a direct parallel with Minecraft. And it’s due to it being open-world.

This brings me to the last issue with Narrator and nature - he likes it quite a lot, but it HAS to be limited for Stanley.

Freedom makes you stuck in a cutscene, you can only go to mines in Minecraft due to no jumps, Memozy Zone has barriers, so Stanley has one path to follow, and most plants are potted- expect, for one thing.

And it’s the plants that show up in Skip #15.

I think it’s no coincidence that in the Bucket runs, the Red-Blue choice is off-limits. I think it’s due Narrator not wanting to go through things that hurt. But they hurt not only him - they also hurt Stanley.

We could focus on the fact that each of the Games runs ends up with Stanley being trapped in the 2011 version. But I think that lack of freedom to explore beyond the main area - the set path, the game, is what got Narrator more, in the end. Maybe he is scared about full freedom and lack of full control over the story and Stanley.

And maybe that’s why the Epilogue seems to be a never-ending desert. It’s Narrator’s last attempt to give Stanley the true freedom they both needed.

“An epilogue would be fun. Wouldn’t it, Stanley?”

(Shoutout to a Rammy who gave me the idea to talk about this screenshot.)

The desert, for me, fits the Sandman story (no, not just the song though now it is playing in my head so I hope it will play in yours, too). It shows up at the end of the Skip run and just like the room itself, I think it keeps on symbolising Narrator’s mind.

Once a mindflow, where his thoughts could drift anywhere they pleased became quite stagnant. He fell in hibernation or the mind was just no longer there.

The Sandman brought him the sand and let him rest, cope with the near eternity of solitude.

And to think, during it, Stanley uses wood he finds in this place to bring some light. Lighting up the neurons that still are active.

And this one last time a plant in any shape is present - it is there to serve Stanley.

Narrator, I see you. You probably never left because you are unable to but, you still care about Stanley.

And we care about you.

6. CONCLUSIONS

(painting in the background: The fairy grotto, 1867)

I could mention EVERY single plant in-game: all the nature paintings, plants in Demo and all the Infinitive Hole nature backgrounds, apple in Pink room, try to get through every plant and try to find its significance but at the end of the day- this whole thing is over 3k words IOSFAIHOSAFHIOFSA

I know this post didn’t talk much about Fernator. I could talk about how Narrator’s need for control and being in a confined space makes him want to be in a Bucket that he also projects a lot onto. How plants often symbolise his psyche, show up in important parts of the office and as the only other visible living being besides Other Stanley and Mariella, maybe, just maybe, Narrator, who seems to not be human, might have decided to take such form, for comfort and safety. But I will leave that for another time.

So if you reached this point, I hope you realise that Fernator AU is a superior AU to the point it’s canon /silly/nsrs /j (,,,, or is it / silly)

If you are reading this - thank you so much for reading this ramble or just skimming through it. I do appreciate you.

Thank you and-

“I'm out... I'm out... I'm done! It's over! Thank you for playing! Your input was extremely valuable.”

[boyfridged]

I think an really interesting thing about when they have the character's say that Bruce was saving Jason a life of crime or teaching Jason to be good is that it not only isn't true, it directly contradicts other canon.

We have at least two separate alternate time lines (caused specifically by time travel events where the consequences included no Bruce adoption) both of which were Jason was still a moral person. In Flashpoint he is a priest who believes in helping people not matter if they are church goers or not. A world without young justice has AU Jason die trying to do the right thing.

On top of that Jason is at the very least strongly implied to have taken care of his sick mother and the more recent portrayals of him meeting people from his pre-Bruce life also portray him as a caring person.

This adds up to although the writer means for the character to be right, and that Bruce is so noble for helping (failing) this poor child. They are actually being canonically classist towards Jason as what they are saying is an untrue assumption based on his background.

Selina in Gotham War saying he taught Jason to be good is her being classist. Alfred treating Jason like he was just a bad seed Bruce couldn't save is classist. Bruce and his whole reasoning that it is okay for Jason specifically to be endangered because of his background is classist.

Obviously that isn't the intent but when writers who are less classist about Jason write him these classist things aren't be true. It doesn't matter if Zdarsky retcons Jason being such a 'bad kid' when there are a bunch of other writers who didn't do that.

(Zdarsky: Look at this 'bad kid' before Bruce taught him morals. Ignore all the times he was portrayed as a good kid, those aren't canon anymore. Bruce is the source of all his morality. Bruce is actually less classist than Jason. This is definitely not classist writing.)

you summarized it excellently. i think it is also related to bruce projecting both his own trauma and his own worldview on jay and his background. i have written a very long post about this exactly, with receipts too. you can find it here. oh and another one, in which i explain why it would be more interesting to allow bruce to be wrong too.

and as i cited it in the above post – bruce is wrong and that fact is quite evident in-text, at least in the early versions of the story. this is also what i love so much about barr’s detective comics run – because barr calls bullshit and gets leslie to tell bruce his reasoning behind putting jason in field are unbecoming and that he is “doing it for himself.”

of course, post jay’s death that awareness has evaporated and instead we got revised versions of the story that were more than ever deadset on proving that jason did possess some fatal flaw, a violent seed that bruce did not manage to eradicate (like the issues of gotham knights, which again, i have no idea as to why they are so popular, given how malicious they are in the evaluation of jason’s fate). the latest retcons such as zdarsky’s work also fall into the trap of attempting to justify bruce’s decisions irt jason & his role as robin by diminishing jay and rewriting his story to be tainted with inevitability. even a death in the family (2020, the animated movie) provides the audience with plenty alternative endings, all of which are to make a murderer or a villain out of jason.

that is not to say that i think there should not be a sense of inevitability of jay’s tragedy at all – but its source is stubbornly misplaced for bruce’s benefit despite even the actual aditf storyline and barr’s run before placing the responsibility for it in bruce’s inability to compartmentalise his parental and vigilante duties (the chapter of aditf titled choices relates to bruce’s decision to go after the joker instead of jason; it does turn out it did not matter as jason has long been tied up in that family-vs-heroics conflict.)

bringing up the alternative versions of jay is a good way to illustrate it; in the world in which he does not meet bruce, he is not damned to participate in the cycle of abuse forever. i’m not gonna lie, i also wish countdown went in that direction and has given us more glances at realities like that. because i do believe that jason’s resolve to stop at nothing when faced by crime, the sense of obligation to do so that leaves his hands bloody, is something that was cultivated in him primarily by the robin training.