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#all a matter of perspective
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Positive: This time next week the interview will be well behind me no matter what happens.
Negative: In less than a week I have an interview.
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inkpotsprite · 4 months
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Jason (buried underground): *panic, clawing, digging, catatonia*
Dick: *sings the beatles*
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cosmicspaceslug · 1 year
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thinking about Philomena Cunk describing WWI as history’s largest recorded instance of football-related violence
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earlgodwin · 6 months
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— If you create us a kingdom, we will write the book of our future. The future of the Church, of the world we live in will be ours, yours, and your children's. You say nothing? Why do you think we wished you a cardinal? So you would be Pope one day. Carve us out a kingdom, Cesare, and be both king and pope. I am stunned into silence.
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deancasforcutie · 2 months
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still chasing the high of that halcyon age where Supernatural was my healthy safe escape from the horrors of US politics, and then
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canisalbus · 1 year
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you say machete has to be closeted then why's he always wearing them little heels
Maybe he thinks he's a tiny bit nicer looking in them.
#no in fact he's just a little ahead of the curve let me try to explain#again I'm not a historian I'm just sharing what I've read I might be misremembering stuff so don't quote me on this#high heels became extremely fashionable in the early 1600's probably just a few decades after Machete's time#and they were originally worn by men#because they were inspired by Persian riding boots#if your shoes had heels you'd have easier time keeping your feet in the stirrups (think of cowboy boots)#Europeans saw them thought they looked snazzy and they became wildly popular in noble circles fairly quickly#for some hundred years or so high heels were the epitome of class wealth power and status and they were essentially genderless#remember that concepts of masculinity and femininity are fluid and change over time#things that were seen as manly a few centuries ago may seem downright effeminate to a modern viewer#it's all matter of perspective neither is objectively more correct than the other#they started to separate into men's heels and women's heels around mid 1700's iirc but the changes weren't massive even then#and only truly went out of vogue when the French Revolution hit in 1789#and people all across the continent were suddenly put off by everything that reminded them#of the frivolousness and extravagance of royalty and aristicracy#so in his canon timeline I don't think people are looking at him and going “hmmm that's pretty gay”#because heels hadn't become gendered yet#maybe he likes how they accentuate his already tiny paws and make his legs look even longer than they are#he's interested in fashion or at least likes to dress nicely in high quality garments#he tries very hard to look his best despite never really feeling comfortable in his skin#he was a real shrimp as a kid and even though he eventually grew up to be a beanpole he might still find the extra height appealing#no one's going to look down on him ever again#I admit the way I draw them is a lot more modern than the true historical style at the time but not outrageously so#artistic freedom and all that in the end I'm not aiming for 100% accuracy#modern au Machete has no excuses though he's just a little bit fruity#if the guy feels empowered by wearing little clip cloppers let him#answered#anonymous#Machete
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southern--downpour · 1 year
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save the cat
( @comicaurora )
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jaundicity · 13 days
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these content creators who brag and boast about "knowing more" than george himself know nothing. you're not the author. you're not the creator. you didn't come up with all these ideas about westeros and the targaryens and the seven kingdoms in the fuckin' 90s or whenever, because real talk, you never did.
that was all george. that's his work, and he has the right to criticize whoever's handling his work in such a way. at the end of the day, those are his characters and his world that #they are decimating. you'd be mad too if some rando came in and basically shat on everything you put your hard work and soul into and then had people come after you for not agreeing with the adaption.
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shannonsketches · 20 days
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#dbtag#silly hours#god#I feel like that's a really clear and consistent thing throughout the entirety of the manga but OTL leave it to Toei!!!!#lays on the floor I wish people were less afraid of letting “good guys” be flawed and selfish and reckless without having to like.#idk vilify them?#like Goku does and always has had a ton of negative qualities about him but what keeps him a protag and what keeps those negatives charming#is that 1) he never promises to be anything Else. If you're upset by his behavior that's a you problem Goku's just doing Goku#He's only upset when Other People get hurt because 2) almost none of those negative qualities contain any malice whatsoever#even as a kid when he was 'i killed that guy' it was like 'i solved a problem why are you mad (gen)' not 'good fucking riddance lol'#and he kept that as an adult too even when he learned more about compassion he's still 'well if you're not gonna stop i have to kill you'#it's never 'fuck off and die' it's always 'listen buddy either you knock it off or i knock you out there is no option c '#and god i love that Goku. I spent so long thinking I hated Goku growing up but I only hated Toei's Goku. Toriyama's Goku is GREAT.#like look if an antagonist is just a hero with the wrong perspective a hero is just a villain with the right one#and the fact that Goku has all of the qualities of a villain with none of the malice or intention makes him SO POWERFUL as a character#Goku doesn't like bystanders getting hurt. That doesn't make him less chaotic and self-centered and simplistic in his worldview.#A hero sacrifices his loved ones to save the world -- a villain sacrifices the world to save his loved ones --#Goku sacrifices himself because you cannot kill him in any way that matters#idskahds anyway here's another essay in the tags for your wednesday evening scroll#the justification the interviewer gave was that the anime was for kids but my beef with that is that Hero Tropes strip chaotic characters#of their emotions. Goku's conflicts are emotional. Goku's power is emotional. Goku's childlikeness keep him authentically emotional.#MORE kids -- ESPECIALLY little boys -- deserve a male protagonist who leans into his emotions to persevere and win.#Super deciding his “angelic state” would kill him makes me want to tear my hair out lmao Goku's EMOTIONS are too strong to hold it.#you could've just asked toriyama about it why'd you decide on the most basic high-stakes shorthand possible OTL#aNYWAY#media analysis#in the tags at least lol
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royalarchivist · 10 months
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Etoiles: Oh, finally we had a funny moment in Purgatory, let's go. Oh, let's go! One week of wait to have a funny moment.
Roier always knows the best way to diffuse a tense situation.
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isthatacalzone · 3 months
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it's baffling to me the lengths to which people will try to frame anyone in iwtv as being better than anyone else. everyone who says they love each other is doing it poorly. Lestat apologised to Louis on that stage and it was real and it was also a performance. Armand feels genuine remorse for not saving Claudia, claims that he couldn't prevent it but we all know he could have. Louis loved Claudia and wanted the best for her, and she was a broken doll picked up and used to soothe his guilt. Even Claudia, who did love Louis, has a specific view of everything that happened to them, to her, that made her messy, that made her angry and awful at times. why would you flatten them? why would you take away what makes these emotions real and complicated?
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joons · 7 months
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This may be a prickly subject, and I'm sorry if so. But I'm trying to learn more about Elvis, and every time I bring him up to people I know, they try to tell me he was this terrible person, and point me toward Priscilla's book, the movie made on it, and the discourse. Idk if you've talked about it on here (I tried searching your blog but couldn't find anything on it). If you're willing, I'd love to hear your take on it so I can see a more nuanced view.
The film Priscilla was greenlit roughly a month after Priscilla herself was informed that she was close to becoming financially insolvent in 2022. With a business partner, Brigitte Kruse, who allegedly helped broker the film deal, she established a limited liability company called Priscilla Presley Partners that was supposed to use her image and likeness to create several lines of merchandise to coincide with the film's release. That business partner is now suing Priscilla because she did not have the rights to her image or likeness, or any ability to use the Presley name, because she had already sold all of those rights and was no longer considered in good standing with Graceland or Elvis Presley Enterprises. The entire business deal, then, according to the lawsuit, was built on her misrepresentation of how much her image was worth.
The deal between the two of them fell apart after Riley Keough, Lisa Marie's daughter and Priscilla's granddaughter, settled with Priscilla to give her a lump sum of $1 million from Lisa Marie's estate and yearly amounts of $100,000. Priscilla sued very shortly after Lisa Marie's death because she thought Lisa Marie's signature on a will had been forged because Priscilla was not included in it. All of the assets were supposed to go directly to Lisa Marie's son, Benjamin Keough, who died in 2020, and her three daughters, two of whom are still teenagers. Now, part of those assets have been claimed by Priscilla and her other son, Navarone, who has no connection to the Presley family and has stated he is glad Lisa died.
Four months before Lisa's death, Lisa wrote to Sofia Coppola and made it clear she had strong concerns about the Priscilla film and was suspicious of the intentions behind it:
"As his daughter, I don’t read this and see any of my father in this character. I don’t read this and see my mother’s perspective of my father. ... I will be forced to be in a position where I will have to openly say how I feel about the film and go against you, my mother and this film publicly."
Lisa was enormously grateful for efforts put into 2022's Elvis to find her father's soul and to restore his dignity in a world that often turns him and his family into a joke:
"You can feel and witness Baz’s pure love, care, and respect for my father throughout this beautiful film, and it is finally something that myself and my children and their children can be proud of forever."
It is such a strong and powerful statement, to see how much Lisa valued family, not just her father but her own children and their legacy, and how willing she was to speak up no matter what was going on in her personal life to say what was right. On this and many other things, Lisa and Priscilla's values have rarely been in alignment. A friend and EPE business associate, Joel Weinshanker, said of her, "Lisa couldn't be bought, she couldn't be pushed. If she felt that something wasn't in Elvis' best interest, it was never about money. And she really is the only Presley that you could say that about."
Priscilla, though, has adjusted her stories about her time with Elvis almost every time she discusses it. For a quick example, she said in her book, which was released in 1985, that Elvis insisted she do her hair and makeup a certain way, that he had control over her look and would get upset if she didn't dress how he wanted. But in an interview with Ladies' Home Journal in 1973, she said that she made a deliberate choice to attend makeup school so that she could learn how to style herself, and that it was her idea to wear big, black hair and big, black eyeliner. She said she was embarrassed for going overboard. She said, "I wish that Elvis had said something, but he must have liked it because he never commented." This lines up with recollections from Patti Parry, a platonic friend of Elvis' and a hairstylist, who said Priscilla always wanted Patti to do her hair in a "big boombah," but that Priscilla would then get upset when Elvis didn't notice or didn't like it.
These changes are impossible not to notice if you follow her for any length of time. At the film premiere, she said it felt just like watching her life and said she was consulted on everything, since she was an executive producer. After the film came out, she said she couldn't understand why Coppola had changed so much about the story and misrepresented events. In the '70s, she said she and Elvis lived almost totally separate lives, that she came and went as she pleased, and that she loved this freedom. Later, she said she felt completely stifled and trapped and never left the house, even though she had friends she went out with all the time. In 2019, she tweeted a forceful denial about a National Enquirer story: "This is the Enquirer folks... please don't believe everything you read. ... Never planned on being buried next to Elvis. What will they come up with next?" But part of her settlement demands in her lawsuit against Riley in 2023 asked "to be buried next to Elvis." This year, she said in two separate interviews that Lisa was with her when Elvis died and that Priscilla had to break the news to her, despite the fact that Lisa was at Graceland when it happened. She has said she gave Elvis the idea to wear belts on his jumpsuits, to have a lightning bolt as his logo, to sing "An American Trilogy," though none of that is true. She retells the story about forcing Elvis to burn all of his spiritual books to prove he loved her as an almost funny anecdote about debrainwashing him, while Elvis later said it was the worst thing he ever agreed to, a desperate attempt to make her happy by giving up the things he valued the most. (For the record, this is my opinion about their relationship on both sides: thinking they could change themselves and each other to make it work. It never did.)
Every secondhand Elvis account has to be treated lightly and only valued for its consistency with known facts and other witnesses. I try to give enormous benefit of the doubt to anyone in the Elvis world because they often only have partial knowledge of what Elvis may have been thinking at any given time, and there are numerous examples of people who were taken advantage of by unscrupulous journalists who changed the story they wanted to tell. But Priscilla's stories sometimes are not even consistent with her own statements, which makes them very poor options indeed to base anything on. However careful we are about noting potential biases and inaccuracies in other memoirs, we have to be triply, quadruply careful with anything in which Priscilla involves herself because she has a vested interest in generating discourse today in order to make money. Unfortunately, Priscilla has a habit of stifling other accounts or making sensationalized statements each time there is a possibility that she will lose some of the cachet that comes with being an Elvis Source—after Elvis' death, when she believed she was going to inherit his airplane and disinvited everyone that Vernon said could fly in it to his funeral; when she sued the parents of one of Elvis' ex-girlfriends after he died because he had allowed them to live rent-free in a house he bought for them; when she claimed that Elvis wanted to reunite with her before his death, despite the fact that he was engaged to someone else and told many people he couldn't see a reunion ever happening with her; before Vernon's death, when she convinced him to make her an executor of the Presley estate until Lisa came of age; after Lisa came of age, when she convinced Lisa to let her stay on as partner; when Lisa accused Priscilla of misspending Lisa's money, during which time anonymous sources cropped up to say Lisa was in debt and drug-addled; when Priscilla was removed from her position as an EPE spokesperson but kept collecting $900,000 a year from the company; when Lisa died, and Priscilla sued once she learned she wasn't in the will; when Priscilla was no longer associated with EPE and decided to do another adaptation of a book that she has since recanted parts of and has contradicted before and after its release.
When Priscilla thinks there is a threat to her image and position, she does new interviews and projects to muddy the waters and stir public interest, whether it is true or false, positive or negative, laudatory or defamatory. She gets corrected by Elvis' surviving family members, girlfriends, friends, and fans, but these stories do not get the same reach no matter how much they are backed by contemporaneous documents and witnesses, or how many resources there are to educate the public on how Elvis' and Priscilla's attitudes about marriage and relationships changed—along with the rest of society—between 1960 and 1970.
I think almost any single-source project is not going to advance our understanding of Elvis in any way because no one individual can speak for him, and we are kind of obligated to include all the context we can in order to appreciate his character, his successes and failures, flaws and virtues—and to treat both himself and those around him as fully three-dimensional people who have their own blind spots. Priscilla is far too aware of her own image, and far too willing to change it to suit the audience, to be particularly valuable here.
She is next scheduled to appear at the Lexington (Kentucky) Comic & Toy Con.
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rattkachuk · 4 months
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Hello! Hope you are having a good day.
So I have a question for you, just ignore when you don't feel like answering.
I came to Mattdrai via the enemies/rivals to lovers tag and then got sucked into hockey. I really like the fanon take on Leon, fav character, fanon Matthew was fine but way too woobified and infantilized in so many fics. So my surprise when I started to watch games, interviews etc. Public Matthew is so confident, so loving, awesome family to back him up, especially Brady, hot as hell, sexy way of playing hockey, amazing public persona. Loved and respected by his team, beyond hockey.
Then Leon. His only trait seems to be that he's pissy which I can appreciate but it seems that he's just a downright mean, arrogant guy with a superiority complex (see that interview when he puts Silovs down.) I don't find him stoic at all but he's just seems boring and bland and yeah, pissy. It doesn't seem like he has fun or likes his team a lot or is liked by them (Connor aside and his skills aside.) His friendship with Connor seems the only endearing or likeable thing. He even looks good in a bland way and his hockey is while it's so skillful it's not hot and also I wonder why his dirty plays aren't called out more often.
So what do I miss? Where does great fanon Leon come from? Why is he written mostly so superior to Matthew and where comes the "his team likes Leon so much but Matthew is an outcast in his own team come from?) It's so far from what I gather from old and new interviews or games and I have watched a lot, also German interviews. I really would like to like Leon, shipping them had been more fun when I didn't find his public self so jarring. What do I not see what everyone else seems to get?
Sorry for the long ask! Have a great day and thank you
first off thank you for such a thought out ask! i don't get to dive into things like this a lot outside of writing fic and it got my brain gears going.
to get right into the bulk of this ask: i get what you are saying about leon. that can be the way he comes off for sure, and look everything i'm gonna say? i'm talking out of my ass here. i don't claim to know anything about him as a person besides what's publicly presented, and i don't have much right to theorize about why he is the way that he is, but i'd be lying if i said i didn't think about it. how would i write rpf otherwise, right 💀
i think he cares a lot. and i think sometimes he gets so wrapped up in things, how things should be, how he should be performing, etc, and when it doesn't go a certain way he gets frustrated and snarky (eg, pissy comments and such). but i don't see that being bad necessarily, especially when it's seems to come from such a team oriented state of mind. which, i dont think he dislikes his team at all? i think if anything, he has a sort of blind faith in his team, and that's the only context i could see a 'superiority complex' making sense in. and yah maybe a little misplaced at times, but ultimately i think it comes from believing so fully in his team and not seeing that come to fruition. he really does not seem to care about his individual performance much at all, so how self obsessed can he be? when i think about leon i just see someone that is ultimately very passionate and committed to the game he plays. i'm also curious to know where you get the vibe that his team doesn't like him? simply because i never got that impression from any of the other oilers, they all seem like they're obsessed with him.
beyond hockey, i see a caring, sweet, kindhearted individual. anytime i see a picture or vid of him interacting with bowie, or even the things his girlfriend posts about him, the comments he leaves for people on ig, and yah of course in the way he talks/acts around connor, i see fragments of someone soooo different than the little two minute post game interviews (which, can we judge any hockey player on those? i think they all hate them dfkjgsd). it's not always something i actively go digging for or have examples of the top of my head, but i do see it, and it definitely goes into creating the version of leon that i have in my mind.
hey, and, he's a silly guy!!! please, i know the reputation is pissy and humourless, ESPECIALLY in fic, but that man is so funny. so many random offhanded comments that make me pause and then laugh. a different sense of humour but it's so there. i love the sandcastle vid from the asg last year and feel like it's a good example of that, all sunburnt and happy. also hey, big man in tune with his fear of the ocean? love that. that little vid of him dancing on the ice earlier this season, those halloween photos where he's dressed as a monkey, every time he talks to a kid. hell, seeing him in warmups and watching the way he takes time to interact fans?? loveee watching warmups but i'd never had a player actually acknowledge my existence before leon!
also i really enjoy his personality on the ice, i like the rat behaviour and the sassy comments that he makes to other players/refs, i like the bitch moves, and i like his hockey too. i think his game is dependable and like you said skillful, and while maybe not the most creative, the sureness and the technical aspect it is hot to me. so my thoughts on everything are probably skewed in that regard.
anyways this was just a whole lot of rambling about why i find him interesting, endearing even, but i understand the perception you have. i don't like some players that other people love, just cause i cant see what they see. and honestly that's sometimes just the way it is! if you don't like leon, maybe u just don't like him and thats fine.
disclaimer that i have only been on hockeyblr for a couple years, and really didn't spare many thoughts for leon til the beginning of the 22/23 season. truthfully i'm hardly the person to ask about leon imo, but of course i have thoughts anyways! if someone else with more knowledge reads my bit of rambling here, please feel free to chime in and add your voice to this!
and side note, ofc, i have to touch on this bc who would i be if i'm not one to talk about matthew; in the way of m.tkachuk, i think that in the early days of mattdrai it was maybe a fair take away during his time with the flames (minus the woobifying). even though he was loved so much here and had some fucking times, and i think the team was mostly good to him (player wise if not regarding management, that is), i see such a stark difference now that he's on the panthers. he seems much happier and more confident, and obviously he's clicking with the cats on another level, and i do see a shift in how he's been portrayed in fics since tbh.
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bluespring864 · 6 months
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As usual, Andy Roddick gets it.
(Comments from right after Andy Murray's match, so they didn't know about the injury at that point.)
"Since 2019, with the hip issue, he will tell you he hasn't been the same. But the guts of him have been the same. Even if he used to turn around these matches, and lately he hasn't been able to - the drama's still there, the fight is still there. In a weird way, I think this kind of compromised version of Murray almost adds to his legacy, the way he's grinded out the last four, five years. I certainly respect it, I don't know that I could've done it. I don't know if a lot of us could've done it, so props to him if it is the last time we see him in Miami. Hell of a run, pal.”
Source: tennischannel
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cnl0400 · 7 months
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"How are they going to make Thirteen/Mephistopheles/Raphael dateable If they aren't interesing in the MC"?
>A take made by someone who hasn't played S4 or any of the Memory cards/events that feature these three, or have gotten the Birthday calls...
It's even funnier with Raphael, because he's probably the one who states the most that he wants to get closer to MC, where do the "no interest" thing even comes from??
Even If you read all this cues as platonic, It doesn't mean that they can't become romantic later. That's what development Is for?????
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antianakin · 9 months
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There is exactly one criticism that I agree with my, very anti-Jedi, cousin on and that's the Jedi were TERRIBLE Generals. Generals may TRY to make sure their men mostly come back. But useless sacrifices are not only acceptable, but expected, the men are mostly expandable in war. The Jedi did not consider sacrifices like that acceptable or expected. Sure it did happen. It was WAR. But they tried their best to make sure it DIDN'T. The Jedi were terrible Generals. But they were the teachers and Leaders the CLONES NEEDED.
I'm not sure I'd ENTIRELY agree with that. I think I'd be willing to agree that the Jedi were perhaps less CONVENTIONAL Generals, and they definitely do seem to at least TRY to place the lives of their men above just tossing them away for an easy victory, but you can just as easily claim that keeping the men alive to keep fighting is a good strategy in and of itself.
The biggest piece of evidence I'd point to that the Jedi were actually perfectly good Generals is the Citadel arc and Tarkin's criticisms. The one real criticism he makes of the Jedi as military leaders is that they're occasionally too soft and will abandon a mission if it looks impossible to win without near total casualties (on either side). But he's generally fairly positive about the Jedi and if they were truly awful at their jobs, I don't think TARKIN of all people would hold back on saying so, even to the Jedi's faces.
And we DO see the Jedi willing to make sacrifices and accepting that this is a necessary part of war. The Citadel arc is, again, a perfectly good example of this. Obi-Wan and Anakin go in with like 3-4 men each I think and they come back with a grand total of 3 (Rex, Cody, and Fives). A LOT of clones die on this mission that they all KNEW was basically a suicide mission because the Jedi themselves decided that getting the information about the hyperspace lanes was vital enough to the war that it was worth losing multiple lives over (including their own).
So it's not that the Jedi don't understand that sacrifices are necessary in war or even that they avoid it entirely, they just avoid what they see as UNNECESSARY sacrifice for what might amount to a fairly minor victory. Keeping more of their men alive might, in the long run, be a better strategic choice than losing all of them on one campaign, especially if it's over like one uninhabited moon or something like that. There's nothing to say that the losses the Jedi deem acceptable are things that would've changed the entire tide of the war had they chosen to push forward instead.
The other good evidence that the Jedi acting this way would've been the WORSE choice is the Umbara arc. We are told and then see that Krell IS the kind of General who is willing to lose a lot of clones in order to gain victories in battle, and the clones do recognize that he has a lot of victories under his belt. But never once do they discuss whether those victories really MEANT anything or had a large impact on the war effort. It certainly never seems that the Republic is majorly pushing back the Separatists because of Krell's victories, nobody ever mentions that Krell gained them a major advantage with those victories or took out anyone of any consequence on the Separatist side with his strategies. And by the time he gets to Umbara, he's explicitly using this strategy to WEAKEN the Republic side and cause a loss. Several of his strategies WOULD'VE meant the Republic lost on Umbara and it's only the clones utilizing different strategies that put fewer of them at risk that they actually end up continuing to HAVE victories at all.
I'll also point out that the Jedi continuously getting their men killed en masse would've bankrupted the Republic a LOT earlier because they'd have to be paying for more clones a LOT more often than they did in canon and I can't imagine anyone would've considered that a particularly sound strategy and at some point I'm sure the Senate would've felt obligated to put a stop to it anyway and insisted on strategies that kept more clones alive for longer. So I'm not sure it's fair to claim the Jedi were utilizing BAD strategy by not just exclusively using tactics that meant most of their men were killed for every single victory.
So the ONLY criticism we EVER see of the Jedi's ability as military leaders is Tarkin claiming they're "too soft" and Tarkin is the kind of person who would likely say that until the Jedi started carpet bombing entire Separatist planets. Would it give them a victory? Yeah, sure, maybe, but that's the exact same strategy the Separatists are using and look how well that works out for THEM. Everything else we ever see seems to showcase that the Jedi are in fact perfectly good Generals, not just in that they're kind to the clones and are unwilling to carpet bomb Separatist planets, but also because they're just... good at this. They CAN be strategic, they CAN run wars if they want to. And I think that's the whole point of the Jedi in some ways is that yes, they CAN make war when they need to, they just actively choose NOT TO every time they can. THIS is why Qui-Gon tells Padme that he and Obi-Wan are there to protect her but that they can't win this war for her and they end up going off to fight off a Sith while Padme has to actually win the war with her own people and the Gungans instead. The Jedi don't WANT to be in the position of doing nothing but fighting, but they're absolutely capable of this kind of work.
That's the tragedy of the war in some ways, the Jedi ARE good at this no matter how much they wish they weren't sometimes. But being good at it means they can actually protect the Republic, their own men, and even the Separatist civilians better, so they're not going to just sit there and do things that will screw over a bunch of people. Yes, they're going to fight the war in such a way that they reduce casualties as much as possible, but reducing casualties also requires doing enough to not LOSE the damn war, too. It's a delicate balance they're trying to hold on to and I'd argue they manage it better than anybody else would've ever done in their position.
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