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#all that bullshit about how these are necessary changes bc you HAVE to make things intuitive to New Users is so bogus
bloodsbane · 1 year
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i think what ticks me off the most about recent changes staff have been making to tumblr is they keep insisting it's necessary bc they need to draw in and retain new users or they're NEVER going to keep things going, so their solution is to... add a bunch of annoying and unintuitive shit that A) isn't going to appeal to anyone, let alone new people, but also B) piss off the existing user base.
like, im sorry, between the two demographics who do you think is going to ACTUALLY care enough about tumblr to use it every day and pay for things like no ads, or your merch based off decade old memes? i give this site the 5 or whatever bucks it takes to get rid of its stupid ad posts in part bc they're annoying but also because i have been on this fucking webbed site for 12 years! and i don't mind giving it some money to keep it running. BUT. not if that's paying for staff's ability to add more useless/convoluted/unappealing features that dont have MY user experience in mind
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Uncle Carmy
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I've seen people lapidating Carmy because he didn't give a fuck about Nat's baby.
Well, we don't know that.
And jumping to that conclusion seems a little harsh and UNFAIR if you ask me (apparently bc he yelled at Syd he's now the devil incarnated and I bet that if he woulda been nice to her, but just as shitty as he was to everyone else, you woulda looked the other way and understood him -AWESOME! You're very kind! Never change!-). But then again, that's all most people have been doing with Carmy since June 27. So... I guess I should have seen it coming.
This is what I saw.
What we do know:
His phone and everyone else's were in the locker.
The next day, or whenever mom, dad & baby were back home and Syd paid them a visit, Carmy was at his place drawing and reminiscing his Copenhagen days, also thinking about The Bear's menu (to get Syd her bullshit star because that's all he thinks about), because he was looking for inspiration in those books. We don't know if he had already talked to Nat or to Pete or if he showed up at the hospital before Nat was discharged at some point, etc. Usually, if you have a natural birth you stay at the hospital 24 hours after delivery if everything is OK, longer if necessary for mom/baby. Also, we know that Donna was there and they haven't seen each other yet, according to Uncle Jimmy. This means that either Carmy coulda possibly have visited Nat and the baby at the hospital when Donna wasn't there, or that he didn't show up because he knew Donna was there and didn't consider that the best timing, as peace and love should be top priorities on those special occasions, so not dropping by to avoid Donna, was actually the most appropriate thing to do, postponing the visit to a more "convenient" Donna-free time. I kinda agree. When rooms get too crowded mom and baby get stressed out and if that crowd includes Donna and Carmy's tension, I actually prefer he didn't show up at the hospital at all. If that was the case, that was the most sensible thing to do.
Nat didn't seem mad at anyone when she sent the baby's pic to the group chat, which leads me to think that everything was A-OK with Uncle Carmy. She was fine. So thinking that Carmy had already showed up at the hospital or at her place once they were back home or even had a text or phone conversation with her to make sure they were ok and schedule a Donna-free visit, doesn't seem too much of a stretch. It's actually what usually happens in dysfunctional families.
My point is: The fact that they didn't show any of these potential scenarios and based on what they did decide to show 90% of the fandom decided to never give Carmy the benefit of the doubt or not even consider that maybe they didn't show a very plausible phone call or text or that Carmy actually was at Nat's place before or after Syd or even at the hospital, only shows how partial your way of watching the show is, and how much you guys miss for being partial. I'm not even gonna go over more serious topics like lack of compassion, empathy, open-mindedness, etc, because I have in previous posts, and even when I'm certainly not here for anyone's amusement but my own, it bores me to tears at this point to repeat the same stuff over and over. Ultimately you only see what you are prepared to see, so whatever I say or not is not gonna change that, and that's OK. But just so you know THERE IS A HUGE CHANCE that what's not on camera, may have happened anyway and we might find out about it later on and you may need to swallow your words reconsider your position taken against Uncle Carmy... Be aware.
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purrincess-chat · 1 year
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I wonder, if for some reason Adrienette were to break up in the upcoming seasons (not necessarily due to a fight, but simply deciding to stop their relationship for a while), would you stop watching the show? Honestly, I think this might happen in the next seasons due to things related to their superhero lives (maybe even Lila influencing it to annoy Marinette and try to take Adrien for herself). Also, to achieve character development, they probably need to show that constantly keeping secrets can harm relationships, and the Love Square is structured in a way that one part of their lives affects the other. What happens on one side of the Love Square can impact the others. I don't think it would make them as a couple unworkable because: 1. It has also negatively affected their romantic relationships with other people; 2. Our hatrel to Gabriel Agreste will always be not enough. All the negative consequences could have been avoided if not for this guy who left kids with problems for several seasons ahead.
For me it would depend on the reason/how it was done. For instance, if the break up is something they're forced to do, but they're still very obviously madly in love with each other (i.e. Ben and Leslie from Parks and Rec), then maybe. 🤷‍♀️ What I don't want is some bullshit contrived reason if they are going to do it. Because after everything that went down in s5 and how hard they fought to stay together, it seems like kind of a waste, imo. If s5 had been different and their relationship a bit more shallow and rocky, then I could maybe see it, but they worked really hard at their relationship to make it work in s5. And I don't even know that secrets would be an issue because we've had an episode addressing that, and Adrien has shown that he doesn't fault Marinette for not telling him everything, he just doesn't want to hurt her. Because truthfully, it would make him a bit of a hypocrite bc he is also keeping a secret from her?? So, he really doesn't have a leg to stand on.
I think a lot of the push for them to break up comes from a couple of places, and they're both salty. 1. People will find any excuse to salt on Marinette and her knowing about Gabriel is just the latest excuse, so they feel she needs to be "punished" by losing her relationship, which ew. 2. People just really can't get over Adrinette being canon, and at this point, it's just kind of sad.
In my honest opinion, there is a lot that we don't yet know about future seasons, so it's not really possible to judge right now. I don't think we as a fandom realize how much shit just got flipped on its head when Gabriel made that wish. The world that we have been living in within the ML universe up to this point is GONE. Things are vastly different now. Yes, the characters may still be the characters we know and love, but we don't know how much control Gabriel exerted over this new world. We don't know everything that he changed and how it will affect the characters moving forward. Adrien might care that Marinette knows things he doesn't, or he might not. He may never even know she knows something he doesn't. It may never get brought up. Or it might. 🤷‍♀️ we don't know. The show may choose to explore a breakup, or it may not, and honestly, I'm just tired of people assuming it will happen or insisting that it has to happen. It's the Chloe redemption arc all over again, and if they don't go that route, people will bitch and complain about bad writing and a butchered story and how they should have done it another way and the writers are so stupid and bad. Then on the other hand if they do break up, people will be like see? Adrinette was bad, and I just...
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I'm tired of seeing people root against the love square and be pissed about every little thing. And personally, I don't think the love square NEEDS to break up in order to be interesting or move forward. Those things aren't necessary in a relationship. It's not as realistic or interesting as people think it is, and I'm tired of people pretending it is. I vastly prefer seeing couples that overcome trials together and stay together. Those are the couples that can survive anything. If they break up over every little thing, that is not a healthy relationship model, and I don't want to root for it. Rip to everyone else, but I'm different. It may come as a shock to some people, but they can address secret keeping without breaking them up. It can definitely be a blow to their relationship, but they could work through it and come out the other end stronger without needing to totally end things. I just find it hard to believe that all of the cheerleaders for Adrinette's downfall are doing it innocently or because they think it's narratively necessary. I don't buy it.
I dunno. I've already said that whether or not I stick with ML will depend on how s6 goes up to mid-season. Thomas stepped down as head writer, so the writing of the episodes may feel different. The new world may be trash (it is Gabriel we are talking about). The new heroes might get too crowded and annoying. (I already wasn't a fan in s4, I didn't care for Penalteam at all). There are a lot of factors that could sway me in either direction, but honestly, I could forgive some of those if the love square interactions are still good. (I honestly think Adrinette hard carried s5, personally) But if you pair several of those with an Adrinette break up, then yeah, I don't see me having a reason to still watch. If I don't enjoy the show anymore, I'll stop watching. (A novel fucking concept for some, I know)
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venchyl · 2 years
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Manifestation Myths
manifestation myths are like the stories you hear whilst sat around a campfire, they are the pudding most people have dipped their hands into, and much like how dumb it is to dip your hand into pudding, you realise that it only dirtied your hand and literally benefitted you in no way whatsoever!
so, today, let's tackle some common myths and debunk them!
Having to listen a certain amount of times or for specific durations.
You don't need to listen to anything, you can just affirm, but if you wanna listen just listen once if you want but you can literally recieve results without even pressing the subliminal.
Drinking water.
You don't need to drink water, it is simply suggested bcs you should stay hydrated in general💀😭
Needing to enter the void state
You don't need to enter the void to get your desires. It is not a must. Stop putting the void on a pedestal.
You need to have a script
You don't need to script to manifest, or shift. You can make one to clarify what you want, there is nothing wrong with it, but you do not need one.
"You have to be specific otherwise your mind won't understand."
Your mind is smarter than you give it credit, it is not only you but everything around you. It knows everything, it understands everything. You don't need to speak to it like it's a baby, it's been carrying you through life believe me it won't suddenly regress.
There are some things you can't manifest
You can manifest anything you want, doesn't matter if its a new body, new pen, new house, new job, new book , new life. Its all easy, stop making it a huge deal.
"You need to feel tingles to know you're getting results"
Tingles are not and never have been necessary, if you get them, you do, if you don't, you do. It doesn't change your results.
"You need to constantly affirm if you want your desires"
No, you don't. You just have to believe and go on with your life.
"You have to stick to living in the end 24/7"
No, you do not. You can have your moments were you feel bad or don't maintain that mindset and that's okay. You're a human, take care of yourself.
There are rules to manifesting
I've seen people constantly say you need to do this and that and let me tell you this, its bullshit. You need one thing; Belief. That's it. You don't need anything else. I'll make a post about this because people really have been hypocritical when it comes to this💀
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henrysfox · 4 months
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It's one thing to hate an actor and write him nasty messages and make a tragedy of that kind of thing, but it's another thing to be able to calmly admit that what they're doing isn't ok and it was absolutely unnecessary and above all incomprehensible.
Ok, I can accept all the possible justifications due to PR and social content and promotion, anything but it was really necessary to remove things related to that film from his profile AGAIN including the trailer (and that is his only project without a trailer on his profile, why?) is this really a right and normal attitude from his team part? Does all this really serve his image and his work? Is it really that necessary to clean up his IG profile of rwrb content and avoiding mentioning it in any way to get him the work he needs? is it really so strange that people wonder why and what they are doing?
And you know what bothers me the most? That rwrb is campaigning for the emmys, we have a film with good queer and poc representation and with people who are giving their soul to give the right space and the right recognition and the attention is all on the white actor who not only does not is taking care of this promotion but also has all the attention on him because while these people are giving their soul, his team thinks it's nice to start removing anything related to the film from his profiles with his fans who also carry the narrative forward, thanks to these moves, that he hates the project and the fandom and they are happy about this and I also have to read that we have to thank him if he gives alms to that film with the sequel given how busy he is. This is the worst thing for me.
No matter how much OTHERS try and give their soul, someone else more privileged will always have the attention while they do this bullshit. Sorry, the outburst is not against you, nor against Nick, I swear, but I'm tired of this situation and the hysteria and the fact that no one can even raise a doubt or have an emotion about it because they are being eaten alive, while the actor in question lives his life peacefully and I admit my priorities on what is serious or not have definitely changed since I see others being doxxed and harassed in that way on a daily basis but it seems the worst thing, that moves all the masses is defending a white actor from the accusation not to promote a film. And that seems the worst thing that could happen to someone. No it's not. At all. And I'm seeing it with my eyes and I can no longer worry about this bullshit that has absolutely no impact on that person's life because all he has to do is turn off his phone and he will continue to have 4 projects a year and be everywhere and work while others, everything they do they have to put twice as much effort into it and in the meantime survive even the worst things towards them simply because they exist.
actually, i do agree with a lot that you said - idk why nick isn't promoting the movie at all, i do think it's weird since everyone else in the cast is, but idk the reason since nick himself clearly loves this film, loves taylor and loves henry. i think his team is trying to do sth for his image but i don't think it's good. especially since they're campaigning for emmys, which could be huge.
he did delete a lot of rwrb things, trailer included, which i also really don't like, but he also deleted everything to do with chambers and the craft, which I will also miss.
you said he avoids mentioning rwrb though and with this i don't agree - he mentioned it during m&g press a few times, and he likes talking about henry, from what i see.
also the simplest fact - he wouldn't have agreed to do the sequel if he didn't want to.
it is true that nick has many more opportunities in hollywood bc he's white and it will always be the case, even when i hate how unfair it is that his poc costars don't get the same opportunities.
also saying that we should be thanking him for wanting to take on a project so beneath him is ridiculous, rwrb is not beneath him. it's what, along with purple hearts, made him blow up so much.
i think real life nick and ig nick are two very different people. i think his insta might be controlled by his team, who I also think is not making the best choices.
in my post from yesterday i meant that im fed up with people being so fucking aggressive under his posts, because it makes the fandom look insane and rabid, even when they have good points and arguments.
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Hee hoo 13 and MIZ
(send me a spotty wap number + char and i'll do a drabble abt it)
13 - Kaisarion | HOW DARE YOU MAKE ME EXPERIENCE EMOTION and hi welcome to me and my bullshit writing style
It is the sound of another deadline Whistling past your ears It is the sight of a million regrets Mounting over years It is the words that were never spoken That echoes through the times It is the smell of the burning temples Swept away by rhymes
words under the cut bc i dont know how long this will be. this is definitely not a drabble actually :] fox + griffin + nocte belong to @purgetrooperfox fuck you hes leos oc now howler belongs to @friedennic finch + sphynx belong to @flutenoises miz + fault + briller + matchmaker are mine, unfortunately serval and coffee belong to @keys-to-the-stars
It is the sound of another deadline Whistling past your ears
Deadlines.
Those were known well, he'd like to think.
When he stood there, watching the sea of people converge and boil, hearing the cries for change turn to screams of outrage. It was always like this, and maybe if he'd had remembered when that paperwork was supposed to be done..
He wouldn't be looking at these natborns standing in a narrow walkway, waving their pushback. What sort of deadline was he thinking about, anyway? The sort that restrain him to his office, hold him back and back and back and put words in his brain that aren't his but demand his agreement?
Or are these deadlines the sort -
Someone fired a blaster. Miz, who stood ever still, only watched the golden line of energy whiz past his head and impact a pipe some meters away. Would that wake him up? Convince him?
These were the kind of deadlines that arose when he crossed a boundary that no one warned him of until he took his first steps on Coruscant. Being hated for being made with their money, and them not being able to say they wished you were never created. No, not born. Created. And their only way of rectifying that, was to do it themselves.
When they took up arms and murdered anyone who looked the same, looked the same in Miz's way, and they gloated. It was hard to find anyone who was remorseful for what they'd done because in the end the punishment was nothing more than a slap on the back of the hand and a disappointed look. Being told that they were costing the Republic money. Yes, both parties get reprimanded. One for killing and the other for being stupid enough to get killed. What's the point in trying to enjoy having a moment away from the war when people bring war to the bars, to the streets, to doorsteps out of the way.
They'd been quite successful this month.
It is the sight of a million regrets Mounting over years
Poor Fox, with what he had to go through. There was an ounce of regret when Miz hit 'send' on his datapad. It didn't bode well with the doom that rushed over him.
It took hours for him to come back from that. He didn't know how long he'd been out of it then, only that the first thing he felt after coming down from his screams was .. strangled. He felt like he still couldn't breathe, couldn't go, couldn't stop. He can't, can he? Oh - but poor Fox. Fox who knew nothing, and was still being punished for it. Miz was being cruel, he knew, he knew this wasn't necessary. But wasn't it?
Fox couldn't sleep, he saw the bags under his eyes, his words that dripped with caf and obligation and no control but he's in charge. A contingency rule that goes nowhere. Fox wasn't eating either, he looked too gaunt in his armor and he sounded far away when he spoke.
Behind him came Howler. Towering over them in stature but it seemed she was just as debilitated. Silent. Watching. Cold. Protective. Ultimately, she'd been powerless, right? What happened to her? She had been taken with .. Finch, was his name now. Howler and Finch. Howler didn't seem to like Miz being around all that much - and well, now he was out of their way. Miz was no longer Coruscant Guard, NCIS was no longer Coruscant Guard.
But Finch was NCIS, and now he's separated them. He wasn't thinking about that. Fuck's sake he didn't even know Finch was Finch until he resurfaced just before the incident and now it too far in motion to offer him an out. Maybe during the restructuring, maybe.. maybe he could do something to make Howler hate him less and. He didn't know what Finch was thinking, only that he was.. he was. That's all. That is all he had the stomach to see in his requisition files. A man marked outside of the GAR and that's all.
Calls began rolling in once the restructuring began. He needed more troopers, more fodder for the cannons. That's all anyone ever saw it as. A familiar face for all the wrong reasons came to his holo. Long, pale blond hair pulled back into a ponytail, hard eyes and a scowl. Talks of being inconsiderate, of being indescribably stupid. Fuckin' intelligent. Miz tuned out most of what his batchmate was saying. Too used to the scathing remarks and the jabs and all of the insults under the Kaminoan storm that the limited holonet allowed them to find. It didn't matter.
Fault said yes in the end, to being part of an auxiliary branch that would provide Coruscant's services on the front lines, as it was obvious that this same behavior was not unique to Triple Zero. It was just condensed here. Miz began to wonder if his trust in his younger batchmate was still founded, but he knew no one better at detective work and sleuthing. It was what Fault was best at. Always had been.
When things were set into motion it really did make Miz proud. He swears there is pride tightening his chest and not mind-numbing .. there wasn't a word for what he felt. But he called it pride as two more recruits came in from Kamino, a sort of "rush order" that was filled anonymously. He didn't know the numbers of the clones that stepped off of the ship and stared blankly, angrily, in fear.
When he stood in the doorway to watch Serval perform their physicals.
Oh.
They had brand marks. Of course they did, they had the one that mirrored his own. In horrible places but. Those marks, those of Researcher Teano Na. They were malnourished and skittish and Miz blocked out the rest of the details because Miz vaguely remembers reading about this behavior in a datasave. Withdrawal, but worse than he could have imagined for any gods-forsaken reason and of course it was happening to them. He didn't even know their names. They didn't have names last time he saw them. And they were still strangers to him. Matchmaker watched from the other end, and Briller was trying his best to keep Miz standing upright because he began a dangerous slouch.
A soft call sounded behind Miz.
Coffee. Coff'ika.
The only person here who didn't seem to either fear Miz or hate him or want nothing to do with him. So Miz gathered him into his arms and held him tight. He hoped he could think about the next move soon, because time was ticking down from an unknown timepiece.
It is the words that were never spoken That echoes through the times
Yet it seemed to Miz that everyone else was getting fed up with how things were being run.
Soon after the split, Miz wasn't sure who he'd become. It was blurry, horribly bleak, but people told him he threatened. He yelled, he openly cried, he hid himself away for days and came back worse. Disheveled and hungry, not having slept enough.
One of the Corrie medics - no, he was their CMO - Nocte had taken the brunt of it. Threatened to keep him nose out from what doesn't add up, or he would be wiped as clean as the Senate floor. It wasn't a threat to be malicious, Miz was probably trying to look out for him. But considering Miz is taller, stronger than most stationed here. Older. More important as a Commander (at the time). It wouldn't come off as caring.
Weeks later, he found himself in a room with his batch. Everyone together for the first time since they were ripped apart.
Howler sitting so close to Finch, as if to shield him. Sphynx and Griffin, who'd apparently caused Miz to black out at one point, sat together. Fault sat alone. He looked angry. He was angry. Fox eyed everyone with the most bleary expression Miz had seen yet. Miz was hesitant to even sit down, but the door's locking mechanism informed him he had no choice. And so did Nocte, who remained in the room.
Nocte said something about having enough. He looked terrified, talking to his superiors like they would reprimand a shiny. When Miz tried to comfort him, there was no more than a useless sigh that left his chest. An apologetic glance that he even had to be involved. It would have been fine. Miz had it under control. He was going to cry.
Moments ticked by in silence only permeated by breathing, sniffling. No one wanted to speak up, because there was so much that each person knew that no one else could fathom.
Except for the one of them who'd gotten off easy: Fault.
And Fault's remarks were aimed at Miz.
And Howler's fist was aimed at Fault.
He was in the middle of his words, standing up and yelling and pointing at a Miz who wasn't even there to hear it, he was lost in himself and he was crying and he could hear it all. He only stopped when a shadow leaned over him, he asked what she wanted. And there was one swift movement punctuated by a sick cracking noise, then Fault was on the floor. And Miz was still crying. Fault held his jaw in terror and abject betrayal but Howler just turned around to grab her chair and move it closer to him.
Fox looked a little vindicated. Like he was adding this to his to-do list, that was steadily growing in his absence.
Because they were all wounded. Beyond compare, and yet that's all Miz could do. Say he was the one who got off easy because Fault said so. Because he was okay, he was fine, he was upright and he was okay and he was fine and he was sane and nothing bad ever happened to him. He was just wallowing in misery, he was miserable over nothing.
He needed to calm down.
It is the smell of the burning temples Swept away by rhymes
I don't know what to put here so pretend I hurt your feelings really bad because Miz.
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watchmegetobsessed · 4 years
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Floating Through Space - Harry Styles
a/n: im literally bursting from excitement over this, i’ve been working on this fic for so long and im pretty satisfied with how it turned out so i hope you’ll like it too! pleas please PLEASE don’t let this flop bc it means a lot to me 🥺 the song featured in the fic is obviously an existing one, i linked it into the right place so you can listen to it and get the vibe of it, that song is what inspired the whole story so i recommend giving it a listen! leave your thoughts and reactions, i can’t wait to read what you thought about the fic!!
pairing: Harry x Famous!Reader
warning: drug use, smut and everything thats wrong with patriarchy lmao
word count: 25.7k
masterlist
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This dressing room is no different than the other one thousand you’ve been to. The plaster on the wall is all cracked up, the red bricks peeking from under it in the corner, the dusty couch looks like it’s been through hell and just sitting on it would probably give you STDs. The mirror on the wall is cracked, the few water bottles you’ve gotten are not even cooled, they’re a warm room temperature. The glorious life of a musician, right?
Moments like this you question why you didn’t just choose to be the obedient daughter and became a surgeon like your parents always wanted you to be. You’d have a steady future and a nice income, a decent career instead of having to perform at a different bar every other night for nicks and pennies that barely cover your rent at the end of the month. But that wouldn’t be you. Wearing scrubs, smiling at patients, throwing out your dignity along with your dreams, you wouldn’t have been true to yourself if you chose that life. Besides, you’d still be in school, barely nearing the halfpoint of your education if you decided to go along with your parents’ plan and it’s clearer than daylight that the school system is just not for you. It would be pure torture if you had to sit in classes for a decade just to work a job you never even wanted.
Looking around the small dressing room you cast your eyes over your band that consists of three people. It’s a temporary set up from three guys you met along your way, all of the struggling musicians as you and you saw the as opportunities. Places would rather have a band play with several men in it than just put one single woman on stage and pray for the best. It’s the sexist part of the industry not enough people talk about. You can’t even count how many pitying stares you’ve gotten through the years when you stated that you want to make a career as a solo female singer.
“Honey, you ain’t making it without at least one man behind you,” is what they’ve always told you. So you’ve gotten yourself three until you could stand on your own two feet without a male backup. You’re using them just as much as they are using you. They were already a band when you joined them, the lead singer just disappeared to thin air with her boyfriend and left them incomplete, so you joined forces to navigate your way together in the depth of the music industry, looking for that big jump everyone is dreaming about.
Standing in front of the cracked mirror you fix your eyeliner, checking yourself once again. Your thrifted checkered suit looks radiant on you especially with the neon green see-through top underneath, showing off a black bralette. It’s a male suit, hanging a little baggy on you at places, but you still feel like you’re pulling off the look. Your thick eyeliner makes your eyes appear even bigger than they already are and your hair is in an unruly mop of curls, making your appearance complete.
You’ve received tons of critiques over your outfits, but they are the only thing you are not changing on yourself.
“Don’t wear men’s pants.”
“You’d look better in a dress.”
“Why do you look like a guy?”
“What a shame to hide such a gorgeous body in clothes that weren’t meant for girls.”
Each and every comment is burned into your mind forever and you’ll never stop fighting against the judgment women has to face for not being the conventional beauty all females are expected to be.
There’s a knock on the door and the person behind it barges in without waiting for an answer. The tall, bald guy rushes in, looking a little stressed, but that’s kind of the normal for the owner.
“I’m not sure how to say it, but… you are not performing tonight,” he simply states and your anger sets in faster than ever. You’ve had gigs get cancelled, but not minutes before going on stage. However, he is still not done with his little informative speech. “And your instruments need to be used by another band tonight.”
“What the fuck?” Trey, the drummer jumps to his feet. “No way I’m letting someone else play my drum set!”
“You’ll get half the money if you let it happen,” the owner answers.
“Wait, what band did you find minutes before start?” you ask in complete shock.
“There’s this group celebrating a birthday in the VIP section and some boy band is apparently with them. Birthday girl requested to have the stage for them.”
“And you’re just cancelling on us that easily?” you snap.
“Not that I have a choice. If I don’t do it they are leaving and I’m losing a big amount from the night. Sorry guys, but this is strictly business.”
“I can’t fucking believe this,” you laugh bitterly, staring up at the ceiling. This would have been a great chance for all of you, you’ve been trying to get a gig here for months, knowing that a lot of people from the industry fancies it, you might have caught someone’s eyes, but it’s definitely not happening now.
“Are you letting them use your stuff or not?” he urges, hands on his hips as he looks at the four of you impatiently.
“But what about our gig? We’ve been on the waiting list for months, when can we actually perform?”
“Uh, I don’t know. We’re pretty booked, maybe sometime in the summer?”
“Summer?” you gasp in disbelief. “It’s fucking February!”
“Are you lending them your stuff or not? I don’t have the time for your little tantrum!”
“Yeah, if we get the money they can use it,” Connor, the bass guitarist answers before you explode right then and there. The owner walks out with that, leaving the four of you behind, forgotten and humiliated.
“I can’t fucking believe it,” Trey groans, plopping down on the couch, covering his eyes with his tattooed arm.
“This is fucking bullshit,” you scoff under your breath, reaching for your bag to grab your pack of cigarettes you keep in it especially for cases like this, whenever you are about to go around and punch every living thing in the face in your reach.
Kicking the backdoor open you lean against the cold brick wall as you light the cigarette and start puffing vigorously, trying to get as much nicotine into your system as possible. You notice a group of guys standing near you in the alleyway, laughing on something, having a great time, oblivious to how hurt and angry you are feeling just a few feet away. You hear frictions of their conversation and it’s clear they are British judging from the accents that are hitting your ears. You finish your cigarette pretty fast and immediately reach for another one even though you know you shouldn’t have even smoked that first one, but you just can’t help it. It’s either the smoking or you’re going after the owner and kick him in the balls for being a bitch.
“Oi, can I ask for one?”
Glancing to the side you see that one of the guys has approached you, smiling at you warmly he nods towards the pack in your hands. Nodding you hold it out for him and he takes one. Before he could even ask for the lighter, you throw it at him and he catches it easily.
“Thanks,” he nods, holding the cigarette between his lips before lighting it and passing the lighter back to you.
“Lou, you really shouldn’t smoke,” you hear one of the others speak up as the rest of the group slowly joins you and the one you just helped out.
“S’fine, don’t act like me motha’,” he shrugs, taking a drag from the cigarette.
“At least not before we go on stage,” the blonde one shakes his head at his friend and your eyebrows shoot up.
“Oh, so you’re the band that’s gonna play?” you ask with a forced smile, already feeling your blood boiling. Who the fuck they are and why do they deserve to steal your gig?!
“We’re just playing a couple of songs,” another speaks up shrugging his shoulders. “No big deal.”
“Glad it’s no big deal to you, because it would have been to the band that was robbed from tonight because of you,” you spat at them, clearly surprising them with your harsh reply.
“I assume you are part of that band, right?” the on with the curly hair speaks up, his green eyes burning down at you.
“Nice job, Sherlock,” you groan, taking another drag from your cigarette.
“You could play with us,” he offers, the others nodding in agreement.
“I don’t need your pity,” you scowl at them. “Bringing me on stage to try to make yourselves look like the good guys is not necessary. I’m just fed up with people like you.” The truth is coming out of you easier than ever. All the years on injustice is seemingly erupting from you, pouring down on these five.
“People like us?” the dark haired one asks with a confused look.
“Yeah,” you nod with a bitter chuckle. “Five conventionally hot guys grouped together for a band, making every girl between the age of ten and thirty scream just by a wink. I don’t know where you came from, but I’m betting my head that you’ve had it easier than others.”
“It’s not nice to assume things when you don’t know anything about us,” Curly speaks up, tilting his head to the side.
“Oh, I’ve seen enough not to care about what’s nice and what’s not,” you chuckle shaking your head as you take another long puff from your cigarette and throw the butt to the ground, stepping on it. “Who are you even? Some Back Street Boys 2.0?” you ask, folding your arms on your chest, earning a heartfelt laugh from the blondie.
“I kinda like her,” he smirks around his friends. “We’re called One Direction, you haven’t heard of us?”
“Not even once,” you shake your head.
“That’s kinda humbling,” the one with the cigarette smiles. “We’re from the UK. I’m Louis, that’s Liam, Niall, Zayn and Harry.”
“I would say it’s nice to meet you, but it would be nicer if you guys didn’t just take my gig and lessen me with half my paycheck,” you smile at them sweetly before rolling your eyes.
“Wait, what? They’re not paying you because of us?” Liam asks.
“We only get half the money for lending you our instruments.”
“Let us pay the other half then,” Harry offers right away, but you just laugh at him.
“It’s not about the money, Prince Harry,” you smirk at him, tilting your head to the side. “It’s about justice. How is that air that you just waltz in here and take our time and chance? What if there’s a producer out there who would have liked our music and offered a record deal? What if someone would have taken a video of us performing, put it up to YouTube and it would have gone viral? I assume you never had to go through this phase where you have to beg for every minute on stage so you can at least earn enough money to pay rent. You don’t seem like the type of band who had to perform in smelly bars four times a week for a ridiculous amount of money.”
They stay silent and you know you were right.
“I’m not saying you had it easy, but I’m sure you have no idea what it could have been. And I’m fed up with men walking over others just to have what they want.”
“Look, it wasn’t our intention to ruin your gig. Have your set with your band and then we’ll play a few songs too after that,” Liam offers, but you shake your head.
“No, we weren’t supposed to be just your opening act and it’ll turn into that. So have a nice evening, enjoy your showtime, I’m out.”
Pushing yourself away from the wall you walk back into the building and grabbing your stuff from the dressing room you move out to the bar area, desperately needing a drink.
Sitting on the last stool at the bar you ask for straight tequila and two vodka shots knowing it’ll do the job for the evening and pulling your phone out of your bag, you open up Google. Searching the name One Direction you’re met with quite a few hits and you start scrolling through them, reading about the five boys you just had an encounter with. Just as you thought, they didn’t start off as a traditional band, having put together at a talent show just three years ago, getting such a major push so early in their career, they have no idea how struggling it is to make it in the industry. They surely had their fair share of ups and downs, but they will never know what it’s like to sweat blood and tears for your dream when everyone just wants to drag you down and tell you you’ll never make it.
The shots and half of the tequila is gone, your band joined you to at least get wasted as you watch the technicians set the stage for a band that’s not you, but gonna play with your stuff. Sitting on the stool you’re having a fairly good time thanks to the alcohol when you spot Harry making his way towards you in the crowd.
“Aren’t you supposed to be getting ready backstage?” you ask with an eyeroll as he joins your little circle, the guys eyeing him curiously. Ignoring your comment he pulls out a piece of paper handing it to you. As you unfold it you almost want to throw it back at him.
“This is to make up for what you lost tonight,” he says nodding down at the check in your hands.
“I told you I don’t need your money,” you firmly answer, but Trey grabs the check from your hands.
“But I do!” he snorts. He is such a pig.
“Let us do at least this one thing for you. We really do feel bad for taking your time and the offer to come on stage with us still stands.”
“No thank you,” you shoot him a fake smile before downing the rest of your tequila, the drink burning down your throat. Looking back at Harry you keep your eye locked on him as he watches you intently. He is a good-looking guy, you have to give that to him, but the circumstances you’ve met under just made it impossible for you not to hate him for the privileges he is being handed every day while you fight your way through life.
Harry sighs in defeat nodding as he licks his lips. For a split second, guilt takes over you for the way you’ve been acting towards him and the other boys, but then you remember that you don’t even know him. For all you know, he can be a royal asshole with the face of an angel. You can’t let guilt chew you and spit you out, you have to keep your guards up.
“Alright. We really are sorry. I’ll… see you around,” he nods before turning around to walk away.
You watch them perform their biggest hits, the whole place going crazy over the impromptu One Direction concert they just got for basically free. The VIP area is going crazy over the boys and with each sang song, you feel yourself getting more and more hopeless about your future as a musician. Here you are on a Saturday night, robbed from a job you’ve worked hard for, watching five British boys take your place on the stage that’s supposed to be yours tonight. You catch Harry’s eyes quite often while he is on stage, he keeps glancing in your way, a hint of guilt glistening in his green irises as he sings their songs with perfect vocals. You can tell he feels bad for the situation and you didn’t make it any easier on him or any of the boys, but you’re not really one to beat around the bush. They deserved to know what others in the industry below them have to deal with every day. It’s not always as glamorous as people might think and you’re the living example of that.
You don’t stick around for long after the boys are done on stage, you help your bandmates pack their stuff and head home before Harry or any other members of One Direction can find you.
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Walking past the news stand that’s on the corner of your street, you stop upon seeing your own face smiling back at you from the cover of People Magazine, the title catching your attention.
“Grammy nominee Y/N Y/L/N shares her secret to her one of a kind fashion style.”
Grabbing the magazine off the stand you pay for it and continue your way home, holding the copy to your chest with a warm feeling in your heart.
It’s been only a week since the nominations have come out, but it still feels like a dream. You didn’t just get nominated in the category of Best New Artist, but your album Hands of Power got nominated as Best Album and your biggest hit of last year, Sleepless is running for the title of Best song. Three nominations the first time earning a spot on the list. Not bad.
Just as you walk into your place, your phone buzzes, the ever so smiling face of your manager staring back at you from the screen.
“Hey!” you sing into the phone, holding it to your ear with your shoulder, taking off your boots as you walk further down the hallway.
“Are you home already?”
“Yes, just arrived.”
“Great, I’ll be there in ten,” she announces and ends the call. Chuckling you just shake your head, dropping the phone to the coffee table before you move to the bedroom and change into something more comfortable. The flared jeans looked fire on you today, but you rather wear something looser when you’re at home.
You barely have the time to start the water for a tea when Taylor storms through your door using her keys you’ve given her some time ago. She is wearing all white that looks fantastic with her almond skin tone, a knitted sweater tucked into a maxi skirt, paired with strappy heels, she is always so elegant and perfectly dressed for whatever occasion.
“I have knee-shaking news, girl!” she announces as she throws her purse to the couch before joining you in the kitchen.
“I’m going to be the next Bond girl?” you joke smiling to yourself as you get two mugs from the cupboard.
“Better than that!” she cheers. “You are going to perform at the Grammy’s, baby!” she screams throwing her hands into the air as your jaw drops to the floor.
“You’re not just kidding with me, right?!”
“I would never play such a dirty joke with you. It’s one hundred percent true, I had an hour long phone call with some bloke today and they want you.”
“Yes!” you scream in excitement, jumping up and down like a child that just got a pack of candy. “I’ll make the Grammy’s my bitch!” you cheer, making Taylor laugh.
“Alright, Miss Dominatrix. We still have a lot of things to discuss and there’s one more thing about the performance.”
“Oh God, is this the part where you say something that ruins it completely?” you sigh in defeat as you take the kettle and pour the water into the mugs, dropping a filter into each.
“I don’t think it ruins it,” she shakes her head, but you have a feeling you won’t like what she has to say. “They want it to be like a… joined performance. You’d start off with Sleepless, then it would kind of mesh into your partner’s song and they would end it with one of their own songs.”
“Okay, that doesn’t sound bad,” you nod.
“See?” she smiles warmly.
“Do we know who I’m going to perform with?”
“Harry Styles.”
You almost drop both mugs the moment the name is mentioned, but you manage to get them to the kitchen island and slip them to the counter, Taylor giving you a questioning look at your wide-eyed expression.
“Uh, I’m not sure that’s… gonna work,” you clear your throat.
“You’re not sure your duet with the biggest male artist can work? Why is that?”
Licking your lips you try to find the right words to say it, but you’re not even sure why you got so shocked over it. Probably because the last time you saw him, you were still nobody, playing gigs at no name bars and he took your spot on the stage with One Direction. It’s weird, but since you’ve finally made it in the industry, you haven’t crossed paths with him and this would be the first time you meet after seven years.
“I’m not sure if he remembers it, but we’ve met before.”
“You and Harry?”
“Yes. I was playing with The Gambits years ago, it was before I started putting out covers on my own. We were supposed to play at this bar but they cancelled on us, because One Direction was there that night and someone wanted them to play instead of us, so we lost the gig. I had a pretty… harsh conversation with him and the band, basically telling them that their pretty man privilege is what ruins the careers of talented women.” “Oh Jesus, Y/N. Why haven’t I heard of this before?” Taylor sighs leaning on her elbows on the countertop.
“Not that it’s something that would just come up in a conversation,” you shrug. “And as I said, he might not even remember it. It was a long time ago.”
“I know you are all about your rebellious past, good for you, but sometimes you’re making my job really fucking hard,” she sighs, grabbing her phone, already typing a message to God knows who. “Starting beef with Harry Styles before you even made a name for yourself? Who does that?”
“It’s not beef!” you protest. “I just gave them my piece of mind.”
“We’ll see what he thinks about it. I have to make a few calls,” she announces before walking out, already on the phone with someone.
Sitting on a stool, staring into your mug you think back at the time you met him. It feels like a lifetime ago when you were fighting to stay afloat, trying to make through the days, barely hanging on a thread. You didn’t know that five years later you’d sign your first record deal as a solo artist and seven years from that night, you’d be a Grammy nominee. It was a long and challenging time for sure with way more downs than ups until you finally got on track and you’ll never forget where you came from. Not when even as an acknowledged artist, you still face judgment and hatred no matter what you do. Being a solo female singer sometimes feels like harder than being president of the country and there are just so many things that need to change in the world of music, you will never stop fighting for girls that are in the same shoe you once were.
Through the years you’ve followed the career of the boys, especially Harry’s. You read about Zayn’s parting, their so-called hiatus and how they all went solo soon after. Genre-wise Harry’s work is what stands the closest to you, and you’ve witnessed all the backlash he has faced during his time in the spotlight. The shaming for whatever women he chose to date, his choice to get into acting and the way he has been dressing. People just don’t seem to understand they can’t have control over any of these and they’ve tried to bring him down one too many times, but he has been thriving lately, anyone can see that.
Your mug empties out by the time Taylor returns, taking her previous stop at the kitchen island.
“Alright, I set up a meeting with Harry and his manager for tomorrow. They still haven’t decided on the performance and apparently, Harry would like to meet you before giving his answer.”
“Oh God, he remembers me,” you growl under your breath.
“Or maybe he doesn’t and just wants to meet the person he is supposed to perform with. We can never know. We’re meeting them at his manager’s office at eleven tomorrow.”
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One night is enough to make you go crazy over such a small thing as meeting someone. It’s not like you are nervous to see him because of who he is, it’s more about knowing what he thinks about you after all these years, in case he remembers you. He saw you as a struggling artist at rock bottom and though your encounter didn’t last long and he didn’t know you on a deeper, personal level, you still fear that he remembers and thinks that you’ve lost yourself over the years.
Authenticity has been a huge issue in your life. Early in your career, everyone wanted to change you. The way you dress, your hair, the style of music you write, nothing was good enough as it was, they wanted you to become someone else, someone who was not you. You fought all attempts until the right person came through and accepted you as yourself, but a tiny voice in the back of your mind kept telling you that they succeeded, that somewhere along the fight you did lose yourself and became what you always feared to be.
Meeting Harry is like meeting a piece of your past and having to face what you’ve become. It’s going to be like a mirror right in front of you and what you’ll see might not be what you expect.
Wearing your bright red dungaree with an oversized vintage shirt and a pair of white sneakers, you definitely don’t look like you’re dressed for a business meeting, but when did you ever? Pushing your hair back with a pair of cat eye shades, you leave a little earlier, knowing well traffic is horrible in these hours. You arrive to the office building just minutes before eleven, Taylor has already texted that she has arrived and which office you should come to. When you finally find the door you’ve been looking for, you take a moment to yourself before knocking.
“Come in!” a male voice calls out and you walk in. Taylor is sitting on the sofa that’s pushed against the wall on the left, a man is sitting behind the enormous desk and then there is Harry, standing by the window, his hands hidden in the pockets of his black slacks, and old Rolling Stones t-shirt hanging loosely on his frame as his eyes meet yours upon your arrival.
“Hey, I would say I’m sorry for being late, but I’m actually exactly on time,” you smirk, closing the door behind you. The man stands from the desk and walking around he meets at the front, holding a hand out for you.
“Perfectly on time,” he smiles warmly. “I’m Jeffrey Azoff, nice to meet you.”
“Y/N Y/L/N. Nice to meet you too.”
“And this here is Harry,” he motions towards the man who has stepped closer and as you look back at him, you’re met with a blank expression for a moment so you can’t figure out if he remembers you or not. But then, a tiny smile tugs on his lips as he holds his hand out for you.
“We’ve met before, right?” he simply questions, and your eyes flicker over to Taylor in a kind of “See? I told you!” manner before you look back at Harry and shake his hand.
“Yeah, we have,” you nod. “A long time ago.”
“Congrats for your nominations,” he smirks, his hand letting go of yours and your let out a soft chuckle.
“Well, thank you. Back at you.”
“Alright, why don’t we start this discussion? We have a lot to go over,” Jeff suggests and you sit beside Taylor while Harry stays near the window, as if he is trying to soak up the sunshine coming through it that’s painting his skin a golden shade.
The concept is simple. The performance would be a mashup from Sleepless and Harry’s song Golden with an exciting and fresh way of mixing the two songs together in the middle, making your song flow into his in a smooth and effortless way. The songs sound compatible and you already have an idea how to mash them together for the transition, but you can’t help but feel doubts over the performance.
“What are your concerns exactly?” Jeff questions.
“Not to come off too harsh, but why is my song the first one?” you ask, earning a few puzzled looks. “If Harry finishes it off, he is going to be the one people will remember more and he’ll get the applause as well. The riffs in the songs allow them to be switched, how come it’s not me who comes second?”
You can see the shock on Jeffrey’s face at how straight-forward you were about your concern and that you even dared to speak up about the issue. He clearly hasn’t had to face anything similar before and when he glances at Harry you follow his gaze as well, but instead of shock, what you see on his face is amusement. He is smirking, tapping his fingers against his chin as he stares back at you.
“She has a point,” he nods and you take a deep breath. For a moment, you really thought this is going to be the part where you are thrown off and Harry makes the performance only his.
“I, uhh—this is what’s been requested,” Jeff answers and you tilt your head.
“Okay, can we make a request to change it?” you simply ask, eyeing Taylor next to you who is typing on her iPad vigorously, taking notes of everything that’s said. She is already used to what you’re like, she is not even surprised you came up with the prompt to change.
“Hold on, so just because you want to be second, you get to be?” Harry questions, but he doesn’t come off as harsh, it seems like he is entertained by the conversation. “Does this mean I don’t deserve to be the second one?”
“That’s-That’s not what I meant,” you answer, taken aback from his accusation and you hate to admit, but he is right. You addressed the issue, but it doesn’t mean he doesn’t deserve the spot either.
“Alright, so then we need to seek a solution that benefits the both of us,” he offers, walking closer from the sunlight and you follow his every movement.
“We could do some kind of medley? Do an ultimate mashup from more songs and have more smaller parts split between us, finishing it together,” you suggest and he nods.
“That could work, but I have something else on my mind.”
“And what would that be?” Jeff asks, a little lost about the situation as he watches the two of you exchange ideas.
“We could write a song together, a duet, and perform that instead of our solo stuff.”
“What?” you snap right away. “You want to write a whole new song just for the Grammy’s?”
“Why not?” he smiles carefreely. “We have almost two entire months to do it, albums have been written in shorter periods, I’m sure we can handle just one song. And I think a collaboration would be a hit for the both of us now.”
You look at Taylor who just stares back at you, ignoring the panic in your eyes.
“Don’t look at me,” she tells you. “I can see the collaboration working, it could be a huge hit.”
“And what, we’re gonna release it as a single after the show? Whose song is it going to be? I don’t have an album coming up until next year, do you get to have it on your third one then?”
“We can put it out as just a single. No one has to have it on any albums,” Harry replies. “If we released it after the show, it would be just the right timing. Neither of us had any new songs out in a while.” Clenching your jaw you’re trying to find a way out of this collaboration, though you’re not even sure yourself why. Taylor sees right through you, knowing well you’re planning your escape, but she has other plans apparently.
“Y/N, let’s have a few words outside,” she pushes herself up and pulls you with her. Once the door is shut behind the two of you she starts right away. “What the fuck is your problem? The song is a huge thing, it would be an instant hit with him on it!”
“Why do I need a song with him to stay relevant?” you question, folding your arms on your chest.
“No one said it’s about that. But we both know it would be a great push to your name that Jordan has stomped over not so long ago, calling you a Feminist Nazi.”
“Don’t even fucking mention him!” you whisper yell, refusing to even think about that trashbag of a man that ruined your life with his fake accusations.
“Look, I know what you are thinking, that you’ll be seen as just an object next to him, a pair of boobs and nice legs, but that’s not his brand. He doesn’t need you to be sexy next to him, he is known for his honest and real works that go farther than just twerking and being a hoe. We both know he produces meaningful music, so why are you so against it?”
“I just… I-I’m scared to work with him,” you finally admit and it’s the first thing today that surprises Taylor.
“Scared? Thought you’re not scared of anything,” she huffs.
“I never said that,” you give her a look. “Harry met me when I was nobody, it was just me and my big mouth, trying to find my breakout. What if we start working together and he sees that I completely lost that version of myself? I would feel like a liar, an impostor.”
“You are overreacting,” Taylor sighs. “You’ve changed on your way here, but I doubt you are that far from the girl he met before. I know we didn’t meet just a few years after, but I can assure you, you’re still that big-mouthed pain in the ass who fights every norm in the industry like no one else.”
You know she is right, she is always right. Taylor knows you too well, that’s why you love working with her, but sometimes, her honesty throws you way off, especially when she is stating the truth.
The two of you rejoin the two men in the office and they both look at you with anticipation as you fold your arms on your chest and move your gaze over to Harry.
“I would… love to work on a song with you.”
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When you agreed to work with Harry you didn’t think you’d find yourself heading over to his house a few days later to have a writing session, but he offered right away that day in the office and Taylor accepted it before you could protest. You’ve had a day filled with meetings and fittings and now you’re rolling up his driveway after punching the security code in that he shared with you over text.
You’ve exchanged numbers on the spot and just like that, you’ve become one of the few people on this world that could contact Harry Styles anytime they want to.
You chose to be casual for the occasion, wearing a pair of black sweatpants and a white hoodie, you like to be comfortable whenever you’re working on new music and Harry’s presence won’t change your ways about that. You’re not sure what to expect, if you’re being honest you’re still afraid of being alone with Harry and do such an emotional thing together as writing a song.
The front door opens just as you get out of your car, grabbing your bag from the passenger seat. Harry walks out wearing a pair of shorts and a green hoodie, looking like he hasn’t left the house all day.
“Hey, you found the address easily?” he asks smiling as you walk up to him.
“Yeah, everything went fine.”
“Do you want something to drink or eat maybe?” he offers as the two of you walk inside. If you’re being honest, you’re starving, the last time you had anything to eat was between two meetings around ten, but nothing since then, just a granola bar. But you’re a first time guest, you can’t just eat up his fridge, like you’re old pals, right?
However, Harry can see right through you.
“You haven’t had anything in a long time, right?” he softly asks and you purse your lips, feeling awkward already and you haven’t been here for more than two minutes. “I can make you a sandwich, if you’d like.” “Harry, no need, I—“ “No need, but I want to. Come on,” he nods at you, making you follow him into the kitchen. “So, who would have thought we would be here now, huh?” he smirks at you as he gathers the ingredients and starts working on your food while you sit on one of the stools at his kitchen island.
“Not me,” you admit chuckling. “I kind of didn’t think I would see you again, I mean, personally. I was seeing you a lot on TV after that.”
“Now might be a good time to confess that, that night wasn’t the last time I saw you.”
“What?”
“I went to one of your gigs a few weeks later. Stayed at the back, I just really wanted to see you play.”
“And what did you think?” you ask tilting your head to the side. Harry smirks, his eyes meeting yours before they return to the food under his hands.
“You absolutely smashed it. And I felt even worse for taking your time away that night. The people were robbed from a mind-blowing performance and had to see five annoying guys clown on the stage,” he laughs making you chuckle too. “I wasn’t surprised when your name surfaced a few years later. Knew you’d make it at one point.” He joins you at the island and slides the plate in front of you with a warm smile.
“Thank you,” you mumble smiling shyly before you start eating and only after the first bite you feel just how hungry you’ve been. “Now that we are at it, I want to apologize for the way I talked to you guys back then. I feel like I was a bigger asshole than I should have been and the whole situation wasn’t entirely your fault.”
“No need to apologize,” he shakes his head. “You were absolutely right. We had no business being on stage that night and what you said actually made us think about where we came from and appreciate our career more. You were right about having it easy at the beginning. We never had the phase where we had to push our way to the top like other artists, our first days were broadcasted on TV, giving us the biggest push ever.”
It’s good to hear he is not holding grudges against you for whatever went down in the past. You eat in silence while Harry types a response to a message on his phone before turning it with the screen down to pay his full attention to you.
“I actually just messaged Niall that we are working together and he is losing his shit over it,” he chuckles softly.
“You guys still talk?”
“Yeah, sometimes. Not all of us thought,” he adds, pressing his lips together.
“You miss being with the band?”
“It’s… good to rely on someone in certain situations. As a solo artist, you only have yourself and that’s about it. But I think you already know that.”
“I never really liked being in a band,” you admit.
“How come? I think you fit in well with The Gambits.”
You shrug, chewing on your bite slowly. It’s probably not the best time to admit that you prefer working on your own, when you’re about to get into a duet with him.
“I uhh… I always imagined myself being a solo artist and I just couldn’t stay with the guys too long, especially when I got my record deal.”
“Why?” Letting out a long breath you lick your lips looking at him.
“I would have never made it in a band with three guys. It would have always been about which one I’m sleeping with, who am I having an affair with or if I’m lesbian because I’m not hooking up with any of them. This is just how it goes for women.”
Harry stays quiet, taking your words in as you finish the sandwich that was literally lifesaving. You wash the plate even when he tells you to just leave it in the sink, and once that’s done, the two of you move over to his little home studio in the basement of his house.
“So, where do we start?” you ask, making yourself comfortable in one of the armchairs while he grabs an acoustic guitar and sits on the one next to you.
“How do you usually start writing?” he asks scratching his chin before he rests his hands on the body of the guitar.
“Well, most of the times I write when I’m pissed about something,” you huff and Harry smirks at you.
“Nothing pissed you off lately?”
“Not enough to make me write a song,” you point out. “See, this is one of the reasons why I was hesitant to write a song with you. It doesn’t come that easily for me.”
“And what were the other reasons?” You shut your mouth at his question, you weren’t expecting him to pick it up, but apparently, he listens more than you thought.
“It’s… a long story.”
“And we have all the time,” he smiles slyly. “But of course, don’t feel pressured to share. I just thought it would be nice to get to know each other more so we can work together easier.”
Harry starts strumming his guitar gently, playing random riffs as you watch him, chewing on your bottom lip. Taylor asked you to try and be more open than you usually are and though part of you wants to keep the wall high between you and him, something is telling you to try and reach out to him.
“I didn’t want to do it, because I didn’t want to be seen as just a pretty face next to you. In duets between a man and a woman, females are often seen as just an object, a sight for the eyes but not as serious artists. I worked hard to be taken seriously and I was hesitant about collaborating with you even though your music is not necessarily what I should fear.”
Harry looks back at you with an unreadable expression and you feel like he is judging you for standing up for yourself. Your fight for yourself is often mistaken as “being a bitch” or “being too sensitive” and the amount of times you’ve been told to just chill is upsetting.
“Well, good thing then that I won’t write music about twerking,” he then finally speaks up, a smile breaking his blank expression.
“But you do write a lot about sex,” you point out with a smirk.
“That I do, but it doesn’t necessarily have to be sexist at the same time.”
“You’re right,” you nod smiling.
 The writing process turns out to be harder than you thought. You’re not specifically inspired and Harry is the person to just throw things around until he finds something he likes. The two of you put together is kind of chaotic as you try to come up with something useful.
Two hours later you have a raw version of a melody that could serve as a chorus, but nothing else, no full melody, no lyrics. And if you’re being honest, you don’t like that chorus that much either.
“It’ll be fun to just stand on stage for three minutes and do absolutely nothing, because we couldn’t write anything,” you groan, sliding lower in your seat, rubbing your face with your hands.
“It’s literally our first session and we have plenty of time, Y/N. Don’t stress about it.”
“I don’t know how to do that.”
“You don’t know how not to stress?”
“I literally haven’t had a stressfree day since about 2007, so no, I don’t know.”
“You can’t chill even when you smoke?” he asks and you give him a puzzled look. “What, you smoke, don’t you?”
“Cigarettes? I put it down in 2015.”
“No, I’m not talking about cigarettes,” Harry chuckles softly. “You don’t smoke weed?” You shyly shake your head. “Really? I would have sworn you’re the type to relax with a good joint. Want to try it?”
“What? Now?” you ask with wide eyes.
“Why not?” he shrugs and walks over to the little side table in the corner of the room and reaching into it he simply pulls a little plastic bag out with three joints in them.
“Are you just casually keeping joints around your house?”
“I don’t really smoke them, they make me feel sleepy. But some of my friends like it so I keep a few around,” he explains as he takes one out and puts the rest back. “You want to try?”
“I-I’m not sure… I have to drive back home.”
“You can stay for the night, I have three guest bedrooms,” he shrugs before his eyes meet yours. “Again, not trying to pressure you, I’m just offering.”
“Are you gonna smoke?”
“We can share one if you want. I would recommend smoking one by yourself for the first time.”
“Okay,” you nod shortly as you watch him tip-tap the joint a little, rolling it between his fingers before he takes it between his lips and reaches for a lighter. “Wait, shouldn’t we do it somewhere outside? The smoke is gonna get stuck in here.”
Harry stops, thinking about what you said and he nods. Grabbing the guitar he asks you to follow him and the two of you move up and out to the terrace, sinking into his lounge chairs. You bring your knees up to your chest, hugging them tightly as you watch Harry light the joint and take the first few puffs. As he exhales the smoke he holds the joint out for you and you take it, hesitantly putting it between your lips as you inhale for the first time. You can’t help but scowl at the taste, the whole act of smoking feeling strange after years of smoking your last cigarette. You keep it down a little before puffing the smoke out and passing the joint back to Harry.
You keep switching until you make it past half of it and you finally start to feel the effect of it. You feel light, like you’re floating in the pool that’s in front of you, you can almost feel the water touching your skin yet you’re still dry.
“How are you feeling?” Harry asks, blinking at you with hooded eyes.
“I’m feeling… fine,” you chuckle softly as you take the joint from him and drag from it again. “Do you do other drugs?”
“I’ve done shrooms a few times, not often though. I’m not trying to pick up an addiction,” he smiles softly, running a hand through his hair. “Have you done anything?”
“No,” you shake your head. “Didn’t have the money for it before and then didn’t have time later. But I never really felt the need either.”
“And you said you put down the cigarette as well?”
“Yeah. I knew I had to do that sooner or later, it was starting to change my voice and I couldn’t have that.”
“That’s what we always told Louis, that his voice will turn to shit if he keeps smoking,” Harry chuckles softly, dragging from the joint before he passes it over to you, not much left of it.
“Did he ever stop?”
“I think he put it down when his son was born, but I don’t know if he started again.”
You give the joint back for him to finish it and you watch him put it out in the ashtray before he sinks down in the lounge chair, closing his eye for a bit, breathing steadily. You find it amusing how you can still see the guy that handed you a check years ago at that bar, trying to make things right, but he also looks like a completely different person at the same time. He is more mature and open in his mindset and just the way he approaches things in general. The Harry you met seven years ago was still searching his way, but the version lying next to you now is a lot more confident in who he really is.
“Want to take a picture?” he hums keeping his eyes closed.
“What?”
His eyes peel open and turn to face you, a smug smirk on his lips.
“You’ve been staring at me. Take a picture, it lasts longer.”
“You are way too full of yourself,” you scoff and pushing yourself up from the lounge chair you walk over to the edge of the pool, mesmerized by the way the light is dancing on the surface.
You never really thought about what weed would feel like in your system, but it feels oddly tranquil and relaxing. In a way your body feels a little strange, like it’s not even yours, but you also sense everything very… loudly.
“You alright?” you hear Harry’s voice coming from behind, the tapping on his feet signaling that he is walking closer to you.
“Yeah,” you nod without taking your eyes off of the water.
“Do you want to go for a swim?”
“What?” you breathe out turning to face him.
“Do you want to go in?” he rephrases his question with a small smile.
“I don’t… have a bathing suit,” you answer and the moment the words leave your mouth they feel so ridiculous even when you were just stating the truth.
“Okay, but you are wearing underwear, aren’t you?” he smirks. “Or I’m completely fine if you want to go in naked,” he adds smugly.
“Shut up,” you chuckle. “Can you… maybe give me a pair of shorts? I’m fine without a bra when I come out but I would rather have my underwear on dry.”
“Sure,” he hums and turning around he jogs back into the house while you stay right there, staring at the water again.
With each passing moment you get calmer, the outside world and everything in life that’s not happening right in this moment eases into nothingness, your mind numbs in the best way possible.
When Harry returns he is wearing a pair of yellow swimming shorts, two towels are thrown over his shoulders and he has a pair of white shorts in his hands.
“This is the smallest thing I have, I think it’ll be fine,” he comments handing you the shorts.
“Thanks,” you nod before he shows you the way to the closest bathroom where you change out of your clothes leaving them in a neatly folded pile on the counter, you put on the shorts that are a little big on you, but once you’ve tied the strings it seems to be staying up steadily. Your simple black bra is not showing more than what a bikini top would, so you feel fine walking out in your attire.
Harry is sitting at the edge of the pool, his legs moving around in the water. His head lifts hearing your steps and he smiles at you, standing up when you arrive.
“Fits fine,” he nods, taking a look at the shorts.
“Yeah,” you chuckle.
Walking over to the steps you dip your feet in first, testing the temperature before you start going in further, Harry following you right behind. Just as you expected, the water feels smooth against your skin, warmly caressing and swallowing your body as you get in, the surface reaching your chest. You let your arms move around, feel how the water runs through your fingers, it’s amusing and you enjoy it probably more than you should. It’s just water, but right now it feels like a pile of clouds.
“I know I suggested to smoke and then swim, but please don’t drown into my pool, I won’t be able to talk myself out of that,” he chuckles, easing him into the water until it reaches his neck.
“My life is in your hands, Harry,” you smirk at him before you follow him and let the water swallow your whole body up to your neck.  “This feels so nice.”
“Yeah? You like it?” he smirks.
“Mm, like I’m… floating through space.”
“In a sense, you are floating in the water,” he chuckles. “You don’t feel sick, right?”
“No, I’m fine,” you smile at him shortly.
You move over to the edge of the pool, laying your arms to the side, holding yourself up so your legs could float in the water. You watch Harry dive under and swim across the pool, reaching the far end before he pushes himself over to you.
“When I went to see you perform there was a song I really liked, but I never found it anywhere later.”
“Which one?”
“The chorus went like… Crashing and crumbling, I’m fighting for my breath, Today won’t be the day I’m meeting death…”
You suck on your breath, surprised how well he remembered the lines even after so many years. He recalled them perfectly, even singing the melody a little with them.
“I never recorded it in studio,” you admit quietly.
“Why not?”
“Because it felt too emotional and I didn’t want it to be just out there.”
“What was the name of the song?”
“It’s called Till I Die. I wrote it when…” You take a deep breath, feeling heavy just by talking about it, but something is urging you to share it with him. “I left from home right after I graduated high school, broke contact with my parents completely and I had a few very rough years, trying to just… keep myself alive, I guess.”
“Can I ask why you left your parents?”
“We had very different visions of what I should become. And I didn’t intend to live the life they imagined for me. My parents are very… traditional, my career in their eyes is just some kind of circus when I’m the clown on the stage. They don’t take any of it seriously and they made it very clear at the beginning that they don’t want me to become a musician. I was supposed to become a surgeon, my dad is one and my mom is in criminal law, they both worked very hard to get to where they are, but they don’t think that’s exactly what I’m doing as well.”
The last person you shared it with was Taylor and though it feels odd to open up about these old wounds again, but having Harry as the one listening to you just feels right.
“You haven’t talked to them since you left?”
“No,” you shake your head.
“And they didn’t even try to contact you?”
“Well, I made sure they couldn't. Changed my number first thing I set my feet outside the house and I never left them any of my addresses. I know it sounds cruel, but I didn’t want to do anything with them after the shaming they put me through when I told them I don’t want to become their perfect little daughter. They told me that I could consider myself disowned from the family if I dare to even write a song.”
“Woah, that sounds really tough.”
“It was,” you nod. “I wasn’t asking them to support me in any other way apart from just being there for me. It’s not like I wanted to spend the money the put aside for my tuition to buy guitars and tour the country, I just wanted them to… accept who I am, but apparently, I asked for too much.”
You feel tears forming in your eyes, but you wipe them quickly. It’s been long since the last time you let the thought of your parents, you’ve been good at keeping these feelings bottled up and in the deepest end of your mind. It’s not like you’re going around and just share your trauma with anyone you meet, but it felt comfortable to share it with Harry.
“I’m sorry about that. Everyone should have a support, especially in our job.”
“I had… myself,” you chuckle bitterly. “Became pretty good at relying only on myself.”
“I’m guessing it’s another reason why you prefer working alone, right?” he smiles at you softly.
“You could say that,” you nod into the water.
“I know it’ll sound cheesy, but… if you ever want to talk, I’m here,” he offers.
“Oh, are we becoming friends?” you ask chuckling.
“We’ve known each other for long enough to be friends, am I right?” he smirks, splashing some water in your way.
“We met a long time ago, but that doesn’t mean we know each other. Everything I know about you is from articles and gossip sites and I think you can only say the same thing,” you point out.
“Okay, then let’s get to know each other.”
“What, do you want to play 21 questions now or something?” you huff.
“Damn right,” he smirks.
And that’s exactly what you do. Swimming around in the pool you ask each other questions, some are funny, some are more serious and you slowly start to get to know each other, seven years after meeting for the first time, but in a way it feels like it’s been just last week when you were talking in the alleyway.
The weed soon dies down in your system, leaving you incredibly tired and it’s only then you realize it’s already past one am. Pulling out of the pool, you both grab a towel drying yourselves up before making your way back into the house.
“The guest bedroom next to mine has a bathroom so I think that’s the best one. I can give you something to sleep in if you’d like,” Harry offers as you follow him down the hallway.
“I think I’m fine in my sweats, but thank you.” He shows you the room, tells you how to change the AC if you feel too cold or hot and then bidding goodbye he is about to go to his own room when you stop him.
“Thank you for… today. I know we didn’t get far with the song, but… I liked hanging out with you,” you admit with a shy smile, leaning against the doorframe.
“Don’t worry about the song, it’ll be fine. And I liked it too. We can make it a regular thing, if you want. You can come over, we’d chill and try to cook up something for the song.”
“I, uhh… Yeah, that sounds good,” you nod, he shoots you a smile before turning around and disappearing in his room.
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The morning doesn’t turn out at all any awkward, especially because you don’t get to stay around too long. You have a meeting at eleven so you have to leave in time to go home and get changed before that. Harry makes you coffee, which is lifesaving, the two of you sit at the terrace as you drink it and you arrange to meet in two days to try and have another, hopefully more successful session for the song.
You genuinely enjoyed your time with Harry and to think that you didn’t only smoked weed for the first time with him, but also opened up about your parents, you feel a kind of connection forming and you can only hope you’re not gonna regret it later.
You move on with work after leaving from Harry’s that morning, you have some fittings for upcoming photoshoots and an interview scheduled, so there’s not much time for you to sit around. Tonight you’re supposed to meet Harry again at his place for another session and you feel buzzed about it. You meet Taylor for lunch, sitting on the terrace of your usual place she is talking you through everything that’s coming up the next week, just like you always do so then you can put work aside and have a real chat.
“So how did the writing session go?” she asks, digging into her salad that she always asks with extra chicken.
“The writing? Not so well. But we had a good time,” you truthfully admit.
“Good, good! You’re finally making friends!” Taylor grins, satisfied with the news. You just roll your eyes at her, turning back to your food right when you notice that your phone has been blowing up with notifications.
Huffing you grab it from the table with the pure intention of muting it down completely, but then you see that several people have texted you the same link and it bugs your curiosity so you open one of the messages and tap on the link.
“You have got to be kidding me,” you groan, feeling your rage already pushing up your spine, clouding your vision in red.
“What?” Taylor snaps, reaching for her phone out of reflex.
“That fucking asshole dragged my name again!”
“Who? Jordan? That fucker never learns?” Taylor hisses, her thumbs vigorously typing on the screen immediately.
“Someone asked him about me on Twitter and he dared to call me a lying bitch! I can’t fucking believe this man!”
You and Jordan worked together on a project a while ago. You were supposed to write lyrics to a song he was composing and it was meant for an upcoming popular Netflix show, so the anticipation around the song was huge, especially when word got out that Ariana Grande might end up singing it. During your time working together he very blatantly tried to hit on you, which you politely shut down, because one, you didn’t intend to date someone you were working so close with and two, you just simply weren’t into him. However, he couldn’t take rejection the way a mature, almost thirty years old man should. It started off very subtly, but once you’ve had a chat with him to stop posting obnoxious and suggesting things about you on his social media, because it’s making it hard for you to be taken seriously as an artist and that people will just see you as another celeb which you don’t want to be, he just completely lost his shit. He called you different names on Twitter a few times, the worst were Feminist Nazi and a cock teasing slut, and he just somehow never fails to mention that you lied about your intentions with him, when you were clearer than daylight that you didn’t want a thing from him other than work.
When you realized he isn’t going to be stopping anytime soon, you took him to court, dragged his ass in front of the judge and won the case, which ended with him having to pay you thirty thousand dollars and he was ordered to clear all his platforms from your name for good. You really thought that taught him a lesson, especially because against your will, the case got some publicity and he ended up making headlines about the fault accusations he made about you, but it seems like he didn’t have enough.
You wouldn’t worry that much about his new tweet, knowing that he is the one lying, but the trials took a toll on you. It was at the beginning of the time when you were making yourself a name and even though you won, his accusations stung for some people and some even thought him to be the victim. You fell out of two brand deals and an important interview in the upcoming months which was a major setback and all for what? Because a man couldn’t accept rejection? The sad part is that if it would have happened the other way around, he wouldn’t have had to suffer any effect of it, people don’t tend to question a man’s words when he is showing this charming and nice persona to the public. If you accused him the same way you would have been dragged and titled as a sour crybaby and Jordan’s life would have carried on the same way.
The peaceful lunch soon falls through as Taylor turns on her beast mode to at least get the tweet down as soon as possible, already contacting the legal team you worked with before. It has to be against what you agreed on at the end of the trials, he can’t just go around and drag you again without any consequences.
In just about twenty minutes, the tweets disappear from Jordan’s feed, but you know it was already late the moment he posted it. If something gets out on the internet it never goes away, there are probably hundreds if not thousands of screenshots floating around that will preserve his words forever.
You part ways Taylor as he heads to an immediate meeting with the lawyers you worked together previously, she tells you to try not to worry about it, but you can’t just turn it off in you, that’s not how it works.
Making your way home you keep riling yourself up about it, thinking about what it’s gonna cause you this time, what opportunity is going to be taken because a man has called you a lying bitch, even after winning the previous trial against him that proves how big of an asshole he really is.
Changing into a casual attire you head to Harry’s place a little earlier, hoping it’s not a problem you get there an hour before you were supposed to. Arriving you’re a little taken aback seeing that there is another car parking on the driveway that’s not his and you immediately regret coming here, but before you could leave, the front door opens and Harry walks out. You couldn’t have left without noticing, the security system must have signaled your arrival when you punched the opening code in.
“Hey, everything alright?” he asks instead of questioning your early arrival.
“I uhh—I’m sorry for being early, I could go—“
“Don’t be silly, come on in!” he waves at you and you walk up the stairs. “Two friends are here but they were just about to leave soon,” he explains as you walk in.
“Sorry for crashing the party,” you let out a soft chuckle.
“The more the merrier,” he smiles. “You seem a little stressed, everything okay?”
“Yeah, I just… It’s nothing,” you shake your head.
“Oh my God, is that who I think it is?” you hear a woman’s voice from behind and turning around you see a smiley brunette walking towards you, a shy looking guy following behind her.
“Sarah, this is Y/N. Y/N, this is Sarah, my drummer, and that wanker over there is Mitch, my guitarist.”
“Nice to meet you.” Shaking hands with both of them you realize they look familiar from pictures you’ve seen from Harry’s tour.
“I saw that ugly tweet today, that guy needs to be kicked in the balls,” Sarah sighs with a sympathetic smile, Harry’s ears perking up.
“What tweet?” he asks, eyes switching between you and Sarah.
“Oh, just… Jordan Wells thinks it’s fine to drag people with absolutely no truth behind his words,” you answer with a tight-lipped smile.
“Jordan Wells? The name rings a bell,” Harry hums.
“He is a music producer,” Mitch chimes in.
“I think he was supposed to write for 1D one time, but the deal fell through. Guess we didn’t miss out on anything,” he jokes and it brings a genuine smile to your face.
“You surely didn’t,” you comment under your breath.
You chat with Sarah and Mitch for a bit before they decide to head out, but Sarah asks you to come around sometime they are hanging out and you gladly say yes, wanting to know her and Mitch better, they seem like great company and even greater musicians, it’s always good to meet people who are like you.
As Harry walks his friends out you make yourself comfortable on the couch, reading Taylor’s texts about the update on the recent actions, she has gotten in contact with Jordan’s team and legal steps will be taken if Jordan doesn’t show any sign of improvement in the very near future.
“Hey, want something to drink? Wine or beer maybe?” Harry walks in as you look up from your phone.
“Wine sounds fucking fantastic,” you breathe out earning a soft chuckle from him. You follow him into the kitchen and watch him get a bottle of white wine with two glasses. “I hope Sarah and Mitch didn’t leave early because of me.”
“Oh, not at all. They knew you’d be coming over and would have left around this time, so don’t worry about it.”
He joins you at the kitchen island with the two glasses handing you one and you take a sip from it with a satisfied hum.
“So, want to talk about this Jordan ordeal?”
“There’s not much to talk, really,” you shrug. “He is a jerk and I just can’t seem to get rid of him and I didn’t even date the guy…”
“What did he do this time?”
“Oh, he just casually called me a lying bitch on Twitter, so that’s fun,” you let out a fake laugh, raising your glass before taking a big swig from it.
“Not that creative, if you’re asking me,” he jokes making you laugh. “It’s a very plain choice of words.”
“Yeah, not as good as his best which was calling me a feminist nazi.”
Harry almost chokes on his wine as you say the words, coughing a little while you watch him with an entertained smirk.
“That’s… an interesting way to express his opinion about you,” he answers diplomatically.
“Right? I was thinking about getting a sign of it, like a Live, Love, Laugh one, in the middle of my living room.”
“Would be a wonderful touch of décor,” he smirks. “Alright, I have a proposal for today’s session.”
“Shoot it.”
“You seemed to enjoy your weed experience the last time, I thought we could give it a try again, but we would try to write this time as well.”
“You want to write while smoking?” you ask raising your eyebrows at him.
“Only if you want to. I just thought it would relax you a bit, might even come up with some interesting ideas for the song.”
“Are you trying to turn me into an addict?” you narrow your eyes at him and he just holds his hands up innocently.
“Told you, no pressure,” he smirks angelically.
“I feel like I’m not even coming here to work but to meet with my new dealer,” you chuckle making him laugh. “Okay, we can… give it a try.”
 An hour and one joint per person later the two of you are lounging in his living room, he is sprawled out on the loveseat with a guitar on his arms while you are curled upon the sectional, fumbling with the strings of your hoodie.
“We should just… fucking steal a song,” you snort, finding your comment hilarious.
“Which one were you thinking about?” Harry smirks your way, his fingers gently strumming some random melody on the instrument.
“I really want to have a Madonna song to be mine,” you sigh dreamily.
“You’re a fan?”
“Oh, I grew up on her. I have an elaborate choreography for Hung Up,” you snort.
“You need to perform it for me.”
“No fucking way,” you laugh shaking your head. “Not even weed can make me dance for you.”
“Come on, I need to see that choreography, you can’t just hint it and then never show it to me!”
“Nah, not happening,” you laugh, sliding lower down in your seat, your head resting against the armrest of the couch.
You listen to him play the same melody over and over again with your eyes closed and though you really like what you are hearing, no words are forming in your mind that could serve as lyrics. Your phone buzzes on the cushion next to you and grabbing it you see a text from Taylor.
Taylor: Lawyers are on the case, we’ll have more tomorrow, don’t stress about it too much. Night! Xx
Sighing you drop the device back next to you, covering your eyes with your arms.
“You alright?” Harry softly asks.
“Nah, I just want to… disappear,” you sigh, tired of this fight you’ve been fighting for way too long.
“Is this about Jordan? He is a fucking ass, most people know it.”
“But not everyone!” you snap throwing your hands up. “And that fraction that still believes that he is saying the truth is enough to ruin my life. I’m fucking fed up with the injustice women have to face because of the patriarchy we are forced to live in!” Pushing yourself up you run a hand through your hair, hugging your knees to your chest. “It’s so fucking upsetting, like everything I do goes straight down the drain because of one little thing and I’m stuck with trying to rebuild my whole future plan.”
From a sudden urge, you move down to the floor, lying down on the fluffy rug that runs under the couches and the glass coffee table. It feels nice, kind of grounding to lie flat on the floor, especially because your senses are all messed up again because of the weed, but in a good kind of way.
“You worry way too much on longterm things. Try to stay in the moment a little more,” Harry tells you, putting the guitar to the side so he can move his feet to the floor, leaning onto his knees. “You can’t control this much what happens in the future, you should only care about today. And today, you’ve done good, you made it through another day, you did what you had to do and that’s it. Stressing about tomorrow or the next week or next year is just way too much to deal with all the time, twenty-four-seven, three-six-five, that’s just no way to live.”
Lying on the floor you stare up at the ceiling seemingly blankly, but your mind starts to swirl over what he just told you. The worlds are running around, mixing and mingling until something starts to form, making you gasp.
“Grab the guitar,” you tell him, sitting up abruptly. He pulls his eyebrows together, but does as you told him to, holding the instrument on his lap as he waits for you to instruct him more. “Play that… that melody you’ve been playing, but a little faster.”
He turns his attention at the guitar, trying the strings out a few times, feeling the melody under his fingers before he starts playing it just how you asked as you slowly start to sing the lines you have just thought about.
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“You made it through… another day, you made it through another day… You did it, let’s celebrate…”
The lines fit perfectly with the melody he has come up with and the more you sing, the wider his smile grows as you move along in the forming song.
“Some days you feel you’ll break, but you made it through another day, yeah, you did it, let’s celebrate…”
“Don’t fucking stop!” he chimes in, never stopping the riffs, trying out new things as you go, slowly perfecting it together with the lyrics.
“Twenty-four-seven and three-six-five, you made another day, you made it alive! Made another day made it alive!” You sing loud and clear, completely lost in the melody Harry is playing, the lines just flowing out of you, like a dam has been taken down and now everything washes over you at once.
When the chorus is about to come up however you run out of ideas, your eyes meet Harry’s and he sees that you’re stuck. His eyebrows knit together, tongue runs along his lips before he starts playing the melody of the chorus and takes over the singing as well.
“So today, baby, remember it’s okay! We’re all floating through space, today, baby, remember you’re okay! We’re all floating through space…”
He plays a little with the lines, repeats them, tries a few times before he stops singing, you are now standing up, watching him end the melody, neither of you saying a word as he room grows silent. A sudden urge drives you to go closer and you sit back down to the floor in front of him, your eyes casting over the now silent instrument on his lap. Looking up your eyes meet his and you feel like the air is kicked out of your lungs.
You’ve heard so much about moments when you feel yourself pulling towards someone, when it’s like a magnetic field but you never actually experienced it until now. Staring back at Harry you feel that pull everyone has talked about and you finally understand what they were trying to say. It’s like there’s a string coming from your chest that’s connected to him and he is tugging it without even doing anything.
Reaching forward he tugs a loose strand of hair behind your ear, his fingers dancing down the side of your face as you catch his eyes wander down to your lips. Sucking on your breath you feel the moment, you know what he is thinking about because you think about the exact same thing. Kissing him. You are desperate to find out what his lips feel against yours, what he tastes like, what it’s like to have him so close to you.
“You want to kiss me,” you whisper and it’s not a question, more like an observation.
“I do,” he admits with a soft smile, but doesn’t move closer. “Can I?”
“I don’t think it’s an appropriate thing to do in our situation,” you breathe out, though you don’t agree with the statement fully.
“You think too much,” he chuckles softly, leaning closer just a tad bit, but there are still a few inches between the two of you. “Do you want to kiss me?”
“Yes,” you admit.
“Then we should just do what we want to,” he suggests with a small smirk and he looks ridiculously handsome with his dimples and shining green eyes that are glued to you.
“And then what? We’ll just go on like it never happened or there’s going to be more happening? How are we supposed to—“
You don’t get to finish, because Harry closes the distance between you and him and presses his lips against yours, swallowing the rest of your stammering speech. Whatever doubts and hesitation you felt just a moment ago, it all vanishes into nothing as you melt into his kiss, his lips caressing yours gently, softly capturing them, savoring and tasting you with caution, giving you the chance to pull back anytime, but nothing in your body can make you stop kissing him in this moment.
His palms cup your jaw as you push yourself up, slowly making your way to straddle his lap after he has blindly put the guitar to the side, hands coming to rest on his shoulder for leverage. His other hand grips your waist, pulling you close until your chest is pressed up against his, lips never disconnecting in the kiss.
Kissing him feels like second nature, like it’s not even the first but the hundredth time, but on the other hand, every touch and tiny sparkle is so new and unusual, you’ve never felt like this before.
Harry slowly pulls back, pecking your lips a few more times before he stops, nuzzling his nose against you in an adorable and innocent way that brings a smile to your lips.
“Doesn’t it feel good to just do whatever you feel like doing?” he asks with a soft smile, making you laugh.
“Kind of.”
“Nothing has to change. Or something can, it’s up to you.”
“You are so upsettingly cool and respectful,” you blurt out chuckling and it makes him laugh, his head falling back against the back of the couch.
“I’m sorry, I guess?” he smirks with a shrug.
“See? Respectful!” you grin, your hands moving up to cup his face. The pad of your thumbs gently tap against his dimples that are showing thanks to the wide smile on his lips right now. You can’t stop yourself from leaning down and kissing him again, even though your rational side is trying to make you stop. You just can’t, his lips are screaming to be kissed and who are you to deny that?
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You’ve been running errands all day. Following an early meeting you ran to your favorite vintage store to get another armchair for your living room. Then you went grocery shopping because your fridge has been ridiculously empty the past two days and later you had a quick fitting for a few outfits you are supposed to wear in the near future. You’ve ran into a few fans too, having small chit-chats with them, taking photos, so it’s been a busy day.
It’s been a week since you and Harry have kissed and despite your fears, it hasn’t been awkward at all. He didn’t bring it up, but you don’t feel like he is pretending it never happened, which is kind of a great balance. He is giving you just enough time and space to figure out what it really meant to you, because quite frankly, you have no idea.
Obviously, you find him attractive. You’d have to be completely blind to say that he is not handsome and just simply good to look at. You’re attracted to him and not just to his looks, but to his whole persona.
It’s just you’re not sure it’s a smart idea to start anything with the man you’re working with and though you know Harry is nothing like Jordan, part of you is still scared the whole thing will happen all over again if you get involved with another man from the industry.
Workwise, everything is going well. You’ve successfully finished the song you started that ominous evening and have started recording it in Harry’s home studio, working some more on the melody, bringing a lot more into it than just a single guitar. What more, you’ve been coming up with new ideas for other songs, lyrics popping up in either your or Harry’s head and you just keep sharing them with each other, saving them for later once the song for the Grammy’s is done.
Heading back to your place you get a call from Harry, his smiley face appearing on the screen of your face as you accept the call and his accent fills the car through the speakers that are connected to your phone through Bluetooth.
“Hey, hope I’m not calling in the middle of a meeting,” he greets you and you can tell he is smiling.
“No, I’m just on my way home. What’s up?”
“I’m meeting with Sarah and Mitch for dinner tonight, thought you’d like to join us.”
“I wouldn’t want to intrude on your time with your friends, I feel like you’ve been spending all your time with me.”
“But I like spending time with you,” he chuckles softly, a blush making its way to your cheeks at his words.
“Are you sure you want me there? What about Sarah and Mitch? I crashed your last meeting with them as well.”
“You didn’t crash anything, Y/N. And I’m positive I want you there, I wouldn’t have asked if I didn’t. And just so you know, Sarah asked if you’d be joining us, so I assume they wouldn’t mind it either.”
“Oh, well, okay then. Send me the time and place.”
“Wonderful!” he beams, his enthusiasm making your chest warm.
By the time you arrive home he has already texted you the details and you have just one hour to spare before you have to head out. You opt for a quick shower and an outfit change, switching up your ripped mom jeans and simple t-shirt to one of your favorite jumpsuits. It’s a little baggy, but the waist is cinched in with an inbuilt corset, giving the whole fit a very interesting twist.
Arriving at the restaurant Harry has texted you the address of, the waiter escorts you to the terrace at the back that’s a lot more secluded and you feel yourself relaxing that you probably won’t get photographed. Harry is the only one who is already at the table, sitting with his eyes fixed on his phone, but he immediately puts it aside when he sees you approaching, a wide smile stretching across his face.
“Hey! You look amazing!” he greets you pulling you into a quick hug.
“Thank you,” you smile shyly. He is wearing a pair of brown slacks, a simple white shirt tucked into it, a knitted cardigan thrown on, a typical Harry outfit. “And thanks for the invite,” you add as you take the seat next to him, assuming Sarah and Mitch would like to sit next to each other.
“Don’t even mention it. We’re friends, it’s really nothing. I’m glad you could make it.”
The way he called you friends is giving you mixed feelings. Part of you is happily jumping up and down at the fact that he considers you as a friend, given how you don’t have many of those. It’s been hard opening up to anyone since you’ve made a name for yourself, you’ve ran into occasions a lot when people wanted more than just your friendship from you and it made you rather closed off when it comes to making friends.
On the other hand, you can’t help but feel a little disappointed. Is that all you are? Just friends? More importantly, is that all you want to be, or more?
Sarah and Mitch arrive soon after, joining you at the table and the waiter takes the orders before leaving the four of you alone. It seems like they genuinely like it that you’ve joined, so you can enjoy the evening a little more relieved.
Sipping on some amazing wine, you eat and talk and you feel like you’ve known these people your whole life. You especially like Sarah, she is so open-minded and funny and you think they make a great couple with Mitch who is obviously more closed off, but it’s obvious how much he worships his girlfriend.
Sometime in the evening, when you’ve already had two glasses of Chardonnay and you’re feeling a lot more relaxed and comfortable, you move closer to Harry without even noticing, leaning against him gently and his hand rests on your knee, giving it a soft squeeze under the table, making you want to move even closer to him to feel more of his touch, to get more of him.
Neither Sarah, nor Mitch questions the two of you being a little cozier and you’re thankful for the safe and stressfree environment they are providing, not making you overthink what you do, just letting you enjoy the moment.
At the end of the evening, you can’t shake the thought that you don’t want to say goodbye to Harry just yet. He pays for everyone’s dinner, leaving a generous tip for the waiter and you stay back at the table while Sarah runs out to the restroom and Mitch takes a quick call from his father, leaving you alone with Harry. His hand is still resting on your leg, a little farther up, but still in a very safe zone in the middle of your thigh.
Turning to face him your eyes meet his, his green irises glistening in the soft lighting and he looks so beautiful, you just want to kiss him again.
“Do you have plans after this?” you find yourself asking.
“Not that I know of.”
“Do you want to come over to my place?”
“That sounds like a nice plan,” he smiles at you warmly and you just know that if you weren’t out in the public, he would have leant in for a kiss and you wouldn’t have stopped him.
When Sarah and Mitch return all four of you head out and they don’t question when you follow Harry to his car. They say goodbye and Sarah makes you promise to join them some other time too and you happily say yes to the invitation.
Not much is being said on the way back to your place, he plays some music quietly as you navigate him through the streets.  
“Welcome to mi casa,” you smile as you key the two of you into your apartment you’ve been living in for the past few years.
It’s nothing luxurious, just a tad bit bigger than what one person would need as a home. You would have been fine living in your previous home you lived in before you’ve gained fame, but you needed a much bigger closet so you were forced to move. It’s a two bedroom apartment with one big bathroom, an open concept kitchen and a spacious living room. And of course, a closet as big as your bedroom. It’s the perfect size and you haven’t even thought about buying a bigger place just because you can, it would be a waste of money and space. The interior is very much vintage with all your mismatched furniture and colorful walls, but you think it’s quite cozy and just the ideal space for you.
“Would you like something to drink?” you ask, walking into the kitchen to get yourself some water.
“Some water would be great, thank you.”
Filling up two glasses you hand him one as you lean against the counter, silently eyeing each other. It should be clear to him that you had intentions with asking him to come over, especially after being your cozy with each other during dinner, but you’re a little lost in what you should or even want to do. You just know you want him close.
He drinks up his water, his eyes meeting your gaze as a small smirk tugs on his cherry lips.
“You want to kiss me,” he states, using the exact same words you used the night when you kissed for the first time.
“I do,” you nod, feeling a little breathless.
“Then do it,” he simply answers, making you smile.
“Cool and respectful, as always,” you grin at him as he moves closer, stopping just a few inches away from you, your feet almost touching. Reaching up his fingers gently caress the side of your face and you feel yourself already melting under his touch.
“You’re beautiful,” he murmurs, a shiver running down your spine at his words. You close your eyes for a moment, giving yourself the chance to pull out of it, but you realize you don’t want that, not even the tiniest bit. Opening your eyes they meet with his gaze before you move closer, closing the distance between you and him, lips meeting in a warm and chaste kiss.
Though it grows a little hungrier, you can tell he is still holding back a little, giving you the chance to stop whenever you want to, but you don’t intend to. Pushing yourself closer to him, your arms curl around his neck as his hands grip your waist, your tongue meeting his as you deepen the kiss and melt into his embrace.
Pulling back you grab his hand and head to the bedroom, going back to kissing him the moment you reach it. You easily slide his cardigan off his broad shoulders, pulling his t-shirt out of his pants before taking it completely off, throwing it somewhere to the side. You smirk against his lips, hands wandering down his naked chest and you can’t push down a moan as you feel the warmth of his chest muscles under your touch.
When you feel him try to blindly figure out how to get you out of your jumpsuit with not much luck and this clears your head for a moment to realize what is about to happen. Pulling back your gaze meets his and he stares back at you with caution, ready to stop whenever you tell him to, but that’s not what made you pull back.
“Harry, I…” “We don’t have to do anything,” he softly tells you, his fingers dancing down the side of your face until they reach your chin and he pulls you in for a delicate and slow kiss.
“I want to,” you whisper. “It’s just that… I want you to know that I’ve never… I’ve never been with a man before.”
Searching in his eyes you look for any sign of what’s going on in his head wishing you could just simply read his thoughts.
“You’ve never been with a man?” he asks, seemingly not as surprised as you expected him to be. You nod, licking your lips, waiting for any kind of reaction, a part of you expecting to be upset, though you know he has no right to be mad at you for any of it. “Do you want me to be the first man?” he then asks, with a loving and warm smile as his hand on your hip pulls you against him playfully.
“Yes.”
“Then help me get you out of this jumpsuit, because I can’t figure it out for my life,” he chuckles making you laugh too.
You show him where the corset opens and then get you out of it with joined forces, finally leaving you standing in just your underwear. Harry’s gaze runs down your body, a look of hunger and passion shining through his green irises as he pulls you close again, kissing you with a lot more vigor this time.
Soon enough, his slacks slip to the floor and you climb to your bed, Harry following closely, climbing on top of you before rejoining your lips. Your knees open up wide for him, allowing him to sink his hips between your thighs, his crotch meeting your heated center, a moan slipping out your lips when you feel his erection rubbing against you through the material of your underwear. He kisses his way down your jawline and neck, gently sucking on the soft skin, peppering kisses along your collarbones before he reaches your chest. He easily unclasps your bra and slips the straps down your arms before getting rid of the barrier that’s been keeping him away from your naked chest.
“Fuck, Y/N, you are so damn beautiful,” he breathes out shakily, before his lips wrap around your right nipple, his hand cupping your other breast. You keep whining and whimpering as you feel his tongue swirl around your nipple before his mouth moves over to the other breast, giving it just the same amount of attention.
He kisses down your stomach, glancing up at you as he hooks his fingers into the elastic of your panties silently asking for your permission to go further, still so respectfully looking out for you. As an answer, you lift your hips up so he can easily slide the material down your legs and throw it to the side.
“Oh fuck!” you moan when his tongue and lips press against your bud, playing with it oh so perfectly, making you shudder. If you didn’t think Harry was perfect, his tongue work is now surely making a statement on that.
With every lick, kiss and suck he pushes you closer to your release that’s nearing in a fast pace like never before. Reaching down you lace your fingers through his chocolate curls, tugging on the lightly, making him moan against your core. You’re not sure how long you’ll last, but you want to cum with him inside you, so you pull him up, lips meeting again as you still taste your own juice on him. It’s heavenly.
Without breaking the kiss you reach down and into his underwear, palming his fully hard cock, earning a satisfied growl when you wrap your hand around him. The feeling is quite unknown, you’ve only once had to face a penis before, it happened back in high school when you were still figuring out what sexuality meant to you. Gave a wobbly and quite short handjob to a guy from the grade above you, never even talked to him again. The experience left a major effect on you, never even got close to being intimate with a man, but being with Harry now is putting everything into a whole new light.
“Do you have a condom?” he mumbles against your lips, clearly just as excited to carry on as you are.
“Yeah,” you nod and let go of him, rolling to the edge of the bed so you can dig into the drawer of your nightstand, successfully finding the little silver packet. Tearing it open you hand it over to Harry and get back to your previous position as you watch him kneeling up, rolling the condom on carefully. Your lips part when your eyes fall on his cock, seeing now how big he really is. Harry catches your eyes and leaning down he kisses you softly.
“Tell me if it hurts and I’ll stop, okay?” he kindly tells you, but you smile at him coyly.
“You might be the first man I’m with, but your dick won’t be the first thing to be inside me,” you answer with a smug smirk and it brings an amused look to his face.
“You are so fucking hot,” he murmurs, pressing his lips against yours in a hard kiss as he settles himself back between your legs.
Though you really tried to sound confident the other moment, you still feel a little nervous about it and Harry senses it right away. Holding himself up on one arm he cups your face in his other, kissing you slowly, taking his time with his lips, as if he is trying to make you forget about everything else but his lips.
“Are you still sure about this?” he softly asks, looking for any sign of hesitation in your eyes, but there’s none.
“Yeah, I want this. I want you,” you nod and reaching down between your bodies, you take him in your hands again, positioning him to your center.
Harry captures your lips in another passionate kiss as he pushes into you slowly, filling you up inch by inch. You gasp at the sensation, feeling a little tight around him, but not in an uncomfortable way.
“You alright?” he asks once he is almost fully in.
“Yeah, go ahead,” you breathe out with a small nod. He pecks your lips and slowly pushes all the way in before he starts to move out and then slide in again, picking up a not too fast but still firm pace with his movements.
You gradually get used to the feeling of him sliding in and out of you, it’s surely a whole different experience than using a dildo or any kind of toy you are used to. The thought that it belongs to him is bringing you a sense of intimacy you haven’t felt in a long time.
Wrapping your arms around his shoulders you dig your fingers into his hot skin that’s coated with a thin layer of sweat as he keeps moving, slowly picking up his pace as you both get closer to the endgame.
“Harry, faster, please!” you plead, legs coming to wrap around his waist so he can thrust in deeper, making you go completely nuts from the way your orgasm is already forming in the pit of your tummy.
He obeys without a second thought, slamming into you faster and harder, making you continuously moan his name, the room is filled with moans and panting, the slapping noise of his hips meeting yours.
Harry buries his face into the crook of your neck, kissing and sucking on the soft skin, definitely leaving a mark, but you couldn’t care less. You just grab a handful of his hair, shutting your eyes closed as you feel yourself nearing the end.
“Harry, I’m gonna cum,” you pant, barely hanging on.
Instead of stretching it out and trying to play with you, Harry clearly wants you to combust. Reaching down between your bodies his index and middle fingers find your clit and he starts circling on it, adding that little extra you needed to fall over the edge.
Moaning and whimpering under his massive body, your orgasm washes over you in waves, bringing you such an intense satisfaction you’ve never felt before. He keeps up his thrusting and just a few moments later his movements fall out of his rhythm and mumbling your name over and over again, he gasps as he rides his high while you’re still trying to catch your breath following your own.
With a heaving chest Harry rolls off of you, gets rid of the condom and throws it to the small bin you keep next to your night stand and then lies flat beside you as you both just silently stare up at the ceiling, very much in the best kind of after sex haze.
“How are you feeling?” he then asks, rolling to his side, his hand coming to rest on your bare stomach. Turning your head to the side you crack a smile at him.
“I feel like I’ve just been properly fucked,” you bluntly answer, making him laugh wholeheartedly. Rolling to your side his arm falls to your waist as you scoot closer, your face only a few inches from his. He is so pretty up close, his features never fail to amuse you, hard to believe he is a real human, lying right next to you.
He closes his eyes a little, letting his head sink into the pillow as his fingers delicately dance up and down your side and back. You feel like you owe him to say something, dropping a major detail about yourself in a heated moment.
“I had two girlfriends,” you speak up, his eyes fluttering open to your words. “The first one was when I was eighteen, we dated for almost a year, then I briefly dated a guy, but it was barely just a month. And I had my second girlfriend when I was twenty. We were together for two years.”
“Are you still friends with them?”
“I still talk to the second one. Her name is Mila. We broke up because she moved to Spain for a job for a year and we didn’t want to do long-distance. Then we just… grew apart, but we still talk sometimes. She lives in Atlanta now, she has a girlfriend and she told me that she is planning to propose soon.”
A soft smile tugs on your lips as you talk about her. She was an important person in your life in a time that was truly challenging. Mila supported your dreams, she went to a lot of your concerts and she was the first one you called when you got your record deal even though you weren’t together anymore. She has seen you go from performing in dodgy bars to rocking the stage of arenas.
“Congrats to her,” Harry smiles through tired eyes. Reaching up he tucks your hair behind your ear before leaning closer he envelopes your lips in a soft kiss.
“We really shouldn’t have done this,” you hum, though you can’t wipe the satisfied smile off your lips.
“Why not?”
“Because we work together.”
“So what? We aren’t allowed to like each other?” he smirks cockily.
“You like me?”
“Thought I made that pretty clear,” he chuckles rubbing his eyes. “But yeah, I do like you, Y/N. A lot.”
“I… like you too,” you admit shyly. Leaning in he kisses you again before pulling you to his chest as he lies on his back.
“Can I stay the night or you want to throw me out?” he hums closing his eyes. Chuckling your snuggle to him, making yourself comfortable, enjoying the warmth of his body after so spending so many nights alone in this bed.
“You can stay, but you have to behave.”
“Oh I will behave my best, don’t worry.” A chuckle rumbles through his chest as you both fall silent and soon enough, drift off to sleep.
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You wake up tangled in the sheets, but no one else is lying in bed with you. Blinking the sleep out of your eyes you look around and though there’s no sign of Harry in the room you spot his clothes on the floor. That’s when you hear the pots and pans clinking somewhere outside and you smile to yourself. You pull a t-shirt on with a pair of clean panties before heading out, finding Harry in your kitchen, wearing your pink fluffy robe and nothing else as he is making what seems to be pancakes.
“I don’t remember hiring a chef,” you joke walking closer, sliding a hand down his back as you lean against the counter next to the stove.
“Good morning,” he smiles. “I really wanted for you to wake up but I was afraid my growling stomach might wake you up,” he chuckles as he flips the pancakes in the pan with the spatula.
“Found everything you needed?” you ask, walking over the fridge to grab the orange juice.
“Yeah, you have a neatly organized kitchen,” he hums. “Sorry for snooping around though.”
“Don’t worry about it.” Pouring the juice to two glasses you hand one to him which he thanks softly before placing the golden pancakes to the plate on the counter and pours another bunch into the pan.
Sipping on your juice you watch him move around, making breakfast in your robe and you can’t help but smile at the sight of this fine man in your kitchen. Harry catches you eyeing him and he cocks an eyebrow at you.
“What’s gotten you so smiley?” he asks, his voice still a little groggy and husky.
“I just… really want to kiss you,” you shrug placing the glass to the counter.
“I think we are over this whole asking for permission thing,” he smirks, stepping closer he leans down and kisses you gently, tasting like orange juice and something sweet, he has probably ate one of the pancakes. His hand that’s not holding the spatula finds your waist, the t-shirt bunches up on your side as he pulls you closer, deepening the kiss before you hear sizzling coming from the stove.
“Whoops, not trying to burn the place down,” he chuckles as he turns to the pan and flips the pancakes. You wrap your arms around his waist and kiss his jawline before stepping away from him to set the table for breakfast.
“Do you have any plans this weekend?” he asks over breakfast.
“I have a meeting with my label on Saturday, but nothing else.”
“I’m having a few friends over Saturday evening, kind of a late Grammy nomination celebration. Want to come over?”
“Yeah, that… sounds good,” you nod smiling.
“I was thinking that maybe you could spend the night and then we can finish recording on Sunday.”
“Alright, I’m in.”
Harry takes a quick shower after breakfast before heading out, promising to call you later and though it still feels a little odd that he says goodbye with a kiss, you very much like this new setup between the two of you.
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Friday evening Taylor is over at your place, she loves helping you sort out promo stuff you get sent all the time, especially because you let her take whatever you don’t want, half her closet was meant to be worn by you.
Sitting on the floor with boxes surrounding the both of you, you’re digging through them with a bottle of wine, some 90’s music playing in the background, it’s a nice and relaxing evening.
Your phone lights up with a text on the coffee table and you already know it’s from Harry. You haven’t stopped texting since he left from your place just a few days ago.
Harry: Do you think it’s a look for the Grammy’s?
He attached a photo of himself in all denim, looking very much like 2001 Justin Timberlake at the AMA.
Y/N: Should I match and pull a Britney?
Harry: Is that even a question?!
“Okay, who’s the girl?” Taylor asks, making you tear your eyes away from the phone’s screen.
“Huh?”
“Last time I saw you smiling like this at your phone you were talking to that girl you met at that award show. So who is it this time?”
“It’s… not a girl,” you admit, placing your phone back to the coffee table.
“Oh, did a guy finally manage to sweep you off your feet?” Taylor gives you an amused look, genuinely surprised to hear that this time it’s a guy that has you wrapped around his finger. “What is his name?”
“Harry,” you shortly answer and see her eyes widen.
“Wait, is it… Harry as in Harry Styles?”
“Yeah,” you admit with a soft chuckle.
“Oh my God, I knew I could feel some sexual tension between you two at Jeff’s office!”
“There wasn’t any, what are you talking about?”
“You didn’t see it because you were too busy trying to blow off the duet, but it was radiating from him.” She gives you a look, putting the sweater she’s been examining to the side. “So, how are things? Are you guys an item, or…?”
“We didn’t label anything, he just said he likes me and I like him too. And he… spent the night the other day.”
“Wait, what? Spent the night as in—“
“Yes, we had sex,” you confirm blushing.
“That’s like huge! The first man you’ve been with!”
“I know,” you chuckle.
“How was it?”
“Fucking amazing,” you truthfully admit with a sigh. “I didn’t think it could be this good with a guy. Maybe it’s just because it was with him.”
“He surely looks like a guy that takes good care of his girl. So what’s gonna happen? Are you guys together?”
“I don’t know. He doesn’t seem to care about names and labels, he just likes to do whatever he wants and if I’m being honest it’s kind of refreshing. We are just… enjoying whatever we have.”
“That sounds very liberal,” Taylor chuckles. “But I’m happy for you. You’ve been alone for way too long, I think he might do good to you.”
“I really hope,” you nod with a sigh.
“How is the song writing going?”
“We’re finishing up recording on Sunday. I’ll send it to you when it’s done and we can start all the paperwork and everything.”
“Amazing, you are doing great, Y/N, I’m proud of you,” she smiles and climbing over she wraps you in a tight hug.
“Thanks, Tay,” you smile at her. “Alright, now do you want these lace socks or should I burn them?” you ask holding up a whole pack of them, making her laugh.
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Harry said it’s just a chill get together, nothing fancy so you decide to wear a khaki maxi skirt with a shirt tucked into it that was a gift from a fan, your first album’s name embroidered to the front. It’s one of your favorite pieces and you like wearing things your fans make you, gives the whole fit a plus.
Arriving to Harry’s place you spot that there are a few cars already parking on the driveway. You leave your overnight bag in the trunk, grab the bottle of wine you’ve brought and head inside. Unlike every time you’ve been here, the silence is now switched up with soft music and chatters, quite a few people lingering around the house already.
Just as you walk farther inside, Harry appears on the stairs and his face lights up at the sight of you.
“Hey! Did you just arrive?” He jogs down the rest of the stairs and walking up to you he pulls you close for a quick kiss without hesitation.
“Yeah. I know you said not to bring anything, but I hate coming to parties empty handed,” you chuckle softly, holding the wine bottle up.
“Thanks. Have you eaten? Jeff is grilling outside, but help yourself with anything.”
“I’ll be fine, thanks.”
“Sarah and Mitch are already here, but come on, let me introduce you to a few people.”
Harry takes your hand, lacing your fingers together with his. He drops the wine off in the kitchen before joining all the other guests. It’s really not that many people, just about thirty of his close circle. Musicians, people he has worked with and stayed close with, people he has known for long. Everyone seems welcoming and open, many already know who you are and it’s always a good conversation start, so there are not many awkward silences, especially because Harry is always near you, making sure you feel comfortable around his friends and it means a lot to you.
“Hey, everything alright?” Harry asks, when he finds you in the kitchen, refilling your glass. He walks up to you, placing a hand to your waist as he kisses into your hair.
“Yeah, your friends are nice,” you smile at him.
“I know, that’s why they are my friends,” he smirks, so full of himself. “Want to hear something interesting?”
“Always.”
“I was talking to Adam and our song came up and then out of nowhere I referred to you as my girlfriend.”
Seemingly he is testing the waters, trying to see how you react to the title, even a little afraid of what you might say, but it doesn’t scare you.
“Yeah? That’s interesting indeed.”
“Are you okay with it? I wasn’t really thinking about it, just slipped out.”
“It’s fine,” you smile at him softly.
“You don’t have to call me your boyfriend, call me whatever you want. It’s just a habit of mine, I guess,” he explains, popping some nuts into his mouth from the little jar on the counter.
“Alright,” you nod. Harry stares back at you for a moment before a smile stretches across his face and leaning down he kisses you shortly before taking your hand and walking back to the living room with you.
The last guests leave around midnight. After bringing your bag up to his bedroom you start cleaning up while Harry walks out the last couple leaving. You start loading the washer and put away things you’ve cleaned before.
“Oh, thank you for cleaning, but you don’t have to. I can take care of it later.”
“It’s nothing, I want to make myself useful,” you chuckle softly as you start the washer. Harry comes up behind you, his arms wrapping around your waist as he kisses into your neck.
“I have other ideas for that,” he murmurs, his nose nudging the side of your face.
“Yeah? What kind of ideas?” you teasingly ask, closing your eyes when you feel his hand slide under the waist of your skirt, moving down your abdomen until it reaches your core.
“Fun kinds,” he chuckles lowly. His other hand turns your head so his lips could meet yours, you’re still pressed up against him, melting against his chest with your back just right, like you’re two puzzle pieces.
“Fuck,” you breathe out when his fingers wander into your underwear and they start doing their magic. “Harry!” you whine, reacting intensely to his actions.
“I fucking love hearing my name from your pretty mouth,” he growls, kissing you hard before his lips part from yours and he starts bunching up your skirt.
You don’t protest, in fact, you lean forward, grabbing onto the edge of the counter as he pulls down your panties and you hear the zipper of his pants. Glancing over your shoulders you see him pull out a condom from his pocket and you can’t push down a laughter.
“Did you keep that in your pocket all evening?”
“Wanted to be ready when I finally got you all for myself,” he smirks, pulling his cock out of his boxer briefs, rolling on the condom.
His hands come in contact with your hips and ass cheeks, giving them a light squeeze before you feel him lining himself up with you. His palm slides up your back as he pushes into you, both of you moaning at the fulfilling sensation.
“Fuck, baby, you feel so good,” he breathes out as he pushes all the way inside before starting to pull out.
“Go hard, Harry. Please!” you whimper as he starts thrusting into you. Harry lets out a growl and slams into you, making you gasp at the harshness of the movement, but that’s exactly what you wanted.
The kitchen is filled with the noises coming from the washer next to you and the slapping noise of Harry’s hips meeting your ass with every forceful thrust he makes. His ring clad fingers dig into your hips, probably already making them red, but you couldn’t care less. You hold onto the edge of the counter, but then you move one hand to cover his on you, needing to touch him in some kind of way.
Leaning forward Harry kisses your back between your shoulder blades through the thin material of your shirt and you moan his name when he hits the perfect spot inside you.
“Shit, Harry! I’m g-gonna cum!” you gasp, perking your ass up more so he can go as deep as possible.
“Let go for me, baby. Come on!”
“I want to cum with you.”
“Yeah? Then hold on for a little longer, I’m almost there.”
You try your best to keep everything inside you under control, your orgasm is really on the edge and you can only hope he is nearing his end too.
“Harry! Please!”
“Fuck, okay, okay, cum for me! Let me feel you!” he moans and his words bring you the release.
You clench around him, moaning and whimpering and it finally pushes you into his bliss too. His thrusts slow down but they are hard and go deep, helping you ride the last bits of your high.
He pulls out and gets rid of the condom before wrapping his arms around you, pulling you up from your position so he can kiss your lips.
“How about we take a shower while the washer finishes?” he suggests, pressing a kiss to your forehead.
“Mm, good idea.”
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Once the song is fully finished you submit it to your label after an agreement that it should come out through yours, but it wouldn’t be tied to your or Harry’s upcoming album. Everyone seems to love it, Taylor is over the moon when you show her the final version and Jeff is just as happy about it. Having only three more weeks left until the Grammy’s, you send them your request to perform the duet instead of the medley they asked. Their answer comes the next day and they are more than happy to have you premiere your new duet at the show. Everything seems to be on track.
Following a rehearsal for the Grammy performance, you’re staying over at Harry’s, just eating takeout and having a lazy evening after a whole day of working. You’ve put on a new Netflix movie, but every time you look at Harry you feel like his mind is somewhere far away.
“Want to share what’s on your mind?” you ask softly, not wanting to be pushy, you’re just trying to be there for him.
“I’ve just been thinking.”
“About what?” He looks up at you, clearly hesitant whether he should share it with you or not.
“About what you said about your parents.”
“Oh,” is all you can say. Pausing the movie you turn all your attention to him. “What about it?”
“I was just talking to my mom the other day, she is coming here for the Grammy’s and I thought about how you… won’t have your parents there with you.”
“There’s a reason for that.”
“Yeah, but then I thought about how you said you haven’t even let them contact you since then and that maybe they’ve changed their mind about the whole situation. You’ve clearly proved them wrong with building yourself a career, maybe they can now see that what they did was wrong.”
You remain silent, chewing on his words. You’ve been great at not thinking about your parents these past years, it feels weird to have a conversation about them out of nowhere. Harry takes your silence as a warning sign, though that’s not the case.
“You know what? I’m sorry for bringing it up. It’s not really my business, I shouldn’t have brought it up, sorry,” he shakes his head.
“What… would you do if you were in my place?”
Harry looks at you, surprised you are willing to continue the conversation. His hand finds your thigh and he gives it a gentle squeeze.
“I think it might worth a shot to just… contact them. See if they want to maybe get in touch again.”
“And what if they don’t?”
“Then… you know you made the right decision leaving. I know it’s scary, but I think you should take a chance.”
“I’ll… think about it,” you nod shortly.
“Take your time, do whatever you feel comfortable with.” He pulls you into his arms, pressing a kiss to the top of your head as you get comfortable in his embrace before starting the movie again.
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Two weeks before the show you are headed to a fitting with Harry, your matching sets are nearly done, but they needed you to try them on and make sure they fit just perfectly. True to your and Harry’s extravagant fashion, this performance won’t lack any over the top fits either. It was clear from the beginning that you would be matching, but you made it clear that you want to bring it to the level where you’d be wearing the exact same outfit, so now there are two sets of suits in the making, the pattern of the whole two piece is recalling a kind of space vibe, blues, purples and black meeting in the colors with hundreds of embroidered stars and planets littering the fabric with additional crystal stars to make it even more extra. It’s truly one of a kind, especially paired with the sheer, tulle shirt you both will be wearing underneath.
“We look fucking great, babe,” Harry smirks as the two of you stand next to each other, examining yourself in the floor-to-ceiling mirror on the small podium.
“We really do,” you smirk, satisfied with how the performance is coming together. It’s gonna be the perfect way to celebrate both your first Grammy nominations, a huge milestone in your and Harry’s career as well.
Grabbing his phone he quickly takes a picture in the mirror of the two of you, pulling you to his side as you smile into the camera through the mirror. Then you leave him alone on the podium as they are pinning his pants to make it the perfect size. Stepping to your bag you fish your phone out and reading just the first few words of Taylor’s last message she sent about ten minutes ago, you feel all blood rushing out of your face. Tapping on the notification you start reading.
Taylor: Please don’t lose your head, but we are dealing with this.
She attached several articles and you start digging through them.
“Is Harry Styles dating his new duet partner?”
“Harry Styles cozied up with Y/N Y/L/N at dinner with friends.”
“Can we expect some hot make out sessions at the Grammy’s from Harry and his new beau?”
And then there’s the absolute worst.
“Is Y/N Y/L/N going to take Harry Styles to court too?”
“Shit, shit, shit,” you mumble under your breath, vigorously typing back to Taylor to take them down. Two pictures have been leaked from the time you had dinner with Sarah and Mitch, it’s so odd because it’s been weeks since then, where were these pictures all along? Not that it matters, all you want is for them to be gone.
Against your better judgment, you go online and check your social media even though you know you shouldn’t snoop around now that it’s out there. No surprise, you and Harry are trending, but the reactions are very much mixed.
The impact of your case with Jordan is still major. It doesn’t matter that you won, people are still questioning whether he said the truth or not and now they are afraid you might drag Harry down just like you did with Jordan. That you are just trying to use his fame to get more attention and then ruin his career, making a victim out of yourself again, because apparently that’s what you’ve been doing.
You’re not only being dragged, but all of a sudden, nothing is about the music and the art you are making, people just want to know if you’re fucking Harry Styles or not. A lot of the times you’re not even named, only referred to Harry’s new lover or what’s worse, his hookup. You’ve lost all the credit you worked so hard for and for what? Because you dared to have dinner with a man?
“Baby, what’s wrong?” Harry asks walking up to you. Your eyes snap up at him and he immediately sees the shock and anger in them, setting panic in him as well. “What is it?”
“The fucking… pictures,” you hiss handing him your phone so he can see the articles for himself. He scrolls through them with furrowed eyebrows, his teeth sinking into his bottom lip before handing the phone back once he has gotten to the end of it.
“Let’s finish this up and head home, okay? We’ll figure it all out.” He presses a kiss to your forehead and you nod, trying your best to keep your anger at bay while the designers finish up on the outfits.
An hour later you walk into your place, talking on the phone with Taylor, discussing the situation though there’s not much you can do at this point. It’s all out, the pictures can’t be taken down. She suggests to just keep quiet for now, she’ll call Jeff to see what could be done as damage control.
Throwing your phone to the bed you feel your whole body shaking from the anger, it’s agonizing to know there’s nothing you can do to stop it.
“Hey, it’s gonna be fine. We’ll figure it out,” Harry speaks up, trying his best to calm you down, but it’s not really working this time.
“Stop saying it, you don’t know that for sure. I can’t believe this bullshit is happening all over again,” you breathe out shaking your head.
“Again?”
“Yes! I’m being fucking dragged for something I shouldn’t be.”
“People will always have controversial opinion on everything, you can’t get them all to like you.”
“It’s not about liking, Harry!” you snap. “I couldn’t give a damn about people liking me, but they discredit my work. Have you read those articles? I’m seen with a man and suddenly, I’m not even seen as an artist anymore. I’m not even my own person in some of them, just a girl who is linked to you. How is that fair?” “It’s not, but stressing yourself about it until you’re sick is not gonna help anything,” he retorts in a firm voice.
“So I should just sit around and so nothing while watching all my work go to shit?”
“Nothing is going to shit! This is how it goes, there’s always something people talk about but they will forget about it in a week. That doesn’t take anything away from what you’ve proved through your career.”
“Now that’s a lie. Because if they did forget about things in a week, they wouldn’t be bringing up the whole Jordan thing now. I dared to stand up for myself against a man and look where it took me to! I’m the drama queen, the lying bitch who likes to ruin men for apparently no reason and they see me as a threat when it comes to you too. People are talking about how I’ll take you to court as well, they think I’m just using you even though they know nothing about me! And the worst part is that it wouldn’t be like this if I weren’t a woman. Whatever happens, however we react to the situation, it will never have the same effect on your career than it will have on mine.”
“So what, you’ll just live your life without ever doing anything that’s gonna upset people? There will always be someone who’ll judge whatever you do, you can’t do anything about that and if you let them get to you now, they’ll know they can mess with you easily.”
“So I’m just supposed to ignore everything? And not do a single thing about it? It’s easy for you, you’ll walk away from this without a scratch on your name, because you are a white man who can do no wrong in the eyes of the world.”
“Okay, now you are being mean for no reason.”
“I’m telling you the truth,” you retort. “And you know what else is part of the truth? That I’m not even having it the worse. There are women who are even more targeted because of their religion, their skin color, their nationality or sexuality and people don’t even realize how hard it is for any of us. I’m sick of the injustice we have to live with just because of our gender!”
“I do acknowledge the problem on hand, I’m aware of it and I’m all for doing against it, but we are not gonna solve it instantly, it’s a long process. Sometimes we just have to pull back a little, be smart about things.”
“They will never stop about this,” you shake your head, stubbornly clinging onto your opinion. “I won’t be seen as a serious artist anymore, just some girl who was linked to you. It’s fucking done, over.”
“Y/N, what are you trying to say?” Harry asks with caution.
“Exactly what you are thinking about,” you reply with a bitter laugh. “I can’t be a respected artist if I’m with you.”
“That’s not true. It will die down, they will see that you are more than just who you’re dating and everything will be fine.”
“What’s not fair is that I have to work for it to be fine while you are still the same artist you were before it all blew up. Don’t you think it’s unfair?” you call him out and part of you knows you’re being mean and unnecessarily rude to him, but you just can’t control it any longer. You need to let it out and unfortunately, he is the one who is here to take the blame.
“It is, but what are you expecting me to do about it? Release a statement asking people to only talk about my dating life to make it equal? What can be done is that we try to fight this together, show them that you’re more than just a woman who is linked to a man in any kind of way.”
“Yeah, like realization is just gonna hit them,” you snap. “I’m at a turning point in my career, Harry. Whether I win a Grammy or not, this time is going to have an impact on my future. If I’m seen as just a girl linked to you, I’ll never make it. I’ll be forgotten and dragged again and I can kiss my career goodbye.”
You know you were way too harsh, but it’s what you think to be the truth. You didn’t fight your way to this point in life just to be seen as a man’s girlfriend rather than the artist you truly are. And right now, you can’t see yourself get out of this situation without letting go of Harry.
“Y/N, please don’t let this ruin what we have. We can get through this, you can’t let them control your life this much. Who are they to tell you what to do? That’s not the Y/N I know, come on!”
He tries to step closer, reaching out for you, but you take a step back, wanting to keep the distance between the two of you.
“I would prefer to be alone now,” you sternly say, folding your arms on your chest, closing yourself off from him as you don’t even look at him, because if you did, you know you would break.
“Y/N, please don’t do this, we—“
“Alone!” you snap, cutting him off.
He stares at you, hoping you might change your mind, but you’re quite set on this. He knows you well enough to know you won’t budge anytime soon. He lets out a shaky breath and slowly turning around, he heads towards the door as you’re already fighting your tears back. He stops right before he is about to walk out.
“I’m really sorry, Y/N,” he quietly says before walking out, the door shutting closed behind him.
The sobs start immediately and you fall to the ground, tears soaking your cheeks, already missing him more than anything in your life. You really thought it would be different this time, that things might get better, but you were naïve.
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The next two days go by in a blur. The whole fucking internet is filled with those damn pictures of you and Harry, nothing has been about any of your Grammy nominations or even about your music, you’ve officially became the woman Harry Styles is dating.
Harry was titled as a Grammy nominee in every goddamn writing that surfaced, he was completely credited for his work while you could be happy if your name was written correctly. With every new article, your faith in having the career you worked so hard for lessened until you felt hopeless. You’ve officially became a dumb celebrity, just a woman who was known to be dating a man in the industry.
On the evening of the second day you have enough. You just read yet another degrading piece of you that was clearly written by a man, they once again talked about your case with Jordan, joking about history repeating itself and you swear you could scream and throw a tantrum like a baby at how useless and helpless you feel.
You put your laptop to the side and reach for your phone, dialing Taylor’s number.
“Hey, how are you feeling?” she asks right away, knowing well how hard these past days have been. She came over the evening you sent Harry away and tried to comfort you, but nothing could help you that night.
“Hey, I want to ask you to do something and not try to talk me out of it.”
“Oh God…” she sighs, already knowing you’re about to do something stupid according to her.
“I don’t want to perform at the Grammy’s.”
“What? With all due respect, are you fucking stupid?”
“I’m not stupid. But I don’t want to do it.”
“Well, this has got to be the most ridiculous move you’ve ever tried to pull. Why do you want to throw such a huge thing away?”
“I can’t… sing that song with Harry. If I stand on the stage and sing with him… I just can’t do it, Tay.”
“Of course you can! Suck it up! I know you miss him and it fucking sucks what’s happening, but you have to do it!” she tries to convince you, but you’ve already made your mind up.
“No. I’m not doing it. Please let them know that it’s going to be just Harry performing.”
And with that, you end the call.
Taylor knows better than to try to fight you, she doesn’t call back though you know she wants to murder you right now probably, but she’ll come around, she always does. You make yourself a tea hoping to relax your nerves with it though you know nothing can help you now. You wish you had someone to rely on, someone you could talk to right now, but usually Taylor is that person to you and lately Harry has been your support, but you can’t call either of them. The rest of the people you consider friends… they are just not that close to you. You’re left alone, again.
As your gaze wanders over to your phone, a thought pops up in your mind that makes your hands sweat. You think back to the conversation you had with Harry about your parents and you can’t shake the urge off to finally make that call.
“Fuck it,” you breathe out and grab the device, opening up the contacts until you find what you’ve been looking for. Your thumb hovers above the call button for a while before you finally tap on it and start the call. It rings four times before a voice speaks up on the other end.
“Halo?”
“Hi mom,” you reply and hear a gasp from her at your voice.
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There’s less than a week left until the Grammy’s. For your own sake, you haven’t been online outside of answering work emails, you just can’t deal with the shit show your life has become on the internet.
You haven’t left your home unless you really needed to go somewhere, did most of your meetings over the phone or videochat and postponed a fitting as well. You’ve officially caved yourself up in your apartment and you are not planning on leaving anytime soon.
Taylor keys herself in, she hasn’t even mentioned that she might drop by, but you’re not surprised. She is probably here to try to bring you out of this pity party you’ve been holding for days. When she sees you lying on the couch in sweats and messy, unwashed hair, she sighs, shaking her head.
“You really need to pull your shit together, Y/N.”
“I’m fine,” you mumble, pulling your fuzzy blanket up to your chin.
“No, you’re not. This is not the bad bitch I know.”
“Bad bitches have bad days too.”
“This is not a bad day, you look like a fucking zombie. This is not what a Grammy nominee should look like days before the big show.”
“Doesn’t matter, it’s not like I’m performing or anything,” you shrug, but the look in Taylor’s eyes make yours go wide. “Taylor, I’m not performing, you informed them about it, right?”
“This is why I’m here,” she sighs walking closer, sitting on the other end of the couch. “I never cancelled on your performance.”
“I told you I’m not doing it!” “I know, but I was hoping you might come around. But you seem to be still acting like a stupid bitch, so that didn’t happen. However, I’ve gotten an interesting email today.”
She pulls out her phone and opens the email before handing it over to you. Shooting her an unhappy look you start reading.
-
Hi Taylor!
I got your email address from Jeff, wanted to write to you myself. I’ve officially pulled out of the Grammy performance so it’s going to be only Y/N in it. We are also working on a statement to release over the whole ordeal and my lawyers have been after the bigger gossip sites to get the articles down. I want Y/N to have the Grammy experience she deserves and I know it can’t happen with me in the performance. Tell her that I’m sorry for ruining it for her, she deserves so much more. I’m sorry she was brought into this.
I hope to see you soon, take care!
Harry
-
With parted lips, you look up at Taylor who is smiling softly at you.
“He… pulled out for me.”
“He did. Talked to Jeff on the phone, they have already let them know Harry wouldn’t be performing, they will make it official tomorrow.”
“But he deserves this just as much as I do. He is a nominee too.”
“Well, seems like he values you more than his own success.” Taylor lets out a long sigh and scooting closer she places a hand to your knee. “Look, I know you’re upset about how the media treats you just because you were seen out with Harry, and I know that you’re afraid of getting labeled as just the girl he dates and not get taken seriously as an artist, but you can’t let them stop you from living your life how you want to. There will always be judgment, there will always be men who are worse than trash and want to bring you down, but you are stronger than that. Pushing Harry away and being alone for the rest of your life is not a solution. What you can do to put them to their place is give them a big fuck you, date the hottest man in the industry and continue being the bad bitch that you are, fighting against the way you are being treated. Speak up, show them who they are dealing with, share your truth, like you always do! But you can do all of this with Harry by your side. You deserve to be happy and he makes you happy, don’t make yourself miserable because we live in a world where men are still placed above women. Fight for the change but don’t forget to think about yourself as well in the process.”
You feel the tears sting in your eyes. The weight of this past week is just way too heavy to carry, but Taylor is right and you are realizing that you’ve made it harder for yourself. The sobs come before you could stop yourself and Taylor pulls you into a hug.
“I know, I know. It fucking sucks, but you can’t let them win,” she soothes, running her hands up and down your back. “Show them how big of a bad bitch you are and get the man too.”
“You think Harry still wants to be with me?”
“I think that man would be on his knees for you in a heartbeat if you asked,” she chuckles pulling back. “Statement about the performance will be released tomorrow. That’s how long you have to figure it out,” she tells you with a knowing look before leaving you alone with your thoughts, however you don’t have to think long what you have to do.
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You have not been the only one these past days took a toll on. The fight the two of you had left Harry completely drained, angry and helpless. He hated that he was the reason you weren’t credited as the talented artist that you are and he couldn’t stop thinking about ways to make it better. That’s when he came up with the idea of pulling out of the performance.
Now he is ready to spend the remaining days until the award show hidden from the world, not even leaving the house. Everyone close to him knows he is better not to be disturbed now, so he is quite surprised when the security system lets him know that someone has arrived.
As you drive up to his house you spot him immediately, stepping out the front door with a shocked look on his face, probably expecting you to be the last person to be there at the moment. You wipe your sweaty palms against your thighs as you walk up to him, feeling anxious to see him and talk to him, especially after the last conversation you had.
“Hey, I’m sorry for coming here without calling or anything…” you shyly start, stopping in front of you.
“Don’t be silly. Come… Come on in,” he clears his throat inviting you inside.
You’ve walked through this front door so many times in the past almost two months, but this is the first time you feel so odd, standing out, like you have no place in here and it’s all thanks to yourself.
“Do you want something to drink? Are you hungry?” Harry walks past you but then turns to face you, talking to you with such warmth and kindness, even after how you acted, putting blame on him for something he has no control over. It completely breaks you and can’t stop your eyes from watering as you look at him. You really hoped you’ve run out of tears in the past days, but it seems like that’s not the case at all.
“Harry, I’m so sorry,” you breathe out shakily and you step closer to each other at the same time, he envelopes you in his strong arms and you fist his shirt at his chest. “I know it was none of your fault, I just got so desperate and afraid that it might ruin what I worked so hard for.”
“I know. And you were right about everything. Everything you said was true and I’m sorry you have to deal with it.”
“Yeah, but it wasn’t right to be mad at you just because you have different privileges, it’s not like you can change who you are. So I’m really sorry about that, and also for pushing you away when you were just trying to be there for me. I was so stupid,” you breathe out, wiping the tears sliding your cheeks down away.
“You just panicked, it’s okay. Don’t apologize for wanting to protect yourself.”
Resting your forehead against his shoulder you wait for your sobs to die down before you look back up at him. Reaching up he tucks a loose strand of hair behind your ear, smiling down at you warmly and that smile alone ensures you that you are exactly where you are supposed to be, with the right person.
“Taylor showed me the email you sent her,” you bring it up, clearing your throat.
“You deserve it all to yourself so people can see how amazing of an artist you are.”
“I’m not doing it without you,” you shake your head stubbornly. “We wrote the song together and we’re gonna perform it together or else I’m not doing it either.”
“Y/N, you know if we step on that stage together they are gonna twist the whole thing and make it about something else. I want you to have this opportunity for your career without me ruining it with just my presence.”
“Fuck them, if they take it as something it’s not. They are not gonna take the chance away from us to perform our song. If they are such fucking dumbasses that they make it all about what’s between us, that’s their own personal problem. If I need to, I’ll go on a Twitter rant and tell them this myself. I want you on stage with me or else I’m not doing it either.”
Harry breathes out through his nose, pressing his lips together as he stares back at you, probably realizing you are dead serious about pulling out of the performance and he is right. He doesn’t even know you were the first one to cancel on it, you’d do it again without hesitation.
“I guess we are performing then,” he cracks a small smile and throwing your arms around his neck you pull him down, lips smashing against his, the kiss mingling with giggles and smiles.
Harry wraps his arms tight around your waist, pulling you up from the ground as he spins you around, making you squeal as you hold onto him.
“I have to call Jeff to call the Grammy’s not to post the statement,” he hums against your lips and he pecks them a few more times before letting go of you to quickly make a call to his manager.
You move over to the couch in his living room as he talks to Jeff, who is luckily very understanding about the sudden change. Hugging your knees to your chest you watch him pace the floor, exchanging a few more words with the man on the phone before ending the call, his gaze dropping to you again. Sitting beside you, he kisses your temple, dropping an arm around your shoulders as you lean against him, head resting on his chest.
“I called my mom,” you drop the bomb suddenly and you can feel him tense up for a moment, probably shocked by your words.
“You did?”
“Yeah.” Lifting your head your gaze meets his as you carry on. “She was… very shocked to hear my voice.”
“I bet,” he hums. “What did you talk about?”
“I just… asked how they are doing and told her that I’ve been thinking a lot about them. She sounded genuinely touched by it and said I’m always welcomed for dinner or lunch if I’d like to see them.”
“That’s amazing! See, I told you they would love to hear from you!”
“Yeah,” you smile at him softly. “I think I want to go over sometime after the Grammy’s.”
“I’m sure it’s going to go well.”
“Would you please come with me?”
Your question catches him off-guard he seems surprised that you would want him there, but then his expression softens as he leans down and kisses your forehead.
“I would love to, if you want me there.”
“I do,” you nod.
“Then it’s settled,” he smiles warmly as you lay your head back to his chest, his fingers gently dancing up and down your arm and for once in your life you finally feel settled, like everything is going to be fine.
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Highlights of the 63rd Annual Grammy Awards: Y/N Y/L/N blows up stage with new hit duet
The killer duo surprised us all with a brand new duet titled Floating Through Space, performed it together on their big night. Wearing matching galaxy themed suits, Y/L/N and Styles have closed off the evening with probably the most success, the latter winning two out of his three nominations, receiving the award for Best Music Video and Best Pop Vocal Album with his latest album, Fine Line, while Y/L/N was titled best new artist, becoming a Grammy winner early in her career.
Tabloids blew up earlier this month when the two singers were photographed cozied up at dinner with friends, speculations started about their possible romance, but Y/L/N has made a clear statement on the question with her red carpet appearance before the award show. Wearing a head to toe black Gucci gown paired with a dramatic cape, the message “I’M AN ARTIST, ASK ME ABOUT MY ART” painted onto it in red, making a bold statement about her opinion on the way the media has been treating the star.
Both singers remained silent on their alleged romance, but proved to be the best of their time with their joined performance with their new emotional duet. Following the song’s debut on stage it was released to the public as a single right away, taking over all charts with its overwhelming success.
Listen to Floating Through Space now on Spotify and Apple Music!
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Your knuckles are turning white from the tight grip on the steering wheel as you stare up at the home you grew up in. It looks almost the same, sometime through the years you haven’t been around your parents have painted it a light blue color from the paste yellow, but it’s still… the same.
“Hey.”
Turning to your right you look at Harry who is smiling at you warmly as his hand reaches over and squeezes your knee gently.
“It’s going to be fine. I’m sure they’ll be happy to see you, you’re still their daughter.”
“That’s not what they told me the last time I was here,” you whisper, feeling your throat closing up.
“We all say things in the heat of the moment. Seeing how happy they were about this lunch proves that they regret what happened.”
Nodding you take a deep breath to get ready for whatever is going to happen. Leaning over the console you pull Harry in for a kiss and it calms your nerves a little. Getting out of the car he takes your hand and squeezes it to let you know he’ll be right by your side all along. As you walk up to the front porch a sense of strong nostalgia washes over you.
You didn’t have a bad childhood, your parents provided you so much growing up, it’s sad to think what it has become. In a way you feel more anxious than walking the red carpet a week ago for the Grammys even though you’re just meeting your parents, but this is a turning point in your life that needed to come sooner or later.
“I’m right here, baby. It’s going to be fine,” Harry murmurs, kissing your forehead before you ring the doorbell, feeling weird that you come here as a guest, not as someone who belongs here.
You hear footsteps approaching on the other side, two frames appear through the clouded glass of the front door and then it flies open, pushing all air out of your lungs, clinging tightly onto Harry’s hand. There’s a moment of silence and just staring at each other before the tiniest smile tugs on your lips.
“Hi mom, hi dad.”
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Thank you for reading, please like and reblog if you enjoyed it!
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minzart · 3 years
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Wait, wait wait- WE HAVE TO TAKE CARE OF RIDDLE!? DAS A LOAD OF BU- Anyways. Is that part of the yandere?
Oh yeah. That's when they kick in
Anyway, it's my excuse to change to the boys POV. Bc my yanderes show more in that
For Riddle, Yuu is nothing but a useless handyman who arrives late, can't fix things quick enough, has no manners and no presence
So of course he tries his best to teach them, after all, this is Night Raven Collage, and if the headmaster isn't going to teach and punish his staff properly, might as well do it himself
Soon enough he's impressed, Yuu learns faster than he thought, little punishment was actually necessary, and one day they said something that caught the dorm leader by surprise
Yuu: ... thank you
Riddle: hm? Speak louder if you want others to hear you!
Yuu: I want to thank you dorm leader Rosehearts, you can be strict, and merciless at times-
Riddle outraged: is that how you thank somebo-
Yuu: HOWEVER, your strictness was what pushed me to learn how to organize my life here, I now have a routine wich... wich I realy needed, but I need to remind you that I am not a student nor am I a servant, so I can't be at your disposal at any given time, so I'm here to give you that reminder, and warn you that I'll be abstinent of the next unbirthday party
Riddle: are you perhaps challenging me?
Yuu: yes I am, not everyone can take so much rules and live by them at a T, and I don't have the privilege of being a student to get a break, so if you take a stranger saying they want distance from your lessons that were uncalled for, as a challenge, then yes, I am challenging you Riddle Rosehearts
Riddle face burns: You INSOLENT! [OFF WITH YOUR HEAD!]
Yuu doesn't flinch, they lock eyes with Riddle and walk away unharmed... the students that were present are just watching, the dorm leader goes pale, for noone had the guts to call him on his bullshit until today
Riddle's mood is getting worse and worse, slowly he notices that a part of him misses the handyman, a little pet project of his own, someone to guide through the rules of the queen and through the rules of this world
He notices them around campus, walking and cleaning here and there, and then he notices how... alone they are... noone to come back to, staying in a ramshackle dorm haunted by ghosts and having to run around to find the headmaster, Riddle decided to observe, and he saw the growth
Yuu was faster than last time he saw them clean, they were learning the ins and outs of the school, they know proper greetings and talk to the paintings in their break, they are getting better at catching the annoying raccoon, and... and Riddle notices that he misses them
He misses the smal talk, the little snarky remarks, the misbehavior that was soon corrected, he misses their little game of "how far can I push the rules until you break"
He learned something with Yuu, that students will find loopholes to break the rules, he learned that you can talk back in a proper way enough not to sound vulgar, he learned that if you have a punish bag that would be back for you again and again you could teach a lesson to yours students without danger of involving the headmaster
He's sure they know it isn't serious, they have talked and learned so much about each other, this little punishments weren't because he wanted to, but he needed to make an example, and Yuu is... nothing... but not everyone knows that, so that make them the perfect candidate! Sure they knew that... so why... why did they leave...
It's no wonder that he overblots that day, but the surprise was... how relieved he felt the moment he saw Yuu... they came back... they did, he wasn't alone anymore, Yuu was joking... Yuu... Yuu understands him... he knows they do
The night he awakens Yuu is by his side, so he observes them, tired... so very tired and having nightmares... he can't comfort them from were he is, it's frustrating, so he focus on their face, the shape of the jaw, how their chest goes up and down, how their eyes flicker because of the nightmare, how the moon illuminates... what the fuck is the thinking of?????
Riddle is in denial mode until he heals, well... until his sense of duty can't be still for any longer, until then he demands Yuu's full attention, by the end of it I think he pass his denial fase.....
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captainninej · 3 years
Text
my literary analysis of a rhysand stan/apologist got deleted, so here it is again bc i'm proud of it lol
lets pick this apart shall we
Before Feyre accepted the mating bond, Rhys was extremely upfront about why he did, what he did UTM. there were no lies or anything.
rhys being upfront about why he did what he did does not change the gravity of his action. a murderer confessing to murder isn't suddenly absolved of their crime - they still killed someone. the same principle applies here. he can be all moany and wishy washy as he likes, but he still did it.
He said 2 important things: the first was "I made the bargain so u wouldn't fuckin die and I needed Amarantha to think that you were my play thing" and the second was "I wanted to make Tamlin angry because he's the reason my sister and mother were slaughtered" and TBH??? Same bitch??
i see this around a lot, that rhys made the bargain with feyre so she would survive. but this falls apart pretty quickly when you start to wonder: how did parading around feyre and drugging her so she vomits and dressing her in pretty much nothing help her survive?? would she have died if he hadn't done that? probably not. none of it was necessary - not the clothes, not the drugging, not the trauma, not the twisting her broken arm. also, rhys didn't do it to save her life - in the same monologue you're talking about, he literally says he made the bargain 'to get back at [tamlin] for my mother and sister, and for...having you.' and that feyre was so hateful of him, somehow this meant he 'knew he had done his job well.' what job???
think about it. why did he need amarantha to believe feyre was his plaything? what did this prove? what did it contribute to freeing them?
If my mama and sister were slaughtered because of you I would literally do anything in my power to make u suffer??? Even if that meant parading your bitch around as my own?? Might I mention that Rhys didn't make Feyre do anything more than dance for him??
umm...
i'm not going to pretend any of us will know how we would act in that situation. but that's another conversation - what matters here is feyre. FEYRE DOESN'T KNOW ANY OF THIS. SHE IS AN INNOCENT THIRD PARTY HERE. regardless of personal history, rhys has no business implicating an innocent HUMAN girl in his beef with tamlin. that's between them, and it does nothing to change the ugliness of how he treated feyre. 'parading your bitch' hi the misogyny is showing
also 'rhys didn't make feyre do anything more than dance for him' and that's okay?? oh as long as it didn't go further than roofying, lap dancing without consent and dressing in cobwebs, it's fine?? i worry for you
Because like if I'm being completely honest I'd probably do worse??
i'm not even sure what to say to that
And Rhys was actually protecting her from more of Amaranthas weird ass punishments?? Like idk guys if you're anti rhys maybe ACOTAR just isn't for you and you can leave it at that.
was he? i would argue going through what rhys put feyre through was a form of punishment in of itself.
also, so if i don't like rhys acotar isn't for me...got it, acotar is for people who think this behaviour is acceptable. i'll make a note to stay away from them and keep them away from young children.
just a tip: when someone picks up a book, especially a popular one like this, they don't know what's in it before they read it. can you imagine a rape survivor reading through these books, seeing what rhys did to feyre, and then have to go through his explanations justifying all of it?? and have feyre forgive him?? what kind of message does that send??
Another point that's brought up a lot within the fandom is "choices" and how Tamlin didn't give Feyre choices, but Rhys did. And while I think that might be a point stressed in the novels, I don't think Feyre falling for Rhys is supremely entwined with "choices". I think what Rhysand gave Feyre more than Tamlin did was a voice and knowledge.
someone saying 'it's your choice' over and over while not giving you a choice doesn't make it any more true. just saying. you can say that rhys gave her knowledge and a voice, but two things: rhys only told feyre what he wanted to if it would serve his own purposes, see: him not telling her that he was using her as bait for the attor in acomaf, him not telling her about the mating bond, him not telling her that her own pregnancy will kill her. and the second: feyre doesn't need to be 'given' a voice. she has one. a voice is not something a woman needs to be given by a man, especially not some 500 year old creepo with a god complex.
Rhysand would tell her straight up, "look I can't tell you this unless you do this" and that's more an ultimatum than a choice. And we can go over the dynamics of ultimatums but Rhysand never bullshitted Feyre (ACOSF isn't canon oops) and ALWAYS heard her out. Rhysand always told her the dynamics of a situation. And more importantly, it was Feyres fuckin decision, and also it's fucking fiction so just be honest and say u don't ship it rather than trying to tank Rhys as a character.
um...and that's better than a choice? the fuck? think of the power in that sentence, that he wouldn't tell her something unless she did something. why does he have the right to withhold information from her?? why does she have to earn it, if they're such a pOwEr cOuPLe? rhysand's entire ARC is bullshitting feyre. he never once apologised for his behaviour. he only justified it while crying into soup. so if you don't want acosf to be canon, you know that rhys bullshitted feyre. you know that hiding medical information from her was a dick move. but it was completely in character for him if you notice the patterns in his behaviour right from the beginning of their relationship.
when did rhys tell her the dynamics of the situation?? when he traumatised her to beef with tamlin when she was human? when he made her agree to a bond for eternity when she was canonically with tamlin and was in no place to say no to the bargain? when he didn't tell her they were mates but told all his friends? when he used her as bait for the attor? when he hid her OWN PREGNANCY INFORMATION from her and told all his friends?
And more importantly, it was Feyres fuckin decision, and also it's fucking fiction so just be honest and say u don't ship it rather than trying to tank Rhys as a character.
you literally just proved yourself wrong in one sentence. 'it's feyre's decision and also it's fucking fiction' my dude you're right feyre is not a real person so you know who's making these decisions? the author. you know what the role of fiction is? to tell a story and spread messages, even unintentionally. people are reading this relationship and are guided to think that it's okay when it is literally textbook abuser behaviour. this shit has consequences. i read these books at 13 and didn't see a flaw in rhys' behaviour because the author told me not to and because i was too young to have any experience with relationships. i'm 19 now and i'm horrified to look back on these books i once loved.
you sound a lot like rhys there, 'it's feyre's choice'. no it wasn't. it was the author's choice to depict the relationship like this. all of us are being honest you fuckwit this is more than not liking a ship, it's pointing out alarming behaviour from a character who is portrayed as a hero.
i don't need to tank rhys as a character. the author and the fandom did it for me.
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thechekhov · 4 years
Note
Hi! I saw on a post that you're agender and I'm kinda questioning my gender (again) but what interested me more about that post was that you said you believe that gender is a social construct and I'm not really familiar with that theory. I was wondering if you could explain to me what the whole idea is? (bc I kinda only feel like a have a gender in social situations? In my head, my dreams and how I picture myself in the future, I'm genderless idjskahwksjejensj) Sorry for bothering you if I did.
This is a BIG topic and it opens a LOT of wormholes. 
We’re gonna do this in pie slice statements that will hopefully help explain what I mean. Please keep in mind I’m going to simplify many things for the sake of readability.
1) What is a social construct? 
Social constructs are ideas that are negotiated by social groups. Something being a social construct does not make it ‘not real’. 
For example, money is a social construct. Yes, we have cash - coins, credit cards - but these are physical props that are REPRESENTATIVE of the idea of currency. You have some form of credit to your name - the money is a socially agreed-upon idea of value being represented by bills in your hand, by numbers in your bank account. 
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[Description: Two humanoid figures are standing side by side. The right-side figure is holding a rock in its hand. 
Right side figure: Let’s agree that this shiny rock is worth 2 sheep.
Left side figure: Sounds fake but ok.]
Technically, countries are also social constructs. We, as a society, negotiate what a country is, and this can be changed.
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[Description: Two figures are standing on either side of a dotted line drawn on the ground. The left figure is pointing down at it while the right figure watches, its arms crossed.
Left figure: Let’s pretend that everything on this side of the imaginary line is mine.
Right figure: ...ok but my house is over there.
Left figure: ... for 3 shiny rocks you can come visit.]
Does that mean canada isn’t real? No. (I mean, obviously canada ISN’T real, but we all agree to pretend it is.) The thing that makes it real is that we are in agreement, and all follow the social rules of pretend to make it seem like the Canadian border, the idea of Canadian citizenship, etc... is an objective fact. (It’s not. These are in fact, negotiable limits and parameters. We have laws in place to define it in legal terms, but those laws can be changed, or may change in the minds of communities. That’s why it’s a construct.)
By that same token, I hold the view that gender, as we largely perceive it in modern society, is a construct. Why? Because it is not inherent; we, as a society, negotiate its meaning. 
2) What is gender? 
People will probably fight me on this and that’s fine, but here’s my (simplified) understanding of gender (from someone who personally has none)
Gender is a social category negotiated by cultures based on your assigned or desired role in your community that influences, among many other things, your physical appearance, your role in family units, your expected position in jobs, etc. 
How I think it happened:
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[Description: Two figures are standing on either side of the panel, both holding children-looking figures. The one on the left is wearing purple. The one on the right is wearing green.
Green figure: Hey, I’ve got an idea. What if we separate the babies into two groups based on physical traits they have no control over?
Purple figure: Wh-- okay...?
Green figure: And then limit the jobs they can do and the community ritual involvement available to them based on that!
Purple figure: ... I feel like this is going to backfire on us someday.
Green figure: Nah, it’ll be fine.
The past panel is a dramatic closeup on the purple figure’s face - which is featureless - betraying a deeply doubtful emotion. It says nothing.]
Important points to remember: what gender looks like, what the limits are, what the expectations are... are not inherent to any human biology. We make up gender roles. This is evident in the fact that across the world, gender roles differ by culture. The positions people of a certain gender are allowed to take up are different. What is perceived to be ‘girly’ or ‘boyish’ is different across cultures. 
Simply speaking - currently the (western) model we have, dumbed down, is:
You are assigned male at birth because of physical characteristics
You are raised being told to ‘toughen up’ and ‘boys don’t cry’ and encouraged not to show emotions
You are taught to wear male-coded clothes and discouraged from female-coded fashion choices
You are given more opportunities to participate in sports, encouraged to engage in physical activity, etc
You are not expected to need time off for child-rearing 
Here’s where gender as it works in society breaks down into being not a real thing but instead something we thought up: 
Nothing about having a penis necessitates wearing pants. Nothing about having XY chromosomes means you need to keep your hair short. Nothing about your genome makes the experience of nail-polish different for any human being. 
All of these are arbitrary traits we decided were allowed or not allowed to a specific group of people based on entirely unrelated physiology. 
Even if we delve deeper, there is MORE variation among individuals of the same ‘sex’ than there are, on average, of members of the ‘opposite sex’ when compared to each other. 
Many people use the excuse ‘women are physically not as strong as men’ to say that this has an evolutionary aspect driving these cultural, historical, socially-constructed gender requirements. 
But if there was a physical reasoning behind the culturally-set gender-limited job expectations, then we actually WOULDN’T need a traditional binary gender system to sort ourselves into categories. It would simply be decided as a meritocracy - stronger individuals, regardless of gender, would be given physically-demanding jobs. (Also we know that many jobs thought to be ‘traditionally male’ are just the result of sexist bullshit, so this reasoning doesn’t fly any further than I can throw it which is, coincidentally, not very far. Politics is one such area. Doctors are another. We can go on but I think you get my drift.)
My own example of this is an anecdote when my grandparents came to visit my partner and I in Japan. While we were driving down to Tokyo, my grandmother - who has a PhD in entomology - began to say that driving is a masculine activity and women shouldn’t be driving as it was ‘un-woman-like’. My partner almost immediately fired back that in Japan, studying insects or having any interest in them whatsoever was considered a heavily masculine-coded activity. In Russia, there is no such assignment, and my grandmother was left silently blinking in confusion, unable to come up with any excuse except ‘well, all cultures are different, I suppose...’
Do either of these things inherently have a gendered aspect? Of course not! But we assign gendered ideals to them anyway.
3) If gender is made up and constructed by society, then does that mean trans people aren’t real?
No.
Even if you agree that gender is a social construct, trans people are still real. TERFs don’t get a pass. Why? 
Because gender - as a social construct - still affects our everyday lives, dictates our social position in our community. Transitioning is still a thing that has to happen. The fact that you are NOT easily able to decide your own gender and are ostracized for wanting to transition, abused for dressing the way you want to be perceived, and bullied for wanting people to refer to you with different pronouns - all those are the effects of a social construct that has very REAL impact on our lives.
This is also why I dislike defining trans-ness by dysphoria. Because transgender people are not only their suffering - the suffering is coming from the outside!! Many trans people remember not being concerned about their gender identity in their childhood, because they did not yet perceive the world as being hostile to their desire to fulfil a specific role in society. The issues and self-hatred and dysphoria begins when they express wanting to be themselves - a life which they are forbidden from pursuing based on physical characteristics they were born with.
Does this mean we should try to remove gender from society? If we constructed it, we can deconstruct it, right?
Realistically, I highly doubt this is possible. Gender is so ingrained in our daily lives that it would be difficult. Nor, I would say, would it be necessary to achieve world peace. 
Having social groups - having gender - isn’t inherently a bad thing. The bad thing is when we limit those social groups to specific basic human rights, like voting, or when we forbid them from transitioning from one to another based on things that are out of their control. 
Also, I’m not saying genitals and secondary sexual characteristics aren’t real. Please don’t bother sending me that angry message, I’ll ignore it, I promise. 
But the concept of gender IS something we thought up and maintain and negotiate with each other to this very day. It’s not granted to us by a higher power, nor is it a constant, unchanging thing. It’s a part of the human experience and like everything, it has the potential to evolve - as a concept in our communal memory, as well as on an individual level, for people who feel they want to be perceived differently. 
Thanks for coming to my TEDtalk!
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therealvinelle · 4 years
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I agree that Aro definitely is not straight, but if he is gay and not bi, why window shop for a wife? If he wanted a partner for some reason, why not find a male one? It was a different era, yes, but are vampires really homophobic?
So, for this meta, we’ll have to get historical. Before we do, keep in mind that while I know Ancient Greece better than most, having studied it (introductory level classes only, mind), I don’t know it well enough to be any kind of authority on the matter. History, more than any other discipline I can think of, is not respected as an academic field, and people with poor to no understanding of historical hermeneutics will make very bold assumptions that they then have too poor understanding of history to realize are bullshit. This is a disclaimer because I don’t want to join in on the chorus of authoritative-sounding people on the internet with no verifiable credentials who spout things about history that are then taken to be gospel truth by readers because the author made it sound good.
More, I say this because your question is asking me to explain the morality and social norms surrounding a character from 14th century BC Greece. And this man would not, for the record have been Ancient Greek, he would have been Mycenaean Greek. Very quick history lesson: Mycenaean Greece was a flourishing society that suffered a downfall, Greek civilization fell into its very own dark ages, until around 800 BC when Greeks began forming what would become the Ancient Greece we know and love. This in turn means that I can’t very well read up on the marital and sexual norms of Ancient Greece when I’m researching for Aro, because he was five hundred years old already when Ancient Greece became a thing.
And your question concerns cultural history. And for that we’re going to have to look at how we know the things we know about history. How history is studied.
Historians have two kinds of sources: archeological findings and written records. (I’m aware that oral tradition, like the one carried by the Aborigine people, isn’t technically one of these, but to my understanding it’ll be treated to similar analysis as written records, which leaves us with the two types of sources standing strong.) These sources are analyzed, and we apply various theories and models onto them to make sense of the context they were written in. The more sources we have, the more we can refine or eliminate these theories or models.
More, history is an ever evolving field. There are movements and schools of thought that influence how history is written (marxism in history, that is, history as a class struggle, was heavy in the 60′s and I think until the 80′s), which means that how a certain culture will be perceived today is not the way it was perceived a few decades ago, nor will it be perceived the same way a few decades in the future.
You see why I am daunted by you asking me to give you an answer about sexual and marital norms for a guy who lived 3000 years ago, and I hope you’ll understand why I feel this word vomit is necessary.
Now, the danger with Mycenaean Greece is that it’s a society it’s easy to feel we know a lot about, because it was the precursor to Ancient Greece, and we know a lot about the latter. But, first of, the reason why we know as much as we do about the Ancient Greeks is the Romans. The Greeks wrote about their history, their philosophy, their government, and they wrote plays and told stories. However, that was two thousand years ago and their writings would have been lost to the sands of time if the Romans hadn’t idolized and sought to emulate their society. This meant preserving their written records. This tradition was carried on by the Christians, in part because Hellenistic philosophy was incorporated into Christian philosophy. We have neo-platonism to thank for Christian asceticism, the “mind over matter” cornerstone.
What I’m getting at with all of this is that we know the insane amount about Ancient Greece that we do because of some very unique circumstances, and so we can make very sophisticated theories about what the Hellenistic world was like. It’s still detective work, but not Pepe Silvia type of detective work. This is not the case for Mycenaean Greece. We know a comparative lot about Mycenaean Greece, considering how long ago it was, but there is very much we don’t know.
With Mycenaean Greece, we are dealing with a lot more uncertainty. We haven’t deciphered one of their two writing styles, and a lot of the text we do have is very fragmentary. Coming up with detailed societal models for Mycenaean Greece, and for the 14th century BC specifically, is... well I don’t know enough about what this society left behind to know what historians have to work with, but I imagine they have their work cut out.
More, I haven’t studied this at all, which means that any attempt on my end to research this would be stumbling around in the dark.
One example: the Illiad and the Odyssey, while composed around the 8th century BC, were set in the early 12th century BC, which is nearly Aro’s time period. The Illiad depicts a homoerotic relationship between Patroclus and Achilles, and both works depict a lot of matrimonies, so I wish I could use it as a source. However, not only would this time gap alone make these sources questionable, but there’s also the matter of the Illiad and the Odyssey being transmitted orally, from bard to bard. Changes were made over the years. For example, the technology described in the Illiad is from several eras, as the warriors will be using bronze weaponry in one book and then switch to iron in the next. This game of telephone is what happens when a story is transmitted orally from person to person. So, while it’s tempting to use these works as a sort of reference point, the possibility, likelihood even, that the bards made adjustments to keep the old story entertaining for their contemporary audience is strong.
For this reason, I can’t give you any kind of historically correct analysis on what the marital or sexual mores would have been like in Aro’s time. Even if the knowledge is out there, I don’t have it.
But I can say this, spouses have for the longest time been partners. Men and women got married, even in the gay, gay, Ancient Greece, not just to have children but because they complemented each other, they were partners. Men needs wives, and women needs husbands. And a partner was canonically exactly what Aro was looking for, feelings had nothing to do with it:
After Caius and Marcus had found their romantic attachments, Aro decided to find his own, although rather than finding his other half in another vampire Aro decided to create his own instead. Aro had a certain type of woman in mind and he found what he was looking for in Sulpicia. He successfully courted her and she came to fall in love with him.
As for vampires being homophobic, I think that is for another post about what culture they bring with them into their new life. But to be brief I’ll say that while the individual vampire can be homophobic, there can be no homophobia at an institutional level because vampires have no institutions. And it’s the institutional homophobia that gets ya. It’s what the whole fight for gay rights has been about: secure legislation against discrimination and that protects gay people. (The right to marry and protection from employees firing LGBT employees comes to mind as examples of this.)
So, no one could force Aro to marry a woman. 
And I’d go into a rant here about how the prospect of gay marriage, of even identifying as homosexual (the labels homosexual, bisexual, and heterosexual are very new and, to my recollection, were born off of the Western psychiatric discipline as men who slept with other men were diagnosed with homosexuality. I imagine a man from the Antiquity would be confused at the notion that just because he likes to sleep with dudes he shouldn’t get married to a woman), was unthinkable up until very recently, but I just made this obscenely long rant about how I can’t really make these kinds of guesses, so I’m not gonna.
I think being married to a woman and then banging hot dudes who came along suited Aro just fine.
Also, I can’t believe I’m doing this, but - I’m going to encourage history asks. Because this fandom has a bit of a history problem, as a lot of the characters are from different time periods and many feel unsatisfied with the way Meyer handled that. I am by no means a historian, but I know several of the historical periods the characters of Twilight are from well enough to make educated guesses.
So, hit me with your worst.
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the-resurrection-3d · 2 years
Note
hey mootie craziest ask ever but do u have any General writing tips bc on god. i have ideas i iust Cannot sequence them or put them on Technological paper im at a loss here
Oh for sure! This post ended up being rather long, but I wanted to be thorough -- feel free to let me know if I need to re-clarify something.
Anyway!
Usually, I have to write myself into the good writing -- by which I mean I begin a session with essentially artist's warm-ups, such as scribbling out a few words about the images that are coming to me, or starting my first sentence with some throwaway introductory phrase like "Thinking about..." and then describing the thing in whatever barebones form comes out -- "and then X, and then Y," and so on. It's not pretty writing by any means, but once I have those creative energies flowing, eventually I'll start to naturally slip in more description, more emotion, even dialogue. The "real" opening of the story is usually not the opening you first write -- Anne Lamott in her book Bird by Bird, for instance, mentions that, in her drafts for her three-page food reviews, her real opening usually was on page two of the first draft. I've had essays published where I had to literally revise every single sentence that was not a quotation from somebody else. By the end of last semester, I was struggling so badly to finish some first drafts of my final papers that I legitimately could barely finish my sentences. I'd write down half a thought, hit the enter key, and start a different thought entirely.
Which leads me into my main point, which is getting a draft done by any means necessary. To be as blunt as possible: you can't edit shit you didn't write. To quote the dancer Martha Graham:
"There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open."
So I have first drafts littered with Wikipedia summary-tier scene descriptions, huge quotes from other writers, half-baked ideas, completely context-less dialogue, and even abrupt swaps between first, third, and second person, because nothing else matters but simply getting it done. This is not to say I never edit as I write, but you have to give yourself the leeway to write bullshit. (For longer projects, @bettsfic in her most recent newsletter discusses writing out a "gauge" to figure out the project's writing style before committing to it, saying that:
in knitting, a gauge is a square you knit before you begin a project to make sure you’ll end up with the dimensions you intended. that way, a sweater you meant for a grown-ass adult doesn’t become a baby sweater by accident. a gauge makes sure you’re using the right yarn and the right needles so you don’t have to unravel the whole thing and start over.
Thus, she says she writes and rewrites the first chapter however many times it takes to find a perspective and "voice" that works so she won't have to, say, change an entire novel from past to present tense-- I dunno how long your ideas would be, but this could be helpful, too.)
Since you mentioned sequencing, I'll admit I also struggle with that a lot, so I find writing out of order pretty necessary. Once you actually have more story material out in front of you, though, thematic threads become more apparent and sequences can start to suggest themselves. Tying themes to specific reoccurring actions and symbols can also suggest organization, both on the more global story level and the more microscopic sentence-by-sentence level. The 5+1 fanfic form is a great example of this.
John McPhee goes way more in-depth with this thematic organization idea here, though he's talking specifically about narrative nonfiction. Peter Elbow also discusses in "Collage: Your Cheating Art" that, if you have a fragmentary draft of an essay, you can always essentially use it to reverse-engineer a more "professional" outline. Again, not fiction strictly, but I use the same principle a lot (alongside Kurt Vonnegut's suggestion to start my short stories as close to the ending as I possibly can, lollll).
If you have a general sense of what plot/genre you'd like to write, you can also try what I've seen Brandon Sanderson call scaffolding, wherein you look at the basic plot beats and structure of a novel in your genre and essentially use it as the traced deviantART anime base on which to design your new OC. You don't have to be completely beholden to that plot structure, of course, but this can be a great way to cheat-start making an outline or first draft.
I tend go back and forth between collage and scaffolding since I'm a mess, lol. After the draft is done (or even just 80-90% done, because sometimes I know I'm not finished, but I won't know exactly what to finish until I'm into the revision process), I find it particularly helpful to print out my drafts and physically cut them up and rearrange them into lines and piles, so I can test the flow of certain sequences more easily than on a screen.
I was flipping through my copy of Bird by Bird while I was writing this, and I think I'll end this (very ramblingly) post with a small but encouraging quote from it:
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I hope that helps! It's 2:47 am right now, lol, so I apologize if this is at all messy or a little scattered.
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not gonna lie, the amount of hype surrounding windwaker compared to like. playing it. is not what i expected (i'm halfway through hd)
it just feels kind of empty? and i really really REALLY dislike what happens to tetra. it's genuinely hard carrying on with the adventure and just leaving her in the castle. there's never been another time in a zelda game where i've thought "god i wish i wasn't playing as link right now," which sucks? and the king of red lions is such a waste of a companion character. i like FI more, somehow. the combat is kind of oversimplified with the onscreen commands for "parrying" so victories feel unearned. the great sea is nothing compared to botw hyrule and some of the sfx, especially link's noises, grates on me.
i sit down to play windwaker and always end up wanting to play botw instead, which is the weird part of coming at the series without nostalgia goggles. i played botw first. playing twilight princess was fantastic bc it's SUCH a unique experience compared to botw and felt more compelling and streamlined than the controls and story in ocarina of time. skyward sword hd was good to me partially bc my expectations were abysmally low. i had pretty high expectations for windwaker and honestly so far i can find things to love (link's expressions and the art style, dragon roost island music) but in general it just feels a lot more hollow than a lot of video essayists express.
and yeah i know the story is special to a lot of people and a meta commentary on the success of the franchise or whatever but just like with skyward sword, i find it still pretty basic despite it being unique compared to the other games? again i'm guessing it's a nostalgia thing, but it's not like i had nostalgia for twilight princess, which ironically has my favorite story and makes its subversions in really subtle self-aware ways, and seems to really CARE about each and every character. god, i hate what they did to tetra in windwaker lol.
i also think i can kinda pinpoint why the open world in windwaker feels like a repetitive chore and i've spent like 1500 hours in the botw open world, storytelling is so much more possible and encouraged in botw. it's about the journey more than the destination. windwaker has repetitive locations that almost always have things to help link on his quest. botw world is just like, yeah there's a shrine, but just EXPLORE for the hell of it! learn about the world, tell your story! find 900 koroks and in that process become intimately familiar with every inch of the map! you don't need a fish to fill out your chart and tell you about the one (1) Thing to Do in the area. the game teaches you how to observe, how to innovate based on what you know of nature and the physics engine, and doesn't make 95% of what you're doing NECESSARY, which imo makes it all the more special to do.
link's character in botw has this profound feeling of wonder and experiences healing through nature after trauma. he grapples with identity and purpose in a way other links haven't, even if that's up to the player to observe in flashbacks and realize with the kind of gameplay that's encouraged. windwaker link is more of a coming of age story and just feels less meaningful so far to me personally, and it's even more annoying bc the main female character is both sidelined (and whitewashed which what the FUCK needs to mentioned more bc that's bullshit) in favor of link's story. maybe the second half of the game will change my mind, i hope so!
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Not every character should be redeemed
I can't believe that I waste such a good title on a sleep deprived Miraculous discourse, I hold you guys accountable for that
So, again I am, talking about Chloé Bourgeois, and about that "is she redeemable or not" bullshit
Please stay with me on that one if I kill one hour of bad sleep for this post and it makes no note ill cry (like if you desagree with me you even have the permission to insulte me idc i need human interaction)
So apparently Thomas Astruc said something about Chloé "not being redeemable" and that makes people upset, because apparently she deserve a redemption bc there is good in her and she has bad parents
But guys it was never about her deserving or not a redemption, or not even about if it makes sense or not for her character to have a redemption, it's about weither or not it is a good story to tell
Characters are not people, they're tools to tell a story, and weither we want it or not, weither we agree or not, Chloé's story is about abusive behavior and what to do when you face them
She'll probably never be redeemed not because the creator doesn't like her but because that's not what her story is about
And maybe you don't agree with that, maybe you believe character have rights and that they deserve shits, maybe you believe a good or better life for a fictionnal character is more important than the good of the story and it's lessons the but that doesn't seem to be the belief of the creator and you should respect that
And yeah, not every character have to be redeemed
Not only Real Bad Guys like Gabriel, because redemption isn't only about weither or not you merit to be forgiven but also about weither or not you are able to change
I'm not saying that Chloé could never change, that she's rotten to core or whatever, I'm saying that in the state she's currently she can't, and that we need to accept that
You know there are shows that do great redemption/not redemption arc
To name a few, Kipo and the Age of Wonderbeasts have (at least) one exemple of a bad guy being redeemed and one exemple of a bad guy not being redeemed (as well as a bunch of people who are not bad and even good but ending up doing shitty things because that what happen when there is a war). Infinity Train also contains two exemples of people not redeemable, and for one of those it's especially painful to watch because they're specifically show to be too broken to be saved
(it worth saying that for all those character there were people trying to help them to be become better, and that all of them has reasons to do what they did (not necessary good ones, but reasons))
And those are actually good writting! Some of the characters could be redeemed, some couldn't, and that was never about weither or not they desserved to be redeemed but weither or not they could (nah because, objectively? none of them was responsable for their situation, they just all had the shittiest life, and for some of them it was just too much)
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What I'm saying at the end is that shitty things happening to a character doesn't mean that their creator hate them, it doesn't mean that the story is badly written, it's just how stories are
If Chloé is not redeemed it's because that's the story the writers want to tell
(and because, really, it makes more sense for her to not be redeemed than to be)(it's about realism too for hell and heaven sake)
#miraculous#chloe bourgeois#one day ill make an actual post about why i don't believe chloe can or should be redeemed in the main show#instead of just talking about it#but you know i want to do it properly with pictures and an actual construction and like enough sleep#and really it's not about me not liking chloe#while reading those discours and all i end up kinda liking her actually#and i would even like to see a redemption arc for her#maybe i would even write a fic about it myself you never know#(probably not tho because i am unable to actually do stuff)#(beside sleep deprived posts i mean)#OH YEAH AND ALSO I STRONGLY RECOMMEND KIPO AND INFINITY TRAIN#kipo is a very colorful post apo world with incredible soundtracks#infinity train is about people on a big magical train but like please please be very careful if you wanna watch it idk if it's for kids#like really i can't decide if it's an adult serie with a 'kid show' graphic style or an actual kid show that just take kids seriously#there is no blood in it but it's still (very) violent sometime (especially morally violent) and has heavy subjects#like traumas and grief and abuse and trauma again and family drama and mental health and fucking trauma again and cult stuff and murder#but it's really good#and while it's about all that heavy stuff it's also about learning to take care of yourself#and there are talking dogs#and a talking cat#uh what was this post about again?#ah yes chloe#yeah whatever that's pro chloe weither you like it or not
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kishimotomasashi · 3 years
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25 for the salty ask list if you’re still doing it
How would you end XXX*/Would you change the ending of XXX*?
*I'm assuming we mean Naruto
Honestly, there were already a lot of things wrong that were building up to the ending being what it was long before the war arc that already made the show really frustrating to watch so I'm really tempted to say "change literally everything in Shippuden" but explaining what would need to be changed that would keep making sense is long and hard so let's focus on the events of the war arc:
Cut the reincarnation plot. Entirely. It's so fucking apalling that after hundreds of chapters of worldbuilding where we see that the problems ruling the shinobi world are that of war and greed, of nations that have to sustain themselves on violence and as a result have to have the most powerful soldiers to be the most requested which snowballs into all their other problems, all of this gets reduced to "two ghost brothers with a grudge passing on their bullshit to each new generation". Kaguya was not necessary. We could have learned the origin of shinobi in a spin-off or something, leave it at Hashirama and Madara please.
The final fight between Naruto and Sasuke (which has to happen, obligatorily, bc shounen) has to end with Naruto seeing things Sasuke's way. This would need Naruto's character development to go in a different direction earlier on, but like. Naruto has to go "you're right Sasuke". He has to or it's just gonna end up the same.
Honestly my end solution for how to make their world better is to get rid of the need for ninjas altogether, so whichever direction the series takes after the two changes above, it's going in the one that leads to that goal. I'd be satisfied with an open ending.
As for little changes, I'd make it so that the deaths outside of major characters are a bit more significant? I read a really good post once (which I'll link if I can find it) about how some events in the story that honestly are horrific-- Konoha literally being destroyed twice, the Uchiha clan massacre-- lose a lot of their weight because we don't spend a lot of time, if any at all, on like... the global effects of them. We're told half of the village's shinobi forces are wiped out during the Konoha Crush and yet it doesn't feel that way. We hardly know in what other ways the Uchiha Clan Massacre was significant outside of the effect it had on Sasuke. There were over 200 clan members, many of them children, certainly some who would have had other friends and gone to the Academy. The massacre was awful enough on its own, but it would have been so much more significant if we could have spent more time on highlighting exactly how those people who died were people.
so yeah.
Salty ask meme
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faebriel · 3 years
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ok ok I'm insane and couldn't pick one so have two (no need to answer both if you don't want to)
“You talk to him.” Not kindly, but he does.
“I’m used to him,” he shoots back. “I’m the only person who is.”
That makes Niki feel something, some uncomfortable tug in her chest. She mentally kicks herself. It’s not jealousy, she reminds herself, because despite the near-cliff jumping and the long nights without food and the nuclear fallout that has punctuated her last few months, being jealous of Tommy would be the least reasonable thing she’s allowed herself to be, maybe ever.
“You don’t believe me,” Tommy says flatly. “You never - eugh.” He cuts himself off with another ragged sigh, running a hand down his face. “Look, Niki, it’s - we were all together in Pogtopia, right? But I was there first. With him. And you didn’t see the start of it, it was horrible, and I’m glad no one else saw the beginning of it either but it was still just so shit and he kept saying all these terrible things about Tubbo and Fundy and you and,” he takes a shaky breath, “then, when I died, I saw him.”
Her breath catches in her throat.
Well, the voice in the back of her head whistles. If you were still wondering about all this afterlife bullshit, if you want to know where you’re going after your third life, here you go.
and
“You didn’t even - this isn’t about L’Manberg, Wilbur!” Niki shouts.
And then he stops, breathing hard, and he looks at Niki the same way he does whenever her voice is being drowned out in a crowd - the way he does when he wants to hear her, when he wants to know what she has to say.
“What else is there?” he asks.
Niki freezes. Stock still, unable to move, unable to breathe, ice threading its way through her gut, her chest, her shoulders, chilled down to the bone. With slow-dawning horror, she can feel hot tears welling up behind her eyes, sitting in her throat, threatening to spill over into a sob. She swallows - to keep her cool, to stay calm, to keep it together -
And then, something in her chest just snaps.
“You said you’d come back for me!” she cries, and her voice hitches on the lump of tears at the back of her throat and god, she sounds absolutely pathetic. Wilbur’s face softens immediately, which somehow just makes her feel even worse. “In Manberg. When Schlatt put me in prison, and you and Tommy were in Pogtopia, you said you’d break me out when it was safe. I waited for weeks , Wilbur. It was… it was horrible.”
“Niki…” a kaleidoscope of emotions flicker across his face, and he seems unsure which to settle on. “We got you out though, right? After the festival.”
“You looked for the button first,” she says quietly, and he stills.
Her sniffling sounds embarrassingly loud against the quiet background of night.
thank you sm!!! i’m gonna put these under the cut because they got a little long sorry (tw for discussion of suicidal ideation)
to preface: tommy is kind of the accidental but incredibly necessary invisible support beam for niki and wilbur’s making amends in bitter. niki cannot accept wilbur’s actions and apology without first acknowledging her own actions and making steps towards an apology, because otherwise it kind of falls flat? in that ending scene niki finally gets what wilbur is feeling and wilbur finally gets that someone else knows how he feels (it’s not perfect 100% yet, but…. that’ll get explored later)
onto the actual snippet! “tommy talks to wilbur - not kindly, but he does” was very important to me! tommy has stuck by wilbur ever since pogtopia, but the tragedy is that he is not equipped to deal with wilbur’s issues, and it shows. wilbur’s first stream after revival depicts this really clearly, where tommy tails wilbur around the whole time but insults him, is still stuck on calling him the villain, physically fights him at some point, etc. on one hand this isn’t healthy but on the other hand tommy is actually around, which is more than can be said for basically any other ally wilbur has had on the dsmp, maybe excluding his dad, who literally killed him lmfao.
this whole issue is exacerbated by the fact that tommy believes that he is the only person who properly understands wilbur, the only person who gets what happened to him, and feels like wilbur is generally his burden to bear. he failed to stop wilbur from both 1. hurting other people and 2. killing himself after the pogtopia-manberg war - and he doesn’t trust wilbur not to do either of those things again, so he’s stuck hovering around wilbur while wilbur is inadvertently setting off his own trauma and feeling responsible for any way he might fuck up and hating that but not wanting to leave. tommy’s memory isn’t perfect and he isn’t a perfect narrator, what he remembers from pogtopia the most were the scariest parts and that’s understandable but it means he’s holding wilbur to the worst expectations of behaviour (and he does so very vocally). the others showed up later, sure, but in tommy’s eyes he’s the only one who saw wilbur’s descent, and by the time they showed up wilbur had already changed irreversably. tommy tries to rationalise this by splitting the ‘different wilburs’ apart from each other in his head (he does this in canon too - there’s one quote from like late 2020 where he says he and tubbo need to keep on going for who wilbur used to be, not who he became, even though they’re,, the same person), and no one challenges that perspective, so he just keeps doing it even though it’s not healthy for him or wilbur.
and then limbo happened and, oh geez, THAT didn’t help jhfaskjjfsa
tommy is on a bit of a knife edge with niki in this fic. niki’s in this state of “ok, he’s annoying whatever, i’m moving on”, but all tommy knows is that she tried to kill him that one time, disappeared off the face of the map, joined a book club with two people who definitely do not like him, and now is just acting weirdly mellow and polite. she is not someone he wants near wilbur bc what the fuck is she gonna do? what is he gonna do? who knows. he’s frustrated that niki doesn’t seem to acknowledge how he’s feeling (especially bc once upon a time she would have been someone he trusted to acknowledge them - they were friends, they fought together) and he’s taking a big step by telling someone about his concerns here, especially bc tommy doesn’t really like talking about them at all. he wouldn’t be saying absolutely anything to niki if he didn’t truly believe she should stay away from wilbur, even if he’s wrong about him. (sometimes i think i write tommy as a little too emotionally mature here but it all goes out the window when wilbur’s brought up. idk if that balances it out)
ok onto niki: this is the first she has actually heard of limbo! she’s only just come around to the fact that resurrection is possible at all. death is kind of a touchy subject for niki both in general and re: wilbur in the fic - she’s coming off of a period in her life where suicidal ideation was, uh, a big thing (whether you want to read that into canon or not is subjective, that’s just the angle i went with in this fic). the sudden existence of a life after death, miserable as it is - and whether she really believes in such a place, when it only exists in tommy and wilbur’s words - that is a lot of information for her to absorb all at once. death is a weird connection point for tommy and niki here, coming right off of the fact that they’ve just acknowledged each other having those problems - tommy, out of, yknow, altruism, would very much like to keep niki out of that place, and niki is quietly reckoning with the fact that that is where she would have sent him. the concept of limbo from the perspective of a character with no experience of it, even secondhand, is so interesting to me like what kind of eldritch location would you feel like you’re living in asghjkl
(also - i gotta be honest the jealousy angle here but mostly when she’s talking later about dream not deserving wilbur’s companionship kinda came out after this post came across my dash while writing. whoops /j)
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fun fact, this is the very first snippet of bitter that i ever wrote! all the way back in may!! this is like the moment of the fic - it's where the miscommunication that niki and wilbur have been having is shattered entirely - and so sticking the landing was uhhh kinda important to me lol.
wilbur's entire being in this fic is basically consumed by L'Manberg - he equates his self worth to it entirely. in his eyes, everyone (rightfully) hates him because of what he did to L'Manberg, because L'Manberg was corrupted and he himself with it, etc. niki tries to tell herself this, and while it definitely does form part of her issues with him, it was the betrayal that causes her this much pain - that he seemingly brushed her and their friendship off entirely when he supposedly left her for dead in manberg. because here is what we as the audience know: wilbur couldn’t leave niki in trouble when he heard her life was in danger, even when he was trying to find the button (pretty much the only thing he sees himself as having left at this point) and so he returned. here is what it looks like from niki’s perspective: wilbur told her to wait in manberg until it was safe to come to pogtopia, laid the place with TNT, went to blow up the place, and only returned when he couldn’t find the detonator (and then the first thing she saw him do in pogtopia was encourage the pit behaviour but that’s not what we’re talking about asdfgh). that is massive miscommunication and it’s been brewing between them for months - to make a quirky little reference to the title, niki has been carrying that anger with her so long it's gone bitter. it was never just about l’manberg with niki - not that anger, not her and wilbur’s friendship (hence the little flashback earlier in the fic, bc niki’s relationship to anarchism and statehood or statelessness juxtaposed with her friendships with wilbur and eret - she loves l’manberg bc she loves wilbur, but she loves eret too and those national ties don’t undermine that - is Real Interesting to me) - so when wilbur asks what else there could possibly be (because in his mind, what else could she have bothered staying around for?), she just fucking breaks.
“Niki freezes. Stock still, unable to move, unable to breathe, ice threading its way through her gut...with slow-dawning horror, she can feel hot tears welling up behind her eyes” - prose discussion time! heat and cold are two big throughlines in this fic - particularly for niki, cold is what she is. admittedly when i started with it i mostly wanted to subvert hot = angry and cold = dead but i kinda ended up enjoying this take on it for what it is instead of just as a subversion (also i like the idea of revived people running hot, their bodies r working hard to keep em going). she’s holding onto her feelings and refusing to deal with them, she’s frozen over. descriptions of cold are key to niki’s mental state throughout the fic - cold weight on her chest, feelings of frostbite when she and wilbur hug the first time, ice cold water during the dinner scene, waking up in the cold flat, etc. this was an attempt at describing a more visceral feeling of like, when you’re really mad and you can just feel the adrenaline running through your veins. always felt more cold than hot to me. when she starts to cry, the facade she’s been putting on is finally thawing out and cracking the ice she’s buried her feelings under. (also gives an excuse to write warm comforting hugs towards the end /hj). it’s a loss, it’s catharsis, it’s a whole mess.
and ofc this is all news to wilbur and he feels terrible, because as unintentional as it was, he really really hurt her - because the destruction of l’manberg fucking sucked but above all else wilbur hurt the people he loved because they loved him so much and not in spite of it, because they cared about him so deeply and his death was a massive blow to them. this hasn’t even dawned on him, because how could it? he respects deeply niki (lowkey respects her opinion more than his own at this point) so he has to listen, because it’s niki (“and he looks at Niki the same way he does whenever her voice is being drowned out in a crowd - the way he does when he wants to hear her, when he wants to know what she has to say” - because he does), and what she says fucking floors him. in his eyes, he failed her by putting her in danger and then by destroying her home - the idea that she valued him and their friendship so much flies entirely over his head until this moment, and he is forced to re-evaluate the mindset that has motivated him since… basically since pogtopia! the way i write wilbur is like… yes, he’s one of niki’s closest friends and he’s more aware of her insecurities and issues than most (which is why he does always take the time to listen to her, etc) but he does over-idealise her a bit. tbf, i think he does to some extent with everyone (calling tubbo strong on the anniversary stream, for example). also the fact that he really wasn’t around for niki’s lowest moments as a character! he still thinks of her the way she was in l’manberg - confident, steadfast, respected - and this moment shatters that for him as he realises exactly what effect he and his death had on her and everyone else, not just by his actions, but because they loved him and cared for him so deeply.
sorry that this got horrifically long!! and thank you so much for sending snippets in <3333
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