#also something something I think there are difference about liking how a character is written

[creatingblackcharacters]

As October approaches, I would like to encourage everyone to watch Jordan Peele films if they haven't already. It's quality horror with Black characters whose experiences as Black people actually play into the genre. I feel like Peele's contributions were a defibrillator we all needed. (IMO there was a lull where storytelling was taking a backseat to edginess, but these movies gave me some hope again.) Not to mention, his movies star Black people with full stories, meaningful action, and chilling commentary. Favorite characters galore. Even if you don't like to dissect horror, his content is enjoyable.

The easiest to recommend, personally, is Nope. A sci-fi Western horror, which sounds like a lot, but it's actually the best and SUPER fun. It's not nearly as scary as the other Peele movies, and it's a good start to anyone interested.

MY favorite character is Otis Junior Haywood, our main protagonist. He runs the family business: they're trained horse handlers for the film industry. He's softspoken but responsible and sensible, and is trying to take care of things after his father passes from a tragic accident. He's much better with horses than with people, but he's sharp and serious and sentimental. Even when he has to resort to selling horses to a local theme park, he wants to acquire them back and give them a good, long life.

The fan favorite is Emerald, his sister. She's funny, playful, and easygoing. She's OJ's confidant, but also a free spirit who is exploring all her options and trying to find her own place in Hollywood, so long as it's away from horse training. Unfortunately, it's not going well, as CGI and changing technology are quickly replacing all their gigs. The siblings notice paranormal activity in their area, though, and it's Em's idea to capture video proof of its existence so they can save the family business.

I think about OJ so much. He's a well-written character and every single interaction he has serves immense purpose-- and even the moments when he's all alone in the open, it's less that he's waiting for something to happen and more that he's watchful and observant. No second feels wasted while riding behind his eyes. He also has an EXTREMELY interesting foil to another character, whose trauma in film has been distorted to an extreme form of profiteering and delusion. I do love Em and my family thinks she's the best character, but OJ as our main protagonist is a perfect fit and I love how he was made for the role.

The main themes in Nope are about spectacle and exploitation: a legacy can be built on the remissions and injuries of others, like Hollywood and its unfair treatment of Black people; it's about the illusion of power between an animal handler (man) and a wild animal (the unknowable); it's about bearing witness to tragedy, and how the consumption of said tragedy can make the difference in how we interact with it. I think it's especially compelling that Western themes were incorporated into the story, as an extremely American-centric storytelling that often exploits BIPOC lives and storytelling for its perpetration. But in Nope, the siblings win the day and protect their home.

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[your-unfriendlyghost]

Starting a reblog game: RB w/ your own outsiders OC!

if enough folks do, I’ll draw them together or something lol, it’ll be fun!

So these are blatant self inserts for my sister and me

(Info & backstories under the cut because I’ve put waaaay too much thought into this)

and again, pls do reblog/tag me w/ your own Outsiders original/self insert characters! (Drawings and/or written descriptions!) Making OCs was one of my favorite things to do as a kid, so I figured it’d be fun to bring it back here lol

(And to reiterate- if enough of ya’ll do this I’ll draw ‘em all together like a greaser-sona gang! So don’t be shy ok??)

-got sent to Tulsa from Seattle in 1961 at ages 13 and 11 to live with their mildly neglectful uncle, due to their mother getting cancer and being unable to properly care for them. Their father was lost at sea when they were little, so they had no one else to go to.

-in Tulsa they go by their mother’s surname, Biondi, instead of their father’s, because interracial marriage isn’t legalized in Oklahoma until ‘67. They try to pass as just Italian. This works better for Naomi, who takes more after their mother than their father in looks.

-Naomi is good friends w/ Ponyboy- she relates to him a lot, from the dislike of fighting to the love for sunsets (legit Ponyboy reminds me of my sister so much irl) (She’s also low-key got a crush on him and Sodapop which is pretty funny)

-Jesse is closer to Two-Bit, Dally, Steve, and Soda. And he really likes fights. They’re exciting and make him feel tough. When he stops to think about it it does make him a little uneasy how much he’s grown to like them, but usually he just ignores that

-Naomi disapproves of crime. Jesse used to oppose it too, but the more time he spends without good role models and parental figures, the more his morels loosen. Tries hard to be a good example for Naomi though

-Jesse met the gang through Sodapop originally- they were thirteen and some Socs were jumping Soda, and Jesse jumped in and helped him out. Soda explained to him what the deal with Socs and greasers is, because there’s no greasers up North

-Naomi met the gang separately through being classmates with Ponyboy. They were working together on a school project, one with him writing and her drawing

-So Jess and Naomi spent a solid few months hanging out with different members of the same gang, completely unaware they had the same group. They eventually end up running into each other at the Curtis house, and both are totally shocked. Two-Bit, who knew the whole time, nearly died laughing

-Naomi is friends with both Socs and greasers, because she isn’t really either- she’s financially a greaser, but she has a crazy high GPA for someone who has ADHD and dyslexia in the 60s, and besides that, she just doesn’t like what she sees as pointless rivalry

-Jess loves pointless rivalry. At least until people start getting hurt. Then he starts to get angry.

[wilcze-kudly]

Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how

One: The Series genuinely wasn’t built around romance.

Two: We do gradually see the characters develop feelings for each other more across the show.

https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share

Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.

Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.

And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.

Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.

Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)

Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.

(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)

We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.

OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.

The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.

[rowanisawriter]

writer q&a

thanks for the tag @luvwich i love talking about myself lmao

tagging… @mashamorevvna @yourworsttotebag @swordbisexual no pressure

When did you start writing?

10 or 11 handwriting a three part series in notebooks lol i still remember the plot of my first book which was basically xmen AU. fic writing also started around that time

Are there different themes or genres you enjoy reading than what you write?

not really, my writing and my taste in reading usually align. even poetry which i read a lot of but don’t write, somehow still sneaks into my writing because i like making things read pretty

Is there a writer you want to emulate or get compared to often?

idk about fic but for published authors i like sally rooney and her character work, and i also love t. s. eliot’s rhythmic style in poetry, im always trying to emulate them

Can you tell me a bit about your writing space?

i have a toddler to the answer so this for now is my phone on the couch or in my bed in the middle of the night lmao. i’ve learned how to write under weird circumstances, but hopefully once she gives back some of the mental capacity she takes from me daily then i’ll sit at a table or something

What's your most effective way to muster up a muse?

can’t do it easily lol it comes to me in visions, usually after i read something or see a piece of art but if it’s not there it’s not there

Are there any recurring themes in your writing? Do they surprise you?

i write a lot about religion… no that’s not surprising…. i also write a lot about love… that’s not surprising either lol

What is your reason for writing?

i like stories a lot, and i like being praised, so writing stories and having people read them checks two boxes for me lol

Is there any specific comment or type of comment you find particularly motivating?

all comments are precious, but comments where people find something that i didn’t consciously put into a fic those are my favorite comments. i put a lot of myself into everything i write, sometimes i write things i don’t think about, when someone points it out it feels very personal (good)

How do you want to be thought about by your readers?

hope i don’t come across as insane, i want to be aloof and interesting but then people find me on tumblr and learn the truth

What do you feel is your greatest strength as a writer?

hopefully emotion, i focus a lot on that instead of setting or plot most of the time so if i get emotion right then that’s good, as long as i can make someone feel something then they’re compelled to continue reading (conversely when i am reading something and don’t feel any emotional connection to the thing then i put it down)

How do you feel about your own writing?

i like it very much, it’s the exact thing i want to read, and it was a very long road getting here to my true voice and style. i reread my own work constantly i really like it

When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?

i can only write for myself, the motivation to write is only there if it’s something i want to write, even challenges and prompts i struggle with because there is some aspect of “this isn’t truly my idea” that i struggle with. i’ve written things that just aren’t popular (weird ship, quiet fandom, etc) but i wrote it anyway because i wanted to. obvs i want to be read otherwise i wouldn’t post online but i have a good audience now so usually no matter what i write it does get read anyway, so may as well just write what i want lol

[all-pacas]

i think you're deeply in denial about being a chase/cam shipper or you gotta change your definition of shipping or something. because whatever you're doing here absolutely 100% looks like shipping them. to the untrained eye

in reality i have this very multi long paragraph disclaimer that's too convoluted to even explain but here ya go:

they are my two favorite characters

i like seeing them interact because of this fact

i find their deeply complimentary set of flaws fascinating. i love seeing cameron in a Relationship because she's such a fucking unreliable narrator about herself. i like seeing chase in a relationship because the very concept of "putting someone besides yourself first" is so antithetical to him and the opposite of what he has learned his whole life. i want to put them in a room together. i want cameron to talk at glowing length about her soulmate dead husband and how she watched him die and i want chase to talk about watching his mother die and how much he hates and resents her. i don't know where that conversation would go but i Want It. it's like how i want chase and 13 to talk about murder and redemption together. it is a platonic smashing together of fake people, not about making them kiss

i think they were badly written in the sense that like. there's no writing. they're just together. now they're not. now chase has feelings. do we see them? no. now cameron has feelings. do we see them? no. now they date for three years. as someone who likes writing and narrative this drives me insane because it's so lazy.

i think i could do it better, not in a "because i want to write uwu fixit fanfic where they kiss" way but in a "this sort of writing drives me insane" way. like. huddy was badly written too but it very much existed. cameron and chase are just "oh btw chase fell for her at some point for some reason during fwb." why???? we can handwave but there is NOTHING IN CANON. cameron likes him too! why??? WHO KNOWS

however i also find it annoying when people go "solution: they never dated, we pretend it never happened" because that's ALSO lazy and retcons several years of canon including cameron's exit from the show. including the actual character development chase gets, which i actually do like. i think i'm a rare person who almost prefers late series chase. i like short haired chase. and i don't like the idea of erasing all that canon development just because "uwu i don't like it" (or, more petty, because "uwu i think cameron should have kissed x -- usually house -- so i hate this canon relationship that like it or not did exist")

this ties in to my actual fairly complicated feelings about cameron and how a lot of fandom tends to Girlboss her up in obvious and admirable contrast to her years of reddit-ish character bashing. where i admire the Spirit but deeply dislike this Girlboss characterization.

basically i am a deeply contrary person by nature

so whenever i see this ship i go IT COULD HAVE BEEN BETTER, and OUT OF SPITE I WILL DEFEND IT, which is a whole perpetual motion machine of feelings

i honestly could not care less about them kissing. except for the specific episodes where they allude to having a sex life and foreman all but flees the room. i actually care quite a lot about that, i think it's super funny. so in that context (in front of foreman, to troll him) i want them to make out.

i've gone and read old ffn stories from when the show was airing that featured them as a couple. like from true fans and believers of the ship. i disagree with almost all of it and think usually cameron and usually chase are ooc in these stories. but in different ways. this also triggers my spite

so sure. yes. i ship it. probably,

[zaddyazula]

obviously i love strangelove’s character but she wasn’t written well… as a woman or as a lesbian…

[crescentfool]

having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!

[swiftfootedachilles]

im just gonna be honest gang obviously its gonna be easy for you to say youre in love with a character and theyre an angel when anytime they do something you don't like you brush it off as out of character

[agirlinthegalaxy]

It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.

Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)

As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.

Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.

[edwardshundredyearoldspunk]

stumbled across a ballad of songbirds and snakes critique video and I couldn't even watch it because the person so did not get what the book was doing and saying and the comments were complaining about the unnecessary romance when it's super obvious it's not intended to be a romance. suzanne collins is, yet again, ahead of her time because I remember the hate mockingjay got when it came out for killing prim and having katniss vote for new hunger games when those plot points are crucial and are meant to act as a commentary

[chaotic-aro-incarnate]

Ok but the fortune teller guy in the past, telling Palm and Nueng about all the struggles that they face being a gay couple back then including how they can't get married and start a family and then Nueng talking about how they can't be open about their relationship due to the conservatives in charge...... I see you P'Jojo I know what you're doing

[leonardalphachurch]

i REALLY want to actually organize my tagging system one day so i can more easily find stuff but for now i’ve just tagged all of my north posts bc they weren’t too hard to track all of them down and also… im really proud of our north writing lol

[cleromancy]

saw a post earlier that was like "i have a theory that fanfic is more literary analysis than creative writing" and i was like. i know exactly what you mean but thats not what im doing. love and light to you but i am doing a different thing than that

[featherymainffins]

Sometimes I think I must be a weird author because everyone keeps making "haha writing the middle part of the story is so hard haha the start and the ending are so easy baba" jokes but I never know how a story will end.

I start and then I write the middle, and then a logical conclusion happens.

[sonknuxadow]

i remember hearing that the writers for the sonic boom tv show said that shadow was a very difficult character to write because sega is so picky about how he should be portrayed and thats why they saved him for season finale episodes only. so he could still be in the show but they wouldnt have to go back and forth with sega about what they can and cant do with him as much as they would have if he was a main character. anyway maybe thats part of the reason theres no alternate shadows in sonic prime. because sega was annoying about it and the writers didnt feel like dealing with it lmao

[bluejaybytes]

listen. listen to me. aloy is autistic and this actively makes the narrative better. i know this to be true. in my heart. i have been right about many a things about her and i know im right about this one too. i have actual real thoughts on this and like actual Literary Analysis(tm) and all that. but beyond that i also simply Know