#also this has been sitting in my 'Drafts' for too long

[timesomewhere]

in honour of the West End's next to normal closing today I've finally proof-read my 'things I noticed/general thoughts' post that's been sitting in my drafts since I saw it earlier this month. it's very long I'm very sorry.

Act One:

it was really fun watching this show in September given that there's two references to it in the first song

I adore the monologue about the pills that Dr. Fine gives during 'Who's Crazy'. it's rhythmic and funny yet also unnerving. It's such a quick and impactful way to summarise what Diana has been through for the past 16 years

Gabe does a 'one of your French girls' pose on the kitchen counter under the cabinets during 'My Psychopharmacologist and I'

Jamie Parker made direct eye contact with me during the last part of 'Who's Crazy' and it was one of the most intense experiences of my life

I might just be dense but I don't get the point of the neon sign that says 'Fine' which drops down during the Dr. Fine scene. Initially I thought that then one would drop down saying 'Madden' during his scenes to help people differentiate between the doctors but then it didn't so it just feels like a weird extra prop

speaking of random props, shout out to the iPad on the table in the opening scene which Gabe pretty much instantly takes away after telling Diana that she shouldn't obsess over tragic news stories and is then never seen again as far as I remember

Dan in the flashback scene being such an optimist about Diana's pregnancy and the future they're gonna have together... soul-crushing

Caissie Levy's 'I Miss The Mountains.' Holy Shit.

I love how Diana and Gabe are the only characters who sing on/stand on the table. it's as though it's this extra dimension of the house that only they have access to and it's a really neat and subtle way to show that they relate to each other in ways other characters don't

'It's Gonna Be Good' is so underrated. Jamie Parker's somewhat genuine optimism becoming optimism-through-gritted-teeth is incredibly acted

The way Jamie delivers the first line of 'He's Not Here' is devastating. the heaviness of that moment as you feel the audience around you realising what's just happened is something I'll remember forever

Gabe body-blocking Dan from Diana during 'I Am the One' is such good staging. People talk about how Jack Wolfe plays Gabe with a lot of layers and a lot of simultaneous contradiction and this song is one of the best examples of that. how Jack manages to project a character who is goading his father and protecting his mother at the same time is beyond me

also Jack has maybe half-an-inch on Jamie which obviously isn't something the actors control but it does makes Gabe seem just that bit more threatening when he's getting in Dan's face

for the first part of Superboy and the Invisible Girl when it's just Natalie singing, Gabe is actively laughing. He's totally unperturbed by her efforts to make herself seen to her mother. it's only when Diana replies, particularly when she says "you're our little pride and joy, our perfect plan" that you see his face drop and you see him trying to figure out a way to stop her from getting Diana's attention which then results in him kicking her off the melody in her own song

"I'll hurt you" being directed at Dan and "I'll heal you" being directed at Diana as Gabe gently touches her face gets me so bad. but the most painful part of 'I'm Alive' for me is when Gabe looks at Dan as he says "I'm the perfect stranger who knows you too well." that's the first time you realise that perhaps Gabe doesn't just impact Diana, and there's something much larger at play

Caissie and Jack W's voices harmonising on 'Catch Me I'm Falling' was one of my favourite parts of the whole show. Their voices are so magical together and their mother/son chemistry is incredible

The 'I Dreamed A Dance' into 'There's a World' sequence is one of the most tragically beautiful things I've ever witnessed. I went into the show knowing what Gabe was trying to achieve during 'There's A World' and yet Jack's voice is so beautifully haunting you totally forget you're supposed to root against Gabe in that moment

Jamie Parker's 'I've Been' is some of the best acting through song out there. Interestingly my friend and I had very different interpretation's of what Gabe's horrified reaction to the blood meant. I viewed it as him being upset about what he convinced Diana to do - he doesn't like seeing her hurt. Whereas my friend saw it as him being angry at himself that she didn't manage to follow through, meaning that he has failed to regain control over her life

'I'm no sociopath, I'm no Sylvia Plath. I ain't no Frances Farmer kind of find for you' is one of the best musical theatre lyrics of all time. I genuinely don't know why I Miss The Mountains is the 'big song' known from N2N over 'Didn't I See This Movie?', it's just so good

Natalie's 'She trusts you!' line is heartbreaking, I was basically watching that entire scene through my fingers because of how high the emotion was

Act Two:

'Pfizer's woman of the year' will in fact be peak comedy every time. Eleanor's delivery is *chef's kiss*

Gabe having just one line in 'Wish I Were Here', and that line being 'Wish I were here.' Yeah. I feel very normal about that.

Natalie's line of "Can I hide my stupid hunger, fake some confidence and cheer?" being pretty much exactly what Gabe has done throughout the entirety of act 1

"And you're not a scary rockstar anymore" got one of the biggest laughs at both of the shows I went to

Dan's desperation during 'Better Than Before.' He is simultaneously trying to cajole Diana into remembering and get Natalie to be more positive. This one song really highlights how he's being pulled in a million different directions while trying to hold it all together and Jamie portrays that so well

Aftershocks. Wow. The way the last word of each line echoes throughout the theatre is great sound design. I've been in exam halls louder than the audience during that song. Holding a room that captive as a silhouette is quite the feat Jack Wolfe you will always be famous

"I don't know where the fucking pieces go" as Diana pushes things off the table as if there's a real jigsaw there that she's rage quitting and choosing to give up on is such a nice detail

"Have you talked of your depression, your delusions and your son?" The gasp in the theatre both times was sickening

the response of "good' in reply to "name?" when technically that was part of his name as they are the "Goodmans". I don't really have a point here I just think it's neat

The 'It's Gonna Be Good" reprise was one of my favourite Dan/Diana moments. Caissie and Jamie are really pushing each other to their emotional limits and they handle it so well

The first "Why stay?" is so fragile as Diana sits against the kitchen island. Also interesting given that Dan and Gabe will also sit against there later when they are at their lowest point in the story. The idea of the characters crawling to the 'centre/heart' of the home when they are at their weakest

"This is one old game that I can play so well" is the line that has stuck the most with me throughout the show. Jack's delivery of it while striding across the kitchen table - seemingly totally invincible - is crazy.

how Caissie manages to deliver "you shrugged and said that no one really knows" with humour and desperation at the same time is amazing

When Gabe and Diana stand on the table and if they let go of one another they'll fall. yeahhhhh.....

Gabe's realisation that Diana isn't going to give up on getting better. Totally collapsing in on himself and beginning to cry. How you manage to feel bad for him after all the destruction he's caused is wild

Diana's "maybe I'm tired of the game" relating back to Gabe's "this is one old game that I can play so well"

the lyrics in 'Hey #3' clearly reflecting things Diana has done, Henry cutting Natalie off at "bleeding in the bathtub"

"I am the one who'll heal you" being said to Dan not Diana this time

"Why didn't you go with her?" is the most devastating line in the whole musical I said what I said. Jamie's delivery of it is heart wrenching

the drums and bass kicking in for the loud part of I Am The One as Gabe becomes desperate to be seen once again

Jack and Jamie's acting in this moment is so intense. there's a moment where it's genuinely feels as though only one of them can make it out of the interaction alive

Jack's emphasis on the word 'loved' in the line "I am the one who loved you" nearly killed me on the spot. how somebody can deliver a line so desperately while remaining pitch perfect is unfair

Natalie coming in to kiss Dan's head at the start of 'Light' like Gabe kisses Diana's in the first scene. I'm such a sucker for a gut punching

the "And are they real?" line about Diana's parent's from Henry gets such a loud reaction from the audience. Some people laugh immediately, some people clearly get shocked out of their sobs. so good

In conclusion, this is my favourite musical of all time and I'm going to be so annoying waiting for the pro-shot to come out

[nohr-selphias]

"I love you, Zevran. I hope you know that."

"Yes... Yes, I know that."

— commission art by @sinizade, posted with permission

[deadsetobsessions]

There’s a child wandering the streets of Crime Alley. Unfortunately, this is nothing new for the area, riddled with crime and homelessness as it is. However, Red Hood and Nightwing are vigilantes and helping lost looking children is firmly in their job description. Plus, Crime Alley is Red Hood’s. He protects what’s his. With a single shared look, the brothers swung down to the child clad in just a white dress and some thin flats completely unsuitable for Gotham’s worsening weather. Hell it’s be unsuitable for the general poor weather.

“Hey, kiddo.”

The girl’s head swung to lock gazes with the duo, eyes blinking blue- and green? Red Hood allowed his brother- he worked so hard to beat down the pit madness in order for Nightwing to even remain near- to take the lead.

“Oh. There you are.” She said, turning to face them fully. The kid’s face filled with relief.

Nightwing blinked.

“You were looking for us?” His soft voice saved for children firmed into something more serious, more concerned.

“Mmhm. I was looking for Red Hood, but you’re a good bonus.”

“And why were you looking for me, kid?” Red Hood interjects. He knows Dickolas is clocking the same things he is: the kid’s white whispy hair, pale face, and… Lazarus green eyes? It’s more solid now, that she’s looking at Jason.

Dick straightened, eyes going heavy as he looks at this wisp of a girl. He’s fiercely protective of Jason and they’re both equally wary of the League of Assassins. Still, the two of them couldn’t help but let their guard down a bit because this was still a child they’re talking to.

“Because… um. Did you know you’ve died?”

Hood stiffened, hand going towards his guns. Granted, they’re rubber bullets, but the kid clocks that immediately. She threw her hands up in the universal gesture of “I’m unarmed and mean no harm.”

“I- well, to put it frankly, you kind of… stink?”

“What.”

“Ugh, I’m totally messing this up!”

“Why don’t you start again?” Dick said, shifting into a subtler fighting stance. He kept his voice light, but Jason saw the way his hands inched towards the scrims sticks. Distantly, Jason thought it was hilarious that this tiny kid could evoke that kind of response. Looking into Lazarus green eyes though, he couldn’t find the humor anywhere. The worst thing, though, is that the pit quieted. The rage the bubbled incessantly underneath his skin calmed. Jason did not like feeling bereft of the rage, not when he didn’t know why it was gone. He had just gained control of it, minimally, and to have that control be unnecessary left the vigilantes off kilter.

“Right, okay, sorry. Um, did you, uh, die and wake up surrounded by glowing green stuff?”

Before Jason could reply ‘yes, and why the hell do you know that?’, the kid continued with, “Because me too!”

She did jazz hands as Jason’s and Dick’s brains short circuited. Jason thought he even heard a little “yay!”

“What.” Jason sputtered out. His stomach and heart clenched as he thought about how young the kid looked. Fuck.

“Yeah. So, anyways-”

“Don’t speed past that like you didn’t say what you just said!” Dick interrupted, hand tugging at his hair in distress. His body language slipped from battle ready to extremely distressed. “You died?”

“You were- you were dipped in the Lazarus pits?!” Jason felt the need to address that specific point.

“I mean, it’s not that important? The important thing is- wait, what’s a Lazarus pit?”

Jason froze again. She didn’t know what they were?

“It’s… the glowing green stuff.” Dick answered her.

“Oh. Is that what you were dipped in?” She tilted her head at Jason. He nodded, wariness climbing. “Oh. Well, I mean, that’s not we call it. But the stuff you were dipped in, it’s rank. Contaminated.”

Jason thinks back to the burning, drowning green. The agony he felt as it slipped into his mouth and nose and his very being.

“It was bubbling.” He said. The girl grimaced. Jason had no idea why he was being so honest with this kid.

“Gross. Anyways, I can, like, help you with that?”

“With what?” Dick asked, eyes darting from the girl to Jason.

The girl groaned. “Okay, so I guess you guys are kind of new. Uh, the contaminated green stuff,” she points at Jason’s chest. “That’s making you angry, right? Leaving you in the backseat of your head as your body breaks whatever got you angry to begin with and you have no control over it?”

“…The pit madness.” Jason mumbled, feeling numb. “Yeah.”

“…Right. I can help you clear that out,” she pauses, fidgeting. “If… If you help me talk to Batman? It’s kind of… urgent.”

“Batman?”

“Why?”

“Uh. There’s kind of… a whole mad scientist thing going on and like… experimentation and dissections… you know?” The kid waved her arms around, distressed.

Dick and Jason unfortunately did know.

“Cave?” Jason grumbled.

“Cave.”

“Okay, we’ll bring you to the cave. Then you tell us everything.”

“Really?”

She looked up at them hopefully, and Jason could see the moment Dickolas melted. Not that Jason could say anything, since he was already taking off his jacket and bundling the kid in it.

“Um.”

“Who the hell let you walk around Gotham like that?” He scowled down at her, not that she could see it with the red helmet in the way. Dick looked at him carefully, eyes roving over the oddly relaxed state his little wing was in.

The kid shrugged. Jason sighs.

“What’s your name?” Dick asked. Scooping her up, the blue and black clad raised his free arm to grapple away. Jason follows him, heading towards the motorcycles they’ve got parked nearby.

“Dani. With an I.”

“Nice to meet you, Dani. I’m Nightwing. This is my… this is Red Hood.”

“Okay. Cool.”



[slavhew]

jakey + dirkjake sandwiched between my organic chem notes. a poem in there somewhere

[navstuffs]

Dry-humping Leon Kennedy, who is wearing Graves's outfit. 

Based on this mod. TW: dry humping/knee humping, masturbation, gloves, clothed male, tiny little tease at the end, gn!reader. MINORS DO NOT INTERACT!! lowkey dedicated to @sarahs-secrets2 biggest grave's fan i know

my leon's masterlist

If Leon Kennedy could stop time right now, he would. He had to be out of your house within ten minutes if he didn't want to be late; he was never late, but all his responsibilities were thrown out the window when it came to you. Your presence influenced his mind and sense of duty.

"There is nothing bad on putting yourself first, Leon."

And there you are, legs spread apart, humping your clothed sex against his knee, a frantic desire for someone who won't see each other for weeks. Your eyes are locked on his, drowsy with pleasure, begging for more than Leon can give now. 

"Don't do this to me," Leon whispers, his cock twitching in his pants. He wants you to give you everything, but he limits himself to helping, gloved hands on your hips, creating more friction.

Leon glances from your focused face, to your chest, your hips, to then your covered sex. His eyes lust as he notices the wet spot in your underwear. Leon licks his lips unconsciously, his hands impatiently pulling your underwear down.

His gloved hands start rubbing your aching sex, not slow as usual times, but more frantic, his gaze directed to your face again, anxious to know if he is pleasing you or not. You yelp, surprised by the difference on the texture, not his warm hands, but the raspy texture of his gloves.

And though he isn't used to dirty talk (Leon always mentions how awkward and silly he feels), he still does it for you. 

"Can I can make you cum like this? Right in my knee? Please, so I can remember you."  

You answer with a sob, fingers digging into his shoulders. You start whimpering; so close now, so close to let it rip and cum in your underwear. 

It is Leon moaning your name, his hands stroking your sex, that makes the rope rip. You finally let go, locking your lips with his. After a couple of minutes of your heavy breathing, you look at the clock. Five minutes until Leon has to leave. He notices your intentions, stopping your wrist before it touches his bulge.

"Ah, ah. Not now ,later."

"We have time." You argue. Always so stubborn. Or spoiled by him, didn't make a difference.

"Let's just stay like this for a while, okay?" Leon asks, holding you tightly in his arms, your hands gripping his vest. You both don't say anything until you whisper.

"Do not dare to not come back to me-"

"I know."

"-I am serious, Leon!" 

"I know. I will come back to you, I promise."

A promise—a promise you both don't know when Leon might not be able to keep. But Leon promises it anyway because what lengths wouldn't he go for you? 

Less than a minute now. You sigh, ready to leave his lap. You notice he makes no motion to remove his gloves, and you can't help but cringe and feel powerful at the same time. You have a full view of what started all of this: the jeans, the blue shirt rolled up into his sleeves, and those darn gloves. Leon notices you staring and blushes, looking at you in that innocent way it drives you crazy.

"Don't start." You warn him. He raises his arms up, as if not doing anything. Bastard.

It is time for him to leave. You leave his lap, dressing Leon's old shirt from an unknown band from the '90s you were wearing before his arrival. You two kiss again, this time more tender, more gentle, sealing the promise.

Come back to me.

I will.

You let your man go, and Leon doesn't look back when the door closes. You bite your lips, and the sense of dread and despair when he is gone starts growing in your chest. You can't let sadness invade you like this, not like last time. A new idea pops into your head. But for that, you must call the other man in your and Leon's life. 

[sitpwgs]

here's to them, and here's to you.

[oscargender]

Heartbreaking: “problematic” danmei everyone told you to avoid is actually pretty decent and has mildly interesting things to say about poverty and class

[0fps]

HONKAI: STAR RAIL Favorite Tracks from Experience the Paths Vol. 1

[triptuckers]

undercover - captain rex

Request: nope Pairing:  captain rex x reader (reader has long hair) Summary:  you're sent undercover to get an important data stick from a separatist leader Warnings:  mentions of blood, injuries Word count:  1.8K A/N: give me PINING rex he needs to be YEARNING. love me a pixel man. enjoy reading!

it's an easy mission. a very important one, but it seemed rather easy. anakin's briefing was short as well.

one of the separatist leaders had a data stick with important information about a few new secret bases. they thought it was so important, that the separatist kept the data stick on him at all times.

which is where you came in.

there was a popular summer festival coming up on the separatist's home planet. your job was to go there, have fun, talk with the separatist and steal the data stick.

to avoid attracting too much attention, only anakin and captain rex accompanied you. the three of you arrived via public shuttle, dressed in civilian clothes.

you had traveled to the festival and separated once you got closer.

and now anakin and rex are hiding on the edge of a mountain ridge, looking out over the festival terrain, waiting for you to show up.

rex is glad he's not wearing his full armour for once, because the planet is extremely hot.

'general.' says rex after a while. 'isn't she going to stand out? they're going to notice a jedi general attending a festival.'

while they'd all worn civilian clothes while traveling, your clothes had still resembled jedi robes a little. you claimed you felt more comfortable that way. and if rex could recognise them as "kind of jedi robes", then surely the festival crowd could recognise it as well?

'well, then it's a good thing she won't look like a jedi general.' says anakin.

as if on cue, you enter the festival. rex looks at you through his scope, and anakin was right. you don't look like a jedi general. you look like a girl who is excited to have a good time at a festival. and you had changed your outfit.

you're now wearing a blue skirt that reaches your calves, and it's fluttering in the hot summer breeze. a tight fitting black top and a pair of comfortable shoes finish up your outfit. no jedi robes, no armour. but what catches rex off guard is your hair.

normally, you wear it tied up in several buns or braids, saying it was annoying if it got in your face all the time. after all, you're moving around a lot during battle. but you wouldn't cut if off, you loved your long hair.

now it flows freely down your shoulders and back, and it moves in the wind and shines in the sunlight.

rex knows you're off limits. you're a general, he's a captain. you could be thrown out of the order, he could be removed from duty - or worse.

so he's kept his mouth shut all this time.

but seeing you like this, no armour or weapons or a concentrated frown on your face. your hair and skirt moving in the wind. rex has never had to hold himself back so much. to stop himself from staring at you so many times.

meanwhile, more and more people have joined the festival terrain and the music has gotten louder.

anakin and rex keep an eye on you as you dance and laugh and have a good time in the valley below. they watch you as you approach the separatist leader and laugh this jokes and touch his arm, pulling him to the dance floor.

it sparks a flame of jealousy in rex's chest. that separatist leader with his girl.

no, not his girl.

a respected general of the GAR. one of his superior officers. who is now on an important undercover mission.

still, rex doesn't like watching you and the separatist leader.

after a while, the separatist leader has had enough of the dancing, and orders a few drinks. you sit with him and talk, leaning in close as you're listening to him.

because rex had been watching you so closely, he notices the exact moment when you swipe the data stick from him.

but you don't leave immediately, that would have been suspicious. a couple more minutes pass before you get up and head back to the dance floor. without the separatist this time.

just as rex is looking at you slowly making your way to the exit, the separatist yells out that someone has stolen something from him. anakin and rex hear how he shouts for a girl in a blue skirt.

given that your cover is blown, you give up trying to blend in with the crowd. you run away from the festival as fast as you can, heading towards the meeting point anakin told you to go to if things went wrong.

it's still hot, and within minutes you're sweaty and out of breath as you make your way up to the mountain ridge. but you won't tell yourself to slow down til you've put enough distance between yourself and the festival.

you're running uphill and just as you round the corner of a large boulder, you smack into something solid. before you can defend yourself, a pair of hands grabs your shoulders to stop you.

you look up into anakin's familiar eyes.

'got it.' you say, still out of breath, handing him the data stick. 'let's get out of here.'

you start to move past anakin, but you're stopped again. this time, by rex.

'general, your leg.' he says.

you look down and see your blue skirt is stained with red. you frown. in the crowd and while you were running away, you hadn't noticed you got hit by something. so it probably wasn't too bad.

'I'm fine.' you say. 'I hardly feel it, let's just get out of here quickly while we still have a head start .'

anakin eyes the amount of blood on your skirt, then looks behind you at the festival.

'no, you'll lose more blood and slow us down.' he says. 'rex, bind her leg. quickly.'

'yes, sir.' says rex.

'it's fine.' you say.

'rex, bind her leg. that's an order.' says anakin, with a slightly playful look in his eyes. you all know rex won't refuse a direct order from his general.

rex looks at you. 'sorry general. general's orders.' he says.

'what if I outrank anakin?' you say.

'do you?' says rex.

'rex.' says anakin, a little more firmly this time.

rex clears his throat and steps closer to you, then crouches down. he pulls out a knife and looks up at you.

'I'll need to cut a piece of your skirt so I can use it to bind your leg.' he says.

'yeah, go ahead.' you say.

rex carefully cuts a strip of fabric from the bottom of your skirt, then puts his knife away. he briefly looks up at you and silently asks permission before he slides your skirt upwards, til it reaches just above the cut on your thigh.

'hold it there, please.' he says.

you take a hold of your skirt and your other hand comes down to rest on rex's shoulder for balance as you take the weight off of your injured leg.

as you feel rex's gloved fingers on your thigh, you clench your teeth to keep yourself from looking down at him. you're fully aware anakin is standing right next to you, keeping an eye on the path in case separatists would show up. you wished anakin wasn't here.

you feel how rex wraps the piece of fabric around your thigh.

'this is going to hurt.' rex warns.

'I can-'

you're cut off by rex pulling the knot tight and a sharp pain shoots through your leg.

on instinct, you groan rex's name, your fingers digging into his shoulder. rex tries to ignore you saying his name like that, and focuses on securing the piece of fabric in place.

rex gives the knot a small tug, and when it stays in place, he stands again. your hand falls from his shoulder and you drop your skirt, which is now knee length instead of reaching your calves.

'thanks.' you say.

rex nods. 'you're welcome.'

'we need to move.' says anakin. 'they would have heard that if they were close.'

you nod and the three of you start your way back to the shuttle bay. rex occasionally helps you climb over rocks, to make sure you don't put more pressure on your injured leg.

when you get to the shuttle, you quickly board it and take a seat near the back of the craft. anakin takes off his jacket so you can wrap it around your waist, hiding the biggest part of your blood stained skirt.

the way back to anakin's flagship isn't that long, but you start to get tired nonetheless. it's probably due to the blood loss, you think. you know if you close your eyes, it's a bad sign, so you stay awake by focusing on rex's presence next to you. you can feel his shoulder against yours.

when you get to anakin's ship, he goes to inform the other jedi masters the mission was a success while rex escorts you to medbay.

one of your arms is over his shoulder while his other arm is around your waist, given that your energy has drained since running away from the festival.

'thanks.' you say, as you and rex walk though the halls of the ship.

'for what?' says rex.

'being a literal shoulder to lean on.'

'you would have done the same for me, general.'

'you know I prefer it if you call me by my name, rex.'

'and you know I call superior officers by their rank, general.'

maybe it's the blood loss. or the dizziness. or the fact rex is so close. whatever the case, you get a sudden burst of courage.

'is that all I am to you? a superior officer?' you say.

you feel rex briefly stiffen besides you.

'for the sake of my rank, yes.' he says.

you feel anxiety and regret growing in your stomach and think of something to say to change the subject, but rex speaks again. softer, this time.

'for the sake of who I am without this armour and the rank of captain, you're more than just a superior officer, y/n.' he says.

you smile as rex walks you through the doors of medbay.

'I'm glad to hear that.' you say.

rex gently places you on a bed and calls over the chief medical officer. he smiles at you.

'sorry your skirt got ruined.' he says. 'I... liked it.'

'of course you do, it's the color of the 501st.' you say.

rex raises his eyebrows. 'is that why you picked blue?'

you shrug. 'I figured it would look great next to the blue of your armour.'

before rex can answer, the chief medical officer arrives at your bed.

'we'll talk about the mission later, captain.' you say to him, with a quick wink, as the medical officer examines your leg.

rex smiles briefly and nods at you. 'certainly, general.'

A/N: If you want to request something, make sure to read my house rulesHere’s the list of characters I write for. Everything that I have written can be found on my masterlist. Please don’t repost my work, as I spend much time and effort on it!! Thank you for reading! Much love, Max/Marit

[dustmint]

I have posted a fic :D!!

Summary below:

"It's just as real as you are, down here. Now, let's see how easy it is for you to snoop around the unconscious without a head...”

—

Mind Lanyon cuts off Hyde's head, this is surprisingly not a good thing

[obsessive-evie]

caitlin’s such a freak i feel like she would not care if she played in a game with a visible hickey from her girl

you’re onto something here…

And like if media asked her abt it she just wouldn’t answer, not even deflect just smile and shrug her shoulders

Or like why do I feel like she’d ASK you to give her one, especially if the connor rumors have already been shut down, so everyone KNOWS it’s someone else. It would be like just peeking out of her jersey so you can see it but only rlly when her jersey moves.

same goes for scratches on her neck and shoulders, shared clothes, she wouldn’t shut down teases kate says or anything on social media speculating abt you two because of said hickeys

but once yall r public about it she’d be so lovesick and answer every question she’d get asked about you or your relationship

[moregraceful]

I name all of my snake plants after Baltimore Orioles players because...I don't know why I do that.....anyway Adley (she/her pronouns according to my parents) and Adam Jones are making the trip with me but Chris Davis is TOO BIG FOR THE CAR and I'm so sad now. That was my emotional support snake plant through my FMLA leave. He has seen the worst of me (mental illness, forgot to water him for a month) and survived. Now he's like four feet tall and I have to leave him behind because he is so big that he takes up more than a third of my luggage space in the car 🥲 I took such good care of him that now he has to live independent of me. Goodbye Chris Davis I will think of you fondly as I encourage Adley to grow big and strong.

[soranker]

Heya! Saw your cry for a distraction and honestly such a mood.

I've got a question!

What's your least favorite thing to draw/do when you make art?

I'm on my own art journey right now and kind of dread the transition from lineart to coloring.

Trying to study anatomy right now and ignore rendering but I'm curious what other artists feel is challenging or just like 'ugh, ok time for [x]'

OHHH in terms of what's challenging, for me it's definitely coloring, rendering, backgrounds, and composition HAHA (<- chronic flat colors user who only draws character art on a floating white background)

i love focusing on gesture and lines when i draw ^_^ i rely mostly on intuition for the other stuff but it really only takes u so far T_T i'll spend hours trying to fix something by trial and error when i probably couldve saved that time by putting in more conscious studying/practice lol

[julesdraws]

Just for fuuuuun and bc i'm curios and also bc i have something related coming up after i finish with my exams next week..

Also if you vote please reblog to spread this aroundddddd:) (ty)

[crow-posting]

Things I Think About:

Awoken Edition

Do Reefborn Awoken still bio-engineer their children? I think I read somewhere that natural births superseded bioengineered ones by the time The Guardian visits the Reef, but I can't find the grimoire/lorebook for that. It'd be an interesting point of tension between Reefborn and Earthborn (especially for those trying to date!) - while the former would see it as a way of survival, the latter might see it as a form of eugenics/population control.

How do Reefborn Awoken treat their AI? It is said that Reef Frames are merely "computers with robotic appendages"; do they view their AI with similar indifference? How would they approach Failsafe? How do they feel about the humanization of Last City Frames, or even pre-Golden Age robots like Curiosity? If Medusa is real, and not just a construct of Savathûn, how would they react if she revealed herself?

Throughout Season of the Seraph, Mara called Rasputin an "it" and said the Awoken "has long been wary of such a power in the system." She claimed Ana shaped Rasputin into something better, but did she actually see him as "more than a weapon" in the end?

Are Reefborn Awoken still prejudiced against Earthborn and Risen Awoken after the events of Forsaken? They aren't openly hostile, but many still seem to believe that Earthborn and Risen are severed from their people/purpose. How do they treat Distributary-born Earthborn vs. second- or third-gen Earthborn? How do they treat humans with Awoken ancestry? Is "cousin" a formal greeting or a friendly one? Do Earthborn call Reefborn "cousin" as well?

. . .

Edit: adding additional lore entries / flavor text about Earthborn and Reefborn interactions! Thank you @chrimsone for reminding me of some of these! ("Queenslaw"; "Of Earth and the Reef"; "Tigerspite"; "III: Just A Kindness"; "Spirit of Alliance")

. . .

How many of the original Awoken (891 crew or 40,000 passengers) are left? What roles do they serve? Does the Vanguard keep track of the ones who came to Earth? Did the ones in the Reef become part of Mara's court, so she could keep them close?

Do humans with Awoken ancestry have access to Awoken magic? Can Awoken Warlocks learn to dream-walk like Techeuns do? Can Risen Awoken hear Mara telepathically if they choose to open their minds to her? Does Mara have the same effect on Risen and/or later-generation Earthborn as she does on Reefborn? For those who are fully Awoken, do the abilities they pass on get weaker or stronger (or stay consistent) with each generation?

How diverse is Reefborn culture? How much influence does Mara have over it? Aside from local dialects, which developed before the Awoken settled in the Reef, most aspects of Reefborn culture were created to keep them united under Mara's rule. Does Mara have a "soft" influence like British royalty, or does she actively set standards for what is acceptable/frowned upon/taboo? (If she does set cultural standards, I imagine they're presented like the Capybara Corner, where certain behaviors are encouraged* from a young age.)

*Encouraged or idealized? Who's to say. :)

The tragic encounters with Aphelion. The effect of asphodelia flowers on Awoken. The uses for and significance of amethyst. The fact that a lot of things that affect Awoken start with "a."

The parallels between Archiloquy and Nitrogen. The parallels between Savathûn and Mara. Mara's obsession with secrets and how she views "secrets" differently than "lies," even though a lot of her "secrets" can be considered half-truths and lying by omission. The idea that secrets - not truth - keep people safe.

OC-Specific Thoughts #1

Due to paracausal interference during his first resurrection, my Warlock retained his original memories. Would Reefborn Awoken see him as the person he was, or the person he is now?

Mara sees Crow as Uldren, even though she didn't see Savin as Chao Mu or Orin as Nasan Ar. If Reefborn Awoken now believe that Risen can "revert" to their old selves by regaining their memories (actual memories, not "second-hand" accounts like Shinobu's journal), how do they explain other differences - new personalities, the Light's alteration of DNA, etc? Would this change in outlook also change whether they respect a Risen's current identity/personhood?

OC-Specific Thoughts #2

How do Reefborn Awoken treat The Guardian? In the current story, Mara has forgiven The Guardian enough to share her power with them, and even encourages them during their battles against the Shadow Legion. She also seems to blame Savathûn for Uldren's death, though she still views Petra and The Guardian as his "executioners."

However, while Reefborn are more monolithic than Earthborn and baseline humans, they aren't a hive mind and not everyone agrees with Mara's decisions. People like Jolyon probably hold a grudge against The Guardian regardless of Mara's actions or official decrees. Would they act on that grudge? Would they make it known through disapproving expressions and terse tones? Or would they hide it as best they could, whispering just out of earshot and only glaring once The Guardian had passed?

If The Guardian (like my Hunter) has a history of not getting along with Mara, would it make the Reefborn's disapproval more obvious, or would they continue to act in ways that Mara would deem acceptable? Would it affect the way they treat people close to The Guardian, friendly towards The Guardian (Petra, Shuro Chi, etc.) or even Guardians in general? Would it change if The Guardian had helped them personally?

And would Jolyon ever reconnect with Crow, considering how close Crow and The Guardian have become?

[5mind]

CHANGED for a scene from my muse's past that represented a turning point in their life <- Fivemind!

CHANGED for a scene from my muse's past that represented a turning point in their life

Sparks flew as 01's blade met metal, scratching into an all too familiar slate gray arm. Their opponent was unyielding. It was taller, sturdier, and -unfortunately- was once one of their own.

And yet , the puppet that used to be 02 was graceless. The humans that had stolen their appendage seemed to be better at hi-jacking machines than actually using them in combat. Oh those thieves knew how to fight alright, just not through a body built for someone else.

The shell of their second unit fought with no regard for its own funtionality. It was reckless and foolish. Much like the Ai had been.

It shouldn't have asked for help. Shouldn't have taken that offer for a job. Shouldn't have even considered trusting again after so long.

The clash of metal on metal petered out into screeching scrapes as Unit 01 took to grappling their opponent to hold it still until their fingers could reach partially exposed cables at the back of 02's neck.

As the cables were ripped out, the once stolen unit jolted for a moment before falling limp into its counterpart's arms.

It was over. And yet, silence did not fall.

They had drawn too much attention. Civilians gawked, a camera flashed, and a question was raised.

"Who -or what- is that!?"

What the machine really was was something it would rather not be. However, there was something it wanted to be. Something it felt it should be, if only because it was all it had filled their processor with.

A squadron ... of one.