#also visually i think this is the best yet? and the animation...the character acting...god. i feel ill

[therealjosephcranor]

Congrats to Alien Stage for being the shortest piece of media to reduce me to a sobbing mess. The love mattered. Their lives were so cruel and miserable and cut so short but the love mattered regardless :( and you have to keep living anyway. Forgive yourself

[lonelywretchjervistetch]

My DC Cinematic Universe: Superman (Epilogue)

Epilogue: My Adventures with Superman

...Well, holy shit. Just when I was getting worried that nobody would get Superman, along comes one of the best comic-book related products we've seen in years, which delivers me so much of the stuff I wanted in a cinematic version of Superman...and is almost perfect. Yeah, it's definitely not perfect, but goddamn if this isn't one of my ideal versions of Superman.

Y'know, I've considered doing sort of a sum-up of the different major adaptations of the Superman mythos by bringing together all the points made in my essays, but I felt it was too much. For this, however, I think that makes sense. And yes, I'm doing this after only 4 episodes have aired, and yes, I realize that what just happened in the most recent episode is fucking insane and something I desperately want in a Superman story...but I'll at least cover my personal approach, since this show's kinda hot right now. And rarely do I have the chance to jump on a burgeoning fandom, so FUCK IT!

If you'd like to see my previous and insane essays on my preferred version of the Man of Steel, here's the link! Always. Be. Plugging. But if you'd rather hear my opinion of My Adventures with Superman, then check out the section after the jump. But just know that I like it, with a couple of caveats that you've probably already heard about this show.

Clark Kent: Abnormal Superman

Um...did somebody read my essays before I even thought about them, because this is pretty goddamn close to my ideal Clark Kent. He's a big ol' dork with a heart of god who wants to do the right thing, but is also nowhere near perfect in his everyday life and methods. He's a teensy bit clumsy, but still very well-put together. He wants to help when and how he can, and is willing to go along with shenanigans to do so. He has an actual personality, and most importantly, he feels human.

Yeah, this is a dude from Kansas who also happens to be an alien. And good goddamn, is scaling down his powers and knowledge of his past a great idea. Smallville, of course, did this, but that version of Clark was often too serious and rough around the edges. And maybe most importantly, Tom Welling's Clark never seemed like an outcast. I mean, the dude was handsome as all fuck, and built like a linebacker. And yet, I'm supposed to buy that the guy is a loser and outcast? Yeah, no, not buying it. But this Clark? Yeah, the guy's a massive dork. Handsome and built like a fucking freight train, yeah, but still a dork. And maybe most importantly...I don't buy this dude as Superman.

Yeah. Really. I mean, dude is OBVIOUSLY Superman, because he's built like a tank and super nice, but I get not fully seeing this guy as Superman. Somehow, FUCKING SOMEHOW, they pull this off better than literally any other version I've seen since the Christopher Reeves version. And yeah, that's insanely high praise, because Reeves has some of the best dichotomous acting I've ever seen. But this Superman and this Clark both seem like the same person and separate people at the same time somehow. It's an impressive feat that I can barely explain.

And yet...they're still definitely the same person. Any sane person would be able to figure it out eventually, with enough personal interaction. It's one of the reasons why the glasses joke exists, because it really shouldn't make much sense. But in this series, the glasses actually change the shape of his pace, and slight changes in his posture and voice (by the pretty great Jack Quaid) actually do work as a subtle mask for the character. But will that last forever? Well...more on that later.

I also said this before, but I love the fact that we're learning about Clark and his powers as he's learning about himself. This series is obviously anime-inspired, and it really leans into the shonen angle thematically and visually. When the first art for this show came out, I was intrigued but cautious. Now, though, I'm into it. We'll see how the more anime-esque electrical powers work out, but it actually seems like a reference to the sporadically used bioelectric field manipulation ability that Superman has in the comics. Yeah, he has a field of bioelectricity around his body that provides him (and his costume) with invulnerability, and also occasionally gives him plot-convenience powers. Don't ask questions, OK? It's a comic book thing.

Speaking of that, though, the creators are definitely playing fast and loose with the Superman mythos, and I'm interested to see exactly how that plays out as the series continues. I'm a little cautious for reasons to be addressed later, but I'm still quite interested. So, now that we've covered Superman, whom I think is fantastic in his characterization...let's get to the character who I think is excellently represented in this series.

Lois Lane: Intrepid (Intern) Reporter

Jesus Christ, this is a great Lois. There are a lot of ways you can do a good Lois, and there are a number of great Loises, but MAWS' Lois ranks extremely high on that list. Dogged to the point of recklessness, determined to get the truth at all costs, and desperate to be a great reporter, she has the stuff that makes any great Lois. But what really puts her over the edge for me is her characterization. Alice Lee does a fantastic job as Lois' voice, and gives her a mix of naivete, determination, and...oddly, hope. I dunno, there's something about Lee's portrayal that really works for me.

And a lot of people have pointed out two things. One, she's basically Lux from The Owl House. Yeah. And? Fucking and? Luz is a fantastic character in her own right, and very Lois Lane-esque. Personally, I think that's a great and worthy comparison for any version of Luz. Secondly, she's a tomboy. And I think most people on Tumblr are fine with that, but I also see some criticism for that choice. And for those who don't like that...fuck off a little bit. Not a lot, but a little bit. There's nothing wrong with a slightly more tomboyish Lois, and I actually adore a Lois who isn't a damsel in distress all the time. She literally fights some of the bad guys in this series, and we're only four episodes in! Seriously, I love that. And she is occasionally in distress, but she gets into that shit herself, which is exactly what Lois Lane is supposed to do. Look, I love this Lois. Oh, and another thing!

Is Lois Korean? Holy shit, that's fantastic! I said in my second essay that Lois is one of those characters who isn't racially bound in any way. There, I suggested that she could be played by a Latina, which has been hinted at before in some comics. But honestly, this is a great choice! And I only say Korean because, in the most recent episode, she appears to be wearing the top half of a hanbok, which is a traditionally Korean dress. And yeah, I'm fully here for it. Don't know if she's mixed or not (we'll probably see Sam Lane at a later date), but this is great all on its own.

And then, there's the other thing: Lois' position as Superman's Inevitable Love Interest. The ILE is, of course, a tradition in all things superhero comic, and Lois is arguably the first and most famous of all ILEs. Like Thanos before her, she is truly inevitable, and that seems to be at the center of this series. Oh, and at this point...sort of SPOILERS AHEAD??? I mean, come on, this was obviously gonna happen.

By the end of episode 4, these two are clearly romantically interested in each other. Hell, by the end of episode 1, these two are interested in each other. And can I just say that's they're hands fucking down the most adorable Clark and Lois I've ever fucking seen? I mean it, they're the best version of this couple in live-action media, and I can actually see them becoming the comic book versions of that couple.

As a quick compare and contrast of the most notable versions:

Reeves and Kidder were great, but the movies never actually committed in having them be a couple. They actively made sure it wouldn't happen a couple of times, to much irritation, and their relationship never truly blossomed, which was based on the comics at the time.

Fuck Dean Cain...but Cain and Hatcher were pretty good as a couple, pre-and-post-marriage. Which, again, was a part of comics at the time, so it makes sense. Even then, I wouldn't call them particularly cute, just more of a relatively normal couple.

Don't get me wrong, I love Daly and Durance's animated versions of the two...but they never actually became a couple until the very end of Superman: The Animated Series. And we only saw them as Lois and Superman, not Lois and Clark. So, sadly, they don't rank.

Welling and Durance were...off-and-on. Funnily enough, their appearance as this version of the couple in the Arrowverse crossovers was probably better than any other appearance they had, and their appearances in the 10th season were genuinely quite nice. High up there as the best version, and one of my favorites.

Hoechlin and Tulloch are, in my opinion, the best married version of the characters. They honestly nail it, and their chemistry is pretty much perfect. Their versions of the characters still rank pretty high as some of the best, and they're even better as a couple.

Routh and Bosworth...moving on...

Cavill and Adams...well...I mean...they have some chemistry, and...they've definitely had sex. Um. Yeah. That's it. Whoooooo.

O'Connell and Romjin are a little-remembered animated version of the two, and not the only animated version of the two, either. But honestly, they're really good in The Death of Superman and Reign of the Supermen, and were my favorite animated version of them as a couple...prior to MAWS.

And OK, sure, we've barely seen these two as a couple at this point, but I really like them. They're adorable, they're adorkable, they're supportive of each other, and their chemistry is basically immediate. They're just really cute and fun to watch, and I can't wait to see them progress. Especially because...

OK, I can't stress this enough, but skip the next GIF if you don't want spoilers, and scroll down until you get to Jimmy Olsen. Please. This is a biggie. OK? Got it? Read at your own peril.

HOLY FUCKING SHIT ARE YOU SERIOUS THEY ACTUALLY DID IT

If you've read my Superman essays, you know that I want movie Lois Lane to have found out Clark is Superman on her own, and before the movie starts. And holy shit, they actually did it in MAWS! FUCK YES! Lois is smart and sharp, so she should pick up on the fact that Clark is Superman! I love that they did this, even if her way of finding out was somewhat by accident. She still put the clues together on her own, so I'm satisfied with this ending! And I'm pretty sure they're not going to reverse this! If they do, I'd be pissed off, but I don't think they will. Just...HELL YEAH, BABEEEEEEEEEE

OK...I think the spoiler-free have scrolled past this by know, so...let's move on with the essay, shall we?

Supporting Cast: Jimmy and the Rest

OK, let's talk Jimmy Olsen (played by Ishmael Sahid). Honestly, I love the fact that he's a conspiracy nut with his own YouTube channel, and that he's literal bunkmates with Clark in this series. This is also pretty close to my perfect version of Jimmy Olsen, not gonna lie. His streaming name is even Flamebird, a deepcut comics reference that shows the creators not only know their stuff, but also actively care about Superman comics and history. That's one of the things that one me over in the first episode, for the record. But more on that later.

Jimmy is the third wheel, but one who's usually welcome. We'll see the fallout of the Lois-Clark romance soon, I'm sure, but Jimmy's role has been pretty much perfect. However, I would be remiss if I didn't mention that a black Jimmy Olsen, while welcomed by me...is a little weird when you look at the legion of ginger characters in media that have been replaced by black characters in adaptations. While, again, I don't think Jimmy is racially bound to being ginger, it is a fairly iconic part of his identity. And...yeah, a lot of ginger characters have been translated into black people in recent years, and that's...really weird, not gonna lie. Makes me think even more about my Legion of Super-Heroes essay, honestly. Still, solid-ass Jimmy, and I can't wait for more.

I actually adore Perry White (voiced by Darrell Brown) in this series, and his grumpy boss persona is...well, quintessential Perry White. I'd actually say this is a perfect version of the character, although that's not as difficult to nail as some other versions. Looking forward to seeing more of Perry's life as he supports our bumbling interns.

I was tickled pink to see Cat Grant (Melanie Minichino), Steve Lombard (Vincent Tong), and a genderbent Ronnie Troupe (Kenna Ramsey) in this show, because it once again signals to me that the show creators really care about Superman mythos. And honestly, these guys were transplanted essentially unchanged from the comics, as far as we can see so far. This may change in the future, but I'm very excited to see the rivalry between our three and these reports build and develop during the series. Great job with these guys.

The Kents only make an appearance in one episode thus far, but I think they're pretty good! We see them in the past and in the present, and they're a couple of farmers who love their son. They're also some of the youngest versions of the characters we've seen in adaptations, save for Smallville, and it works well! They also make it apparent that these are Clark's parents, even in the short time we see them. Again, good job so far, and I want to see more!

So, with all of that, I adore this series, and it's perfect! Right? Right?

The Villains: Literal and Figurative Cons

If you've heard anything about this series from Superman fans, then you've probably heard that the villains are...not amazing so far. And that's mostly because the villains are where this series takes the most liberties, while also downsizing most of them pretty severely. I'll go through them briefly here, but just know that the changes made so far are...not my favorite. And if you've read my essays, you know my opinion on villains in superhero media: you gotta nail them.

So, let's start with Livewire, AKA Leslie Willis (voiced by Zehra Fazal). I really love this character (and actually positioned her as a major villain in the second Superman movie of my cinematic universe), so I'm quite invested in Livewire. And this version is a tech-powered villain who kicks off the conflict for the first part of the series. She's a completely different version of the character...and she works? Kinda? Look, as the first villain to face Superman, she's fine, but she's barely Livewire. The end of the second episode hints that she may become more like the original down the line, but she's missing that sass of the original. And yeah, she works without that, but it doesn't feel like Livewire to me. That's nitpicking, though, because we have a much worse set of adaptations to cover.

Intergang is so much of a non-entity in this show, they have no GIFS on Tumblr. Understand, this community has made GIFs of every other character except these guys. In total, they are Silver Banshee AKA Siobhan MacDougal (played by Catherine Taber), Mist AKA Kyle Nimbus (played by Lucas Grabeel), and Rough House AKA Albert (played by Vincent Tong). And they've been changed from:

A cursed Scottish-Irish woman, empowered by magic and a major threat to the Man of Steel, having nearly killed him multiple times...and is currently dating Jimmy Olsen, which I kinda love?

A scientist who invented a process to turn himself into gaseous form, and used his powers to fight the hero Starman; this rivalry was passed on to the next generation, on the side of both hero and villain.

And the clone of a gangster endowed with super-strength, serving beneath Boss Moxie of Intergang, and the forces of the dark world of Apokolips above him.

...into a group of loser who got technology they couldn't handle. Yeah, it's a major downgrade, and two of those guys weren't even that notable in the first place. Siobhan gets completely fucking shafted here, and I think it's a genuine failure of this series. Harsh, I know, but seeing Silver Banshee get fucked over that hard really sucked for me.

Oh, and yeah, Intergang was a major villainous group for the Superman film in my cinematic universe, so removing their Apokoliptian ties...bums me the fuck out, too. Also, it looks like Flash villain Heat Wave is an upcoming member, which is...weird as fuck, honestly. We'll see how this pans out, but I'm not terribly enthusiastic about it.

And then there's Anthony Ivo (played by Jake Green), who's been repurposed into a tech bro entrepeneur in the vein of Elon Musk, in charge of AmazoTech, which is obviously a reference to the comic book version. And this was an...interesting set of choices, honestly. Some spoilers here, but Ivo's version of AMAZO is an armor that drains the power of Superman and redirects it against him. And yes, that makes Ivo also this universe's version of...Parasite. ANOTHER villain that I put in the second movie of my cinematic universe, and one of my absolute favorite Superman villains.

I don't hate the reinvention, but that's only because of what happens to Ivo at the end of the episode. I won't spoil it here, but he definitely turns into a more proper version of the character, so we'll see what happens there. As for his assistant, Alex (played by...somebody), well, he's interesting, isn't he? At first, I thought he was Alex Allston, one of the Parasite twins from the 2000s. But a number of people seem to think he might be another familiar red-headed Superman villain named Alexander, if you know what I mean. Let's just say, there's a possibility that he'll steal forty cakes at some point. And that's terrible.

And finally, there's...wait, is that Deathstroke AKA Slade WIlson (played by Chris Parnell)? Why is he young...and hot? Why is Slade young and hot? And two-eyed? I mean, yeah, sure, that's not the worst thing in the world, but...goddamn, that's some whiplash. Interestingly, he appears to be affiliated with Task Force X, which is name dropped in episode 2. Plus, Amanda Waller is clearly in the background, so a much wider plan is in play. And yeah, while it's weird to see young hot Deathstroke, I'll give it a chance.

Other villains have been hinted at, and allegedly radically reinvented, such as Mr. Mxyzptlk and Brainiac, but we've yet to see what will become of them. Still, this is a divisive start. As long as we get some actual supernatural threats, and not just people in armor, I'll be happy. Time will tell.

Story: Just Getting Started

At this point, it's pretty much impossible to judge the story of this series, since we've only just started. But, with the technology obtained by Livewire from a mysterious source, and then leaked into the criminal underworld, we at least have enough threats to supply tension throughout this first portion of the series. The relationship of our trio is progressing nicely, with Jimmy realizing his third-wheel status, and with the Lois and Clark relationship moving along interestingly and unexpectedly.

There's also a number of hanging plots that look promising, including Clark discovering his powers and origins; Task Force X and Deathstroke, as well as their interest in Superman; the missing Parasite technology after Ivo's fall; the rivalry between the interns and their reporter rivals; and even Lois' relationship with her father (who...might be the guy standing next to Waller in Task Force X? No clue, that's just a guess). So, we have some stuff to look forward to! And maybe, just maybe, the villains will also steadily improve. I think Silver Banshee's a lost cause at this point, but I have hope for Livewire and Parasite, at least. But again, time will tell.

I also can't wait to see what the creators have up their sleeves. They're obviously ans of Superman and his mythos. I didn't even mention what won me over on this show in the first place! Other than Clark and Lois themselves, of course. In the first episode, Lois introduces Jimmy and Clark to her information gatherers: the Newskid Legion. And for those of you who don't know, that's a reference to the Golden Age of Comics, and a group of street-wise kids that would become supporting characters of Superman's during the '90s (through the trendy magic of cloning)! The kids have an adaptation in this series, and that attention to lore alone made me an instant fan of this show. Sounds like nothing, I know, but it meant a hell of a lot to a Superfan like me. Now GIVE ME MY EVERYMAN BIBBO BIBBOWSKI!

Conclusion: A Hopeful Tomorrow

I'm...scared about Gunn's Superman film. I won't write a whole essay about it, but it sounds ambitious to the point of being bloated. A lot of recent casting news makes me feel like this is more of a set-up to the wider DCU, as less of a Superman film in and of itself. Plus, with rumors that Luthor is being cast, and no sign of a villain announcement yet...I dunno. It has me worried. So thank God for My Adventures with Superman.

This series is a blessing so far. Sure, it could blow for the rest of the season, but call me hopeful. I think this show is fantastic so far, and I'm really thinking it'll stick the landing with the first season. Alongside that, honestly, is the fact that it's trying something new for any Superman adaptation, and there's a bravery in that. I don't know if it'll go down as my preferred Superman adaptation (Superman: The Animated Series is a hard one to beat for me), but it's got a good start. And a brave series that inspires hope in the face of fear and impossible odds? Man, that's what Superman is all about.

And now that that's said and done (for now, anyway)...

I believe I have another essay series to finally finish.

-------------------------------------------------------------------

Part I: Why I Love Superman

Part II: On Lois Lane

Part III: The Kents

Part IV: The 'Rents

Part V: The...Frendts?

Part VI: Lex Luthor

Part VII: The Real Villains

Part VIII: Superman's Rogues Gallery

Part IX: The Story - Act One

Part X: The Story (Acts Two and Three)

Part XI: The Story - Climax

Part XII: Epilogue (Part One)

Part XIII: Epilogue (Part Two)

[thepageofhopes]

I really love the subversion of power fantasy/shounen/isekai etc and I LOVE unreliable narrators. It seems like re:zero is both of these things from how much I've interacted with it so far?? (I've read the first volume of the webnovel version.) But I haven't hit the point yet where it's really clicked with me. Do you have any recommendations for picking it up again? (Like jumping over to the anime, or which version of the novel I should go with?)

Seeing all of your re:zero posts has really gotten me curious! I unfortunately hadn't really heard much about it before asides from very surface level "best girl" stuff.

I would definitely go with the anime, specifically for s1 the directors cut because it takes the already stellar visuals of the original and upgrades it.

I know a lot of the re:Zero fandom has problems with the anime because it cuts certain important scenes, but honestly I think a lot of the cuts are fine. We will see how season 3 handles the cuts because a lot of the cuts set up arc 5 & 6 reveals, but even then the animation, music, and voice acting more than make up for it.

There is also the manga which will be the quickest read, and is truer to the novels for better or worse (even keeping some scenes I honestly think were smart cuts from the anime), but then you miss out on the animation, music, and voice acting lol.

As far as content that the anime doesn't cover, there's a great youtube series by AsarathaHS where he summarizes and gives his thoughts on each of the phases of arcs 5 through 7 (the arcs right after season 1 and 2 of the anime), and my secret is that I haven't actually read arcs 5-7, I've just listened to his videos. I have all the current light novels but haven't really had the time to read them. It's great to put on at work/while working on other things! He also does a lot of cool re:Zero analysis videos and if ypu are anything like me, a good video essay can get you hyped for watching/reading a series.

Finally, for side content, nothing beats Witch Cult Translations and I highly recommend the re:Zero IF series. The concept of taking big moments where the main character makes one choice and seeing what would happen if he made the opposite is just...so good. A lot of them can be read as early as finishing season 1 (Pride, Wrath, Sloth), Greed can be read after finishing Season 2, and sadly the best one, Gluttony, requires finishing the light novels/web novels/Summary videos up to arc 6, but god is it worth it. Even outside of gluttony, they are all fantastic.

The one thing I'll caution is Subaru is less of a unreliable narrator and more just a deeply flawed character that learns and grows so much throughout the series. By the end of season 2, he's very much just....a genuinely great dude. If you've seen love is war, its very similar to Ishigami's arc.

[thealmightyemprex]

VOyage Through the Disney Canon(1950-1959)

Now we enter the 50's looking at films 12-16

5.Cinderella-While this fiolm has grown on me this is not a movie I love .I like Cinderella herself finding her to be a sympathetic chararacter,Lady Tremain is a subtle yet creepy villain with how manipulative she is ,Verna Felton is fun as the Fairy Godmother,Lucifer is a fun secondary villain and the animation is pretty ......Problem is I dont like most of the side character and unfortunately they take up most of the movie.The prince is barely a character ,the king is a psychopath who I find more frightening then funny ,and ogh GOD ,I cant stand the mice,they are so grating to me and they are in so much of the movie I kind of wanted the cat to eat them .I get their are people who love this film,glad you like it,but their are better Cinderella films to me

4.Alice in Wonderland :I debated how high to put this film cause I do like it but I dont love it like others do .I love Alice herself who is played brillaintly by Katheryn Beaumont ,the Mad Tea Party scene is one of the funniest scenes of the Walt era due to the animation and vocal performances ofEd Wynn and Jerry Colona ,This is a great showcase for Disney regulars ,like J PAt O Malley showing his range as Tweedledee and Tweedle Dum/Walrus and Carpenter ,Bill Thompson is wonderfully pompous as the Dodo ,Sterling Holloway is great as the Cheshire Cat,and Verna Felton is scene stealingly good as the Queen of Hearts .As a film it is fun to see Disney get weird with great visuals (Hasts off to Mary Blaire ).....However I dont like the songs ,I never liked this takeon the Carterpiller,and while Bill Thompson is great as the Dodo I never thought his voice for the White Rabbit worked .I also think as an adaptation of the Alice stories go,its just a good version and not my favorite (the 99 TV movie is probably the winner there )

3.Peter Pan:So this was one of my favorites as a kid ,then I had a backlash to it ,now I like it but acknowledge it is flawed .Flaws first,the depiction of Native American ,specifically their song is really cringy and racist .....But now that I think about it,that is my biggest issue.I used to have a problem with Peter himself ,findinhim too unlikeable.....But honest this maybe my favorite version of Peter,now that I realize Peter isnt supposed to be likeable ,and in fact I think Bobby DRiscoll does a fine job balancing being both impishly charming and being smugly arrogant ,and I love the animation of him,how he will just float around.Katheryne Beaumont grounds the movie as Wendy,and I kind of love that Tinkerbell who has become a mascot for the company is a murderous little sociopath .I love the character animation of Nana the Dog ,the action is great,Smee maybe bBill Thopmpsons best role and the film has many great jokes.The scene stealer of the film has to be Captain Hook who is one of my absolute favorite Walt era villains ,he is threatening,he is stylish,he is funny and he is marveolusly voiced by the great Hans Conried ,I love his scenes with Smee,his duels with Peter and the hilarious chase scenes between him and Tick Tock the Croc who wants to gobble him up .I'll admit part of me might be putting this film this high for a mix of the villain and nostalgia....But I really like it

2.Lady and the Tramp:This canine romance is higher then I thought it would be but I love this movie ,bioth Lady and Tramp are likeable ,I love the side characters like Jock,Trusty,Boris (Whos played by Alan Reed AKA Fred Flinstone ),Peg,Joe and Tony .The songs are all good,the animation is solid ,voice acting is good and yeah the speghetti scene is iconic.I dont like the fake out near the end and yeah Si and Am suck .However the main love story make this one enjoyable for me

1.Sleeping Beauty-....SO this is my second favorite Film of Walts era ,and might be my favorite of the Princess movies .I like the trivk it pulld by the film being basically about the fairies instead of the Princess .I actually like Aurora and Phillip ,I love the ballet score ,the art style is beautiful,the kings are funny,Once Upon A DReam is one of my favorite Disney songs and the final battle against the dragon is awesome .Maleficent is a MAGNIFICENT VILLAIN voiced wonderfully by Elanore Audley whose true plan is one oif my favorite evil plans ever and she is wonderfully designed and animated by Marc Davis .My favorite characters however are the heroes ,that is to say the fairies,Flora,Fauna and Merryweather who are so fun and lovable (Though Merryweather is my favorite )

Agree ,disagree,comment and share your oppinion

@ariel-seagull-wings @amalthea9 @theancientvaleofsoulmaking @princesssarisa @the-blue-fairie @makingboneboy @themousefromfantasyland @filmcityworld1

[rebelyelll]

Chapter 10 Author's Note

I hate how far behind I am on typing up author's notes with the chapters. There was a major fall off point way back when, mostly due to irl stuff. But I'm here still making them, so I will do my best to make them interesting.

So, the epigraph you see at the top of the chapter? Yeah, I didn't add that until later. I got to thinking about how I can incorporate little tidbits of the lore throughout the story into the narrative WITHOUT detracting from the writing in the chapter and jarring the reader. I love epigraphs, they're really fun to include.

There's one typed over the first chapter, which that one is supposed to set up the overall lore behind the power system, Drive. The one in this one and the chapter after it is something also added from ancient scriptures that probably won't be read aloud by anyone in the story, but you, the reader, will know when Drive comes into focus for the plot later on.

Basically for Chapter 10/11's epigraph, it's there to establish Drive's rules, but without blatantly saying: "Oh it works like this and this and not like this", because... I don't know, it felt more interesting to do it this way. I like it!

This is the chapter where Drive makes its first appearance. While I DO have a lot to go over in future chapters, (which there's going to be A LOT), I kind of hate how I haven't shown its usage THAT much yet. There's just SOOO much to establish plot-wise and character-wise that I am struggling while I sit here and think: oh my god, people want to see Drive and stand fights, not whatever is going on here.

I guess it all boils down to me wanting to get to a specific part of the story that just clicks and it's like: "yes. yes. this is where the plot is truly taking off" as opposed to building my way towards it. Not to say there ISN'T a plot going on right now, there's just.... it's... there's a lot I have to establish for each Act lmao!

The plot for Act 1 is mostly set-up and character development. Act 2 is where I'm hoping to pick up the plot's pacing a bit and really hone in on the major villains's POVs more. Act 2 will also have better thought-out fights rather than one-offs here and there. I think I'm starting to see how writing stand battles that isn't part of a visual medium can be especially tough when you're writing how you see it on the screen.

And I wish I had figured that out sooner rather than just trying to emulate what I was watching, because writing fiction for people to read, and animated series' where you can actually SEE everything happening, are two totally different things. Heh. Here's my sign...

But hey! I'm learning! :)

(I'm not really sure what else to talk about, sooooo...)

References

Avantasia - named after the German metal opera supergroup (not opera singing btw) that goes by the same name. Probably one of my most favorite bands out there; their music is so immersive, and each album has its own unique story. Yes, this is a recommendation. No, I am not ashamed. Go check them out! Really cool stuff.

(I can't remember if I've already listed this reference... oh well.)

Uh, I think that's it?

[briangroth27]

Look! Up in the Spinner Rack!

It's a bird! It's a plane! It's Action Comics #1!

Yesterday (April 18, 2023) was the super-impressive 85th anniversary of Superman & Lois Lane's first appearances! These two are among my absolute favorite characters in all of fiction & it's amazing to see them continue to flourish & inspire today. There's something indelibly timeless & iconic about the Superman mythos & visuals that makes me feel like a kid again, fully believing a man can fly & wishing I could too.

I vehemently disagree that Superman's outdated & needs to be "cooler." He is cool, he's just not the angry power fantasy some people wish he was. There are other characters for that, but that doesn't mean Clark's one-dimensional or stagnant. He's not an unrelatable god either: he's an immigrant, an adopted son, a husband, a father, a friend. I also prefer him choosing to be a hero in the face of corruption–and because he himself was helped when he was most vulnerable–to being sent here on a mission to save & inspire us; he’s inspirational without being issued a mandate. Whether you prefer Clark Kent or Superman as the primary guy--I've come to think neither is a mask & they're both exaggerated yet honest sides of his personality--he proves power doesn't have to corrupt, that no matter where you're from you can help make things better, and that no matter how weak we seem or powerless we feel, we can all be someone's greatest hero in the fight for truth, justice, & a better tomorrow.

A long time ago I saw someone say Lois is such a strong character that she could've existed without Superman & been just as great, & that's absolutely true. While I love the screwball comedy tenor of their romance, the fact that she's Clark's equal in the fight for justice (& his superior in journalism) makes her every bit the hero he is. Sure she gets into danger a lot, but usually it's her tenacity to stop criminals & get the story that lands her there, not a plot requirement for Superman to rescue someone. I don't buy that Superman's humanity & goodness rests entirely on Lois--he loves people & that should be why he pursues journalism, to hear & share their stories, so if he did lose her he wouldn't lose himself--but the two of them absolutely evolve each other's worldviews & arcs brilliantly. Her cynicism & jaded view of the world fading when confronted by both Clark & Superman--but never losing her wit or edge--compliments Superman's never-ending battle challenging his optimism & faith in people perfectly.

Smallville is my absolute favorite version of Superman because of the writing, directing, acting, characters, relationships, & brilliant balance of Clark's dual heritages culminating in his ability to fly. It also didn't hurt that it hit at exactly the right time for me, as I was a year older than Clark when it aired & am still finding commonalities between us (both positive & regrettable hahaha) as I rewatch it again in tandem with Tom Welling & Michael Rosenbaum's Talkville podcast. Smallville also had a tone that allowed for relationship drama, horror-tinged villains, campy fun, & heightened comic book adventures, all grounded by human relationships (& it's my favorite show ever; the one that makes me want to be a writer), but there are so many other great iterations of the Man of Steel out there for everyone! Christopher Reeve (whose acting hands-down proves the glasses & demeanor change works), Superman & Lois, Superman Smashes the Klan, Superman: Miracle Monday, Superman the Animated Series, & Superman: Secret Identity are just a few of the best ones. Take time to check some out this week!

Despite all we've gotten in film, TV, animation, radio, & comics over the decades, there's a beautiful scene in Miracle Monday I've never seen adapted anywhere & I hope we finally get in Superman & Lois, My Adventures with Superman, or the newest iteration in Superman Legacy: at an especially low point, Clark flies to the arctic & just listens. He hears something no one else can--the sounds of the entire planet harmonizing to form the "song of the Earth"--and his heartbeat completes the song, showing him this is where he belongs.

It's insane that we're just 15 years out from Action Comics' 100th anniversary. How will the Man of Tomorrow meet our actual tomorrow? I can't wait to find out & see what's next for Lois & Clark (& Kara, John Henry, Jimmy, Jon, Natasha, Kong, Connor, Krypto, Lana, Martha, Jonathan, Perry, Lex, Brainiac, Bizarro, Parasite, Mxyzptlk, Metallo, Livewire, Silver Banshee, and the rest)!

[classicdaisycalico]

Hve you watched the mario movie yet? 👀 Thoughts?

YES I HAVE AND IT'S AMAZING!!!!!!

For starters, this film is visually STUNNING. I also adore all the musical references scattered throughout the film score. I love how some parts are just thematic medleys, but other sections have a single motif worked into the film score. It's a cool way to breathe new life into some familiar themes like Bob-Omb Battlefield, for example. When we're not being flooded with musical references from the games, I like how the rest of the score is padded out with 80's music. Some people may not like that, but I do. I was raised on classic rock thanks to my parents, and putting 80's music in the film makes sense, since the series got its start in the 80's!

Now let's move on to the characters. OH MY GOD. The way their personalities were so fleshed out was incredible. Mario and Luigi's wholesome twin sibling bond was everything I envisioned it to be. I was also very pleasantly surprised by how Peach and Toad's characters were handled. Peach's personality, to me, could best be described as a fusion of Diana from the first "Wonder Woman" film (a girlboss who is still unfailingly kind and protective) and Ariel from "The Little Mermaid" (an ever-curious princess who is super curious about humans and wanting to learn more about their world and way of life). Toad was amazing because the writers could have exploited his character as this little guy who was hungry for adventure but ended up as the incompetent comic relief...but that didn't happen. They played up Toad's capability and loyalty to Peach and Mario super well, and it showcases great acting range on Keegan-Michael Key's part.

Speaking of actors, HOLY SHIT. I couldn't hear any of the actor's regular voices at ALL in the characters they played. I thought I'd have a massive problem with Chris Pratt as Mario, but that ended up not being the case. Jack Black also did an incredible job voicing Bowser. Probably the only time I heard Jack Black and not Bowser was during his "Peaches" song, but I don't mind that. Bowser has been known to have some goofy moments and dialogue before in the "Mario and Luigi" and "Paper Mario" games, so it's easy to let slide. If anything, Donkey Kong was the only character whose voice I had issues with. It was just Seth Rogen being Seth Rogen, typecast once again as a comic dudebro who gets knocked down a peg at some point to learn a little about humility.

Slight aside, by the way, I also like how Bowser is animated when he's angry. When he's angry in the film, you can literally see the insanity in his eyes. It's a fantastic little touch that the games don't normally have. (Yeah, he's full of rage, but his eyes don't show it anywhere near as well.)

Probably the only real issue I had was with the film's pacing. Just when we think we're going somewhere interesting in a scene, all of a sudden we're immediately transported elsewhere. The transitions are kind of jarring and I feel like a lot loose ends in the previous scenes aren't tied up properly. Hopefully the sequel will fix that. (And let's be real. There WILL be a sequel with how much money this film is making. This film is sooooo much more successful than that 1993 monstrosity lmao)

Overall, VERY solid film and a job very well done. 4 out of 5 (Super) Stars from me 🌟🌟🌟🌟

[sparklingpax]

Hi! You know, I'm here to thank you. Thanks for the content and searching for a lot of details on Super-God Masterforce! Honestly, I consider it one of the best works on transformers, and it's very nice to see people who share a love for this anime. I hope someday it will be appreciated as a classic of transformers, as it deserves. And it seems that we are on the way to that. I want to say that there is another person on this planet Earth who loves Super-God Masterforce, and is not so alone in this! I hope this thought warms you up a little! (I apologize for the mistakes, I use a translator)

HI THERE UMMM

First, let me apologize profusely for the fact that I took.....way too long to finally answer this, but it was only because I wanted to wait until I had a moment to sit down and write a thoughtful response to this >//<’’

(Also don’t worry about the translator, your message is clear and all :3 I’m going to apologize in advance just in case I have any typos in my response, as I tend to get lost in my own writing quite often haha ^^’’)

Getting this ask genuinely made my day, you are the nicest human being waaa 😭💙💕✨ thank you so much!!! And I'm glad too that there's yet another person who likes Masterforce out there!! >w< Like, there's so few of us, but we are strong, and we are growing!!! hehe >:3 I will continue doing what I can to generate content for everyone to enjoy ^w^

OMG AND YEA!! MASTERFORCE IS INDEED A CLASSIC AND DESERVES SO MUCH MORE LOVE THAN IT GETS??? Lowkey I feel like a lot of tf fans just write it off as "the strange one with lots of humans" or deadass forget about/have no idea of its existence and I just??? Like it makes me so sad and even maybe juuuust a little irked ;w; literally people are out there acting like some tf characters came from the comics and not from this series for example.....*lies on the floor and sobs*

But I will hold onto hope that someday, more people come to appreciate this series and hold it in higher regard. It's got great writing, cool designs (and in the episodes where the animation was on-point, really good visuals), a banger OST (insert songs of course included~), great characters who mostly receive a lot of development throughout the series, really interesting concepts that I wish were used more often in TF media, and just....the vibe of the whole show is so good 😩💗👏 I have so much appreciation in general for all the installments of the Japanese branch of G1, but I feel like Masterforce was just the best mix of everything that can be seen in other series 😎

So anyways, even if I am slow with my art and writing and everything, I will probably never stop making content for Masterforce, writing random ramble-y things about details of the canon lore I think are cool!! And I am honored you found my account and enjoyed it as much!

Apologies once again for being so late with this (😳🙏) but thank you so much for this ask 🥺🥰

I've kept it in mind on days where my personal life has been going badly (which is a lot lately qwq) and I start feeling bad about a lot of things, including stuff regarding my social media/art/etc--at those times I reminded myself that there are people out there who get me when I talk about Masterforce--and I smile and feel a bit better.

So ye! Sorry this is a bit long!! Here's a little doodle I made, to hopefully make up for the wait ^^'' sorry it's a bit rough 😳 but, it's the whole Autobot gang (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)💙

Have a nice day/evening also!!! :D

-Kuni 💖

[stillness-in-green]

MVA In Memoriam (4/5)

The Comprehensive Account of the Butchering of My Villain Academia

(Introduction and Part One, Episode 108: My Villain Academia) (Part Two, Episode 109: Revival Party) (Part Three, Episode 110: Sad Man's Parade)

Part Four, Episode 111: Origin: Shimura Tenko

Chapter 233 – Bright Future

• Twice clearly having arranged a Skeptic puppet to where its arm can be used as a pillow for Toga’s neck. A cute little character detail while also being kind of disturbing? Very on-brand for the League! A not-immediately-plot-crucial visual of a member of the League demonstrating obvious care for another member? The guillotine awaits!

• A little explanation about how clones’ physicality and memories work relative to the last time Twice saw the people the clones are based on. This is a very useful little nod of explanation to something that remained unclear from the dialogue of Mr. Clone-press last chapter. Twice’s quirk is pretty arcane in its ins and outs, frankly, and the clearer those details are, the fewer plot holes you’re leaving for later.

• The scene of Skeptic being right on the verge of confronting Twice. Skeptic has, oh, about five moments where he’s obviously a big tense neurotic who’s unpleasant to be around if things aren’t going his way, and the anime deleted or downplayed all but two of them. As ever, it’s obscenely damaging to the characterization of the MLA cast, who we have little enough time with as it is. Further, it was a particularly weird choice to make with Skeptic, who is as of this writing the only major MLA character who’ll emerge still free and active from the War Arc. Why shaft the characterization of the one of new characters who’s going to be getting the most attention out of any of them in the next arc, with yet more scenes yet to come after?[1]

• A full page’s-worth of Spinner’s rationalizations on targeting Trumpet and ordering the Twice doubles to do the same. This lays out the details on why targeting Trumpet stands to relieve some of the load on Shigaraki. It isn’t because Trumpet’s quirk makes the crowds more dangerous, though that is true. Spinner targets Trumpet because he’s seen enough to know that attacking the MLA’s leaders gets them crazy riled up; he knows that if he makes himself a threat to Trumpet, then all Trumpet’s followers’ attention will shift focus to Spinner, leaving Shigaraki with less to deal with.           Spinner also knows that that is ludicrously dangerous to him personally, given his weak quirk, but he actively makes that choice anyway, because that’s how much he’s devoted himself to Shigaraki without (yet) quite articulating the nature and reasons for that devotion. Targeting Trumpet without any of that reasoning made for a perfectly sound tactical decision, but it missed the regard Spinner shows the unnamed mobs of the MLA, and it really missed the probable savage beatdown and even possible death that Spinner consciously chooses to risk for Shigaraki’s sake.           Of course, a chunk of what the episode deleted is flashbacks to scenes the anime also cut, so they couldn’t figure into Anime!Spinner’s reasoning. This does not excuse yet more cuts to Spinner’s arc and characterization; it only adds to how badly the anime maimed him.           Also, on a less salty but still confused note, deleting all the Twice clones from the beginning of the scene and just having Spinner running along a wall past mobs of people instead of laboriously fighting his way through the street to the van was really dumb. Why did all those MLA people just stand there and let him run by? Where did all the Twice clones that just helped save Spinner from a huge flurry of long-distance attacks disappear to? Come on.

• Trumpet’s thought that using Sevens Loud will draw every bit of strength from their warriors, but that it’s necessary. Setting aside that it looks far less necessary when there hasn’t been a crowd of Twice clones fighting Trumpet’s people this whole time, just Spinner by his lonesome, we still lost quite a bit to this cut. Firstly, a nuance on the trade-off Incite gives—that its stat-boost is temporary, and that it’s borrowing from the future to pay for the present, a stock that is limited and a bill that will come due when the effect wears off.           Secondly, it’s another demonstration that the MLA leaders aren’t just thoughtlessly wasting their followers’ lives; they’re very consciously doing cost/benefit analysis on how much danger their people are in versus what stands to be gained by the potential exertion or outright deaths those people will suffer. It’s cold reasoning, yes, but that’s how the Liberation Army operates: not for the personal gain or lackadaisical ease of the people on top—Trumpet would just have been in the tower speaking through city-wide loudspeakers, if that were the case—but for the advancement of the group’s ideals.           It also just grants Trumpet some interiority, but of course the anime can’t have that.

• The note in Trumpet’s meta-ability explanation that the more his voice causes the air to vibrate, the stronger Incite’s effect. This is—good god, it is literally the entire design mentality behind Sevens Loud! Sevens Loud purpose isn't to make his voice louder so more people can hear him (which I would think is the most logical assumption an anime-only person would make as to why he puts it on); it’s to make himself louder because being louder enhances the boost. It’s about the quality of the effect, not the quantity of targets. This is why Trumpet has the thought about how using Sevens Loud will drain the strength reserves of his people. There’d be no correlation there if Sevens Loud were only about boosting his range.

• When Spinner got porcupined in the anime, they did a close-up on his face, possibly to avoid the gore of showing the spines piercing through his forearm. That’s fine, but they also emphasized the reaction by having him lose his grip on the huge fuck-off knife he had clutched in his teeth. In the manga, sure, he yells in pain, but he doesn’t lose the knife. Indeed, he gets the guy off him by slashing at him with it—a shot the anime dropped. So Spinner doesn’t even get to keep displays of his pain tolerance, a trait he doubtless improved during those six weeks against Machia. Why does the anime hate Spinner so much, you guys? Why did it go out of its way to make him look lamer, when Dabi and Toga were out there getting anime-original flourishes to make them look cooler?

• Spinner’s thoughts, “When I get inspired to act, I don’t know what the heck I’m doing! I’m just a loser jumping on a bandwagon. Or at least that’s what it looks like.” A humorous bit of self-awareness from Spinner here. The anime got at the self-awareness. The humor, as we’ll see, not so much.

• Spinner’s thoughts, “Look at me. Look at me!! With all that prejudice in your eyes!” Hah hah, laughed BNHA the anime nervously, what prejudice are you talking about, Spinner? No idea what you could possibly be referring to there! This one’s particularly annoying because, while one might think that the anime was just dodging the heteromorphobia angle it eradicated all references to back at the beginning of the arc, the prejudice line isn’t even about heteromorphobia, not really.           See, the Japanese line there literally translates to, “With those colored glasses!”—to see with colored glasses being a Japanese idiom for seeing something from a biased viewpoint. So aside from being a wordplay jab at Trumpet’s choice in eyewear, it’s also about Trumpet’s expressed view that Spinner, having been a shut-in with a weak quirk who decided to take his resentment out on the world, can’t possibly amount to anything much. So, what, did the people in charge of making those cuts think Trumpet was right? Why even keep the line where he disparages Spinner if you’re not going to let Spinner call it what it is? He’s not calling out fantasy racism there, anime! He’s calling out the bias against weak quirks that even the good guys in this world sometimes partake in!           Possibly it’s because non-villains in the world[2] sometimes use reasoning that leads logically to quirk supremacism that the anime got gunshy with it, or it was more reluctance to give the villains—and the Too-Real Iguchi Shuuichi especially—moral ground for accusations against their society that get too close to real life. Whatever the motivation, it’s a bullshit cut.

• Shigaraki calling RD “Detnerat,” presumably because he neither knows RD’s real name nor cares to dignify him by using his code name. The anime, again, made neither the connection nor Shigaraki’s recognition explicit, so it lost the specificity and pettiness of that little snub.

• A little exchange between Giran and a Twice clone as they flee. It doesn’t give you much you wouldn’t assume just from seeing them flee, but it always feels more immediate and empathetic when the characters talk and you can see their expressions, instead of just a quick shot of them from behind as they run away in complete silence. Heck, running away in complete silence is actively out of character for Twice!

• Because the anime has some kind of aversion/restriction on showing hand-related violence, it radically changed how Shigaraki lost his fingers,[3] resulting in the loss of several important shots. To the best of my parsing, in the manga, when Re-Destro makes that first big jump to avoid Shigaraki’s decay wave, he comes back down specifically aiming for Shigaraki’s outstretched left hand, spread wide and flat on the ground. Shigaraki tries to evade (you can see the blur of his left arm in the panel where RD lands), but either RD does manage to clip the hand or he simply hits the ground with so much force that the sheer explosive burst of rock shreds Shigaraki’s hand and part of his coat sleeve. Being so much larger, RD then simply snags Shigaraki by the wrist before he can get out of range. It’s very fast, a burst of speed and violence, and very different (read: cooler) from Shigaraki flipping end over end in slow motion in a way that seemed to imply visually that he was thrown well out of RD’s grabbing range.           As to the shots we lost? I counted three. First, Hana’s hand crumpling amidst all the flying debris. Second, that big dramatic panel of Shigaraki’s maimed hand ribboning blood into the air as the narration box finally drops Re-Destro’s identity and code name. Third, the shot of him catching Shigaraki, almost delicately, between one thumb and forefinger and delivering the, “Was it this hand that committed such evil acts?” line—a clear threat to what of that hand Shigaraki has remaining—as we find out what his meta-ability is.           This is all hugely dramatic in the manga, because, of course, readers always assumed Shigaraki needed all five fingers to activate his quirk, and here Re-Destro nigh-effortlessly robs him of fully half his capacity to use it. It’s a shocking turn-around and instantly ups RD’s threat level by allowing him to permanently maim Shigaraki in a way that no one, hero or villain, has done before or since. Robbing Re-Destro of the immediacy of that seemingly devastating blow—inflicted within moments of meeting the real Shigaraki—did immeasurable damage to his credibility as an arc boss.           The shot in the manga is also just arresting visually, with RD finally getting to properly loom over Shigaraki. Most of the shots up to this point have been framed such that, while RD is obviously bigger, he and Shigaraki have still been moving and fighting in a pretty level way. This is the first place where the viewer is situated so squarely behind Shigaraki that they can really feel how massive RD is in comparison. It’s certainly a more impressive visual than this mess—thanks, anime; thanks, whatever broadcasting standards forced overworked and uninspired animators to undertake a redraw of RD’s quirk reveal panel when every other member of the MLA brass had theirs carried over directly from the manga.

• A chapter-ending cliffhanger of Slidin’ Go helping direct traffic on the outskirts of Deika and the warning rumble as Gigantomachia approaches. Aside from being a nice little tension boost—Will Gigantomachia roll up just in time to see Re-Destro making a mess of Shigaraki? Who will he target? Will Shigaraki ever be able to win him over if he sees a scene like that?—it’s good foreshadowing for what the news reports will eventually be saying. Remember, the claim is that a bunch of villains lured Deika’s heroes away and then attacked the city while it was defenseless; that’s why we never see any of the MLA’s heroes involved with the fight once it starts. And now, here, we find out where they’ve been the whole time: making sure no outsiders get in who might be able to undermine that narrative.

Framing Shifts

• Once again had an MLA member using their Detnerat item say its name out loud, when it’s clear in the manga that they’re just thinking the names internally. Once again, it was kind of silly.

• When Spinner flashes back to watching Stain on TV and being inspired, the manga uses a shot of Stain’s face, snarling and defiant. The anime used—a shot of Stain from behind, only visible from the shoulders to the knees, hunched so that his lower back and ass were towards the camera. Bones… What exactly were you implying lit Spinner’s fire there? Or did you just not have the time or budget to go pull Stain’s reference sheets for drawing his face?

• A tone issue, but a major one: Spinner should be grinning, face alight with accusatory challenge, as he hurls his accusations of the MLA/Trumpet being the same bandwagon-jumping nobodies that he is. This is the moment in the manga where we see Spinner truly throw his hesitations and his doubts to the wind and embrace Shigaraki’s nihilistic fervor and the beauty, value and profundity of emptiness. So what if I’m empty? So what if he wants emptiness? Who cares about other peoples’ ideals if their ideals leave no room for me? It’s not a heroic triumph, but it’s a triumph all the same, and losing Spinner’s smile made the moment far too bitter.

• Meanwhile, in exactly the opposite problem, Shigaraki by this point is not smiling. In fact, he’s barely on his feet, swaying violently in place with accompanying sound effects. While his words are openly mocking, he seems to wholly lack the energy to back them up with his usual verve. The anime didn’t have him smiling, admittedly, but the whole time the ‘camera’ wasn’t directly on his face, his voice actor was reading the lines with an uneven, chuckling cadence that suggested Shigaraki was seconds away from breaking into howls of laughter. He was also, of course, impossibly clean, at a point at which his manga counterpart is muddy, bloody and tattered from the horrifically extended combat he’s been living for six weeks. It’s stuff like this that made it so impossible to take the Army or even Machia as much of a threat in the anime, when, other than the red cords on his hands being broken, Shigaraki looked absolutely no different than usual.

Additions

• Gave Spinner a tiny bit of new animation when he got mobbed by people hopped up on Incite. It was nice, but if they were going to give him a flourish, I’d rather it have come when he swipes Porcupine Dude off him with a combat knife. Or, you know, just kept the bit of him telling the Twices to attack and his reasoning on why.

• Cut inside briefly to show a ballerina girl dancing through a darkened apartment right before she sliced a neat circle out of the wall. I love it, A+, exactly the kind of expansion on the action of the manga I wanted to see. My only complaint is that her manga self looked more like Pearl from Steven Universe.[4] XD

• A quick new shot of RD when Shigaraki was hounding him about his feelings. His teeth were visibly gritted, the corners of his mouth pulled down. It stands out because there’s only one shot of RD there in the manga, and in it, he’s smiling, close-mouthed and calm. The anime copied said shot, smile and all, then cut away, and when it cut back, Re-Destro had a totally different expression on his face. Baffling. Anime!RD having a dour scowl everywhere manga!RD is smiling in a tight, controlled way was all over the fight scene, and it detracted from the sense of RD’s menace every time.

Chapter 234 – Destruction Sense

• The illustration(s) accompanying Re-Destro’s, “Let’s not judge people by their quirks,” line. The pictures are cute, but the real loss there was the note informing us that they’re excerpts from a children’s book published by Shoowaysha—Curious’s outfit—called Quirks and Us. That’s a very concrete illustration of the kinds of things the MLA is getting up to in the world, and an equally concrete thing an anime-only viewer lost. Of course, that viewer never even found out Curious was in publishing, so it wouldn’t have meant anything on that front, but there is one other thing I think is notable: the way that book implies that the only people explicitly pushing a “don’t judge other people by their quirks” message are the radical Liberationists.           See, the rest of the story touches on the virtues of a nonjudgmental attitude here and there, but actually finding people willing to say it out loud is—unprecedented, I think. Deku comes across situations where he could say something like that multiple times and he never, ever does—not to Shouto, nor to Shinsou, nor to Eri, nor to the giant fox lady. And that’s not even touching on Shouji’s mask, or the discrimination Spinner faced, or the CRC “losing support” without being declared illegal. I think the manga itself is against judging people by their quirks, but it’s interesting that it doesn’t make its characters into mouthpieces to say as much. This is because its characters are thoroughly enmeshed in a society that very much does judge people by their quirks, regardless of whether or not it will say that doing so is bad or rude or prejudiced.           Re-Destro and the MLA aren’t immune, of course—Re-Destro himself says that quirks are linked to personality—but they adhere to a different set of values than the larger society does. While Hero Society talks about quirks in terms of being heroic and/or useful versus villainous and/or useless, the MLA spectrums instead emphasize how capable a person’s quirk is of helping them exert their will and how ambitious the quirk’s bearer is in that exertion. That is, their ethics are less about morality and utility-to-society than they are about aspiration and utility-to-self.[5] Both worldviews have their pros and cons, but that, I think, is what the children’s book is getting at when it says not to “judge”—don’t assign an arbitrary moral value to a quirk; judge a person by their actions.           And isn’t it interesting, that the only explicit verbal statement of that value comes from the leader of a radical cult descended from a famous insurrectionist quoting a children’s book published by a member of selfsame radical cult? The value is not ever stated by a member of the heroic cast, so are we to assume that the heroes don't actually believe it? Do people profess to believe it but everyone knows it’s only for courtesy’s sake, with only the MLA willing to breach that wall of “things we don’t talk about in polite society” to actually talk about it in anything other than platitudes? Obviously, you lose this entire line of discussion when the "don't judge people by their quirks" value is just never mentioned at all.

• The phrase, “In that case,” from RD’s, “You will never measure up to me.” It establishes continuity to what RD was saying before. He’s not taking breaks from talking while Shigaraki has flashbacks; the two are happening concurrently.

• RD’s, “Cracking apart…?” reaction to his Decayed fingertip, and the dripping blood from the injury. I’m not hugely fussed about the former, but I like the latter as indicative of what Re-Destro’s Stress powers actually do. That is to say, he isn’t covering himself in a thick shell of Stress power or something; his Stress powers make him physically larger, infusing his body and swelling his size. That’s why he bleeds when Shigaraki touches his fingertip.           Admittedly, the size distinction was more obvious in the anime, where the audience watched RD’s shoulders inflate like balloons last episode, compared to the manga, where you don’t get in-between animation. Still, given that RD still has that wound even when he goes back down to normal size, and is still wearing bandages for his speech a week later,[6] it’d be nice to mark the severity of the wound with a bit of blood. Oddly, the anime did keep the wound for the crater scene, visible red slices opened in the flesh along the length of his finger, very obviously the sort of injury that would have bled upon being first sustained. Maybe RD ran afoul of whatever the studio mandate is on when Decay has a dust effect and when it leaves gore? (More of that later.)

• Shigaraki’s, “Mother!” for the first panel we see of her. It’s obvious enough who she probably is, but odd that we got a whole bunch of narration for Hana, and likewise an acknowledgment of his grandparents, but not even a single word for Nao.

• Very significantly drops the grandfather’s, “Eating yummy things helps make the sadness go away.” Grandpa’s not just randomly handing Tenko his favorite snack in that memory—he’s trying to treat some kind of grief or wrong without actually addressing the wrong, opting to just put a flavorful band-aid on it. That could be fine if it were something outside Grandpa’s control, but we’ve already gotten some early hints from Hana’s phrasing that things are not okay in the household, and thus the grandfather’s attempt to bribe Tenko with sweets is just as ominous a sign of what’s to come as the grandmother’s attempt to guilt him into not crying lest he make her cry too.

• A little shot of Shigaraki stirring in the rubble when RD answers the phone. It’s a nice demonstration of their size difference, especially comparing both of them to Machia, who we just saw tearing through buildings like the kaiju his theme music declares him to be.

Framing Shifts

• When Shigaraki narrates that Hana always took him by the hand when he got weepy, she actually does take his hand in the manga, her fingers wrapped around his, his clasped over hers. It emphasizes that this is what he can’t do anymore, simply hold hands with people, the innocence lost aspect, and it suggests the closeness he once had with his sister.           In the anime, she reached out a hand but wound up taking him by the wrist instead, his hand splayed open beneath hers. This suggested, albeit very implicitly, that maybe that innocence was something he never had from the beginning; it also suggested less reciprocity in his relationship with Hana. Even though Tomura said in narration that their hands were joined, what we saw was that Hana just pulled him where she wanted him and he didn’t fight her on it, not that he held her hand in return.           Alternatively, the anime could have been drawing a parallel to how her hand would eventually be gripping his wrist in a much different context (a more necrotic one, for starters) later in life, though if that's what they were going for, they could have stood to tweak the dialogue so it actually matched the onscreen action. (Credit to @robotlesbianjavert and @aysall respectively for these two theories!)

• Shigaraki still having his fingers when Re-Destro squeezed his hand made RD look like a real moron. I assume the intention was that he assumed he’d done enough damage—broken bones, torn ligaments, etc—to prevent Shigaraki from being able to move his hand in more than spastic twitches, but like, if all it takes is a hard enough spasmodic clench to dust you, you are playing much riskier games than the MLA is generally portrayed as favoring. (Not that the anime kept many of the scenes that demonstrated all the planning and prep that the MLA did as groundwork for their attack, as I have complained about at length.)           In the same sequence, Anime!RD turned and bodily hurled Shigaraki away from him, while Manga!RD threw him a similar distance with nothing more than a flick of a finger. Anime, why you gotta make Re-Destro look so lame all the time?

Additions

• Just one episode prior, the anime managed to turn in an entirely reasonable assemblage of swiping and dodging between Shigaraki and Re-Destro while RD was rambling on about the Mother of Quirks. What the hell was the excuse for this episode’s ridiculous shot of Shigaraki literally running circles—big, broad circles—around RD multiple times in the time it took RD to finish one (1) thought? For heaven’s sake, if you don’t have the budget for flashy, just use slow motion or more flashback animation or something. I know there’s more leeway for long thoughts in manga, where the reader understands that thoughts are moving far faster than action, and that it can be hard to bridge that gap for anime, where motion is motion but voice acting still has to rattle its way to the end of a sentence. I understand that measures have to be taken to account for that. Still, I promise, something that just looks a bit padded is much preferable to something that looks outright dumb.

• I admit to having found huge Stress monster RD pulling out a teeeeeny-tiny cellphone very funny—even more so the distinct cracking sound it made when Skeptic reported in bad news and RD’s fingers tightened infinitesimally—but the manga suggests fairly strongly that RD’s just answering on some kind of earpiece or micro-receiver, the same kind of thing Ujiko hands out and that Skeptic is associated with on multiple occasions. It’d be nice if RD could have kept more of the jokes he actually makes, the ones that stem from his native good humor, rather than the anime making up new ones based entirely in the contrast of Re-Destro and the viewer’s expectations of Re-Destro.

Chapter 235 – Shimura Tenko: Origin

• The man at the door, whom Nao is apologizing to at the beginning of the Tenko flashback and the apparent reason Tenko got busted for playing hero. I don’t love the way deleting this obscured that Tenko, in some fashion, troubled someone to lead to Kotarou dragging him down the hall (the anime also dropped Kotarou’s subsequent line, “Causing trouble?!” that’s supposed to supplement his, “Playing hero again?”), but it’s not like the manga doesn’t imply that the same thing would happen for any hero-based rules infraction, regardless of whether it troubled strangers or not. No, the much, much funnier thing to me is how it just fuckin’ torpedoed the most obvious thing people point to when they posit that All For One gave Tenko Decay, kicking off the entire tragedy: the man at the door with the conspicuously shadowed face and the even more conspicuously AFO-like suit and dress shirt with the top button unfastened.           Listen, I hate that theory and what it would do to the narrative of Shigaraki Tomura/Shimura Tenko as Hero Society’s long-overdue reckoning, the villain they can’t put down and the victim they can’t silence, so watching the anime summarily cut out the scene that really kicked the theory into overdrive was very validating! Conversely, I still can't deny that it's a plausible theory, so if it does turn out to be true, that means the anime shot itself in the foot on the most obvious bit of foreshadowing this side of AFO addressing Tenko by name when he finds him in the alley. The schadenfreude of that would also be very funny. Really, unlike every other cut this season, I regard this one as win-win for my personal experience with the anime.           Incidentally, I was very prepared to complain about the anime dropping all the changes of clothes the Shimura family goes through over the course of the flashback—I regard the timelapse as one of the major points against the AFO Gave Tenko Decay theory, since it’s never taken a quirk bestowed by AFO multiple days, maybe even multiple weeks, to kick in before—but it turns out I’m a lot less bothered about them not taking the time to change the side characters’ clothes when the anime also deletes the dude at the door who is the only reason I care about clarity re: how much time the flashback covers! But just for the record, while they had more outfits than I was expecting them to, the family did go through fewer changes of clothes in the anime than in the manga.

• The full echo of the line about kids being sneaky and simple in favor of Narrator!Shigaraki just letting out this exhausted, rueful, “Ahhh, kids are…” I actually rather like it. It’s a clear reference back to the earlier line without having to restate the whole thing, and Uchiyama Kouki’s delivery is really excellent.

• Kotaro’s first slap of Tenko, the only one directly portrayed on-panel, and Mon-chan’s barking in response. On the one hand, I think there’s an argument to be made for the scene flowing a bit better like this—why wouldn’t Grandpa try to stop him from going for that second slap; why wouldn’t Nao pass Hana off to Grandma and do something instead of just standing there yelling for the entire scene? It makes a bit more sense if they’re hesitant to intervene because Kotarou has “only” grabbed at Tenko’s collar and they don’t yet know how that it’s going to escalate to naked physical violence in a way that it never has before.           On the other hand, that first slap is so visceral and shocking. Nowhere else in the manga is domestic violence portrayed more sharply and directly, in greater detail or more cruelly generous panel space than in this moment. It’s in the difference in size between Kotarou and Tenko, the force behind the hit that’s enough to knock Tenko clear off his feet, the pages upon pages of gut-churning lead-up to this moment and what we know will be following soon after.           Also too, it makes the family’s failure to help Tenko much worse that no one else acts when Kotarou pulls back for a second hit. The first one, you could almost excuse because no one saw it coming; the second throws those justifications out the window and spits on them afterward. Two hits are important—not only for what they tell Tenko in the moment about his family's inaction, but because two hits speak in ways one hit doesn't to how wildly uneven the power balance is in the house, that Nao and her parents could witness something like that and not only fail to intercede, but then take who knows how long to work up the courage to confront Kotarou afterwards.           I understand very well the fear of showing this in a family TV timeslot—the violence is so much more real than any big fantasy beat-‘em-up could ever be—but it’s the kind of thing that really drives home what Tenko needed to be saved from even back then, a social issue that heroes as they currently exist were in no position to address. Far from demonstrating that heroes aren't at fault for what happened to Tenko, though, what this scene truly does is vividly illustrate the flaws in All Might's social contract, in which his power and smile seem to promise that he can save absolutely everyone, only to leave children like Tenko out in the cold with no explanation as to why. It's brutal because it has to be, and the anime shying away from depicting Kotarou's physical abuse undercut that.

Framing Shifts

• There was a bizarre, nonsensical change to the scene at the beginning of the chapter where RD is figuring out how Shigaraki survived/got back up after taking a Burden attack head-on. The manga’s explanation is that Shigaraki didn’t actually take a full force hit because he was Decaying it even as it was blowing him back. This is somewhat silly, given that even a reduced-strength Burden is still strong enough to put him through multiple buildings. It is, however, less silly than the anime’s take, in which Shigaraki touched Re-Destro rather than the corporealized Stress of Burden. How Re-Destro survived a full-fingered touch from Shigaraki’s completely uninjured right hand[7] went totally unexplained; the problem was then compounded by Re-Destro delivering manga-accurate lines about Burden not being an evadable attack despite “evasion” having nothing to do with Shigaraki’s actions.           Anime!Shigaraki didn’t dodge the Burden attack any more than Manga!Shigaraki did; unlike Manga!Shigaraki, however, Anime!Shigaraki also did nothing to reduce the impact of the attack. So not only was how Shigaraki survived the Burden attack not explained, the change to the material also opened up the plot hole of how Re-Destro survived a direct touch attack that Shigaraki in the manga never lands.

• There was also an extremely weird decision made to give Tenko dark, gray-blue eyes, obviously reminiscent of Nana’s, and suggest that they became red at the same time as his hair was changing to white. But in the manga, other than the size, there’s no difference between young Tenko’s eyes and how Shigaraki’s eyes have always been drawn—an unshaded iris with a visible pupil and a relatively thick line delineating the iris from the white of the sclera. Tenko’s eyes never matched those of anyone else in his family, least of all his dark-eyed grandmother. His hair changed color because of a trauma response,[8] but his eyes were always red.

• Relocated Shigaraki’s first, “Little kids…are sneakier than you’d expect. And simpler,” to underscore Hana showing him Nana’s picture in the study, squarely centering the line on her. And like, yes, that line does get its bitter echo later when Hana panics in the face of her father’s fury and throws the blame onto Tenko—but that line isn’t just about her; it’s also about what Tenko wanted to hear from the other adults in his life. It didn’t matter that his father didn’t approve; if he could get at least one adult to say he could be a hero, to take his side, then he could feel vindicated.           It’s a child’s sneaky, simple reasoning: if an adult’s words are absolute, you just have to get one (1) adult to agree with you. It’s asking Dad if you can do something you don’t think Mom will agree to, and then going to Mom with Dad’s permission held defensively in-hand. Laying the line over Hana obscures that it’s as much about Tenko’s craving for external validation as it is Hana’s (entirely understandable) deceitful streak.

• After half a season full of internal monologue being voiced aloud even when it made little sense to do so, the anime decided to render clearly talk-bubbled dialogue—Tenko’s chatting at Mon about how he feels like he could take on the world—as internal monologue instead. Who talks to their animals in their heads when they could be talking at them directly like pet owners the world over?

Additions

• Added a few extra stills of Kotarou rebuking Tenko and dragging him around. I don’t think they’re inaccurate to the situation, though I wonder if it really needed to be underlined two more times than the manga did. Maybe they were trying to make up in advance for deleting the first slap?

• Added a few new stills of Nana and child!Kotarou. They hurt my soul and I love them without reservation.

Chapter 236 – Shimura Tenko: Origin, Part 2

• Hana’s second apology. What needs to get across was communicated with her first apology, but I do think the second one adds some naturalism to the dialogue. It feels very normal for a child feeling extremely guilty to apologize multiple times, like the more times they say it, the more true/convincing it will become.

• A bit of Tenko’s internal monologue—thinking Hana’s name, and Mon’s, and that he can’t talk. The anime slipped some attempts at verbalizing “Mon” into the dialogue, and it was painfully obvious just from listening to him gag and choke that he was too horror-struck to get words out, in ways that would be a little harder to convey on the page. Also, he thinks again that he can’t talk just as Hana runs away, so it gets across regardless. No real complaints here.

• Some thoughts about how he’s itchy, which, given what his itch represents (or at least what he thinks it does), they probably should have kept for continuity’s sake.

• Tenko’s last, “Hana-chan!” just as he grabs for her. I can imagine it having just that little bit more desperate impact, especially given Sekine Arisa’s great delivery of the first “Hana-chan!” but his delivery of the first one was great—weeks later, I can still remember it clearly—so it’s not a snip I’m inclined to doomsay about.

• Hana’s verbalization as the Decay hits her. Given that they kept Mon-chan’s last whimper, it’s kind of inconsistent not to keep this. It’s grueling, sure, but no more so than the rest of the horror show shortly to follow.

• An echo of Nao’s defense of Kotarou’s anti-hero stance. Frankly, I think anime already over-indulges in echoing dialogue we’ve heard not ten minutes prior, so I don’t mind losing this—in the manga, the moments would have fallen in different chapters, so it makes more sense to squeeze in the little reminder, but that wasn’t necessary for the anime, in which the original moment and the callback happened barely more than five minutes apart. It was obvious what the mental image was meant to draw attention to, since Tomura was narrating about exactly what his grievance was, and the image was followed by the two equivalent moments with the grandparents. (Admittedly, it hurt that correlation a bit that Grandpa’s line about the ohagi being intended to make the sadness go away got cut, but the sentiment was pretty clear from the man’s expression of nervy, abashed guilt regardless.)

• The line of Decay that splits Nao’s eye, one of the more vividly horrific little grace notes in the chapter. It undercut the grotesquerie just the tiniest bit, but the scene’s grotesque as-is, so I can understand that slight edit for TV standards. The discrepancy between Decay-to-dust and Decay-to-gore, discussed below in Framing Shifts, was much more damaging.

• A shot of Kotarou just after he hits Tenko with the tree pruning shears in which he looks, briefly, incredibly distraught, like he’s just realized what a monster he’s become. The anime didn’t make the slightest of attempts to keep that spasm of horror, grief, and regret, and thus lost that last moment of sympathy for a man deeply traumatized by a heroic character’s actions. It’s my only complaint about Anime!Kotarou, who I was otherwise far more pleased with than I was afraid might be the case, but it’s a complaint I must register nonetheless.

• A bit of inarticulate yelling before Tenko screams, “You... Die!!” It helps get across Tenko’s rage overflowing, to have that wordless garble before he can actually wrap words around it. He was still having trouble talking, too, so it makes sense that his first vocalization would just be a long, incomprehensible screech. That said, with the music there to supplement the mood in a way the manga would lack, I don’t think the anime’s rendition of the scene suffered overmuch from its absence.

Framing Shifts

• The anime, of course, has always gone the dust route for Decay because Decay is a little too gruesome for family hour TV, and anyway, when Tomura gets as fast with Decay as he is in Deika, he really is just insta-dusting people, such that not even blood remains. But he wasn’t that fast or that thorough as a child, hence why it’s all so much gorier—and it needs to be, because it’s hard to imagine Hana freaking out like she does if all she sees is a pile of dust instead of, well, dog gobbets. (Also, if his family had gone the dust route, it would have been very hard to convince the audience that Tomura’s hands are his family hands and not fakes provided to AFO by Ujiko.)           This obviously put the anime in a difficult spot, but apparently the decision they settled on was—to not decide? Everyone we saw in the active process of decaying decayed into dust as usual, but then once they were done decaying, once that transition from person to ruin was complete, there were all these heaps of gore everywhere. It was a very strange and distracting inconsistency that hurt the scene much more than any of the nearly invisible cuts, and I hope the blu-rays will change it.

• Added Grandpa catching Grandma as she staggered at the sight of things in the yard. Since his body language in the manga (the only non-Decayed shot of him in the sequence) has him leaned more forward, like he’s still halfway through running towards the kids, I thought this was a nice little touch on why he stopped, for reasons other than just the obvious.

                                                         ---

Episode 111 was about half of a really strong episode. Most of my complaints about the Shimura Family flashback are very minor, and most of the ones that are less minor are still easy to overlook when the rest of the presentation was so strong. Unfortunately, the non-flashback half of the episode had as many problems as ever, and those aren't over yet.

Come back next time for Part Five, Episode 112: Origin: Shigaraki Tomura. Assuming my complaining about the finalized gutting of Spinner's arc doesn't get too out of hand—which it may; if so, I'll tack on one final part to wrap things up—I'll also be running down a quick overview of the Paranormal Liberation Front scenes in the Endeavor Agency arc and some various odds & ends.

FOOTNOTES

[1] Yes, I know the Skeptic Confronts Twice scene goes nowhere, but maybe, instead of deleting it, they could have patched it up by showing Skeptic turning away from the confrontation when the tower went down? You know, actually made an effort to improve on the material?

[2] Bakugou, of course, but also Inko, Kotarou, and, very prominently, even All Might. Deku circa MVA has an entire arc lying in wait for him about how much he’s internalized All Might’s paternalism re: having the strongest quirk.

[3] Indeed, as of the scene in the crater, he still hadn’t lost them at all! He had his prosthetic by the time of the speech, so I guess we’re meant to assume that Ujiko or some MLA doctor declared them past saving and amputated them. I hope I don’t need to tell you how unbelievably lame it is to have a shounen manga character sustain a permanent injury like that off-panel.

[4] It’s the pointy nose.

[5] That, at least, is the best way I’ve found to reconcile all the related-but-distinct values professed by the various members of the MLA brass, from Re-Destro’s focus on liberation and purpose, what exactly Trumpet chooses to cite when he’s talking about Spinner not “amounting” to anything much, Geten’s open extolling of quirk supremacy, and so on.

[6] In the first big double-page spread. Oddly, no bandaging is visible in the other panel that has a good shot of that hand, possibly because Horikoshi was more focused on drawing RD’s empty pant leg. The anime kept the obvious wound during the crater scene, but not the bandages during the speech.

[7] I assume, anyway, that Re-Destro only survives Shigaraki’s first touch because it’s a weaker Decay, coming as it does from only from two fingers rather than five.

[8] The fabled Marie Antoinette Syndrome. Never been scientifically documented as such (hair can whiten because of extreme stress, but not overnight) but it endures in fiction because it’s pleasingly dramatic. Trauma-based eye-color changes, not so much.

[diwatera]

LGBTQ+ Movies I Watched Recently (Part 2)

Happiest Season (2020) dir. Clea DuVall

Short Summary: Abby plans on proposing to Harper when they visit Harper’s family for the holidays. Her plans get derailed when she learns that Harper hasn’t come out to her family yet.

Why you should watch it: Not gonna lie, Mackenzie Davis drew me to this movie; I’ve been in love with her ever since San Junipero came out. Add Kristen Stewart, Aubrey Plaza and Dan Levy to the mix and I’m sold. If you want a sapphic romance with a happy ending, this one’s for you. 

Été 85 (2020) dir.  François Ozon

Short Summary: Alexis recounts his six-week love affair with David during the summer of ‘85. 

Why you should watch it: If you love 80s aesthetic and music, you definitely should watch this. The movie made me nostalgic of that decade and I wasn’t even alive back then! It’s a whirlwind summer romance reminiscent of Call Me by Your Name but with a more devastating twist.

Getting Go: The Go Doc Project (2013) dir. Cory James Krueckeberg

Short Summary: An obsessed college boy pursues his internet crush through the pretext of making a documentary about him.

Why you should watch it: The script and the acting are the one-two punch of this film. The writing is incredibly genuine, and both of the actors’ performances made the lines feel even more natural. I’m not the biggest fan of mockumentary-style films, but this one felt like it was a recording of my own life. Hyper-obsessive college grad with a Tumblr blog? Might as well have called out half the population of this damn site.

Pihalla (2017) dir. Nils-Erik Ekblom

Short Summary: Miku and Elias find themselves, and each other, during a summer in the Finnish countryside.

Why you should watch it: I’m a sucker for gays in the countryside™ and although this one is not quite up there with God’s Own Country and Call Me by Your Name, it still makes for a good watch. Miku as a character and his relationship with his parents was chaotic and fun. His relationship with Elias felt really natural and dreamy. 

You, Me and Him (2017) dir. Daisy Aitkens

Short Summary: Olivia, a mature responsible lawyer, wants to have a baby, but her girlfriend Alex isn’t ready for the responsibility. Things get even more complicated when their flirty neighbour, John, joins the picture. 

Why you should watch it: It is one of the most feel-good lesbian romcoms I have seen in a while. But I warn you, there are some dark parts that can really sneak up on you. Yeah, it’s hilarious, but damn it made me ugly cry, too. Oh, and if you want to see David Tennant as an alpha male douchebag, here’s your chance. (CW: **spoiler alert** p̶r̶e̶g̶n̶a̶n̶c̶y̶ ̶l̶o̶s̶s̶ )

Giant Little Ones (2018) dir. Keith Behrman 

Short Summary: Franky and Ballas have been best friends since childhood, both on the swimming team, both incredibly popular. But after an incident during Franky’s birthday, they quickly fall apart and Franky falls from grace.

Why you should watch it: I think the film captures just how tumultuous coming-of-age stories are. Franky is going through his own journey of self-identity, and I’m happy that the movie didn’t rush in with labels. The conversation Franky has with his dad at the end also hits hard.  (CW: physical assault, allusions to sexual assault)

Our Love Story (2016) dir. HyunJu Lee

Short Summary: A fine arts student meets an attractive bartender, and the two women begin an intimate relationship.

Why you should watch it: It’s a very intimate love story that isn’t rushed or dragged out for too long. We definitely see Yoon-Jo and Ji-Soo’s relationship bloom from start to end, but it’s not mind-numbingly boring to watch. Raw and unembellished, I definitely recommend this to anyone looking for a realistic portrayal of wlw romance.

Die Mitte der Welt (2016) dir. Jakob M. Erwa

Short Summary: The film follows Phil and his relationship with his family, his best friend, and a newcomer at his school, Nicholas.

Why you should watch it: This is technically a second watch for me, and I’m glad I rewatched it, because I was able to catch some glaring red flags that I missed the first time. I love this movie in spite of all the heartache it caused me. The story, especially the deal with Phil’s family, struck a chord in me. And the shots! Visually stunning as well! 

Les Amours Imaginaires (2010) dir. Xavier Dolan

Short Summary: Marie and Francis’ friendship is put to the test when a beautiful boy called Nicolas comes between them. 

Why you should watch it: Watch it for the visuals -- the colors, the costumes, the cast. Seriously, the actors included here may as well be kept in the Louvre: Xavier Dolan, Neils Schneider, Monia Chokri, hell, even a cameo from Louis Garrel! Dolan said it himself that this is a shallow film, but it’s worth the watch just to see Neils Schneider wearing heart-shaped glasses.

Closet Monster (2015)  dir. Stephen Dunn

Short Summary: A creative and driven teenager is desperate to escape his hometown and the haunting memories of his turbulent childhood.

Why you should watch it: Right off the bat, I am going to say that this film is dark. I tried watching it back in college but tapped out within the first ten minutes because something traumatic happens. Then I tried again about a week ago, finished it this time. It’s actually a very moving film. It’s violent and gory in some parts, but also ridiculous and wholesome in other parts. IT HAS A TALKING HAMSTER NAMED BUFFY! BUFFY WAS THE STAR OF THIS MOVIE FOR ME. (CW: gay bashing/sexual assault)

Straight Up (2020) dir. James Sweeney

Short Summary: Todd and Rory are intellectual soul mates. He might be gay but she might not care.

Why you should watch it: The dialogue in this film is undeniably sharp and witty. Loved the fast-paced back and forth between the two main characters as they discuss relationships, sex, gender, and more. James Sweeney and Katie Findlay’s chemistry just pulled you into the screen. It was funny, it was sweet, it was heartwrenching, it was great! (CW: allusions to sexual assault)

Latter Days (2003) dir. C. Jay Cox

Short Summary: A promiscuous gay party animal falls for a young Mormon missionary, leading to crisis, cliché, and catastrophe.

Why you should watch it: I saw this in santiagonex’s top 20 LGBTQ+ films with happy endings, and I honestly thought it was gonna be a feel-good watch. Instead, I got a rollercoaster melodrama filled with early 2000s gay culture, religious guilt, buttcheeks, and Joseph Gordon-Levitt. Needless to say, I got more than I bargained for. (CW: self-harm, conversion therapy)

The Old Guard (2020) dir. Gina Prince-Blythewood

Short Summary:  A covert team of immortal mercenaries are suddenly exposed and must now fight to keep their identity a secret just as an unexpected new member is discovered.

Why you should watch it: Okay, I was debating whether I should include this here, because it’s not necessarily an LGBTQ+ film as much as it is an action film with queer characters. I decided to include it, because JESUS! I have never seen such respectful and well-written representation of queer characters and relationships. Joe and Nicky are the most unproblematic couple in history. PERIOD. Pray for sequels, everyone. This is the kind of representation we deserve in mainstream media. 

. . .

Click here for more LGBTQ+ film recs

[jbk405]

I’m most of the way through Arcane, with one episode left that I will probably watch tomorrow.

It is a solidly well made show.  I love the animation and the overall aesthetic, and the use of very varied musical styles.  I’ve never played League of Legends so I’m not familiar with the background and lore, but like I said yesterday after I watched the first two episodes it’s presented well enough for me to pick it up easily.

The soundtrack is an unexpected star, because I didn’t expect them to intermesh the music so well.  Different characters have different styles, which are further influenced by their current moods and actions.  It really helps sell the very different worlds that the characters inhabit, from the wealthy seats of government with elegant classical music to the impoverished slums with frenetic, energetic modernist.  Plus, realizing that Imagine Dragons were in the show was a hoot.

I’m impressed with the presentation of Jinx’s mental instability, because it’s clear that she is unwell.  Normally when a villainous character is “crazy” it just means “evil, but weird about it”.  “Crazy ax murderer” or “Crazy serial killer” or “The Joker”, which is ableist as all heck and also just lazy storytelling.  Jinx, however, is very obviously suffering from severe disassociation with manifesting visual and auditory hallucinations, exacerbated by what I’m sure is long-term substance abuse.  That doesn’t make what she does okay, but she’s clearly been taken advantage of by Silco, and the visceral art shifts and musical emphasis from her perspective make us feel how untethered she is.  It engenders sympathy, or at least understanding.

The entire storyline between Powder and Vi, and Ekko, is absolutely tragic.

The voice-acting is top notch pretty much across the board.  I’m always a sucker for Shohreh Aghdashloo (Just listen to her.  My god) so her presence was an unexpected bonus in the first few episodes, and the main cast pulls through solidly.

Character designs are also top notch....mostly.  Some of the outfits and uniforms I figure have to be legacies of the game and look ridiculous.  But apart from those, the people look amazing.  Mel Medarda is absolutely gorgeous, and Ekko has one of the best childhood-to-adulthood translations I can recall seeing in animation (Where it’s obviously still him, but doesn’t just look like the same character model stretched out to be taller).

The only problem that I can really point to is the pacing, but unfortunately this is a problem.  Jayce joins the Council unexpectedly without any political ambitions or plan, ousts the head of the Council, and descends into oppressive despotism in what I think is the span of a week.  Viktor goes for a walk out of the city, spends a few hours with the mad scientist, and in the time it takes him to get back barricades have already been erected on the bridges and tensions have erupted into riots.  Viktor’s hex addiction spins out of control and takes a life before anybody has even noticed anything is going on, I think it’s less than a day. Caitlyn incredulously asks Vi how she could keep things from her, when they just met the day before and she didn’t even know it yet.

The pacing issues do make several aspects come across as very rushed, and things which should have large impact are instead confusing and idiotic.  If they had had more episodes to spread these developments out it would be much more believable.  Even if they had cut the episode lengths in half to double the number for the same total runtime that might have helped, since restructuring them for the shorter runtime might have moved things along.

I hope for the following seasons they are able to space everything out properly.  If they manage to kick this into gear the show will really be something.

[egelantier]

Tian Guan Ci Fu

where is it and what is it

it’s a chinese webnovel by mxtx, the same author who did untamed; it exists as a webnovel, finished and kindly translated here, the manhwa, the donghua (animated adaptation) happening right now, and there’s a live action adaptation in plans, directed by the same guy who did untamed. the donghua is gorgeous, the adaptation i’m unsure about but prepared to be hopeful, the manhwa seems to be very pretty. but all the adaptations only cover the very beginning of the novel for now, so i went ahead and read the novel, and i have no regrets. it helps that the translation is very good - not without awkward translatorese, but it has consistent and engaging flow and style, and it’s also pretty good at conveying mxtx’s humor without awkwardness. it reads pretty well.

what’s it about?

the world is split into two parts: mortals and various ghosts and demons and entities share the land, while ‘heaven officials’, aka gods, live in the heavenly kingdom in the sky. pretty much anybody can become a god if they do something really heroic or memorable and/or cultivate (meditation, training, virtuous behavior) really hard. when above, the gods rule their domains and fulfill their believers’ wishes; they work sort of like pratchettian gods, dependent on their followers’ beliefs and getting influenced by them. heavens are strictly hierarchical, with their own economy and pecking order, and the gods aren’t particularly sinless or benevolent; mostly it’s a question of scale.

our hero, xie lian, is a prince of a prosperous kingdom who’s been on a fast track to ascension for most of his very short life; he’s talented, he’s virtuous, he’s kind, he’s strong, and his only peculiar flaw is (somehow naive, but well-meaning) obsession with equality and value of human lives and so on. he becomes a god, unexpectedly, at seventeen, after slaying one especially dangerous god, and rises in heaven at the peak of his faith, influence and happiness.

…and then he finds out about drought and incipient trouble in his own kingdom, and, being a young and righteous god too close to his mortality, eschews heavens and returns to save everybody. it, to put it lightly, does not go well. at all. in fact, it goes catastrophically wrong, and, having lost everything, xie lian ascends again, only to get into a fight with the heavenly emperor, and get banished again, this time for good. he roams the mortal lands for next eight hundred of very lonely, luckless and hard years, technically immortal but not invincible, with his powers and his luck stripped away, and leans to make do, eking out a living as a scrap collector. his temples are desecrated, his name is forgotten, his kingdom is long gone, and - well. so it goes.

so it goes! until one day, to everybody’s great surprise, he ascends once again: a humble, gentle, immune to embarrassment, unflappable man, an embarrassment to heavens, a 'laughingstock of three realms’ who just wants to be left well enough alone. he’s Tired.

instead of rest, he gets sent to investigate a dangerous ghost stealing brides who pass through its mountain, and there, during the course of the interrogation, has his first (he thinks) meeting with a terrifying, old-powerful and vengeful ghost king named hua cheng, who likes to terrorize heavens from time to time. but said ghost king seems to be very benevolent and very interested in helping xie lian, and xie lian is pretty instantly smitten… with knowing what’s the cause of such interest.

…and meanwhile, in the beginning, there'was an unlucky boy, born under the worst stars, whom xie lian saved from falling once, while still mortal, and promptly lost track of. a lot of things happened to this boy, who wanted to be the most devoted worshipper to xie lian the god of the sword and the flower. as one does, you know.

that’s the beginning! from there on: investigations, heavenly secrets, old friends and enemies and acquaintances, thematic parallels, old tragedies, more pining than you can shake a stick at, grand acts of love.

is it good?

it’s very, very good. it’s the first fantasy cnovel i read (aside from the hilarious one about a guy traveling back in his own timeline and becoming a sugar baby to a mafia boss, which was in a very different league), so i don’t know which things are baseline and which things are unique, but it had a very solid foundation: ambitious multilevel, multi-timeline plot coming together in the end both events- and emotions-wise, beautifully iddy main relationship, maybe multifaceted characters who change and grow and clash together in fun ways, a clear and heartfelt understanding of its own core themes.

it’s also, unexpectedly, very funny, in this visual, slapsticky, begs-to-be-adapted way - i found myself laughing out loud over it a lot of times, and it possesses this gift of swerve between understated but earnest emotions and all-out jokes that i associate with… a bit of prattchett and a bit of gintama, honestly. take it as you will.

(oh my god the mecha. i will laugh over this one until i die.)

it also made me cry several times; granted, it’s not like it’s this time, but those were very heartfelt tears.

and the main duo?

first let me say that xie lian was lifted out, wholesale, out of my deepest character preferences. he fell really, really far, and did some bad things, and some very horrible things were done to him, and by the time we meet him he went through everything and achieved this effortless kind of traumatized, humble, accepting, wryly self-deprecating, utterly competent chill that makes a character incredibly appealing to me. he’s kind, and he’s sweet, and he’s gotten any possible embarrassment at least a couple of centuries ago, and he kinda made peace with himself and kinda didn’t. i love him.

and, thankfully for me, hua cheng, the ghost king, loves him a whole damn lot, a ridiculous amount, an epic, over-the-lifetimes, life-shattering amount, and he’s a terrifying presence to everybody else and a shy, protective, sweet dork to xie lian, and every time they’re together on page my entire heart is just. it’s AMAZING. he’s a great combination of playing the obsessive protective yandere stalker-lover trope straight and putting it on its head, by making hua cheng not just revere but respect xie lian, in all his good and bad decisions.

they are just so - good for each other, holy shit. they get each other so well. they’re the best ever power team. i love them.

(the rest of canon is various character reenacting “really? in front of my salad?” meme at them. it’s hysterical, and it’s the best. everybody teams up to tell xie lian that his boyfriend is Problematic way, way before xie lian clues into the fact that he does have a boyfriend, and he’s having none of it. i love it.)

and the themes?

okay, so. roughly half of this novel is ridiculous iddy pining, and a fourth of it is various tropes (off the top of my head: soulbond, sex pollen, body switch, de-age, various shades of identity porn… crossdressing…) played very shamelessly. but it also really benefits from having an overarching set of ethical questions, and while it deals with them a bit shounen-style, it still deals with them, and it makes the whole text fresh, and sweet, and bold.

is it possible to save everybody? should you try to save everybody? if you lack the powers to back your convictions, does it make you complicit? when is it possible to stop the cycle of suffering, what can you do if you want to but can’t? if you tried and people you failed turned on you, whose fault it is, where does the blame stop?

Detailed spoilers begin from here, and i would REALLY advise to stay unspoiled, because the domino reveals are very fun

i loved the various ways the novel sets all those pieces up and then overturns them and then returns to them. xie lian wanted to save everybody and it was arrogant naivete of an untried, untested, privileged young man who never had a real challenge before; his presence made things escalate quicker, and yet everybody around him pretended it was his attempt to make things better that ruined everything, and not a combination of factors outside of his control. and yet he accepts the blame, because it dovetails with his shame at not having enough powers to back his intent up; and yet his triumph over bai wuxian is that he doesn’t, after all, renege on his initial drive to help people.

my most favorite part of this novel is that its turning point, the lynchpin of the whole novel, the moment that keeps xie lian’s soul and safety intact, is not his personal purity and drive; it’s not even hua cheng’s devotion and sacrificial love. it’s just a moment of little, grudging, human kindness from a little, petty, rude man whom the history will sweep away soon. the bamboo hat in the rain. the rest of the plot keeps twisting and turning and coming back to itself, but this? this was unquestionably, beautifully clear, and i loved it. it’s never about the gods, it’s all down to - fallen human is human, ascended human is human, and human is not some state, virtuous or sinful, you get stuck with - it’s a multitude of choices, and there’s never a final one.

and incoherent spoilery screaming for people who read it already

oh my god i had SO MUCH FUN. i’ve been flailing on meme for days, because somebody just finished reading there too, and i’m still bursting with ALL THE FEELS. ruoye origins oh my god! that hat! jin wu’s backstory and ultimate end! e-ming’s praise kink! pei ming’s little shippery 'hoho’! hua cheng’s horribly handwritten stick and poke tattoo of xie lian’s name! the lanteeeeeeeeeeeeerns. feng xin and mu qing on the bridge, making up with each other and with xie lian! hua cheng trying to explain to xie lian that his habit of using himself as bait and pincushion at any given moment is deeply emotionally upsetting to him, and succeeding! banyue’s learning from xie lian to be a truly horrible cook! the entire deal with shi qingxuan and he xuan and the wind fan in the end. THE CAVE. THE GIANT MECHA. aaaaaaaaaaaaaaaaaaa and aaaaaaaaaaaaa and aaaaaaaaaaaaaaaaaa and i am beset, beset by feelings. come scream with me.

[xiaozhan-stanaccount]

Hi! It's time to talk about Douluo Continent!

Please, stop right here if you haven't finished the drama yet and don't want spoilers. Also, I want to clarify that I don't know anything about the Douluo Dalu franchising, since I have only watched the live action!! Okay, let's start.

Overall the drama is very interesting, enjoyable and easy to watch. It entertains the viewers thanks to the mix of dramatic, suspenseful and comedian scenes. I think that it has a perfect balance of scenes in which the viewers can have so much fun and laugh, scenes in which the development of the story is so engaging and scenes through which the viewers can be moved by the emotions displayed on the screen by the actors. There wasn't any episode that can be described as "boring". The drama has the perfect elements that can get the viewers hooked. As for the story, it's not so complicated and quite linear. I like how it was developed. They gave so much space to each character! This is something I really enjoyed. Each character has its own story, its own personal growth and its own characteristics that make it unique and lovable. I think that their teamwork building is the most powerful thing of the drama! I loved their interactions with each other and how they slowly consolidated the relationships between them. The scenes in which they fight side by side, worry about each other or support each other were my favorite ones. Also, I like that romance is not the main focus. The romantic moments in the drama are pretty refreshing and fun to watch!

But still, I think that 40 episodes were not enough. I mean, I loved the plot, but I don't like dramas that need a sequel. This is more like a personal opinion. The 40th episode ended with a cliffhanger and we already know that there will be a second season. But this means that we have to wait for who knows how long to get the sequel. Waiting is so nerve-wracking and I'm sure I will forget everything before the sequel airs!!! Anyway, I read a lot of negative comments saying that the story is slow pacing, that there is a lot of useless focus on the characters' introduction and development or that the plot is completely different from the original story. Well, I think that that's not a bad thing. I mean, the drama is more focused on the characters' building, so that's fine! That's the main reason I enjoyed it in the first place. I know that a lot of people wanted a Tang San focused story (and maybe the drama is following a different path than the novel or the animated series, but I think this is pretty normal for live action adaptations), so I totally understand the frustration of these people, but I think that the producers have done an amazing job with this drama. Also, the CGI is AMAZING and the cinematography is so aesthetic. The colors are vibrant and bright! It's visually stunning!!

Now let's talk about the cast. I loved everyone in this drama!!! The actors are amazing in the portrayal of their own characters and they have a great chemistry with each other. I really hope that we can get to see all of them together again in the second season!! (Maybe the only one that could have done a better job is Wu Xuanyi (Xiao Wu). This is her first drama, so her performace wasn't perfect since she was still inexperienced.)

As for Xiao Zhan, his acting is impeccable and smooth. His eyes are so expressive that we can easily understand the deep emotions of his character through the screen. His crying scenes are so moving (special mention to the one with his mother). Also, we can see his acting flexibility thanks to Tang San: he can do both comedian scenes and dramatic scenes without a flaw. The fact that we hear his voice dubbing his own character gave his performance much more impact. He really has done a great job as Tang San. I'm so proud of him!! And oh my God his visuals are on another league! Let's remember that Xiao Zhan filmed and dubbed this drama during the most difficult times for his career. He really tried his best for this role. Watching the outcome of his efforts makes us realize how GOOD he is. Thank you, Xiao Zhan, for letting us meet Tang San ❤ We are looking forward to meeting you and your new characters on the screen once again!!

[popculturebuffet]

The Owl House: Enchanting Grom Fright: Happy Valentine’s Gays

Happy Valentine’s Day owl ladies, gentleman and non-binary folks! It’s time to finish off this holiday in proper style with a LONG overdue review of enchanting Grom Fright and even longer overdue coverage of the Owl House.  The Owl House was one of the best debuts of last year if not THE best, only in contention because Close Enough also started last year and looks to surpass regular show in terms of quality. But with stunning animation, tons of representation, and colossal worldbuilding. And given how i’m on record for thinking Star Vs went so far down the tubes they bumped into where Cthulu is sleeping, it’s nice to have another magic based show that seems to be on the right track: carefully building i’ts world, supporting cast and for today’s topic main romance. It also rather than just obliquely hint one character was bi and the other pan, actually goes out of it’s way to have a bisexual protaginst with a gay love intrest. As my good friend @jess-the-vampire has brought up quite a bit, star had plnety of options. .but no willingness to actually campaign for any queer rep, the way Gravity Falls head Alex Hirsch tried to, he still gets credit for trying, and Owl House creator Dana Terrace gets full credit for. 

Terrace got her start working on Gravity Falls in line production before working her way up to directing for ducktales, being instrumental in how Webby was animated and how she moves and acts, and being the director for several classic season one episodes including “Woo-Hoo!”, “The Spear of Selene” , “Day of the Only Child!” which was one of my faviorites from season 1 and “The Beagle Birthday Massacre!”. And while I can’t 100% confirm she’s the only part responsible for starting Weblena, given she was director on an episode where a lot of the romantic subtext was in the visuals, she certainly helped so thank you Dana. Thank you a lot. Their adorable. Point is she’s a talented lady and wasn’t satisfied with directing, so she pitched her own show, combining tons of ides and stuff including of all things, Pokemon Red. I checked the article wikipedia had sourced, it was one of her happy childhood memories as it was one of the last things her dad gave her. Awwwwwww. That’s as sweet as it is painful. She’s also currently dating Alex Hirsch, something I was entirely unaware of but find also adorable. Point is i’m glad I looked into her as she’s a very nice person, and very much my kind of weirdo and i’m happy for her sucess and her singuarly weird show that sprung from that sucess. 

Now that part of it’s out of the way the episode itself was an uphill battle as you���d expect. As anyone familiar with this blog is aware, but just in case your new, you tend to hear me bitching about Disney’s handling of queer represntation a LOT

For the most part Disney’s pretty bad at it: There was the string of “FIRST GAY CHARACTER IN AN X” they had going for a while.. that consisted of a character I dind’t realize was gay, a kiss I didn’t see, and a talk with a character who I honestly wouldn’t of been looking for had disney not patted themselves on the back with some giant sized hands because htey saved some pym particles for that occasion. Ducktales was unable to have Penumbra come out as gay more clearly because I don’t know Ducks can’t be day.. but they can be IMPLIED to be gay or pansexual as hard as the crew possibly can so they win anyway. Pixar was able to have a gay lead character for one of it’s sparks shorts out and even focused on him coming out of the closet and it’s very good and something I WILL give Pixar credit for... but not Disney Plus who go out of their way to not mention the lead being gay.. despite the fact the short opens with a gay space cat riding a gay space dog out of a rainbow and then it being revaled our lead is in a relationship not long into the short. My point is the idiots who won’t watch this for having gay characters are just going to turn it off, who cares what they think, why are you like this Disney. They need to do better, and be better and i’m getting tired of this shit.

That being said... this episode is a step in the right directoin as despite having to get past one obstructive asshole, not her words but damn if it isn’t the truth, as the rest of hte execs were fine with having a gay character, Terrace fought hard for it and WON, having a clearly gay character, and a clear road to a gay romace as the lead one, all because she wanted some representation in her works. So to honor this, I present this review in honor of love, effort and saying screw you to not having represntation because money. Join me under the cut and allt hat. 

We open in the owl house, in the owl house, duck dodge push and shove, it’s how we show our love in the.. you get the point. Luz is learning yet another Rune, this time plant runes.. and already something I love about the series pops up: the fact Luz’s rise in skill is gradual but noticable. Each spell noticably improves in potency with time,  going from simple lights to shaping them into simple constructs, and learning to control or time her spells and glpyhs so they launch she she says so, with each one getting more powerful the more she learns. And on top of that osmething I just noticed on rewatch of this episode is her tecnique in finding them evolved, something I dind’t notice the first time because I hadn’t fully caught up and checked this one out to see if Disney would actually let them go through with it.. and they did. Point is her first spell is found by accident, her second by realizing how her magic works fundemntally, both require skilled deduction and on the fly thinking and casting, so she’s already pretty skilled.. but now sh’es ACTIVELY seeking out a new spell here for the first time. She knows how she gets them, she knows each school is tied to a form, and she likely got the plant from williow since that’s her thing and she’s a saint. A demon but also a saint. They can have those too. It’s what I assume relicor is. 

I miss that goblin demon bat man. Point is it shows an evolution in Luz’s thinking: while it’s a subtle thing she took a more proactive approach this time even if it took a lot of practice.. and it pay soff as by the time of her next rune, while it’s once again sorta handed to her she has less time to learn it, almost none, and finds it singed onto a ball.. and learns it effortlessly to the point where by the next episode it’s a crucial plot point. IT’s subtle but clever character progression, and stuff I really enjoy, showing our hero going from a bit inept but not helpless or incomptient.. to a force to be reckconed with and far more clever and strategic than yo’ud expect given her sometimes reckless and almost always happy go lucky attitude. 

Luz worries teaching King about the internet was a bad idea because he gets excited about a literal cat fight which .. yeah... it was a bad idea but not because of that.. but because next he finds someone saying the earth is flat and she wisely yanks it away. It’s.. very sad that the absolutley maddening and easily debunked flat earth theory is still RELATIVLEY more sane than the stuff we’ve had pop up during the trump era and the cornoavirus pandemic. 

But one of the main conlficts of the episode pops up as Luz’s mom messages her and Luz can’t bring herself to tell her anything and just sends a thumbs up.  I do think this episode helps even things from the pilot a bit as it was a bit lopsided: While I got that Camillia was genuinely struggling with how to deal with Luz, and was offered an out and had to take it... the fact she sees NO problem with the normalcy camp, which comes off intentioanlly or not a sa parallel to conversion camps or camps to make autistic kids “Normal”. And as someone whose both bisexual and autistic, I naturally relate to luz way more as someone whose intrests sometimes just don’t quite fit with everyone else, and who dosen’t get how bad some of their actions were.  THat’s why this episode feels like a necessary course correction: Luz is shown to genuinely love her mama and feel guilty.. but we see camilia genuinlely loves and supports her daughter a bit more. While it was clear from the pilot this shows it more, with her genuinely just wanting to know her daughter’s okay and checking up on her, and giving me the feeling that possible consequences or no if something bad WAS happening or she didn’t hear from her for a long time, she would’ve drove up there to get her. It feels like the writers realized the implications they accidently created and wanted to fix it, though I can’t say for certain. But if so good on you for course correcting, not every show does that. 

But King encourages her, telling her she’s doing the right thing by lying and to “trust the demon on your shoulder”. Keep this in mind for later, but that joke is great on it’s own. But soon i’ts time for school and Hooty.. barfs out Luz’s books for her. 

I haven’t been this disturbed since.. (Looks at the clock) About 2 maybe three hours ago when I watched a man have, if apparently shorter than the oriiginal cut as I wanted to see everyone else’s reactions dammit, sex with hiis car which was possesed by the mad ghost of his dead wife. Because that’s the kind of stuff i’m into when i’m not reviewing stuff. And before that Tinky.. just everything about tinky. 

I do not have enough time to get into TInky here or why he exestially horrifies me. Or why Jeff blim is a living god. I will save that for a proper review if I have the time tomorrow. Point is I saw a lot today and that still tops it. Willow and Gus are likewise grossed out and want to leave. 

Cut to school where Luz wonders what’s with all the decorations.. that remind me of this honestly

And frankly given the whole state of the boiling isles it REALLY wouldn’t surprise me if the decorations were indeed well cooked faces. But i’ts Grom time, which means elaborate gromposals (Some Dude asks Skara out with a beating heart and an elaborate medical proposal.. which.. points for effort. And for using an actual heart. Couldn’t get one for mine. ), dancing and someone being chosen for Grom Queen. WHich Willow hints isn’t as nice as that sounds. Before we can get into that though Amity bumps into them and gets into a tizzy before meekly greeting “Luz.. and Co”. which.. not going to lie.. is my faviorite gag of the season. Just htw way she adds them and just the way Willow and Guz both smile widely at it as if to say “That’s us!”. Amity drops a note and snatches it back. This will be important later, you all know why, point is Amity becomes Grom Queen.. and is heavily depressed with Luz following her to find out why.  At the gym.. she does indeed ifnd out why: Turns out Grom is not some mutation of an earthname but is based around a horrifying entity lurking beneath the isles, Gromethious the Fear Bringer, who emerges from his slumber once a year and must be fought back and brings out his target’s greatest fears. Just like groundhog day only with less time loops and rodent abuse. Amity is scared of hers, and i’ll obviously get into this more later, and Luz simply suggests asking bump to opt out and Amity appricates the support. Awwww. 

Luz heads home and we find out Eda is chaperoning and King is mcing. Eda is also rocking a suit. Just damn girl, damn. But Luz considers taking her place.. and gets laughed at, with Eda assuming she’ll have to save her and King just being kind of a dick. I mean he’s a loveable thoroughly cuddly dick but he’s still a dick... just more like a stuffed plushie of one.  So basically exactly like Tinky. Look I mention him more than once in this review he dosen’t put me in the bastard box. It’s a great system.  Naturally this makes Luz more determined than ever to prove herself and she finds Amity in the night, with Amity having been unable to get out of it.. and Bumps a resonable guy, he just wants a substitute and no one wants the job.. except Luz who galdly volunteers and insists ntohing scares her before the giant spider on the back of her head proves otherwise. Because of course it does, spiders are fucking terrifying. Kill then all.. except the pokemon ones. Galvaltula are sweethearts. As are Ariadoses. Sweethearts who can elctorcute or poison you but still. 

So the next way Luz begins preparing.. and by that I mean it’s time for training. Sadly we don’t get an episode of Luz and Amity getting trapped in an 80′s fashion montage... I mean yes Rise of the TMNT also did that plot the same year, but we had two diffrent plots about someone getting trapped in an eldtrich sitcom and a THIRD this year, all entertaingly unique. Though we do get Luz pulling out an otter suit that’s adorable and she sadly still hasn’t worn yet. “This one says i’m an otter, with a dark side”. She also got thrown out of a school dance for.. wearing an otter suit. Okay the other things we saw in the pilot were understandable but htis is just.. baffling. Who cares what you wear to a dance as long as it isn’t horribly racist of nothing at all. 

Damn you flanders and your glorious ass. Point is Amity shows up and threatens hooty’s life because.. he’s hooty. The fact he isn’t dead already is a testiment to how badass he is and how much money he’d cost Eda to replace. Owl Tubes don’t come out of a stygian hole in the unvierse every day you know. That’s only every three years. It’s basic styigan owl tube science. 

But Amity wants her to be ready and that she’ll have to face her greatest fear.. and cue hooty popping up, poking amity in the face and asking if she wants to know her greatest fear. Really he can clearly hear everything in the house given he heard that, so he heard the death threat he just chose to ignore it. That.. was a mistake. And by mistake I mean we get a hilarious cut to the outside of the house as Luz tries to stop her love intrest from murdering her second mom’s tube monster. The result is some bandages and an eyepatch. To be fair that last one was just flaring up from a  previous beating. 

For this solem task of training, Amity has brought in her local disaster bisexuals.. aka her twin siblgins Eldric and Elmyra, whose greatest fears are dying alone and being stuck with Eldric. Both understandable. They conjur luz’s greatest fears which are.. some of the funniest shit I heard all year.. and also very relatable. Human souls in cat bodies, which is genuinely terrifying good job Luz, Jerks on the internet who mansplain things, relatable, and soy milk. 

But Amity knows this is just the openign act. it needs to be something deeper.. so while Luz dosen’t realize it’s probably her mom issues she brings up her issues with her other mom: that Eda dosen’t think she can do this. Hence we get a giant eda putting Luz in a babychair. Before we can unpack how wrong that sentence sounded, Eda comes out, and marvels at how hot giant her is. But she’s quickly distracted from sex with a giant version of herself, which is not an easy feat, by the relization “Wait Luz is going to fight grom isn’t she.. fuck i’m going to have to save her”, though Luz holds firm on doing it to prove she’s fine and dosen’t need to be saved constantly. it’s a good conflict. Eda IS right that Luz is not ready for this alone, that she’s overcompensating and that Eda would, in normal circumstances be the one to rescue her. As we’ll see it’s not her who does it but still, were this any other foe she probably would be. But Luz’s motivations are equally understandable: She wants to help her friend not have to do this and she wants to prove she can do it. She just wants her mentor, the only person in her life up to meeting her that GNEUINELY supported her in magic to respect her. To have faith in her and actually see how far she’s come. And given how her own mother writes off her dreams, if not unrealistically, and before this she had no friends or support system to speak of outside her mom, it’s easy to see why this is so improtant to Luz: she just wants to make the one person in her life whose ever support her actually think it was worth it when in truth Eda already thinks it does and just dosen’t want her to die. 

She’s just not good with talking to her or not condescending to her as her own ego is stacked sky high, probably because the whole curse thing meant Eda was an outcast by default and the system wants to either chain her to one form of magic and one only or shackle her to them as a hired goon. Her ego, while justified, is also a defense mechanism: a way to shield herself from the fact almost no one cares about her and one of the few people who DOES, dosen’t care what she wants or needs. Once the curse happened she lost just about everything and had to rebuild and thus build up walls around herself and kept everyone else at arms length till Luz changed her for the better. It’s just a tragic clash of two wills both with similar problems but both unwilling to talk about them. 

But with time up, our heroes need to get to the diggity dance. So they indeed do and we get some fun sight gags, Willow makes corsages,  that one girl with the cresent head somehow ended up with Mathomule and is not happy, as anyone who ends up with him should. And it’s time for Luz to face her destiny.. in a tux with a tutu because of course, and Amity likes it because also of course. 

IT’s time to rumble, with King getting nervous due to eda’s prodding about mcing since his co-mc gus is really good at it, and introducing our champion.

No wait sorry he’s still trapped in Mojoworld. no it’s still Luz who shows off a seasons worth of skill by easily dispatching the first few fears and saying to grom let’s finish it.. before grom puts a tentacle on her head. 

It’s to downlaod her fear.. which is Camillia. Granted we could all see it coming but still Luz obviously can’t fight her own mother or her own overwhelming guilt.. her mom did hurt her.. but she gets why and just loves her and wants her to be proud but dosen’t know what to do: tell her the trutha nd possibly loose a happy and fufilling life or wait until it all blows up. It’s a painful choice. So luz and king end up running. King runs first because he can’t handle it and Gus talks him back into the groove while Luz runs away because she can’t fight her own mom, understandable, and Gus encourages king to lead the crowd which he does. Amity and Eda follow Luz. 

So Luz is backed down, facing down a monster tha’ts going to go on to everyone else next if she fails... and Eda prepares to interfere.. but it’s AMITY who faces her fear and dives in. And we find out just what her fear was as grom turns into a humanoid shape and rips the letter in half.. it was a grom invitation. Though conviently the who it’s adressed to was ripped out. 

And yeah not going to save this one: It’s Luz. You know it I know it I didn’t even hide it in the intro. Even before the reveal in a bit it was obvious. But it also makes perfect sense. I’ve avoided talking about her character arc up to this point because I was waiting for now. Amity’s growth is the third major arc of the season behind Luz’s slow learning of magic and eventually induction into hexside and eda’s curse, which I lump in with Lilith chasing her since both were mildly entertwined and then entirely are once the reveal hits in the finale. When we meet her she’s an outright bully.. but we slowly see there’s more there. That she’s not really HAPPY or content, is contstantly under pressure by her family name, is outright bullied by her own siblings who don’t understand her. So Luz coming in, seemingly only being intrested in magic because i’ts neat.. understandably bothers her. She’s not a great person, bullying her old best friend because tha’ts what’s expected and being close with outright bullies because of that.. but it’s through Luz she starts to grow, realizing Luz is genuinely nice and genuinely sorry for any trouble she caused Amity, and evne then both cases were causaed by Amity’s own dickishness and outside forces, so it’s easy to see why she defrosts faster. Her siblings realize they’ve genuinely hurt her, and actually try to be good siblings from then on and help her, and slowly Amity learns to truth luz, trust in her, and accept her... and thus accept her feelings for her. There are gradual hints she’s growing attracted to her.. but her walls had to come down first, and it wouldn’t of worked from the outset. The show cleverly has the two build a genuine friendship, two opposities who work well together, so when feelings do happen it feels natural. It’s not “I’m in love with this person because I have to because you can’t be friends with someone your attracted to” bullshit or anything like that, cough star vs cough, it’s just well built catching feelings. I’ts how this kind of thing SHOULD go: niether went in intending for this to happen.. it’s just happening. 

And Amity’s reluctance is painfully understandable, as Luz is the ONLY friend and support she has. Sure she and willow are patching things up, but WIllow would understandably choose luz over her and she’s terrified of loosing the one good thing in her life. Of course Luz would either say yes, and probably will some day, or let her down gently, she’s nice.. but it’s also understandable to be afraid that someone won’t take the reveal well. I’ve been there trust me, it’s easier when you let it out even if you get rejected, but I get it being hard to let out because you don’t want to loose a friend. I did not, and niether would she, but I can see why she wouldn’t want ot take the plunge. At least not yet. We’ll see this summer hopefully. 

But we do get a shiptastic, gorgeously aniamted scene of the two dancing an fightin gin perfect synch, combinging luz’s new use of plant magic with amity’s mastery of abominations resulting in the two utterly decimating grom, likely in part because with two fast moving targets he can’t get a lock on and likely nees more fear and mass to attack multiple targets at once. Or just more tendrils. it’s a quick, beautful sequence that’s utterly glorious, being framed as romantic as any hetero scene of the type and rightfully so. A triumph and well deserving of this praise. 

Our heros have won, get crowns, and King gets praise. All is well.. except Luz drops the crown once she gets home because she feels like she failed and feels lost about her mom.. though at least king gets it “I’m king and queen, best of both things!”. You tell em sister. 

So we end with Luz genuinely responding to her mom, with some montage stuff as we see Gus and Willow poke a fear blob, willow fears bugs, understandable and Gus fears clowns... 

Also understandable. Though I didn’t put up a bug picture because

And Amity looks out folornly into the night. Camilla responds to Luz.. and mentions letters.. which while Luz brushes those off.. we see someone sent them. And by someone I probably mean king since we now know only eda and him had acess to the portal, and given he was actively encouraging her to lie.. yeah i’m supscious. But we’ll see next season. For now this episode is fan fucking tastic, showing off tons of character development, being representative and sweet as all hell.. and being really funny. Tons of great gags in this one including the turtle guy from an earlier episode being forced to be adisco ball.  This is easily the series best so far and if you haven’t checked it out, please do it’s fantastic as is this show. Check both out. Until the next rainbow i’ts been a pleasure. Tommorow more disney shenanigans this time with pete. And also more of this possibly we’ll see what I get done. 

Goodnight everybody!

[revchainsaw]

Nausicaa and the Valley of the Wind (1984)

Prayers and Salutations Cult Members! I am your mysterious minister Reverend Chainsaw and this is another nights revival service at the Cult Film Tent Revival. I bring you a special word tonight. Tonight's word is about a person who roamed the earth, in a time where people were backward and warlike. A leader emerged into a kingdom full of eschatological expectation. This leader came preaching peace, and was killed for the sins of the world, but was resurrected. In that resurrection a new hope was brought to the planet, and true healing through the power of love in the face of violence is made possible. I am talking of course about Princess Nausicaa from the Valley of the Wind.

The Message

Nausicaa and the Valley of the Wind is the film that put studio Ghibli and Hayoa Miyazaki on the map. No animated feature this grandiose and epic had been achieved by 1984, as much as Disney may beg to differ. The tale may be simple, and it may feel super 80s to us today, but Nausicaa is a masterpiece, and the fact that Howl's Moving Castle is brought up alongside Princess Mononoke and Spirited Away more often than Nausicaa is a farce and a tragedy.

The film takes place on a fantastic planet that seems to have suffered the ravages of an apocalyptic war. A war that involved gigantic warriors with powers so devastating they about made the entire planet inhospitable if not uninhabitable; save for a few areas. The fall out of this ancient war has left the earth in a state of repair, where the natural processes of a planet healing has creating giant toxic jungles.

Beyond these jungles lie two imperialistic factions, they seem almost to be city-states but it's not terribly clear. The Kingdom of Tolmekia, a militaristic proto-fascist society of almost Spartan sensibilities. Tolmekia is governed by the ambitious and cynical Princess Kushana, But I like to call her Furiosa. Just like Furiosa, Kushana is physically missing parts of herself, a visual metaphor for her metaphysical lacking and the parts of her humanity she has cut away. Kushana's world view is one of fear, a fear that can only be quelled by waging a genocidal campaign against her enemies.

Speaking of enemies, the Athens to Tolmekias Sparta would be the Pejite Kingdom. The Pejites might like to view themselves as simply responding to Tolmekian aggression, but the narrative of the film, and the story told quite visibly on the body of Kushana, is quite different. The Pejites are just as bloodthirsty if not more palettable in their approach, but like the Tolmekians, they believe only their own lives have any value. And thus, in this theatre of war, a Giant Warrior from the ages before is unearthed by the Pejite Kingdom, Stolen by the Tolmekians, before the forces of nature themselves, seem to conspire to drop the Giant Warriors "egg" right into the Valley of the Wind.

The Valley of the Wind is populated like the world of Avatar the Last Airbender, that is mostly of children and the elderly. The people of the Valley have been able to remain untouched by the ravages of war and the toxic jungles of the damaged world primarily due to geographic luck that's explained in minor exposition in the film. They are ruled by a King, and they are all deeply enamored by their beloved Princess Nausicaa.

Nausicaa is a gentle soul. She is kind to animals, she is empathetic, unreasonably patient, and bears pain and grief inflicted on her out of cruelty with a saintly understanding. She really is a thinly veiled Christ figure, scratch that. There is no veil. But she's also my favorite Christ figure. She does not preach a message, as much as she tries to save everyone from their own short sighted goals. She is not perfect, she does lash out and do some fantasy sword fight murder, but she regrets her actions so deeply that it seems to have played a part in motivating her to become even more compassionate and patient with the evils of the world.

Nausicaa discovers yet another plot by the Pejites, who are afraid of the possibility of the Tolmekians awakening the Giant Warrior, to use animal cruelty to enrage a group of almost invincible giant insects known as the Ohm. By luring the Ohm into the Valley of the Wind where the Tolmekians have become an occupying force, they hope to completely wipe out everything that threatens them. The Tolmekians DO awaken the Giant Warrior and pure pandemonium ensues. Nausicaa manages to save the Baby Ohm and calm the rage of the bloodthirsty Ohm swarm, and to defeat the warlike tendencies of both the Pejites and the Tolmekians. All the while fulfilling a prophecy fortold about a messianic savior figure called the Man in Blue.

Now that you have heard the Gospel of Nausicaa, please stand to receive The Benediction.

Best Character: Half a Person

Now that I've spent the better part of this review gushing about our Lord and savior Nausicaa. I have to admit, she's at times a bit too perfect, a bit too saccharin. Even her flaw, or her one weakness and her failing to be perfect, just adds to the perfection. I can't even say she never makes mistakes cuz she made one, and that's infuriating. It's even more infuriating that I still think she's a great character. Normally this kind of thing really kills a hero. Most Chosen Ones are the most boring and least likeable characters in their narratives. I don't know how Nausicaa avoids this trap, but she does. I'll have to do some meditating on that.

However, just like in your typical Chosen One fantasy narrative, the hero is a lot less fun than the villain. I'm going to say the best character in Nausicaa is Kushana. I want to be like Nausicaa, but I don't understand her. She's almost alien, even though we learn all about her. Kushana is mysterious, secretive, and enigmatic, yet I understand her. She barely has an arc, she doesn't really change. She's cold and cynical to the bone, but I don't need to see much of her situation to completely understand why she is the way she is. I usually hate totalitarian bad guys, but Kushana I like. Sue Me.

Also fun fact, did you that Nausicaa means 'Sinker of Ships'. That's kinda fun.

Best Scene: Spoiled for Choice

I'm going to be lazy and say take your pick. There is really not a bad seen in this movie. If the action isn't going, then there's intriguing dialogue. If there's no dialogue then you may be about to get hit with a forceful burst of whimsy. There's horror, there's swordfights and aerial dogfights. The only thing in Nausicaa I don't like to see, is the bloody tortured Ohm Baby. It's like a god damned Sarah Mclachlan commercial.

Best Creature: Foxy Shazam!

The Ohm are so simplistic yet so detailed. The number of eyes is alien, but the way they are used is expertly expressive. Who'd think you could get me to love what basically amounts to a silverfish with the intensity that I love a kitten. How did Miyazaki pull an Okja with a creature that should be haunting our dreams? I don't know.

And what about the Giant Warrior! If you are an Evangelion fan then you probably already know that Hideaki Anno designed and animated the melting goopy biomechanical beast. Surely a sight that would make both H.R. Giger and Clive Barker giddy with excitement. Just the image of the silhouettes marching amidst the desolation of the old world is burned into my brain.

So which of these is the best creature from Ghibli's first outing? It's fucking Teto. It was always gonna be Teto you idiot. Just look at Teto, he's adorable. He's too cute to exist. I'm so alone. I need a pet.

Best Character Design: Tolmekian Regalia

I originally included this category to talk some about Kushana, however, at that time I also thought I was going to say Nausicaa was the best character. I thought hard about deleting it, but I think it's a different category and you can't accuse me of playing favorites because my favorite character is clearly Teto. Just to keep it simple. It's the two costume shift from full military regalia in white and gold, to the one metal arm, warrior princess get up. It's a great costume and a great look. Get on this shit cosplay nerds. It's great for Cons in Canada, you have to think about layers, and you can't keep going as Mr. Plow. It's lazy.

Best Excuse to Talk About Patrick Stewart's Character: Lord Yupa

I just realized that I was about to write this whole review without talking about Lord Yupa. Lord Yupa is a sword saint and all around badass I think a lot of entertainment, especially in the west is lacking bad ass old men. Lord Yupa particularly shines in the early half of the film as a warrior and as a wise council to Nausicaa. If she's Jesus then Yupa is John the Baptist. He is also voiced by the elegant and eloquent Patrick Stewart. He also comes with 2 chocobos!

Worst Character: For Whom Asbel Tolls

This might also be the worst actor category as well. Actual Cannibal (haha meme) and actual monster (haha real life) Shia Labeouf doesn't so much act in the role as he read the lines and it was recorded. The good news it doesn't effect the film too much because Asbel is completely forgettable. He is a catalyst to some of the action, but besides that I don't really care for him.

Worst Aspect: To Be Fair ...

It would be unfair to completely ignore anything negative about Nausicaa. I have already mentioned in many places that there are some pretty corny, or pretty predictable tropes to this movie. But what I can't capture in words is exactly why it feels fresh when it's done in this movie. I suppose that's what makes it good. It's just so good that it's weak points are lifted up by it's strengths. Some people may bored of Nausicaa's unyielding goodness, or that she very rarely chooses to take action as much as she chases and pleads with her surroundings, but I mean, she does pay for that eventually. It's a fantasy story and it hits a lot of timeless themes that have been hit in stories for as long as human beings have been telling stories. Some people may feel that it doesn't do enough to stand out.

Summary

I have defined the S tier for myself as "near perfect and personal favorite" films. I like to think that Nausicaa and the Valley of the Wind is near perfect. Some may say that it looks like it might just be a personal favorite. In the case of Nausicaa, I'm having a very hard time telling the difference. I think it would be overly simple to claim that Nausicaa is just an ancient archetypal heroes journey with an 80s anime coat of paint. I think it's doing quite a few new and interesting things with that formula, those things are just playing out all around that narrative as opposed to being at it's center. For a first full length outing by the studio, you can really see Miyazaki's heart and the values he holds close to. I'll repeat myself so that we are completely clear on the matter. I think Nausicaa and the Valley of the Wind is a near perfect movie.

Overall Grade: S

[chemicalmagecraft]

Taiyuu OCT Round 3

@taiyuu-oct

Character Nicknames: Keikei-sensei: Unbreakable Fuwa-chan: Zuruko Kayaki Boron: Nerva Rekka Akai-chan: Naishin-Sunomu Seisho Yuu-chan: Mochizuki Tofu

x x x

Yukino tapped her claws against her notebook as she sat in Keikei-sensei's "classroom." She scoffed. It wasn't so much a classroom as it was a field with a packed dirt stage. But hey, that was pretty much Taiyuu's brand at this point, wasn't it? Dirt-cheap, in both their construction and their ability to actually act like a real hero school, fang'si! Honestly the only reasons Yukino hadn't left yet was that Niichan assured her it'd be less complicated to just wait it out until break and Fuwa-chan finally figured out that her Quirk had an off button. Though... Yukino was still skeptical of how abrupt it was after about ten years of supposedly having no control over it at all and how close it was to Yukino complaining about the whole "hey, I'd like to not have my mind fucked with without my permission on a daily basis" thing, but apparently she HaD aN ePipHaNy so it was all good and should not be looked into further.

All the same, Yukino was still keeping her notes on the sheep girl. And Taiyuu was on thin ice with Yukino. If she felt like they weren't properly ensuring the safety of all of their students again, she would not be happy. And she'd probably involve her family in her discomfort with Taiyuu more than she already had. And if that happened- Yukino sighed and took a few deep breaths. At some point the cover of her notebook had frosted over a little under her claws. Ugh. She was better than just letting her Quirk slip out like that. It didn't look like the frost had bled through to the other side, thankfully. Yukino wiped off a bit of frost, then opened up her notebook. She was actually really looking forward to today's assignment... or maybe activity would be a better description? Today they were going to be showing off their hero names and costumes! Yukino had been looking forward to this for years, and even the recent events hadn't been enough to put a damper on that.

Though... Yukino thought that maybe the timing wasn't the best. They were tasked with getting their costume sketches together about when midterms were announced, with the due date being after midterms were over. Supposedly it was to take everyone's mind off the midterms, but really it was just piling up more work on top of the midterms. Of course, Yukino did pretty well on her midterms, she'd made sure to keep on top of her studies. And she'd finalized her costume design like a year ago, after getting feedback from her pro hero relatives on it too. But she could see her classmates having some trouble balancing the workload. Yukino didn't think it was malicious, of course, but just like everything about Taiyuu it was haphazard and a little mismanaged.

Yukino shook her head and slapped her cheeks. If she kept thinking like that she'd probably get herself worked up again... She took another deep breath, then looked at her design notes again, giving herself a bit of a reminder. She'd practiced what she wanted to do to show off her costume since she had the idea for it, but it was a little complex so she still wanted to refresh her memory. She quickly made a little ice statue, just as practice. Then she ground it down to diamond dust before anyone could get a sneak peek. After she was done with that she turned her attention back to the presentations. Okay, maybe she should've been paying more attention to her classmates, but in her defense she was kinda in the back of the "classroom" and almost everyone only had drawings or rough sketches of their costumes that they were describing for the class. Yukino's eyes were good, but not that good.

Ooh, Boron was going up next. They announced that their hero name was The Flaming Hero: Supernova, pretty nice. Their costume seemed to be some kinda light robe, with a mask and leg wrappings instead of shoes. Plenty of bare skin, to help vent heat. It sounded pretty cool, so Yukino couldn't wait to see them wearing it. Next up was Akai-chan, and wow she already had her outfit somehow. How did Yukino miss that? Akai-chan was wearing a red han'fu and a mask, with her hair done all fancy. Yukino certainly liked it. She took the stage and explained her costume choice. Apparently there was armor under that han'fu, which Yukino thought was... kinda neat, actually. "I have chosen Blood Lightning as my hero name," Akai-chan finished with, accentuating it by brandishing a hand covered in red lightning.

Hot.

Next up was Yuu-chan! Yukino was kinda excited to see her roommate's hero costume, to be honest. "I want to make my hero name... Tofu," he said when he got to the stage. "I've been using Yuu as a name more now, and I want my hero name to be something nice and friendly." Yukino nodded. That was probably a good reason for a hero name, and Tofu was nice and simple. It kinda reminded her of Deku, to be honest. He described his costume, which he said he hoped would make him look friendly and comforting. There was a light robe with a ginkgo leaf pattern, a little tail thingy, and a black turtleneck with black leggings underneath it. And finally, he had his usual box mask, except the hero costume one had a cute smile drawn on. Yukino smiled at the mental image of it.

After Yuu-chan sat back down, Yukino decided to get up. "Can I go next?" she asked.

"Of course!" Keikei-sensei declared.

Yukino nodded and walked over to the stage. She took a deep breath as she did, calming her emotions and collecting her thoughts. She grinned as she jumped onto the stage. The nice thing about constantly having to keep an iron grip on her emotions at all times was that somewhere along the line Yukino had become pretty decent at putting on a cheerful face. "Alrighty!" she turned to face the class with a grin. She raised her hand to the sky, white vapor rolling off of it. "For my hero name, I've decided on The Diamond Dust Hero: Kuraokami!" As she said that, she made tiny shards of ice from her raised hand, causing them to swirl around her hand in a vaguely dragon-shaped cloud that glittered in the Summer sun. "A dragon god of snow is pretty fitting for me, right?"

The dragon coiled down her arm, then she stretched her other arm out to the side as the dragon flew around it. Yukino grinned. "As for my costume..." She activated her Quirk again with her outstretched hand. She formed the sculpture she wanted in her mind, ice crystalizing from moisture in the air under her palm. The dragon made of diamond dust swirled around the sculpture as it formed, slowly melting into water droplets that fell as her telekinesis failed. She didn't even plan it, but the last of the diamond dust melted away as the ice sculpture, a double-scale statue herself in her hero costume making a cute pose, was finished forming. Her grin widened a little. The class oohed and ahhed from the display.

Keikei-sensei clapped. "That was amazing! You certainly know how to show off your Quirk. Though I should warn you, due to how not everyone can make giant ice statues of themselves, your grade is going to be based more on utility and how you sell your costume than what the visual presentation is."

Yukino nodded and gave a thumbs-up. "That's reasonable. Don't worry, I didn't expect to just win with that alone. So, the costume!" Yukino pointed to the statue's frilly dress. "If you can't tell, those ridges are supposed to look like dragon scales, for the dragon theme. I figure it should have a kinda arctic color scheme, whites and light blues and stuff." Yukino cleared her throat, feeling her cheeks heat up slightly. "I... took inspiration from magical girl anime for the general design of the dress. Figured that'd be pretty cool-looking, plus it fits with my Quirk name, Cryomancy, and how it can look like spellcasting. And again, gave it a bit of an arctic feel." She patted her giant, icy skirt. "Plus, those frills will also add insulation to help keep my body heat in. I pretty much can't overheat and my Quirk makes me colder, so no sense not keeping warm. On top of that, I'd like to have a heating element similar to what of a lot of other heroes with cold-based Quirk drawbacks have. And the material the costume is made of should be flame-retardant. I can basically absorb fire, yes, but it's best to err on the side of caution, y'know? Also there are modesty shorts in case I have to kick something and heated pockets hidden in the skirt so I can warm my hands up."

Yukino switched to pointing at the staff her statue was holding in one hand. "Onto the equipment. I'm trained in fighting with a staff and can channel my Quirk through it, so that's a no-brainer. I'd prefer to have it made of metal, maybe aluminum or something, because I can channel my Quirk through conductive materials a little easier, but I can see why a metal staff might not be something you'd be comfortable giving a hero student in the first year." She pointed to the bow slung across her statue's back. "Again, I can use a bow with my Quirk." She held out her hand with a toothy grin and formed a few ice arrows, which she floated around her arm. "I can make my heatseeker arrows pretty quickly, then shoot them faster than normal arrows. And as the name suggests, I can alter the flight path in midair with my telekinesis." She disintegrated the arrows into diamond dust. "Next, it's a little hard to see with the frills in the way, which is kinda the point, but there are wrist-mounted grappling hooks hidden in the sleeves. Made specially so I can conduct my Quirk through 'em. Can use them to trip someone, take their weapons, restrain them, or hopefully a mobility boost. Plus I think they look pretty cool."

Yukino snapped her fingers, causing the statue to turn around. She'd made the statue with a bit of a raised base that was separated to form a moving part so she could turn it with minimal effort. The statue turned all the way around, revealing two raised bits in the bottom of the boot that it was kicking back as part of the pose it was doing. "It might be a little hard to see without any color, but there are bits on the bottom of the boots. On the real deal these would be made of metal and extend to bits touching my feet. My Quirk is basically touch-ranged, so if I wanna use my Quirk through my boots it'll make my boots colder either way. Having small, conductive bits at the bottom should make it efficient enough that if the boots are also heated it won't freeze my toes. And I imagine being able to use my Quirk from my feet as well as my hands is gonna be useful."

And now for the big finisher. Yukino turned the statue back around and hopped onto the base. She took a deep breath, then slowly raised the statue a little. The other purpose of the base was that the raised bit that kept the two halves from misaligning when she turned it around also let her raise the statue up slightly without making the statue wobble, which would probably make Yukino slip up and fall. This was already stressful enough without that. But Yukino had already decided she'd raise the platform with her on it for the end of the presentation, so there was no turning back. She just barely managed to keep from shaking as she felt the platform she was standing on be supported only by her telekinesis. Now the worst part. Yukino jumped, kicking her leg back to copy the pose her statue was making. She lost her balance a little when she landed on one leg, but managed to rebalance with only a bit of wobbling. Yukino sighed in relief, then copied the cute pose and expression of her statue. "And that's The Diamond Dust Hero: Kuraokami!"

Yukino slowly put the statue down, then stepped off. She snapped her fingers, then started to disintegrate her statue. She lifted it upwards, making the powdered ice swirl around it as the statue was quickly chipped away. Soon it was a cloud of diamond dust swirling in the air above the stage, then Yukino made the cloud explode. The tiny bits of ice scattered through the air, most of it melting into raindrops before they could hit her classmates. Yukino grinned as Keikei-sensei and some of her classmates clapped. "Thank you, thank you." She strutted back to where she was sitting. That was fun, but the end was a little tiring... Still, she'd paced herself enough that she wasn't that tired. "Right," she said, "who's next?"