#also why submit this to me of all people?

[kradeelav]

Hello! I want to learn how to draw content on the more spicy side, but I'm unsure where to start. Do you have any tips/resources for it? I would love to make Corrin/Gunter art and some of my other favorite pairings. Thank you in advance!

on the practical/technical side:

having a solid understanding of anatomy helps, of course - the basic bone structure of course, but how skin, fat, muscle hangs as well. you don't actually need to watch live-action porn to get references (i never have believe it or not), but i do follow a few historical kink/bear magazine archivists online. personally i find that there's more of a variety of beautiful shapes and humans in those old photos, and you generally know it's consensual since they've personally submitted them.

you also can't go wrong with reading other erotic comics ... i say comics vs illustrations since you start to see the pacing of these scenes like any other human interaction and the tools the artists use. when does intimacy turn into foreplay? when does the artist/mangaka zoom in to capture the sensation of the moment? what clever tricks do the artists to capture the climax when the bodies are all pressed together and when finding a good camera angle is tricky? how do they show the heightened feeling with symbols and textures? how is kink power dynamics shown with characters in different positions? do you show faces and the expressions to show the pleasure or not? what comics feel cold and manufactured to you versus ones that capture real eros? why? etc.

on the mental side:

if you're anything like me, you might have a lot of shame to untangle when it comes to harder varieties of erotic art. (i hope not! not everyone does. but it's unfortunately common given the societies we live in.)

it's going to take a while, and it's going to feel really weird at times when you draw something that's uncomfortably intimate or taboo, but that's when you know it's working and you gotta keep pushing through.

you gotta keep drawing.

privately, i have a personal rule that i'll draw anything at least once; if i feel afterwards that it turned out to be a personal squick, i won't go there again, but that guideline has been marvelous to start breaking through the manufactured idea of disgust and also just to experiment with putting myself in other people's shoes about what they find hot. sometimes it's surprising! i've learned a lot.

lastly, on that note - draw what you find deeply intimate. forget about other people. selfshipping? the most niche kinks possible? the kink that feels like the internet can't stand? who gives a shit about them (no taste, the lot of them).

draw the human. the tenderness, the visceral, that overpowering desire for you that almost scares you with how intense it is and that sends your brain alight.

that's going to be timeless.

[therandomfando4]

Hey, so I think I might have figured this code out in the newest Smg4 video, maybe?

Okay, so, this is the original code.

11-12-1-19 2-1-11: 2

First, I changed the numbers into letters by using the alphabet. 1 being A, 2 being B, 3 being C, and so on. Which gave me this:

K L A S B A K B

Which confused me until I changed two letters around. Making this.

K L B S B A K A

Swapped 2 & 1

11-12-2-19 2-1-11: 1

I immediately tied this to Smg3 as he says "Baka," a fair bit in Smg4. But I wasn't convinced it meant anything until I figured out that almost all of the numbers were doubled except for 12 & 19.

I figured 12 out pretty fast. But 19 took me a while to figure out. With 12, I remembered something about the number being in the 3 timetables, and that it was the 4th number.

3 × 4 = 12

34..

When I figured this out, I was still doubtful. Since I knew the creatives on the show sometimes fuel the ship, why is it being hidden like as though it's important? On a classified document, and with Mr. Puzzles?

So I just thought it was some kind of coincidence and that it was something deeper or that the code ultimately meant nothing and that I was just wasting my time on it. Besides, 19 didn't mean anything, right?

Yes and no.

I was right about the number itself, not meaning anything until I used additions.

What two numbers made up 19?

9 + 10..

After seeing those two numbers, I instantly thought of a certain meme.

Now it was 21.. I searched up what time tables could go into 21, the two numbers being 3 and 7.

3 × 7 = 21

I first thought about the number 3, which I realised was kinda stupid of me once I remembered the numbers that made up 7 were 3 and 4.

3 + 4 = 7

Either these somehow are 3 coincidences, or really is about Smg34.

Now, unless there is more that I'm missing in this code. I have a few guesses. (If anyone can think of anything else, I'd love to know.)

The classified document is most likely an image or YouTube thumbnail.

If it's a thumbnail, I believe it could be either:

A. Wotfi 2023

This one is because Mr. Puzzles had a YouTube thumbnail of the Puzzlevision movie, and I was thinking about how wotfi 2023 was the last big event before Puzzlevision. As well as Smg3 and Smg4 being the highlighted characters in it.

B. Snowtrapped..

Okay.. I know it has been milked to death by people submitting it for the Wotfi 2024 challenges. But, I feel like it could explain why it's in the document and considered classified. I'm not a fan of this one.

C. A thumbnail for a future episode.

Idk if it would make sense, but eh.. it could be cool.

Now, just some or one of the images that could be in the document.

A. Smg3's notebook.

An image of it or the physical book itself.

B. The drawing at the end of Smg3's notebook

Because it's still a secret to everyone that Smg3 drew a picture of him and Smg4 hanging out together.

C. An image of Smg3 and 4 hanging out or doing something that would be considered gay. Something that would embarrass Smg3 and/ or 4 probably.

Either way, if none of these options are right, I'm hoping we actually get to see what's in the document or that the code is foreshadowing something.

I also used pager codes mixed with the baka I found before. I found these sentences, but I don't know if the creatives behind Smg4 meant for someone to use pager codes.

Swapped 2 & 1

(11)-(12-2)-(21) 2-1-11:1

K L B U B A K A

You. I want you. Home. Baka.

Swapped 2 & 1

(11)-(12-2)-(19) 2-1-11:1

K L B U  B A K A

You. I want you. Yes. Baka.

Or

You. I want you. Hug. Baka.

As I said, I have no idea if the pager codes were planned or coincidental.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anyway, I'd like to hear what other people think about my findings. And if others have found anything of their own.

This took me a while. If I find out this was a waste of time, I'm going to be so upset. /hj

Have a good one, guys.

[things-arent-what-they-seem66]

What about an AU where it’s not Adam and Eve but Adam and Lucifer.

Lilith and Adam are created from the dust as equals as usual to make love to each other, but Adam instead falls in love with Lucifer after Lilith being a little shit to him.

Out of spite for being denied control of Adam and losing him to an angel, Lilith leaves the garden. Angels, not accepting how Adam might not want to lie with women, make him a new wife, Eve. But he doesn’t want her either, just down for his little angel. And makes it clear one night.

That shatters Eve’s world and makes her incredibly devastated as she thinks she failed in serving her husband and making him happy with her that he doesn’t want her. She gets away from him for a while and begins searching for a cure.

Only to stumble to Lilith of all people, who had returned to the garden after hearing about the new bride she could trick easier.

She leads her to the Tree of Knowledge, and says all she has to do is to bite from the apple and get Adam to do so too -But she can’t tell him what it is, that way it wouldn’t work- if she wants them to be truly happy like the angels told them they would be.

In desperation and cause she had no idea what lying was, Eve accepts, takes two apples from the tree, brings them to where she and Adam sleep, and gets Adam to eat it by saying it’s a regular fruit. Which causes sin to enter the world.

After noticing it, the angels were simply going to throw the two to Earth and Lilith to Hell, but how Lilith screamed about Adam loving Lucifer and that was why he denied to lie with women caused a problem.

Adam and Lucifer both denied it violently, but how Lucifer tried too hard to get the angels to let Adam and Eve stay, how much time they spent before and how close they were physically for most only fueled their suspicions.

So, they decided to look into their memories and see that they were clearly in love. In one they admit it, in one they kiss intimately and in one Lucifer is literally making love to Adam.

And that makes them furious.

They rip Lucifer from his status as an angel, and make him Adam’s new wife instead by giving him both a woman’s and a man’s parts, they do the same to Adam, and also put a baby fever curse on the pair so they would have no escape in populating the Earth where they are sent afterwards. Eve is sent too, but she goes to a completely different place all alone and lives a life of isolation.

Either Lucifer is mostly forced to submit and be the one pregnant because of the curse and how the angels wanted to humiliate him for being with a human, or Adam is because the angels officialy took his title as the first man away and “downgraded him into the level of woman he was too good for”.

I like them both a lot so I’ll just make two versions.

Wow, got a little longer than I thought there..

Whaddya think?

Wow that's sad and amazing. I like both ideas but you know me lol

Adam being "downgraded" when really it makes him happy to have kids with his love.

[folk-enjoyer]

Song of The Day/history of cotton eyed joe

do you want the history of a folk song? dm me or submit an ask and I'll do a full rundown

"Cotton Eyed Joe" Terry Callier, 1963

As a disclaimer, "Cotton Eyed Joe" is my least favorite American folk song and I'm going to talk about why, and I'm going to talk about why Terry Callier's version is subversive and good.

The Earliest date we have for the song's origins is from 1882 when it was Published in "Diddie, Dumps, and Tot, or, Plantation child-life" by Louise Clark-Pyrnelle. This book is a nostalgic recollection of her childhood as a plantation owner's daughter. She reminisces fondly about slavery, missing the old plantation days. Honestly, some of the quotes within this book are beyond parody, in one sentence she says "... My little book does not pretend to be any defense of slavery" and in the next sentence when referring to the morality of slavery she writes, "there are many pros and cons to that subject", later at the end of the chapter she laments about the forever lost emotional connection between the Masters children and the enslaved people. hate this woman and her little book.

It is also important to note that this book goes out of its way to caricature black people, throughout the book she exaggerates accents and dialects to dehumanize them. This is a recurring theme in early publications of this song. Another early publication of the song comes from Dorothy Scarborough in "On the Trail of negro folk-songs" 1925 who got it from her sister who also learned it on a plantation, in Texas. She writes "This is an authentic slavery-time song" This book, if you can believe it, is remarkably racist and dismissive of black music, even as a more "progressive" songbook of black folk songs.

In 1922, the song's history was documented a bit more extensively by Thomas W. Talley in his book "Negro folk rhymes". He writes that it has "deep roots in black traditional lore". Thomas W. Talley was also just a cool guy in general, this book is one of the first compilations of African American folk songs, and it has been a pioneering book in its field. Even today, this book is still one of the best sources for the history of African American folk songs.

So, this is a black song. This was a black song whose first wave of popularization was through the caricature of black people to be amusing for white folks. Let's move on to its second wave of popularization.

The song was first recorded in 1927 by "Dykes Magic City Trio" (all white band) then about a week later by Fiddlin' John Carson (white performer) then in 1928 by Pope's Arkansas Mountanaineers (all white band) then in 1929 by Carter Brothers and Son (all white band) and then it wasn't really recorded for a while because of the great depression and the war but the times it was recorded, it was by white people. We know this because it was mostly recorded by John Lomax and despite documenting southern folk songs, he almost went out of his way to avoid recording black people singing them. Then, in 1941, it was recorded by Burl Ives (painfully white).also covered by a few white country singers like Adolph hofner bob willis but I think you get the point. It wasn't until later that year that it would be recorded by a black person, performed by josh white in 1944-45, who covered it as a lullaby.

However, it wouldn't be until the 90s, during its 3rd wave of popularization that it became its most grotesque. "cotton eye joe" was recorded and released by Swedish Eurodance band Rednex in 1995 as a, to paraphrase reviews, 'Way to make fun of backwater southerners'. This song became incredibly popular throughout Europe and in the USA as well, charting as a number-one song in several countries, sometimes for weeks. Not only is this song incredibly classist, it is, whether by omission or deliberately, fundamentally racist, adding to the whitewashing of black folk and minstrelsy of black people. The attitude and humor derived from the Swedish version are the same as the version in 1882 when it was a "classic slave song".

So, why is Terry Callier's version important, why talk about it? Terry Callier's version is the first version of the song that I have heard and it is not a comedy. It isn't meant to be funny. It slows the melody down and draws attention to itself. It's almost a ballad, showcasing Joe as a tragic but mysterious hero, maybe a love song. His voice is angelic as well. Terry Callier once again, subverts expectations and creates something beautiful out of a song that has been so whitewashed and appropriated that no one remembers its tragic origins.

Thomas W. Talley

some other versions by black folks Josh white 1944-46 Nina simone 1959 The Ebony Hillbillies 2004 Leon bibb 1962 Ella Jenkins 1960 Josh White Jr 1964 Queen Ida 1985

[legendsyz]

Most npd and ASPD people are abusive, you have to be very self aware and work very hard with cluster b disorders to not abuse people. Both narcissistic and sociopathic abuse can co-exist with not all narcs and socios are abusive.

Who even are you?? Be brave, come off anon pls ❤️

Do you live with a cluster b disorder? I do! And it's actually a punch to the gut to be told that me just living my life means I'm going to abuse people. Having a disorder doesn't make someone abusive. It actually enhanced the ptsd, self esteem issues, and self doubt. Ptsd HD if you will!

You aren't my psych or my therapist.

Thanks!

[hirazuki]

Hira's year in medical review:

Me, August 2023: *experiencing extreme fatigue, fainting spells, mood swings, sudden and drastic increase of suicidal thoughts, and intense hair loss*

P.A: let's do blood work

Me: ok!

Bloodwork: *normal except for prolactin*

Doctor: sometimes that's a fluke so let's retest

Me: ok

Bloodwork: *exactly the same*

Doctor: your values are higher than normal range, but not high enough to be in range for a pituitary gland tumor.

(P.A: go see an endocrinologist and get an MRI, that might be indicative of a pituitary gland tumor.) <- bless this person and only this person in particular

Endocrinologist, seen earliest available which was January 2024: *wants to retest blood work instead of ordering an MRI*

Me: ... ok

Bloodwork: *the same*

Me: can we please do an MRI now?

Endocrinologist: Well. Your values are above the normal limit, but it's highly unlikely that's it's a pituitary gland tumor because they are not high enough for that. Let's retest blood work in four months.

Me: ...................... ok

Bloodwork, May 2024: *THE SAME*

Endocrinologist: hmm, I recommend an MRI

Me: *gesturing angrily*

MRI, June 2024: 🎉 pituitary gland tumor 🎉

Doctor, when I went in for something else: I doubt your endocrinologist will want to treat that, we typically don't treat adenomas that small

Endocrinologist, who took 3 weeks to review my results: I recommend just monitoring. It's highly unlikely that this is causing your symptoms, it's too small for that.

Me, July 2024:

[synthaphone]

im tired

the stuff happening in moderneo is indicative of a trend i've been seeing in neoclone art contribution, which is that artists who come in to work on pet colors often clash because they're coming from two majorly different viewpoints:

its for fun so don't take it too seriously and just be creative- if the site runner likes it then its good to go

its for a website that's seeking to recreate the neopets experience, so we should strive for the art we make to match the existing art in style and quality

neither of these are incorrect approaches for a volunteer collaborative project, and i think its up to the people in charge of each respective neoclone to clearly establish which of these ways they want their art team to approach the pet colors, in order to prevent conflict i'm definitely in the latter camp, and have also been called a bully on a couple different occasions for offering gentle critique. seeing very level headed and reasonable points be reacted to as though they're evil bullying makes me want to spontaneously combust. sometimes, on a collaborative project, you'll end up feeling bad when you receive critique or pushback on an idea you had. and that feeling sucks!!! but that doesn't mean that the people who gave you the critique were bullies. seeing professional artists get treated like dangerous cruel people for approaching a project like professionals makes me feel insane.

like okay, if its not a professional project and the more 'anything goes' atmosphere is whats wanted, then fine!! but you have to make that clear- and even IF that's the goal, i think its unreasonable and immature of any participating artist to demand zero critical feedback on the designs that they're submitting to the website for everyone to be able to adopt. also, if the project isn't going to be approached like its professional work, you can't expect consistent professional quality artwork, because you cannot get that from an environment that doesn't allow for critique or style direction

[devilsskettle]

whenever i hear a song that i would like if it weren’t for the fact that it was too long, i think about this:

like you can afford to write tangentially if you/your music is already popular and you know that people are going to listen to you no matter what and in fact laud your longer pieces as being genius etc but can you really be releasing 5+ minute long songs without a built-in audience?

[unopenablebox]

cw abuse cw popular relationship thinkpieces

completely unconvinced by the ~normal marital hatred article apologia people are circulating. like, idk, people seem to be successfully projecting their own circumstances and thoughts on conflict resolution onto it and then arguing that therefore it’s good? maybe there is a secret good book the article is poorly excerpted from or whatever. but

the actual content of the article is:

you should unlearn the boundary-setting and self-assertion skills you currently have when talking to your spouse. i’ll imply that all i mean by this is "use a non-oppositional tone when making your point, don’t bring up unrelated topics during a disagreement, and try to keep your spouse’s interests in mind”, but i never actually specify what the limits of “forgetting about boundaries” are supposed to be, so it does still come across like you’re supposed to martyr yourself on the cross of not revealing that you feel anger or distress ever. half of the article is about extremely basic obvious communication skills, and the other half is about being filled with hatred at your spouse in conditions and contexts that are never described, and how that’s fine and you shouldn’t respond to it in any way. these are linked only by a sort of broad gesture at the idea that feeling hatred (?) toward your spouse comes from being bad at arguing and if you just fixed your speech patterns and stopped asserting yourself you wouldn’t have any problems.

oh unless it’s an abuse situation, tee hee! then you should still have boundaries obviously. you know how easy it is for a person to tell the difference between normal, healthy suppression of all efforts to defend yourself in a fight with your spouse and abuse. you’d know if you were being abused, silly, they would put up the neon sign that says “it’s abuse” on it! that’s how you know you’re allowed to leave! otherwise you’d better hang in there because it’s normal marital hatred

[just-another-bored-killjoy]

somedays people feel like they want to die out of embarrassment, today's the day.

[i-regret-a-lot]

there's something so freeing to me when i miss a deadline for an assignment i've almost finished and i KNOW i'm going to miss the deadline before it happens because i don't experience any of the last minute stress and anxiety of rushing to finish and perfect the thing before the deadline, because i know i've essentially got another 24 hours to finish it now

[silverislander]

i know logically in my brain that i have a disorder that makes it hard for me to focus and do work, the symptoms of which are not gonna go away bc other people need/want me to do stuff, and still like. i'm behind on a bunch of shit for school rn and i'm kind of spiralling over it bc WHY IS IT HARD. this is stuff i like doing and that i want to do. and i can't for the life of me fucking do it and the deadlines are coming up and i NEED TO FUCKING GRADUATE so it has to get done

[dduane]

Had an idea you might be able to use for something: Klingon Soap Operas.

(sigh)

Thanks for the thought. I appreciate your kindness!

But unfortunately, because you've sent me the idea and I've read it, I can now not use it, ever. No matter how much I might like to.

This isn't about you, you understand. And in its way it probably seems like a cruel paradox. You were only trying to be helpful! But if I was working on something for Trek and this concept came up even in casual discussion, I would be honor-bound (and contractually required) to inform them that the idea had come to me from a reader or fan. And then—rightly, from their point of view—they would forbid me to use it, because the idea's originator might some day, despite all their friendly intentions now, sue them over it. And the evidence that I was at fault would be easy to obtain. Sending a DM on any major platform generates an electronic "paper trail" that will confirm its target has opened and read the message in question. And that electronic record can be subpoenaed and submitted as evidence, and would stand up in court.

"Oh, come on, who'd do a thing like that, what are the odds...?" people will say. But it's not generally known that I've already been involved in a high-stakes lawsuit in which someone tried to sue Mattel over material I wrote when developing the initial form of the "Barbie: Fairytopia" universe (and the first Fairytopia film) for them. I'd never so much as met or communicated with the person suing them, had never read even a word of their work... but they still went to great trouble and expense attempting to prove that I'd had access to their material and used it without permission.

Mattel won the suit (as I'd frankly been expecting: the attorney handling their defense was one of the most expert IP lawyers in the US). But it gave me the chills... and made it clear how very wrong things could go, and the kind of damage that could be done to my career and my personal life, if I even accidentally used ideas from unauthorized sources.

Seriously, folks. I know you all mean well! But please don't make me tap the sign. DO NOT SEND ME STORY IDEAS, no matter how vague or general or unformed they may be. To do so is to absolutely guarantee that they will never, ever happen.* (And in my own universes, your innocently-meant suggestion could mean that neither you or anyone else will ever see that particular Young Wizards or Middle Kingdoms plot, no matter how much you'd like to... because I take this stuff seriously.)

...Thanks, all.

*This is also why I don't read fanfic set in my universes. Which you also shouldn't send me: please and thank you.

ETA: I would really, really appreciate it if y'all would refrain from giving @eldritchcatpossumamalgam grief in the tags. They made an honest, well-intentioned mistake, that's all, and they don't deserve to be personally raked over the coals for it. (And any of you who think I would derive any kind of satisfaction from that happening plainly don't know me very well.) So thanks in advance for your cooperation.

[aashi-heartfilia]

The hypocrisy of Jinshi and MaoMao

*light novel spoilers*

I just love how hypocritical MaoMao's nature is. She yells at Jinshi for being a 'Masochist' and yet we see that she's no different. Now, by definition Masochist is a person who drives sexual gratification from their own pain and humiliation, plus it relates to Jinshi's tendency to do self harm (like burning his skin with a brand)

And what is MaoMao's most favourite thing in this world?

POISON

She literally takes pleasure in consuming it and no one can convince me otherwise. Plus she uses dangerous plants and animals and snakes whatnot in the name of her so-called experiments. Her dad may call her a 'mad Scientist' but that is a direct indication of self harm.

And she calls Jinshi a Masochist.

I mean, think about it! The amount of anxiety she gives to Jinshi! She came prepared with a vomit inducing medicine but even she had no idea whether it would work or not. She was just hoping it would work in the salt chapter.

And the same goes for her hand, on which she has conducted countless experiments. One flower even burned her skin and its marks never left her skin. She said it was all for her hobby. What kind of weird hobby is that? Maybe, our little adorable mad scientist is just like that.

One brands his own skin, while the other takes heavenly pleasure in consuming poison.

So my point is, Jinshi and MaoMao are not that different as one might think they are and that's why their dynamic works so well.

Let's look at the excerpts from volume 5:

She didn’t know how long they sat that way. All she knew was that Jinshi was looking down at her with a faintly triumphant expression, as if he saw that the breath had reached every corner of her body now. He wiped away the tears that had sprung to her eyes as she struggled to breathe. It was then that Maomao felt a flash of intense anger. “I said that if you were going to kill me, you should do it with poison,” she told him. “I refuse to let you poison yourself,” Jinshi said, his fingers tracing her lips. “You can’t pretend you didn’t know that you were one of the candidates. As much as I’m sure you’d like to.” He wasn’t done, either: “Who was that man, anyway? I’m sure you’re not a dancer.” So he had been watching them! “I was just paying for my drink,” Maomao said. “It didn’t cost much.” She tried to look away, but with his hand on her head, she really couldn’t.

Jinshi just choked her and yet he refuses to let MaoMao poison herself. A lot of people misinterpret this scene, and don't like it all that much, saying it was just fanservice stuff but this is how I see it: Jinshi wasn't trying to kill MaoMao, he was just trying to make MaoMao submit to him for once (even if the way he did it was very wrong, but guess he's kinky like that). MaoMao is actively trying to harm herself and Jinshi loves MaoMao a lot, he cannot just let her kill herself.

It was more about him trying to exert his dominance in their weirdish - complicated relationship and that also backfires on him as we see in the next volume that MaoMao escapes Jinshi's grasps using Pairin's techniques.

And then they both continue to avoid each other in the entire next volume! Because they both realised that they have crossed boundaries.

They both are hypocrites.

And they both refuse to accept their feelings.

In one of the later volumes, she gives Jinshi a piece of her mind on how he should tell her everything clearly, unequivocally, what he feels, and he literally declares that "he will make her his wife", which is nice and all but look at the wording MaoMao used here....

Excerpts from LN Vol 7, chapter 19 called "A man and a woman play the game"

"You’re forever telling me I need to use my words, Master Jinshi, but are you in any position to criticize? Everything you say to me, everything you do, it’s like it’s calculated to save you from ever having to actually say what you mean! To make me figure it all out! You know, you remind me of someone. You act exactly like a man who used to come by our brothel all the time. He was in love with one of the girls, but he would never just come out and say it. He thought it should be obvious from the way he acted. He was so sure he had a good thing going with this woman that he never sent her so much as a letter. I remember how forlorn he looked when someone else swooped in and snatched her away! He kept coming to the brothel after that—to get drunk and whine to the ladies. Well, in my opinion, he could have avoided all that heartbreak if he’d told the woman how he felt. Clearly, unequivocally, so that she knew where they stood. It was the least he could have done!”

Everything came out in a torrent. She felt like she’d said it all in one breath. It was strange, she thought, to hear so many words come out of her own mouth. She was mystified. Jinshi was no less startled, but the shock soon left his face, replaced by something else. He got up off the bed and stared down at Maomao.

Shit. Now I’ve done it. She’d given him a piece of her mind, and he was about to give her one back.

“So I should be clear, should I? Unequivocal? I should say what I mean? If I did, would you actually listen to me? Is that what you’re telling me? I’m going to hold you to that! Right this minute. I’ll say it all. Don’t plug your ears—listen to me!” He grabbed her hands as she was in the process of trying to put her fingers in her ears. He took a breath. He was looking at Maomao, but somehow he seemed almost embarrassed. Finally he managed, “Now listen to me, y—I mean, Maomao! Listen close! I am going to make you my wife!”

It's one heck of a chapter and I suggest you give it a go! The title of the chapter says "A man and a woman play the game" as if to emphasize the very fact that both Jinshi and MaoMao are playing the game.

Jinshi has never confessed his true feelings before this chapter and only implied that he wanted to make MaoMao his wife.

The implications were heavy though on Jinshi's part, and as smart as MaoMao is, anyone would have guessed that MaoMao was one of the candidates for Jinshi's consort. Even the clothes she received (the ones she wore to the banquet) were also provided by Jinshi along with the hairpin. It is never stated outright but seeing as the hairpin was from Jinshi, the clothes are also implied to be the same.

More or less she's always deliberately ignoring the possibility of having anything to do with him, that is more than professional. Some may call it denial, I call it dense. Maybe, to some extent, she herself is not aware of her feelings because she never lets herself feel anything.

Even Suiren pointed it out pretty early in the manga, that maybe it's MaoMao's way of being reserved. We need to keep in mind that MaoMao is an unreliable narrator and it's more of what she does, rather than what she says that makes a difference.

Even in the chapter that I have quoted above, she had every reason to leave Jinshi, she wasn't working for him after all. But she stayed to make tea for him, even after the fact that she had a long day too. She was almost just as exhausted as Jinshi and yet she was there preparing medicinal tea, so that he could get a better sleep.

Maybe she herself is yet to realise just how deep her feelings run. Till vol 12 she seems to have accepted them, but she still is yet to acknowledge their depth. Maybe it's because of her childhood.

It's not a traumatic backstory but MaoMao had a sad childhood nonetheless....

She was raised by her grand uncle and her real father was eccentric, who scared her. Her mother must also appear to be kind of demonic to her, since she was desperate enough to cut MaoMao's Pinky finger and send it to Lahan. So it's safe to say that MaoMao never received proper parental affection. And adding to the fact that, a brothel is not exactly an ideal place for raising a child.... especially when the birth of MaoMao was the one thing that brought the brothel to its knees...even if being born wasn't her choice.

Plus MaoMao stated it herself that when she was a baby, no one would come to sooth her until their work was finished, implying that even if MaoMao and her brothel sisters are close, they are not that close. A mother's love is different and she never received it. No one can love you more than your mother and MaoMao was deprived of that. She soon realised that no one was coming. Life is hard and she has no choice but to face it!

So, she got interested in poison.

Maybe she doesn't love herself or her life as much as she says / pretends she does. She's always like "yeah, I would very much like my head to be with my body" and "if I stay low profile maybe I can survive here" etc but maybe deep down that's not the case. Maybe that's why she loves poison so much. The implications are crazy.

And to break MaoMao's shell, Jinshi has no choice but to be a bit more forceful at times? At least that's how I interpret that choking scene. Jinshi was angry at MaoMao because she deliberately suggested him to marry consort Rishu and danced with Rikuson.

Even if Jinshi never said it outright, he was giving hints the entire time.

But well the tables turned and MaoMao topped him instead, lol (vol 7) and later we even see that our little stray cat has accepted Jinshi and she's ready to be in a relationship with him (vol 12).

Plus she is intrigued by the process of birth (she wants to eat her baby's placenta, it's kind of uggghhh.... but anyways, that MaoMao we're talking about, she's just weird that way)

Maybe not after too long she'll realise that if she has to give birth, she can only have it with Jinshi and no one else.

~Sunshine

[gloomwitchwrites]

secret baby trope with tf141? 😌😌

Anon! OH. MY. GOOOOOD. I love this. I love this. I love this. Secret baby? Yes, please. I adore this trope. I bow down to you for requesting this. I don't know who you are but I wish that I did. I can absolutely get behind a secret baby trope. I actually read a book recently that was a bit like that and I enjoyed it so so much.

I had an absolute blast putting this one together. Seriously. You totally indulged me here. Thank you!!

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Female Reader

Content & Warnings (per the warnings MDNI): swearing, suggestive themes, stalking, possessive behavior, second chances, pregnancy / unplanned pregnancy, parenthood, reunions, light angst

Word Count: 2.3k

ao3 // taglist // main masterlist // imagines & what if masterlist

Kyle "Gaz" Garrick

Kyle relaxes further into the couch. The air around him is slightly smoky.

He brings his vape to his lips and takes a hit. The action is calming, and that’s exactly what he wants. Kyle is rotting, and it feels fucking good.

Between missions, Kyle is always somewhere, but right not there is no reason for him to do anything. He can relax. He can watch reality television, eat himself to sickness, and wank off until his wrist hurts.

It’s bloody fucking brilliant.

Kyle isn’t attached. He has no kids. The only responsibility required of him is the one he has to himself. Which is why he’s splayed out on the couch in nothing but grey sweatpants and his vape. The television is on, and the volume is low. It’s mostly for background noise. Kyle isn’t really paying attention to it.

With a vape in one hand and his phone in the other, Kyle scrolls through his contacts. There are all the usual people there, but there are also a slew of general acquaintances and a long list of people he’s had it off with but never took anything further.

He pauses at one name, and old memories resurface.

They just happen upon him. Kyle doesn’t drag them up from the depths. They linger there, and Kyle remembers all the fun he had with you.

You were just a small fling. A few lengthy but deliciously good fucks that tops most of the sex he’s ever had in his life. There have been times since he last saw you—over a year now—that Kyle has thought about what could have been.

You were sweet. A potential partner. But Kyle didn’t follow through. He would regret it, but things can’t be taken back. There is no turning back the clock to change what has already occurred.

Kyle’s thumb hovers above the screen.

He shouldn’t. He really fucking shouldn’t.

But he does. Because why not?

Switching over apps, Kyle starts scrolling social media. He doesn’t usually give a shit about what’s happening in people’s lives, but he is curious about you. What are you up to? What are you doing? If you’re not attached, maybe he could call you up, rekindle what was once there.

You don’t have him blocked on anything—thank fuck—and Kyle delves into your socials, exploring your life. At first, the small infant in your arms is nothing to him, but then the tiny human keeps reappearing, and Kyle pauses.

Kyle scrolls a bit more. And stops.

Just three—no—four months ago, there are a slew of friends and family congratulating you on the birth of your son.

Your…son.

Kyle thinks back. Does the math in his head.

“Fuck,” he mutters, sitting up, gaze glued on the screen.

He scrolls back, studying every photo where your son is featured. Kyle’s heart slams in his chest. The features Kyle sees are features he sees every time he looks in the mirror.

“Fucking hell,” groans Kyle, the phone nearly slipping from his hands as he slumps back against the couch.

Why didn’t you say anything? Why didn’t you contact him?

The very thought of you not reaching out doesn’t sit well with him. It sits heavy in his stomach.

“Fuck,” says Kyle, switching over to his contacts.

He finds Simon’s number and taps the call button.

It rings on the other end, and Kyle doesn’t think that he’ll answer. But he does.

“Kyle,” comes Simon’s gruff voice.

Kyle sighs. “I need you to track someone down for me.”

John Price

John doesn’t like cutting off contact with people.

He likes to keep in touch, even if it’s just an acquaintance. But things happen, like a fucked phone with no way to retrieve contacts, and the only people he’s able to retrieve are those he sees on a regular basis.

Your number is gone. And John has no way to get it back.

Legally that is. He could try and find you in the system. What information he has is minimal, but then again, the two of you only had a one-night stand. He’s prone to it since he’s never in one place. Always moving around.

John would like to settle down one day, but his work is his life, and it just doesn’t seem possible to have a family and be consistent with them when he’s constantly called away.

He chews it over while sitting in his office. It’s late, and there isn’t anyone else here but him. Late nights like this are calming to him—a time to process away from the events of the day. John has your first name, where you might live, and a general idea of what your number is. But he isn’t certain, and it’s hardly enough to go on.

Sighing, deciding he’d rather find you than not, John turns on his computer. It takes a while to get the classified systems he has access to. No one tracks what he does on here, and no one will think twice if they do happen to look. John runs lots of names and faces through this system.

John waits. Ponders. Enters in different spellings and every possible clue to try and seek you out. With every new search, John begins to lose hope. He might be completely fucked. Completely at a loss.

If this doesn’t work, he might not ever see you again. And for some goddamn reason, that bothers him.

He tries one last time, expecting nothing, only for his heart to drop into his stomach,

“There you are,” he murmurs, leaning forward, gaze sweeping over your passport photo.

Grabbing a piece of paper, John jots down your phone number and current address. He also notes your top place of employment. You might not be there anymore, but that isn’t an issue. He has enough.

John shuts off his computer and grabs his coat. He’ll try to reach out first by phone and go from there.

“You have the wrong number, bud.”

The man’s southern drawl irks John. “You sure?”

“Yeah I’m fucking sure. Quit calling.”

John frowns as the line goes dead. The number on file isn’t recent.

“Fuck,” mutters John, running his hand through his hair.

This is getting him nowhere. The only other option is showing up at your home or place of employment, but he can’t do that unless he’s on scheduled leave. That’s months away.

And each month is fucking agony.

When John finally makes it to your front door, nervousness sets in. This is completely fucking weird. Who the fuck shows up at someone’s door months after a one-night stand? Him apparently.

But fuck it. He’s here.

Either he does this and things go great, or things go to shit and he doesn’t need to worry about it anymore.

John takes a deep breath, and then pounds on the door. He takes a step back, hands in his pockets as he waits. There is a stretch of silence, and then he hears it—the turn of a deadbolt.

The door swings open, and there you are, just as beautiful from when he first saw you. At first, your brow scrunches in confusion, and then your eyes widen.

“John,” you breathe.

He smiles, and then his gaze drops as your hand moves away from the doorknob to land on your stomach. Your belly is round. Protruding. You’re—oh shit.

“Is that—”

“Yours?”

Fuck.

John glances up into your eyes and swallows.

You shift on your feet, one hand resting against the doorframe.

“It is,” you confirm.

Simon "Ghost" Riley

Simon shouldn’t. Really—it’s fucked up. Wrong.

But he does it anyway because there is no fucking way he’s letting you go even if he has to watch from afar.

He’s done a lot of things he isn’t proud of, and losing you is near the top of the list. Not that he blames you for breaking it off. You had every right. Simon is always gone. Always away. And he rarely thought of you when he came home.

Communication can be a difficult thing for him. He knows this, and yet he couldn’t make an effort to do better with you. It wounds him. It does. Like a sharp blade to the gut.

But that is secondary now. Simon has dismissed it.

Sure, you’re not truly his now, but you’ll come back to him. He’ll make sure of it.

In the dark, Simon watches. Before him is a slew of screens and all of them show different angles of your home. Simon also has your phone tapped, and in another window, he can lurk through your messages and emails.

It’s where he first learned you were pregnant.

You know, and haven’t told him. Haven’t reached out in the slightest. Simon has to see all the results and tests come back via your email. He has to log into your medical portal to access specific things which is goddamn frustrating but he needs to know.

You are fucking pregnant. With his child.

It’s growing in your belly.

Even through the camera feed, Simon can see the swell of your stomach. He wants to be there, to stand beside you, and rest his hand against it. He wants to feel his son kick. Because you are carrying his son in your belly. Simon saw the results.

It’s fucking painful watching you like this.

He’s stayed away for a bit. Not engaging.

But you’ve broken it off before, and came back eventually.

Simon just needs an in again. All he has to do is figure it out, and then he can put away these fucking screens and surveillance. He can be by your side and be there when you give birth.

Leaning back in his chair, Simon observes every screen, his palm rubbing against his thigh as he considered his options.

He has to play this right.

He has to.

John "Soap" MacTavish

“Do you think you’ll ever find your woman again?”

Johnny grins behind his pint glass. “If she’s here,” he replies.

The beer is perfectly cold and goes down easily. It’s refreshing since it’s so bloody hot outside.

Johnny didn’t think he’d ever come back to the little seaside town. He came between missions—a way to relax and get away for a bit. With only a few hundred residents, it seemed like the perfect place. What he didn’t expect was to meet a woman that upended his fatigue and made him glow a little brighter.

He learned your name while exploring a local pub. You were a pretty thing. Caught Johnny’s eye immediately. With several beers fueling him, Johnny struck up a conversation, and you were receptive to his charm—melting like butter over fresh toast.

That evening, the two of you jumped from pub to pub, having a bloody good time. It was fucking magical. Afterward, the two of you ventured back to Johnny’s hotel room. But the two of you didn’t have sex. It wasn’t until the next morning that Johnny actually fucked you.

Johnny had presented himself, you slid right into his arms. The hotel bed was well-used. There wasn’t a moment after that Johnny didn’t have his dick inside you. He kept you full and screaming his name for an entire fucking week.

But when that week was up, the two of you parted ways. You gave Johnny your number, and for a couple months, you were consistent in your texts and phone calls. Then it all changed, and you began to contact him less frequently.

Eventually, you didn’t talk to Johnny at all.

He was hurt at first. He tried to reach out. But Johnny didn’t hear a thing—and he left you to it. Maybe someone else arrived into your life. Johnny can respect that even if he doesn’t exactly like it.

It sucked then. And it still pains him a bit now. Johnny liked you when you left—and if he’s being entirely honest with himself—he still fucking likes you.

Maybe you’ll be here. Maybe you won’t.

Kyle is with him this time. A guy’s trip. Price isn’t one for vacations, and Simon has his own shit going on.

“We could try that pub again,” suggests Kyle. “See if she’s there.”

Johnny shrugs. “Maybe.”

“Did she live here?” asks Kyle.

Johnny nods. “Aye. Sure did.”

Kyle bobs his head. “We’ll find her.”

The two of them sit outside a small pub. The air is laced with salt from the ocean, and the sun is out, shining bright. It’s hot, but it’s a beautiful fucking day.

Johnny hums in agreement, bringing his pint glass back to his lips. For a moment, Johnny glances away from Kyle, looking out across the road where people walk along the pavement. He frowns.

Is that?

No. Can’t be.

His focus becomes a tunnel, and all he can see is the woman across the road. It’s you. There is no doubt. He knows that body, that hair and smile. You haven’t changed all that much. Not really.

There is another woman with you—a friend that Johnny met briefly before you and him went off on your own.

But that isn’t what has Johnny’s attention.

You’ve turned, and Johnny can see a swell to your stomach. Your hand cradles it affectionately.

“What is it?” asks Kyle, but his voice is distant.

“That’s her,” murmurs Johnny, his pint glass lowering back to the table.

You don’t see him. You’re chatting with your friend, features animated. The curve in your stomach is fairly large, and a deep twisting in his stomach arises, moving toward his throat.

“Oh fuck,” says Johnny as Kyle shifts to look in the direction Johnny is staring.

“Is that?”

“It fucking is.”

“She’s fucking pregnant.”

Johnny swallows. “Aye.”

He doesn’t want to admit it, but it’s likely the fucking truth. The baby is probably his. No wonder you stopped talking to him. Maybe you thought it best to cut off contact when you found out.

But that doesn’t sit right with him either. If you had told him, Johnny could have been there for you sooner—not finding out like this.

You throw your head back and laugh, playfully hitting your friend’s arm as she says something funny. When you wipe at your face, clearing tears, your gaze shifts, and all the humor leaves your face.

You’re staring right at Johnny.

And he’s staring back.

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