#also. painting is unfortunately one of those things where the materials you use really do matter

[blueskittlesart]

do you have any painting tips for a mediocre painter

depends on what kind of paint you're working with lol! i tend to work with either acrylic or traditional gouache (last painting i posted was gouache!) but i'm a known hater of oils and watercolor lol. gouache is probably my favorite paint medium because it's pretty versatile and easy to use imo! but acrylics are significantly cheaper. there's not a lot of difference in my technique when painting w acryls vs gouache actually so i can just give you some general tips ig?

have a decently large jar of water on hand, even if you're working with acrylics. clean your brush CONSTANTLY, even when you feel like you don't need to. if you're working with high-quality heavy body acrylics (which i recommend, they're more expensive than the cheap craft store brands but they're WAY better quality. i use liquitex heavy body acrylics) the pigment is a lot more saturated within the paint, but that also means that the paint is a lot thicker and won't lay smooth unless you have some water on your brush. (note: your brush shouldn't be SATURATED with water because that will effect the opacity of your paint, but it should never be bone-dry either!) wetting your brush also helps your bristles stick together and keeps your lines looking smooth!

for something like gouache, i usually start with a watered-down underpainting. this isn't as necessary with acrylics, but can still be helpful. Gouache isn't perfectly opaque, and if you're using traditional gouache it's water-based and will merge slightly with the colors below it when wet. a single-color underpainting can help unify your colors this way, and it's really easy to do! just pick a color (i usually go for a dark blue or pink, but it depends on the colors of your piece) and water it down until it's about watercolor consistency, and then just brush it over the entire piece!

as for brushes, i have 3-4 brushes that i normally use: a hard chisel tip brush, a large soft round brush, a smaller soft round brush, and a script liner brush. the chisel tip is good for blocking in big details early on because it allows you to cover big areas but still has the potential for detail. the large soft round brush is mostly for underpaintings but i will occasionally use it for larger areas on bigger pieces. the smaller round brush is what i use to get most of the details in. it's got about a 4mm diameter and still comes to a nice point at the end so it's useful for a lot of different things! for really tiny details, that's where the script liner comes in. this brush has about a 2mm diameter with 1cm long bristles, so when used properly it gives you a very thin line with a lot of control. this brush was probably the hardest to learn how to use but it's really the mvp whenever i work with gouache lol!

other than that all i can say is practice! learn the properties of your chosen medium--how it blends, how it dries, whether it can be reactivated, how it mixes, etc, and use what you learn to your advantage! i spent a large portion of my high school years taking traditional art classes where we painted a TON and my skillset definitely improved because of that practice alone!

[alastors-antlers]

Why Alastor is good aroace rep after all, written by an aroace

Hello all! I just want to start off this post by saying that I'm one person who definitely doesn't speak for all aroaces, but I wanted to make a post on this anyway, and maybe some folk would be interested in hearing out another perspective?

I'm not really caught up on everything that's been said over the course of HH's creation - only more recent interviews, since I'm pretty new to the fandom. Apologies if I've missed anything, but also I do not have the time to keep up with all the out-of-canon-material backstory unfortunately. I'm working with what we've got here.

So here's the thing:

Alastor is cruel, he's narcissistic, he doesn't care about anyone except himself, he's a serial killer and a monster.

(That's the argument I've heard - please tell me if that's not really what people are going for lol, in which case I've totally misunderstood?)

The issue with aroace rep when it paints asexual people with those traits is that it aims to dehumanizes them. Sex and love are essential to the human experience, right? So why wouldn't someone be interested? Because they're self-absorbed, and cold, and detached. They don't have the capacity to love others enough to feel romance.

And sure, Alastor is a killer, and a schemer, and prideful, and a monster by hell's standards. But no matter how above it all and stylish and in control and provocative he wants to be, he's a very human character, and his aroace-ness never serves to add to his alienation. You could even say that it makes him seem even more personable.

That's what I think is the key difference.

why he's human

Alastor's whole persona is about control, and he basically straight-up says this. He's controlling what his enemies know, what his public image is like. His goal is to be the Radio Demon -- overlord of Hell, charismatic, Machiavellian, and undefeatable. He's not. Despite that smile plastered over his face (a powerful tool, huh) he's so expressive for someone who's constantly pretending.

You see his exasperation with the Egg Bois and with Charlie's ranting; his nervousness in front of Zestial; his frustration with Lucifer and the petty lengths he goes to to piss off the ruler of Hell.

You see his desperation, making that deal with Charlie. He's surprised by the idea of being vulnerable in front of an enemy like Adam, and so close to danger. He drops the radio filter and the affect out of fear, and runs on broadcast TV to let out panic and anger and bitterness in his hideout, where no one else can see him.

He has a smile that tells us he's genuinely happy to see someone; it's a little wider than his default. You see it with Mimzy's greeting, you see it with Rosie. Rosie, especially, serves to make Alastor more human to the audience. More on this later, but for now, I'm just saying that you can see that he at least seems to respect her greatly. Whatever bond they have, we know that he trusts her to touch him, to share history with him, and with support that he trusts no one else for.

He pretends, but he can't pretend it all away. Loads of these emotions aren't even advantageous for him to show. It isn't necessarily how the typical asexual psychopath acts; he's not emotionless or only capable of anger or brutality.

He's so full of emotion that it leaks through, despite all that he does to avoid it. He's not inhuman and aloof, not really - he's so, so human, even when he tries not to be because he thinks that'll be what keeps him above all the rest. In control, and free from his chains.

(If anyone wants to see images about all this, I'll make a separate post - just let me know.)

(I also have another post, talking about why Alastor is at least a little attached to the hotel's residents too, shown via conversation with Niffty. In what way? different question.)

how the aroace part contributes to that

Now, to be fair, we don't hear much about his aroaceness in canon. It's just not relevant a lot of the time.

In the pilot, Angel's proposition ruffles his feathers so much that Alastor blanks for a moment. It's a joke, sure, but that ace panic face is a pretty popular Alastor moment in the fandom - Alastor, thrown off-balance by a sex joke of all things, after so many years in Hell that he should probably be used to this.

It's a moment that makes him more approachable; his aroaceness shows him unprepared for something someone else does for one of the only real moments in the whole episode.

And the other part: the ace in the hole statement.

Rosie apparently knows Alastor so well that she read that he's aroace. That tells us about their relationship; namely, that it is long-standing and genuine enough that she gleaned a piece of real information from him. It's a casual fact that she knows about him before he even figured it out himself. It lends legitimacy to their bond - this bond that shows us a more comfortable and warm side of Alastor that we don't often see.

If their relationship is purely business, isn't this something pretty frivolous and personal? It's not like he has anything to gain by telling her about his life, but she learned about it somehow. How close are they? That's where it adds a layer of complexity and personality to his character..

thoughts on representation

Overall, Alastor's an interesting character who has a level of depth and care and personality (outside of cruelty) that asexual psychopath tropes lack. Again, the moments where he's being represented as disinterested in sex or romance don't make him seem detached. Again, they don't say "look how hostile toward relationships his behaviour is - how separate he is from our humanity". That's what bad villain ace rep is. That's not what the show's doing.

Also: I'm not saying that we need to lower our standards or anything, but even if you think it's not the best rep, I feel like we should be supporting HH's efforts here. I know that on Tumblr we have a pretty queer-friendly space going, which is honestly an understatement lol but

Aces are incredibly underrepresented in fiction. There's a whole Wikipedia page about asexual characters in media, and it's short as all hell, and even if you consider what's on there you see quite a number of one-off characters who are never mentioned again.

In terms of real life business - before the DSM updated their definition of hypoactive sexual desire disorder (HSDD) in 2013, identifying as asexual wasn't even a recognized thing. If you talked to a clinician about your lack of sexual desire, you could be diagnosed with a disorder. Only in the 5th edition do we now have a little exclusion footnote about it.

The concept of asexuality hasn't been explored nearly as much as other queer identities in our scientific research. We get crumbs in terms of mainstream representation and understanding. House M.D. has an episode where House "disproves" us because he's just so smart.

Alastor isn't going to be perfect representation. There's no such thing as perfect representation, and from the moment he was conceptualized, you could see how people would take him poorly. Still, I think he's a net positive.

He isn't a side character or a token ace - he's a core part of the show, whose personality and character motivations we can reasonably presume are going to be explored much more deeply in upcoming season(s). He's loved by the fandom. Right now, given what we know, I trust Vivziepop to write the aroace representation he deserves, because with the way I've heard the cast/directing/etc. talk about him, they're trying to do the aroace community justice, so I wish people would let up just a little on the whole "Alastor is bad rep".

Let's give him a chance, all right?

[acti-veg]

About the Soup Activism. I'm not upset about it since there was a glass panel. But I don't see how it accomplishes anything & to me it's bad optics. Targeting a painting in a public museum of a man who died in poverty has nothing to do with the climate (yes I've read their reasons). Do that in places where the disruptions will matter, like a bank or a private jets terminal or a slaugher house or a golf course. This anti oil group accept crypto donations & seems to be focused on travelling 1/2

a lot to do demonstrations like this. To be fair they also use the money to organise talks. Still the stunt events seem to be the focus and it doesn't do anything apart getting people talking and hyping the media to make more people hate climate activism. Just words and using polluting methods to spread them. That seems counterproductive 2/2

What does any lone climate protest achieve? Can you name for me an achievable protest that would materially address climate change? Because I can’t. That’s not what protest is - this is one act among a global collective of activists aimed at disrupting institutions and individuals to the point where it has to be addressed. Climate protests will continue to get stranger, because that’s the only way to get anyone’s attention on this issue now, good or bad.

You’re missing the point - no Van Gogh’s work has nothing to do with climate change, but they weren’t protesting Van Gogh. It is has nothing to do with the man, the work, his life or is death, or the fact that it’s an ‘oil’ painting which I’ve seen a depressing number of people parroting - the painting was just a public stage for them to say what they wanted to say.

As for crypto, it’s a non-issue and is just a great example of the kinds of things people will reach for to discredit a protest movement. It’s yet more of the same things all protestors deal with every day, as a vegan activist I constantly get ‘what are those shoes made out of bro’ ‘hey bet you killed loads of bugs on the way here in your car didn’t you lol.’ They take what money they can get to do the work they do, so long as it doesn’t influence the kind of work they do or who they target I really don’t see the issue.

In terms of bad optics, that criticism has been levelled at just about every protest movement to have ever existed, especially those who challenge a status quo that many of us currently benefit from. Do I think this is the best thing they could have done to promote positive public engagement? No, of course not, but I’m at a loss as to what else they’re supposed to do at this point other than grab the public’s attention and try to hold it.

You said it yourself - you read their reasoning. Do you know what an accomplishment that is for a small protest? Two protestors with a couple of cans of soup? To get potentially hundreds of thousands of people to Google what you did and why? It may not have been perfect or popular but it is more than most of us will ever accomplish.

More palatable education and protest campaign are happening every single day, and this needs to be viewed in that wider context. In fact, this very group has done plenty of other more ‘softly softly’ kind of work, we just don’t hear about it because the media doesn’t cover it. We are at a crisis point now, normal life cannot continue in the face of what will be a catastrophic climate catastrophe, we need a covid level response and people will get increasingly desperate the more it is pushed to the sidelines of public consciousness and political debate.

Climate protest is going to get more and more disruptive because it has to, because we cannot let it be ignored in the way it is being now. Not all of it will be things you like, or things that give climate protestors ‘good optics.’ The point is to disrupt, to engage, to educate - one protest can’t do everything but unfortunately this one act has got people talking about climate change more than the millions of people all over the world who are suffering and dying because of drought, extreme heat, floods and all the other effects of a rapidly deteriorating planet.

We talk about this issue as if we have time to do this nicely, to make sure every protest is on message and won’t piss off the public but we just don’t. At this stage of a global catastrophe and a collective turning away I’ll take any public attention on this issue that we can get. At least they’re doing something.

[zenosanalytic]

Paintbrush, PlasGlue, and Holy Clippers: Elf Rangers: Day 1(and 0 and -1): The Problems

Im CHANGIN IT UP >:>

Ok so: the rangers were $5.50 for the pair, which seems to be the going rate for Nolzur Minis generally, and they come preprimed in white. However the plastic is much softer in these models and the sculpts more ambitious than the material can really withstand. There's also a VERY noticeable mouldine on the handbow mini

And some rather obvious bends on both

I wanted to fix these. So first I turned to my trusty round-headed file and new-bought mouldline remover to make An Attempt

which went fine, though it was difficult to move the remover in such a tight space and I ended up mostly working with the file(which was Harrowing given the soft bendiness of the plastic, but it worked out fine), and I WOULD end up going over the line two more times with the file after this, until I'd be satisfied. I need to checkout those glass files -__-

You'll also notice the new painthandles, peeking into two of those pics. These were super-easy to make, and super-cheap: I went to Lowe's and bought a banister-end(I'd have preferred wooden dowels, but they didn't have any) for literally $2, one in reasonably good condition cuz I didn't want to fuss with knots, marked it off into good holding-sized sections for me(this will vary person to person, obvsl) and then, using a battery-powered circular saw and an outdoor table, sliding the section to be cut out into the air a reasonable distance from the table before doing so, cut them into said sections. This isn't STRICTLY proper procedure, but I don't have a table saw, and clamping, unclamping, and reclamping would take loads more time than just... sliding the board after each cut, so I just used basic saw handling safety(KEEP AWAY FROM THE BLADE! CUT AWAY FROM YOU!! WEAR EYE PROTECTION!!! KEEP YOUR SAW IN GOOD ORDER!!!! USE AND MAINTAIN A STABLE, STURDY, AND CLEAN WORK SURFACE!!!!! HOLD THE WOOD FIRMLY AND KEEP IT STILL AS YOU CUT!!!!!!) and knocked it out in probably 5 minutes or less(I have once more forgotten to time things -___-). You could do the same job with a handsaw or hacksaw, it'd just take you longer and be less straight because of it, and I already had the circular saw(and xp using it) anyway. Unfortunately this only made me 11 sections, which is a MUCH worse number than either 10 or 12(which is TWO WHOLE SIXES!!! CAN YOU IMAGINE?!?!?!) Here they are

They are my Beautiful Large Children, and I Love them u_u As per usual with sawing, there was a single uncut shard hanging on where the wood snapped loose, and I just ground these off into the table after picking them from the ground, tho if you look closely at dinky there you'll notice I missed one(this ground off just fine into the cutting mat). I secured the minis to them with basic sticky-tack from Michaels, pressing them firmly to the tack for 30 seconds to ensure a good bond.

Back to the problems. So bends. At first I tried to fix these by just counter-bending them for about a minute, but No Dice. So I went online and looked for a video and found this one

Fixing bent or warped plastic miniatures by Watch It Paint It

It explains a method for fixing these bends: you get two containers big enough to both submerge the models and manipulate them inside, and a pair of tweezers. You fill one of the containers with ice water and set it aside, then heat some water to NEAR(not AT) boiling and pour it into the other to a submergible depth(I used a funnel so as not to spill). Now, using the tweezers(cuz that water is HOT!) you lower one of the minis into the hot water, and keep it there for 10-15 seconds. Then you take it out and bend the bent parts into the desired shape; the plastic will be extra-malleable due to Heat and them being made out of Goo. When you've done this and the plastic seems to be holding that shape, you dunk it in the ice water for 5-10 seconds to reharden. This absolutely works, tho I had to do it four times over three days to completely fix the bends in mine. I was worried it might compromise the prime, but it didn't.

So that was fixed BUT!!

GAPS! Apparently these sculpts were cast in pieces, then connected before shipping. You might also notice, in pic 3, a tiny plastic tag hanging from the Archer's arm, left over from the casting process. I cut that off with my clippers and hobbyknife VERY CAREFULLY, taking all the time I needed to not mangle the model, or myself. On the Archer at least I admire where they chose to site the gaps, because at the clothes line it looks pretty natural, but with Handbow they're just Awful and all over the place. She practically looks Beheaded! So, I figured I'd try using Liquid Green Stuff

which is SUPPOSED to be precisely for filling in tiny gaps like this. In practice, though, the repeated applications necessary to make it work and the general Tendencies of the substance mean it has a pretty poor reputation among hobbyists, who much prefer the old solid dual-epoxy version for filling gaps, and use this mostly for adding texture

(Here's a video on that if you're interested: The REAL Use for Liquid Green Stuff by Tabletop Minions)

However, these WERE Very tiny gaps on Very Tiny minis(and my gamestore doesn't open til midday and I really wanted to get started) so I figured I'd give the liquid stuff I already had a go, applying it with my Psycho brush since it was already in rough shape and had a sufficiently dinky tip for the job. I did two application(and probably should have done more on Handbow's underthigh), giving it 30 mins to dry btwn each, and thankfully it worked fine. And I forgot to take pictures of it before moving on to painting -__-

I was thinking Wood Elf for these so I figured I'd go with an "Earthy" paint scheme, and I wanted to stick exclusively to Contrast Paints as much as possible since I didn't really get much xp with them in the last project,

(So: I watched The difference between washes and contrast paints by Duncan Rhodes this morning to prepare)

, so I decided my Primary would be Emerald green, my secondary Burgundy/Tyrian, and that I'd use Teal(that 'Kroxigor Scale' at the end) for an Accent color. For Flesh I was thinking I'd use Guilliman Flesh which looks like a nice, rich ochre tan(tho I REALLY LIKE giving elves weird fleshtones, and might still >:3), and then I'd use Mournfang brown for their boots and belts and scabbards, Sepia for the fur and bowstrings, Black Legion for any secondary leathers, and then Brass for armor and probably leadbelcher(not pictured here) for the swords and arrowheads.

Something about contrasts Rhodes points out is that they dry quickly and form a skin which can create smudges if you try to work over it before its completely dry, so you need to work fast and with Intention. So My initial plan was I would use a medium glaze brush for the large fabric bits, then come back after to get the tiny bits with my precise detail brush

But this was too finicky, all the brush switching and the time cleaning them, and the glaze brush was too big regardless, so after about halfway through applying the first coat of the primary and secondary color, I switched to just using the precise detail. Here's how that looked when it was done.

I think the colors are good for a base layer, but I had a bit of a rough time painting these. The contrast paints had a tendency to slide around on these models, perhaps from the prime or maybe the plastic used, which made full coverage more difficult than I'd like, and the sculpts themselves are really poorly defined, making it difficult to tell where particular textures begin and end, and also catching the brush in sometimes unexpected ways. I made sure to clean my brush between models so as to prevent paint drying in the bristles, and to wet them regularly. This was the first coat and I wanted a richer color on the green, and to fix a few spots I wasn't pleased with the coverage of, so I gave it 30 mins to dry then applied a 2nd, giving it the same.

When it was dry, I decided I'd use my teal accent to paint Archer's fletching(the feathers on the arrows), the jewel-shaped pommel of Handbow's sword and a sort of gem design hanging in the middle of the wrap draped across her lower waist, and also the leather and fur. The Accents, belts and boots were all easy enough, but the sculpting issue is particularly bad on the legs(Im painting them as if they're wearing brown hide/leather pants), so parts of this may be repainted by the end.

I also tried the sepia wash on the fur lining of the boots and the bowstrings

I wasn't really satisfied with this. It looks good enough on the fur, but I'd prefer a stronger tone, and it doesn't work at all on the bowstrings(which, tbf, I need to look up bowstrings to see what color they ought to be anyway). I figured I needed to let it dry before I could do anything with it anyway, and it was ~lunch by this point, so I figured I'd break for that & a trip to the gamestore, then get back to it.... But then got Suddenly Busy with other things, until ~4 when I started writing this post XD

So That's where we leave our Painting Quest This time, Dear Readers. Tune in tomorrow, same time same place, for more Exciting Adventure in PAAAAAAIIINT!!!!!!(where I will, Presumably, finally decide what Im going to do with the hair XD XD)

[herefm]

🌟 Here Spotlight: Alabaster Pizzo🌟

A space for (almost) limitless creativity, Here lets you create rooms \ that let you fully express yourselves. But sometimes, we need a little inspiration. Welcome to Here Spotlight, a series of interviews with some of our favorite artists and creatives out in the world.

Hi Alabaster, could you tell us a bit about yourself? Where are you in the world and what does your day to day look like?

Hi Here, I live in Los Angeles. Depending on what or where I’m working, I might work from home one day on drawings and comics, or go to my workshop where I make things out of concrete and recycled plastic, tile, and wood.

How did you get into drawing and making art!

I’ve always done it. My parents have comics I made when I was 3, before I could even write (I dictated and my Dad did the lettering).

Tell us a little bit about the room template that you made! What inspired it?

My house and my plants! I have about 200 plants in my apartment. Also, I love cinderblocks. I use them to make shelving or as plant pedestals a lot.

What are some of the projects that you were super excited to work on so far?

Ahhh, I always have like 6 or 7 projects I’m working on. I’m trying to develop a painting practice; like the drawings I do but way bigger. I have a work space that is not my house for the first time ever so I’m exploring bigger, messier work, which is so fun. In 2021 I serialized a 60 page comic on instagram, posting 2 pages every other day, and that was really exciting, reading people’s feedback as the comic was made.

Who are some of your favorite artists on the internet right now?

Because I’ve been teaching myself how to recycle plastic into art, I’m excited to have made internet-friends with cooltrashnet and funky_alchemy who are making innovative work out of similar materials and processes.

What are some of the things you would tell your younger self? Are there anything that you would like to know earlier in your life as an artist?

Actually nothing! Looking back, I think I’ve learned and grown and evolved in ways I’m proud of and also feel like they've taken the right amount of time. If I could redo my 20s, I’d take myself dancing more. I was too shy to do that alone until my 30s.

What are some of the anxieties that you have around being an artist and being online?

Being very visible online opens me up to a lot of stressful situations. I used to enjoy interacting with anyone who wanted to message me but I’ve had to turn those features off, which is unfortunate. I want people to enjoy and relate to my work but I try to stay completely away from pandering. It can be really easy to let that seep into your work, and then you are making work you know will get shared instead of work that is meaningful to you. Most of the paid work I get is from people seeing my art on social media, so this is difficult to avoid. I wind up having to sacrifice money for integrity, and the United States is a very harsh place in which to make this choice. But most online spaces are free, so the barrier for entry to start making and posting art and interacting with other artists is low.

What takes the most of your time in your day to day?

I spend way too much time poking and prodding at my plants when I should be working

What are you some of the things that you are working on that you’re excited about right now?

I’ve taken a small break from comics to explore material art but I think I’m going to return to comics soon.

Are there anything that you are looking forward to for the coming year?

Just hoping for a time when going out and being around other people feels safe again, it won’t be this year. Maybe next year

What’s a song that you listen to almost everyday lately?

I don’t know about every day haha, but the song I dropped into my room template is Inspector Norse by Todd Terje, and is an enduring favorite of mine. If you like dance music, you can check out my Spotify playlists, search for my name :)

[methodactordonnacosplayer]

Say hello to Captain Alice Steamspring, the steampunk airship captain!

Details and design process under the cut

Finally done with my first stock box challenge, which is where I don’t use any concept art or reference photo, and only use materials I have on hand. She’s a rainbow high doll (unfortunately idk which character but she had long straight burgundy hair if that narrows it down), which made me realize she wouldn’t exactly mesh with the rest of my other dolls, so I took a sort of Alita battle angel approach and gave her big anime eyes and the idea of her being a steampunk robot. I disliked them a lot at first, which kind of put me off the whole project for a couple weeks but I’m coming around to them. the only reason why the eyes look like that instead of being inset like the dolls normally have is because I cannot do inset eyes to save my life. so I just filled them in with apoxie sculpt and painted over them.

The corset and hat are rainbow high clothes. I ripped the corset off of a dress that it was attached to, and it used to be clear until I painted it copper, and the hat was black with some design on top until I painted it brass. The shoes were also painted and given little bows. And if you look closely, she’s got copper, brass, and gold colored freckles.

The gears are all left over from (re)making Heisenberg, which is why the one that acts as her hairband is painted gold. I was feeling inspired. And even though i did no planning ahead of time, the gear hairband itself was inspired by an unused dollightful concept. 

Back to the hat, this was what really saved the project for me, because I thought the angle of a clockwork robotic airship captain would be pretty cool. So I’ve named her Captain Steamspring, after the steamspring furniture set in starbound.

The only things I had to sew were her skirt and blouse, also used from the fabric i used to make Heisenberg‘s pants and shirt. And I’m not too experienced with making those kinds of ruffled sleeves, but I thought I’d give myself practice for a future project 👀 that calls for one of those fancy vampire shirts. I don’t know what they’re called. I’m calling it a vampire shirt. 

Even though I had a lot of struggles with this, I had so much fun making her and I especially had fun with the shiny metallic paints that I never get to use.

[https-kirstenikita]

It's been a while.

It’s probably been about 10 years since I last did a blog entry. It was something very prominent during the 2000s/early 2010s, as influencers and social media stars became a *thing* it was natural that those with a platform would also have a blog, to really solidify their social presence. 

From my experience, blogs were mainly like an open journal for all modes of expression. You want to exhibit your fashion style? Start a blog. You like to cook? Start a blog. You want to ramble about your thoughts and feel like it goes into the void? Start a blog. 

I started blogging when I was about 11, I don’t know if it counts when it’s on Microsoft’s Notepad but it felt like a big deal at the time. I’ve had a diary since I was very little, but having this technology where I could correct mistakes without anyone seeing those mistakes felt huge. I eventually discovered (and was allowed) the internet which opened a thousand doors, one of those being Piczo. I loved Piczo. As soon as I discovered it I knew it was the one. The variety of people, the focus on photos and depicting life in so many varying styles just hit in a way that made me excited about teenagehood and life ahead; I wanted to be a part of it and I felt like I was. 

Piczo unfortunately called it a day in 2012, and I moved over to Tumblr which I loved but was never the same (yet here I am!). Tumblr itched a scratch I didn’t know I had, however Piczo is one of those nostalgias where I randomly wonder about those who I used to follow. Those bloggers were just everyday people with a few hundred followers, sharing their highs and lows with total strangers with no consequences, no prominent influence. Parasocial relationships exist in smaller spaces too. 

Sharing my personal life and general thoughts on Tumblr didn’t last long. It was a popular site however puberty hit, I was bullied and it didn’t take long for people to find my blog which meant immediately deleting everything before the inevitable shame. Those who picked on me already had enough material, they didn’t need my thoughts as well. And then that was kind of it, by the age of 14/15 I’d quit blogging. 

I’m now 25, social presence has vastly changed since then and I know blogging is still very real and very much a thing, I just want to get back into it as a random person out in the world. It holds a special place in my heart and I enjoy it. I currently live with my boyfriend of 7 years, I have a Bachelor's degree in theatre and am the receptionist of a salon whilst still working in theatre (when I can). I’m passionate about painting, art, drunk cleaning, the Sims, reorganising the whole space when I feel mentally unstable and workers rights. I’m doing this because my mental health has been low for some time and I’m trying my best to rekindle the loves I had in teenagehood. Not because I can’t live past it, but because I feel like those passions got lost somewhere. 

As my mind stands right now, this blog will be talking about past life, future and present. Whatever I’m into in the moment, book reviews (hopefully!) and general ramblings. If you fancy the read, go for it!

Kirsten x

[snackhobi]

min yoongi is the best shot in the business. you’re the best gunsmith in the city and the only person he trusts to programme his tech; to make his gear. 

he likes your work. it’s a shame, then, that he doesn’t like you.

pairing: yoongi x f!reader / word count: 14.3k / genre + rating: NSFW (18+), cyberpunk!au, smut, frenemies (?) to lovers

warnings/etc: hitman!yoongi. black market dealer/gunsmith!reader. cursing/explicit language. whole lotta tension, sexual and otherwise. mentions of injury/violence. minor character death (no one important, don’t worry, this isn’t an angst fic). brief hurt/comfort. reader has tattoos. sexually explicit content. oral; fingering; multiple orgasms; overstimulation (f). unprotected sex (please take the necessary precautions irl). rough sex?. choking. creampie. brief mention of aftercare. I think that’s everything but please lmk if I missed any!

a/n: thank you SO MUCH to both @hobi-gif​ and @morndas​ for beta reading this and being so supportive, ily both so much and I owe you my life 🤧💕 as always what was meant to be a short fic turned into a huge one. also this is technically for my 1.1k milestone but it’s a billion years late, oops!​

Yoongi really doesn’t like you.

You’re loud. Cocky. Arrogant. You needle him all the time, dig your fingernails in and squeeze, revelling in the way he sets his jaw, the muted spark of irritation in his eyes. You bat your eyelashes and tilt your head, throw it back whenever you laugh and reveal the easing column of your throat, dragging each interaction out with a kind of sadistic pleasure that has him gritting his teeth. Because you love annoying him, getting under his skin, tapping your fingers against the soft swell of your bottom lip as you eye him up, taking your time before you speak.

Infuriating. You’re infuriating and you know it.

It’s unfortunate, really, because you’re unavoidable. 

Jungkook had asked, once, why Yoongi doesn’t just go elsewhere. They’re more than familiar with the underbelly of this heaving city, underneath all the neon lights and shimmering holograms and towering skyscrapers and legal tech; the scuttling seams of back alley traders and illegal goods, tech or otherwise. There are plenty of black market dealers, after all, plenty of other vendors he could go to to get the equipment he wants. Plenty of other skilled crafters, artificers, artisans, people who would be more than happy to create the things that Yoongi asks for, that he needs. People who can get their hands on anything you want. For a price.

Yoongi’s answer had been short and succinct.

“She’s the best there is,” he’d said, and that had been that.

Because it’s true. You might be exasperating, maddening, laughing in Yoongi’s face where others might cower or genuflect, but no one is as good as you. All of Yoongi’s gear has been crafted by you; each and every single one of his weapons, his tech, the headpiece that fits so perfectly around the back of his skull that Yoongi often forgets that it’s there, hidden in his hair, unfolding across his eyes whenever he lines up a shot to make the kill—there’s evidence of your work across every inch of his body, hidden away under his clothes, day in, day out. Even when he’s not on a contract Yoongi never leaves anything to chance. 

(A walking armoury, Namjoon had called him once.)

(You’d phrased it differently.

You’re always packing, hmm? you’d hummed, rapping your fingernails in a steady beat as you’d leaned back in your chair, smiling with teeth. There was laughter in your words and your gaze, no attempt made to hide your amusement, but after your goading you’d made him a collapsible sword anyway. It’s a beautiful thing, this folding blade, bristling with plasma and energy if Yoongi needs it, lethal and deadly. One of his most prized possessions, something that’s gotten him out of multiple corners, and he owes it—you—his life.)

There’s no one on par with you. You’re a Renaissance woman, a fiercely talented polymath who doesn’t need to rely on anyone else to create the things you create. Low-tech, high-tech, no tech—you make everything from scratch, programme things yourself, hunched over each project in your own workshop with nothing but your mind and your own two hands.

It’s the only reason he puts up with you and your antics, the sharp jibes, the shameless flirting; you’re the most infuriating person he knows, but there’s no one else he would trust with the work that you do.

Unfortunately.

Which is why Yoongi finds himself here, again and again, as familiar with this studio as you are—he watches you work, sometimes, watches you sketch up blueprints and drag your fingers across your array of displays, your world cast in shifting shades of cyan and electric blue from all the tech in here, humming and alive. He likes to see how his equipment is made, after all. It can mean the difference between life and death. He takes this seriously.

It’s the one time you might be quiet. Might be quiet, because you still talk even when you work; flick your gaze between Yoongi and whatever’s set in front of you, that ever present smile spread across your lips, smug and amused. You’re only silent during the hardest jobs. Like right now, you’re intense and focused, a furrow dug between your brows as you survey his sniper rifle—almost shorn in two. (It had been the only thing to hand when he’d had to block a blow from a guard he’d somehow overlooked, no time to draw any other weapons before they’d started to brawl.)

You’d been unimpressed. You’d raised your eyebrows with all the severity of a disappointed mother, bitten words out at him with molten snideness, dripping heat and snark.

“It’s a gun, Yoongi. A gun. You know, something you shoot with? Pew pew? Blammo? I’m not sure what sort of shields and body armour you’ve seen in the past but this isn’t either of those things. Do you want me to sketch some diagrams up for you? Or maybe I could write you a book. Baby’s First Arsenal, Chapter One: The Difference Between Things That Are Guns And Things That Aren’t. Would that be helpful?”

No one else talks to Yoongi like that. No one else would dare. It’s only a rare few that know his birth name and it’s not often that he hears it, more used to the sound of Agust D falling off people’s lips. But that had been part of your price, part of the agreement when he’d first met you and asked for your services: his real name.

Yoongi had let it wash over him, had endured your tongue-lashing before putting the gun down with a heavy finality and thrust it over at you, tired of all your talk.

“Just fix it,” he’d demanded.

You’d laughed in his face.

“As always, your bedside manner leaves something to be desired,” you’d said, taking the rifle from him.

The D-2 Shadow isn’t just a weapon. It’s a piece of art, clean edges and slick lines, and Yoongi is grateful to have it back in his hands. There’s no other sniper rifle like it, made of super lightweight alloy and easy to handle; thermal scope, enhanced stabilisers for accuracy; superior kinetic coils for better shot penetration. Yoongi had asked for the best and you’d delivered. Gone above and beyond, crafted a weapon the likes of which no one else possesses, modified in ways other people can’t even fathom.

And you’d fixed it when he'd almost let it get destroyed. Made it better than new, even, layered it in more alloy to make it stronger without making it heavier, a new material of your own design. If he hadn’t known you as well as he does he’d have worried that it was beyond repair, knows that other gunsmiths would have taken one look at its crumpled body and shaken their heads, but you hadn’t. 

Of course you hadn’t. You never do.

You charge him a pretty penny for your work, make him pay through the nose for everything he asks of you, but Yoongi is more than willing to do so. More than capable of paying, coffers lined with more money than he might need, one of the best contract killers there is—the real price he pays is with his sanity, worn away each time you open your mouth. He can’t help but rise to your bait, as derisive as you are; it’s only the smallest things, a sharpness to his otherwise even tone, an angry spark in his eyes, but you pick up on it all.

He’s not your only customer. You don’t extend your services to many, only to the people you want to—Yoongi’s not sure what set of harebrained criteria you have that lets you choose who you’ll sell to and who you won’t but he can’t make heads nor tails of it. He knows he’s not part of your clientele because he’s got the credits to pay, nor is it because he’s one of the most highly regarded hitmen in his line of business. 

You don’t just choose people who can afford to pay or people who have a level of power and influence in this dark underworld you inhabit. You really don’t care about those things. You just pick and choose on a whim.

(Once, back when he’d first met you, Yoongi had discovered that you’d concocted an entirely new security system—practically incapable of being hacked, crawling with tech, a level of complexity even the richest elites could barely afford—for some small artist who’d worried that their paintings might get stolen. He was an unknown at the time, this V, squirrelled away in one of the dark corners in the lowest levels of the city, and you’d all but given him some of the best work you’d ever done, undercharged him something chronic.

You’d shrugged when Yoongi had asked why.

“He makes me laugh,” you’d replied.)

Yoongi isn’t your only customer but he’s certainly the only one you seem to treat the way you do. There’s a level of irreverence in everything you do, self-confidence settled across every inch of you like the obnoxious stench of a teenage boy’s body spray, but you seem to take particular pleasure in Yoongi’s displeasure. He’d brought Namjoon along, once, inquiring after an imitation greenhouse, how someone might set up the tech to raise tropical plants that wouldn’t survive otherwise (mostly above board, even; Namjoon might grow illicit plants, poisonous and prohibited, but he likes pretty flowers, too). And there had been none of the mocking that Yoongi receives. None of the wind ups. You’d been pleasant, despite your incessant snark, agreeing to take the job with a smile on your face that Yoongi never gets given.

(It had been infuriating, to know that you’re capable of not being an ass, but you just choose not to be. For fun.)

Yoongi really, really doesn’t like you, but he respects your work. Respects you, even if he’d never admit it out loud.

You keep your word. You don’t supply his competitors, although you claim it’s not loyalty to him and it’s only because they can’t pay as well as he does—winnings go to the highest bidder, you’d said sagely, as obtuse and irritating as always. 

But Yoongi knows other sellers will provide anyone who’s willing to pay, freelancers who peddle their wares regardless of affiliation or alliances. You’re beholden to no one and yet Yoongi knows you would never double cross him. Never supply anyone who challenges his work, even if they have the money, even if he’s on good terms with them (it’s not personal, it’s business; Yoongi has no issue with other hired killers as long as they stay out of his way). He knows he can rely on you, which is something to be treasured in these back-crossing back-stabbing backstreets.

So when he makes his way to your door, the details of a new contract still fresh in his mind, he instantly comes to a stop.

There’s something off. He can tell immediately, years of instinct causing the hairs on the back of his neck to rise, every part of him on edge. Everything looks normal, is normal, but there’s a burning in his gut that has Yoongi’s finger itching for the trigger even though there’s nothing to shoot. 

You’ve granted him the privilege of access to your workshop, to the other rooms, entered the scans of his hand and eye and voice into the security systems, keep him updated on the varying passwords you cycle through, so he can enter whenever he needs to. 

(He’s woken you up on more than one occasion, roused you from sleep for last minute supplies before he leaves for another contract, appearing in the dead of night like a spectre of death, clothing dark and eyes darker, overflowing with weaponry. A looming silhouette edged in strokes of cyan and magenta from the ever present, low-level neon light in your room, so much darker than the bright lights of your workshop. Intimidating. 

And you always just roll your eyes and sigh and tell him to keep a better eye on his cache of equipment and climb out of bed for him. You’re so at odds to him in your sleep rumpled clothing and mussed hair, still unafraid even when he’s fully geared and ready to kill; shirt slipping off your shoulder, swathes of bare skin in the place of Yoongi's all-encompassing outfit, shimmering black light tattoos visible on your legs and arms and bare skin of your collarbones, geometric lines in the palest of blues and greens. You hand over whatever he needs and tell him the creds he owes you.

“I’ve already given you a key to my apartment and you haven’t even taken me for dinner once,” you sigh—dramatic and melodramatic—even as you hand over a bundle of crossbow bolts. The synthesised toxin inside the darts is your own concoction, of course, courtesy of the plant matter provided from Namjoon’s greenhouse.

“I’d literally rather be shot in the head than willingly spend time with you,” he replies.

“You wanna fuck me so bad it makes you look stupid,” you say, and just laugh in the face of his unimpressed deadpan. As insufferable as always.)

So he doesn’t need your permission to enter. He’s silent, light-footed as he makes his way inside, scanning each inch of this familiar interior; nothing’s wrong, not yet, but Yoongi can sense something in the air. Something heavy, settled bitter on his tongue, coating the back of his throat.

And then he walks into your workshop.

You’re meticulous. Even when you’re overrun with gear, with parts that have yet to be used, everything has its place. You prefer paper over datapads, too, tack sheets of designs and notes up on the wall, have clipboards and stacks of sheets set neatly in their place, a throwback to a time before tech ruled everything. Yoongi knows the layout of this room as well as he knows his own home, a mental map of straight lines and unwavering coordinates with you in the centre of it all.

Upheaval. Those neat lines of organised cartography have been pulled apart. Ham-handed work, to be sure, more of a statement than anything else; intent to instil fear rather than to destroy (although, Yoongi sees now that one of the monitors has been smashed, display sparking white and blue as it bleeds out electricity.). Even in the darkness of the room—overhead lights off and only emergency lighting on, painting things in shades of dark crimson and pink—Yoongi can tell that whichever interlopers have done this are already gone. The room is empty.

Then the sound of a clatter breaks the silence and Yoongi’s already got his pistol out, drawn without a thought as he approaches the sound that comes from the back room, fleet-footed and silent as he raises the gun and rounds the corner—

And sees you at the end of the barrel.

There’s a first aid kit on the floor. Packs of medi-gel and rolls of bandages and other supplies scattered around your feet. You haven’t even spotted Yoongi yet, in despair at the mess in front of you; he’s never seen you like this, never seen anything other than your veneer of enraging smugness and never-ending energy.

“Y/n?” 

You flinch even as your head snaps around, eyes wide—but the second you see Yoongi you visibly relax, even though he’s still holding a gun in your direction.

There’s a bruise blossoming across your left cheek.

“Ah, Yoongi.” The smile that paints itself across your lips is almost convincing despite the dark flower that’s unfolding on your skin, blood rising to the surface and painting it in hues of pain; you wince, a little, when the smile makes your wound ache. Soldier onwards as you act as though nothing is wrong. “I know you’re always desperate for my attention but do you mind giving me a second? I’m kind of indisposed at the moment.”

Yoongi’s lips are set in a thin line. He only has one question on his mind.

“Who did this to you?”

Your gaze flickers before you break eye contact, staring at the first aid supplies on the floor. “What, this? Have you never dropped something before?”

Yoongi ignores your deflection. It only takes a few moments to reholster the pistol, to step over to you, to grasp your chin and tilt your face towards him.

“Who did this to you?”

Yoongi’s tone is quiet and low, firm and undeniable. For the first time since he’s met you it seems as though you’re lost for words, lips parted around a silent sound of surprise as you’re subjected to the full force of Yoongi’s gaze, cutting through you; past every layer of self-inflated narcissism you put on, past every deflection you might make.

There's a beat of silence.

And then you slowly but irrevocably fold underneath the weight of his stare.

You let him lead you, sit you down, bowing to his hands and his directions. You’re silent throughout, lips an unfamiliar shape as they’re pulled down into the slightest of frowns. He’s only ever seen you smile, seen you laugh, self-assured. Never like this.

You seem surprised, startled when he sits across from you and cracks open a pack of medi-gel. Yoongi’s surprised too, although he doesn’t show it, lets his instincts take over and settles into auto-pilot as he reaches for your face. He’s never seen your eyes so round, so wide, watching the hand that descends on your cheek with all the single-minded intent of a man about to fillet a fish—careful and practiced but menacing, maybe. (He doesn’t like you but you don’t deserve to have been hurt and Yoongi can’t just stand by and not help.)

And you don’t shy away. You stare at him as he stares at his fingers, layers the gel evenly across the pain of your bruise, cool and soothing.

It’s only when he’s reached for more medi-gel and touched your cheek for the second time that you finally speak.

“It was one of the Tang cousins.”

Yoongi goes still, fingers resting across your skin, slick with purple gel. 

“One of the cousins?”

Yoongi doesn’t like you. But—and God knows what he did wrong in a previous life for this to be true—you’re one of his inner circle, one of the very, very few people he trusts. You’re not friends and he doesn’t like you, but he owes you, owes you a hundred times over, owes you for every successful kill, every silent infiltration, every averted detection. All thanks to your tech and the work you put into it for him. He’s indebted to you.

Yoongi always pays his debts.

“I didn’t even catch his name.” You sound dismissive. Normally you’d laugh, deride the person you’re speaking about, but instead you just sound tired. “One of the low down ones. New kid on the block; someone I didn’t recognise, with some lackeys or similar. Trying to make a name for himself, I think. He demanded that I build weapons for him. I said no.”

The Tang family is a big one, a criminal empire that has its tendrils dug in everywhere. You don’t deal with them, have no interest throwing your lot in with them intentionally or not; it’s a big, formidable family, but it’s not the only one around. You’d be dumb to get involved in that mess of generational, cross-family conflict. You’ll sell things to the highest bidder, shift illicit high-tech stock, build generic modifications that people can buy—but you don’t make bespoke weaponry for just anyone.

You don’t even sell to the heads of the Tang family directly, let alone to some back-alley sewer rat who probably barely has the faintest ties to the family, a single vein of Tang blood in his body, just enough to give him an in.

Whoever this cousin was he must be really fucking stupid to not know that. Stupid to think he could demand anything from you. Stupid to think he could hurt you when you laughed in his face and said no. Anyone with half a brain-cell should know not to fuck with you, know that it’s an honour to even be allowed inside your workshop, that to be told ‘no’ by you is a privilege.

Stupid to think that he wasn’t going to pay for that stupidity.

The pack of medi-gel is empty, the deflated pouch forgotten on Yoongi’s knee as he stares at you. The flecks of biomatter in the gel catch the light, sparkling like glitter in the lavender that’s seeping into your skin; all the surprise is gone from your eyes and instead you’re just watching him, stolid and steady. Analytical.

(You’re smart. Yoongi knows you are. For all that you talk shit and play foolish, he never forgets about that fierce intelligence. Never underestimates you or how perceptive you are. He only wonders what’s on your mind right now; what it is that you see in front of you.)

“Next time don’t let someone in unless you’re certain you’re going to sell to them.”

You scoff in his face. “Alright, Dad. Do you want to update my curfew while you’re at it? Make it ten p.m. instead of eleven?”

Yoongi blinks slowly. You’ve got both eyebrows raised, surveying him with a mixture of amusement and disbelief that he’s trying to tell you what to do (because no one tells you what to do; they wouldn't dare). But you don’t pull away, your knees still touching his, body bowed towards him from when he’d coaxed you closer so he could reach your face—so he knows you don’t mind. Not really.

(Knows you don’t care about anyone’s opinions or rules, only sticking to your own. The fact you’d been shaken from that place of confidence by some thug—even for a moment—doesn’t sit right in Yoongi’s belly. That bitter taste is back in his throat and it’s ice cold, icicles prickling through his blood.)

(He doesn’t like you but you’re one of his people and no one fucks with Yoongi’s people.)

The bruise is still there days later, after you’ve rearranged your workshop back to the way it was, sourced a new monitor to replace the one that was broken. You’re back to smirking, already ready for his request, more bullets for his weapons and super-charged plasma to recharge his sword, but the bruise is a stark reminder of what you’ve been through. So is, too, the new blueprint he spies half finished on your open displays: an automated security system that scans thermal signatures, guns unfolding from the ceiling whenever aggressive movement is detected from an unfamiliar person. Anyone who’s not listed as familiar in the security logs. 

(Yoongi used to wonder about that. Why you didn’t have security mechs set in place, programming their AI to protect you, but you don’t like to use mechs. Don’t like to use them, even if you could afford to build them, because you compare it to forced servitude. You’ve never needed them before now, anyway. Safe in your reputation, knowing that you’re in a position of power, that people come here because they know you’re the best of the best.)

(But it seems like you don’t trust that any more. Don’t feel safe.)

Yoongi keeps as silent as always, bites his tongue when you cut him off mid-sentence with nothing more than a raised finger.

“Ah, ah, ah,” you tut, wagging the finger back and forth like the slow pendulum of a grandfather clock. “No more crafting requests. I’m still working on the concentration mod you asked for and I’ll let you know when it’s ready. I don't rush for anyone. Patience is a virtue, baby. Did no one ever tell you that?”

“Don’t call me baby.”

“Okay, handsome.” Your reply is instant, unruffled, and Yoongi grits his teeth. 

But still. For all that you’re acting like normal, workshop set back into place, white lighting shining overhead, as neat and presentable as always—Yoongi can read uncertainty in the way you move. Discomfort. You don’t feel safe in your own space and it’s obvious, even if you don’t realise it.

“Come back any time,” you say coyly, and Yoongi, as always, ignores you. Transfers the creds he owes you in silence before he takes one last look at the bruise that’s still painted across your skin, dark eyes touching yours for the briefest moment before he turns and leaves.

For the first time since you met, Yoongi buys from someone who isn’t you.

It’s not bad. Well made, decent tech, Predator pistol sitting easy in his hands when he brings it to the light and watches it unfold from its holstered state, the way plasma bursts to life in the barrel; weaker than bullets but easier to reload in the field. It’s no surprise that the Yeom family gets their stuff sourced from here. The body armour, too, isn’t bad, engraved with the family crest and cast in their colours.

It’s not bad, but it’s not as good as it could be. Not as good as Yoongi needs his tech to be, demands it to be—but quality doesn’t matter. Not today. He has a job to do.

It’s easy to find his mark. Scum gathers in stagnant water, in the dirtiest and dankest places, and this is where Yoongi finds Tang Lee. Finds him spilling beer and money in the backroom of some grimy strip club where the holograms flicker from age and the strippers are tired, trying their best to scrape a living from the seething riverbed of filth that runs underneath the bright neon lights of the skyscrapers in the levels above.

Lee isn’t alone but it’s so easy to take them out it’s laughable, men drunk from cheap alcohol; Yoongi catches one in a chokehold, smashes another’s face into the glass table with enough force it shatters, faces Lee once they’re the only two standing. The music outside is too loud and the room is sound proofed for privacy and so Yoongi isn’t interrupted as he brings Lee to his knees, thrusting his face into a smear of blood that drips from his now-broken nose, courtesy of a quick jab of Yoongi’s right fist.

It’s not a quick kill. It could be. Yoongi could have ended this in moments, caught Lee off guard and ended his miserable life almost effortlessly—but he doesn’t. He takes his time, makes it count, teaches him a lesson, has Lee on his hands and knees as he sobs out apologies and snivels for mercy before he takes the pistol and blows his brains out. Yoongi doesn’t feel sorry for the man, eyes the body impassively, not even worth his disgust—he only feels sorry for whoever finds the chaos of the room and the bodies inside, the distinct plasma burns he purposefully leaves in the wall with the Predator pistol, the entire scene he’s created here: a scuffle gone wrong, fast.

You’re not the only person Tang Lee has crossed but you’ll be the last. Yoongi checks the pulses of the other two men, finds one dead and the other still alive, barely, just like he’d planned—and his work is done. It’s the Yeom family’s problem now, any fall out from Lee’s death pointed at them, a repayment of a slight Lee had made to a Yeom supplier only a few weeks ago. (Yoongi wagers that neither family will care, will draw a veil over this moment and let this settle without raising arms, no one important enough to go to war over.)

He discards the pistol and armour once he’s done, incinerates it all, no interest in keeping subpar equipment. It’s not even worth dismantling for parts. Hoseok finds him in their basement, eyeing the blue flames that lick their way around the discarded armaments; he just watches Yoongi, inscrutable and calm as he eyes the blood on the clothing before it bursts into flames.

“Not a contract,” Hoseok says. (It’s not a question.)

“A job.” Yoongi replies, watches the cloth turn to ash through the thrumming display of the incinerator. “Something that needed to be done.”

He doesn’t tell anyone what he’s done. There’s no point in it. Yoongi decides something needs to be done and he’ll do it, whether that’s building a new chair for Jungkook after he broke his old one or killing a man who hurt you.

The next time he sees you your bruise is practically gone, faded into your skin. You’re intent on something on a monitor but when you notice him you turn, swivelling in your chair in one smooth motion as you lean back and put your hands behind your head, cross one leg over the other, dripping self-satisfaction, your smile sharp and full of teeth.

“Ah, Yoongi.” You look so smug that Yoongi has to resist the urge to roll his eyes. “Welcome, once again, to my laboratory. Is this visit for business or pleasure? Either way, you know I'm happy to oblige.”

“I’m here for the mod you promised me,” he says bluntly, and you just keep smiling, even as you hold out a hand for the sniper rifle, handling the D-2 Shadow with as much reverence as Yoongi does as you affix the mod.

It’s perfect, of course. All that Yoongi asked for and more. The software links with his eyepiece, biometric sensors that help him find his target, software to adjust to his pulse and breathing.

“You can even change the colour of the HUD,” you say, as if it’s some sort of buy-one-get-one-free offer, some fun little feature, rather than another helpful piece of software that you’ve created. Dismissive. An afterthought.

(You act like you take nothing seriously. Yoongi is your stark opposite, weighing everything in his hands and treating it with the level of attention it deserves, intent and focused.)

He’s staring down the scope when you speak once more. Light and easy, for once, rather than loud with your usual exaggerated exuberance or silken with unnecessary suggestiveness.

“I hear that they found a Tang family member dead.”

Yoongi just hums in response. Keeps his eye on the scope, wills the colour from dark green to white using the affinity link he has synced with his headpiece, watches the lines of the heads up display of the scope repaint themselves without even a single flicker, transition smooth and effortless. (Perfection.)

“It seems like the Yeom family did it,” you say, tone still conversational.

“Is that so.” Yoongi sounds disinterested, face impassive as he draws the gun away from his face, eye piece automatically folding away from his eyes. “Can I ask about other mods now that this one is finished?”

One of your brows rises, a perfect curve of discontent. “Say thank you first, Yoongi.”

Yoongi’s eyes cut into yours but you don’t back down, watch his blank face as he eventually says: “Thank you. Now I need more mods.”

You throw your head back as you laugh. “You’re insatiable,” you say, but you don’t say no. “What do you want now?”

(It’s not that you never say no to Yoongi. Because you have, and you do, and you will. But never because you can’t make what he asks for—and only because you refuse to make things that might endanger his safety, illicit bio-mods that other hired hitmen use, things that degrade the body from the inside out.)

Yoongi’s just holstered the Shadow, ready to go, when you speak one final time.

“Yoongi?”

He’s never heard you say his name like that, soft and quiet.

“Thanks.” You’re staring at him, regarding him steadily, solemn in a way that he’s never seen. You’re smiling, as always, but the expression is lightyears away from what Yoongi is used to—just the barest hint of an upturn to your lips.

Yoongi stares back at you. “I don’t know what you’re thanking me for.”

Your smile grows, a warm thing, unfurling like a flower. Almost affectionate. “Sure,” you say. “Of course. Silly me. Slip of the tongue.” And then, as if your brain’s only just caught up with what you just said, the smile turns salacious. “On the note of slipping the tongue—”

“Bye.”

Your cascading laughter follows him on his way out, cutting and shining with amusement. 

Yoongi’s been getting more contracts. He’s finally buckled under Jungkook’s insistent whining and has agreed to get gear for him, too, to train him how to shoot. Hoseok has more than enough contacts in the underworld to get jobs for them both—he’s the most powerful information broker around, after all, sitting in the centre of a web he’s woven after years of work, all that sharpness and darkness hidden behind his deceptively bright smile.

(Yoongi’s lucky to consider him a friend and not an enemy.)

So that’s why he’s here with increasing frequency. That’s why he finds himself at your door more often than not. To get those orders in place, to make sure they’re progressing as fast as they need to.

You never react when Yoongi steps into your workshop. Well, you do, you lean into your hand and smirk at him, pursing your lips around each snide remark, each suggestive comment—but you never question his appearance. You just go with the flow, unbothered by his presence, even when there are other people there—other customers who eye him with unveiled curiosity and confusion (some Yoongi recognises, some he doesn’t, well-known faces and unknowns alike; none of them know who he is, though, unrecognisable as Agust D without his battle gear on). Yoongi keeps a close eye on their stances, any unchecked aggression or hostility towards you. Keeps a watch on the tension of your shoulders and spine, because of… habit. Battle instinct. Nothing else.

“You know my policy, Yoongi.” You’re analysing something in your hand. It looks like an antique spyglass, something from the decades before technology overtook the world, but it’s jammed full of tech; it doesn’t just magnify to a terrifying degree, it also amplifies sound, connected to an earpiece that’s sleek and easy to overlook. ‘A small project’, you’d called it, as if it isn’t something that people would pay a fortune to own. “If I’m making something for someone I have to meet them first. If you want me to make anything for this ‘JK’ then it’s not happening until you bring him here. Just like with your friend RM.”

Yoongi is lolling by your monitors, half-asleep in your chair (which had moulded to the shape of his body the second he sat in it, designed to be too comfortable for its own good). 

“I know you can’t pull yourself away from me,” you continue, glancing up from the scope. “But you have to spend time with your friends sometimes. I know they’re not as pleasing to look at as me—”

“Stop.”

You shift the spyglass to one hand and lean your chin on the other, regarding him with sharp eyes and an amused quirk to your lips. “I love that you think you can tell me what to do.”

Yoongi resists the urge to make a noise at the back of his throat, opting to keep mum instead.

He’s too tired to argue with you. He’d come straight after a contract, blood still on the edge of his sleeves (not his), watched the way your eyebrows had risen when you’d casually taken in the state of him before offering to wash his jacket. You know the reality of this world you both inhabit, operating in the shadows, survival paid for in blood; you might not be on the high ground, lining the shot up to take the kill, but you craft the trigger that Yoongi pulls.

(You might be aware of this reality but you’re far removed from it, shaken by violence on your own door. You never should have been faced with it. You’re an inventor; a creator. Not a killer. Not like Yoongi is. He’s not going to let that happen again. He doesn’t like you but you shouldn’t have been subject to pain—shouldn’t still have your motions edged with a held breath, as if you’re waiting for it to repeat itself. 

No matter how well you hide it, Yoongi knows that there's a part of you that's still scared.)

“I know you think you’re too important to need to remember things, but we’ve worked together for long enough that you know that I’d ask to meet JK first, Yoongi,” you say. “Did you really have to come straight after murking someone just to be reminded about that? Not complaining—you know I love seeing that pretty scowl of yours—but I just figured you’d rather be resting right now. Don't tell me the infamous Agust D missed me and decided to come here instead.”

“You were on the way.”

(He’d circled around, taken a longer route, descended into the familiar maze of the lower city. To throw off the scent of any potential pursuers. You just happened to be nearby, pure coincidence and convenience.)

You retract the spyglass, collapsing it in your hands. “Either you leave right now and go to your own place to sleep, or you’re going to sleep in my bed. Your choice.”

(If Yoongi took the time to think about it, really think about it, he’d notice that the words aren’t shrouded in suggestion or insinuation. Your brows are raised and you’re looking at him expectantly, waiting for him to decide what he’s going to do—unimpressed at how tired he is, how he’s come here instead of sliding into his own bed for the rest he so clearly needs.)

Of course, Yoongi leaves. He returns home without his jacket, strips his shirt off as soon as he’s in this safe place, this base, sheds pieces of his body armour as easy as anything (you’d designed it to be lightweight and easy to don and doff, the perfect defence for someone who relied on stealth and speed); he’s just removing the last greave when Hoseok appears, rapping his knuckles against the open door.

“You’re finally back.”

Yoongi looks up. Hoseok is dressed for work, Hope Broker persona in place, tailored suit that sits perfectly with the lines of his body, handsome and stylish and entirely put together. He oozes poise and power. Elegance.

“Yeah.” Yoongi lets the greave drop, silent as it falls to the floor. “Job’s done.”

Hoseok smiles. It’s a genuine one because it’s for Yoongi. “I know,” he says, even though scarcely any time has passed since Yoongi put a bullet in the back of the target’s skull. Nothing happens in this world of theirs without Hoseok finding out about it, always sooner rather than later. “Just wanted to check in and make sure you were okay.”

“All good.” 

“Good.” Hoseok is used to Yoongi’s blunt nature, his short responses when he’s tired. “Get some sleep.”

Hoseok’s elegant even as he adjusts his cufflinks. It’s just the briefest of moments, the crisp edge of his perfectly white sleeve contrasting with the shining silver, the design inlaid in them—but Yoongi recognises that design immediately.

Because it’s yours.

It’s the same emblem on each piece of his gear, small and understated, hidden away, easy to miss—but Yoongi knows it intimately. He doesn’t say anything. Lets Hoseok leave without a word. Each one of the men that Yoongi considers family, the tiny collection of people that stay in this same home as him, know that he only gets equipment sourced from you—but Hoseok had never mentioned that he’s been in contact with you, too. 

It’s not important. Hoseok might be his friend and a staunch ally but there’s plenty that he gets up to that none of the others are privy to, trading information to the highest bidders, head of a huge network that Yoongi can use to his advantage but isn’t technically a part of. The people Hoseok deals with—buys his information and resources from, keeps perfectly balanced in comparison to his own power—is his own business and not Yoongi’s.

Yoongi moves to gather his armour, the hardsuit he wears like a second skin, and spots that insignia that he knows so well branded into it. To have Hoseok wearing it at his wrist—the Hope Broker, renowned trader of secrets—is a statement. You could have made the cufflinks plain and unadorned. But you hadn’t.

When Yoongi climbs into bed that night, he finds that his sleep is restless.

The smile on your face fades. “You know I don’t talk about business with other customers.”

Yoongi’s staring at you across your workbench, the light from its surface going dim as you take your hands off it, disassembled stun mine forgotten.

No one knows about his genuine friendship with Hoseok, but they do know that Agust D and the Hope Broker have an agreement; a professional working relationship. “I know the Hope Broker,” Yoongi says. 

Your eyebrows rise so far they seem to threaten to ascend into your hairline, you’re so incredulous. “Everyone does. What’s your point? Do you expect me to give you information about everyone you ask about? I get paid to keep people’s privacy, Yoongi. Do you think I sell the information of your equipment, how to dissemble every defence you have? Do you think I give your name out to everyone who asks?”

There’s no touch of amusement to the line of your lips, no sparkling irreverence in your eyes. You’re genuinely displeased.

“He’s wearing your symbol.”

You scoff. “You wear my symbol too. Why, are you jealous? Your armour has exactly the same technology. Better, even, because I can fit more tech in there.”

The cufflinks generate a kinetic barrier, then, a layer of invisible shielding that lays just atop Hoseok’s skin. But no one sees Yoongi’s armour; no one sees the workmanship of your weapons, no one except him. Your insignia isn’t emblazoned on his wrist for all to see.

Yoongi isn’t jealous.

“Hope is a powerful man,” you continue. “Everyone knows that. Even people who haven’t met him know that. Even people who aren’t sure he exists know that. If I want to sell to him then that’s my business.”

Everyone who’s anyone recognises your logo, no matter how rare it is to spot it (you only craft for a select few, after all). And Hoseok’s influence is far reaching and powerful; no one would dare cross him, dare to cross anyone who’s associated with him. 

“I’m looking for a new workshop.” You rise, moving away from your workbench to your monitors, touching a display with your fingers to bring it to life. Ignoring Yoongi’s presence, not even looking at him. “I haven’t got the space to modify the systems in this one as much as I want to. The walls are already full enough as it is. Do you know how hard it is to find somewhere with the specifications I need?”

Yoongi realises, then, why you’re doing this. The bruise is long gone and your skin is unmarred but you still don’t feel safe. You’ve always worked alone. Until now. Now you’re making moves to settle down, settle in, make a statement of allegiance to someone who can offer you a level of protection with their influence.

Someone who can offer you somewhere new, away from this inadequate place you’ve outgrown.

Hoseok laughs lightly when Yoongi asks about it, mentions it in passing as the two of them drink soju side by side, Hoseok in his suit and Yoongi girded in the armour under his unassuming clothes, both in the upper city for work; they stare down at the myriads of tall buildings and huge holo-boards and rainbow array of neon lights, far above the place they call home.

“Oh, yeah,” he says, utterly relaxed (and faintly amused). “I know you respect her work so I thought I’d reach out. I’m surprised she can make the things she does in that tiny workshop. You’re right; she’s very good.”

You are. The next time you meet, you give Yoongi his usual shipment and more besides, more than he’d ordered, reflected in the amount of creds he has to pay—because he won’t be able to just drop in for a while, your workshop dismantled and scraped empty in preparation for the move. Where to, he doesn’t know, but you say you’ll pass on the information once everything is up and running again.

“If you break any of your gear while I’m gone then you’re on your own,” you say. “I’m not shipping anything before my new workshop is finished.”

Two days later, Yoongi spies a new watch on Hoseok’s wrist. It looks low-tech, old style, metal strap and round clock face—but he sees the silhouette of your logo under those ticking hands and knows there’s more tech in there that meets the eye.

He looks away.

It takes a week for the message to appear, encrypted: your new location. Levels above your former workshop, one of the higher strata of the lower city—still hidden and out of the way but away from the dirt and darkness. 

Yoongi goes. He finds the door panel, scans his palm, leans forward for the light to flit across his eye, murmurs a word, watches the door slide open. He’s already programmed in. New workshop, new security system, but he’s still allowed in, still one of the people you consider familiar, trustworthy. 

(He doesn’t know of anyone else who fits that category. Has only ever seen you manually allow people inside, granting your permission each time, rather than giving them free run of the place. No one has as many complex orders as he does, he’s certain. It’s for ease and practicality’s sake.)

He’s unfamiliar with the layout of this new building, first corridor already longer than he’s used to; he pauses for a moment but then hears something, faint—your laughter. Follows that sound, makes his way forward, through polished corridors with lines of light underfoot, leading him down some stairs and towards the sound of you.

Your new workshop is beautiful. There’s enough room in here for everything, no need for a backroom: a central worktable, benches lining the walls, tech displays built in, everything edged with lighting, dark surfaces shining bright, large floor panels underfoot emitting a low glow. Your former home had been that underground workshop and a locked door to a ladder to your micro apartment up top, tiny kitchen and single bed in a small room with a shower cubicle in the corner. Yoongi already knows that this building is far, far bigger, and you have more space than you’ve ever had before; you’d never been discontent with your smaller home, comfort from familiarity, until that comfort had been stripped from you.

You’re smiling. The snark woven into your words that Yoongi is used to is muted, light comment falling from your lips as you sit on that central table, perched on its edge. And Hoseok, he laughs, grinning so widely his teeth are on show—he’s wearing a suit but his jacket is resting on his shoulders, tie undone and cast around his neck. A stance of relaxation, one Yoongi’s never seen from him, not when he’s working. Not when he’s The Hope Broker and not Hoseok.

He’s still smiling when he notices Yoongi, the two of you looking over when the hitman speaks.

“Didn’t expect to see you here, Hoseok.”

That ever-present smirk freezes on your face for a split second, eyes widening at the sound of Hope’s real name. Hoseok just takes it in stride, his smile not dimming even for a second.

“Hey, Yoongi.” His greeting is as warm as it always is. “Just checking in. Have to make sure everything is up to scratch. What’s the verdict?”

You’ve hidden your surprise, wiped it off your face, eyes on Hoseok as you answer him. “It’s perfect.” A pause. “I take it you two know each other?”

“Sure. Yoongi is an old friend of mine.” Hoseok is still smiling, looking at Yoongi with creased eyes. Unafraid of revealing this information to you, still at ease despite the tension that’s bubbling in the air, Yoongi’s impassive face. Hoseok is always an unshaken pillar of positivity. “I didn’t realise he was coming. Am I interrupting an appointment?”

You stare at Yoongi. “No, you’re not. I wasn’t expecting anyone.”

(You’d sent the message less than an hour ago. Yoongi had taken one look at the address, memorised it, pulled on his jacket and headed out; clearly you hadn’t anticipated how fast his arrival would be.)

“A happy coincidence, then.” Hoseok sounds like he genuinely means it, is pleased to see Yoongi here, his smile unwavering. There’s a languid set to his body, the easing line of his spine, hands in his pockets. A glittering in his eyes. (No one ever gets the drop on Hoseok, never surprises him, catches him off guard, no matter what they do.) “But I’ll let you conduct your business and we can catch up another time.”

He takes a hand out of his pocket as he walks past Yoongi, pats his shoulder amicably. His palm is relaxed against the tense set of Yoongi’s shoulders before he ascends the stairs and disappears out of sight, the sound of his polished shoes fading until he’s gone, one of the monitors on the wall flickering to indicate the front door is shut once more.

You’re still staring at Yoongi. The atmosphere had been heavy, even with Hoseok there—and now that he’s gone there’s nothing to alleviate that pressure, nothing to dissolve the strange twist to the air.

“Who,” you start, measured but sharp, “do you think you are?”

Yoongi returns your stare, looks back at you with his dark eyes. Doesn’t respond to your question; an unnecessary, unprompted thing, razor-edged for a reason he can’t discern. 

“Can’t you hear me?” You slide off the table, stalk towards him. “I said—” you raise a hand— “who? Do? You? Think? You? Are?”

You emphasise each word with a sharp jab to Yoongi’s chest, driving your finger forward with so much force it must hurt. You keep it in place, keep it dug into the centre of his ribcage. There’s no laughter hidden in the corner of your lips. He’s annoyed you again, somehow, a familiar guest turned unwelcome interloper.

“You say that you know Hope and yet I just watched you treat him like dirt.” Your eyes are piercing, cutting through the soft frame of your curled lashes, boring straight into him. “You come into my workshop as if you’re meant to be here; like there’s something you’re owed. Do you want me to treat you like a child, send you to your room? Not let you back in here? Because I will.”

“You sent me your address,” Yoongi points out.

You let out a bark of laughter. “Please.” Your hand drops back to your side and you turn, stepping away. “I’ve sent this address to all my business associates. I can’t sell or buy unless people can find me. You’re the only one who’s taken this as an invitation to just turn up and waltz in. At least when Hope turns up he warns me beforehand. Oh, and he doesn’t say stuff like he’d rather blow his own brains out than be forced to see me. I know you just love being contrary but has it ever occurred to you to be more polite to people? You’d make a terrible waiter. You’d get fired on your first day.”

You’re in front of one of your cabinets. You reach inside for something, hefting it in your hands before returning, handling it in a way that’s completely unceremonious, dropping it to the bench at his side like you want to be rid of it. Like you don’t even want to hand it directly to him, to interact with him. “There. Nothing but a pleasure doing business with you, Yoongi, even if your customer service still needs improving.”

It looks like a flat, hexagonal panel, the same colour and material as his armour. Something to be locked into it, wired in, trailing veins of unattached tech spilling from it. He’s seen you working on this for a while, seen you draw up blueprints with a bruise fresh on your cheek, seen it turned in your hands as that mark had faded and left your skin. 

It’s not something he ordered.

“What is this?”

You wave a dismissive hand. “Auto medi-gel distributor. It syncs with your armour and senses when you’ve been hurt and disperses gel in the affected area. Your armour’s always been too lightweight to have extra mods on but I’ve been working on this for a while.”

It’s an astonishing piece of tech. Usually one that’s reserved for heavier armour, restricting and hard to move in but easier to mod—but this thing is slim, compact, the same technology crammed into a smaller package without losing any of its punch. He doesn’t know what materials you’ve had to use to circumvent this, the level of tech you’ve layered into this, the amount of time and thought you’ve put into this.

“How much is it?”

The wrong thing to say. The smile that spreads itself across your lips is an echo of its usual curve, brittle and flaking around the edges, a baring of teeth.

“It’s a gift, Yoongi. Usually when someone does something for you, you return the favour.” Your lips are still upturned but your eyes are unsmiling even when your tone seems whimsical and light. You’ve got on your usual flippant façade, but there’s a pointed undercurrent to it. “You know, I don’t understand you at all. You remind me that you don’t like me but then you always hang around. You kill someone who threatened me and pretend that you didn’t do it. You say you don’t like me, but I thought you at least respected me, and yet here you are. Lying to me and treating me like I'm a fool.”

“I do respect you,” Yoongi says. 

(Because he does, and as much as he would hate to inflate your ego, he doesn’t shy away from telling the truth.)

“Sure you do.” An unimpressed eye-roll, cutting under his words, knocking his feet out from underneath him. You don’t care to believe him. “This is my fault for not treating you the same as all my other business associates.  Next time you come in you’ll have to have an appointment, just like everyone else. It’ll minimise the amount of time we have to spend together.”

Yoongi doesn’t like you. He finds, though, that he likes the sound of this even less; finds it pulling at his brows, his mouth, impassive expression turned to one of disapproval.

And his mouth opens. The word falls from his lips before he has a chance to think—years of battle intuition, years of following instinct, moving as he needs to in the moment.

“No.”

A raise of the brows. A purse of the lips. Incredulous. “No?” you parrot it back, mocking. “Oh, okay, sure. Never mind. You’re welcome to come in whenever you want and act like you have free rein of the place. There’s nothing I enjoy more than your scowling presence.”

Sharp tongued, sharp eyed, narrowed at him: a confrontation. For all that you needle him you never mean it, really (even if it’s still infuriating, aggravating). But right now? Right now each of your words is barbed, your sarcasm a defence, an offence. You’re running your mouth not just to rile him, but to ward him away. 

“You’re really not as smart as you think you are, Min Yoongi.” You wield his name like a weapon. “You tell me right now why I should listen to you. What do you come here for? And don’t say it’s for my work because it stopped being just that a long time ago. And if it is just for my work then take it and go. Then I’ll take you off the security system and we’ll only see each other as much as is strictly necessary. In fact, you could pass your orders along via Hope—then we won’t have to even see each other at all. ”

“And then he’ll be the only one allowed free rein?”

It comes out before he’s even really thought about what he’s saying, which isn’t like him at all. Yoongi is two parts: pure, honed instinct, and careful, wary vigilance. He’s not like you, saying the first thing that comes to mind—not normally, anyway—but the words jump from his lips, from some near-silent part of him that balks at the idea. Of Hoseok stepping into your space the way that Yoongi does, appearing without warning, to be greeted with a curled smirk and glittering eyes.

“You’re a fucking idiot if you think that you’re not the only person with security clearance. My God. You’re infuriating. Seriously? I didn’t realise you were genuinely this dense. You’re the only one I’ve ever allowed in without prior agreement.” You emphasise this statement with another jab to his chest, your finger a sharp knife that cuts into him as you stab it forwards.

He catches your wrist. His grasp is firm but there’s no pressure to it; doesn’t squeeze, doesn’t tighten his fingers, just holds you in place. You’re staring at him with a challenge in your eyes, one that he finds himself rising to match, never one to back down.

“Is that so?”

Your hand unfurls, fingers splayed across his chest; he’s still holding your wrist, shifting with your movement. “Don’t be obtuse.” An irritated exhale. “Normally you complain whenever I talk and now you’re trying to get me to repeat myself. Again with the inconsistency, Yoongi. Make up your mind.”

He could do what you do whenever you’re feeling particularly aggravating. Play dumb, ask more questions, drag out the interaction until you’re bordering on snapping—but he doesn’t. He looks at the set of your jaw, the way you’re staring at him. Unflinching. You’ve never been scared of him, and you aren’t now, not with how he’s got a hold of you, how close he is to you.

He toes the line. Shifts closer. Notes the way your pupils dilate, how the tips of your fingers dig into the fabric of his shirt; how the air grows heavier, a frisson of electricity crackling through it. Yoongi doesn’t like you, but he likes that feeling—how the tension in the air shivers from indignation into something different.

Because you’re still staring at him, and there’s still that hard set to your jaw, but there’s not just anger in your eyes. There’s that warm thing he’s grown used to seeing, smouldering in near silence until he’d coaxed it to full flame, thrown gasoline onto the coals when he’d shot plasma into the back of Tang Lee’s skull. He’d protected you even though he hadn’t needed to, doesn’t need to, but does anyway—because he trusts you and there’s no one else he trusts to keep you safe.

And there’s no one else you trust, either.

“You talk too much,” Yoongi says, like he so often does—but there’s no irritation in it, touched instead with a simmering heat, the faintest edge of a bite.

You tilt your head. There’s a provocation etched into the twist of your mouth, the way your lips lift. Because no matter how much you needle him, dig your fingernails into every crack of his armour and twist—no matter how annoying you are, how angry you make him—you know that he’s not mad. Not really. Not in a way that makes you afraid, but in a way that thrills you, makes you want to see him snap, to wipe away that level facade he maintains.

“Maybe you should shut me up, then,” you reply, a murmur. A challenge.

A beat. Yoongi’s fingers tighten around your wrist. A warning.

And in response?

You just smile.

The way your eyes widen just seconds later is delicious, though, when Yoongi lets go of your wrist—because he’s moving faster than you expected. Your surprise melts into delight, a spark of glee that says you’ve gotten exactly what you want when Yoongi threads his fingers in your hair, tilting your head back to bare the column of your throat. He holds you firmly in place, crowds you back against the workbench so hard its edge must be digging almost painfully into your back but not once does that glee dim, written over every line of your smile, eyes bright and teeth sharp.

Yoongi likes to take things slow. There’s the part of him that never steps into a situation without knowing every angle, every escape route, each one of his kills planned meticulously. But, he thinks, the two of you have been waiting long enough, and he’s never been patient around you—has found his composure worn thin faster than anywhere else, by anyone else. It’s this part of him, frayed into non-existence by you, that rises to the surface now, makes him move as quick as he does.

And you respond just the way he knew you would. When he presses his mouth to yours you kiss him back like you have a point to make (you always do), fast and almost reckless, all lips and teeth and tongue. There’s no finesse to it. When he presses his tongue into your mouth you part your lips so prettily, let him take his fill, slide your tongue against his and tilt your head to get even deeper—and just like always, you're vocal, letting out small noises that are caught and muffled in the kiss, lust filled. But when you try to nip at his lip with the edge of your teeth Yoongi tightens his grip in your hair and swallows down your gasp before he pulls away, holding you in place so you can’t chase after his mouth. Your lips are kiss swollen and under the bright lights above they shine, slightly parted, pupils blown as you stare at him. 

(You look good like this.)

Your eyes slide shut when Yoongi lowers his lips to your neck, across your throat. There’s nothing gentle about it. He moves with single-minded intent, lips and teeth harsh against your sensitive skin—and you take it all, little sounds falling from your lips as Yoongi drags his teeth towards the hollow of your neck. And when he takes his hand from your hair, takes both hands and digs his fingers into your waist and lifts you, you go so easily; a mimicry of your earlier position when he’d stepped in, perched on the edge of the table. Legs spread so Yoongi can stand between them. He’d be surprised at how pliant you are if it wasn’t so obvious that this is exactly what you want: lifting your hips so he can strip your lower half bare. 

Your bare thighs press against the surface of the workbench, tech displays coming alive under your body heat. You’ve shrugged your cropped jacket off and you’re just reaching for your top when Yoongi stops you; splays a hand in the centre of your chest and presses you back, slow but undeniable. You’re not the one setting the pace. He is. He’s the one in control, with you spread out in front of him, only a thin layer of fabric keeping you from being completely bare—thin cotton underwear, dark and damp between your legs, betraying your arousal.

“Wet,” Yoongi murmurs.

Your retort stutters on your lips when he drags his fingers upwards over your slit, barely dulled by the material in the way. “No shit,” you say, and then suck in a breath when he presses the pad of his thumb across your clit.

It’s no good, the fact you’re still talking. But that’s okay. Yoongi’s planning on changing that.

It’s lewd, the way your legs are spread, parting further at the urging of his hands. Your hands slide across the bench, papers scattering, palms flat on the work surface and white light shimmering on dark blue in reaction to your touch; an unnecessary distraction that you both ignore. There’s nothing graceful about this, the peel of underwear away from your core, already slick even with the barest of attentions; he drags his fingers down the inside of your thighs, all that soft skin, and then under, urging your hips up and towards his mouth. No foreplay to this foreplay, no dragging out this moment—he bites at that soft skin of your inner thigh, sinks his teeth into it and listens to the way you gasp in surprise—and before you have a moment to ground yourself, he presses his mouth to your cunt.

You’re wet and warm under his tongue and the smell of you surrounds him, musky and heavy, and he feels how your entire body goes tense as you arch your back. He’d normally take his time with this, have you strung out and begging, but he has different plans today—knows exactly what he wants from this, sucking your clit between his lips and feeling your thighs tighten around his head, legs slung over his shoulders as he listens to the way you moan. Each sound shudders out from your mouth like you tried so desperately to keep it in but couldn’t help it. Yoongi loves eating pussy anyway but this is even better, the way all your witty ripostes die in your throat before you can shape them on your lips, turned into breathy gasps instead. 

The taste of you fills his mouth and it’s so fucking good. You’ve been watching him, how his head moves between your legs, but he can tell you’re close; you’ve given up, eyes shut as you lean into the sensation building up in you, and Yoongi thinks he likes you better like this. Forced into speechlessness under his hands and tongue. Your pretty mouth softened from sharpness into urging noises of pleasure. He slides one arm across your stomach and holds you in place, a hard line that you can’t overpower and you’re left squirming in place, hips trying to kick up each time he draws his tongue over your slit, every part of you sloppy with your own arousal and Yoongi’s spit, flushed and lovely. One of your hands is in his hair and you’re pulling, pulling hard, unaware of how tight your grip is as you try to buck your hips and sob. 

You’re so sensitive, and it only takes one, two fingers pressing into you and curling just right as Yoongi slides his tongue over your clit before you’re cumming, hot around his fingers as you come apart all wet and messy. He’s never seen you so undone, back arched as you ride out your orgasm, hair swept away from your forehead as you throw your head back. Keeps his mouth open on you, feels you under his tongue, until you’re flopped on your back and your chest is heaving, legs untensed and loose over his shoulders.

You shift an arm. Your fingers barely brush the medi-gel mod you’d made him, a loose sheet of paper sliding away and joining the others on the floor.

“Just moved in and it’s already a mess,” Yoongi says, and he doesn’t just mean the paper; fingers and chin and mouth covered in your slick, your core soaked. He’s still knuckle deep and when he curls his fingers again your entire body jolts, your mouth parting almost wantonly before you seem to struggle back to reality, surfacing from a haze of arousal and post orgasmic bliss.

“That’s your fault,” you say, voice weaker than usual. “I’ll send you the cleaning bill.”

“Mm. Not my fault you’re a messy girl.”

“Fuck you.” The blunt words are softened by your breathlessness, your bonelessness; the way your breath catches in your throat when he calls you a messy girl, even if you try to hide it. Trying not to let him in on exactly how much power he holds in this moment. 

“I was planning on it,” Yoongi says, as calm as ever, even if arousal is simmering through his veins and gathering in his gut—has been this entire time, the taste of you on his tongue and the heat of you under his lips and the sound of you in his ears. “Want to make your workshop even messier?”

You dig your balls of your feet into his back, legs still over his shoulders. His fingers shift inside you and you shiver. “I don’t think so,” you say. “Bedroom.”

“So you’re giving me a tour, then?”

You don’t dignify him with a response, although the noise you make when he finally pulls his fingers out of you is more than enough to satisfy him. He’s still fully dressed and you’re only half so, and it would be comical if the sight of your bare legs and slick on your inner thighs wasn’t so hot, barefoot on the glowing and pristine (papers notwithstanding) floors as you reach for his hand and lift it to your lips, sucking his fingers into your mouth and licking your arousal off his fingers with your tongue, warm and wet, before you grab his wrist and pull. 

He watches the movement of your hips as you lead him, your bare ass. Shameless as ever. Confident in yourself, even now. It’s not until you’ve stepped over the threshold and into your new bedroom that your tattoos become visible, as bright as the low lights in the room, those geometric lines and stylised circuitry on your legs shifting as you step forwards.

Even with the relative darkness Yoongi immediately notices something. Cast over the back of a chair near the bed, there’s his jacket, blood stains at the edge of the sleeves gone. Cleaned. Yoongi shifts his hand so you don’t have your fingers wrapped around his wrist any more. Instead he’s the one shackling you, holding you in place as you look over your shoulder.

“Were you ever going to return that to me?” He tilts his head at the chair. 

You pause. Glance over. Look back at him, all amusement and provocation, recovered from your earlier breathlessness. “But Yoongi, I get so cold.”

There’s something about the idea of you in his clothes, clothes that you know he’s worn when he’s been getting his hands dirty—he ignores the curl to your lips and moves you towards the bed, ignoring the sound of your self satisfied laughter when he reaches for your shirt and pulls, with you lifting your arms to help him, grinning at him the whole time. Even when he’s thrown your bra aside and kicked his boots off and pushed you onto the mattress, trapped you underneath him, completely naked against his completely clothed body you’re still smiling, like the cat who got the cream.

You’re stunning. There’s no doubt about it. You always have been, annoyingly so, even when Yoongi’s wanted to wring your neck; not just because you’re pretty but because you’re intelligent and confident and in control, staring up at him without a lick of fear or concern, even now. Never with him, never. He can see your tattoos in all their glory, nothing hidden away from his gaze; he sees one he hasn’t been able to see before, a sunflower bursting across your ribcage, curved under the swell of your breast, glowing red and orange in the midst of all your other cyan and teal lines, glowing in the black light. He’s pressing you down, trapped under his body, and you’re just waiting. Waiting and still smiling, smirking, letting him take you in, preening under his attention.

He wants to eat you alive.

So he does just that. Shifts back down the mattress on his knees, keeping his hands on you, pulling his hands down the easing lines of your ribs and waist and hips, before a firm tug has you lifting up—your smug facade shakes when you’re left with only your shoulders and head against the bed, the rest of your body pulled towards Yoongi’s waiting mouth once more, held in place with fingers that dig into your hips, thighs soft against his ears, your hands scrabbling at the linen underneath you when Yoongi’s lips press into the crease of your thigh, off balance.

“Safeword?” He murmurs into your skin, and you pause.

“Hoseok,” you answer, and Yoongi responds by biting into your thigh again, soothing it with his tongue when you squeal.

“Shameless.”

You’re still wet from before, slick with cum, and Yoongi doesn’t hesitate before he dives back in. He can hear more than he can see the way your fingers curl into your sheets and rumple them in your hands, anchored helplessly into place by Yoongi’s mouth and the fingers cupped under your ass, digging into the soft skin, undignified and at his mercy. 

“Yoongi!” You gasp, almost a whimper as a breath gets caught in your throat. “Y-Yoongi—”

You’re so helpless like this. It’s a little hard for Yoongi to breathe, your legs tightening around him, but it’s worth it for the way he can see you shaking apart. He presses his tongue as deep into you as he can, sucks your swollen pearl between his lips and circles it with his tongue, notices the way you jolt at those wet kisses, still sensitive from before, and he doesn’t let up. Keeps going and going and going until you’re gasping for air, sensations rippling through your body as you buck and writhe; you’re trying to keep yourself together, he can tell, but you’re unravelling, smirk wiped off your face and your mouth in a pretty little circle whenever you choke out oh, oh.

You cum faster than he expects, shoulders lifting away from the mattress as you arch your back so far it must hurt and tighten your legs and he feels the way your pussy throbs under his tongue, practically gushing when you reach your peak. Your eyes are unfocused when they flutter back open but you’re reaching for him, for the waistband of his trousers, trying to touch the hard length of his cock—he’s been ignoring it, how he’s leaked so much precum he can feel how wet it is in his boxer-briefs.

He keeps ignoring it now. He catches your hands, stops you in place, stares you down with an unimpressed tilt to his brows.

“What,” he says levelly, “do you think you’re doing?”

“Want you in my mouth,” you say. You seem almost desperate for it, fingers flexing in his hold, letting your tongue linger against your lips longer than necessary. “I want your cock in my mouth, Yoongi.”

He tightens his grip around your wrists. And then, for the first time all night, he smiles.

“No.”

You look stunned. Just for a moment. Then you’re squirming in his hold, but you’re trapped, nowhere to go. “What do you mean, no?”

Yoongi’s still smiling, mirroring the self satisfaction that had been written all over your face earlier. “I mean no. You don’t get what you want. You get what you’re given.”

There’s nothing he’d like more than to sink into that wet heat, to see your smart mouth put to good use, lips spread over his cock, but this is better. Seeing the genuine frustration and disbelief written across your features. 

He doesn’t give you time to line up another angered retort on your tongue. Doesn’t give you time to breathe before he’s flipping you over, the wings of your shoulder blades and curve of your spine emphasised by the lines that are traced symmetrically and shining across your skin. They shift when you move, hips lifted from the mattress by Yoongi’s hands, on your hands and knees as he fumbles his waistband and zipper and pulls his cock free. He’s painfully hard, flushed head with precum that beads at the tip, and when he tugs you back he watches the way the head drags across the curve of your ass, leaving a shining line of wetness on your skin.

And when he sinks into you he barely gives you time to adjust, barely has time to adjust himself, to all this hot tight wetness after his cock’s gotten no attention at all—you let out a moan that almost sounds like you’re singing, long and high with pleasure, the slide eased from all your cum.

 You take it so well, always so good to him no matter how irritating you are, so lost in the sensations that you don’t say anything about the hard edges of Yoongi’s clothes whenever he drives his hips forward and it presses into the soft skin of your thighs. It’s messy and choppy and fast and you slump onto your elbows, entire body shaking as you take everything Yoongi is giving you. Caged underneath him when he follows you forwards, presses his front to your back, feels the way the sweat on your skin is caught against the fabric of his clothes. Grinds his hips deep and feels the way you gasp, sucking in a shaking breath, your entire body lost in it. He bites his lip and keeps his own sounds caught behind his teeth, not letting you know how you’re pulling him towards his own edge.

He’s not done with you yet.

Your clit is slick under his touch when he lifts his fingers to touch you, to layer another sensation on top of the cock inside you, and you’re sobbing. You don’t ask him to stop, never know when to quit, face every challenge thrown at you—and Yoongi can tell that you love it even if your body is crying out, that you love this oversensitivity, pulled taut and strung out. You’re beyond speech, words slurred, barely recognisable as his name and pleas of more, please, more. He can feel when you’ve crested the wave of too much sensation and fallen back into that rippling sea of pleasure, and when you cum it’s with a soundless moan, mouth wide open but no noise escaping. No more sharp retorts, no smart words, fucked into incoherency, trembling and quivering as you go tight around him and Yoongi struggles not to lose himself then and there, in your scorching, wet cunt, fluttering around him.

The noise when he pulls out is slick and lewd, just like all the other noises that have been filling the room, the slap of skin on skin temporarily halted when Yoongi rolls you onto your back. There’s sweat beading on your skin, shimmering, tears gathering in the corner of your eyes and glistening like tiny jewels in the multi-coloured low light of this room. Your lips are parted and your gaze is bleary and you’re everything Yoongi has never seen from you before, fuzzy and quiet, entirely pliant. When he reaches for you again, runs his hands over the rise of your hipbones and down the side of your thighs, you whimper.

“One more,” Yoongi says. “One more, you can give me one more.”

You’ve never known when to quit, and now is no different, even if you’re on the verge of being entirely fucked dumb. Those tears pool in your eyes and stream down towards your hairline, but you let Yoongi move you, try to help by lifting your hips but almost too gone to move at all. Yoongi almost cums when he sinks into you, your willing body; he thinks you’ve never looked better than you do now, smelling like sweat and sex and so soft under his hands, taking his cock like you were made for it, and you’re so gorgeous when you’re falling apart. 

The attitude you wear normally—the one that chafes at Yoongi’s nerve-endings—has been entirely wiped away, forced out of you by mindless pleasure. But still, you know what you want, even now, even when you’re barely coherent—Yoongi feels your hand slide across his and pull weakly, guiding it across your chest and up, circling his fingers around your neck.

He swears. Snaps his hips forward hard, watches the way your eyes roll back when he gives an experimental squeeze around your throat. Yoongi’s choked people before, knows exactly how much pressure to give, how much it takes to cut someone’s airways completely or how to just leave them reeling; he lets you linger on the edge of breathlessness, feels the way you go tight around him. When you orgasm it rips through you, your thighs tightening around Yoongi’s hips as you hit your peak and cum hard, and the feeling of it has Yoongi cursing and bending forwards to shove his face in your neck and kiss the salt-sweat taste he finds there as he falls off the edge. He cums wet inside you, keeps rolling his hips through it all, lets his cum mix with yours and watches the way you just keep taking it, even when your whole body is trembling from how much it is.

And when Yoongi calls you a good girl, you don’t snap back like you normally would, don’t deride his praise. You bask in it, as tired as you are, letting out a soft noise when he pulls his softening cock out of you, unbothered by the wet patches on your sheets and how the whole room stinks of sex. When he moves to lift you, to get you clean, you go easily and without argument, every one of your honed edges dulled, and you make no move to sharpen them again, to drag them over Yoongi in the way he’s so familiar with by now. Even when you’ve lifted out of your haze and you’re back in the moment, the way you watch Yoongi is no less calm than normal, but still different.

“Stay.”

He’s in the middle of reaching for his boots, discarded on the floor, a discordant note on the clear floor. You’re wearing clean underwear and a loose t-shirt and you’re looking at him with something verging on surprise, like you hadn’t expected to see him moving to pull his shoes back on to leave.

He hadn’t been planning to.

“Just moving them out of the way,” says Yoongi, putting them upright by the base of your chair, and then he makes his way back to you. You don’t attempt to hide your pleasure that he’s listened to you,  pulling him onto the bed despite the fact he’s still dressed.

“I don’t cuddle,” he says, even as you tuck yourself into the crook of his arm, and he shifts to make it more comfortable for you.

You press your face into the hollow of his neck, touch your nose against his throat, breathing in the smell of sweat that still lingers—because you’re shower soft and fresh but he isn’t, and weirdly enough, you seem to enjoy it. Seem to enjoy that contrast, the one that’s always existed between you, Yoongi immersed in blood and sweat and tears while you’re away from it, one degree of separation from it all. “You know, I like it when you do things for me.”

Normally he’d protest, say that he doesn’t do things for you, but the truth is that he does, even if he’s only just admitting it to himself. 

“Like that time you killed someone for me,” you say, and Yoongi’s fingers tighten, soft skin of your waist yielding under his touch.

“I kill a lot of people.”

You let out a laugh against his skin, quietly amused. “Just admit it. You like me, Min Yoongi.”

A pause. 

Then: “Against my better judgement, I do.”

And he does. Even if you’re irritating and maddening, he does like you, and not just because of the work you do for him. He thinks that even if you weren’t so good at your job that he’d find himself here anyway, caught in this push and pull you have, magnetised.

“No need to sound so begrudging,” you say, but there’s no real annoyance behind your words. 

Yoongi finds that he likes that note in your voice, like you’re indulging him and his stubbornness and you’re unmoved by it. He hums in response. Feels the way you shift back, lean on your elbows to look down at him, lips curled up at the corners.

“Kiss me.”

Not a question. A demand. Yoongi stares you down, just for a second, before he lifts a hand and weaves a hand back into your hair, tilting your mouth against his. He can feel your self satisfied smile against his lips and he doesn’t mind it at all, sees it spread across your face when you eventually pull back, all flushed lips and warm eyes.

You’re still sharp, a weapon in your own right, but you willingly hand yourself over to be held in his skilled hands, let yourself be worn smooth by his touch. He weaves his fingers between your own, your palm soft and warm against his, and he likes this. That you’re unafraid of what he is, that the fact he’s a killer isn’t something that scares you or thrills you.

Yoongi likes your work. He likes that he knows he can trust you. He likes that he knows of your loyalty, to the people you choose and to yourself, your unwavering principles, as unpredictable as they might seem. He likes that you’re unashamed to be yourself and to be confident, no matter how people react to that cockiness. 

What he likes even better than all that is this, though: the way you’re pressed against his side, evidence of his touch written into your skin. The feeling of your hand in his. Despite all the odds, all the months of drawn out and simmering exasperation and tension coming to a head like this, Yoongi likes you.

“I’m not going to give you a discount, you know,” you say suddenly, and for the first time since you met, Yoongi allows himself to laugh at you.

“I’d be offended if you did.”

(You’re loud. Cocky. Arrogant. You love to irritate him just for the hell of it, because you think it’s funny and you love knowing that you can rile him up—but he can rile you up too, and you both know it.

Yeah. Yoongi likes you.)

tagging: @beyoncesdragon @vensulove @gyukult  @swinginpicklesuitcaseapricot @kpopheart2 @loveyoongles @muzikabijou  @katbonv @jaxx-7 @yeojaa

[lunaastoir]

Hi! I really enjoy your writing so is it alright if i request xiao, diluc, childe with an idol s/o where one of their old stalkers come back or they just recently had a stalker in general but with how busy they were since they’re an idol they don’t even notice? And something bad happens (i cant think of anything</3) Thank you very much !!

hi anon!! a million apologies since this is so late but i hope you like the fic <3

there also aren’t any explicit details for anything bad happening - i briefly touched on subjects that you may not have control over, i hope that’s ok! 

warning (?): struggled a bit on this prompt so i apologize in advance if this isn’t my best work LMAOO

gn! reader

tw: hints of assault, slight angst, very light abuse if you squint

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xiao

now xiao is a very observant man but he's also extremely busy keeping liyue safe

he makes it a point to always come to your shows even if you don't actively see him bc he cares a lot abt you and he enjoys listening to your music ‼️

it's normal for him to sometimes get lost between his own world of demonslaying and the world he shares w you

so one night, he's hanging on the rafters of a house with the perfect view of your singing

everything goes smoothly, he sets his spear down while lightly swaying his head to the music

the concert ends and fans disperse after you say your farewells

a night like this is rare since for once, xiao can walk home w you back to the inn sweet boy really cleared out his schedule for you huh

you're unsurprised when you see him materialize next to you, opting to flash him a smile and a hello

his cheeks are lightly flushed as he crosses his arms before talking quietly about how well you did

he relishes in the wide smile you give him as a result of his praise and he lets the corners of his lips curve upwards slightly

the quiet bustle of the harbor seemed to slow down as the night grew longer

since this was a fairly large concert, you had boxes among boxes of equipment so xiao decided to make your life easier by quickly flying them to their appropriate locations

when he got back however, he was surprised to see you talking animatedly with someone

he didn't think anything was wrong until he saw the person trap you between the stage and words filtered into his ears

your back was painfully pressed against the stage wall as you defiantly met their gaze. after xiao had left, they had immediately come over to you: first introducing themselves as a fan and making amiable conversation, before divulging in personal details of your life that made your skin crawl. you weren’t helpless, you always had your weapon on hand regardless of whether you were performing or not. the way they pushed you against the wall however, made it near impossible to summon your sword should you need it. 

they leered down at you while balancing an arm against the wall next to your head. you had dealt with things like this before so you weren’t overly worried; you could defend yourself. you almost felt pity for the person in front of you as they asked for your number with a sadistic grin, disgusting words tumbling off of their lips. however, that was before you felt their cold fingers idly make their way to your stomach and you felt your breath hitch. oh no

the telltale sound of whooshing alerted you of xiao’s presence, and the press of the tip of his spear against their jugular brought you relief. 

“back away” he tightly growled while his golden eyes narrowed into slits. they stared at him in shock before holding their hands up and moving to step a foot away from you. 

“farther” he motioned with his spear before stepping in front of you as you attempted to collect yourself. 

“ok ok, i’m far away can you put your spear down now?” 

“no.” 

you mentally cursed as you watched the two of them glare at each other. this was supposed to be a carefree night but this unfortunate twist made the air thick with tension. you could feel the anger radiate off of xiao in waves and in an effort to deescalate the situation, you spoke. 

“i’m glad to meet such an...avid fan but i’m sorry the two of us must get going now” you hastily said before attempting to grab xiao’s hand and walk off past them. 

the next words had you halt your steps as they divulged their secret. 

words painted in careless arrogance with hints of violet overconfidence flew out of the person’s mouth - “judging from the weeks i’ve been following you, it didn’t seem like you had a boyfriend”

at the mere mention of prolonged stalking, xiao immediately lunged to pull you behind him. god, he didn’t kill mortals but he swore if he plunged his spear into this human being right here, no one would even blink twice considering how low of a person they were. 

“if i ever see you near them again, i will not hesitate to kill you. i won’t blink twice, i already have blood on my hands.” he ground out.

at the threat, the person grudgingly turned their back to you before leaving the two of you alone in the quiet harbor. 

you carefully reached a hand out to touch your boyfriend’s shoulder, but stopped after you saw the expression on his face. the mix of rage, sadness, and anguish imprinted his features as you watched his chest rapidly rise and fall - a result of his emotional battle. 

“i’m sorry i didn’t notice them before. i should’ve been paying more attention to you” he whispered before silently striding away from your grasp 

you knew that no matter how many reassurances you gave him about how, “it’s not your fault xiao, i didn’t notice them either” he would still blame himself. 

he was supposed to protect you right? so why couldn’t he sense the danger beforehand? what would’ve happened if he wasn’t there?

it’s still a learning process for him to realize that things happen, and he inevitably couldn’t be there to save you from everything. he needs time to understand and adjust. you’re willing to wait, patiently helping him through it. why? because love is worth it. 

god im sorry this ended up kinda sad whoops

diluc 

i swear everytime i say i’m a childe simp diluc kinda wrecks me

ahem anyways onto the hc!

he’s kinda never around but similar to xiao he will overwork himself to clear out an hour or two just to watch your concerts 

he’ll always stand off to the side too so if you tilt your head while you’re singing you can spy his red hair 

you always flash him the sweetest smile and this man blushes like CRAZY before quickly lifting his hand up to give you a thumbs up 

everyone watching the both of you like 😍😦

people think it’s the cutest thing i swear like c’mon the elusive “bachelor of mondstadt” being seen in public supporting you??? wow pls can we share him

he walks with you back to the winery, the entire time linking his hands with yours while gushing about your performance 

1939248/10 it’s literally the sweetest thing 

the next day however, adelinde brings you a pink letter addressed to you 

he doesn’t pry because it’s addressed to you and it’s your business but as the letters start coming by everyday, he starts to grow curious 

one day he straight up just asks you about it

“hey, you know those pink letters you keep getting? who are they from?”

you laugh slightly at his bashfulness and respond with a “just some overexcited fan” and he smiles before kissing your forehead 

he loves that people are noticing your talent 

loves it! until you get stalked by the same person who wrote you those letters while you were shopping!

diluc knows something’s wrong when you rush into angel’s share panicked after not returning his usual smile. 

“darling? are you ok?” he asks worriedly before quickly setting down the glass he was cleaning to move towards you. 

the widening of your eyes as you looked behind you at the sounds of someone else entering was all he needed to swiftly step in front of you, blocking their gaze of your face. 

the slightly panicked look in your eyes before you hurriedly whispered, “they’re following me” made diluc glance at them subtly out of the corner of his eye. he watched as they walked over to find a seat next to the bar, seemingly ready to order a drink. he quietly asked if you would like to sit in the room reserved for the employees, away from their prying eyes. your hasty nod was all the confirmation he needed for him to let you access the door behind him. 

the night went by fairly smoothly with kaeya’s usual teasing and venti’s usual begging for alcohol. diluc’s eyes narrowed however, when the person seemed to ask him questions regarding you. things like, “i heard you’re dating y/n... they’re amazing, how long have you been together?” and “do they live with you at dawn winery?” diluc answered these questions as short as he could, trying to convey with his body language that he truly did not want to talk to them. 

everything was going well until he made the mistake of leaving the bar unattended. he had briefly forgotten about your residence in the room behind him as his mind immediately gravitated to breaking up a brawl. when he returned, the half drunk glass of liquor combined with the person’s absence from their seat, caused sparks of worry to light up inside his chest. 

turning to the door, he knocked once. 

“is everything alright in there love?”

the sounds of things rustling about and the occasional muffled voice had him opening the door quickly. he saw you with your arm being held tightly in their grasp, your mouth muffled with their hand, while you strained against them by pulling at your arm. 

diluc immediately made his way over to you, quickly pulling your arm away before letting you enter into his embrace. 

“get out.” the venomous words clawed their way out of his throat as he looked at them with eyes that screamed hatred. his blood was boiling as his mind replayed the scene; your scared expression and their greedy eyes. 

diluc didn’t need to repeat himself twice as they ran out, trying not to trip over crates of wine. he made a mental note to find out who they were in order to make sure they never came near you ever again. 

he quickly looked down at your form, relaxing slightly at the sight of your tentative smile. “my knight in shining armor” you joked before softly nuzzling your head into his shoulder. the anger had yet to dissipate from his veins, and although he knew you were still shaken up, he was sure you would be fine. 

a pink letter placed on the table next to you caught his eye, and he made sure to quickly pocket it as he led you out, gently jesting with you about the “unnecessary amount of wine barrels in here, diluc this is a safety hazard!” 

he would deal with this person later. 

childe

ayo AYO ITS THE TOY SALESMAN

ok tbh he’s very rarely around so he unfortunately cannot make it to all of your shows 

dw tho, he will try his hardest to be there for the ones he’s in town for bc what is he if not your number one hype king??? 

ok kinda creepy! alert 

he’s tasked two of his subordinates to keep watch over you whenever he’s out of the harbor

it’s not anything creepy,,, he just gets extremely worried abt you and wants to make sure you’re safe 

sO when he gets a ransom note??? he’s understandably confused but also very much freaked out 

bc did they not know who he was??? the fact that they thought they could get away with holding you captive was quite honestly kind of funny to him 

very stressed and angry tho - hides it behind a facade of smiles but he’s raging 

takes him only a few hours to track you down bc he had everyone and i mean EVERYONE looking for you 

the note crunched in his hand as the harbinger made his way towards windrise. his pace was erratic, long legs rushing towards the small cave his agents had found. they were bordering the perimeter of the enclosure, careful to not alert you or your captor of their presence. childe’s subordinate head had calmly stated that childe need not come out to rescue you, the situation was under control and they could do it for him. however, childe’s sharp gaze along with his sickly sweet words of “thanks but no. i’m coming out to see this sorry asshole for myself” had the agent backing away apologizing. he wanted to see the look on this person’s face before he shoved their sorry ass into the abyss himself. 

as he reached the opening of the cave, he glanced over his shoulder at his head agent; a silent warning to keep the area sealed. his blue eyes glinted with a thirst for blood before making his way into the cave, sealing off the exit with his body. 

“well well, playing games with the love of my life are we?” 

his teasing words reached your ears as your eyes immediately found the face of your boyfriend. you weren’t horribly scared, just a little shaken up and sore from the bindings on your wrists. relief coursed through your body at the sight of him. you needn’t put in your plan of getting out of these bindings to fight your captor yourself anymore. 

childe’s eyes quickly scanned over your frame, making sure you weren’t hurt. at the state of you completely unharmed, the harbinger let his heart calm down slightly. you were completely ok. 

“wait a little longer, love? i promise this will be over soon”

the wink he sent you had you lightly rolling your eyes at his antics before he directed his attention back to your kidnapper. if your captor wasn’t scared before, they were certainly shaking in their boots now at the sight of childe’s twin hydro blades rotating playfully in his hands. 

“listen, all i want is the money-”

“and all i want is your head” 

your boyfriend smiled after cutting them off. the severity of the situation truly seemed to sink in at that moment before pleas of mercy fell from your captor’s lips, desperate to escape the bloodthirsty gaze of the harbinger. childe’s eyes flickered over to yours where you sat there, with your head ferociously shaking. a silent “no.” he sighed before swiftly bringing his arm up to hit your captor on the head, effectively knocking them out cold. 

his hands worked at the ropes holding you and he gingerly rubbed at your bruised wrists. you silently thanked the archons he could never say no to you. archons forbid what would've happened if you hadn’t said anything. while you were explaining what happened, the young man quickly scooped you up in his arms before walking out of the cave. 

you playfully hit his shoulder while muttering “drama queen” but you stopped when you saw his face morph into an expression of seriousness. you had informed him on the situation about your captor revealing themselves to be a recent stalker of yours, completely oblivious to the look of frustration on his face as he freed you from your bondages. 

“i was scared you know.” he quietly divulged. “i knew that it wasn’t anything extremely serious but i... i was still scared”

you swore as you looked at him in that moment, he had turned ten again. the youth of his face betraying his vulnerability. 

you quietly hummed before tangling your fingers in his hair. “i hope you know it wasn’t your fault. it wasn’t anyone’s fault. not even the two fatui agents who you sent to stalk me while you were away.”

he quietly laughed at that before mentally filing away a reminder for a lecture to those two agents in the near future. 

“i’m just glad you’re safe. i know you can save yourself but i’ll always be here. i still wish you would let me take care of your asshole kidnapper myself though.” he pouted jokingly. 

“i’m sure the millelith will lock them up for a long time.” you laughed sweetly. 

his usual smile reappeared at your antics. maybe he didn’t get to beat your captor up and do...much worse. however at the end of the day, your smile was still intact regardless of what happened. that’s all he wanted. 

[shadowworks]

Compulsion

Pairing: Mafia!Dabi X Reader

Warnings: dubconish themes, flirting with Hawks, blood, murder, blackmail, fingering. NSFW, quirkless AU!

Word Count: 4.4k

A/N: Alright! This piece is for The Smut Pile Mafia Collab

I have to give my wholehearted thanks to @hisoknen @some-kindofgnome , @pleasantanathema, and @ever-enthralled for reading this over the last couple weeks, and making sure it reads well! I am so happy to have you beautiful souls! Also a special shoutout to Raph for brainstorming with me when I was stuck at the very end. 💕

Edit: This has fanart! Beautiful @maewoahoah created a Mafia!Hawks piece right here and a Mafia!Dabi piece here! She’s very talented! ;)

On this ominous winter evening it begins snowing. 

You readjust your peacoat and step through the frosty glow of the street lamp to your front door. Your muscles ache a little more than usual, your steps a little heavier. It’s been a long and tedious day at work; far less stimulating compared to Toga’s position working for a bootlegger named Tomura. But both jobs pay the rent. You push papers and withhold your scowls towards clients. Now, you want a bath. 

The sound of a muffled radio plays on the other side, and it floods your ears as you walk in with warmth and an iron smell wafting your chilled nose. 

“Folks, I'm goin' down to St. James Infirmary...

Seeeee, my baby there;

She's stretched out on a long, white table

She looks so sweet, so cold, so fair.”

Toga’s playing blues again. It’s a routine she has before the graveyard shift across town. At this time, she’s in the kitchen making something before she goes, but you’re having trouble figuring out what food smells like copper. 

“He-e-e-y,” you call lazily, a sing-songy tone in your voice. 

She doesn’t answer, though you hear the clacking of stiletto heels on wood, which makes you amble down the hall to see what she’s doing. 

“Think you can smuggle some whiskey tonight? I thought we had some, but Keigo probably polished it off last—“

You stop in the doorway. 

There’s a poor bastard lying flat on his back, head twisting too far towards the sink. Ribbons of blood streak down his colorless skin, pouring out from a dark and glossy hole just beneath his jaw. You see it puddle and stain the edges of his hair a sticky red, the only sound besides your heart thudding is the soft thrums from the parlor.

“ When I die please bury me in my high top Stetson hat

Put a twenty dollar gold piece on my watch chain

So the gang'll know I died standing pat.”

You’re in a daze, one where you’re not sure how long you’ve been staring. It doesn’t seem real. Is it real? But it’s not until you hear the sound of heels clicking against the wood floors that you drag your gaze to the noise. 

Toga’s standing near the stove, her features vacant, shoulders slouched, and she’s holding a knife that’s still wet.

What the fuck? 

You want to scream, berate her, seethe what the fuck was she thinking, or if she was thinking for that matter. But the blonde speaks up before you do, with a voice above a whisper. 

“He was going to leave me. Said he was too dangerous.” Toga doesn’t look in your direction, moving to the rim of pooled blood which has stopped spreading out, “I told him I wouldn’t let anyone come between us, but he wouldn’t listen.”

Your jaw goes taut, staring incredulously at her steely face. The lack of emotion gives you a sinking feeling in your stomach.

The man wasn’t a random suit who bled out on your floor, this moron was seeing Toga on and off for months and had been trying to be more present.

Nights spent arriving at your door with flowers and sweets, and driving her to work was becoming a staple in his routine. He preferred staying in Toga’s room if they had the day off, and he always slipped out when the morning frost dusted the grass, a soft bluish hue painting the streets before sunlight. 

But that’s not the problem. See, he was a core member inside the Mafia running the northern side of the city, ‘The League’ they like to call themselves. The only men above this guy was his boss Tomura, and the underboss Dabi. You don’t know the former, but you’ve spent time with the latter.

You’re aware of his sadistic nature that flashes behind those teal eyes, and he doesn’t try to  hide it, either. The sideway glances during a poker match before he fucked someone over , the smile he wore when you asked about the purple bruises on his knuckles. 

So fan-fucking-tastic, the broad has some nerve.

You curl your lip, already shrugging your shoulders from your coat. You toss it over the table and start rolling up your sleeves to the elbows.  

Toga finally turns towards you after catching movement by her side, brows raising confused, “What are you doing?”

“You’re gonna grab his feet and we’re gonna move him onto the rug in the hall.” 

You step in the blood, grabbing him by the rusty black colored jacket and dragging him from the puddle. Of course it leaves drag marks, your heels making tracks alongside, but you can deal with the clean up later. 

Toga hurries over to help, carrying him by the legs and letting you guide the body to the floral rug.

“You don’t want to know what happened?”

You stop. Immediately dropping the dead weight, his blond head lolls off to the side. Your palms sheen with red, but you straighten up and push a beach curl from your cheekbone with the back of your hand.

“Not really. All I want is this fucker out of my house.”

It’s her turn to stare at you incredulously. This is completely out of nowhere for you to be assisting in hiding a dead boyfriend, even if you two are roommates. You’ve only been living together for four months now.

“Toga, I need you to listen, okay?” you say, a bit mockingly, “I can look past the murdering business by pretending you acted in self defense, but if you don’t have the goddamn brains to realize this idiot has friends, then I suggest you don’t stab people!”

Toga flinches slightly at the lilted pitch in your voice, already suggesting panicky, “We can take him to the woods and hide him there?”

“That’ll work.” You don’t think Twice about it.  

Working together, you both hoist him a couple feet onto the rug, refusing to look at his face. You didn’t need to be feeling a pang of guilt. It doesn’t take long for you to roll him towards the front door, as the material wraps around his figure. 

The hardest part is retreating to the car. The moment you push through the door, you see the distance from where you stand and the car parked a little down the sloping street. You both give a hard look to the powdery snow dusting the ground, quiet and enchanting. It would be beautiful...had you not been carrying a corpse.

“Stop being a little bitch and heave!”

“I can’t! You’re making me hold all the weight!”

“He’s off the ground! How the fuck are you holding all the weight?”

“But my arms hurt!”

“Fucking hell, Toga. What if I had stayed at my sister’s tonight? What then?”

“Stop yelling at me! I get it, alright? I shouldn’t have done it in the house!” 

Your bickering toils through the winds, muffled by the falling snow. The burst of cold air is running through your buttoned blouse while crossing to the 1929 Chevrolet causing a shiver to roll down your back. When you reach the car Toga plops the rug down onto the snow first, then you. Your wet fingers feel numb against the metal handle. 

There’s one entrance on each side, which likely will make shimming the body to the backseat  much harder. You pause, looking at the front in thought. 

“I’ll go first,” you say, “when he’s in, you go and grab our coats.”

“Are we burying him?”

“Think the lake’s faster.”

“What if it’s icy? They’ll see the hole if we throw him in.”

You both ponder your options for a little while, this isn’t exactly something you’ve done before...You can’t say the same for Toga, but she seems just as puzzled, almost clueless on how to get rid of her ex. 

Meanwhile, the rolled corpse behind you starts to slip downhill, little by little. The slanting street gives speed and the rug starts to roll.. Red droplets trail behind in its wake. 

You just happen to see it first.

“Toga—Toga, the body! The body!” 

Toga cries out, taking off after the rug as best she can on a frozen sheet. “Fuck, fuck, fuck!” 

The graceful snowfall flutters with pain and chaos.

Toga skids against the fresh ice, feet stumbling under her navy blue dress. She falls to the ground with a hard thud, and you see she isn’t stopping. She keeps going alongside the body, sliding until the two disappear under another parked car. 

You don’t have time to think, a chill strikes up your spine in your panic. 

“Toga!” you call out, taking off after her. Unfortunately you find yourself abruptly on your back, pounding hard on the stones and stealing the breath from your lungs. 

If you could sigh right now you would. Or rather, if you could punch Toga right now you would, as rage twists with a throbbing pain in your chest. Was all this worth having a mobster roommate? The odds were piling against her. You have a mind to push her in the lake when you get there.

Several silent minutes go by with you staring up at the cloudy sky. It’s brighter from the illuminating white snow, and despite the icy powder prickling your flesh, you have no choice but to wait for the ache in your chest to fade. 

“Enjoying the view?” 

You hear a new voice, male, and the suave tone tells you who it is before he treads near. He looks over you with half lidded eyes of honey gold. 

He’s very pretty. The drifting snow flakes above his wheat coloured head manage to enhance this, though the uplifted eyes lined in black, and nicely sharp features are the last thing you want to see. You’re nowhere near ready to start lying out of Toga’s mess. 

“That can’t be too comfy down there,” Keigo says, bending forward with an outstretched hand,“C’mon, upsy-daisy.” 

You take his hand, feeling another leather glove hold your waist and lift you onto your feet. When you settle, he starts brushing the caked snow off your back. Mobster or not, he’s at least a gentleman.

“You alright?” he asks, giving you a once over for any fresh scratches.

You give a slow nod, crossing your arms over your chest. Fear’s got the better of you, and you look anywhere but him., “What are you doing here? I thought you were working tonight.”

“Oh I am! You could say I’m on patrol, need to pick up a few things.” 

Your gaze stills to your left, heart skipping. Keigo’s not alone. Standing nearby, a slim figure dressed in black from head to toe is watching you two lazily. A thread of smoke seeps from his parted lips, clouding a handsome face and spikes of black hair. Keigo keeps talking, but you can’t take your eyes off the ghostly presence you know to be Dabi.

“Unfortunately that includes loverboy. He was supposed to be back hours ago, but we figured he’s still fooling around,” a little smirk tugs at his mouth, suggestively “He’s still inside, right?”

You blink, turning back to face Keigo, “I wouldn’t know, I just got home,” you lie. 

“Look at you! You look like you’re about to freeze to death.” He starts suddenly, swiftly slipping his arms out from his heavy coat, revealing a black three piece with pinstripes, and a brighter crimson tie. In one smooth motion he twirls the long, beige coat over your shoulders, letting it rest over your figure.

“Thank you,” you say, before your eyes catch something. 

Dabi moves towards the clumsy skid marks, head tilting down to the red dots in the snow near his polished shoe. You stiffen.

“You sure you’re okay?” 

Your gaze flashes from Dabi’s retreating back to a politely smiling Keigo, “Yeah, I’m fine! I’m really cold is all.”

“Well, we should get you inside. You know you left your door wide open?” Shit, the door. You forgot about the stupid door—

(Dabi looms across the indents in the snow and follows down the hill like a dark shadow against crystals illuminating bright.)

“Ah yeah, I thought I left my purse in the car. It was just for a second, and then I slipped,” You force a smile. Relax. You need to relax. Keigo doesn’t seem convinced, reading something off in your features.

“Is that right?”

(He gets the edge of the old Ford, and notes the specks of red soak wider here. The spots lead underneath.) 

“I know, it’s pretty foolish. It’s um...It’s a good thing you showed up when you did, or...”

Your eyes drift over Keigo’s shoulder. The underboss starts to crouch low. Your pupils shrink, a new wave of panic tingles the back of your neck. Damn him, why was he so clever? 

“Dabi, wait!” you shout, pushing past Keigo’s shoulder. In your hurry you kick up the snowy crystals, rushing to the taller mobster in his long obsidian coat. Dabi quickly turns, standing up.tall before you hook onto his upper arm like a lover. “I saw an animal go under there that looked hurt. You shouldn’t mess with it.”

A smirk that breaks into a grin spreads on his face, a look of amusement blooming from your look of fright. You want to glare at him, though that could be dangerous. Why does he like seeing you scared?

 “An animal, you say?” he parrots back, adopting the same mocking pitch you gave Toga earlier. He’s not in the least bit on edge, and you really don’t like that. He flicks his teal eyes up to look behind you just then, “Good thing I have the city’s best exterminator right here.”

As if on cue, you hear the crunching boots of Keigo walking to the car. “Give me a break with the dirty work, will ya?”

“What, scared of a little pest?” Dabi taunts back coolly.

 “I’m not too fond of getting my knees wet, actually,” Keigo returns quite dryly, sharp eyes studying the long pattern marks. He places his gloved hands on his thighs and drops himself to a crouch in front of the vehicle.

You desperately hope Toga proves you wrong. Maybe she had the common sense to bail while no one was looking. It’s all you can do at this point, while Keigo dips his head underneath. You don’t realize, but your grip on Dabi’s arm presses tighter into the wool.

Keigo inspects below for a moment. There’s a long pause like a winter evening should be. Silent. Calming. You can almost believe in the soothing little lie. Then Keigo coughs a laugh  that echoes through the street. Bursts of manic giggles grow louder from the mobster, leaving you tilting your head at his pushed back hair, confused.

“There’s a pest, alright! I think I caught something—“

Keigo reaches under, and with an impressively strong yank, Toga’s head pops out in a doe eyed stare. Her arms are wrapped around a bundled rug with a fairly familiar head sticking out. 

“Hey there, Toga!” Keigo exclaims, “When did you become a rat?”

 Dabi tips his head down, drawing the lit cigarette back to his lazy smile. He’s shockingly calm which does nothing to ease your shivering panic. Toga however, seems fine. In fact, she’s moved on to livelier feelings.

“Hey! Does it look like a rat could’ve done this?!” she snaps, shaking the body in her arms. It bangs against the bottom of the car sending loud echoes through the nearly empty street. Specks of blood dribble on the white ground, and a couple more drops spray her cheeks.

You stare up at the clouds, rolling your eyes. Goddamnit Toga.

“Yeah, I guess a rat can’t hold a knife, huh? Ya got me there.” Keigo turns and beams you a smug look, eyes half lidded in an expression that reads, nice try, but you failed.

You scrunch your nose, quietly shooting him back a glare. Asshole might’ve caught you both red handed, but he didn’t have to be so fucking cocky about it. It’s only charming when he has a winning hand at cards. Beside you, Dabi’s shoulders shake with silent laughter, though you don’t have the guts to flash him the same glower. He is second in command after all.   

“Yeah, see? That’s what I thought!” Toga says in victory.

You blink very, very slowly at Toga when she finally meets your vastly unamused gaze,“...Nice work, Toga.” 

It comes suddenly. A fiery warmth ghosts the dip in your waist as Dabi leans in. It’s not unwelcomed, raw and soothing even, but it hardly lasts. His hand curls around Keigo’s coat collar and pulls it off your shoulders. The crisp wind rushes to your exposed arms.

“You got any rat poison on you, Hawks?” Dabi tosses the coat to Keigo. 

He catches it mid air as he rises to stand. “Nah, fresh out. But we have some back at the house.” 

“You want to take care of our rat problem then?”

“Can do, boss man.”

Before you can figure out what they mean–what they have planned for Toga–Dabi’s pristine leather glove presses at the small of your back and directs you toward the pouring light of the open door. “Don’t wait up.”

It’s barely there, but as you shift your eyes to Keigo, his features take on a darkened look toward Dabi.

“Play nice, now,” you hear Keigo say. This time though, the joyous tone is gone. 

A new song hums on the radio when you’re pushed through the threshold, you listen to the richly solemn blues as Dabi closes the door. He turns the lock with a click and pockets the key.

“I forgive you 

'Cause I can't forget you.

You've got me in between the devil and the deep blue sea”

He doesn’t give you a passing glance, instead he turns and strolls down the freshly bare hall. He hasn’t removed his coat, and each room he passes he tilts his head in to search for something, stopping by the parlor. With a twist of a knob, he shuts off the radio.

“Where’d she ice him?” he asks, still not looking at you by the stairwell. 

“In the kitchen.” You return. No point in hiding it now. 

His steps creak the wood as he ambles further down, knowing full well where to go. He’s been here a handful of times; of course, those were happier evenings filled with drunken laughs.

You watch him stand by the doorway, staring at the vibrant mess of a crime scene. He pops the tip of his cigarette in his mouth before slipping from your line of sight. Dabi’s got the key to the door, so it’s not like you can run away—especially with Keigo just outside. It’s too risky to try and you know it, but it does cross your mind. 

Summing up the courage, you decide to follow Dabi with measured steps, “What are you going to do with Toga?” 

When you face the kitchen, Dabi’s near the table where you threw your coat. He has a hand in one of your pockets, and he’s fishing for something inside. It jingles in his grip as he stuffs it into his own pocket. Your car keys. 

“Are you going to kill her?” you try again, a little irked he’s swiping your things left and right. He doesn’t release your coat either, laying it over the crook of his elbow.  

He draws a final inhale from the dying bud, and crosses to the sink to snuff it out. An exhale of smoke blows out from his lips, “Killing her seems like a favor, don’t you think?”

“I thought it was the other way around.”

He turns, flicking teal eyes sheening with energy at you, “That lunatic’s no longer your concern. Right now, you ought to be more worried about yourself.”

Your features go taut, which in turn makes Dabi’s sadistic smirk return.

 “I didn’t help her kill him.”

“No,” he agrees, taking a few strides around the blood to approach you,“but you were willing to stash the stiff.”

“Yeah, for this very reason. I didn’t want you coming after me!”

Dabi draws dangerously close, mere inches apart as he glances down with lidded eyes, the smell of tobacco perfumes from his shirt collar nestled under a violet tie. He crooks his index finger, embellished with a silver ring, ghosting it under your chin. “How’d that turn out for you, babydoll?”

With a ruthless smile, he breaks the fixed stare and rounds you to the hallway. He seems to be making his way towards the parlor again, but the swish of your peacoat in his arm, set you off.

How dare he? You don’t like how he’s walked inside, claiming what’s yours. You might have your life screwed over, but at the very least you want your coat back as some semblance of control.

You stalk after him, picking up pace to aim for his arm. The clacks of your heels are loud, but you currently couldn’t care less about being sneaky, “Give it fucking back. You’re not keeping that!”

You lunge for the black wool, but as your fingers brush the material on his left elbow, Dabi whips the coat, rotating arms. You’re not fast enough, but you try a second reach for his right arm, huffing out a growl at his stealthy reflexes.

“Dabi, I’m serious! You’re such a—”

In a twirling motion his newly free palm shoves at your shoulder, pinning you against the stairwell’s wall. He’s close, so close, the blue flames in his eyes are absurdly intense. 

“That makes two of us. You’ll get this back when I say so.” 

His voice is low, soft lips almost connecting to yours. You tilt your chin up, glaring at him with fearful, tentative eyes. His gaze flashes with mirth, and he huffs a small laugh at you.

“I’ve always liked this about you. That spark inside you.” He muses. The peacoat spills to the floor. Dabi lifts his slender fingers, pushing back a loose curl from your cheek. 

Your stomach flips, as shocks tickle your skin. There’s been subtle flirting between you two before. You just wrote it off as overthinking the moment. Even though he only called you, babydoll, and he sat next to you at gatherings. How he filled your glass with water instead of booze as the nights waned. Now, you feel foolish for denying the little signs. 

“You have a horrible way of showing girls you like ‘em,” you counter back, your voice’s quiet but leveled. 

“Yeah?” he asks. The arm holding your shoulder tightens, while the other lowers to collect your long skirt. He traces his knuckles on the soft flesh of your thigh. As his hand trails up, his eyes remain fixed on your facial features. “Maybe this will help.”

His slim fingers reach the cotton slip, and it’s easy to pull off to the side, exposing the lips of your warmth. He tests the waters, sweeping the tips of his fingers across your folds. Your mouth parts in a breathless hitch in your throat. Dabi parts his own lips drawing near, ‘til his lips touch yours but not quite pressing together yet. His pierced nose bumps yours.

“Now here’s what’s going to happen,” he starts, just before sinking two fingers between your folds, pumping deep and slow inside. “You’ll go upstairs and pack what you need. When you come down—”

He thrusts particularly hard into you, sending a gasping moan to fall from your open mouth. His voice remains calm, a hint of glee can be detected. Fucking bastard.

“—You’ll be leaving with me. You’ll work for me...Live with me…And you’ll do everything I say. You got it, babydoll?”

He adds a third finger, soaking his knuckles deep with your slick. He’s hitting the right spots, the perfectly deep pressure. Your attention turns hazy as wakes of pleasure tighten just below your stomach. Your hips buck against his thrusting hand, yet still, you manage to nod your head. 

Moans flutter from your lips and vibrate onto his smiling one. To heighten the pleasure he begins swirling your wet clit. “Ah, Dabi...Oh god, Dabi—”

He slows his fingers suddenly, which makes you cry out. He pretends to ignore it. “If you try to escape me...I will hunt you down and hurt you in ways that will marr that pretty skin of yours. I’ll make you scream so loud, and no one will be there to save you. Tell me you understand.”

He curls his knuckles, pressing into a rough spot at the top, pumping fiercely against your slippery, muscular walls. You cry out, squeezing at his shirt collar and coat. “Fuck—I understand, I understand! Baby, right there, ah!”

Dabi gives you no mercy. He tugs and twirls the bud of sensitive nerves, swirling with driven circles that clench your walls in wonderous pressure. You’re close, he’s so close to sending you in high bliss. Your moans get heavier, and your clenching more and more and—

He removes his fingers. Another cry of protest sobs from your mouth only to be swallowed by Dabi’s lips on yours. His tongue massages the moans from your breath, his scent of cigarettes and smoke immerse your senses as you drown in the kiss.

He slowly breaks apart with a wet sound, looking deeply in your lust-glossed eyes. His voice is low and arousingly husky. “Now get your things.”

Before you know it, Dabi pulls away from your shoulders, and turns for the parlor. You try catching your breath, watching his slim, muscular back...Did that happen? Did he rob you of everything? Your home, your life, your orgasm?

Eventually, with light steps you do as you’re told, and turn to climb up the stairs. What choice do you have? He has your life in the palm of his hand. And right before you make it to the top, your hand drawn on the railing, the spinning clicks of your house phone perk your ear.  

A long pause. Then finally, Dabi’s rich voice speaks up from the parlor,

“Hey, I’ll be needing a few guys at Togas...Yeah, we found him….Toga did him in pretty good...No, we’ll need the good bleach for cleanup.”

***

P.S, this might be a mini series 👀

[chiliiscereal]

Prompt idea: the turtles with a friend or s/o that sleep walks.

Turtles with and S/o that sleepwalks

———-

So I based this off how my cousin sleep walks hope you don’t mind :)

Raph:

-home boy freaked out the first time he saw you sleepwalk

-he was up at night getting some cake but when he saw you walking by HO HO BOY did he jump out of his skin

-no one else was awake and you practically materialized out of the shadows!

-he eventually calmed down enough to realize that you weren’t awake

-I mean, it wasn’t exactly obvious

-you sort of walked around aimlessly a while mumbling

-that wasn’t really something sleeping people did..

-“babe, what’re you doin’ up? It’s 1 in the morning!”

-“I gotta put the salami CD’s in the chicken coop”

-“umm.. what?”

-once it finally clicked he didn’t exactly know what he should do

-was it a myth that you weren’t supposed to wake up a sleepwalking person?

-was there some sort of side affect?

-instead of intervening he just sort of sat at the table and watched

-he didn’t want to accidentally do something wrong but he also didn’t want you to get hurt

-he found himself getting up a couple of times when he thought you were gonna run into a table, moving it out of the way at lightning speed

-Other than that you were fine

-you simply walked back into your room and shut the light off

-he asked about it the next morning and you told him you sleep walk if you’re really tired

-and, sadly, being in highschool meant that you were tired all the time

-apparently you’d done it since you were little and you were used to it by now

-Raph didnt exactly know what he should do about it

-you told him you were fine and that he should leave you be, but he didn’t want anything to happen to you

-he decided the best course of action was to help behind the scenes

-that meant making sure you didn’t stay up late

-if you slept walked when you were really tired then he’d stop you from that state of feeling

-he had an alarm set for when he’d start hinting that it was bedtime

-he’s unplug the WiFi if you didn’t get the message (subtly of course) and then he’d turn around and tell you that the WiFi always got spotty when it was late

-he’d even stay up a little later to see if you were going to sleep walk

-if not then he’d head straight to bed

-but sometimes you still did it

-he’d found the best option was to just pick you up and place you back in your room

-“but the salami CD’s...”

-“they’ll still be there in the morning.”

-he’d pull you close to him and let you snuggle in close, the two of you sitting on your

-he always left before you woke up though

-yet you knew he had been there

-it was hard not to know when you woke up with a huge dip in the other side of your bed

-the two of you had a system and it worked

Donnie:

-Donnies already up and working by the time you start walking around

-the thing is, he didn’t realize you weren’t awake for probably an hour

-you were just walking from room to room and occasionally picking things up

-he was used to you being up late in his defense

-but when you ignored him or started mumbling... yeah that ripped him off

-“babe can you pass me the screwdriver?”

-“no, the radishes aren’t condensed.”

-“...I’m sorry?”

“Radishes.”

“Are you even awake?”

“I gotta go condense the radishes before Mikey finds out.”

-this boy was educated on the sleepwalking in a matter of seconds via research

-he knew you needed the rest so he never woke you up

-instead, he would find wherever you were walking around and have you stay in his room while he worked

-you never broke anything and it was nice to not be alone in a way

-besides your sleepwalking never lasted for long

-often it ended with you wandering over to him and slumping against his shoulder

-that meant he got to hold you while the night was quiet and peaceful

-the next morning you always woke back up in your own bed

-Donnie denied that he ever had anything to do with your sleepwalking

-but all you had to do was test it out to find the truth

-you walked into his room without a word one night and he didn’t even seem surprised

-“you good babe?”

-you chose not to say anything, you just kept walking

-“how are those condensed radishes doing?”

-you didn’t know what that meant but you assumed it was something you said in your sleep

-“you’re awfully quiet tonight. Usually you don’t stop talking.”

-you sit down beside him and place your head on his shoulder

-boy doesn’t even hesitate in pulling you closer and going back to work

-you don’t bother telling him that you know

-it’s nice to have someone looking out for you

Leo:

-oh he found out the first time you slept walked

-even brought it up casually the next morning

-he has insomnia so anything that happens after hours he’s already aware of it

-for the first few nights it was him joking about the cause being something supernatural

-he stopped when he thought you were getting offended though

-he diiiiid however say you were the sleep to his insomnia

-he can’t sleep at night and nothing can wake you up!

-you two balance each other out!

-and believe me, he has TRIED to wake you up to no avail

-doesn’t matter if it’s a loud noise or shaking your shoulder, nothing will wake you up

-unfortunately, since he’s always awake, he gets to see everything you do while wandering around

-AND he gets to see it while recording

-he’s got videos and videos of the random nonsense that comes out of your mouth

-and if he ever finds you cleaning in your sleep heaven knows he’s gonna find a way for you to take care of some of his chores to

-“come on, babe! You were already folding clothes! What’s a few extra?”

-he does find himself having to emergency portal you at times

-like the time you nearly walked off the skate ramp

-he portalled you into his arms as quick as he could

-“who decides to put a skate ramp right where people can fall down it?” He’s mumbling as he carries you back to his room

-having you there helps his insomnia very much

-in a way you’re both helping each other

Mikey:

-took the longest time to realize you sleepwalk

-if took him a whole two months

-usually you stayed in your own room

-he only realized when you walked into his room started picking up his art supplies while he was painting

-usually when he was painting you would plop down beside him and ask him questions (all during the day)

-but now you were picking up brushes and mumbling about how you needed to save the tomato’s before the bear ate them all

-poor baby ran to Donnie, thinking you were sick or delusional

-his older brother casually explained that it’s probably just sleep walking and he calmed down

-he was a little freaked out but grew used to it after a couple more night of it

-doesn’t really understand why you sometimes do normal things in your sleep like cleaning or fixing a sandwich

-still finds himself helping you out though

-he’ll be right next to you, folding clothes or passing you the mayo

-recently he found out he can ask you questions and get pretty funny answers

-“do you prefer hot dogs, hamburgers, or pizza?”

-“soggy bread.”

-“That doesn’t sound very appetizing.”

-always keeps you updated the next morning

-it embarrassed you to no end

-he didn’t need to hear all that stuff!

-one night he asked a less casual question

-“so how do you feel about Mikey?”

-“I would eat a thousand soggy breads for Mikey if he asked.”

-“r-really?”

-“of course. I love him!”

-that was the first time you openly said you loved him

-honestly his heart stopped for a few seconds

-he brought it up that next morning and no, you wouldn’t eat a thousand soggy breads if he asked

-but yes, you loved him to pieces

[solliewriter]

Archery for Writers

In this post, I'll basically tell you the small stuff: e.g., what your archer will complain about to other archers, how different bows sound, what it's like shooting in the rain or snow, finding the goddamn arrows, etc. I’m also going into technical details and will discuss the legendary Robin Hood shot.

If you want a good basic primer, T.S. Strange on Instagram did a pretty good job https://www.instagram.com/p/COat-W1rQ7o/?utm_source=ig_web_copy_link

But, if you're ready for beyond the basics, I've got you covered.

To be clear, my knowledge of archery is primarily Western traditional archery. PLEASE research the history of the type of bow you choose as they’re all unique. There’s a reason why Mongolian bows are so different than English longbows.

I have primarily shot in thick, brushy forest (not parks, actual wilderness), so when you read, that I'm talking about that setting unless specified. My favored bow is a reflex/deflex, which is basically a recurve/longbow hybrid. I have also been doing archery for as long as I can remember, so yes I know how to shoot.

SOUNDS

Different bows make different sounds. Recurve bows are loud. They make this twangy sound when you use them, unless you put a silencer on the string. This silencer is usually a fluff-type thing that is woven around and through the string. The silencer doesn't make them perfectly silent. It's more of a muffler than a silencer.

Longbows are quieter, but they still make noise. It's short, grunt-like hum that usually only the archer and their immediate compatriots can hear.

For Your Character (FYC): a recurve archer and a longbow archer will very likely pester each other about noise.

SIGHT, pt1

You can shoot blind. Sorta. No, you can't put on a blindfold and still hit your target, but you can and will extrapolate what you see. As mentioned, I've done almost all of my shooting in the forest, in the mountains. Visibility is  less than perfect. You have to aim through hundreds of branches, and the likelihood of hitting a branch and sending your arrow flying into No Man's Land is very likely as a beginner and amateur. Shooting through the forest isn't like in Lord of the Rings or Hunger Games, unless that forest is a well maintained park with marked trails made by things other than deer and bear. (FYI, bear trails are perfect for humans.) Half the time, if you move an inch the wrong way, your arrow will be way off target. Missing by an inch means missing by several feet, which is really far in archery.

More than once, you see your target at one angle, but can't shoot it at another. I've experienced this frequently because my Viking sized dad will pick targets that I, his 5'2" daughter, am too short to see. I have to stand on tip toes to see his target, then lower myself into almost a crouch to shoot. I still hit the target.

FYC: Besides the obvious banter that comes from discussing height differences, there are a few other things to note. In the forest, it can be hard to find two good angles to shoot something. This can lead to frustration, complaining, attempts to get the other archer out of the way, and etc.

SIGHT, pt 2

I’m talking about recurve/longbows, so there are no actual sights to look through. 

This is where things are controversial. There’s a gap shooting and an instinctive shooting. Gap shooters guess the distance, then aim. Instinctive shooters just sorta ... wing it.

I’m not going to throw shade at either method. But here’s a key reason why one would use one style or another: gap shooting is largely ineffective in mountainous, forested terrain when you can’t really see much. So, if you have an archer from a prairie and an archer from the mountains, it’s likely they use different aiming styles.

Side note: Flu-flu shots are unique and fun shots that use big feathery arrows. You shoot nearly straight up in hopes of getting your arrow on top of the target rather than straight toward it. When doing this, you can either look at the target or look at your arrow angle, but you can't do both at the same time. You have to shoot blind. Flu-flu shots aren't good for killing creatures, but they are pure fun. This is a good example of using instinctive shooting rather than gap shooting. Also, flu-flu shots are prone to being highly effective by the wind, and it’s very easy to get them stuck in a tree for all eternity. There’s a shooting area my roving family calls “The Valley of Lost Flu-Flu’s.” It’s called this for very good reason.

SMELLS

Bows don't smell, unless you've just added beeswax to the string (strings fray, wax stops that). Arrows smell for about a day after you paint them and glue them.

Leather, however, smells and remains smelly forever. I personally like the smell (though I suppose I'm actually smelling the oil, not the leather). It's very hard to describe, partially because I have so many memories involved. Unfortunately, I have to leave this to you. Just note, leather from armguards, quivers, and pouches don't smell the same as couches and your typical urbanite materials. Find your hippie friend and ask them to make you a leather bracelet or something. That'll teach you the smell.

FYC: Your archer will have very strong memories associated with the smell of leather and beeswax. They will be warm fuzzy memories.

TOUCH, aka shooting in the cold weather

All right, it's cold, and your character is wearing a big coat. Big, puffy sleeves to fit all those layers beneath. No biggie, just nock the arrow, draw, and shoot ...

FWAP!

The string hits the character's coat sleeve. The arrow goes about ten feet before falling limp to the ground like a sad puppy.

To fix this, you need to tie a thick band around your character's sleeve. Easy peasy.

Now, your OC tries shooting again. Unfortunately, it’s been raining, so to their dismay, they've noticed that their turkey fletchings (standard in the western US states) have flattened and shrunk. It looks like there is barely any fletching at all. Fear not, the arrow will still fly. It'll just make aiming a bit harder, but not terribly worse. Those fletchings are just stabilizers.

Your OC goes home. When they take off their shooting glove/tab, they notice their fingers are yellow. Oh no! Don't worry, your OC is not sick, the dye has just come off the leather in the rain. It'll wash off, but it'll probably happen every time the leather gets wet for the next few months unless your OC makes a new glove/tab that isn't dyed.

LEFTIE VS RIGHTIE

It is extremely uncommon to find a left-handed archer. This is because even if someone’s right-handed doing their day-to-day things, it doesn’t mean they’re going to be right-handed for archery.

In archery, whether you shoot left or right handed is determined by your eye dominance. Most people are right-eyed dominant, so much so it’s very hard for a left-eye dominant archer (such as myself) to find new bows. And I mean really hard. Go anywhere and there’s a severe shortage of left-dominant archery gear simply because it’s that rare (hah I’m special- jk).

BOWS

There are manufactured bows (lame), and there are good bows. Yes, there’s a huge difference.

I’m not sure of the technical terms, but here’s my experience.

Manufactured bows, i.e., the cheap bows you find at a renaissance fair, are typically made from a type of plastic. Good traditional bows, from almost any country, are custom-made from wood that the bowyer (bow-maker) has shaped, treated, and glued.

Bows are a lot like musical instruments. Essentially, manufactured bows (or guitars, violins, etc.) are poor quality because they’re made of cheap materials which make the shooting quality less than superb (more on that later), and because they aren’t given the attention they need, which makes them of lesser quality because they’re just ... eh. Special treatment makes for a better bow.

Like musical instruments, there are a lot of different types. Most websites say there are only four (recurve, longbow, compound, and crossbow), but that’s not quite true. These acknowledge the four general shapes of a bow, but not the subtypes. For example, Mongolian bows are recurves, but tend to be shorter than Western recurves because Mongolian recurves are meant to be shot on horseback.

SHOOTING QUALITY 

So, what is it like shooting a good bow?

Again, I’m speaking from experience with recurves, longbows, and reflexes.

A good bow has good speed. It moves the arrow faster than slower. This is a relative scale because recurves shoot arrows faster than longbows, and reflex/deflex tend to shoot faster than longbows but slower than recurves.

WEIGHT

Is it possible for people to have pulled 100 pounds of weight in a bow back in the olden days, or are people just confused?

Yes, it’s possible.

My dad, who used to do archery once or twice a week, had a 100 pound bow that he shot fairly regularly. That was before his shoulder injuries and, y’know, age. 

Also note that he’s practically a Viking.

I pulled 50 pounds at 28 inches when I was doing it regularly, although now I probably have to go back to 45 pounds.

BASIC SHOOTING FORM

This is going to be heavily effected by your character’s culture, bow, and upbringing.

There’s the English, upright stance for shooting a longbow. The archer stands very straight, and their pull hand goes to anywhere between the lip and the ear.

There’s the forest stance, which is my own, and that’s slightly bent over to avoid string-slaps, finger to cheekbone. Also, I made up the forest stance, so don’t Google it.

Then there’s Walt Wilhem, who, due to physical disability, had to shoot from the hip and was still one of the best archers in the world. Watch the video of him and his brother:

https://www.youtube.com/watch?v=np8u69YfSA8

THE ROBIN HOOD SHOT

This is actually very attainable. I’ve done it six times. My dad has done it about 30 times. I have a friend who did it about 25 times.

In order for this situation to realistically happen (if you’re writing something unrealistic, you really shouldn’t bother reading all of this), the character needs to prep a few things.

1. Years of experience. At least six, and that’s assuming your archer shoots at least seven hours a week, without missing an hour.

 2. At six years the archer might get a few Robin Hood shots. Very likely, it’ll be at a shorter distance and the arrow they’re shooting will be cross-wise instead of straight down the shaft.

3. At ten years, it’s quite likely your Robin Hood has shot straight down the shaft a few times.

4. Your Robin Hood must seek to improve every week.

SOME QUICK TIPS

unless you’re Walt Wilhem, you always pull from your back, not your arm

you never fire an arrow

back quivers are quieter and more mobile than hip quivers (suck it hipsters)

it takes practice and long fingers, but it’s quite doable to hold both a bow and an arrow in one hand while shooting

there is a system for very fast nocking 

beginners have no clue what this system is and so take several minutes to nock their arrow.

contrast, it takes a second for an experienced archer.

someone who doesn’t take long to aim is often called a snap shooter, and this isn’t exactly complimentary.

This ought to take you far in your journey of writing an archer. I’ve been sitting on this post for about a year now, but still need to add to it. PLEASE google the following in case I don’t get to sharing the info.

arrow breakage

bow breaking

materials for arrows

types of wood for bows

types of wood for arrows

arrow spine weight

bow tuning

bow shelfs

different forms

holding a bow

stringing a bow

bow at rest

temperatures + bows

fletching types

aerodynamics 

quivers

moving around

how to find the goddamn arrows

[happytroopers]

Bc I know y’all were SO looking forward to it and we’re avidly waiting, A week late but here’s Chapters 2 & 3 BoBF stream of consciousness shit posting:

Spoilers below,,, obvi

Episode 2

First and foremost this theme SLAPS a little derivative of the Mando theme but I’m not mad ab it at ALL

“You’re paying for the name” Fennec I love a brand conscious queen also I love that this implies that there’s brand bias not only in Star Wars but also specifically within the bounty hunting / assassin community’s

Ok we’re implying that someone went down there and cleaned up the rancor corpse, where’s the mini series ab that unfortunate soul and did Bib do it or was that on Boba’s to do list

Also I’m much more likely to believe that rumors spread ab a Jedi killing Jabba’s prize pet. I mean it’s Tattoine what else do they have to talk ab

Also the “just a man in a hood” call out?? Boba that’s,,, what you are?? And fennec??? And Din??? Well men in helmets but same thing different materials??? Badass but still

Loving the city hall “I will point in 300 directions all of them wrong just so I don’t have to do my job” notary clerk boy

MY FAVORITE BEURACRAT WIGGLER IS BACK

is the mayor dead??? Or just a pussy

“Ope sir, sorry, this area is restricted” me telling patrons they can’t come behind the bar but also being so scared of other people I don’t know how to enforce it

Not dead just self important got it

I relate bc my towns mayor also never wants to do his actual job but just sits in his office and stares at a wall all day

He ran a pest control business before being elected which isn’t important to this post but something y’all should know ab me and my town

“You know damn well who.” Boba stop being attractive pls

Did y’all really think I would mention the fact Boba has this guy cuffed and on a leash??? happytroopers is a whore first and a human second

Insert god I wish that were me meme

Boba is confusion

I LOVE THE ARM CROSS ™️

Pls do the chin lift I’m begging

“Those who thought otherwise, no longer draw breath.” The way I’m in love with this man

“Running a family is a lot more complicated than bounty hunting” was supposed to be a threat about crime families but it sounds more like the tag line of a fanfic that I WILL be writing now thank Mr. Mok sir

Gammoreans really wake up and and say tits out ass out every day and I for one think that’s beautiful

MAX REBO MY BELOVED

HOT TWILEK BOSS BABE ONCE AGAIN

I also love the use of Hot Male twi leks just for the female gaze. I love objectifying men on the big screen

Arm cross arm cross arm cross

I know we have to be dramatic or the series would be over too soon but like what if they just shot them before their litter even came to a stop

Like yea yea “happy, that would start a space gang war blah blah blah”

Kill the rest of them Hutts arent fast and notoriously turn on each other

Anti Hutt except for that one Hutt who just wanted to make music and vibe. We Stan him and him alone.

Actually where’s he at, let him lay claim to the throne.

Goth Wookiee! Goth Wookiee!!! A Wookiee and he’s goth!! He knows how to accessorize.

Not him using a rat as a sweat sponge

I love the master suite Boba pls let me **** in ***** **** *****

Time for more expositional flash backs

Gifted kid learning defensively 😌

“Show me” another audio clip tik tok is gonna take wildly out of context

I want to give post sarlacc pre Mando Boba a pack of Burts Bees so damn bad

Also just time line wise there’s a Krayt Dragon around here somewhere

Nope just an evil train

Evil train really said “I woke up, so I ruined lunch. And I had fun doing it.”

Better be good or the evil desert train will getcha!

This is the equivalent to me on the phone with my friends trying to make plans

None of us know wtf is going on

Not these bitches again

Oooo she’s pretty!

Something about this species feels,,, racially motivated

Not the white Jammie’s again

Also this is literally just the opening scene to Mandolorian but painted a different color

I understand the jammies are the flight suit under his armor

However he looks like ebenezar Scrooge

He said dis mine now

HE SAID DEEZ MINE NOW

Fuck it’s so easy to steal speeders huh

His teeth are so,,, pronounced

He’s trying so hard to teach them I love it

“Like a Bantha” 😁😁😁 “yes?” Boba I love you

Proud boba

The proud nod when he finally made the jump :,)

Ok so fresh out the sarlacc pit the chronic pain doesn’t appear to be bothering him,, like at all

Boba’s Biker Gang tshirts coming to a hot topic near you

So are gonna get an explanation as to why the evil train hates the Tusken Raiders so much? Or just cuz reasons??

Sorry I know but I’m just really caught up on Boba’s white Jammie’s

Evil train conductor!!!! Shifting into maximum overdrive!!!

Boba saw his little friend and really said 🙂

Very transformers the little scuttle was

Hey is that coaxium??? Bc the last evil train in this franchise was all about the coaxium??? If so valuable as fuck

“Like that 🧐” lmao

Episode 2 ending in another curt nod? But wait there’s more

Boba really prompting the industrial revolution

A FRIEND

“A lizard??? 🤨🤨 thank you!?”

“I’m sorry, I think I swallowed it 😔” he was so sad

Me the first time I did edibles

Still me the first time I did edibles

Wtf is going on

Was that stock footage of that one really famous great white splashing back into the water??

THEY GAVE THIS MAN AN EDIBLE AND NUST LET HIM WANDER

Not responsible trip sitters

Also is that lizard?? Just,,, in him?

If so I’ve found the source of his health issues

Ok lizards out

So this is like a common occurrence for them

How many trees are out in the desert bc this is NOT a renewable resource that tree was DEAD

Yes death too the Jammie’s

HOT BLACK SWATH OUTFIT HELL YES

Boba entering his reputation era (for the third time in his life)

Or Boba cosplaying the emperor lmao

Either way he’s hot af and it’s a much better look than the Jammie’s

Five minute crafts be like

Me and the girls at final campfire #justgirlscoutthings

Better than the first episode, things are looking up.

Still needing my gal Fennec to have some more screen time

Episode three

Isn’t order of the night wind featured in one (1) clone wars episode

Coincidentally one with Boba in it??? Or was that another,,, order of space ninjas in similarly colored outfits

HEY ITS THIS BITCH AGAIN

“Well now I am insulted” pared with the exaggerated brow lift,,,, we love sassy boba

How does one go about scoring an appointment??? Is there someone to call? Twitter? A holo site???

Oh the audacity to come into someone’s house just out of the fucking blue and be like “shah dude no one respects you 😐”

Where was he hoping to go with this

City lights are so pretty 🤩

Jawas :)

I love how his raider black swaths are reminiscent of a Kama

Is “ Where’d you get that water? 🤨” the tattooine equivalent of cops patrolling for underage drinking???

“That’s a crime.” Says the since childhood career criminal

Space punks!

Why is she more afraid that he took his helmet off

If anything that makes whatever fight she’s afraid of easier??? Also he’s handsome!!! Don’t looks so horrified please and thanks

“Talk dank” I hate it. I usually love the slang and the ~lingo~ but I hated that thank you

Lortho go away challenge

“Gather up your gak” is better but not by much

More critters :)

Time for more dreams

KAMINO FUCK YES

I miss baby clones

Boba was such a cute kid

That was twilight blue filter for a moment

They gave him a bantha!

“Congratulations on graduating the Tusken assimilation program! Here’s your weapon and your bantha, now off into the sunset!”

Her it’s the helmets we saw in Mando!

Not the freaking Pykes i hat these bitches

Is this what the Pykes look like in CGI/real life??? Very different from animation???

:(((((

Oop they got Skywalkered

Nice choral arrangement tho

GOTH WOOKIEE

quit throwing him!!! 😡😡😡

Oh no! Our boba!! It’s broken!

Does this Wookiee have its space rabies shots

HIDDEN KNIFE FENNEC YR SO SEGGSY

We love a caring crime boss

Space punks come in handy

Who’s their chef!!!!

Boba has stage fright :,)

I love how the twins INSIST on having humans carry them. Like we know for a FACTthere is easily accessible and affordable hover technology that would probs be faster and more reliable and YET

Awww it has a nose piercing

“Don’t work for scug holes” Boba said MLM be your own boss babes

This man,,, I know him,,,

Are rancors the pit bulls of the Star Wars universe

Boba loves pets confirmed, like Omega :,)

Will it imprint or try to kill him let’s find out

Is this a complex murder attempt by the hutts??? Maybe?? Do I love that Boba loves his rancor??? Yes.

“Not now. I’m busy. *petting his dog*” boba is a mood

I LOVE THE MOD POP SPEEDERS

What a vibe.

My fave wiggler is back :)

“Hmm.” Smacks lips “Um actually!” Love the beauracratic accuracy

New throne room unlocked!

MOUSE DROIDS!!!

Wasted water 😢

This is the slowest high speed chase in Star Wars history

POGO LEG STABBER

Not the Janna fan art

THE BITHS

So much wasted food :/

JET PACK BOBA

Pykes this Pykes that I’m tired of the damn Pykes just die already!!! No one cares ab u!!!

GOOD EP. don’t love we’re centering another thing around the Pykes but it’s ok. I hope the space punks get more fleshed out!!!

[avversiera-writes]

touch your heart [senju tobirama/you] - chapter 2

Summary: Hashirama might go down as the worst matchmaker in history, but he thinks he might be on to something. Tobirama sees through his brother's schemes and is determined not to fall for it. Or fall for you.

Word Count: about 4k

AO3 LINK TO TOUCH YOUR HEART

AOR SERIES LINK TO ‘TIL DEATH DO US PART

[<<<CHAPTER ONE]

The due dates that Tobirama gave you are more reasonable and flexible than you thought. You try to find something to complain about so you can relay it to Madara later and earn a small smile from him, but no, there is no reason to complain about it. The only thing you want to complain about are his so-called rules. Tobirama is not about leisure or lightening up, though that is not a bother to you if you are going to be honest. Planning to mess with him a little is just an attempt to wipe off that serious face of his. You want to know him based on what you see from him, not from what other people have told you.

However, you also do not want to mess things up. You are determined to work as hard as he does for this project because it is special to the village and for the children that are going to be attending the Academy. 

Also because you know you’ll get paid for it. You have been running low on money these days ever since you bought your own place. 

 Now that you are older, you wish you had the proper education to be a shinobi. You have to learn most of your skills along the way and apart from your family who had basically banished you, and even now, you are still learning as there are a lot of things that you missed. 

 Now, the children that are going to grow up here have something better for the future. They have more choices and bigger chances to become good shinobis. 

You get settled in your bed, which is literally the only furniture your place has. It is your dining table, your workplace, and also your resting place. Your weapons are littered on the floor, and your swords are leaning against the wall in one corner of the room. The books and the scrolls given to you lay open or stacked near your bed where you can reach for it. Some clean laundry you have yet to get to sit on the foot of your bed, and the space you are currently lying on is the only space your bed can make for you at the moment. 

 Quaint, but it has a lot of potential. 

Your new home, which is situated just at the edge of the village and newly built, is a home for civilians and also other shinobis who are not part of a clan, or those who rather have a place for themselves. This is a sign that the village is growing, and more and more families are becoming involved with it. 

You force yourself to go through the many materials that you need to read and study up on for the rest of the night until midnight, and you begin to write your suggestions after going through the material once again. You are good at absorbing information, but at the same time, you have trouble keeping still for a very long time. Sometimes you have the unfortunate ability to memorize the wrong things because your mind zeroes into whatever your brain wants to obsess over. 

 However, you have made it this far. You can adjust. 

You hope. 

//

You are pretty sure that Tobirama is sending you around the village in a goose chase just so that he can work on the curriculum himself. It’s obvious he did not want you near him with all those rules about preserving his boundaries. The said goose chase sounds reasonable enough–talk to the members of the clans, the ones who are the keeper of their knowledge and history and write them down. He did not even look you in the face when he sent you away, he just gave you a list of what to ask the clans residing in Konoha and a blank notebook and a scroll for you to record all of the information in. 

 This whole ordeal occupied you for the whole day and it also happens to bleed through the next day, in which you are convinced Tobirama has completed at least half the work. 

The thought does not make you happy. You want to do something, damn it. You feel like your life depends on it. 

Another day passes, and this time, Tobirama has you looking for artists, merchants, inventors and other skilled people in Konoha and recording their name and the location to find them. This part you understand well because you know that Hashirama wants to expand on other skills, but it feels so tedious and it makes the day longer. Not to mention, you do not really know anyone since you have been busy polishing your skills with Madara. Now that you think about it, you spend an awful lot of time with the man, ever since you came here. 

 Before you know it, you are breaking into a run towards the Hokage mansion. 

 Tobirama cannot be left to his own devices. You will not let him take this from you. 

You find the white-haired man seated on his usual spot, hand poised elegantly over a sheet of paper and eyes moving along the lines of a book he is reading. 

“Finished already?” Tobirama says in a very flat tone. 

 “Yeah, of course, I already know the people to put down.” Okay, that was a lie, and you know Tobirama had caught that because he glances at you briefly with narrowed eyes. 

You walk up to him and you lay out the information you gathered today. 

“Where’s your family from?” Tobirama straight up asks you without any preamble. The expression on his face does not change though you can feel that he is bothered by you. 

 You are taken aback by a beat, but you have no problem answering it. You have memorized the lines that you have to say that it begins to feel true. “They are a little far north from here, but they’re just traders, merchants, skillsmen.” 

 “Of what?” 

 “With the right amount of money, anything.” You say in an even, but casual tone. “They don’t like shinobi, so I left to make a living of my own.”

You can tell Tobirama did not like your answer. He puts his pen down and you feel him scrutinizing you. 

 "You have any friends?" He immediately follows up. 

 However, you have long mastered the skills of deflecting and only letting people know certain things about you. They always see what they want to see in you, never bothering to put two and two together that you are just painting a pretty picture for them to look at. 

 "Too many," you reply vaguely. 

 Tobirama sighs, and his eyes narrow. 

“I cannot trust you if you continue to evade me. This is integral to this village and its future, and I cannot have, no, I cannot afford to waste time or make mistakes,” Tobirama says and he meets your eyes. 

“I can promise you, I am ready to work just as much as you so let's not get personal,” you lean back and cross your arms. “And after this, I will get out of your hair forever. You wouldn’t even have to hear from me.” 

 Tobirama rolls his eyes, but you can tell he is satisfied with your answer. “Oh please, with a village this small, and me, holding an important position in the said village, you cannot guarantee that.” 

 You smirk and you pull out the chair across from him. “Touché, Lord Tobirama,” you emphasize the lord with a mocking tone. 

Tobirama grits his jaw visibly and he grabs his pen almost angrily. You are starting to think that maybe this is what Tobirama generally looks like. 

 “Get to work.” 

 “What is it this time? List the several types of drinks the people in this village make? Investigate the best type of fabric to wear for each season?” You prompt, unable to keep the grin from spreading across your lips. He just let you get away with calling him lord. 

 Adding a title to someone’s name is supposed to be a sign of respect, but the way you say it makes it sound derogatory. Like you’re cursing him. 

Tobirama looks about ready to yell, and part of you wants him to take the bait. You lean closer to gauge his reactions and you watch him immediately school his expression. It is like watching a magic show, one moment something is there, the next, it disappears. 

“Well, if you wanted me to make up more tasks for you to do, you should have just asked,” Tobirama deadpans. 

You watch him, intrigued. “Wow. Are you trying to be funny, or are you trying to insult me?” 

 “Please stop talking when I am working,” Tobirama does not sound like he is pleading. He hands you a stack of books to go through. “I want you to compile a list of necessary skills that you deem important, and I will do the same. We can discuss and vet on which skills are required to learn for each grade level right after.” 

You let out a breezy laugh, and you note how Tobirama seems to twitch at the sound. “Right, right, fine.” You pause. “Have you looked at my notes?”

“Of course I have,” Tobirama huffs and he shoots you a distasteful glare, and to you, it looks like he’s tired of talking. “I will make my own notes on where you’re lacking and then you revise it.” 

 “What do we need those for?” You ask, genuinely curious. “What else are we in charge of making?” 

“The reason I had you seek out artists, writers, bookmakers, and the like, is because we will commission them to make textbooks,” Tobirama explains. “We just need to get the information together. Meanwhile, I would also like to fill this library and another public library with other kinds of books.” 

You tap your chin. “Your brother tells me you like to invent things and all that. Are you going to include your research and your inventions in the library?” 

 Tobirama sighs, visibly withering at the statement that his brother talks behind his back, but he revives himself enough to get back to his work. “Depends on what my brother approves of.” 

You let out an involuntary chuckle. Here are the two most powerful known shinobis in the world right now, and they argue over mundane things. 

 Tobirama raises an eyebrow at you and you shake your head. 

He takes that as a sign to keep on working, so you decide to keep to yourself. 

 Surprisingly, you are starting to enjoy this. It’s not as bad as you imagined. 

//

Perhaps you spoke too soon, because here you are at the crack of dawn–no not even the crack of dawn because the surroundings are still dark blue. You yawn as you arrive, and find Tobirama waiting in the middle of the training ground in a different outfit you have not seen him in. He seems to only have one color palette; he wears a navy wrap-around jacket that has a collar in a lighter shade of blue. The sleeves are short, showing off his muscles, and all of this is tied with a light yellow-green belt around his waist. A sword is secured to his belt, and it hangs on his side ready to be drawn. A happuri guards his forehead and the sides of his face, and for some reason, this makes him look more authoritarian and older. A mesh armor peeks through the space between his collars and even in your sleepiness, you note a defined torso that you keep to yourself. 

You do not even see an ounce of sleepiness in him and you huff.  

 Tobirama merely glances at you, but every time he looks at you, it feels like he is already exasperated. 

 “Is it just us?” You try not to sound too whiny. “Also I ate breakfast, I’m not falling for whatever it is you have in mind.” 

 “And what do you think is on my mind?” 

 “I don’t know? A test of survival, starving us for days in the forest with only the surroundings as our resource?” You rest a hand on your two swords–an uchigatana and a wakizashi, both the same in appearance and made from the same metal. 

“I said not to eat too much breakfast, I did not discourage you from it.” Tobirama lets out a sarcastic sigh–something he can really pull off well. “I am not that cruel.” 

 You hear an excited gasp behind you and you turn to find Sarutobi Hiruzen and Shimura Danzo walking towards the two of you. 

“Tobirama-sensei!” Hiruzen calls enthusiastically, at the crack of dawn. “I hope you don’t mind, I brought my friend again!” 

You glance at Tobirama and you see his face visibly soften at the sight of his student. 

“And I didn’t know Y/N-sensei’s joining us!” Hiruzen bounds up to you and you reach up to ruffle his hair. He turns to you and points at Tobirama. “He’s a really cool sensei! Really cool!” 

Tobirama suddenly looks constipated and you laugh out loud. 

 “We’ll see, kiddo,” you tell him. “We’ll see.” 

Two more kids come, and the girl, Utatane Koharu, somehow looks pissed, which you can suddenly relate to. The boy beside her, Mitokado Homura, looks more calm and composed as he adjusts his glasses on his face. 

Tobirama nods, and then he breaks off into a light jog. Obediently, the kids follow after him and you grudgingly follow behind them. They must be used to this. 

 After a few rounds, the kids start to stretch and you do the same as well, and everything has been pretty calm. You watch as the kids do sets of push-ups, sit-ups, calisthenics and you are impressed at their stamina. They’re barely twelve, but then again, if you are training under Senju Tobirama, you can tell that you will be pushed to your limit. 

You feel a pang of envy from these kids for a moment, but you push it away. There is no reason to look back into the past and feel bitter about how things worked out. 

“So what’s next, sensei?” Hiruzen inquires. You can see how much these kids admire the man. 

 “Sparring,” Tobirama replies. “Since Danzo’s here, you guys are evenly matched. Last man standing gets to fight me.” 

 “What about Y/N-sensei?” Danzo interjects. 

 “Yeah, what about me?” You smirk, and you lighten your voice so that it sounds more childish. 

You can feel Koharu rolling her eyes. 

You narrow your eyes at him and let out a small stream of breath through your mouth. “I see.” 

 Tobirama slightly raises his chin haughtily. It suits him. He does not need to speak to dominate the atmosphere. He shrugs, and it sparks something in you. 

 “I’ll still try my best,” you smirk, but underneath your facade, you are starting to get annoyed. Which is new, because you are generally a patient person. 

Tobirama takes Hiruzen and Koharu while you take the other two to coach during their matches. You stand in between Danzo and Homura, watching their small faces study each other. 

“Don’t kill each other,” you advise, and you start their match. 

 The two go at each other, with Danzo throwing the first punch. You back off a little to make sure that you can see their stances. 

 Homura whirls around and his foot juts out, with his heel aiming towards Danzo’s head. Danzo ducks down, and kicks at Homura’s stomach the moment he regains his posture from the kick. 

Homura staggers back, and now he is on the defensive, blocking Danzo’s hits and kicks, barely dodging them as he keeps backing away. You notice the hits and misses from each boy.

 “Homura, don’t back away!” You yell out. “Get closer to him!” 

Homura does as you say, and Danzo is unable to land a hit on him, limiting his movements unless–

 Danzo jumps back to get away, and kicks Homura on the chest. 

 “Nice!” You cheer. 

 “Sensei, whose side are you on?” Homura complains and his hand comes up to rub his chest. 

You laugh. “Neither!” You glance at both of their faces. “Okay, you two, come here.” 

 Danzo and Homura face each other again. 

 “Save your movements, don’t be so generous with them,” you tell them. “Don’t punch just to punch. Again!” 

The two boys come at each other and you stand back to watch them again. This time, you do not offer any more suggestions. You glance to where Tobirama is at, and he is squatting on the ground, his eyes trained on the students’ footwork. 

 You hear him call out that Hiruzen’s feet are too far apart. 

You snap back to the two boys just in time to watch Homura flip Danzo on his back. 

You walk over and you peer at Danzo. “You okay?” 

 “Yes,” the boy wheezes out. 

“Alright, you’re done,” you chuckle and you look at Homura. “You win, then. Good job. Help him up.” 

You glance at the other group, and you see Koharu sock Hiruzen straight to his face and Tobirama jump up to his feet. Hiruzen gets to his feet, and you see a trickle of blood coming out of his nose. 

When Hiruzen gets closer, you ruffle his hair affectionately and you laugh as he grimaces. 

 “Not funny!” He whines nasally. 

 “Keep your hands up next time!” You taunt even though he may already know this. 

Tobirama puts a hand on his shoulder and steers him towards a rock so that he can sit. “Sit up and lean forward,” he tells his student. 

 The rest of the kids walk towards him to watch and poke fun at Hiruzen. 

 You stay back and cross your arms to watch them. You know that there is no place for you to be there. 

 Once Tobirama is finished attending to his student, he turns to you. “Koharu, you’re the referee.” 

You size him up, your eyes travelling from his face and down to his waist. What was one of his rules again? 

 Anticipation builds in your core, and your hand rests on the scabbard of your sword, your thumb playing at the hilt. 

“Are we including tricks today?” You inquire. 

 “If you want,” Tobirama curtly replies. 

Koharu starts the fight, and Tobirama wastes no time coming at you. 

 His first hit is heavy, and you block it with both of your forearms and brace yourself by stepping back one leg. You are quick to grab his wrist as you twist your arm and you step forward, meaning to put your leg behind his, but he breaks away from you and disturbs the momentum that you were going to use against him. 

 You are quick to back away because he comes at you without stopping. 

 He is fast, and he is heavy with his hands. You notice his open hands, ready for grappling. His stance is lower, and you know that it will be hard to knock him off balance, and the effects of kicking at his head will go to his advantage. 

You need an opening. 

 You launch yourself at him, and as he prepares himself to grab you, you drop to your knees and slide in between his legs, hitting his knee as you pass him by. He turns to your direction, and you quickly use his bent knee to step and kick towards his head. He blocks you and you see him almost grab at your ankle.

 You do not give him a chance to gather himself, and you swing again at him, this time using his shoulder to propel yourself around him and using his weight and yours, you are able to lock his head with your legs. Just as you are about to go for another twist to bring him to the ground, Tobirama counters by catching you and launching you off of him. 

 “You fight like an assassin,” Tobirama says as you roll to the ground and to your feet. 

“Are you impressed?” You grin at him, half jokingly. 

 Tobirama does not answer you, but it looks like he is about to say something worse as he charges at you. 

You step closer to him so that he does not follow through his movement, and you grab the hilt of his sword and then you strike your palm at his chest to send him back. You whirl around to brandish his sword in the air. 

 What was one of his rules? You suddenly remember.

  Do not touch my things, unless I give them to you. 

For a moment, everyone freezes. 

You study the blade in your hand. 

 “This is a very nice sword,” you muse, and you strike at the air and flip it, testing the weight. You run a finger on the blunt edge of his sword. “Well-balanced and thin, but very sharp. Excellent for accurate and fast hits...and conducting lightning.”

Tobirama’s face grows stormy. His fists tighten. 

 You twist blade with a slight twist of your wrist, and you hand it with the hilt towards him. “Sorry. I was curious.” 

Tobirama takes his sword and quickly sheathes it. You note a minuscule change in his expression, but it quickly passes and you are disappointed for not being quick enough to note it. 

“So, is this a tie?” Koharu asks, uncertain. 

“Yes,” Tobirama grits through his teeth. 

You watch Tobirama’s tense shoulders and decide to leave him alone. You probably went too far today. 

“Well, that was fun, but I have to go,” you say, even though the rest of your day is pretty much free. "I have some friends to meet." 

 Tobirama suspects that you certainly do not have any friends to meet, but he does not say anything more. He’s probably eager to make you go. There is nothing he would want more. 

“Aw!” Hiruzen cries out. His nose bleed has stopped. “Thanks for coming by, sensei!” 

You wink at the kids, and you make your exit, your hand still remembering the feel of Tobirama’s sword. It is oddly familiar, and you wonder if the craftsmanship is similar to your own blade. 

You can feel Tobirama’s stare behind you and it burns the back of your neck as if he is shooting laser beams at you, and just when you glance back to regard it, he is turning away and conversing with his students about hand seals. 

Though it was just a joke and a way to catch him by surprise, you can’t help but feel that you just stomped over the thin olive branch that he was handing out to you. 

You note to yourself to make it up to him tomorrow. 

.

.

.

[CHAPTER THREE >>>]

[127-mile]

Lonely hearts club.

Pairing: Sicheng x gender neutral reader.

Genre: College!au, strangers to lovers | Fluff, humor.

Warnings: Alcohol consumption.

Plot: Johnny decided to throw a Valentine's day party for him and his single friends. Guests must draw a name from a bowl to be paired with for the duration of the party. Sicheng picked your name.

Prompt: “We should do this again.”

Word count: +2.3k.

A/N: Happy Valentine’s day, guys. This is part of the “Candy hearts collab”. The collab’s masterlist is in my main masterlist, go read the other writers’ works.

"Welcome to the Lonely hearts club," Johnny begins to say, hands on his hips. "if we are here today, it is because we all are single on this special day. So instead of getting drunk on our own, I decided to make a little game out of this party." from the makeshift bar, he takes a bowl filled with little pieces of paper. "You will all draw a name from this bowl, and will be paired with this person for the duration of the party."

"Is that why you asked me to write everyone's names instead of studying earlier?" you ask, and Johnny nods, lips curling into a smile. You watch as a few guests get up to leave, but Johnny shakes something in front of them. The key of the house. "I am not giving you a choice. The only way for you to leave is through the windows, but it will probably startle the alarms, so except if you want to spend the night in jail, you should come and pick a name."

Johnny thought of everything, and you are not surprised.

"Are you going to draw a name, or are you going to watch and laugh at us?" you ask the host of the party, and he nibbles on his lower lip. "I'm not watching you all fall in love while crying over my sad and pathetic romantic life." he is always so dramatic.

You take a step back when the guests come to pick up a piece of paper, and you grab a cup to fill it with vodka. Maybe if you are drunk enough, the person with whom you'll have to be paired will leave and let you enjoy the rest of the night.

"Are you here to force me into the living room, or to hide from Johnny and his crazy idea?" you hear when you head to the kitchen where you know you will be safe, but you are not alone. Your eyes meet the ones of a young man, blond hair, and soft brown eyes. "I am hiding, do not worry."

"Then you are allowed to stay."

You roll your eyes, and you sit on the kitchen counter. You listen to the names being called, the laughs that follow, and even the sound of the bowl falling and breaking when Johnny's name is being shouted by someone. "We are going to be here for awhile, so might as well make the most of it. I'm Sicheng."

You were not expecting the stranger to talk, but you are not mad about it. He has a nice voice, even muffled by the hubbub coming from the living room. "I'm Y/n, nice to meet you Sicheng. Are you friends with Johnny, or Jaehyun?" you ask, and he takes a sip from his bottle of beer.

"I am unfortunately friends with both of them." oh, that must hurts, you think. "I'm truly sorry that you have to put up with both of them." you say in a comforting voice, and it makes Sicheng laugh. Oh, this is a really pretty sound. "I hope you'll find better friends after this party. I'm not offering my help, as I am friends with Johnny."

"Y/n! It's your turn!" oh fuck.

You get down from the counter, and you crouch behind the kitchen island which was a great idea, because Johnny enters the room immediately. "Win, have you seen Y/n?" you turn your head towards the young man, and you put you index finger against your lips, and he just shrugs. "I have no idea who Y/n even is."

Johnny heaves a sigh, but he does not leave the room. "Alright, then it's your turn Sicheng." Sicheng's eyes widen, he really thought he would be safe in this room, but turns out, nowhere is safe when Johnny has an idea. "Do I have to?" Johnny scoffs. "Yes. Don't make me pick a name for you."

Sicheng glares at you, and he leaves the kitchen. The guests are scattered around the living room and the garden, so Johnny and Jaehyun's eyes are the only one he feels on his back as he picks a piece of paper from the floor. The bowl is effectively broken, and no one bothered to clean.

He laughs when he reads the name on the paper, and he turns it towards the two boys. "Y/n! Come out, your party buddy is waiting for you."

A party buddy? What the fuck is a party buddy? You stay hidden, but then another voice is heard, and you have no choice but to straighten up. "Y/n, we can hide in the kitchen some more if you want."

You rest your shoulder against the doorframe, arms crossed against your chest. "Did you cheat?" you ask when you see your name written on the piece of paper in between his fingers, and he shakes his head. "I would never! Fate is just funny like that."

"You two already know each other? That's cool! Go now, have fun, get drunk, don't throw up on the couch, and don't fuck in my parents' bed." Johnny says before disappearing in the garden with Jaehyun by his side. "We needs new friends." you mutter, and Sicheng agrees.

Without a word, you go back to the kitchen and you sit back down on the counter. "Do you think we did something terrible in our past lives to have them as friends?" you wonder out loud, and Sicheng just sighs. "Or we did something so great that they decided to slap us with some humility by giving us these friends."

He sure is right.

The first hour goes by quickly, and smoothly.

Sicheng talks about his studies, and his dream of opening a dance studio in town, and you talk about your own projects. The advantage of being in the kitchen is that no one is bothering you. Sometimes Johnny comes in to grab beers from the fridge, but he leaves right away.

"Should we go and visit Johnny's room?" Sicheng suddenly asks, and you smile. "I thought you would never ask."

You were not planning on spending an entire night with the same person, so you take what you can get to be a little bit more entertain. Not that Sicheng is boring, far from that, but the atmosphere is not the one of a Valentine's Day party. It is quite the opposite. The guests are awkward with each other, so they drink cup after cup of alcohol, and even inhebriated, it does not help them get the stick out of their asses.

Tomorrow morning is going to be a mess, you know it. You also know that Johnny is going to regret his decision of having this kind of party.

"Do you know which bedroom it is?" Sicheng asks as you walk through the corridor of the first floor. "I'm pretty sure this is this one." you say, poiting at a door with Johnny's name painted on it. "Oh, he is that kind of loser then."

"It's his childhood's bedroom, don't be so mean." you whisper, but in a way, he is right. Johnny is kind of a loser.

Unlike the other doors, this one is not unlocked. "He is making it too easy." you step inside the bedroom, and as expected, it looks really childish. The wallpaper is blue with cars on it, the bed is way too small for Johnny's long legs and plushies are all around the room, which is not too different from his actual bedroom.

"Look!" you join Sicheng in front of a whill covered with photos of Johnny's growth into adulthood. You take your phone out, and you snap a few pictures of the photos, and when Sicheng looks at you, you just shrug. "I need blackmail material for the next time he tries to pull a stunt like this."

You sit on the edge of the bed, and you look up. "Oh no, that's disgusting." you mutter as you see yourself on the mirror glue to the ceiling. "Does a kid really need a mirror on the ceiling? Ew!"

"I'm pretty sure he got it installed when his parents started traveling. For his conquests, I guess." Sicheng explains, and that makes sense, but that's still disgusting. Fucking someone in his childhood's bedroom, in a child's bed. The thing is, you are not even surprised.

"Do you think Johnny was serious when he talked about the alarms going off if we try to open a window?" you shrug, and you watch as Sicheng gets up to walk to the window. "We should try."

You open your eyes wide. "Do you really want to finish the night in jail? Johnny is stupid enough to tell the cops that we actually tried to break in the house while he was having a party." especially if he is drunk.

"We won't if we run fast enough."

Sicheng has something in his voice, something that prompts you on your feet and behind him. "Except if we die from the gall." you say in a low voice close to his ear and you see the skin of his arm break into goosebumps. "You are right. We should try from downstairs' bathroom."

"I have to get my things back anyway." together, you leave Johnny's bedroom and when you both have your jackets and bags, Sicheng locks the door behind you. "Isn't it a bit too mean to lock the door?" Sicheng looks back and he decides to unlock the door. He wants to piss off Johnny, but he does not want the guests to trash his house with vomit.

"Are you ready?" he asks, and you nod.

When he opens the window, nothing happens at first. And after a couple of seconds, an alarm echoes in the house. "Why can't they just have those silent alarm with a notification on their phone, it'd be way more discreet."

"Sicheng, get out of the bathroom, we don't have time!" he shakes his head with vigor and he slings a leg on the other side of the window and he gets out of the bathroom, face immediately whipped by the cold wind. You do the same, and he helps you to avoid you from tripping.

You hear screams inside the house, and you try not to imagine Johnny's face when he understands that someone actually opened a window to leave. "We are so dead." you say before running.

Sicheng runs and laughs at the same time, and hearing him laugh is enough to make you laugh too. His laugh is addicting, just like his presence, and you are glad Johnny did this. If you had not had to hide in the kitchen, you would not have met Sicheng, and that would have been a shame.

After a few minutes of intense run, Sicheng grabds your wrist and pushes you into a dark alley. "I think we're far enough." he says in a sigh, and you nod. You are breathless, hands on your knees, you break into a fit of giggles despite the burn in your lungs. "We are the worst friends ever." you breath out.

"They are the worst, we did what we had to do." he answers, and he is right. You freeze when you hear your phone rings in the pocket of your jacket. You take it out, and you bite the inside of your cheek when you see Johnny's picture on the screen.

"Johnny, why are you calling me, we are in the same house!" you exclaim in faux surprise, and Sicheng puts a hand on his mouth to muffle a laugh. "My hearing is pretty good, so yes, I definitely heard the alarm. But that does not answer my question, why are you calling me?" you nod, even though Johnny can't see it.

"Sicheng and I are in the house, we are watching you right now, you can't see us?" he is going to hate you both, and you are ready, really. "How many drinks did you have tonight? Because we are waving at you right now! Just turn around!" Johnny starts to mumble about the alcohol he has in his cup, so you take the opportunity to hang up.

"Did he believe you?" Sicheng asks, and you shrug. "I don't know, but what I know is that he thinks he is more drunk than he actually is, which is a good thing." Sicheng threads his fingers through his hair, and he inhales deeply.

"I'm starving, do you want to go eat something?"

And that's how you find yourself sitting in the booth of a fast food, in the middle of the night. "I thought this place would be empty tonight." you say, looking around.

A few couples are here, sharing fries and sodas, some people are alone, either enjoying a night light every other nights, a boy is even crying in the corner. "Poor boy probably got dumped."

"I would dump him with this haircut too." Sicheng grumbles, mouth full of fries, and you roll your eyes. Johnny has been texting you for the past twenty minutes, wondering why he can't find you, and every time the screen lights up, you chuckle. Poor boy.

"Well, all in all, that was a pretty nice party." you state, and the young man nods. "I think so too."

"We should do this again." he adds right away, and you tilt your head to the side. "Bothering Johnny?" Sicheng laughs softly, but he shakes his head. "No. This. Together. You know, like a date?" his cheeks take on a soft pink hue, and you can't help but smile. "I'd love that."

Tonight was your last night as part of the Lonely Hearts Club, and that's thanks to Johnny and his crazy ideas.

[adventuresofclever]

CleverMax: SDCC 2021 Masquerade Entry

Comic-Con@Home Masquerade Entry: Adventures of Clever Costume Title: CleverMax - Mr. Clever as a Borderlands boss Costume Description: Recreation of Mr. Clever from the Doctor Who episode Nightmare in Silver, written by Neil Gaiman, done in the style of the video game, Borderlands. Bio: They/He pronouns

Greetings all!

I realized that I never wrote about how I made my CleverMax mashup cosplay, so when SDCC posted about their At Home masquerade, I figured this was the perfect time to do so! Most of you know that I cosplay exclusively as Mr. Clever from Doctor Who, with the random mash up thrown in here and there. I’ve always wanted to be a Borderlands cosplayer, and the following is how I managed to combine the two together.

As always, enjoy the blog and if there are any questions, please feel free to contact me. 

Let’s step into the TARDIS and jump back to October 20, 2009, when the first Borderlands game was released. It was my first foray into FPS (First person shooters) and I was hooked from day one. In 2012 they released Borderlands 2 which is, in my not so humble opinion, the best video game ever created. We got some of the most iconic charcters and storylines in that game. Including the best DLC ever, Bunkers and Badasses. And my second favorite villain of all time – Handsome Jack.

Jack’s sass, sarcasm and charm fits well with Mr. Clever’s personality. And in the pre sequel you get to play a version of him called the Dopplegnager.  I mean, this pretty much wrote itself.

Handsome Jack from Borderlands 2 and Mr. Clever from Doctor Who

Borderlands cosplayers have aIways left me in a state of awe and admiration. The style of the game is so unique and seeing it recreated in person is nothing short of incredible. I’ve always wanted to figure out a way to be a Borderlands cosplayer. For the past eight years I have only ever cosplayed as Mr. Clever from Doctor Who. In the summer of 2019 I decided that was the perfect time to try to make this happen before NYCC.

When I initially decided to do this, it was going to be more of a mash up between Handsome Jack and Mr. Clever. I had planned on wearing Jack’s basic outfit, but in Clever’s colors with the a few add ons. Namely the bow tie and the cybernetics.

After much research and drafting, I decided against that. I ended up just turning Mr. Clever into a Borderlands boss. Same basic outfit as Mr. Clever/11th Doctor, but cel shaded and with weapons, cause Borderlands.

I made the accessories, chess set, and obviously the working cyberplanner piece itself for my Nightmare in Silver version of Clever, but I have never tackled anything this ambitious. An entire costume from scratch? Not something I thought I could do. Not knowing how to sew and being visually impaired were both challenges that I had to work around.

I started with looking around my house for various items that I thought I could use. I figured if I messed up, might as well mess up on something I hadn’t spent money on yet! I was going to toss a pair of my old paddock boots as they had some rips in the leather. Ripped leather? How very Pandora. They were the first thing I tackled.

Old paddock boots that I refurbished for the cosplay

This was my first time using leather paint and I have to say I am very pleased with the Angelus brand of leather paint. I have worn these in the rain and through puddles, and they have held up 100%.

After the boots were done, I started on the vest. I had an old black vest lying around the house that was sort of the shape and size I wanted. I don’t have a dress form, so I put it on myself, inside out, and used safety pins to make it the size I needed, then hand sewed around the safety pins. Not ideal, but it works.

I had a spare pair of black jeans, button down light blue shirt and a plain bow tie that I just ended up cel shading.

The only item that I really couldn’t figure out was the purple frock coat. Try as I might, I couldn’t find one to modify. So the coat was actually made by my friend Heather Long. I did alter the length after NYCC. 

With the clothes themselves all set, for the most part anyay, it was time to paint. This was my first time trying to recreate the art style of Borderlands, often referred to as cel shading. I have a few “art of Borderlands” style books that I poured over before I sat down to attempt this.

Other than the accessories and anything leather, I used the same materials and techniques for each article of clothing. Instead of describing each seprate piece, I’ll just explain what I did to achieve the overall look.

When you look at a Borderlands character on screen, it can be a bit overwhelming. So many colors, and so many nuances of each color. I did my best to visually sift through all that, and try to establish what I thought was the base color.

Once the base color was determined, I just added blotches, blobs, shading, low lights, highlights and other variations of the base color itself throughout each piece. I recommend keeping your fabric wrinkled and using those wrinkle as guidlenes for where the lines and shading would fall naturally.

Once all of that dried, I then went over different sections of the fabric with white and black lines. To get that crisp, almost comic book looking outline of each piece I used black sharpie, and white fabric pens as well as white fabric paint.

When I sat down to do the coat, I wanted something a little different than just cel shading. During a second playthrough of Tales from the Borderlands, I noticed Rhys and other characters had interesting logos and designs on the back of their jackets. I ended up putting a chessboard pattern on the back as a homage to the chess game between the 11th Doctor and Mr. Clever in the episode.

Great shot of the chess board and my Judd Nelson pose

The materials that I used for all of the clothing items were craft paints that I had around the house. Any brand works, but I prefer Americana paints. I then added an additive that you use to make the paint water proof and used various sized brushes. Dry brushes are also very useful if you have them.

Black sharpies of different sizes and any fabric markers are also very helpful. Heat setting is required to make the paint waterpfoof, so if you mess up before you add sharpies, you can wash the clothes and start over.

A few tips if you decide to undertake cel shading clothing: Until now I hadn’t noticed that there aren’t many thing in Borderlands that are true black. Due to the art style most things that appear black are in reality shades of grey, with a grey base colr. This makes it easier to add the lines, shading, and what not.  Looking back, I should have bought GREY clothes. It was a ton of work to make the pants look like they were a mixture of greys. And as a result of so many laers of paint, they are stiff, lost their stretch and feel an entire size smaller! So I would recommend grey fabric as a base for black clothing and buy a size larger.

The pants are so stiff that I think they will stand up on their own

This entire process was way more fun than I thought it would be and I’ve since become addicted to cel shading anything I can. I may or may not have started cel shading my guest room. 

After the clothing was finished, I started on some accessories and props. The first being the easiet – a wee little cybermite that I cel shaded. My cosplay of Mr. Clever always has a cybermite on my lapel, so I took one of my older ones and repainted it.

You can’t have a Borderlands character without some sort of weapon, so I painted a nerf gun that looks similar to the one that Clara Oswald holds in the episode.

I have never had to carry a gun for my Mr. Clever cosplay before so weapon checks are sort of new to me. I didn’t want to go through that at NYCC so I came up with a clever, no pun intended, way around it.

I took a photo of each side of the gun. Went to Staples and had them printed on heavy cardstock. Then I cut around the guns, glued them together between a piece of cardboard then added some black electical tape around the edges.  Viola. Instant weapons check approved gun that is lightweight, and also acts a fan when it gets hot. It was a huge hit at the con. A few security guards were like “ we have to check your…wait..is that flat?” And they proceeded to play with it. I highly recommend doing this!

Gun and its flat counterpart

I am holding the flat gun in this picture from NYCC

In the actual game, you can equip your characters with mods that give them certain abilities and bonuses. In the Pre-Sequel, you can play as a Dopplganger of Handsome Jack so I searched for some of his mods and found one in purple which seemed perfect. I made the mod with cardboard, covered it in craft foam, modge podge to set, and installed led lights. The first time I wore it I put it on my belt which didn’t work. It kept falling off. I eventually put it on my lapel and wore it like Jack does. Unfortunately, someone glomped on me at a con and broke it, so I recently had to remake it all over again.

No Borderlands costume would be complete without cel shading on yourself. This was a huge challenge for me for a few reasons. One, I’m visually impaired so doing line work like this was challenging. Two, I am highly allergic to so many materials and ingrediants that finding a make up brand that I could wear was a trial and error process that ended up with many break outs and rashes before I found the perfect combination.

I used mostly eye liner pencils and liquid eye liner to achieve the look. The Wet n Wild liquid eye liner lasts forever, and is actually difficult to remove, but that is not a bad thing as it stood up to the heat of a very crowded venue.

As for the cel shading itself, I relied on many refernce photos of various characters in the game. I started with the eyebrows first as that seemed to frame the face nicely and give me a nice mischvieous look. I then just outlined the bones of my face, adding some random lines here and there. It never looks the same way twice, but that’s ok. Playing with different angles, lines, shading etc is half the fun!

The only real challenge were my hands. The make up didn’t last that long on my hands so I had to touch it up throughout the con. I also eventually started to use band aids that I cel sahded to cover up a tattoo on my inner wrist.

Figuring what to do with my hair is an on going process that I still haven’t 100% mastered. I opted to not use a foam wig as I have over heating issues on a cool day let alone trying to wear one if it gets warmer. I have had adverse reactions to craft foam in the past, so I don’t want it touching my skin, and lastly, I think a wig AND a facial prosthetic would be too much for me. So I decided to just cel shade my hair.

This takes forever to do, and I’m still figuring out better techniques every time I wear it.

I have a really great brand of colored gel, called Mofajang which I apply with a baster brush that you would find in the kitchen gadgets aisle. I also use a clean mascara brush to add some finer lines here and there. Set with way more hair spray than I ever used in the 80’s and it becomes fairly waterproof.

I have learned that due to how hard the make up and hair color is to remove, I really need to wear this on the LAST day of a con. I made the mistake of wearing it on day one of Long Island Who one year, and spent hours scrubbing my skin and hair for the next day. Far better to just leave the con with a tad bit of left over cel shading. Which makes it very interesting when you stop at a roadside bathroom on the trip home.

With the entire costume done it was time to work on the actual cyberplanner appliance. 

Next time I make a variation of Clever, I will make this FIRST. Making these pieces is the bane of my existence – I love wearing them, hate making them.  It’s a long process.

I am allergic to latex, silocone, scuply, most clays, and so many other things that seem to be every cosplayers go-to. When I made my first cyber piece back in late 2013, I spent weeks trying to find a substance that would keep attached to my face all day without causing a rash. Like an alchemist in a fantasy novel, I submerged myself into creating the perfect concoction. It took 22 days to finish the final product.

I admit that I rushed a bit on the Borderlands one.  As a result, it doesn’t quite fit as well as my others, and is a bit heavier than I expected. I only added two working lights, instead of the usual four, to hopefully balance the piece out. It lasted through two full days of a con, despite the heat of a crowded venue, but I did end up tweaking it a bit after. Even with the tweaks, it still doesn’t fit as well as I would like. It is too heavy and brings down the entire left side of my face, making it difficult to keep my eye open at times. I really need to sit down and force myself to make a new one.

There are a few more things that I would like to add to this costume eventually. Like a belt of grenades, and maybe another gun. But aside from that, I am incredibly pleased with how this costume turned out. It is by far, my favorite Clever variation that I have done.

I hope this post gives you the inspiration to go off and cel shade something, and possibly even play some Borderlands!