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cybernaght · 1 year

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The fandom echo chamber: fanon, microanalysis and conspiracy brain

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe.

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”.

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours.

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we?

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals.

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation.

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth.

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space.

Eventually, this chimaera becomes a reality.

Part two. Microanalysis

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling.

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season.

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal.

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal.

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works.

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time.

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever.

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding.

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs.

Part three. The Conspiracy Brain.

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To.

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another.

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership.

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake

C) this must be done on purpose

D) here is why

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another.

Three, Intentionality

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed.

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media.

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic.

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking.

Unfortunately, people make mistakes. We are all fallible that way.

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness.

Conspiracy theories create alternate realities, very much like we all do here.

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all.

All I am saying is… listen.

Do you hear that echo?

I do.

#fandom thoughts #fanon #good omens #good omens 2 #bbc sherlock #merlin bbc #think piece #it's been years and I still have no idea how to tag #conspiracy theories #fandom content #all fandoms

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mcflymemes · 1 month

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AS SAID BY JASON TODD/ROBIN/RED HOOD * assorted dialogue from multiple dc universe sources, adjust as necessary

i did it once for dramatic effect and it just got to be a habit.

you can't tell, but i'm dozing off under this mask.

a whole night in paris... and i managed to not kill anyone. not bad.

you made the same mistake everyone does when it comes to me.

i want to warn them... but i know i can't.

don't know, don't care. i got my hands full.

do you remember the last time we were together?

looks like you guys could use a hand!

i'm looking for someone.

i'm afraid it's about to get much worse.

the angry, reckless vigilante bit is my thing.

i'm not good or bad. i'm just practical as hell.

you and i are more alike than you realize.

i get it. starting over is scary as hell.

i don't even need to turn around to know that's you.

thanks for thinking of me. i'm happy to help. honored, even.

i generally have several madness-inducing hallucinations before breakfast.

nothing in the real world can be as frightening as what we can imagine... right?

you don't think i understand what it's like to be abandoned? forgotten?

i'll be damed if my best friend is going to die... because he was dumb enough to trust me.

i'm sorry. i'm never going to be the hero you want me to be.

next time i see you, i'm going to kick your butt for this dying crap.

you have ten seconds to walk way. nine... oh, screw it.

there are better ways to spend your energy.

that looks like it's gotta hurt. well, i say that like i'm speculating or something. i know it hurts.

we chose to be a family.

if there's hope for us... there's hope for everyone.

you still haven't figured it out?

life's just a game... and this time, you lose.

i seem to have made myself an enemy of all the bad guys.

it's too late. you had your chance.

i'm just getting started.

hard to forget that night, huh?

in a way, this was the site of your first great failure.

ah... memories.

you can't stop crime. that's what you never understood.

you want to rule them by fear, but what do you do to those who aren't afraid?

i'm doing what you won't.

i'm taking them out.

now tell me... how does it feel?

is that what you think this is about?

i don't know what clouds your judgement worse. your guilt or your antiquated sense of morality.

i forgive you for not saving me.

he took me away from you.

i am no one's son.

what do you think this was all about?

welcome to planet earth, baby.

fear isn't the answer.

you son of a bitch.

we were friends, helping each other pick up the pieces of our lives.

it might not be a popular thought, but not everyone wants to be alive.

can you hear it?

funny, i actually escaped death.

the past keeps dragging me back.

they're not monsters. they're victims of programming, abuse, and trauma.

they can change.

fact is, they're just like us.

we became something else.

you hurt a lot of people.

we don't discriminate here.

sometimes you don't know what you want 'til you learn what you don't.

trust? you? i'll give it a try. but i'll tell you right now, i'm probably going to screw it up.

guys like us? the life we lead? we're never truly alone.

i have no idea who you people are.

you pompous ass.

before i kill you, i want the truth.

i'd like to think i'm an open-minded guy.

sure it was fun. but does that mean it was right?

sometimes i wonder if i'm just part of the problem.

i'm not doing one more damn mission with them unless you get me someone i can trust to watch my back.

knew you couldn't do it.

it's official. class is in session.

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matan4il · 5 months

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Today is Erev Yom Ha'Shoah (Eve of Holocaust Memorial Day) in Israel. It will be observed by Jews outside of Israel, too.

The Hebrew date was chosen to honor the outbreak of the Warsaw Ghetto Uprising. It's also a week before Erev Yom Ha'Zikaron Le'Chalalei Ma'archot Yisrael (Eve of Israel's Memorial Day for its Fallen Soldiers and Terror Victims), which is itself observed a day before Yom Ha'Atzmaut Le'Yisrael (Israel's Independence Day). A lot of people have remarked on the connection between the three dates. On Yom Ha'Atzmaut, we celebrate our independence, which allows us to determine our own fate, and defend ourselves without being dependent on anyone else, right after we remember the price in human life that we have paid and continue to pay for this independence, and a week before we mourn the price we've had to pay for not getting to have self defence during the Holocaust. NEVER FORGET that in one Nazi shooting pit alone (out of almost two thousand) during just 2 days (Erev Yom Kippur and Yom Kippur 1941), more Jewish men, women and kids were slaughtered than in the 77 years since Israel's Independence War was started by the Arabs. This unbreakable connection between the living and the dead, between our joy and our grief, is often addressed with the Hebrew phrase, במותם ציוו לנו את החיים, "With their death, they ordered us to live."

On this Erev Yom Ha'Shoah, I'd like to share with you some data, published on Thursday by Israel's Central Bureau for Statistics (source in Hebrew).

The number of Jews worldwide is 15.7 million, still lower than it was in 1939, before the Holocaust, 85 years ago (that is what a genocide looks like demographically).

7.1 million Jews live in Israel (45% of world Jewry) 6.3 million Jews live in the US (40% of world Jewry)

Here's the data for the top 9 Jewish communities in the world:

There are about 133,000 Holocaust survivors currently living in Israel. Most (80%) live in big cities in central Israel. Around 1,500 are still evacuated from their homes in northern and southern Israel due to the war (back in January, on International Holocaust Remembrance Day, there was a report about 1,894 survivors who also became internal refugees due to the war. Source in Hebrew). One Holocaust survivor, 86 years old Shlomo Mansour, is still held hostage in Gaza. He survived the Farhud in Iraq.

I haven't seen any official number for how many survivors had been slaughtered as a part of Hamas' massacre, despite everyone here being aware that Holocaust survivors had been murdered on Oct 7, such as 91 years old Moshe Ridler. Maybe, as we're still discovering that some people thought to have been kidnapped during the massacre, were actually killed on that day, no one wants to give a "final" number while Shlomo has not yet been returned alive.

Out of all Israeli Holocaust survivors, 61.1% were born in Europe (35.8% in the countries of the former Soviet Union, 10.8% in Romania, 4.9% in Poland, 2.9% in Bulgaria, 1.5% in Germany and Austria, 1.3% in Hungary, 4.2% in the rest of Europe), 36.6% were born in Asia or Africa (16.5% in Morocco, 10.9% in Iraq, 4% in Tunisia, 2.6% in Libya, 2.1% in Algeria, 0.5% in other Asian and African countries) and 2.3% were born elsewhere.

Out of all Holocaust survivors in Israel, 6.2% managed to make it here before the establishment of the state, despite the British Mandate's immigration policy against it (up until May 13, 1948). 30.5% made it to Israel during its very first years (May 14, 1948 until 1951), another 29.8% arrived in the following decades (1952-1989), and 33.5% made Aliyah once the Soviet Union collapsed, and Jewish immigration to the west (which included Israel) was no longer prohibited by the Soviet regimes (1990 on).

The second biggest community of survivors in the world is in the US, the third biggest (but second biggest relative to the size of the population) is in Australia. I heard from many Holocaust survivors who chose to immigrate there that they wanted to get "as physically far away from Europe as possible."

For a few years now, there's been this project in Israel, called Maalim Zikaron, מעלים זיכרון (uploading memory. Here's the project's site in Hebrew. In English it's called Sharing Memories, and here's the English version of the site) where Israeli celebs are asked to meet up with a Holocaust survivor (it's done in Hebrew), and share the survivor's story and the meeting on their social media on Erev Yom Ha'Shoah (which is today). Each year, there's also one non-Israeli Jewish celeb asked to participate (in English. This time around it's Michael Rapaport, he's meeting Aliza, an 81 years old survivor from the Netherlands, who was hidden along with 9 other Jewish babies for two years. He uploaded a preview of his meeting with her here, where he asked her what it means to her to be a Jew, and from what I understand, he will upload more today to the same IG account). This year, there will be an emphasis on Holocaust survivors who also survived Oct 7 (with 6 of the 20 participating survivors having survived Hamas as well). Here's a small bit from an interview with one such survivor, 90 years old Daniel Luz from kibbutz Be'eri:

(for all of my updates and ask replies regarding Israel, click here)

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drvscarlett · 6 months

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About You Pt2

Sebastian Vettel x Webber!Reader

Summary: Everyone knows about the history of Sebastian Vettel and Mark Webber. But there's a well kept story within the paddock about Sebastian Vettel and another Webber. This is that story.

A/N: were in the 2009 season. i also grabbed some ideas from a film quote so if you notice that, hello hehe. hope you enjoy, let me know your comments

About You Series: 1, 2, 3, 4, 5, 6, 7

Taglist: @spideybv28 @randomcuboidshape @mehrmonga @casperlikej @cliosunshine @randomgirlnumber-13 @sugyomama

2009, Albert Park

Moving from Toro Rosso to Red Bull has been the source of excitement of Sebastian ever since he signed the contract last December. He was excited to work with a bigger team and it opened up better opportunities for a championship which is why he feels really giddy walking to Albert Park.

"Seems like a good year for a championship?"Christian greeted Sebastian.

"I'm looking forward to that, the car feels nice"Sebastian agreed.

When the two walked to the garage, they immediately saw the Webber siblings discussing with some of the mechanics. Mark immediately waved at Sebastian.

Sebastian can tell that their dynamics improved since it was announced that they will be teammates. They spent a lot of time together in Milton Keynes so they found each other tolerable. It was surprising that now he feels a lot more closer to Mark than to Y/N.

He was actually expecting her to be around when they said Mark will be around Milton Keynes but the female Webber never showed up. Mark says that Y/N has been taking some time off since she will be busy during the season. Sebastian thinks he might be the reason why she has been absent so he felt a little relieve to see her.

"Excited for the first race of the season?" Y/N asked.

"The car seems alright, I think we can bring some good points in"Sebastian replied.

"We're gonna bring in a challenge this year, I can feel that we can compete for the drivers and constructors championship this year"Mark added

"How about Brawn, do you think they'll be a challenge?"Y/N wondered.

Sebastian heard about the team during the winter break. It was sort of a crazy story about how everything happened. He never saw Jenson or Rubens as a threat so he thinks that they might be an okay team that he doesn't have to worry about.

"They are a new team, I'm sure they won't be a threat" famous last words.

Brawn GP turns out to be a slight threat. Sebastian calls it a slight threat since this was only the first race and maybe its just their luck that they managed to pull away. They have to see how they perform in the next few races.

It was quite a bummer that Red Bull was unable to bring any points. It frustrated him heavily since he started 3rd and managed to stay 2nd the whole race until that unfortunate collision with Kubica that ruined his race.

Mark managed to finish the race but he finished 13th. Still out of the points.

As Sebastian was replaying the whole thing in his hotel room, he heard soft knocks at his door. He didn't remember ordering anything from room service so he was a bit confused as he headed to open the door.

"Hi Seb" it was Y/N "I was sent here by Mark to ask you if you want to go out and eat. You are in Australia and our family is from Australia and it will be a little bit rude if we didn't treat you out in Australia"

"That's too many Australia in one sentence"

"Have dinner with us and the family?"she simplifies "Please?"

There was not much to do anyway, Seb thinks so he accepted the offer. It might also be a good start to rekindle the friendship since its been a while since the two spoke with each other.

"You're driving?"Sebastian asked

"Of course, what kind of host am I if I'm going to make you drive"

The drive was reminiscent of Sebastian's memory when they were in Germany. Only that the view is more of beaches rather than the greens and the cold of Europe.

"I heard stories about you and Mark, it seems that you two are getting along quite well"Y/N opened up the conversation

"Oh he talks about me?"

"Well as his assistant, I have to ask about his work dynamics so yeah you have been a talking point of our conversation"

"That's nice"Sebastian smiles "How is life treating you? I didn't see you in Milton Keynes"

She lets out a heavy sigh and Sebastian could tell that there is a certain tiredness in her eyes. Maybe its true what Mark said that Y/N is actually drained from a season of F1.

"I just have to get away. A lot of pressure to deliver"

Sebastian understands that. Its probably the reason why he also tried to be understanding with Mark's situation as well. He knows that at the end of the day, the sports was brutal in one way or another. Everyone eventually gets that pressure to deliver.

"Let's not talk about f1, lets just talk about basic life things" Sebastian steered the conversation.

There was a smile gracing both of their faces because its just Sebastian and Y/N again. No last names, no championships, just them.

2009, Sepang International Circuit

"I hate wet races" Y/N confirms.

She doesn't get why everyone gets a bit excited with wet racing but she can't find how this is enjoyable for some people. Isn't the thrill of racing beyond speed limit exciting enough for them? Now they even want to race under dangerous weather conditions.

"It test your skills as a driver" Sebastian defended "Back me up here Mark"

"You're on your own Seb"was the reply of the older Webber. He did not want to take side with anyone.

The trio has been sitting at the garage waiting for the race to start. There was still 20 minutes left and Y/N has been stressing about how the dark clouds are looming over. She thinks it may start under dry conditions then go to wet in a snap.

"You can test your skills by overtaking and setting the fastest lap" Y/N noted

"Its all about strategy and taking risks"Sebastian assured.

"You better make sure that the both of you finish the race"

"No promises, Seb might hit me again"Mark joked

"Oh c'mon, I said I was sorry about that"

True enough to Y/N's prediction, the race started on the dry conditions then it ended up to be a wet race. Y/N had her fair share of wet races but this was the most terrifying for her opinion. There were puddles and the drivers can't see a thing with the rain blocking their vision.

It gotten so bad that Y/N actually went out of the driver's room to check on the status of the drivers.

"Aren't they red flagging the race?"she asked one of the mechanics

"There is still nothing from the stewards but Mark is also insisting that the race should be stopped"

Y/N was glad that she wasn't the only sane Webber around.

Just then there was a crash on screen and the weather made it very difficult for them to decipher which car spun but it was for sure a Red Bull. Y/N felt a bit comforted that it just spun without hitting anyone or anything.

"Its confirmed, that is Seb's car"

"Safety car for the lap"

"Webber is gonna ask to stop the race"

There was a flurry of emotions inside the garage. The race was stopped at lap 33 and there was the question if they will wait for it to restart or is it called off completely.

"I'm in 15th, this is not good"Sebastian was already groaning. He missed out on the points again by a big margin.

"Hey 15th is okay than dnf or being hospitalized"

Knowing Sebastian, Y/N knew he wanted to do well and it didn't seem like it was going to how Sebastian had it in his mind earlier this year. She gave him a comforting pat.

"Do you want some ice cream?"she asked

Sebastian looked at her as if she grew two heads "In this cold weather? You are asking for ice cream?"

"Ice cream heals people's boo boo" Y/N shrugged "Besides Kimi made me hungry for ice cream"

"You are crazy" Sebastian started "But c'mon lets go get some ice cream"

2009, Circuit de Catalunya

Mark: Can you see me before qualis at the back of the garage Mark: need your help, please

Sebastian never received any urgent texts from Mark so he must say that his curiosity is piqued by it. He immediately set out to meet Mark in the designated location.

"You need me?"Sebastian asked.

"Sebastian, just the person I needed" Mark seems elated to see him "Listen I need you to do me a favor"

"Okay as long as I don't have to hide a body"

"What?"

"Nevermind that. It was a joke Mark"Sebastian wanted to facepalm himself. Mark never seems to understand his humor especially when he was too excited with things.

"So May 15 is coming up. I need your help to distract my sister and maybe tour her around Spain while we do some preparation at the hotel. I just need your help to distract her for like 3-4 hours"Mark explained.

"15th?What's on the 15th?"

Sebastian was pretty sure that there was no race or other commitments that is happening on the 15th. He tries to rack his head for any important dates on the 15th but he can't remember a thing. Meanwhile, Mark looked offended that Sebastian didn't know the significance of May 15.

"Its Y/N's birthday"Mark answered.

Oh. Now that Sebastian thinks about it, Y/N never told her birthday. He felt like an idiot after realizing how they spend a lot of time together but he still haven't asked her about her birth date. But now that he knows, he makes a mental note of it.

"Okay. I think I can do that. Leave it to me"

"Thanks Seb, I owe you big time"

Seb: Are you still here at the 15th? Y/N: Why are you asking? Seb: I'm feeling adventurous. What do you say about getting lost in spain? Y/N: hmm sounds nice. Count me in.

"How long till we get there"Y/N asked.

They have driven for quite some time already and Sebastian promised that this place will be worth the wait. Sebastian will not admit it but maybe he got a little bit of lost in directions for the past 20 minutes and he is just starting to get the hang of the destination right now.

"Just a few minutes more" Sebastian assured. He can already see the spires of the building so he felt a sigh of relief escape.

"We were lost a while ago, aren't we?"

Sebastian just give out a grin as he continues to drive closer to the place. He stopped at the designated parking lot and unlocked the door.

"Adventure awaits Miss Y/N, welcome to La Sagrada Familia"Sebastian introduced.

When Sebastian was looking for a place to go, the La Sagrada Familia was one of the top hit. Sebastian didn't even consider if she is religious or what but he thinks she can appreciate the reminder that this architecture is still a work in progress and it has managed to endure a lot throughout the years of construction.

"This is beautiful" was her response.

"They say that this will be the most beautiful form of apology when it is finished"Sebastian informed "This was built for the city's sins"

"I beg to disagree"Y/N replied.

It was now Sebastian's turn to be curious.

"I think this is the grandest gesture of someone's love"Y/N elaborated "This went on for years, decades, centuries-they did not stop loving Barcelona that they continue working so that the city will be forgiven"

It was a pretty analogy in Sebastian's mind. He felt like no amount of his research could compare with that realization.

If the outside of the cathedral looks majestic, the inside is beyond what they could imagine. The both of them let out a small woah as they stepped foot into the church.

"You know you can make three wishes when its your first time to enter a church, they say it comes true when you do that"Y/N mentioned "You wanna give it a go?"

Sebastian nodded and he noticed how Y/N immediately closed her eyes.

'A world drivers championship. Happiness. Y/N receiving her wish' was what Sebastian prayed for.

He takes out a peek and Y/N was still in her own solemn state. Sebastian wonders what is it that she wishes for and he hopes that this three wishes thing works. He really wanted Y/N to fulfill her wishes, it will make him extremely happy.

"What did you wish for Y/N"

"Safe races, World Peace, and points for you and Mark" she answered

"Oh c'mon, you don't have things about yourself. Don't you have any personal wishes? Like your own goals or your own things?"Sebastian quizzed

Y/N knew deep down that she wanted something but she knew that saying it at the moment might not be ideal. But heaven knows, she prayed for Sebastian Vettel to stay in her life.

2009, Nürburgring

Y/N didn't mind that she was in heels, she was running as fast as she could to parc ferme. The moment that the last lap started and Mark was still leading, she immediately headed straight to the destination. Their father was already at the pits waiting with the signboard.

There was certainly a mix of emotions. Y/N's mind reel back to how Mark started pole and then had an incident with Hamilton at the start of the race. It caused him to have a penalty which lessens his chances of winning but Mark was in for a mega-drive. He managed to regain all the places that he lost from the penalty and here he is leading the Grand Prix.

Y/N felt her ears ringing as the crowd roars as the chequered flag appeared. Every speaker was blaring out the obvious, this is Mark Webber's first win in Formula 1.

People are starting to line up near the barricades. Y/N doesn't care if she was being pushed but she will be the first one to meet her brother and congratulate him once he gets out of the car.

"YOU DID IT! YOU ABSOLUTELY CRUSHED IT" Y/N screamed to Mark.

Mark did not miss his sister and immediately hugged her tight. He kept on repeating his thanks for her support and for not giving up on him. Y/N could only choke on a sob with the cameras flashing the emotional sibling moment that they shared.

"Congratulations Mark"Sebastian appeared next to him and Mark gave him a hug.

It was a happy day for the Red Bull team for securing double podiums. The whole Red Bull team cannot contain their happiness as the two walked to their podium spots. It is certainly a day that warrants a much needed night out.

So fast forward and Red Bull rented out a club to celebrate the victory of today. Y/N was certain that she deserved to let loose a little with the events that happened today.

Shots after shots, Y/N managed to drink everything up until the room started to feel a little bit wavy. It was a good thing that Sebastian has not been much of a party animal, he knew that this was Mark's time to celebrate so he won't be taking too much of a spotlight.

"You are seriously wasted, you should stop drinking now" Sebastian said, catching Y/N before she could trip in her heels.

"my brother won, can't you believe ittttt"her words are slurred.

"Yep, I'm getting you water and were going back to the hotel"

"NOOOOOO"

But Sebastian has already carried her out of the club. Sebastian knew that there are probably much more people wasted there but Sebastian was focused on Y/N. She was the reason why Sebastian decided to sober up the entire night. Knowing that Mark will be celebrating, no one will take care of Y/N.

Sebastian wanted to take care of her.

The trip to the hotel was smooth as Y/N was asleep at the car. Sebastian was giggling when he picked her up and she started rambling about how there are different kinds of beautiful in formula 1.

"But you know what's the most beautiful thing in f1 that I have seen?" she asked "Its the time where I saw Sebastian Vettel test the car"

Sebastian got curious, he didn't know that Y/N was around when he tested the car.

"And it was so dreamy. There was this beauty about him and you know he is so passionate. He isn't a paid driver or maybe he is but damnnnn the way he raced and the way he loved the wheels"Y/N rambles on.

It feels illegal for Sebastian to be hearing this and he knows he should not take advantage of Y/N's truthful drunkness to hear what she thinks about him. But somehow, Sebastian stayed with her. He tucked her in the bed and left a glass of water at the bedside table.

"Did you know Sebastian Vettel is the prettiest boy ever. He is so pretty like how the sun is so pretty to the plants" Sebastian also laughed at the comparison. Y/N was really really drunk.

"I like Sebastian"

"What?" was Sebastian's shocked question.

"I like sebastian, what sue me? I think he is a pretty pretty boy"

Sebastian feels like his heart is pounding but he has to stay cool. She is drunk right now and she might not be aware of the things she is saying.

"You get some rest, lets talk about this in the morning" Sebastian said as he left the girl.

It took every ounce of his being to prevent himself from confessing that he likes her a lot too. But Sebastian will do his confession sober. If Y/N remembers this incident then they will talk about it. If not, he will wait for the right timing to discuss the feelings he has for her.

Morning came and Y/N did not remember anything.

#sebastian vettel x reader #sebastian vettel imagines #f1 x reader #f1 imagine #sebastian vettel x oc

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lovecla · 20 days

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IF YOU LOVE ME, LET ME KNOW | jack hughes.

chapter five:

➴ warnings: fighting, misunderstanding, mentions of cheating

➴ word count: 3.2k

➴ author’s note: shit hit the fan yall… who the hell is going to fix this mess..

YOU woke up at ten to two after sleeping for seven hours straight. One thing about stressed you, is that you'd sleep for twenty-four hours if given the opportunity.

But you were thirsty and you needed to get your hands on a glass of water before you died from dehydration.

So, you got up, and made your way to the kitchen, only stopping when you saw your phone blowing up on the counter.

Frowning, you picked it up, confused with the hundreds of notifications on your lock screen.

You completely forgot about your need for water. With your heart on your mouth, you sat on one of your stools, unlocking your phone and texting Grace.

Usually, you didn't care about gossip. You'd always just joke about it on Twitter with your fans and move on.

People liked to invent things and you couldn't exactly stop them. So you just let it happen.

But apparently, Jack was involved in this too. Which left you confused because people didn't know about you two. Or at least, that's what your media team would say, whenever you had a meeting with them— a weekly occurrence, ever since the album was announced.

Typing your name on Google, you didn't have to dig too deep: an article published five hours ago was the first to show up. "Former Flames: NHL Star Jack Hughes Moves On with New Flame After Breakup with Pop Singer, Sophia Montenegro".

What the fuck?

Opening it, you could swear your heart would stop any moment. Hands shaking, you read every line, thinking of everything and nothing at the same time.

It seems love off the ice is just as fast-paced as the action on it for NHL star Jack Hughes. The hockey player, known for his fierce plays and competitive edge, is making headlines for his personal life as well. After a low-profile breakup with pop sensation Sophia Montenegro, Jack Hughes has already moved on-and he's not keeping it a secret.

According to our anonymous sources, the athlete and singer had started dating back in April, after they met at the New Jersey Devils [Jack Hughes' team] charity gala, and kept everything in the dark for six months straight: nothing more than a few Instagram comments and likes to prove anything.

However, despite the chemistry, the relationship ended after Jack was seen with one of his exes last night, Ava Mitchell. Jack Hughes is known for his short-term relationships so it wouldn't be anything new.

We hope Mrs. Montenegro is okay, after her second break-up in less than two years. Maybe our sweet girl, Sophia, has bad luck with relationships.

You didn't bother reading the rest, locking your phone and gently placing it on the counter again.

The rational part of your brain was telling you that none of that was true, and that this was just a gossip magazine doing what’s supposed to be doing, but you recognised the girl in the photo, it was the same girl on Jack’s lap yesterday. And that was obviously Jack, holding her hand like some kind of loving boyfriend.

You sighed, running your hands through your hair. You knew that something like this would happen. All of the good moments you had with Jack apparently were just that: good moments. And now, bad memories.

You knew what you had to do. Keep going, just like you did when Harris broke up with you over text after cheating on you the night before. Keep going, just like you did when your name got dragged into the mud because of that.

But doing that with Jack, for some crazy reason, was harder than you thought it’d be. Maybe because you had a lot of expectations and watching them getting crushed right in front of you sucked.

Your phone buzzed in front of you, Grace’s picture shining. You sighed, before picking it up. “Hi,” you whispered, remembering that you were still thirsty and this was the first word you said in seven hours.

“Hey, baby, how are you?” She sounded worried, and you understood her. This was the first somewhat scandal you’ve had in months. So yeah.

“I just read it…” you took a deep breath. “Gosh, what the hell. What happened after I left?”

You heard Grace move something around before she started speaking again. “Honey, I wish I could tell you something entirely different but… I did see Jack leaving with that girl. I am so sorry. Like, genuinely.”

Your entire body felt like it weighed three times more. Your heart shrank to the size of a pea and you could feel your hand tremble a little bit.

You had seen the picture, you knew that Jack had left the party with the girl but still. It hurt.

“Did you talk to him?” Grace asked, voice worried.

“No, I— Grace, I don’t know what to do,” you whispered, feeling something tickle your cheek. You wiped it with your hands, just to realize that it was tears. You were crying. “I like him so much. I had finally accepted it, I told you— I thought he felt the same.”

“I did too. I don’t know what happened. Maybe… God I hate to say this but maybe you should talk to him?”

You let out a wet laugh. “No way in hell I’m talking to him. I made that mistake with Harris. Every time he’d do something shitty, I’d go after him and talk to him, accept his excuses, his behavior. I’m not that Sophia anymore.”

“I know, I know… I just…” she sounded uncertain. “God. Why are men like this?”

You wiped your tears, smiling for the first time in hours.

“I don’t know.”

“Also, that song you sent me… is it about him?”

You were confused just for a second, before remembering the song you wrote last night— morning?

“Yeah,” you mumbled, feeling just the tiniest bit of embarrassment. “Couldn’t get it out of my head. What’d you think?”

“It’s perfect. Just like everything you write,” you could hear her smiling. You smiled too. “I love you so much, Soph.”

“I love you too, Grace. Don’t worry, I'll be fine,” you sounded like you were trying to convince yourself, and not her. “Let’s just focus on the album and the launching party, right? Fuck Jack Hughes.”

“Yes, you’re right. Fuck him and not in a good way!”

You laughed, feeling the pain inside your chest ease up a little bit.

It was going to be fine.

— ♡

JACK called you three times in the past three days.

You felt shitty not picking up any of his calls because you knew he was away for the entire week, but honestly, you weren’t ready to hear any of his excuses.

So drowning yourself in work was the answer for all of your problems. Day and night, you went to photoshoots and interviews, none of the questions being about you and Jack, thankfully. You knew it was all your team’s doing but still, it felt nice to talk about yourself and your work, and not about men who did nothing but make you hate yourself.

Grace thought you had to at least hear Jack out. But you knew that if you did that, the chances of you forgiving him were high. Higher than they should be. Because you’re still very much in love with him and want to be with him at all times.

“Good work today, guys,” Russel, your choreographer, shouted, everyone clapping together. You were all rehearsing for your launching party, a mini-concert with only a couple hundred people, something to introduce your album.

“Thank you, guys, love you.” You breathed, remembering how you should go back to the gym because singing and dancing at the same time required a lot of effort.

You headed back to your house, staring at the sunset through your car’s window, sighing loudly at the traffic in front of you. It was seven p.m. and you were tired and famished, thinking about all of the take-out options you could order when you got home.

“What the…” you muttered, when you tried entering your garage, but was unable to since there was a car there already. A car that you unfortunately knew very well. “The hell is he doing here?”

Jack was leaning against his car, a crazy thing to do during winter but whatever, wearing a beanie and a Devils hoodie, while looking at something in his phone.

He was supposed to be away. For a week.

Opening your door, you welcomed the cool breeze on your skin. The workout clothes felt too tight on your body and the bag on your hand felt too heavy but you held it tight. He still hadn’t noticed you so maybe you could walk past him without him noticing you?

“Hey, baby,” and yes, of course that didn’t work. “I’ve been waiting for you.”

You looked at him like he was out of his mind, but he just kissed your forehead and grabbed something from inside the car. A Five Guys takeout bag. Fuck him for knowing your favorite burger place.

“I got us food but I think the guy there messed with my order on purpose because he recognised me and he was wearing a Rangers pin which I thought was forbidden during work hours? But I never had a nine to five job so I can’t really tell.”

You continued to move, asking yourself why the hell Jack was so talkative today. Usually, he’d just answer your questions and leave it at that. But he must’ve spent too much time with Luke because damn, this man was a yapper now.

Opening the door, you let him in, not really sure why. Maybe Grace was right and you did need closure, but you expected to have this conversation with him through texts, and not face to face like right now.

He looked so dreamy. He’d shaved, so he looked eighteen years old all over again. His hair, hidden by the beanie, looked longer now and you desperately wanted to run your hands through it. He was standing there, cheeks and lips red, blue eyes looking directly at yours.

Why did he have to be so handsome? It’d all be much easier if he was ugly.

“You’re so quiet today, did something happen?” He asked, yanking you out of the train of thoughts about how handsome he was.

And suddenly, you were back in Harris’ living room, one year ago, watching as the man cried on your lap, apologizing over and over again, saying that he’d never lie to you and that he’d never let you down.

Your stomach was starting to hurt and you felt yourself breathing faster.

“I ran this conversation in my head a thousand times, but I never once imagined you’d just not talk about it and move on, y’know?” You mumbled, heart racing in your chest. “Was it worth it, Jack?”

His confused face made you hurt even more because, somehow, it looked genuine. “What are you talking about? Was what worth it?”

“So you’ll keep denying it?” You raise one eyebrow, feeling the sorrow being replaced by something uglier, something heavier. Something like anger.

“Denying what, Sophia?” He stepped closer, hands reaching to your body, which you dodged. If you’re going to do this, you’ll need every ounce of space in your house. “Sophia, what—”

“I know I have no right to be mad at you for this, because I know we were just fucking,” you smiled, but it didn’t reach your eyes. “Hell, I was the one who said I didn’t want a relationship first. So I understand why you didn’t reach out to me, why you’re not apologizing, why you’re playing dumb, but—”

“Sophia,” he cut you off, his voice one octave deeper. You shivered, watching as he frowned at you. “I don’t know why you’re saying all of this shit. What the hell happened?”

You looked at him, analyzing his face and, once again, seeing nothing but pure confusion in his expression. You found it hard to believe that he didn’t know about the article, didn’t know about how people were saying that no one stayed with you for a long time, didn’t know about his ex announcing to everyone on her Instagram page that they were together again.

But unfortunately, you also knew that Jack wasn’t a liar. He’d never been, and probably would never be.

“So you don’t know about the article?”

“Article?” He furrowed his eyebrows. “Are you talking about gossip pages on Instagram? Soph, you know the only thing I do in that fucking app is like your photos, watch the weird ass reels you send me, and send pictures of ugly animals to my brothers and say it looks like them,”

Pulling your phone from your pocket, you google the article that you had every word memorized by now with how much you’ve read it. Showing it to him, you saw his face go through all stages of emotions: confusion, anger and understanding.

“You didn’t know about this?”

“I don’t read the articles people write about me. I don’t give a fuck about people’s opinions,” he growled, handing your phone back to you and taking his beanie off so he could run his hands through his hair. “I don’t know who the hell sent that information about us.”

“Can’t you see that the problem here isn’t people knowing that we were fucking?” You snapped, almost crushing your phone with how hard you were gripping it. “The problem here, Jack, is you leaving that fucking party with your fucking ex, after she spent half of her night on your lap.”

“The hell is wrong with that, Sophia?” He snapped too, looking angry and annoyed at the same time. “You left with fucking Quinn and didn’t even say goodbye to me. Me leaving with Ava isn’t any fucking different.”

“‘Isn’t any fucking different?’ Fuck you, Jack. Fuck,” you touched his chest with your index finger. “You.”

“Sophia, what is going on? You’re mad at me because I left with Ava? She was fucking out of her mind, drunk as hell, and I just took her home!” He raised his arms, like that was enough of an explanation. “It’s not my fault someone took a picture of us leaving and wrote a fucking article about that.”

“I’m not mad at you, Jack,” you whispered, staring into his eyes, losing yourself all over again, just like you did six months ago. “I’m mad at myself for falling in love with you.”

You were both taken aback by your statement. You had zero intentions of telling Jack how you felt about him because that would just be too much humiliation to handle but now the shit hit the fan and he knew.

“It’s…” he stared, biting his lips and averting your gaze. “It’s not like I cheated on you, Sophia. We aren’t dating.”

Oh.

Right.

You knew something like this would happen and still. Your heart hurts all the same. It isn’t that serious, your brain was yelling at you, get a fucking grip.

“I know,” you whispered, trying to count your breathings. “I know that, Jack. You don’t need to tell me.”

“Why didn’t you tell me?” He stepped closer. “About how you feel?”

“Was it going to change anything?” Your voice quivered with sadness and you hated yourself for it. The plan was to tell him to fuck off and leave him but now you were almost crying and losing your shit in front of him.

“Yes, Sophia, fuck,” he put his hands on your arms, squeezing you slightly. “Of course it was!”

“Jack, no,” you freed yourself from his touch, walking around your living room, with your hands on your head. “I didn’t tell you that just to watch you pity me, I was trying to make a point. Don’t start lying now just for the sake of it.”

“Lying? I’m not fucking lying, Sophia,” he sounded angry now. “If you had told me this before, I would’ve—”

“‘Would’ve’ what?” You raised your voice too, tears now streaming down your face freely. “Would’ve said you’re in love with me too? Would’ve abandoned your whore days just to be with me? Fuck off, Hughes, we both know that isn’t true.”

“Just because you like to paint me as the man whore of the Devils it doesn’t mean that that is true,” he snapped, again. “I’ve been with you for six months now, and I never, not even once, touched another woman, or even thought about doing it. Because I just wanted you, Sophia, can’t you fucking see it?”

You sat on the couch, covering your face with your hands, trying to hide the fact that those words affected you more than you would ever admit.

“I get it that your fuckhead ex-boyfriend fucked you up and I am sorry for it, baby, I really am, but I’m not like him—”

“Jack, no,” you stopped him and removed your hands from your face, not caring if you looked ugly or destroyed. “Just leave. It’s better this way.”

“Leave? Are you insane?” He raised his voice. “No, I’m not leaving. I’m telling you that I am in lo—”

“Don’t you fucking dare, Hughes,” you got up, walking until you were toe to toe with him, looking up until your eyes met his. “I don’t want to hear it. Leave, please.”

“What the hell, man, you’re— you’re not even hearing me out!” He sounded desperate.

“I don’t want— I don’t need any more of your lies or pity. Sorry if you lost a good fuck, but I’m sure you’ll find someone else to get your dick wet.” It hurt you saying this but you needed to hurt him in order to make him leave, even if only God knew how much you wanted him to stay.

But the people you loved, the men you loved, never stayed.

Eventually, if you both started dating, he’d get tired of the routine and he’d find someone else. He’d start lying and cheating and apologizing just to do it all again, stepping on your heart like he did to the ice.

So you needed him to leave.

“So you think that you were just that to me?” He scoffed. “A good fuck? I took you to my parents’ house. I introduced you to them. I talked to my friends about you and I made time for something else besides Hockey. I wanted you in my life and now you’re telling me that it was all just sex to me?”

His eyes have never looked bluer. Your entire body felt cold, and you knew it wasn’t because of the weather. It was because you could feel Jack distancing himself from you, and it hurt.

“Leave, Hughes.”

He stared at you for a full minute, the room quiet. Then, he nodded once and twice, before stepping back and making his way to your door.

Opening it, he turned back and looked at you again. “I hope you know that you can’t keep your heart locked away forever, Soph.”

Wanting nothing but to be in his arms, you stared at him until he softly closed the door. You don’t know how much time you spent looking at the wooden entrance, feeling like you just watched your forever walk away.

#jack hughes #jack hughes x you #jack hughes x oc #jack hughes x reader #jack hughes fic #jack hughes smut #jack hughes x singer!fmc #jack hughes x singer!reader #IYLMLMK

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csuitebitches · 3 months

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book review: Stolen focus by Johann Hari

Major learnings from this book. It basically talks about focus, why and how we’re losing it. Why can’t we pay attention anymore? Are we individuals to blame or our systems?

There will be a time when the upper class will be extremely aware of the risks to their attention (caused by tech, social media, our current generation) and the masses, with fewer resources to resist the temptation of technology, will be manipulated more and more by their computers.

Multitasking is a myth. What actually happens when we multitask is that we “juggle” between tasks. This results in incomplete tasks, higher error rates, less focus, less creativity and memory decreases.

Sleep is extremely important, especially sleeping according to nature - when the sun sets and sun rises. If the whole world slept the way we are naturally programmed, we would have an economic earthquake. Our economic systems run on sleep deprived people.

Reading online and reading print has a huge difference. Reading online creates tendencies of skimming and scanning text. This prevents our brain from focusing intently on one story at a time, which print allows you to do. You also remember and understand things from printed texts better.

Empathy. Certain research suggests that reading fiction and novels improves empathy, because you are immersing yourself in another character’s life for a while. Empathy has played a huge role in human advancements. If a group of white people did not realise that colonisation was wrong, if men did not realise that women deserve equal rights, we would not have independent nations nor be close to gender equality today.

There are multiple types of paying attention. Focused attention is one thing. But day dreaming and letting your mind wander with no distraction (that is, being alone with your thoughts) is equally important. Some of the most important breakthroughs in human history were because the inventors were not actively focusing on solving the problem.

Being on social media = giving a free pass to be manipulated. No thoughts, opinions, desires that you have are original. They have all been fed into you by social media and the online world. It is by their design that we cannot focus.

Leaked internal records of Facebook show that they are aware that their algorithms exploit the human brain’s attraction to divisiveness. 64% of people, for instance, who join extremist groups join because FB’s algorithm directly recommends too. “Our recommendation systems grow the problem.” Zuckerberg eventually terminated the unit that was studying this.

Diet and attention. The diet we consumed today is a diet that causes regular energy spikes and energy crashes. Our food does not have the nutrients we need for our brains to function well. Our current diets actively contain chemicals that seem to act on our brains almost like drugs.

Be careful about reading research, especially when it’s funded by the industry itself. For 40 years, the lead industry funded all the scientific research into whether it was safe, and assured the world that it was. Lead later turned out to severely stunt your ability to focus and pay attention and that you are more likely to get ADHD.

We define success broadly as economic growth. Economies should get bigger, companies should get bigger. Growth can happen in two ways - either the companies find new markets or they persuade the existing consumers to consume more. If you can get people to eat more or to sleep less, you’ve found the source of economic growth. It results in people working overtime, not having enough time with family, friends and themselves, stress and anxiety prone, lack of sleep and bad health, etc.

Conclusion: use precommitment to stop switching tasks, try to focus more on intrinsic motivation than extrinsic, go off social media periodically (say 1 month at a time) and then extend those breaks; everyday spend 1 hour in walking in silence (no music, conversations or people- and if this is in nature, even better) to connect with yourself, 8 hours of sleep every night, build on slow practices like yoga, cut out processed food, take your PTO!!

#c suite #powerful woman #strong women #personal growth #that girl #getting your life together #balance #productivity #ceo aesthetic #Book review

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zaahvi · 12 days

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a little breakdown of the new mural:

the context: this is part of a quest named "regrets of the dread wolf" in which rook uses a wolf statuette to "restore" this damaged mural in the lighthouse. it's referred to as a "regret" and seems to echo a memory linked to the events shown in the mural

"[Solas'] history, along with the history of the other elven gods, is baked into the Lighthouse, and you learn more and more about the threat you face as you unlock Solas' murals with various wolf statues. You even get to see some of his memories firsthand." [source with timestamp]

first, the imagery:

these "star" symbols are the same as on the "death of a titan" mural from trespasser, and even have similar halos. there are three visible in the circle here, which itself is cracked and there's a beam of light coming from above, sort of mirroring the titan mural:

it's interesting that the beam of light is coming from above, and is hitting the circle at the bottom, illuminating the outline; it seems like the light itself is what "cracked" the circle? there's also light shining from above, and elgar'nan is looking up at it, so... maybe it's the sun? the halos around the hands are also reminiscent of the left figure on the titan mural.

for triangle symbolism enjoyers... there are triangles around the light beam a little further up 👀

this is also our first look at mythal <3 she had dark hair and her headpiece is silver like flemeth's, a nice contrast to the golden crown elgar'nan has! they're like the sun and moon...

elgar'nan appears to have silver hair here, much lighter than the dark greyish he seems to have in-game. i'm thinking that either the blight darkened it, solas painted it differently, OR that the lighting that we've seen him in so far just hasn't shown off the colour properly. on his robes there is a sun pattern on his shoulder :) the bottom of the robes seem greenish and has patterns similar to the lyrium veins(?) on the titan mural above, and now that i look at them side by side... he kinda looks like the figure on the left, doesn't he?

solas with hair real!!! and he has his signature wolf pelt :) he's standing among some kneeling elves, and, notably, none of them have vallaslin.

these leafless trees - usually used as symbols of mythal - are almost framing the piece. the blue coming from the cracked circle is also interesting: solas rarely uses blue apart from his murals inside skyhold, so maybe it means something? it could be lyrium, or the titans' power?

the story:

remembering the context: this is one of solas' old memories, and a "regret" of his. looking at the imagery and pairing it with the dialogue seen, the events portrayed become clear:

Elgar'nan: They need strength. Mythal: And wisdom. Elgar'nan: They need gods who can protect them. Solas: We are not gods. You will learn that.

this is the evanuris first declaring themselves gods, seemingly after whatever war the elves fought; possibly with the titans, judging by the hints in these murals.

elgar'nan and mythal came first, which lines up with the dalish legends. i'm very curious if they were actually a couple or if they were just paired together in legends because they were the first gods (like how falon'din and dirthamen were paired as twin brothers in dalish tales but had no familial connection in elvhen lore). and from what they say... using "they" to refer to the elves rather than "you", implies this was a private conversation, which leads me to believe that they did originally intend to protect the elves. for instance, if they'd said "you need gods who can protect you", that's a whole other story which could be clearly interpreted as installing themselves as rulers in order to gain power and oppress the people. but this? the elves need strength, and wisdom, and protection? it's our first real clue that the evanuris were not always tyrannical, and that is just so interesting! i am very excited to see the story of how they became corrupted 👀

solas has an interesting line here also. using "we" instead of "you"... there's a popular theory that solas was a spirit of wisdom who was asked by mythal to join her, as implied by these lines from cole:

"He did not want a body. But she asked him to come. He left a scar when he burned her off his face." "Bare-faced but free, frolicking fighting, fierce. He wants to give wisdom, not orders."

so maybe solas was a general alongside the evanuris, and was clearly opposed to becoming a "god" like the rest of them. i find it interesting he doesn't have vallaslin on the mural here. the cole lines implied he had mythal's vallaslin, and i would've assumed he "burned it off" when he started his rebellion. the only thing i can think of is that the vallaslin may have originally acted as a spirit binding (like binding a spirit to a body) but if it could be removed then... idk.

finally, circling back that this is referred to as a "regret"... i suppose this is his regret of not having stopped them before everything that followed. and with regret mentioned as being one of the key themes of the game... aghh this is gonna be so good

#your regularly scheduled evanuris posting #dragon age #dragon age the veilguard #datv spoilers #evanuris #elgar'nan #mythal #solas #“little breakdown” she said and proceeded to write many paragraphs.....#anyway. i'm tired so if i missed anything let me know. just needed to get this out of my system 😭

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colonelarr0w · 5 months

Text

What Might've Been

Sypnosis - A mysterious girl appears at the entrance of Jujutsu Technical High School -- not speaking a lick of English and not understanding where she is. She isn't human...but that gets you wondering...what is she?

Pairing(s) - ! ALL PLATONIC ! Satoru Gojo x Reader, Suguru Geto x Reader, Shoko Ieri x Reader

Warning(s) - mature themes, canon JJK violence, gore, child death, angsty ending (I'm sorry gang)

Word Count - 10.4k

A/N - Randomly got an idea to write a fic where the Reader was a curse. I hope you all enjoy reading this just as much as I enjoyed writing it!

! PIECE BEGINS UNDERNEATH THE CUT !

Darkness.

For as long as you could remember, the only sight seen by your eyes was an overarching darkness that seemed to stretch on forever — never once giving any indication that there may be some kind of light at the end of the otherwise never ending tunnel.

And to you, that was okay. The darkness became your friend over time, enveloping you in a cocoon of safety that could not be replicated by anything. It held your hands and guided you, watching silently as you grew and developed until a time where you could be used — until a time where you would be useful to the world of curses.

But like many things, your darkness eventually found its end, creating an opening that allowed light to pour in and the warmth of the sun to touch your skin with gentle hands. Confused, you folded your fingers into the hand that the light offers you, and with squinted eyes you look around.

Where am I?

Your head turns, blinking a few times to adjust to the overwhelming light that only seems to brighten each time that your eyelids flutter open. Slowly, you turn in a circle on the heels of your feet, suddenly aware of the unfamiliar sensation that lies beneath the skin of your feet.

You glance down, tilting your head curiously at the uneven stones beneath you. Curiously, you bend your knees, lowering your palms to the ground and laying it flat against the stone, shocked to feel heat emanating back onto the skin of your palm.

What are you doing?

You stand up straight, ears perked as you attempt to locate the source of the voice who had addressed you. Oddly enough, you stand completely alone in the stone pathway, surrounded only by unmoving trees and bright green grass. You open your mouth, trying to will any kind of sound to leave your parted lips, but you remain silent.

You press your lips back together in a firm line, narrowing your eyes and once again lowering yourself to the ground, this time taking a seat in the center of the stone pathway. Above you is a maroon-colored arch, one that is hanging over a set of stairs that lead somewhere — but you’re not entirely sure just where it leads to.

Are you comfortable?

You nod happily, laying both of your palms against the warm stones and spreading out your fingers, feeling smaller pebbles being caught within the lines of your skin. Your eyes wander up your arm, noticing the small stitches that hold the various parts of you together.

The scars don’t horribly disfigure you, not like the other curses that you could recall seeing in the depths of your memories. They turned out more inhuman than you, you were one of the lucky who was made to pass as human — only discoverable by eyes that shined like the prettiest aquamarine stones. You believe it was called Six Eyes.

You lift one of your hands off of the stones, suddenly aware of just how hot it had felt against your skin. You shake your hand, forming an ‘o’ with your lips and blowing on the palm of your hand, shocked to feel an opposite sensation. It wasn’t warm, but at the same time it wasn’t completely cold. But it was cold enough to relieve the burn on your skin — and it’s then that you notice the pattern left behind by the stones.

“C’mon Suguru, I’m sure he won’t mind if we take our time with this one.”

You turn your head at the sound of another’s voice, tilting it curiously as you watch two figures appear at the top of the steps. Both are tall and wear the same kind of clothing, yet they also wear completely different styles. One of the figures — this one with bright white hair — wears his clothes tight, accentuating his otherwise lanky figure. The other figure — this one with longer, darker hair — wears his clothes baggy, with parachute pants that make his legs look larger than they most likely are.

You wonder which one of them is supposedly ‘Suguru’.

Careful now, remember the eyes.

You nod your head, pushing yourself to your feet with the help of your hands. You lift your head to peer up the stairs, noticing how both of the figures had stopped walking and are peering at you with the same curiosity as yourself.

“Hey! What’re you doing down there?” It’s the white-haired figure that calls out to you, his covered eyes no doubt focused on you. The dark-haired figure is silent, watching you with a wordless curiosity. Opposites.

You part your lips to speak again, feeling an uncomfortable vibration in the base of your throat. You quickly snap your jaw shut again, rubbing your fingers against the skin of your throat and wincing — that had been oddly painful. But at the same time, it only spurred on your curiosity. Why could the two figures make sounds with their mouths and you couldn’t?

“Hey!” the white-haired figure calls out again, this time lifting his arm and waving down at you. You mimic him, lifting your arm and waving back at him. Confused, the white-haired figure turns to the dark-haired figure at his side, nudging him before beginning to descend the steps.

You wait patiently for both figures to approach you, but even when they do, they stand a healthy distance away from you — likely because of the discolored scars that litter your body, holding you together like a freshly stitched doll.

An uncomfortable silence hangs over the three of you, only broken by the dark-haired figure clearing his throat and speaking to you, “What are you doing down here?”

You try for the third time to do what the dark-haired figure is doing — making sounds with his mouth. But the moment that you try, a strangled cough falls from you instead. With both palms, you cover your mouth, cheeks flushed in embarrassment as the figures exchange a look with one another.

“What’s up with you?” the white-haired figure asks, tilting his head at you. You pout, jutting out your bottom lip and crossing your arms over your chest, disappointed that you couldn’t articulate yourself in the same way that both of the figures could.

The dark-haired figure is more sympathetic towards you, smacking a hand into the chest of the white-haired figure and shooting him a pointed glare. He turns back to you after a moment, his eyes softening as he gestures with his head towards you.

"You can't speak?"

You shake your head, furrowing your eyebrows to create an expression that is a mixture between frustration and sadness. The dark-haired figure nods understandingly, humming to himself. You mimic him, humming as well.

The white-haired figure glances between you and the dark-haired figure, then letting out a dramatic sigh and throwing an arm over the shoulders of the figure standing beside him, still glaring at you through his sunglasses as if you were a roadblock to him – and in a way, you were.

"Come on Suguru, this is pointless. Let's just--"

"Shut up Satoru."

Suguru. He's the one with the dark hair.

Satoru. He's the one with the white hair.

Opposites.

You tilt your head curiously at them, listening as they bicker with one another. How Suguru tries to patient with both you and Satoru and how Satoru only continues to act like a spoiled child. Your eyes continue to flicker between each of the two as they speak, taking mental notes of the difference in their tones, postures, and facial expressions.

Suguru then turns to you again, having effectively shut Satoru up. You find yourself smiling at the expression that Satoru wears; he looks more like a disappointed child now as opposed to a spoiled one. It made you wonder if he acted like that constantly, or if it was because you were around.

"Why don't you come with us?" Suguru offers, extending his hand to you. You peer curiously at it, how his fingers lightly shake and how the lines in his palms flex as his fingers extend out to you. You glance down at your own palm, flexing your fingers before placing your palm flat on top of Suguru's.

Rolling his eyes, Satoru turns on his heel and begins to move back up the stairs, not caring to glance over his shoulder to check that you and Suguru were following him.

You glance at Suguru, who still holds your hand. You hum again, smiling as Suguru's eyes flicker to meet your awaiting gaze. He returns your smile, then gesturing with his head towards the top of the stairs. You nod understandingly, falling into step with Suguru and climbing the steps.

You tilt your head back to look at the archways that line the stairs, smiling to yourself as you walk quietly beside Suguru – neither of you say anything about the fact that your fingers are still interlinked. For as foreign as it was to you, it also felt familiar.

"Come on, you're both taking forever!" Satoru complains from further up the stairs, turning to finally glance at both you and Suguru from over his shoulder.

You release your hold on Suguru's hand, deciding to take it two steps at a time to properly catch up with Satoru, not wanting to hear him complain any longer. You spread your arms out to balance yourself once you reach the top of the stairs, spinning on your heel and grinning widely as Suguru walks into view – immediately returning your childlike grin.

"What do we say to Yaga?" Satoru asks as Suguru moves to stand at his side. Suguru hums, his gaze momentarily flickering to sneak a glance at you. You lift your hand to wave at him once his eyes land on you, then taking two large steps to stand directly beside Suguru.

"I'm sure we'll figure something out," Suguru mutters, feeling his spine stiffen as you bravely fold your fingers into his own, squeezing at them and sending him another closed-eyed smile.

< … >

"And she was simply sitting there?" Yaga clarifies, raising an eyebrow at Suguru and Satoru – both of whom nod their heads. Satoru crosses his arms over his chest, having been mentally checked out of the conversation since first entering the office.

"From what we both saw," Suguru says, sneaking a glance at Satoru and mentally smacking his best friend at the disinterested look on his face, "yes. She was just sitting there."

Yaga hums in thought, folding his fingers together and resting his chin on top of his knuckles. He turns his head to the door, curious to see what would happen if he were to open it and allow you inside. But at the same time, he didn't want to risk a possible Curse or Curse User to have entry to his office, knowing that the action would carry its own unique set of consequences.

"Is she human?" Satoru asks, breaking the otherwise tense silence in the office. Yaga's eyes flicker to the third-year, his eyes narrowing as he mulls the question over in his head. That specific thought had not crossed his mind yet – were you human?

"Has she demonstrated anything that would indicate otherwise?" Yaga inquires. Satoru and Suguru exchange glances, thinking about your odd behavior and your inability to verbally communicate with either of them.

"Well, she acted oddly as we spoke to her. And when she herself tried to speak back to us, it was almost like she wasn't able to," Suguru answers, recalling the way that you had opened your mouth to speak and winced at the realization that nothing would come out.

Yaga nods thoughtfully, once again looking to the closed office door. He ponders his options, weighing them in his mind before he braces his palms against his legs, rising to his feet. He closes the distance to the door in two, long strides.

Outside of the door, you turn your head to the sound of the office's door clicking open, revealing a man with tanned skin and buzzed dark brown hair. You tilt your head up at him, pushing yourself to your feet and hiding your hands behind your back, peering up at the man with curious eyes.

"Hello there," Yaga says to you, trying his hardest not to sound intimidating. You blink at him, resembling a deer caught in a truck's headlights as you tilt your head to the opposite side.

Deciding to try again, you part your lips to speak, wanting desperately to say something to the man that towers over you. But just like the previous two times, the only thing that comes from your throat is a hum – just like how Suguru had hummed at you before.

Furrowing his eyebrows, Yaga glances down at your hands, watching as you lay your fingers against your throat, squeezing at it as if trying to force sounds out of it. He narrows his eyes at you, humming to himself before turning back to the office door. No, you weren't human.

"Why don't you come with me?" Yaga offers, gesturing with his hand towards the office. You follow his gaze, peering inside to see both Suguru and Satoru sitting on two wooden chairs. You grin, promptly making your way inside and beelining for Suguru, lowering yourself to sit cross-legged in front of his chair.

Yaga is only a step behind you, watching through narrowed eyes as you sit down in front of Suguru. With the way that you glance up at him, one might think that you were the third-year's obedient dog. Your eyes wait for him to notice you, lighting up the moment that his gaze meets yours – even if it's only for a fleeting moment.

They know what you are, be very careful.

You shake your head, ignoring the ringing in your ears and turning back to Yaga. The older man sits behind a grand oak desk, one that has papers scattered about its surface with scribbled lines drawn onto them. Suguru furrows hie eyebrows down at you, having noticed the flickering expression that had passed over your face – as if someone had blown into your ear and startled you.

"Both of you keep an eye on her. You may tell Shoko as well, but try to keep her from the other students," Yaga instructs, receiving nods of agreement from both Satoru and Suguru. You turn your head halfway to Yaga, curious as to who this mysterious 'Shoko' was.

Would they be another figure like Satoru? Or were they someone like Suguru?

"We understand," Suguru says, then standing from his seat and offering his hand to you. You lay your palm against his, allowing him to lift you off of the ground with shocking strength.

Satoru puffs out the air that he holds in his lungs, not reacting as his bangs fall back into place over his eyes, shielding his vision. You tilt your head at him, was he hiding his eyes on purpose? Or was there something else about him that you simply didn't know?

"Come on, let's get you a uniform," Suguru says to you, smiling. You return his smile brightly, bounding after him as he makes his way to the door of the office. Satoru follows close behind, hunched over with his hands stuffed into his pockets. It was effortlessly clear that he was inconvenienced by your presence.

You follow close behind Suguru as he leads you down a long, winding hallway. Besides the three of you, there isn't anyone else, which only piques your curiosity in who 'Shoko' was and who the 'other students' were. Deep down, you hoped that Shoko wasn't anything like Satoru – who continued to make it clear that he didn't like you one bit.

You turn your head to sneak a glance at Satoru, taking a mental note of the way that his eyebrows pinch together and the way that a pout settles over his lips. He walks close to Suguru's side, similar to the way that you did.

Suguru stops walking eventually, turning to peer down a small archway that leads to an outdoor area, one with the trees that matched those that you had walked past when Suguru and Satoru had led you up all of those stairs.

"Stay here, I'll go and get Shoko," Suguru says, nodding at both you and Satoru before walking outside. You take a step after him, but Satoru is quick to stop you, his fingers closing around your wrist and tugging you back to your original position.

"He said stay," Satoru says slowly, speaking to you as if you were a child who lacked understanding. You nod at him, pressing your lips firmly together and waiting patiently for Suguru to return.

The dark-haired male returns a few seconds later, another figure following behind him. Their hair is short and brown, with a beauty mark just underneath their left eye. You peer curiously at them, watching as they shift the position of something in their mouth – a stick with a brown end.

"Woah," the figure says, eyes raking up and down your figure before their eyes flicker between Suguru and Satoru, neither of which say anything in response. "Shoko, it's nice to meet you."

You smile brightly at the figure, holding your hand out to her in the same way that Suguru had done to you so many times before. Shoko returns your smile with one of her own, soft and gentle; and her hand folds into yours, shaking it politely.

"We've been tasked to keep an eye on her. She isn't allowed to be around any of the other students, obviously with us being the only exception," Suguru explains, stowing his hands away in his pockets, "at least, that's what Yaga told us."

"Babysitting duty," Satoru says in a sour tone, scrunching his nose in an expression of disgust as he glances to Shoko. She reaches a hand out, swiping at the back of his head and rolling her eyes at the dramatic cry that he lets out.

"You're such a jerk," Shoko mutters through her teeth, then turning to you, "don't mind him, yeah?"

You flash her a closed-eye smile, nodding in agreement.

< … >

"Go on and try again, there's nothing wrong with trying," Suguru says with a reassuring smile, finding himself biting back a chuckle at the frustrated expression that passes over your face. You puff your cheeks out, annoyed at the fact that every time that you tried to speak...nothing happened.

You inhale deeply, puffing your chest out and holding the air in your lungs before forcing your lips apart, trying once again to say one simple word.

Ignoring the small burn in your throat, you screw your eyes shut.

"Hello."

Suguru smiles, his eyes crinkled at the corners as you open your eyes again, staring at him like a deer in headlights. "See? I told you that you could do it."

You grin widely, springing up from your place in front of Suguru and barely containing the excitement that shoots through you. You curl your hands into gleeful fists as you continue happily dancing around, earning a proud chuckle from Suguru.

"Hello," you repeat, shocked at the sound of your own voice. It didn't sound anything like the little whispers in your head. Those were raspy, gravelly voices that felt like nails being dragged down a chalkboard. Your voice was soft, quiet – a stark contrast.

"Hi," Suguru returns, smiling again at you as you seat yourself back down in front of him. "Now, what's your name?"

You purse your lips, humming in thought before bubbling, "(Y/N)!"

Suguru nods, reaching a hand out to affectionately ruffle your hair. You lean into the touch, smiling brightly and repeating your name to him again.

Your ears perk at the sound of two pairs of footsteps, turning to see Satoru and Shoko walking into the otherwise empty classroom – presumably looking for both yourself and Suguru. Satoru says nothing to either of you whereas Shoko waves politely, shooting you a kind smile.

"Hi!" you say excitedly. The sound of your voice causes Shoko's eyes to widen, the cigarette between her lips falling to the floor in front of her. The ghost of her smile returns, spreading across her face as she kneels in front of you.

"Well would you look at that? You found your voice," Shoko compliments, patting your head in a fashion similar to the way that Suguru had. You smile at the display of affection, leaning closer to Shoko and then glancing to Satoru, hoping for that same kind of praise.

He rolls his eyes begrudgingly, unfolding the arms that he had previously crossed over his chest. "Good job (Y/N)."

You smile, scrunching your nose up at him.

< ... >

"There you go. Now, when you go to punch someone, tuck your thumb inward," Suguru instructs, lifting his hand and folding his own thumb inward, then gesturing to you to mimic the action.

"In," you repeat, holding up your hand and making a show of tucking your thumb inward. Suguru nods at you, then gesturing to the punching dummy that he had nicked from one of the training rooms in order to help you with your self-defense.

It had been six months since Suguru first stumbled upon you at the stairs of Jujutsu Tech, and in those six months he still didn't have an answer to the question of who you really were or where you truly came from.

Sure, you looked human enough – even though the stitches that littered your body could tell a completely different story depending on the author. But even with those stitches, you acted like a constantly excitable child, always wanting to be at Suguru's side and wanting to be involved in everything that he did.

To him, it was endearing, albeit very confusing at the same time.

You turn to the punching dummy in front of you, curling your hands into fists and making sure to tuck your thumbs inward just like you had been told. You throw a punch at the dummy, smiling as it wobbles backward before returning to its original position.

"Good?" Your body turns to glance at Suguru, already feeling your senses tingling at the proud smile that settles itself on Suguru's lips.

"Good job (Y/N)."

"Yeah, you're doin' great," Shoko agrees as she walks onto the training field, smiling and returning your hug as you rush to throw your arms around her. "Yeah, yeah, I missed you too."

"Where's 'Toru?" you inquire curiously, tilting your head as you realize Satoru's absence. Shoko glances over her shoulder, furrowing her eyebrows and letting out an exasperated sigh through her nose.

"He was supposed to be right behind me. Guess he got sidetracked," Shoko says offhandedly, though she regrets her tone upon seeing the fall in your expression. Your shoulders slump, eyes casting themselves to the ground as you take a step back from her.

"Does 'Toru like me?"

Suguru and Shoko exchange knowing glances with one another. Neither of them answer you quickly, which only adds to the feeling of dejection.

Shoko lifts her hand, resting it reassuringly on your shoulder and sending you a comforting smile. "Sure he does, he just has a weird way of showin' it."

All you could do is nod in response.

< … >

"A mission?" You can't help but tilt your head at Suguru, who only nods at you as he adjusts the cuffs of his sleeves. He chuckles, then turning completely to you.

“Yeah, Yaga will sometimes send us out on missions. We go out to a given location and exorcise the curses that reside there,” Suguru explains, watching as you mull his words over in your head.

Curses? Exorcise?

“What’s a curse?” you ask, following Suguru as he begins to walk towards the entrance of Jujutsu Tech. He turns to glance at you over his shoulder, feeling himself smile as you spread your arms out to balance yourself, having accidentally rolled your ankle while following him.

“A curse is—“

“There you are Suguru! I’m offended, you almost left without me,” Satoru says loudly from behind you, dramatically wiping away tears that definitely don’t exist.

You turn and smile as the snowy-haired male approaches both you and Suguru, throwing his arm over Suguru’s shoulder and sparing you a half-assed glance. You smile and wave, still polite as ever.

“Are you going too?” you turn to Satoru, “Yaga said that I can go too!”

Satoru forces himself to smile, left eye twitching in annoyance as he turns his head to look at you. “Joy.”

“Don’t be like that Satoru,” Suguru scolds, whacking a hand against the back of Satoru’s head. The latter lets out a yelp, cupping the back of his head and shooting Suguru a half-assed glare — one that is immediately reciprocated by the raven-haired male.

You smile lightly at both of the boy’s antics, taking two steps to stand at Suguru’s left side, then turning your head to flash that same smile at Satoru.

For a moment, something inside of Satoru softens. But only for a moment.

“Ready to go?” you say to both of the third-years, smiling and folding your hands behind your back as your gaze flickers between the two.

“Stay close, okay?” Suguru says to you, his eyes softening as his gaze falls on you. You smile, nodding your head at him.

“Okay!”

< … >

So that’s what an exorcism is.

You watch through curious eyes as Suguru holds what used to be a curse in his hands, fingers curled around the small, swirling ball. He lifts it up, eyes examining it for a moment before he notices your curious gaze.

“That’s…what a curse is?” you say, pointing at it and scrunching your nose. Suguru nods his head, opening his mouth and promptly absorbing the curse — just as he always had done.

Your eyes widen as you watch him consume the ball, eyebrows lifting to create a worried indent in the skin of your forehead. Your hands shoot out, taking hold of either side of his face and tilting it this way and that.

“What did you do that for?!” you squeal, squeezing Suguru’s face and staring worriedly at him. He chuckles, unable to answer with the force at which you hold his cheeks.

“It’s okay (Y/N),” he says, voice slightly muddled, “it’s just my technique.”

“Technique?” you echo.

He nods, adjusting his jaw once your hands release him. He smiles again at you, the sight slightly reassuring you.

“Sorcerers have what are called Cursed Techniques, mine just so happens to be the absorption of curses,” Suguru explains, smacking his lips as a disgusted expression falls over his face.

You tilt your head at him, pressing two fingers against your throat before your gaze returns to his facial expression — how his eyebrows are slightly pinched together, how his eyes water and how his jaw momentarily sets itself in place.

“Not good?” you whisper to him, as if asking him about a secret that only he knew the answer to. Suguru’s eyes flicker to you, his gaze softening.

“No,” he answers simply, shaking his head at you. You pout, bottom lip jutting out before you reach out and pat his shoulder — similar to the way that he would pat either your head or shoulder as a means of comfort.

“Why do you do it then?”

Suguru pauses, his hand coming up to cover your own. His fingers affectionately squeeze your own, lips turning upward in a smile just as soft as his actions.

“It’s a curse (Y/N). We’re meant to exorcise them,” Suguru reiterates, smacking his lips together in an attempt to rid his tongue of the taste left behind by the consumed curse.

You hum, glancing down at the stitches that crawl up your arms. We’re meant to do it. We’re meant to do it.

But why are they meant to do it?

“So…curses are bad?” you turn your head to Suguru, falling into step with him as he glances down at his phone. Satoru must have texted him regarding the curse that he was meant to exorcise.

Suguru hums in agreement, stowing his phone away into his pocket and casting you a sideways glance. He makes a mental note of the conflicted expression on your face, eyebrows pinched together and eyes slightly narrowed.

“Yeah, they pose as a danger to people that can’t see them. So us Jujutsu Sorcerers are sent to exorcise them,” Suguru explains, reaching behind him to fold his fingers into your own. Your lips, which usually turn upward at any given affection, remain pressed together in a thin line.

Your eyes widen for a moment, an expression of realization flickering over your face. You stop walking beside Suguru, not reacting as his hand tugs at yours, silently telling you to continue walking.

“…they pose as a danger to people that can’t see them.”

Wait a minute.

“What are you doing out here? Don’t you know it’s dangerous?” Suguru says gently to the little girl standing in front of him, her arms wound tightly around a small stuffed rabbit.

She sniffles, using the hand that doesn’t hold her rabbit to wipe the stray tears that roll down her cheeks. “I’m sorry,” she sobs.

Suguru sighs, an exasperated puff of breath through his nose as he places a hand on top of the girl’s head, rubbing her hair comfortingly.

“It’s alright.”

Curiously, you kneel down beside Suguru, staring at the girl with your head tilted to the side. You lift a finger, pointing at the rabbit that the girl clutches to her chest.

“I like your toy,” you say to her with a smile, mimicking the way that Suguru had smiled at the girl in order to prove that he wasn’t there to hurt her.

The girl only sniffles again, her gaze never once leaving Suguru. Curiously, the raven-haired male flicks his eyes to glance at you — had the girl maybe not heard you?

“I like your rabbit,” Suguru repeats, gesturing with his head towards the toy clutched in the girl’s arms. The girl smiles gently, her eyes crinkling at the corners as she hugs her rabbit a little tighter.

“Thanks Mister.”

You pause, blinking. The girl continues to smile at Suguru, forgetting about any and all of the fear that she had been feeling just seconds before.

She couldn’t see you.

Non-sorcerers can’t see Curses. Did that mean that…?

“Hey…(Y/N), you alright?” Suguru asks, his voice filtering its way back into your ears. You turn quickly to him, blinking away the last remnants of your trance.

“Yeah! I’m okay!” you answer with a bubbly smile, though that thought lingers in the back of your mind — what were you?

< … >

“Have any of you seen (Y/N)? I wanted to practice a Reverse Curse Technique with her,” Shoko shifts her cigarette from the left side of her mouth to her right, peering curiously at Suguru and Satoru.

Satoru shrugs, sipping at the can of cola in his hand and glancing at Suguru, who also shrugs.

“Lovely, you’re both so useful,” Shoko rolls her eyes, turning on her heel and departing from the room. She wanders down the hall, passing by your dorm and stopping as she notices the door had been left open.

Curiously, she peers inside, shocked to see you sitting in the center of the room. Surrounding your crossed legs are various textbooks from taken from the library, all of them open to pictures of various curses — ranging from Second-Grade to Special-Grade.

Your eyes roam over the sketched pictures, fingers running over a particularly nasty looking Special-Grade curse that looks oddly similar to a disfigured human — a woman to be exact. You tilt your head at the image of her, her arms were stitched in a similar fashion to your own, but yet you both looked drastically different.

“(Y/N)? What’re you doin’ in here?” Shoko smiles softly at you as she enters, knocking once to alert you to her presence. You turn quickly to her, slamming the textbook shut and looking at her as if you had been caught doing something that you weren’t meant to be doing.

“Hi Sho’!” you say affectionately, standing from your place in the center of the room and brushing your hands down the front of your pants. She eyes you curiously, humming to herself before removing her cigarette from between her lips, puffing out one last cloud of smoke before she walks to the window of your dormitory, then disposing of her finished cigarette.

She tilts her head, noticing your avoidance of her question, “Everything okay?”

You nod, humming at her and folding your hands behind your back, forcing your gaze to focus on her and not wander down to the closed textbook by your foot. You swallow the growing lump in your throat, wincing as it momentarily gets stuck — hopefully Shoko wouldn’t notice.

“Yeah! I was just reading, Sugu said it was a good way to kill time!” you answer with your usual bubbly smile, but Shoko doesn’t fail to notice how it doesn’t quite reach your eyes. You were hiding something, and it wasn’t very subtle.

“Oh cool, what’re you reading?” Shoko inquires, tilting her head and lowering herself to the floor, plucking one of the closed textbooks off of the ground and flipping through it. She makes a mental note of the way that your expression falls, like a child who had been caught doing something that they shouldn’t.

“Reading about curses, those thingies that Suguru and ‘Toru went to exorcise,” you answer honestly, taking the textbook from her and opening to the page that you had been staring at, turning it towards her and smiling again — hoping again that she wouldn’t notice the way that you force your lips upward.

“Oh, that’s a Special-Grade,” Shoko comments, smiling at you as you turn the textbook back around, glancing down at the sketched picture. “They’re tough ones.”

“Stronger than Sugu and ‘Toru?”

Shoko shakes her head, chuckling breathily, “No, not stronger than those two idiots.”

You glance down at the picture, at the stitches on the curse’s arms and the way that its eyes crinkle in a sadistic, maniacal smile. You tilt your head — she looked a little bit like you.

“Are curses bad?” you glance up at Shoko, who stares curiously back at you. “Are all of them bad?”

“Well, yeah. They wanna hurt the innocent, and that’s why we exorcise them,” Shoko explains, following you to the floor as you sit down, crossing your legs. Your eyes wander back down to the sketched image, eyebrows pinching together.

“But what if a curse doesn’t hurt people?”

“That’s practically unheard of,” Shoko comments, turning to you, “a lot of the curses we exorcise have already hurt innocent bystanders.”

You nod your head, though the action feels forced. You hadn’t hurt anyone…did that make you a bad curse?

< … >

Go away.

GO THE FUCK AWAY.

You step back from the now broken mirror, chest rising and falling in heaving breaths as you glance down at your reddened arms, nail marks dragged against your skin in angry red lines.

Eyes that scream tales of hatred flicker up to your awaiting reflection, the broken glass giving your body a fragmented look that only adds to your disgust of the stitches that hold you together.

You were the same as that broken mirror — fragmented and messily put back together by hands that weren’t your own.

Your shoulders continue to rise and fall in tune with your heavy intakes of air, hands curled into white-knuckled fists with blood dripping down the crevices of your skin. You bled the same as they did, and yet you were still so drastically different.

“Monster,” you whisper to your reflection, glancing back at it and reeling your arm back, preparing to strike at the broken mirror again.

You are no monster.

You pause, fist hanging limply in midair as you stare at your eyes. Something in you tells you to complete the action, but you don’t.

“Curse.” Shakily, you lift a finger to point at the fragmented reflection that stares back at you.

That’s better.

You glance down at the reddened lines that now adorn your arms, nail marks left behind by angered scratching fueled by the sight of your stitches.

You weren’t like Suguru or Satoru — they were human.

I’m not human.

Now show them what a true curse is.

< … >

"Another Special-Grade? Honestly, can they just not find qualified sorcerers to deal with these things?" Satoru complains loudly, his eyes momentarily falling shut as Shoko slips his darkened sunglasses onto the bridge of his nose.

Suguru bites back the laugh that bubbles at the back of his throat, his gaze flickering to watch the dramatics of his best friend – which has now resulted in the snowy-haired male lying flat on the floor of the gymnasium, his arms spread at his sides like a starfish.

"Supposedly, we're the only two that are qualified enough to take on Special-Grades. You know that Satoru," Suguru reminds him, kneeling down on the floor and sitting cross-legged beside Satoru, who blows a puff of air from his parted lips and groans as his bangs fall back over his eyes.

"Bullshit," Satoru mutters, pushing himself up onto his elbows and turning his head just enough to glance at Suguru.

"Come on, we should leave now before Yaga gets upset."

Satoru groans again, standing with Suguru's help and glancing at Shoko – who is currently lighting what the males believe to be her fourth cigarette of the day, though neither of them comment on it.

"Can one of you check on (Y/N) before you go? Haven't seen her," Shoko mutters, struggling momentarily with her lighter. The moment that the end of her cigarette is lit, she takes a deep inhale, then releasing the small cloud of smoke in front of her and waving it away quickly.

Suguru's eyebrows pinch together, "What are you talking about?"

Shoko pauses, she hadn't told either of them about the state that she had found you in that day; surrounded by meaningless textbooks and looking at the pictures as if they had resonated with you on a spiritual level.

"Just," Shoko pauses, already lifting her thumb and index finger to the bridge of her nose, pinching it, "check on her, yeah?"

Satoru opens his mouth to protest, but Suguru is quick to slap the palm of his hand against his friend's parted lips, effectively silencing him.

"Sure thing," Suguru answers with a closed-eye smile, moving his hand from Satoru's mouth at the feeling of the center of his palm being licked.

The walk to your dormitory from the gymnasium isn't very long, or at least, it wouldn't have been as long as it was if Satoru wasn't loudly complaining and dragging his feet. As much as Suguru wants to spin on his heel and tell Satoru to just stop, he restrains himself – focused instead on getting to you and figuring out the source of Shoko's concern.

He rounds the corner to the student dormitories, his eyebrows pinching together as he notices your door open. Satoru pauses as well, resisting the urge that he has to throw out a sarcastic quip.

"(Y/N)?" Suguru calls into the empty room, taking a step over the threshold and peering curiously around your dormitory's interior. The first thing that he notices is the overturned furniture, then the scattered pages of various textbooks, and lastly the broken glass that litters the floor. What the hell happened?

"What the hell happened here?" Satoru asks, looking around and lifting his leg to be sure that he doesn't step on any broken glass. Suguru exhales shakily, already turning on his heel and leaving the room – now he understood all of Shoko's concern.

"Come on, we're finding (Y/N)."

< … >

"No, wait, please!"

You tilt your head, eyes widening momentarily as the man in front of you begins to expand, his eyes bulging from his head as blood spills from his lash line like tears. His hands lift shakily, fingers digging into his hair before his head promptly explodes.

His body tilts backward, falling with a lifeless thud.

See? Isn't it entertaining?

You stare down at the headless corpse, kneeling down and poking at the blood that dribbles down the man's neck. The liquid clings to your skin, the sight bringing a disgusted curl to your lips as you quickly straighten yourself, standing.

You turn on your heel, exiting the alleyway that you had cornered the man in, wandering down the busy street and listening to the buzz of the pedestrians that surround you. You turn your head this way and that, simply taking in the simplicity of the lives that humans lead.

As you continue to walk down the street, you find yourself smiling at the fact that nobody pays you any mind – not that they had the ability to. You were unseen for as long as you wished to be unseen, creeping up on whoever you wished with the same stealth as a prowling cat.

You should get that one next.

You lift your head to look ahead, eyes landing on a young girl wandering the streets, her eyes bright and glittering as she skips along. Her arms are wound tightly around a stuffed animal, just like the other young girl that had been unable to see you on that mission with Suguru.

A smirk curls the corner of your lips upwards, eyes crinkling at the corners as you slowly begin to stalk your way towards the young girl. She continues walking, her little pigtails swaying with each step of her feet. You reach a hand out, the tips of your fingers just barely grazing the back of her head.

"(Y/N)."

You pause, eyes wide as you lift your head to stare ahead. The young girl turns, her eyebrows pinching together in confusion as she stares right through you, her eyes focused instead on the raven-haired male that stands behind you.

Suguru pauses, watching you with a tilt to his head that simply asks, "What are you doing?" His body language otherwise is relaxed, showing you that he was of no threat to you. He didn't want you to think that he was going to hurt you.

You don't turn to face Suguru, instead reaching a hand out and laying your palm flat against the top of the girl's head. She gives no reaction, her eyes still focused on the male who had called her by the wrong name.

Suguru watches through horrified eyes as the girl promptly expands, her voice catching in her throat. Her parted lips only release a high-pitched squeak before the upper half of her body explodes.

Her blood spatters against the pavement in front of her, the lower half of her body tilting backward before it falls to the ground with a dull, lifeless thud.

The passerby that walk down the street pause, and it only takes one person screaming to send the surrounding pedestrians into a state of unbridled panic.

Suguru watches, his eyes wide as those around him scramble for safety, not knowing what was going on or who had been the cause of the carnage that lay in the middle of the sidewalk. His body stands as stiff as a board, eyes flickering momentarily down to the girl who lays in the sidewalk.

“(Y/N),” he begins, taking a brave step towards you and reaching for your wrist. Your eyes flicker down to his outstretched fingers, quickly avoiding him and turning around to blankly glare at him.

It was a look that he had never seen on your face before, hatred swirling in your eyes and a disgusted scowl curling the corner of your lip upward. You glared at him as if he were the scum of the Earth — devoid of all of the warmth that you once held for him.

“What? Are you going to exorcise me too?” you inquire with a tilt of your head, hair falling over your shoulders as you turn completely to face him.

Suguru furrows his eyebrows together, staring at you as if you had somehow sprouted another head. Exorcise you? How would he even be able to do that?

He doesn’t know what you are, remind him.

Your lips peel back in an angered growl as you turn your head to catch a glance at the young girl lying on the sidewalk. Her blood had already somewhat dried up, now caked on top of the sandy brown tiles of the pavement.

“I did what the other curses do,” you murmur, eyes flickering down to your now bloodied hands. This very time yesterday you would have scrunched your nose in disgust and tried to scrub every last droplet of blood from your palms.

But now?

Now you looked down at the blood like it was your own personal golden trophy — a reminder of what you had become and the persona that you had adopted. If you were considered a curse, then you were going to show everyone a true curse…even Suguru.

“Does that mean that now you’re going to exorcise me?”

Suguru pauses, swallowing the growing lump in his throat and glancing at you with an expression that is an odd mixture of confusion and concern.

“(Y/N), what are you talking about? You aren’t a curse,” Suguru says, his sentence momentarily broken by a breathy chuckle. You grit your teeth, shaking your head at him.

He doesn’t understand…make him understand.

“Only you, ‘Toru, and Sho’ can see me,” you point out, “nobody else can.”

“That’s not true. Yaga and—“ his voice trails off. You nod knowingly, smirking as the realization finally dawns on the male standing in front of you.

“And no one else,” you finish for him, taking a step towards him. Then you take another, and another, and suddenly your shoulder is brushing against his as you move to walk past him. “You don’t find that odd?”

Suguru turns quickly, already wanting to reach out for you and knock some kind of sense into you. But you’re much swifter than he is, and you dodge the hand that reaches out for you.

“But you aren’t like the other curses.”

You smirk, gesturing with only your eyes down to the girl that lays dead in the middle of the sidewalk.

“Is that not what other curses do?” you jab a thumb over your shoulder, reminding Suguru of what lies behind you. “Is that not why you exorcise them?”

Suguru pauses, once again swallowing the lump in his throat and forcing his gaze to focus on you — trying to forget what lies just over your shoulder. He didn’t want to accept it, he couldn’t accept it, but you were making it abundantly clear that you held not an ounce of remorse.

You were a curse. And he was a Sorcerer.

What the fuck does he do now?

< … >

Suguru Geto —> Satoru Gojo

You need to get down to ******. Something’s REALLY wrong with (Y/N).

Satoru Gojo --> Suguru Geto

What do you mean?

Suguru Geto --> Satoru Gojo

Just get down here.

Satoru Gojo --> Suguru Geto

Alright, I'm on my way.

"Suguru! What's going on?" Satoru waves his hand in the air as he slows to a stop at Suguru's side, peering curiously at his best friend through the darkened lenses of his sunglasses. Suguru stands quickly, not bothering to answer before he's sweeping past Satoru and leading him in the direction that you had walked off in.

Curiously, Satoru follows, falling quickly into step with Suguru as both sorcerers walk down the pedestrian-filled sidewalk. The former doesn't fail to notice the way that Suguru's eyes dart around the various shops and scan the various faces that happen to pass by. The only question that he had was; why?

"Are you – uh – gonna tell me what's going on?" Satoru finally breaks the silence between himself and Suguru after they had been walking for a good five minutes in nothing but an awkward, tense silence.

Suguru swallows the lump in his throat, voice heavy when he finds it, "Just...something's wrong with (Y/N)."

"Yeah," Satoru replies with a roll of his eyes, "I gathered that much."

"No, I mean really wrong. She isn't human Satoru," Suguru says gravely, already feeling himself shudder at the realization that you were nothing like what he had originally believed. But after you told him that nobody beside himself and the others at Jujutsu Tech could see you, everything quickly fell into place.

"What do you mean she isn't human?" Satoru echoes, tilting his head curiously as Suguru stops at the entrance point of a darkened alleyway. Brown eyes stare quietly down the length of the alleyway, focusing on something before Suguru takes a brave step forward with Satoru following close behind.

"I mean that she's a curse," Suguru says finally, turning his head to glance at Satoru.

The snowy-haired male pauses, standing as still as stone at the entrance of the alleyway. His jaw is slack, but he's quick to snap it back into place. "A curse?"

Suguru doesn't answer, not that he really needs to. But Satoru wants him to, he wants an explanation – a play-by-play of just how it came out that you weren't human. If you were really a curse, how come his Six Eyes had never told him that? What about you made them falter?

Or maybe...maybe they hadn't faltered. Had Satoru ignored his Six Eyes when they told him that you weren't human when he first met you?

"Let's just find her and get her back to Jujutsu High before anything happens," Suguru says as firmly as he can, though Satoru doesn't fail to notice the slight waver to his best friend's voice. He had cared about you from the moment that his eyes fell on you, tucking you underneath his wing and shielding you from the uglier parts of the Jujutsu world.

And yet, here he was, still protecting you even when you were the one thing that he had sworn to protect other people from.

That was the difference between Satoru and Suguru. Suguru would protect you even if you were digging a knife into his chest. He would protect you even if it meant turning the entire world against him. Satoru wouldn't.

If he found you before Suguru, he would exorcise you on the spot – with absolutely no remorse.

Because at the end of the day, if you were a curse, then you were no better than every other curse that he had seen. You were a danger, a hazard, a posing threat to all non-Jujutsu Sorcerers. It didn't matter what connection he had to you or what relationship he had with you; you were to be exorcised.

"Why don't we just exorcise her?" Satoru suggests, indifference seeping into his tone. Suguru turns quickly, looking at Satoru as if he had just been stabbed.

"Are you serious? Satoru, we can't just--"

"She's a curse Suguru. It'll be the exact same as any other mission that we've gone on," Satoru points out, ignoring Suguru's pointed glare as the pair wanders further into the alleyway. "She can't be that strong, you've never trained her with the use of Cursed Energy."

Suguru remains silent, looking around the nooks and crannies of the alleyway as if you would be hiding in any of them. Satoru follows closely behind, though he doesn't put as much effort into finding you.

"Don't rope her into the same group as those other curses," Suguru says, turning and sending Satoru a warning glare, "she's nothing like them."

From somewhere deep in the alleyway, both of the males hear a drawn out "aww".

Suguru turns, eyes widening as he tries to locate where the sound had come from. He knew that voice, he knew that voice, of course he knew that voice.

Satoru pauses, the arms that were once crossed over his chest unfolding as he follows Suguru's gaze, also trying to locate where the sound had come from. A whisper in his ear tells him to look upward, and so he does.

There, sitting in the darkness, is you. Your legs dangle over the fire escape of the accompanying apartment building, arm lifting in a friendly wave as you gaze down at both Suguru and Satoru – both of whom remain silent at the sight of you.

"Did you both come here to exorcise me?" Your voice is as sickly sweet as it always had been, though this time it's tinged with a second emotion, one that neither male is able to correctly put their finger on. Was it malice? Or was it a twisted sense of joy over being found?

"No (Y/N). We came here to help you--"

"No you didn't!" you're quick to cut him off, standing from your place on the fire exit and smiling widely. "I just heard you both. I may be a curse, but I'm not completely dense."

Neither of them answer you, but you can see that they desperately want to. You wonder if they pause because they don't know what to say or if what they want to say would only fuel your already burning anger.

"(Y/N)--"

"How will you do it?"

Suguru pauses, staring up at you. He swallows – he knows what you're referring to. You're wondering if he'll absorb you just like he would any other curse, or if he would exorcise you in a more traditional matter. You wonder if your off-colored blood would stain his hands and if he would stare at it the same way that you had stared at the young girl's blood on your own hands.

Satoru looks down at his feet, ignoring the uncomfortable tingle in his bones as his nails dig into the palms of his hands. He grits his teeth, willing himself to remain silent even though he so desperately wants to bite out an angered comment to you. He wants to yell at you for deceiving him, for making him believe that you were human – that you could be trusted.

And oddly enough, he doesn't. His urge to remain silent wins, and so stay silent is exactly what he does.

"(Y/N), I'm not going to exorcise you," Suguru says reassuringly, trying his best to coax you down from your place above him. You tilt your head at him, eyes sparkling as you silently will him to continue. Maybe his argument would be good enough, but it would most likely be the exact opposite.

"Yes you are," you bite back, tone bitter and dead. Suddenly you aren't as sweet as you were before, replaced instead by a persona that neither Suguru nor Satoru had seen before. Whatever curse you were, you had discovered it, and you were embracing it in a tight hug that nobody would be able to pry you from.

That's right, remind them.

"I'm just wondering how you're going to do it."

Suguru shakes his head again, his voice catching in his throat. He knows that he's going to have to exorcise you, not even because of protocol but because of the safety of every non-Jujutsu Sorcerer. Though he doesn't want to believe it, anyone could see as plain as day, you were dangerous.

You had killed a young girl without so much as a blink of your eye. Her blood on your hands meant nothing to you, you had glanced down at your stained palms with a glint of interest instead of disgust. You looked down at her body like it was nothing but a squashed ant on the ground.

Who was to say that you wouldn't kill again with that same lack of remorse?

"I'm not going to exorcise you," Suguru says again. You tilt your head, you know that he doesn't sound sincere, but at the same time he does. "I...can't exorcise you."

You smile, eyes folding at the corners as smile lines indent your forehead. You stand from your place atop the fire escape, though you make no notion to make your way down to where both sorcerers stand. It's tempting, you could fight them and prove your strength; but it would most likely end with you being exorcised anyway.

They were Special-Grade sorcerers after all, and you had no idea what grade level you fell into. All you knew was that you had the ability to make people disappear...or rather...make portions of them disappear into bloody heaps.

"Suguru," Satoru says warningly, already readying his body for a flurry of attacks. If he had to fight you, he wouldn't hold back. To him, you were nothing but a curse, but this time, he knew your name.

"Wait."

Satoru pauses, watching as Suguru takes a brave step towards the fire escape, looking up its ladder to maintain eye contact with you. You peer curiously down at him, trusting him.

His heart thuds in his ears as you slowly descend the ladder, pausing just a few steps above Suguru and glancing down your nose at him. Your hands hold the metal steps of the ladder, fingers curled tightly around the rusted metal as you remain silent, keeping Suguru's gaze.

"You haven't answered me," you say quietly, your voice bordering on a whisper, "how are you going to exorcise me?"

Suguru shakes his head again, blinking away the tears that cling to his waterline – a result of him keeping his eyes open for a prolonged period of time. He knows that he has to, but he doesn't want to.

Was this the sacrifice of a Jujutsu Sorcerer?

He's still going to exorcise you.

You watch through widened eyes as Suguru's hand lays flat against your chest, fingers bunching up the front of your shirt and tugging you forward roughly. Before you're able to react, everything goes dark. Your vision closes it on itself, the last thing you see being Suguru's tear-filled eyes staring back at you, a desperate "I'm sorry" caught in his throat – never to be uttered.

Satoru lifts his head at the sudden silence that falls over the alleyway, eyes widening as he notices the ball curled between Suguru's fingers. You're no longer standing on the ladder of the fire escape.

It doesn't take a rocket scientist to figure out what had happened.

"Suguru," Satoru begins, taking a hesitant step towards Suguru. The raven-haired male only shakes his head, glancing down at the ball in his hand before he hesitantly opens his jaw. He wonders if maybe it wouldn't taste like a wet rag, but he knows that it will. All curses do.

< … >

"Hey, there you are," Shoko says with a smile, shifting her cigarette from one side of her mouth to the other as she walks to Suguru's side, hoisting herself up to sit on the windowsill in front of him. He turns to her, returning her softened smile with one of his own.

"Sorry, was I keeping you waiting?"

Shoko shakes her head, pinching her cigarette between her fingers and blowing out a small cloud of smoke. She turns her head to glance out of the window, squinting at the sunlight that filters in through the glass panes. "No, I figured you wouldn’t be keen on hanging out with everyone just yet."

Suguru hums, taking the cigarette that Shoko offers him, its end still burning with that orange hue that he had always found beautiful. He takes it between his lips, inhaling and ignoring the burn that the smoke in his lungs gives off.

"Just don't shut us out for good, yeah?" Shoko glances at Suguru, eyebrows raising. He chuckles at her, smoke pouring from his parted lips as he returns the cigarette to her fingers. "She was just as important to us as she was to you."

Suguru sighs, through his nose, turning his head to glance out of the window. On one of the branches of a nearby tree, a crow rests comfortably, its head tilted to absorb the evening sun, soaking it in. It shakes off its feathers, then turning to look through the window, eyes locking with those of Suguru's.

He stares back at it, blinking once before he returns to reality, half-listening to the story that Shoko had been telling him.

"Listen to me for a minute," Shoko says, reaching a hand out and comfortingly squeezing Suguru's knee. He gazes quietly at her, wondering what it is that she wanted to say. "(Y/N) meant a lot to all of us. But you did the right thing in exorcising her. Who knows what she would've done if we just let her walk around freely?"

"Was it my fault that she turned out the way that she did?"

Shoko shakes her head quickly, throwing her cigarette down onto the floor and turning her foot to extinguish it with her toe. Her lips turn upward in another soft smile, this one reassuring.

"If anything, it was the textbook's fault that she turned out the way that she did," Shoko says, her voice a mixture of serious and teasing.

She notices the way that Suguru's expression doesn't change. His eyebrows are still pinched together in a way that displays his guilt – his regret over not being able to help you. His eyes are hollow, sullen. His irises speak a thousand words even though his lips utter nothing.

She notices the way that his hands subconsciously clench into white-knuckled fists at the mere mention of your name. He had cared so much about you, in his eyes you could do no wrong. But to then have you become what you had...she couldn't imagine the pain that Suguru felt in his chest when she whispered your name.

"Geto," she says, smiling as his head snaps to force his gaze on her, "it was never your fault that (Y/N) became what she did."

The hand that rests on his knee pats it once, twice, three times. Just enough to comfort Suguru enough for him to momentarily forget about the guilt he felt over absorbing you.

"We can remember her for what she was before...everything. There's nothing wrong with that."

Suguru nods, smiling at the memory of your warmth and joy. How pure it was, how it radiated off of you as if you were the embodiment of the sun. In his memory, you weren't a bloodthirsty curse...

...you were always going to be (Y/N).

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sophrosynesworld · 3 months

Text

Yeah, Best Friends (Pt. 2)

Part One : Katsuki Bakugo calls you during a panic attack seeking comfort. https://www.tumblr.com/sophrosynesworld/753472387882860544/yeah-best-friends?source=share

A movie plays before us, but neither of us are paying attention. Katsuki taps my calf repeatedly while rambling. My legs sprawled out over his as we pass a glass bottle of soju back and forth. Our drunken laughter overpowers the tv audio, each of us savoring the moment.

"Remember that time we snuck into the teachers' lounge?" I tease, leaning back and stretching my arms above my head.

Katsuki chuckles, his eyes shining. "How could I forget? You almost got us caught!"

I stick my tongue out at him. "Weren't you the one who knocked over the vase?"

"Details, details," he waves off my comment with a playful smirk. "We didn't get caught, did we?"

"No, but we had to run for our lives," I remind him, laughing at the memory. "Good times."

Katsuki's expression softens as he looks at me. "Yeah, they were." Katsuki takes a swig of the soju. "Do you remember when we had to jump off that cliff?"

I laugh, almost spilling the drink as I reach for it. "Had to?" I question. "I still think you wanted to jump."

Katsuki grins. "You followed me."

I take a sip, feeling the warmth of the alcohol spread through me. "Till death do us part."

"Yeah, yeah," he mutters, but there's a softness in his voice that wasn't there before. "You're still a nerd, though."

We both laugh again, the sound of our contentment filling the room. The movie continues to play and for a moment, there's a comfortable silence between us. We pass the bottle, enjoying each other's company and the rare moment of peace.

"Thanks for being here," he whispers, almost afraid to admit.

Katsuki's eyes meet mine. "Always," I reply, adjusting a pillow behind my back as I look at him. His eyes are lit up, his hand now tracing my legs absentmindedly.

"Why are you a hero, Kats?" I ask, tilting my head sideways. "I know why you became one as a child, but why now? Why haven't you retired?"

He shifts in his seat, retracting his hand away from me, leaving that spot cooler. He's clearly deep in thought. I sit and wait for his response, watching the characters run around on the screen before us.

"Do you want the real answer?" His expression turns rough, and for once, I think he's scared of something. Opening up.

I nervously nod my head, as his hand runs through his hair.

"I don't know how to…" he mumbles off, causing me to miss the last half of his sentence.

"Can you repeat that?" I ask gently, trying to coax the words out of him.

"I don't know how t…" he starts again but lowers his voice.

"Katsuki, I can't hear you, darling," I say, my hand reaching out to grab his. In response, Bakugo pushes my legs off him and stands up, moving to the other half of the room.

"Are you stupid?" His eyes narrow as he paces back and forth, the frustration evident in his voice.

"Excuse me?" My tone thickens, dropping into something low and slow. Being upset was one thing, but disrespecting me was another.

"Have you lost your hearing?" he jabs, his voice rising to ridicule me.

I stand up, my finger pointing in his direction. "Katsuki Bakugo," I start, his eyes widening slightly as I scold him. "You may not be having the best day mentally, but I am not Kirishima. You may be allowed to disrespect him like that, but if you ever, and I mean ever, talk to me like that again…" I pause, anger radiating off my body. "I will leave this room and we will never speak again."

His pacing stops, and he looks at me, the anger in his eyes replaced by something else—regret, maybe even fear. "I'm sorry," he mutters, still barely audible.

I take a deep breath, trying to calm my racing heart. "I'm here for you, Katsuki. But you have to talk to me, not lash out."

He nods, still looking at the floor. "It's hard," he admits, his voice breaking slightly. "Being a hero… it's all I know. It's the only thing I'm good at."

"You don't have to be perfect," I say softly, stepping closer to him. "You just have to be you."

He looks up, meeting my eyes once again. "You're the only person who thinks that," he says quietly, his voice tinged with a mixture of sadness and relief. "You're the only one who doesn't place expectations on me."

I smile softly, reaching out to take his hand. The warmth of his skin is comforting. "Lots of people love you, Katsuki."

He hesitates, his eyes searching mine for something. Then his expression softens, and he murmurs,

"I love you."

My eyes widen at his drunken confession. His hand tightens around mine, pulling me closer. His other arm wraps around my waist, holding me firmly against him. The closeness sends my heart racing.

"Let me love you."

His lips graze the lobe of my ear as he whispers, his breath warm and slightly shaky. Goosebumps spread across my body and down my neck as he blows a small breath of air into the crook of my neck, sending a shiver down my spine.

I place my hands on his chest and gently push him away, though part of me doesn't want to. Heat rushes to my face at the thought of Katsuki loving me back. Joy is quickly replaced by sadness as I see just how glassy his eyes are. I doubt he will even remember this in the morning.

"You're drunk, Suki. We should get you to bed," I say softly, trying to mask the disappointment in my voice.

His only response is to frown, a look of disappointment contorting his face. His grip on my waist loosens, and he sways slightly, the effects of the alcohol more apparent now. I guide him gently toward his bed, my heart aching.

"Will you lay with me, baby?" he crawls into bed and opens his arms up, inviting me in. I accept his offer, and Suki pulls me into his chest.

Bakugo doesn't ask for permission before grabbing my leg and tossing it over him, his hand planted firmly on my upper thigh. He hums in contentment, his eyes closed. I look away from him and lean my head on his chest, listening to his rapid heartbeat that only increases as I lightly trace around the scars on his stomach.

"Don't leave me," he mumbles, his voice barely a whisper.

"I'm not going anywhere," I assure him, reaching up to brush a strand of hair from his forehead. I watch as he drifts off to sleep, soft snores replacing his mumbles, his grip tightening on me each time I shift.

Eventually, I give in and fall asleep beside him.

Part Three:

Tags: @misakik28

#mha #my hero academia #mha x reader #katsuki bakugo #bakugou katsuki #fanfic #mha bakugou #bakugou x reader #katsuki bakugou #bakugo katsuki #katsuki #katsuki bakugo x reader #bnha bakugo katsuki #katsuki bakugo mha #bakugou

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whenmemorydies · 1 month

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Carmen, Natalie, and the Berzattos

CW: this post talks about domestic violence, addiction, mental health, racialised trauma, toxic masculinity and intergenerational trauma (this show deals with so much friends!).

Go gently with yourself if you choose to continue to read. Also its a long one (longer than my usual!) so fair warning if you're diving in: maybe put the kettle on.

Following on from The Claw, The Scrunchie and The Prayer Card metas (Part 1 and Part 2), I've been thinking more about The Berzattos (represented via Natalie's hair claw in Carmy's apartment) and their presence (seen and unseen) in season 3 of The Bear.

@espumado's fantastic meta on The Night of the Hunter and its use in The Bear, particularly as it relates to Natalie and the struggle she goes through in season 3 has informed a lot of this post. My reblog of that post also contains a lot of thinking that I had started to scratch at but haven't been able to expand upon until now. Also check out @currymanganese's brilliant analysis of The Night of the Hunter in the context of romantic relationships in The Bear.

Another source of information I've used in the research for this meta is this fantastic interview in the LA Times with the cast involved in 2x06 Fishes (thanks @brokenwinebox for sharing it!). Also thank you to @thoughtfulchaos773, @brokenwinebox and @devisrina for the chat about the above interview and discussions about Donna Berzatto's relationship with her son, Carmy.

Finally @vacationship's most excellent breakdown of the roles taken up by characters in The Bear according to Adult Children of Alcoholics ('ACA') roles defined by Sharon Wegscheider-Cruise and communicator types as developed by Virginia Satir has also informed this post.

The Berzattos

Okay so, given what we know about Carmy and about the Berzattos, it would seem obvious that, yes, his birth family is going to impact Carmy. I think its probably so obvious, that a lot of the fandom, myself included, have taken Carmy's relationship with his family for granted this season. To be fair, we were also getting Claire and the Faks shoved down our throats so some things flew under the radar including, in my view, the Berzattos.

What got me thinking about the Berzattos as a source of anguish for Carmy was a rewatch of 3x03 Doors - specifically Carmy's panic attack during that episode.

The first panic attack of season 3

At this late point in the episode, we've been watching Carmy and the crew's slowly escalating struggle with the demands of fine dining, when we arrive at Carmy running expo and calling for hands. His voice is hoarse and it sounds like he's been screaming for some time. His vision starts to blur and as he continues to call out for hands, we see glimpses of what appear to be intrusive thoughts, interrupting Carmy's work and triggering a panic attack. The sequence of shots that appear during this panic attack is below:

I note that Carm appears to be trying to come out of the panic attack by remembering his time at The French Laundry and Noma - much like memories of immaculately plated food helped him regulate during his panic attack in 1x08 Braciole and memories of Sydney helped him to regulate during his panic attack in 2x09 Omelette.

The final thought Carm has during this panic attack - indeed the thought he has when it appears that his panic attack is reaching its peak - is of his sister Natalie, in a church praying:

Note: I'm working on the assumption that the above memory of Natalie takes place at Marcus' mother's funeral. This is based on the clothes Natalie is wearing and how her hair is styled.

Its at this moment in his panic attack that you can see the crest in Carmy's emotions. The orchestral score during this sequence also builds to its climax at this point. Carmy's face screws into a tight grimace and he practically spits out the word, Fuck. Its only then that the music cuts away and we hear Sydney's voice bringing Carmy back to the present:

The fact that thinking about Natalie (praying while she carries the next generation of the Berzatto family) is what causes Carmy's panic attack to peak is what got me thinking more seriously about the impact of his birth family on Carm. ( This is something that others including @mitocamdria and @moodyeucalyptus have also picked up on here and here - the Bear hive mind at work!)

Below is my attempt to map these impacts out, from the perspective of intergenerational trauma, which can be described as,

"the apparent transmission of trauma between generations of a family. People who experience adverse childhood experiences growing up, or who have survived historical disasters or traumas, may pass the effects of those traumas on to their children or grandchildren, through their genes, their behaviour, or both, leaving the next generational susceptible to anxiety, depression, hypervigilance, and other emotional and mental health concerns."

I'd argue that intergenerational trauma can continue well beyond a person's grandchildren, particularly in cases where the systemic factors may have caused a trauma (for example: racial segregation, colonialism), continue to impact on multiple generations of a family.

So lets start by looking at Carmy's mother, Donna Berzatto...

Donna's trauma

I preface the below analysis with the caveat that we are not told what mental health diagnoses (if any) Donna Berzatto has (though she is clearly struggling with her mental health when we first meet her in 2x06 Fishes). The inferences I make below are based on what we have been told in the show about trauma that Donna has experienced.

Recall 3x08 Ice Chips where Donna and Natalie are talking in between bouts of Natalie's contractions. At one point in the episode, Natalie says:

I don't remember your mom.

To which, Donna sadly responds:

You don't want to.

Donna then becomes silently tearful remembering her mother.

Its clear from this very brief exchange that Donna has experienced some level of abuse at the hands of her own mother: Michael, Natalie and Carmy's maternal grandmother. That abuse has no doubt impacted on Donna's ability to parent her own children and likely influenced how she parented them as well.

As a mother myself, I've found that one of the hardest things about parenting has been avoiding the repetition of harmful behaviours that I've picked up through my own childhood. For all of us, the first - and often most memorable - models we have for how to parent have been the experiences we've had with our own primary caregivers (whether they were our birth parents or other adults in our lives). If those models were abusive or violent, we have to work that much harder to make sure we don't fall back on those examples when raising our own children. (And let me tell you, in the heat of the moment when your child is cracking a tanty in the grocery store, it takes A LOT to not revert to learned behaviours and instead take a step back and act from a rational place of calm lol).

For many folks who've had abusive childhoods, raising your own children can also be a very triggering journey. This article goes into a bit of why this is the case. If you've not been able to do any work on yourself or receive help to work through your own childhood abuse, you risk "blowing your trauma through" your children (I've borrowed the phrase "blowing trauma through" from African-American therapist and trauma specialist, Dr Resmaa Menakem, whose fantastic book My Grandmother's Hands has also influenced this post and a lot of my thinking about racial and intergenerational trauma). Given Donna's own history of abuse with her mother, its not a big leap to assume that she has "blown her trauma through" Michael, Natalie and Carmy with each of her children experiencing this in different ways.

There's also Donna's clear mom rage, no doubt built up over years as a single parent, and epitomised in the line from 2x06 (that broke my heart when I heard it because it resonated so much),

I make things beautiful for them, and no one makes things beautiful for me.

Based on the show's lore, up until 3x08 it wasn't evident that Donna had ever taken any steps to try and work through her own mental health issues and trauma. Once we get to 3x08 though, when Natalie says that she didn't tell Donna about her pregnancy because,

I just didn't want all the stuff you bring with you.

Donna replies by saying:

Yeah. I've been trying to put that stuff away.

Natalie then asks her mother how that process is going and Donna responds,

Its not easy.

Natalie then tells her mother that she's glad Donna is trying and Donna says she's glad that she's trying too.

Its not much, but the above exchange points to a slight shift in Donna's approach to her own trauma and to her parenting. This shift appears to have put Donna and Natalie's relationship on firmer footing than it has been in the past. Whether it will be enough for Carmy's relationship with his mother is another question and one I'm sure we'll see play out in season 4.

The Berzattos and Italian American racialised trauma

Other than the above exchange in 3x08 Ice Chips, we have no information about Donna's parents. I assume that Donna was born in America given her description of the Feast of the Seven Fishes (also known as La Vigilia) as described to Richie in 2x06 Fishes. During her description, Donna speaks about the Italian immigrants who brought "their seven best things" with them as if she's speaking about ancestors, not her own generation.

She does not use the first person here:

[I]ts based on people who left Italy to find new dreams and homes with new people. And they brought their seven best things from their sea to their new homes. And not so their families end up being a bunch of fuckin' jagoffs. (lmao)

Then Class A Jagoff, Uncle Lee storms into the kitchen and tells Donna that her retelling of the Seven Fishes legend is "not even close" and refers to all the sevens that occur in the Bible. Which is likely a closer explanation for the feast (see this overview on La Vigilia published on the Italian Sons and Daughters of America website). Notably, it was southern Italian and Sicilian immigrants that popularised the Feast of the Seven Fishes in America.

Given the above, it doesn't seem to me that Donna is a first generation Italian immigrant. Depending on the Berzatto family history, its possible that Donna is the daughter of Italian immigrants or the granddaughter of them. Her Italian ancestry could stretch even further back in time. At this point in The Bear, we don't know.

What we should note is that Italian immigrants and in particular, southern Italian and Sicilian immigrants to America, endured a history of racism in that country before their acceptance into the category of "white" in America.

Image source: How Italians Became 'White', The New York Times

This NY Times article provides an overview of the racialisation of Italians in America over time. The article notes that,

"[d]arker skinned southern Italians endured the penalties of blackness on both sides of the Atlantic. In Italy, Northerners had long held that Southerners - particularly Sicilians - were an 'uncivilized' and racially inferior people, [considered] too obviously African to be part of Europe."

This racism of northern Italians towards those from the south of the country was no doubt tied to Italy’s own racist and violent colonial history, including its involvement in Europe's rabid "Scramble for Africa". In the course of its time as a colonial power, Italy came to brutally invade and occupy Eritrea, Somalia, Libya and Ethopia.

Note: I don't think its a coincidence that, Ebraheim, Somalian "grill master", medic and veteran of the American military intervention in Somalia, found himself working at an Italian American beef sandwich shop. Much in the same way that its no surprise that many folks in my Tamil family ended up in the heart of the British Empire - the UK - after fleeing civil unrest and genocide in one of its former colonies (Sri Lanka). As Tamil writer A.S. Sivanandan is famously quoted as saying about post-colonial migration: "we are here, because you were there."

Once they first arrived in America in the 19th century, racism against Southern Italians continued:

"They were sometimes shut out of schools, movie houses and labor unions, or consigned to church pews set aside for black people. They were described in the press as 'swarthy', 'kinky haired' members of a criminal race and derided in the streets with epithets [that were more commonly] applied to enslaved Africans and their descendants[.]"

Though while Italian Americans experienced the severe racial prejudice described above, particularly during their early history in America, some were still able to benefit from their European ancestry in ways that people with non-European backgrounds were unable to. This included: being able to apply for US citizenship, being able to marry, own property, and choose where to live - things that BIPOC people often faced great barriers (if not outright bans) to accessing.

Notably, in Chicago where the Berzattos are based, the history of Italian racialisation differed to other major cities in America. In Italian Immigrants, Whiteness and Race: A Regional Perspective (p. 6) Italian historian Stefano Luconi notes that,

[I]n Chicago, Italian Americans competed primarily with Polish immigrants, who generally turned out to be less hostile to them than Irish Americans in New York City or Boston, and overall their accommodation within the adoptive society was easier than elsewhere.

Given the above, the Berzattos' connection with Polish "family members" Uncle Jimmy Kalinowski, Uncle Lee Lane, and Cousin Richie Jerimovich appears rooted in a long history of Polish-Italian relations in Chicago.

Note: Ancestry.com tells me Kalinowski is a Polish and Jewish last name. Uncle Lee identifies as "Polski" in 2x06 Fishes and in the draft script for 2x06 is listed as Uncle Jimmy's brother. While Richie's ethnicity isn't explicitly stated in The Bear, in 3x04 Violet, he refers to his daughter Eva as żabka which is Polish for "small frog" and is also used as a term of endearment for girls or women.

Eventually Italian Americans were assimilated into the racial category of "white" both legally and in the popular imagination of the country. This happened in a few ways including via Italian Americans claiming whiteness for themselves, particularly in active opposition to Black, African American communities. This is despite their historic racialisation in comparison to Black, African-descent people (which, in a better world, could have been the basis for shared and sustained solidarity between the two communities). Luconi observes that,

"in Brazos County, Texas, Italian Americans learned to claim whiteness for self-protection, which involved showing off hostility toward African Americans in the mid-1890s [...] By the same token, after realizing the social benefits of being characterized by a white identity, Italian Americans in Baltimore embraced the racist premises of the local political leadership in the early twentieth century and joined two campaigns that unsuccessfully aimed at disenfranchising African Americans in 1905 and 1909 by amending the state constitution." from: Italian Immigrants, Whiteness and Race: A Regional Perspective (p. 15)

The above NY Times article states that in 1892, the lynching of 11 Italian immigrants who were accused of killing a police chief in New Orleans resulted in Italy breaking diplomatic relations with America. As a result of this and to prevent unrest in the Italian American community, US President Benjamin Harrison proclaimed 12 October as "Columbus Day" and encouraged Americans to celebrate the contribution of the Italian Christopher Columbus to the creation of America.

Apparently, this sleight of hand (a legerdemain because it: (a) magically erased generations upon generations of First Nations who have existed in the Americas long before Columbus' arrival (and who continue to do so), and (b) because it vanished the explorer's penchant for rape and enslavement of the First Nations' people that he did encounter) was enough to reinstate diplomatic relations between America and Italy as well as carve out a place for Italian Americans in the white, American imaginary.

Indeed, despite recent calls to stop the celebration of Columbus Day led by First Nations people across America, it is Italian American organisations (including the Italian Sons and Daughters of America) and prominent Italian Americans that are some of those voices leading campaigns to keep Columbus Day as it is, reductively and disingenuously dismissing its critics as attacking Italian-American heritage.

Note: the above views are obviously not shared by all Italian Americans. See below protest staged by Italian Americans in the Berzattos' hometown of Chicago, in opposition to the city's Columbus Day Parade (Source: Fox 32 Chicago):

One of my heroes, Toni Morrison, once said of American national identity,

"In this country, American means white. Everybody else has to hyphenate."

White supremacy operates amongst racialised communities through divide and rule, with these communities pitted against one another, trying to achieve as close a proximity to whiteness as possible. In the US context, that proximity brings those communities closer to what is perceived as "American". The above examples show how some Italian American communities in America shifted the racial categorisation of their community to "white" over time by fighting for that proximity. I would argue that that shift came at a great cost, as all racism does: a cost to the BIPOC communities that were fucked over in the process and a cost to the souls of those now "white" Italian Americans who participated in divide and rule to get closer to a white supremacist position of power. Dr Resmaa Menakem would refer to those costs as traumas for both BIPOC communities and (now) white, Italian American communities.

In My Grandmother's Hands, Dr Menakem discusses the impact of racialised trauma on white people. Specifically, that white supremacy - or as Dr Menakem refers to it, "white body supremacy" - is itself a trauma response. I won't get into the details of this framework (and make this post longer than it already is lol) except to say its fascinating and I'd encourage you to read My Grandmother's Hands to find out more. Its relevance here is to illustrate that on top of our individual, personal traumas, we each carry with us racialised trauma. I make the point of articulating this because while The Bear alludes to race (sometimes masterfully as in this scene where Donna tries to play divide and rule in her own way), it often does so obliquely in ways that are not always obvious to viewers (for example, see director Ramy Youssef's discussion in Variety about the bike crash scene in 2x04 Honeydew). But make no mistake, race permeates this show.

For example, I think about Uncle Lee’s jab at Mikey in 2x06 about the latter living with his mom, and compare this to Marcus living with his mother throughout seasons 1-2 or Sydney living with her father in seasons 1-3. I think about how in many communities of colour, multi-generational living isn’t seen as shameful because the focus is not just on financial dependence but on relationships and care. Certainly, an adult child might not be financially independent but if they are caring for their parent, this is something to be valued.

I think about how the move to individualism (championed by Uncle Lee) away from family and community (features that Italian culture is historically very well known for) is a shift that, for many Italian Americans, may be viewed as a cost incurred as a result of an allegiance to white supremacy.

I think also about the words of Tema Okun, who wrote about how white supremacy shows up in organisational and professional settings in her 1999 article "White Supremacy Culture" and how in that work, Okun noted particular identifying characteristics of organisational, white supremacist culture, including (but not limited to):

individualism;

perfectionism;

either/or & binary thinking; and

a sense of urgency.

Sound familiar? I thought they might. These are traits that Carmy has exhibited in almost every episode of season 3 (and periodically in seasons 1-2). Notably, these are traits that are also valorised in the world of fine dining, as we see it through Carmy's eyes throughout season 3 (in flashbacks and in how he chooses to run The Bear). And we all know how well this shit is going for our man (lol).

I'll get into this more in an upcoming meta (again, this is me manifesting in a bid to force myself to finish writing the thing lol), but I just wanted to point out how both in terms of his racialisation and his professional career, Carmy is immersed in white supremacy - whether he wants to be or not - benefiting from its privileges while also being witness and therefore, subject, to its horrors. No one escapes this shit, not even those who've been welcomed into the fold at the top of the hierarchy.

All of this - the racialised history and trauma associated with the Italian American community as well as the clear whiteness that marks the fine dining industry - makes Carmy's character that much more fascinating to me. Here is a character with seemingly no personal prejudices towards BIPOC folks. He loves the BIPOC folks in his life quite dearly (in particular, Marcus who he treats as a brother, and of course Sydney, in whom he's found a soulmate). I think this is likely due in large part to the role Carmy's siblings (Mikey and Natalie) played in raising him. These two characters also appear to care deeply for the BIPOC people in their lives without much of the prejudice that many who have been racialised and socialised in their community might harbour. And in their roles as surrogate parents for Carmy, they appear to have modelled that healthy and normal (because we must remember, what is abnormal is racism) respect for their fellow humans. They're not perfect in this (recall 2x06 and Mikey's bombastic objectification of Claire) but we do see repeated glimpses of their goodness throughout the show (recall 3x06 and Mikey's kindness to Tina, or the pantry scene in 2x06 and the gentleness he displays towards Carmy there). This is in contrast to their mother, Donna, who clearly has done no work to prevent blowing her own racialised trauma and prejudice through the bodies of her kids.

Also while the racialisation of The Bear's BIPOC characters is readily apparent (because the white supremacist culture of the West is more attuned to looking at non-white people and automatically seeing race), its white characters are also racialised and have racialised histories. The above was my attempt at stepping out a bit of the racialisation of The Berzattos, of Carmy, and of the racialised trauma that they also carry with them.

Phew.

Okay, now back to the Berzattos...

Carmy's birth

Recall 3x08 Ice Chips and Donna telling Natalie the stories of each of her children's births. By far, the birth that appears to cause Donna the most rage, the most pain, is Carmy's. It also happens to be the only birth out of her three children that her (by all accounts) deadbeat husband is present for. Donna describes fighting with her husband during the entirety of her labour with Carmy and that the hospital was fucked because it seemed like everyone went into labour at the same time. She then tells Natalie that Carmy took a long time to arrive:

Note: Its not lost on me that Carmy's obsession with speed, rushing and sense of urgency was almost definitely drilled into him from birth, given the rage with which Donna describes his "slowness" in being born.

Donna then goes onto express how frightened she was and the further difficulties involved in Carmy’s delivery:

It was so hard and so scary because he kept getting stuck, and they just kept having to move me, and I remember they were moving me in all these positions. And then at one point, I think they had me fucking upside down or something.

And then, so brutally it becomes darkly funny (I've pushed a kid out too: it can be so painful, if you don't laugh, you'll sob hysterically lol), Donna describes Carmy's birth as just all around fucked:

The whole thing was fucked:

No seriously, very fucked:

So Carmy entered the world and the experience of his delivery was fucked nine ways to Sunday for his mother. A very difficult beginning to this life for a baby, to say the least. I would go so far as to say, given the way Donna is recounting Carmy's birth, that she experienced birth trauma, and possibly developed birth-related post-traumatic stress disorder (PTSD).

Contrast this with how Donna describes Michael's and Natalie's births:

Despite Michael also having difficulty being born (Donna recalls that it seemed like "he wanted to stay" in the safety of her womb), Donna says that she felt really good, great and strong during her labour with him and that his birth was even described by a doctor as an "amazing" one.

Donna describes Natalie's birth as "beautiful" with Natalie arriving after Donna had had a restful sleep and a vivid, prophetic dream. Donna then goes onto tell Natalie that she was delivered in the presence of a "sweet" girlfriend (Cicero's first wife, Gail) who sat with Donna during labour and who played "Baby, I Love you" for Donna as Natalie arrived.

The differences in how Donna recalls Mikey, Nat and Carmy's births and Donna's propensity in the past for holding her children's "mistakes" over their heads (recall 2x06 Fishes and the story of how Natalie got the nickname "Sugar"), make me think that she was likely to have rubbed Carmy's difficult birth in his face when he was younger. I think that Donna was also likely to have either intentionally or unintentionally (or perhaps both, depending on the circumstance) made Carmy feel less than his older siblings, maybe not as wanted. We have some evidence pointing to this happening in Carmy's past, peppered throughout the show.

Growing up in the Berzatto house:

As a child Carmy had a stutter, which causes speech to inherently slow (as it takes longer to form words and sentences). He was also scared to speak. Now a stutter in and of itself would not make the person speaking scared. Its other people's reactions to a stutter that would do that. Given Donna's vitriol at how slow Carmy's birth was, and her obsession with time (anyone fancy a kitchen timer? this lady's got 700 of them), its not a stretch to imagine that any delay in Carmy articulating himself as a child would have been met with ridicule or rage from his mother.

We know that all the Berzatto children grew up scared of their mother, a survivor of abuse herself, and an addict who drank to excess with clear mental health issues that it didn’t appear she was seeking treatment for. Recall Natalie's disclosure to Donna in 3x08 Ice Chips:

Carmy also grew up embedded in a particularly toxic type of white, heterosexual masculinity embodied by his brother Mikey and "cousin" Richie (who undoubtedly had it blown through their bodies by family, friends and the white supremacist, homophobic culture we are swimming in, in the West). I've previously discussed this in my meta on the use of 90s alternative rock in The Bear and more recently, in this reblog of @mitocamdria's meta Sublimation and Intellectual Orgasms.

Carmy gets called "a weird little dude" for knowing how to mix a drink in 2x06. He gets called a "gayrod" for owning the Noma cookbook in 1x01. He gets called a "soft shitty bitch" for calling Pete instead of Natalie in 1x05. He gets called a "mopey little fuck" in 2x06 for questioning Mikey and Richie right before they accost him with a veritable wall of gross dudebro, horndog descriptions of Claire (a girl they know and are friends with - again, fucking gross). Carmy hears his mother describe Steve as "gay" for being "arty" in 2x06 (recall that Carmy is also "arty" in that he can draw and likes fashion). If you weren't performing alpha-male dominance like Mikey, Richie, Uncle Lee or even Uncle Jimmy, the Berzatto household was a rough place to be. Truth is though, that all of those white, alpha-males have their own demons, and in the case of Mikey, those demons drove him to take his own life. The truth is that, like white supremacy, no one escapes toxic masculinity unscathed either.

We know Carmy suffered from low self-confidence as a child which might have led him to feeling aimless. He tells us in 1x08 Braciole that he got shitty grades because he couldn't pay attention in school, he didn't get into college, didn't have any girlfriends or many friends for that matter. Carmy also tells us in that same monologue that he wasn't "built" in the same way as his brother, who could walk into a room and take its temperature right away, who was loud, hilarious and magnetic.

I think about how for someone like Carmy, Mikey would have cast a long shadow. I think about how hard it would have been to have lived under that shadow while trying to figure yourself out.

It wasn't until working in fine dining that Carmy found his purpose. He says in 1x08,

For the first time in my life, I started to find this station for myself.

This must have been intoxicating and affirming for Carmy. Yet I think about how, after all that, he could return home having achieved accolades and fanfare in his career, try his best in the chaos of a Berzatto family Christmas to diffuse the powder keg that is Donna, and still be called "Michael" by his mother, his very existence in that moment, feeling like a puff of smoke.

We also know that Carmy's eldest siblings ended up being like surrogate parents for him. Mikey almost certainly was a father figure given the absence of his biological father in Carmy's life. Its not a stretch to imagine Natalie as taking on the role of a surrogate mother, given Donna's abuse and how Natalie looks out for almost everyone throughout seasons 1-3 of The Bear. In this video, Jeremy Allen White also talks about the tattoo Carmy has of two angels with a sun in between them as representing his brother and his sister, further confirming the roles of his "guardian angel" siblings.

I think about Natalie, parentified big sister that she is, sneaking a wad of cash into Carmy’s pocket as he leaves her and Chicago for New York in 3x01. I think about her calling him “honey” in that same episode as she affirms that she knows how good he is at being a chef - “honey” being a term of endearment commonly used in family settings but between parents and their children, not as commonly heard between siblings.

I also think about Mikey being born the eldest, the first and only (for a time) to have to deal with his mother's trauma and expectations. I think about how he took on the work of looking after his mother and his siblings when his father left the Berzatto home. I think about how Mikey is described by the actor who plays him, as a "dreamer who's not allowed to dream. He has to take care of everybody."

Loose ends

Another set of incidents haunting spread throughout season 3 also raised concerns for me, in that they remain unresolved and point to a resolution or confrontation for Carmy and the Berzattos in season 4. I named them in my reblog of @espumado's post on The Night of the Hunter. For ease of reference, I'll bullet point them here:

Carmy finds a box labelled "DD" (his mother, Donna's nickname) at The Bear at the end of 3x05 and looks through it. He appears frozen as he finds a baby photo of his mother holding a baby I assume is him. The episode ends at this moment and neither the box or Carmy's reaction are revisited for the remainder of season 3

Cicero tells Carmy during 3x09 that Donna wants Carmy to call her back about "the baby" (one assumes this is a reference to Natalie's baby) and that Carmy has been "fucking avoiding it" (one assumes again that the "it" here is the baby...but maybe its also just the act of calling Donna back)

But then Carmy says something strange:

Yeah. Hoping it would just go away.

Surely, Carmy's not talking about a baby. Babies can't just go away. And I don't think Carmy is so malicious that he'd wish his sister's child to disappear. I also don't think Carmy would refer to his mother as "it" (he's never done so up to this point on the show, as monstrous as she can be).

And in case you were wondering, Cicero's response to Carmy also doesn't sound like it applies to a baby or Donna (lol):

[Y]ou run right the fuck into it.

Intergenerational trauma and legacy

So what is the "it" that Carmy wants to go away? What is the "it" that Uncle Jimmy tells him to face by running "right the fuck into it"? My suspicion is that this is Carmy's baggage. The baggage that comes with being born a Berzatto and being born to Donna. All the stuff that we've been talking about here. Its also the baggage that both Nat and his mother have been trying to "put away":

Above from 3x02 Next: Natalie in conversation with Carmy. "Its not great 8am stuff."

Above from 3x08 Ice Chips: Donna in conversation with Natalie.

Carmy is trying to do this too: put away his baggage, while having been the "Lost Child" (referring to ACA roles and the recording about them that Natalie was listening to at the end of 3x07 Legacy) and the youngest child in his family for so long but now having to be the "Hero". @vacationship's post on ACA roles as they relate to The Bear gives a great breakdown on what the "lost child" and "hero" roles mean.

In the LA Times interview mentioned above, Jeremy Allen White says,

I don't think Carm's ever been outside of himself enough to really take in another person in their entirety, sadly. I think that's Carmen's real struggle.

As the youngest child of the Berzattos, Carmy has never had to step outside of himself to the extent that Mikey, Natalie or even Donna have had to. He has never had to care for anyone other than himself, until he inherits The Beef. And that responsibility is a HUGE one.

But Carmy jumps into that role, initially fuelled by the desire to retroactively fix his relationship with Mikey and fix "the family". Recall again his monologue in 1x08 Braciole:

[I]ts very clear to me trying to fix the restaurant, was me trying to fix whatever was happening with my brother. And I don't know, maybe fix the whole family because that restaurant, it has and it does mean a lot to people. It means a lot to me.

For the longest time, I interpreted "the family" that Carmy refers to here as his chosen family: the crew at The Beef. I think that while that was true, it wasn't the whole picture. I think Carmy was actually being more expansive in his definition of family to include his entire family: chosen and birth.

So while Carmy is obviously trying to make The Bear a success for Sydney ("Syd, we're going to get a star") and for Marcus ("Take us there Bear", "Yes, Chef"), as well as for the rest of the chosen family he first found at The Beef, Carmy is also trying to fix the restaurant for the Berzattos. Specifically, Carmy is trying to do what his father and brother couldn't do in keeping The Beef/The Bear going. He is trying to embody the Hero ACA role, vacated by Mikey with the latter's passing, even though his sister told him from the start, in 1x01:

No one's asking you to.

What I think I took for granted this season was just how much Carmy's desire to repair the legacy of the father figures in his life (as represented by the restaurant) was brought to an urgent and frenetic head for him in the late stages of Natalie's pregnancy. Upon rewatch of 3x09 Apologies, I picked up on some interesting script choices and imagery that I think have been chosen purposefully to relay to us that this is the case and that the impending birth of his niece is indeed, weighing on Carmy.

Now, at the start of 3x09, Carmy may or may not know Natalie has just had her baby. I assume he does. After Marcus watches that clip about magic, followed by unnecessary Fak, Claire and dumpster content (lol) and then Sydney practising how she's going to break Shapiro's offer to Carmy, we cut to the kitchen of The Bear and we hear Carmy calling out orders while running expo. He's yelling again. His voice is hoarse like it was in 3x03 during his panic attack. We see Carmy's intrusive thoughts at a rapid clip intercut with close ups of his, Sydney's and Richie's faces. We also hear Carmy repeatedly yelling at the staff to push:

Please give me the fucking agnolotti. Push.

Lets fucking push, please. Lets fucking go.

Push, please.

Push, chefs! Please! The cook is fucked. Refire, please.

Push.

From a quick google, "push" is used in restaurant settings but not in the way Carmy's doing here. I've seen it used to mean "sell" an item (as in getting a server to "push" a particular dish to diners so they order it) as well as to describe a busy period during service (as in the restaurant is in the middle of a "push").

In 3x09, Carmy is yelling “push” like a midwife at his sister's side while she pushes out her child, the next generation of Berzattos, into the world. But instead of his niece, Carmy is trying to deliver one more in a litany of dinner services at The Bear.

Note: you can clearly see here that the jagged lines that have appeared since season 1 when Carmy is having intrusive thoughts are actually made up of what look to be hundreds of claw marks. I've noted in a previous reblog of one of @thoughtfulchaos773's posts (that I can't find atm sorry) that this evokes Carmy (the Bear) trying to claw his way out of a mental spiral and back to equilibrium. @currymanganese also noted that the lines themselves look like a neural network, driving the point about Carmy's mental state home.

And then directly after the above "push" scene, we see copious amounts of water ejected over the The Bear's kitchen island, washing away flesh coloured food and sauce that looks like blood splatter:

Having rewatched 3x09 through the lens of intergenerational trauma, with the spectre of Natalie's labour, Carmy's apparent resistance to seeing Natalie or her baby, and having just heard his hoarse voice screaming push, push, push...to me this water started looking a whole lot like birth waters breaking, and amniotic fluid flooding The Bear:

Note: Rest assured, amniotic fluid doesn't contain all those suds.

@espumado pointed out in their The Night of the Hunter meta that the song playing during the above "push" and "broken waters" scenes of 3x09 is a song by Trent Reznor and Atticus Finch from a war documentary. The song is "The Forever Rain" from the documentary series The Vietnam War by Ken Burns and Lynn Novick. I'm sure its no coincidence that a song from a documentary about the Vietnam War - a war whose veterans were the first to be assessed for post-traumatic stress disorder (PTSD) - is being used in a scene acting as an allegory for childbirth, given what we know about how traumatic Carmy's birth was for his mother, and inevitably, for him as an infant.

So why is Carmy so preoccupied with Natalie's pregnancy and the birth of his niece?

I think this all ties back to what Carmy told us in 1x08: that he wants to fix the restaurant (and in the context of season 3, this means making The Bear a success) and that in doing so, fix his family.

Note: which is also why I think we are shown that magic clip that Marcus is watching at the beginning of 3x09 with this bit of dialogue from it: "What makes magic different is that its inherently honest. You tell someone you're gonna deceive them before you deceive them. In some way, that makes it more difficult." We were told in 1x08 what the restaurant means to Carmy and his reasons for fixing it, but Storer and co have spent all of season 3 distracting us with Claire and Fak-shaped sleights of hand getting us looking elsewhere to understand Carmy's behaviour. By 3x10, Carmy's motives haven't changed. He's doing this for his family. All of his family.

Specifically in the context of Nat's pregnancy, Carmy wants to ensure that The Bear is a success for the next generation of Berzatto children, for his niece. And if Carmy is being haunted by a need to fix his family's legacy, particularly given the impending arrival of Natalie's baby - the youngest Berzatto after him - then his desperate, rageful plea to Syd after she brings him back from his panic attack in 3x03 Doors, is even more distressing:

They're going too fucking slow!

What Carmy means is:

I'm going too slow and this restaurant is going to fail because of it. And this baby is going to inherit my failure, just like I inherited Mikey's and just like he inherited our father's.

Remember: Natalie is a part owner of The Bear and so any financial failure of the restaurant will be felt by her and her family just as it would be felt by Carm.

What Carmy needs to realise is that while a brick and mortar institution may fail, what remains are the relationships, the people that he has met because of it (shout out to Chef Terry and her speech in 3x10 Forever, also shout out to Mikey and his chat with Tina in 3x06 Napkins). And if there are people - if there are relationships - there's always the chance to build another future together, again.

Conclusion (yep, I'm almost done)

I think about how whether he likes it or not, Carmy was able to pursue his passion in cooking because of his family’s racial (and class) privilege, particularly as a member of a community that was invited to join in the spoils of white supremacy. This privilege was most clearly embodied by the fact that the Berzattos had the means to own The Beef and the culinary opportunities for Carmy that flowed from that work and experience (contrast this with Sydney, Marcus and Tina's experiences in entering this field, which I've discussed here and which @freedelusionshere discusses here).

I think about how Carmy subverted and used that privilege to bring along the original crew of The Beef with him to The Bear, lifting up his largely BIPOC employees. And then I think about how he ran roughshod over them in order to try and meet the insane expectations he'd set for himself (in large part, as a result of his family's history).

I think about the safety net that Carmy had with Natalie and Mikey who were there to take care of The Beef, their family and their unwell mother, giving Carmy the room to find himself professionally. I think about Mikey leaving behind a restaurant for Carmy but also leaving behind an entire family for him too.

I think about Carmy not realising that while The Beef was a burden in some ways, it was a blessing in so many others.

I think about the clear intergenerational trauma that Carmy is contending with while trying to balance so many perceived, competing demands.

I also think about Donna's dream, the night she went into labour with Natalie:

In this nothing dream, I mean nothing dream. And it wasn't Chicago, and it wasn't New York. It was some sort of hybrid city, you know? And there was a fish tank. Big fish tank in the middle of the city. It was this giant fish tank, and I was the only one looking at it.

[...]

And I remember the colours were, they were so sharp and vivid and neon, you know, and I was the only one looking at it.

[...]

I was just staring at it for the longest time. And all of a sudden, I noticed that the glass started to come apart like it was gonna split. But I wasn't worried, you know? It wasn't bad, because I knew that more people were gonna get to see these beautiful fish.

And then I woke up, and I was sweating, and my water had broke.

When Donna had her children, she had no idea that she would lose her eldest child to suicide. She likely had no idea how far she was going to push her daughter away from her due to her abuse, and she most certainly did not know that her youngest would cease contact with her for years while becoming a renowned chef. None of us parents know for certain how things are going to turn out for our children, or for our relationships with them.

We can only hope, and do our best: do our best to break harmful cycles while trying to nurture children who will leave the world a better place than it was when when they arrived. And if our kids manage to do this not because of us but in spite of us, in spite of our slip ups and mistakes, in spite of our baggage, then honestly, we should be even prouder of them. Because it meant they were able to integrate our trauma, our histories, and their trauma, and their histories, all of it, and make something beautiful, something better.

And I think I can see why Donna wasn't worried when the fish tank started to crack. I get why she was so happy that more people were going to get to see her beautiful children and the world they were going to create, in spite of everything and because of everything.

As usual, tagging folks who might be interested (absolutely no pressure to read this fucking long ass thing though), but keen to hear from anyone who wants to discuss:

@currymanganese @thoughtfulchaos773 @moodyeucalyptus @vacationship @mitocamdria @brokenwinebox @espumado @tvfantic87 @turbulenthandholding @anxietycroissant @angelica4equity @devisrina @kdbleu @freedelusionshere @ambeauty @afrofairysblog @fresaton @hwere @ciaomarie @ambeauty

#the bear #the bear fx #the bear hulu #sydcarmy #the bear meta #the bear season 3 #carmen berzatto #sydney adamu #natalie berzatto #mikey berzatto #richie jerimovich #tina marrero #marcus brooks #ebraheim the bear #uncle jimmy

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wolvesroampastelgalaxies · 2 months

Text

Edit: All chapters up on Tumblr & ao3 :p

Okay, so I saaaaid 3 chapters. But like every good ending to a movie franchise, we going halfsies. ;P I will be dead honest, I have only seen the fist episode of FoP: ANW and have no desire to continue, because, as a 24 yo woman I should not feel this distraught about a cartoon. Also, I'm recalling things from the OG series by memory. So if things don't quite line up with canon or lore, just let me have the liberation that comes with fan fiction. Also, I know the show takes place ~20 years ahead, I like to think Timmy kept his fairies till he was 18 and so it has been 12 years since they have last been together.

Second Star To The Right And Straight On Home ⭐️ (Part 1)

Timmy had been working on this sales report for the first 3 hours of shift. His hands were cramping as his eyes strained at the screen. Maybe he needed glasses? Definitely needed to start taking magnesium supplements. Was he really getting that old? It wasn’t like he had done much in his life to feel old at 30. That was another thought, he hadn’t done much of anything. He’d been at this job for nearly three years, maybe a handful of failed dates, and spent his free time napping on the couch after eating room temperature pizza.

What am I doing?

Introspection always vined its way like poison ivy through the ridges of his brain when left with his own thoughts.

I need fresh air, maybe take a walk, go grab a drink this weekend, anything to break up the monotony.

Monotony: he never used that word. The world was starting to bleed into the black and white screen he worked with, smearing into something gray. This was torture, working under florescents when there was real sunlight. His cubicle was near the back of the office and closest to the windows. It magnified his gloominess by teasing the bright colors of the outside. He frequently cast glances to see streams of sun peeking through tree leaves. Most times, there was a finch sized bird sitting on the closer branches. Timmy noticed it the first time when, strangely, he was feeling watched. Or maybe he was desperate for attention.

Lately, when he’d go to check on the little bird, it was missing, leaving him discontent. It was a strange color, akin to lavender or periwinkle. No amount of Google searches revealed the species. It wasn’t uncommon for Cosmo and Wanda to take animal forms. Green and pink dogs were definitely harder to explain. There were no strange looks when they were pins on his backpack or-

Wait.

Timmy’s brows furrow and he moves his hands to grip the arms of his chair, sitting up straighter. Though he was looking outside, all focus was on whatever was unfurling in his head.

Cosmo and Wanda .... did I ever have dogs? No. Definitely not a green one. I had fish, it's a wonder they stayed alive for so long.

Why did he think of those names? Why could he picture personified versions of everyday objects? Always the same color. Green and pink. Pink and green. Because he knew them. He knew they weren't pins on a backpack or an .... umbrella?

They were my fish. Right? But they were also people. No, that’s not quite right either.

They were his fairies. And he remembers skydiving. He’s never been skydiving. But how does he know the sting of wind on his face? And why was his parachute talking? Timmy nearly knocks over his chair as he gets to his feet, heart rate increasing like the one and only time he went to the gym. A co-worker catches the sudden movement, sensing a source of panic.

“Yo, Turner, you good man?”

Timmy barely registers the words and makes a noise in the back of his throat as a reply.

“I’vegottogo.” He tumbles out, snatching his car keys and phone from beneath the desk.

He has to find that fishbowl.

💫💫💫

The house had been shut up since his parents left on their yearlong Winnebago journey. Outside of Facebook posts and a few messages he rarely spoke to them. They were never really the attentive type. At least not to their son. Timmy has a hard time getting the door open. Images and dialogue clog up his concentration. It’s like their occurring in the moment and yet he’s recalling them from the past at the same time

Wishing for Christmas every day? Really immature Timmy.

‘We’re two halves of a whole idiot!’

Wanting to be a girl for the day was a bad idea from the start. What was I thinking? Even if Trixie Tang was hot. Wanda did warn me though.

'This bike stinks. I need one that’s cool as I am!’ 'This bike is as cool as you are!’

'Did I really wish to be in the internet? Oh dear God I’m so happy it wasn’t the modern-day web.

'And here's Wanda with the news: Vicky 's going to kill you when she finds out what you're up to!’

His head pounds from the jumbled jargon he once knew as it takes meaning again. No wonder he felt so bored with his life now. He had fairies and dumb wishes with dumb, sometimes disastrous outcomes as a kid. Cosmo and Wanda were his fairies! There was a whole world of fairies, anti-fairies, and pixies and magic! And there was a whole book of rules, all of them he sees himself breaking. As well as being the source of new ones.

When the keys finally make it into the doorknob and he throws it open, not bothering to retrieve them or close the door. After he had moved out, his parents didn't do anything with his stuff. Just shoved boxes and the miscellaneous in as they needed. Everything was mostly in the same spot. Including the fishbowl.

It was right where it should be on his nightstand. Timmy went to reach for it but pulled back, staring intently. Dust had covered the glass surface, and he was afraid that disturbing any of it might cease the onslaught of memories. He wanted these memories, he wanted to know his life hadn’t been useless. That there were people who wanted the best for him and didn’t abandon him when there was a stupid decision to be made. Knowing that two tiny fairies said they cared for him.

His heart was pulsing hot bolts of pain at the thought of having lost them in the first place. At wondering why his god-parents left him and where they were now.

After a long moment, he tentatively reached out, bringing it closer, letting clips of childhood reflect off the glass. It was barely big enough for one guppy, much less three goldfish. Three. There had been three.

There was no cringe or embarrassment attached to this wish. In fact he remembered being the happiest he’d ever been in his life. It has been him and his god-parents for a long time, and he never thought it could get better. It was an overwhelming feeling of love that encompassed past and present. Cosmo and Wanda for once hadn’t warned him of the repercussions, despite them being epoch-making; they all knew it was so worth it.

Sadness has such a way of tainting things. It crept unnoticed as another memory took place. It was in this room. He felt a tight squeeze around his arm and saw Cosmo’s face pressed into his shoulder, muffling sobs, his dramatics matching the situation for once. A light kiss pressed itself into his temple as Wanda patted down his hair. Tiny hands pulled at his shirt and tears stained more than his clothes. Then there was nothing. Like it was all a dream that faded with the night and the sun was rising a now dull dawn.

Timmy rubbed at the dust with his thumb, smearing a tear across it. He remembered the third one. His voice choked on something bitter as he saw through the eyes of his younger self, hugging the baby fairy when it all went away.

“Oh Poof, I - I’m so sorry.”

“Don’t be. And it’s Peri now.”

💫 💫 💫

Was that really the first thing to say after 12 years? The strain in his own voice prevented what Peri thought might be condescending. Call it intuition or an inference, but he knew Timmy would come back here. After Dev granted his wish, he sat there dumb struck until the kid asked him what happened next. Peri had pictured the reunion with so many different outcomes that, for a moment, he was scared of ‘next.’ Timmy was all the way back in Dimmesdale, across the country, though that was no problem with a little magic. Magic however, could be independent if left without clear boundaries. Peri had no idea how this wish would work out. Would it be instant? Would it come back in pieces? Would it work at all? He was sure he found a loop-hole. He could recall several times his magic went against Da Rules without the intention, and as dangerous as it was, this was his fail safe.

This was Peri’s first time shapeshifting into his human form that was not directly from his normal one. His little finch self has flown through the cracked window, its symbolism lost on him. A human body felt clumsy, but it seemed like the right choice. What if he hadn’t remembered they were fairies yet? Granted, he was still trying to figure out the wings and crown, it was difficult to hide the markers of his true self.

It would not have mattered if Poof appeared as a fairy or disguised as human, Timmy could see Cosmo and Wanda in him. He had just been a year or two out of his beach-ball stage when Timmy had turned 18, and the then young kid was already resembling his parents. Now, Timmy was struck with the resemblance to his god-parents. His little Poof had Cosmo’s smile and Wanda’s hair, but his eyes were uniquely his own and easily the most identifiable. Timmy had seen those lavender eyes glitter as they first took in the world. He hated anyone or anything that turned those eyes into blank spaces all this time.

Peri might not have been going by his government name, but he made a noise akin to it when Timmy pounced on him. Petite as he was, something he got from his father (well, before retirement), he felt enveloped by the embrace. Even as a human, Peri was slight and though Timmy was no body-builder, he wasn’t a teenager anymore. The differences didn’t register as he felt the warmth of Timmy’s near crushing hold. His body recalled the last time they were like this, when it was goodbye. As his mind caught up to the haptic memory, the contrast between then and now made him break.

My brother remembers!

Relief was meant to be calming, coming out from a storm unharmed, but for them it was a tsunami. For all the bravado and charisma he showcased, over a decade of longing revealed itself. Timmy wasn’t much taller but it was enough so he could hide his face in his brother’s neck, for once not holding back the tears. He felt the human’s cheek press against the side of his head and it was the most contact either had in a time they had stopped counting. Timmy couldn’t believe this, he never wanted to let go, never wanted to forget a single second of this. How could any magic replace this?

The moment could not bridge the years apart had they stayed this way for twice as long. Timmy had to force himself to push Peri back by his shoulders, one hand staying there and the other pressed against the back of his head to get a better look. If he still had them, he’d wish for the tears to stop so he could see properly.

“Oh my God. Poof, look at you! You grew up! How-how could I have missed this?” He hiccuped.

Peri didn’t bother to correct him, the name was childish but they had both been children when Timmy named him and if anyone had a pass to say it, it was his big brother. The fairy took a shaky breath, attempting to blink away the kaleidoscopic effect of tears.

“Like -,” he has to step back, letting both of Timmy’s hands rest on his shoulders, or he might never stop crying, “Like I said, don’t be sorry.” He smiled pitifully. They could fix it now

“We used to watch - oh what was that show? Sleazy and Cheezy! And you about got me killed!” He laughed, wanting to recall as much as possible

“And - and remember the time mom was so mad because you were teaching me to shape shift!”

“Tree and bee do sound the same!”

“Okay but, you definitely stretched it with the bird and rocket mix up!”

“Hey, I wasn’t gonna let you take the fall. You were already falling in on our roof.”

Reluctantly, Timmy let go of Peri’s narrow shoulders, the euphoria bottoming out. Peri saw the dimming of blue eyes, and an intense anxiety struck him. This time he was the one reaching out.

“What’s wrong?

Timmy pulls away and moved to sit on the edge of his bed. A musty smell arose as the sheets crinkled under the weight. Peri watched as a perturbed look took form.

“Why?” He finally says.

“What do you mean ‘why’?”

“I grew up, they wiped my brain. You could have lived eternity and forgotten about me.”

Peri had a lightning-like shot of anger, “I could never forget about you. None of us could.”

Timmy scoffed, “You’re telling me that immortal fairies, who have had countless god-kids throughout the centuries, would find me so important?”

The fairy clenches his fist, stomping over to force the human to look at him. "You have no idea how hard they fought for you. Or how much of a hole you left for us. They haven't had a god-kid since you.”

“Really?” He concedes. It dissipates into something bitter and selfish when he sees Peri’s resolve falter.

“Well -

“I figured as much.”

“No, you don’t understand.” He says the harshness leaving, replaced with empathy. He sits down next to Timmy. “It was very recent. And I was mad and couldn’t understand either, after all we went through.”

“Thanks.” He says flatley.

“Will you just listen to me? When they met Hazel, they said it felt different from their time with you. Because they realized you meant more than being their god-kid. That it was the same feeling they have with me.”

They think of me like their son?

Timmy wills himself not to let go of another tear, but it has been an emotional day and having half your life re-written can be a little overwhelming.

“Do they know, that, well, that I know ? ”

Peri grins, a bit of debonair sneaking in, “Would you like to tell them?”

He thinks of the first time he met his god-parents, at 10 it never crossed his mind to be skeptical because, hey, unlimited wishes. Now that he’s older, he realizes all the lessons he learned from them. And how he could get away with so much more with Cosmo and how Wanda would nag him like a mother. They were more his parents than his biological ones.

Timmy bumps his shoulder with Peri’s, “You realize we probably are going to be crying again?”

“No doubt. Family reunions can be emotional.” He says with a curt nod, now wearing a full smile.

Family. His family.

“I gatta ask though, did you say your name was Peri?”

#fairly oddparents #poof fairywinkle cosma #fairly odd parents a new wish #peri fairywinkle cosma #timmy turner #cosmo and wanda #adopted family

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