#and i am not expected to Speak

[1alchemistart]

dont got much to offer for The Holiday but have these sillies!

happy valentines day :D

[kermit-coded]

there's something about the fact that charles said he never finished reading the myth of orpheus and eurydice. he references it and yet he never finished it. he looked back, not out of fear but because edwin needed to be seen. he got edwin back. they made it out of hell. he never finished the story. he is not orpheus and edwin is not eurydice.

[tinystepsforward]

idk how many of you remember this but a few years ago tumblr ran a universally panned ad campaign for (us american) pride month that went "the gayest place on the internet".

well someone planning that campaign dropped in to ask the queer automatticians for advice on that and universally me and the other trans people involved were like "don't do it. i am so serious. don't do it. people on tumblr won't understand that it wasn't automattic who instituted the porn ban, or they will, but they'll recognize that automattic hasn't done anything, hands tied or not, to reverse it. nobody will like this. it will be a disaster." and they thanked us for our thoughts and went ahead with it anyway and then had to do retrospectives about how badly it went and were like "we just didn't know" and [gestures] yeah [edit: i think the person who rbed saying it was queerest place on the internet was right, my brain is fried, sorry! and that's... even worse lmao]

[insert-game]

it’s the autistic masking isn’t it

[egophiliac]

so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!

god I hope this reads properly

[neuroticboyfriend]

Shoutout to people who speak "overly formally." You deserve to express yourself in whatever way feels most natural and fulfilling for you. The way you speak isn't pompous, annoying, or mockable; it's just how you communicate, and there's nothing wrong with that. Your voice adds creativity and diversity to this world, and I think that's amazing.

[doctorsiren]

Thinking about how last night, at 1 AM, my sister (who isn’t into Ace Attorney) and I were at ihop, and I was very tired and my ADHD meds wore off hours before, so I was rambling about Ace Attorney and trying to explain to her why I don’t believe Gregory Edgeworth was 5’9. I was trying to tell her that, at least in my head, he was 6 feet tall.

And she goes “You say he’s 6 feet? Yeah, 6 feet underground” and I didn’t know how to respond

[shima-draws]

I’m still so mentally ill over the whole Luffy refusing to eat unless it’s Sanji’s food thing. Like. We KNOW how fucking feral over food Luffy is. He loves food and loves eating so much that he steals it off other people’s plates and out of their hands and is so impatient when it comes to meals that he’ll literally try and sneak into the kitchen to mooch before it’s ready. Or he’ll try to break into the refrigerator. I know Sanji mentioned putting a lock on it at some point bc Luffy literally wiped it clean. He will not hesitate to eat other people’s portions or literally an entire meal meant for a whole ship of people! He’s unbelievably selfish when it comes to food and that’s just SUCH a central part of his character that it’s become almost endearing. Even in Totto Land Luffy didn’t think for a second before devouring everything in sight, including an entire fucking HOUSE, regardless of the consequences or the people it might affect. Homie did not care!! He’s food driven first and foremost!!!

Until Sanji leaves him. Until he decides that eating—something that he loves and brings him comfort—isn’t WORTH it unless it’s Sanji’s food he’s eating. It’s been shown that Luffy has zero self restraint when it comes to food so the fact that he was SURROUNDED by food on all sides on a food themed island and utterly refused to partake in any of that? Even though he hates being hungry and will always make eating a priority over pretty much anything else?? The amount of willpower it must have taken for him to sit there and purposefully let himself starve, for SANJI. Even when food was offered to him conveniently (in the form of syrup rain) he stubbornly rejected that. Because it wasn’t Sanji’s food. Because it wasn’t Sanji who made it, who always puts so much thought and care into the food he makes, who always indulges Luffy and prepares extra because he knows how much Luffy eats and how much he loves to eat. Luffy literally took one of the most defining traits he has and tossed it out the window. For Sanji. I’m going to fucking blow up

[apollos-boyfriend]

> open up twitter

> be told there’s a dsmp renaissance happening

> ask if it’s a dsmp renaissance or a c!sbi renaissance

> twitter doesn’t understand

> pulls out illustrated diagram explaining what is dsmp and what is just c!sbi

> twitter laughs and says “it’s a good renaissance sir”

> scroll down my timeline

> it’s a c!sbi renaissance

[sensitiveheartless]

(for after you've had the chance to read ch106)

As the resident soup connoisseur, do you have any recommendations for the current Dazai and Sigma soup? 🤔

Recommendation 1: If the soup broth is overheating (or on fire, as the case may be), one must remove the ingredients before they overcook!

Recommendation 2: The most vital ingredient in subversive soup-making is, of course, spices. Season well!

Recommendation 3: Eat while it’s still warm.

Recommendation 4: …profit?

(Mileage may vary.)

Bonus:

[sibylsleaves]

i actually don't think we are getting any kind of eddie realization in this episode. i also actually don't think i want it yet? let him cook!

[cerise-on-top]

hi! how would Valeria and Kate react if their wife’s got hurt because of their work, both of them working highly jobs and it ended up catching up to their s/o. hoe you are doing well and drink plenty of water! thank you!

-🍒

Hello! Both of them would be absolutely distraught, but would go about it in different ways!

Valeria’s and Laswell’s Wife Gets Hurt Because of their Job

Valeria: Whoever hurt you will wind up tortured and eventually, once she thinks they’ve had enough of their miserable life, will wind up dead. Naturally, the first thing she does is check up on you, see if you’re alright and well, that’s her priority. You’re the love of her life, there’s no one else in this world she wants to see do well. You’ll be admitted to the best hospital nearby and will only get the finest treatment. Once you’re stabilized, that’s when the hunt begins. Whoever hurt you won’t get too far since that bastard’s life will be on the line. Regardless of where they might be hiding, Valeria will find them and show them that death is actually a kind of mercy. She has pretty much everything at her disposal, everything money can buy, this sucker won’t know what hit them. If it’s revenge they want, then revenge they’ll get. Valeria promises you that their head will be on a silver plate. She’s not very good with words when it comes to comforting someone, but she will have that person killed in the most cruel ways she can imagine. In fact, she’ll take the pleasure of torturing them upon herself. Once she’s done, she’ll take some days off, which is surprising since she usually can’t afford that at all. You’ll be under her direct care for those days. Anything you want you’ll get. Afterwards there will be a slight shift in her demeanor, Valeria becomes more protective over you. Sometimes she might even assign some trusted people of hers to watch over you since she can’t afford something like that happening again. While she can’t always take some days off, she’ll try to be closer to you anyway. Always texting you, finding excuses to come home for a day maybe. She just really needs to make sure you’re okay, she wouldn’t know what to do with herself if you died.

Laswell: Laswell will try to be a bit more diplomatic about it at first, trying to coax whoever hurt you out of hiding. This person will be held accountable for their crimes against her world. Naturally, she rescues you first, gets you to the nearest hospital and won’t leave your side until you’re stable again. If it takes you a while to wake up again, she’ll leave to find the fucker and make sure they swim with the fishes. She has a pretty large, efficient network and will find out who it was fairly easily. Once she knows who they are, she won’t hesitate to find out all their past crimes as well, if they hurt you then they must have done some other awful things as well. Once that phase is over, she’ll go to their home herself and have them arrested, put in the worst prison imaginable where the inmates are treated especially badly. She won’t kill them, but she wouldn’t be surprised if they wind up dead anyway. Laswell usually isn’t an evil person, but she does hope that person dies during their time. Their sentence will be as long as possible so there’s no chance of them ever seeing the sunlight again either. Once all of this is over, she, too, would take some days off to spend with you. You’re a priority above all else, so Laswell will want to be there for you, no matter the cost. While she usually isn’t, depending on how severely you got hurt she might become a bit overbearing, a bit overprotective. That overprotectiveness will last for a few months, afterwards she’ll try to give you some space again. However, she’ll always be keeping a closer eye on you, always texting or calling you every once in a while to make sure you’re okay. If she needs to, she’ll put you under her protection officially, but the situation needs to be dire for that to happen. Either way, she’ll be keeping you safe.

[camellia-thea]

so.... i finally started watching burrow's end

[handsomegentlebutch]

This isn't aimed at anyone but it's such a bummer that butches/studs/mascs are expected to bc aggressive and tops. What if I'm soft and subby? Then what? What if I just want to worship my femme at the altar and defy God to please her? What if I want to be used by her? Live to please her? Cook her favorite meals and hold her close to show her she's loved? What if I'm tender and look the most handsome on my knees? If I just want to follow my femmes commands? What if i want us to find home in each other? What if I want to be her stay at home husbutch always ready to please? What if i want to look up at her and see all the love ive always wanted and never thought i was worthy of? What then?

[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.

[sunscall]

Oh. I didn't realise we had company.