#and i don't know why. because it's very unlikely to be something that i would stop to do tbh. so what there is would at least explain

[pomefioredove]

since my little dorm post has been getting a lot of notes(?!) I wanna explain why I feel I'd get sentenced I mean sorted into diasomnia ^^

the thing about twst dorms is that while there are superficial traits (ignihyde students being introverted, savanaclaw students being athletic, etc), those are more like stereotypes, and are not why you would be sorted into one of those dorms

the dark mirror reads your soul, not your hobbies. it's not a quotev quiz that'll ask you what your favorite color is. it's about you as a person: your values, beliefs, dreams, wants and needs, etc

like, epel felmier is a rough 'n tumble rural boy who swears and picks fights. but he belongs in pomefiore, because pomefiore isn't actually about looking pretty and doing fancy things, it's based on the fairest queen's tenacity. no, epel isn't proper or polite, but that's not what the dorm is about. he's a goal-oriented, determined, hard-working young man who embodies the spirit of persistence. that is why he's in pomefiore, and not savanaclaw or what have you

so when talking about diasomnia, I am never saying "oh, I think I'd be a really powerful mage" because that's not what the dorm is. that's just a stereotype. etc etc

(I feel like what we actually know about diasomnia itself is quite limited. at least compared to the other dorms. the thoughts I have of it could be completely non-canonical, but I have thoughts, nonetheless. so)

I said somewhere on this blog that I put a lot of value on things like politeness and civility and respect, and that I consider myself a polite person. I was raised to mind my manners and put aside my personal feelings for the sake of formality. I have never started a fight in my life, but I do get very upset when I feel as if I'm being disrespected. my family observes a lot of old traditions that are rather outdated

ex:

if you are invited to something but don't attend, you still send a gift

if you are invited to something, you invite the host to your future events

you always say thank you after receiving a gift

if you don't have anything nice to say, then you can complain about it at home. but you never, ever insult a host to their face. it's so uncouth and terrible it's like a deadly sin to me

things like that. lots of rules about hierarchy and respect. doing something disrespectful or impolite (especially without an apology) is enough to create schisms in my family. we hold grudges here

when I think of the thorn fairy's "nobility", this is the sort of thing that comes to mind. the high emphasis on the hierarchy of respect, on civility and graciousness. the value of tradition, and doing things the old-fashioned way (and the dislike, or fear, of change seems to be a common theme in diasomnia)

you could surely look at the things I just said and say, "well, you would also fit in at pomefiore" because, sure, I would! I can do the rules, I can respect the housewardens, but I lack the tenacity and the want to be something that makes the dorm what it is. diasomnia may have some similarities, but its reluctance to embrace change is what makes it so different

I, as a person, do not have dreams. most of my life has been spent just trying to get by whilst at the level of this hierarchy I was born into. I couldn't be in pomefiore because, unlike epel, I don't have big goals to work towards. I feel more comfortable being a follower than a leader, and I have a tendency of structuring my life around the lives of others rather than my hopes and dreams. I do not live boldly

and it doesn't bother me. I've found that there are benefits to staying in the shadows, and I'm comfortable with my socially nocturnal life

that is why I'm diasomnia, and not pomefiore

my favorite fairytale, which is not sleeping beauty, is very much about social structure. it's about a heroine's malicious compliance to that structure and how she manages to turn it in her favor

ironically, it also is about a spinning wheel

[weirdsht]

Disillusioned 19 . It’s Only Responsibility

a/n: omg my fav chapter is finally here. i was so giddy when writing this lol

tags: low-key yandere behavior from Cale, implied torture, if Cale says what he feels is irritability then it's irritability goddammit

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are currently closed but my ask are still open (read pinned)

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Cale feels as though he can’t get a good grasp on his emotions these days. In particular, he feels as though he feels intense emotions when _____ is thrown into the mix.

Maybe it’s because he feels accountable as he willingly took in the healer.

He doesn’t know when it started, he only noticed he felt that when back at the Gyerre Territory. It was the afternoon after he had destroyed a human trafficker’s house, just before he talked with Antonio. Ron reported that he had finished investigating the Perduellios.

“Young master, this old man took a stroll there and I must say that it’s very filthy. It looks clean from a certain distance but there are rats everywhere once you look closely. No wonder healer-nim grew up with a weak body. Someone like them does not fit that place.”

The redhead didn’t say anything but the servant could tell his listening to every word. 

The young master’s eyes don’t lie after all. 

And right now those eyes are filled with anger. 

Unmeasurable Anger

To the point it made the servant do a double-take.

Despite Cale’s brewing anger he still does everything according to plan. He doesn’t let out a single ounce of that anger until later when his talking to Alberu.

“Your Highness, the future shining sun of the Roan Kingdom. No one is as bright as you. Just seeing your face, even through a communication device, brightens my night and brings me hope for tomorrow.”

“Just tell me what you want. Is it another golden plaque? But you still have some.”

“Not this time your highness.”

Alberu was taken aback at the serious expression on the redhead’s face.

“As you already know, the Perduellios were working with the Chryshis. I trust your highness to handle the Gyerres and the Chryshis. However…”

“You want to handle the Perduellios.”

“We really are alike your highness.”

Alberu already saw this coming so he instantly agreed.

“I’ll allow it on the condition that they must stay in Aunt Tasha’s dungeon. Speaking of Aunt Tasha, she said she also wants a piece.”

“Then I shall be generous enough to share.”

Cale himself isn’t sure how he had the time to meet that bastard family. Between the war against the Indomitable Alliance. Fighting Arm and the Empire, and teaching the nobles a lesson Cale still managed to find free time to visit the Perduellios.

Must be the power of unmeasurable anger.

“Beacrox, Raon prepare to move quietly tonight. We’ll be meeting Tasha.”

The two are confused as to why, but Cale did not explain. He doesn’t need to as they instantly understand after seeing who’s inside the cell they are visiting.

“Young master Cale shouldn’t _____-nim be here?”

Cale looked at Tasha as if she said the most outrageous thing ever. Meanwhile, in the background, Beacrox is preparing his tools as Raon supplies information as to what the healer went through.

“Why would they be here when I’m doing this to relieve stress? I’m here to act trash, that’s not something an unofficial holy maiden should see.”

The next morning Alberu regrets taking a peak before the cell was cleaned up. He doesn’t think he can light up any of his beloved candles for at least a week.

+~+~+~+~+~+

Succeeding that incident, the next time Cale was overtaken by his emotions was after Operation Reflection. Unlike the last time, Cale felt two conflicting emotions this time.

Skyrocketing Pride and Plumeting Disgust

_____ was a core player during the navy battle and that made the redhead proud. Of course, he was also proud of everyone else in their group.

…but perhaps his a bit more proud of the healer.

However, it was only because they had come a long way. As Cale’s responsibility, his proud that the healer is doing better under his guidance.

Nothing more, nothing less.

“Human, those useless noble bastards were also talking bad about our _____ when you left. Some of them even had the nerve to directly yell at them. I wanted to smack them, but you told me to not do anything to those people for now so I didn't."

But then Raon’s report came.

Pride had been washed over by disgust.

Good thing _____ had talked him out of doing anything rash.

“Cale it’s okay. People who only know how to leech off other people are not worth your time.”

Did he mention how proud he is of how far _____ has come? Because he really is.

However, rumours say that it was the night after that when Cale first ‘visited’ the Perduellios.

+~+~+~+~+~+

Cale’s next overwhelming emotion is something his already familiar with. He already felt it back when they were in the Whipper Kingdom.

In fact, he has already associated this feeling with the healer.

Heart Palpitating Distress

But this time it feels more intense. Cale feels as if his heart is going to crawl out of his chest and into his mouth.

Thump!!

Thump!!

The redhead had been acting as though nothing was wrong ever since they finished the battle at Castle Leona. Contrary to his calm exterior, the redhead is a mess on the inside.

A wound, a stab wound with a lot of blood gushing.

Just inches near _____ heart.

And Cale has a strong gut feeling that it was _____’s own doing.

Seeing the copious amount of blood they lost was already bad enough. Seeing the nasty wound itself when they had to change the bandages was worse.

Then as if that isn’t enough to send Cale into a coma, the healer had the audacity to stand up not even 12 hours after their injury.

It was at that moment the commander made a conscious choice of sticking the healer to him like velcro.

+~+~+~+~+~

Nowadays, Cale is not ping-ponging between his emotions like a madman. But he did notice that he tends to feel a particular emotion these days.

Jealo– Irritability

Cale isn’t sure why he feels irritated, but he does. He feels irritated as soon as _____ woke up and started talking to Bud.

What happened during the week he was gone that those two are all friendly now?

And what was that? Bud is going to teach _____ how to drink?

Not on Cale’s watch.

It’s one thing for him if _____ themself wants to try drinking, but he won’t let the healer be coerced by some fool.

“Ron, separate those two as much as possible. That drunkard is nothing but a nuisance to _____.”

For a moment Cale got the chills when he heard Ron chuckle. It doesn’t help that the kids are laughing too. Regardless, it looks like the servant will heed his request so he lets it be.

But his jea– irritability doesn’t end there.

The next victim of Cale’s so-called irritable mood was this poor servant in Mogoru.

When Cale got back to Mogoru he unfortunately had to leave _____ back in the castle. There are too many undercover missions they have to do. And while _____ is much better than Choi Han at undercover missions, that man is a lot of things but an actor is not one of them, Cale isn’t cruel enough to make them take on such a taxing mission after being sick.

So he leaves the healer in the Mogoru Castle with Rosalyn and the others. 

“Young master-nim what about assigning a dedicated servant for healer-nim?”

Was Rosalyn’s suggestion after Cale mentioned _____’s tendency to overwork themself.

It seemed like a good idea, therefore they arranged for the healer to have a servant. The servant’s job would consist of making sure the Medicus is eating and resting properly. That servant would also act as _____’s assistant, taking care of whatever the healer needs.

At that time, Cale was satisfied with that plan.

That satisfaction quickly changed when he visited Adin’s room, (well, it’s practically _____ and Cale’s room now) and saw how the healer kept calling the servant’s name. In the beginning, it was fine, Cale didn’t mind it. But then he noticed how _____ seems to call for that servant every 5 sentences they utter.

Honestly? Even Cale knows his acting irrationally this time.

Did he care though? Of course not. Since when did trash care for another person’s feelings?

So he stationed that servant far away.

“Raon make a call in the underground villa. I must talk to Hans”

“HAHAHAHAHAHA!”

Ignoring Hannah’s snickering that turned into full-blown laughter, Cale called Hans over to assist the healer.

Because if the healer is going to rely on someone who’s not Cale, then it might as well be one of his people.

This one is a totally logical decision on Cale’s end. It’s not because of his jea– irritability.

It’s definitely just part of him being responsible over _____.

[manwiththemagic]

The writers of s11 were cowards. If IIIIIIIIIII was in charge I'd made Lucifer's weird obsession with Sam show up more. Like the writers have very obviously included it and yet when Lucifer is processing the same vessel as cas, and therefore pretending to be cas, he just fucks off and tortures Crowley with fucked up bdsm pet play.

Like the few times casifer and Sam interacted were GOLD. because Sam sees it as his best friend cas, and Lucifer (who keeps talking about Sam like they're toxic ex's) is pretending to be him!! Although not to well. Like his freaky smirk when sending Dean into the past and coming back to harass Sam? Dude lives off of sadistic pleasure.

The way he full on LAUGHS when Sam says he trusts him bc Sam thinks it's cas?? Like gold!?!? Don't know why the writers didn't do more with that.

Also why not do more with the 'lucifer sent Sam visions to get him down to hell'. Like Lucifer is Obsessed w/ sam because that body/vessel is "supposed to be" his. And yet after revealing himself he doesn't try and convince Sam anymore?

He's just given up? Like nah man I don't believe that. I feel like he woulda fucked with Sam more in cas' body. And like it woulda been a way better not-romance-romance plot then whatever the fuck Dean and Amara were..

Like that came outta no where... I mean I get it.. but ew?? We saw her grow up, and maybe id argue "well there were two versions of her!! One physical on earth, the other her actual form and memories as a celestial being!!" BUT NO. SHE CALLS CROWLEY UNCLE CROWLEY.

cause he like raised her for a day or wtv..

Idk s11 is better than s10. Like the episode from baby's prospective?? PEAK CINEMAAAA!! also not that I dislike s11, no I quite love it, I just wish the dean plots were more fleshed out, and that it was more "Dean and Sam vs the world!!" Then Dean vs Sam yk??

Like where's my dynamic duo??

That's part of why I didn't like s10. Like no I loved the IDEA of Mark of Cain dean, and demon dean was hilarious (although I HATE him) but it was just Dean vs Sam, Dean vs cas, Dean vs the world. And idk I liked the idea, cause this time it was sam doing everything to save Dean, but man I just didn't like the fighting..

Also s11 had a mention of TMNT, S10 did not so... points!!

S1 and 2 of spn were peak ofc, and s3 was good but not really memorable for me?? Idk I'll go back and rewatch once I finish the series (just finished s11)

S4 and 5 were also really good, we got Castiel who is peak, blood junkie Sam, which was one of my favorite plots!! And of course a lot more bobby. Rest in peace king!

And unlike some I loveeeed s6-7 like.. the soulless plot, and death? Dean dealing with soulless sam?? Chefs kiss I mean mwah. Then Sam tweaking because of hallucinations. NOT TO MENTION GODSTIEL?? loved him sm stg.

8-9-10 is where it kinda fell off. I mean idk the leviathans?? Weak. Hated them ngl. Idk if they were s7 but either way.. mid. I didn't like purgatory bc no way Sam would do that?? But I did like how it developed deans character..

I don't remember what happened in what season but I lovedddd kevin, hated metatron (but in the "it's because he's well done" kinda way), the tablets were aight, Mark of Cain was uh... something.. (I hate demon dean but he was peak..)

So like idk.. show is peak though, I'm just at that point in the hyperfixtion where it's like "BUT I COULD DO IT BETTER!!" ykwim?? NVM I'm sick with a fever, supernatural is all I have going for me man.

[br0kenangel]

can you speak more about both aegon and reader in your unhinged aegon x therapist reader fic, please?? btw i’m loving it!! 🤍

Aww thank you darling.

Ok so let's start with Aegon's problem. Well he have Schizophrenia. That's why he hears voices or change suddenly. He was badly abused by both Alicent and Viserys since he was a child and he always thought that it was normal until he go to school and that was when he found out that it's not normal. And he thinks that's love.

That's one of their biggest difference that I tried to show.

She knows what love is, she feels it, unlike Aegon who sees love from a very sick perspective way, which in reality is not love, just a sick and dangerous obsession that is he trying to cover it up under the name of love.

Y/n have her own flaws too. She's not very good at her job. That's why she can't actually tell that Aegon have Schizophrenia. The only reason Alicent hired her was because she was pretty and Alicent though that if Aegon put his dick into a pretty therapist maybe he listens and get better but it obviously didn't work. Y/n also need the money so she play along. I mean Aegon's parents were rich so she would put up with his shit and it was ok until it wasn't.

The reason that Aegon didn't get professional help is because the family can't look bad. How much would it hurts their image if people found out that the first born son of the family is actually mentally ill and should be in mental hospital?

Also y/n fav color is blue, that's why fluffy had a blue collar around his neck. And I got the name fluffy from Tom himself when someone asked him what he would name his dragon if he had one.

If you want to know something about my series just as what you want to know since I don't really know what to talk about honestly 😅

but yeah that's basic information that I didn't point out in the series.

[marshmallowprotection]

Have you ever done a post talking about how Ray stopped obsessing about MC on his own route?

I don't believe I've ever done one in depth before but I would LOVE to talk about that to clear up misconceptions. So, we're all well-aware of the fact Ray is completely in love with the idea of you. To talk about it in depth, we need to start at the beginning of Ray's awakening. While talking about his infatuation, it's important to understand the reason why he became so captivated with you in the first place, so that you'll be able to see how his love changes from mere infatuation with some idea to the conceptualizing of true love.

I'll start at the very beginning of Ray's identity in Mint Eye. When he realized who he was and what he had to do for the Savior, this person who has forced him to undergo torture the likes of which we only see brief spurts of and cannot even conceptualize just how horrible it was for him to experience, he understood the rules. He had to obey every order to survive, even if it made him feel sick to his stomach.

Any sort of deviation from the Savior's expectation would have him back into a basement that held nothing but nightmares.

"I have no one left for me. I have been abandoned by everyone but the Savior. I should be grateful that she hasn't given up on me like everybody I've ever known. I should devote my life to hers because that's all I'm good for. If I was good for anything, V and Saeyoung... wouldn't have left me behind. I see nothing but torment in my life, but that's all I've ever known and that's all I will ever know. I need to be grateful that the Savior saved me, because her torment is what can save me... if I can be good enough for her... maybe I'll be good enough to exist."

You have to understand that this is Ray's core foundation. He has been pressured to believe something that goes against who he is. Ray is described best as someone who cannot stop dreaming, and Suit Saeran said it the best, "Ray won't stop dreaming of a day that might bring V and Saeyoung back to his side, even if Rika's forced us to believe they'll hurt us. Unlike Ray, I know we can't go back to what we had, but he won't stop dreaming. If he stops dreaming, we won't have any hope. To dream is to have hope, and Ray is my hope. That's why I want to help him and you escape this place. So, our hope can... survive."

Ray's very existence is defined by his value to Rika. That's what he's been forced to believe and trust me when I say this, Ray doesn't want that. He doesn't want to be defined by what he can do for Rika to give her proof that he shouldn't be tortured anymore. He wants to be able to exist without the fear of a hammer swinging over his head, but he isn't allowed to have that. Rika's controlling him through fear, through the idea that he has to show her he has value so she won't throw him away like "V and Saeyoung threw him away".

She abuses Ray with a blend of verbal abuse and love-bombing on the regular and this back and forth of "you're an airhead and maybe Ray shouldn't exist in the first place because he keeps failing every task I give him," vs "Oh, Ray, no one in this world will care for you the way you need except for me... I didn't abandon you, so you can truly believe me above everyone else."

How would you feel if the only way you could evade being drugged in Mint Eye's basement would be to work your fingers to the bone?

Would you fight the Savior? Would you try to reason with her even though it is futile to argue with someone who refuses to listen to you? Would it take long for you to realize that the only means to your survival will be to obey? What if you fought her and she cast you aside, sending you to fight for yourself on the streets of Seoul? The very streets where one wrong move could have Saejoong Choi kill you?

What's worse, to be tormented in a basement with drugs until you learn your "lesson", or to be killed the minute you step foot into the outside world your Mother always told you would kill you when you did? You don't want to die. You don't want to die, do you? How long will it take before you accept this awful reality... because you don't have another choice? It didn't take Ray very long to accept that he had no other choice. It was Rika's torment and "salvation" or death.

He understands that he'll probably die in Mint Eye, but at least... in Mint Eye, he can tell himself that Rika didn't abandon him. At least, he would die knowing one person didn't "give up" on him. He settles, because what else can he do but settle? This is the greatest good he may ever get. Is it any wonder why he wants to make the "best" of the nightmare he's living in? No, it's really not.

It's not okay, though. He shouldn't have to make the "best" of what he's given because he doesn't deserve any of the suffering he's been forced to experience at the hand of Rika. None of the believers who found themselves trapped in that place deserved what happened to them. What Ray suffered doesn't justify his decision making, though. His suffering doesn't make what he does with the player before he's able to realize the error of his ways right.

Mind you, as I'm writing this post and explaining Ray's perspective, I don't want any of you to get this twisted. Ray's actions aren't justified in any way. He shouldn't have lied to the player, he shouldn't have told you the RFA were characters in a game, he shouldn't have risked your life and safety for his obsession with the idea of you, etc, etc. I know a lot of people are more understanding of Ray and Saeran than they are of other characters in this game, but I'm still going to say this since it has to be said so often.

Understanding a character, enjoying a character, and knowing the rhyme or reason why they do something doesn't mean you justify their actions. It just means you like that character and tried to get more information to understand why they did what they did and it's okay to morally dubious characters. Let's break down our important critical thinking skills and remember that.

Anyway.

Those images I stitched above are from his diary and show you a tiny glimpse into his formula for bringing someone to Mint Eye.

Ray starts out as the head of security for Mint Eye and he has to work his way up to the creation process that brings us to the RFA "game" he sells the player. He spends the first few months stalking the RFA as best he can to learn more about their habits and how to either eliminate them or bring them to Mint Eye for the Savior, it's only after he has proven himself worthy of gathering information that Rika tells him that he will be allowed to choose whoever he wants to help him take down the RFA.

This is a "reward" he's given for good behavior, as in, doing his job until his fingers bleed and he has to wear gloves to stop himself from dislocating the joints, chugging caffeine pills and his elixir like a "good boy", and keeping his mouth shut about anything but breathing and Paradise. He gets the "honor" of finding someone to help him do his job, and during the process of hunting down that person to help his mission, he finds... you.

I don't think he set out to find someone who could like him. I think he originally sought out someone who could listen to him and believe his lies about the RFA. He wanted someone who wouldn't question him... after all, how can you get someone to be your eyes and ears when all you hear is: "Why is this so life-like? Why do these characters feel so real? I'm starting to believe what they're telling me and I'm having so much doubt what you've been selling me, Ray."

He was looking for a person who would be incredibly naive, but kind-hearted. It's just that in the process of trying to find someone to fit that bill, he discovered you. It's not entirely clear how he found you or what made him like you, that's always left open to the player so they can decide what he liked about them. All we know is that he watched you visit your favorite cafe now and again. Everything else is really up to the player to decide... meaning however dark or light you want that imagery is up to you.

Regardless, he discovered you, and something about you captivated him so much that he told himself there could be no other person to test his game. It would have to be you. There was something about you that made him feel warm and fuzzy inside... it made him feel so good. Here's the thing about his feelings for you in the beginning. He could learn as much as he wanted by scouring information about you online, but that would never be the same as actually getting to know you.

So, from the get-go, Ray's foundation of who you are is based on what he can find.

Everything he can't find is built on what he creates in his head.

This is why he becomes obsessed with the idea of you, and it's so easy for him to slip into this fantasy. The idea of someone can be better than who they really are sometimes, because a concept can't disappoint you or break your heart. Ray spends most of his time fantasizing about what it would be like to be close to you, what it would be like to get to know you, and as he continues to fill in the pieces with his fantasized version of you, the line between reality and fiction becomes blurred. 

You become the only constant in his life that has a driving force for good, frankly. Whenever he is being tortured for a mistake he made or criticized for not being good enough, he slips into his head to just fantasize about what it would be like to be treated with respect by the object of his obsession. The concept of you, it comforts him, it brings him peace, it brings him joy, and it keeps him ALIVE. If not for those months he spent dreaming of you, he might not have survived as long as he did.

Ray, at his core, needs a reason to have hope.

If you strip away all of his hopes and dreams, there is nothing left but a shell. There is nothing left but a husk... and is it really any wonder in this world why Suit Saeran was angry when he woke up and saw his Ray was tortured for daring to dream the impossible?

When that was all Ray ever wanted? To dream? He wouldn't even allow himself a chance to ask for what he wanted, he would beat it out himself to let the Savior know he wouldn't try to fight her for ANYTHING.

Ray was trained to destroy himself from the inside out because Rika intended for him to disappear someday. For Saeran to "take over and prove that strength is only born from survival of the fittest."

The fantasy of you wasn't the real you by any means but Ray could settle for a fantasy if he couldn't taste reality.

The idea of you gave him strength to survive until tomorrow, and that's important to understand. Why else would Ray consistently say, "I will settle for whatever you give me. I don't deserve anything. Use me as you please, even if it hurts me, because I just want you to be happy."? Ray has to settle for less all the time. He is so desperate to be liked, to never be abandoned again, that he's okay with you doing anything to him as long as he can stay with you.

That's what Bad Ending 1 is all about—if you decide to take his offer to hurt him for your amusement.

When all he can dream of is his fantasy and what he settled for, it should become abundantly clear to players why he is so dead set on wanting you to stay with him. His desperation for you to stay with him stems from the fact that he doesn't want to be abandoned. Ray believes he was left behind by everyone who loved him except for his Savior, so when he begs and pleads for you to stay later on, it's 100% because of this fear.

Is it wrong for him to beg and plead to make you stay with him? YES! It's not okay! But, it's easy to understand WHY he's begging so hard in the first place. Ray wants so badly for his fantasy of you to be real. To be liked by you, not even loved, is all he wants because you have become the only thing that makes a smile stay on his face in this den of torment.

Do you know what you do as the player during Ray Route? During your time with Ray, you are constantly and consistently telling him that he should value himself, that he shouldn't beat himself down, that he shouldn't take Rika's torment and believe the horrible things she tells him, and that he should think for himself instead of what he thinks Rika wants him to think. You are actively working to help Ray understand his value as a person, nudging him to decide for himself what he wants.

Do you owe him that kindness? No, no you don't. You don't owe him this, nobody does, but if you decide to love him and give him the time to grow from his mistakes, this is where Ray Route takes you. Tumblr won't let me post more than 30 images, so I will point you to read just a couple of specific chatrooms I can't post snippets of.

Day 5, 19:23, "Small Coincidence" & Day 6, 03:17, "If I was stronger" & Day 6, 20:49, "Suddenly Afraid". Those chatrooms specifically give a player the option to reassure Ray at every turn, to tell him that he is a person who matters to you, and that he needs to trust your words as you say them, and not assume they come with a stipulation like every word out of Rika's mouth.

You're not telling Ray that you want to stay in Mint Eye with these choices.

You're telling him that you want to stay with him.

MC is actively making the decision once they realize the truth to see what they can do to get Ray out of Mint Eye. You may not trust V at first, you may not even believe him, but you have seen Ray suffer at Rika's hand and you know he doesn't deserve that. You want to get him away from this place, far, far away... and the closer you get to the kiss visual novel, the closer you get to helping Ray overcome what was done to him.

I understand it can be difficult to grasp what's happening during the first two days of the route because realistically this would be playing out throughout a couple of months. But, what you're doing is helping Ray undo the brainwashing. You are working to deprogram the cult manipulation, and I don't know if any of you know how hard it is for someone to do that in real life, but it's not easy.

There is a reason why it is so difficult to remove someone from a cult once they are knee-deep in the trenches. You can't just tell someone to leave, even if it's detrimental to their health and safety because they won't leave the cult. Cults are designed to keep people inside. Even if you present someone with logic and reason, they have been taught not to listen to anyone who tries to tell them anything that goes against the doctrine they have been forced to believe. 

You are more likely to lose a person if you try to force them out of a cult than you are to save them. Obviously, every situation is different and you need to approach this with care if you encounter something like this in real life, but I would pray nobody would have to learn about this information or how to use it.

I don't want anyone to be trapped in a cult. But, hey, look into how folks do help remove people from cults with SAFETY in mind. It's interesting, if a bit dark because there's right and wrong ways to help people.

That's why I advise you to look in those chat rooms if you want more contextual evidence to understand what's happening here since my images are limited and I had to chop this down to what I knew would be most helpful to someone's understanding of the situation. So, I've got two phone calls below that point out what I'm talking about and show what the MC is doing.

Reassuring Ray of his desires by telling him he's allowed to think for himself, and then down below, you're working to tell Ray that he can trust other people, not just the Savior. It is the little things like these choices that build up to what happens when you kiss him and it just about clicks for him that this place isn't sustainable.

This language the player uses is important in those chatrooms and during every phone call where this conversation topic comes up. He needs to hear it. He needs to know that his life is bound by what he can do for Rika. He can have more what he's been given, he doesn't have to settle for torment and torture. He can have whatever he truly desires as long as he's willing to face the facts. Ray's just... so afraid of what will happen when he stands up that it takes a long time to get him to that point.

Case in point, the fake elixir. He became so incredibly paranoid about his decision to have you forgo the elixir that he decided to cultivate a fake bottle that nobody could distinguish from the real thing just to protect you. He lied about you taking the elixir in the first place and that was dangerous in itself, but it was a decision he made that truly began to send him down a path that would lead him to run away from settling for the hell Rika gave him. 

This lie Ray made was huge, and I don't see a lot of people point that out.

He tells you multiple times that he's afraid of what might happen to you if they find out he lied about your initiation ceremony. He knows what's going to happen to you, and he knows what will happen to him because he lied about it. He might never be able to see you again, and he might never exist again after they're through with him, but he still decided to lie about it because he couldn't stand the thought of seeing you in pain.

Decisions like that are ones that help you understand the "generous" organization you're in isn't trying to help you, it's trying to kill you at every corner. Ray’s devotion is based on fear and fear alone. He truly doesn't believe what he's been sold, the only reason why he fights so hard for this paradise is because he believes that he doesn't have any other choice.

Why do you think he wants Paradise to be as good as he can make it? 

When you try to tell him you want to leave, he tells you that he could never survive in the outside world. It has been beaten into him over and over again. He won't be able to survive out there without the help of the savior. He won't be able to survive anywhere without her help.

That's why he tries to fight so hard to survive, to make the best of this nightmare, because one day he'll be able to catch the carrot on the string. Even if he knows that's never going to happen, he doesn't believe there's any other way for him to exist, and if he's going to be happy with you, the only place he can have it is here. Even when you make him want to believe in the impossible dream, it still feels very impossible.

That's by design, Rika's design.

So, when he actively starts to make hard decisions that go against everything she's tried to beat into him, that shows him breaking away from Mint Eye. That is the first step in the process of getting him out of there. It is not easy by any means, but by God were you so close to getting him out of there. Lying to Rika? Huge. Making a fake elixir to protect you? Huge. Owning up to the fact that he's terrified for what he's done by bringing you here? Huge. A process of accountability on his part and the beginning of Ray's journey to do the right thing.

Every conversation you had with Ray up until this point has helped him little by little realize you care about him and it's not something you're going to throw away. Your affection for him isn't something that's going to be yanked away like a carrot on a string, you intend to give him kindness because you believe he deserves it very inherently, meaning that he doesn't have to prove himself to receive it. He is all deserving of love, just as anyone else is, and you want him to know that because seeing him destroy himself is painful.

Even at the moment when you hold him close to your heart and there seems to be nothing in the world that could tell him you didn’t mean what you told him, there’s still some unease in his chest. You can't help somebody overcome years of insecurity and months of torture with a single kiss. But, it's a start, and the decision to start a journey towards self-reflection is what’s hopeful. 

There's still a hint of what he thought was love when you kiss him. It's not hard to miss. But, if you've been paying attention to the way he's been talking, you'll have noticed that the pressure he laid down to stay with him near the beginning of your journey has decreased by a significant margin. He is no longer trying to find ways to manipulate you into staying with him. 

He's trying to find ways to understand your heart and what it means to be close to the real you.

He's less focused on trying to convince you that this place is great, and he starts to reveal what's going on inside his head. He tells you why he’s lost and afraid, he tells you what keeps him awake at night, and he tells you how he’s come to believe this is truly the only place for him to exist.

His desperation is what asks you to stay with him because he wants to be with you if you’ll have him, but he can’t understand why you don’t want to stay in Mint Eye when he's been coerced to believe this is the only place he can exist. It's important to understand the huge difference in language.

But, now as you hold him close to your heart, his fantasy is starting to fade away by the minute. He's less focused on trying to make sense of his dreams and more focused on trying to understand the reality of what you're living in. You know, "If there really is a paradise, I wish you would be there with me." He's not calling Mint Eye a paradise, he said he would want to be in a "paradise" with you.

Little adjustments to his manner of speech stand out. Read between the lines and compare and contrast the way that Ray talks to you at the beginning and more so as you get closer to him. All that work you laid down as you got closer to him mattered so damn much that I can not even begin to explain it in a single sentence. Do you know why it matters so much?

Rika had eyes and ears on Ray. She knew what you were doing, she knew what you were telling Ray, and she knew Ray was on the cusp of leaving her behind. So, what did Rika do when someone told her Ray kissed the Special Missionary? She got rid of him, or she tried to get rid, at least.

She is using him for everything she can get out of him. She intends to use him until he is no longer useful, and your trying to convince him that he has value goes against everything she's been fighting to make him believe. The minute you help him realize that he has more worth than what she's given to him is the minute he decides to leave. Rika can't have him abandon her, she's the only person who can abandon someone, she says. I'm the only one who gets to decide who suffers after V tried to decide everything for me.

The only reason why he is punished is because you were only an inch away from helping him escape Mint Eye. 

You were THAT close.

He manages to call you somewhere amidst the torture because he finds the courage to tell you the truth. He wants to be with you more than anything in the world because he finally realized being with you made him feel like he was worth something, but he isn't allowed to exist in paradise. He was never meant to know what this felt like this, what it felt like to be loved by someone as kind as you to him, and if he doesn't take this torture, you will know this torture. 

"I must be gone for our salvation. I need to be gone for you to stay in paradise."

vs

"No, no! I want to stay! I want to see you so much! Please, I don't want to disappear! I miss you, please... please! Abandon me, save yourself!"

This is Ray trying to fight the programming that was beaten into him, but he ultimately lost his battle in the basement. He was so close to getting out of Mint Eye but Rika knew better than to turn her back on him. She knew she had to snuff out his light if she wanted to use him for what he was worth.

I do not doubt in my heart that he fought as much as he could to survive those hours of suffering and torment, but he was fighting Rika and God knows how many guards as they shoved elixir down his throat and told him he was a failure. I can't blame him for not being able to believe in his dreams when they held a bottle of poison to his throat and told him he needed to obey or you would suffer. 

Your last interaction with Ray as himself is when Saeran shuts down. When you tell Saeran that you won't treat him like Ray to give him the love he deserves, because you know treating Saeran like Ray won't be good or healthy for him. You want to love him as Saeran, not as Ray... and the idea of being loved as himself is torture. He'll die if the Savior finds out you love him (and he, you, in return) because that's literally what happened to Ray.

Pretending to be Ray was his only hope of tasting that adoration for even a moment. Because he understood inherently that love and kindness would always be a weakness in Mint Eye. Showing even a small amount of that weakness would’ve had him destroyed, and if they destroyed him, there would be nothing to protect whatever remained of Ray, and you. If he's gone and incapable of being the sword and shield of "strength", there will be no hope for all three of you.

I digress, I've talked about Suit Saeran’s desire to be loved before, so I don’t think I need to go too depth about that right here. Just know he craves love too, but he won't let himself have it because he's afraid of being tortured like Ray was for unleashing his desires. He wants to be the strongest so nobody tries to torture him ever again, even when it could cost him a chance at happiness.

I.E. Bad Ending 2, where Suit Saeran goes too far and he breaks the player completely beyond repair and he can't put you back together again even though he realizes he shouldn't have done what he did in the first place.

This moment is the one where everything finally comes to a head and Ray looks you in the eyes and confesses the truth. He apologizes to you for everything he's done, for tricking you, for deceiving you, for putting you in this predicament in the first place all because he was so obsessed with the idea of you.

Even if you decided to give him a chance, even if you decided he was worth fighting for, and even if you decided you wanted to be with him despite everything—Ray understood in that moment you deserved an apology because he shouldn't have deceived you in the first place. He acknowledges that he is guilty, not just Saeran.

They both hurt you and there is no excuse for their actions. Ray is able to conceptualize this need to apologize first, and his ability to own up to everything that's happened so far is what opens the door for Saeran to do the same.  

He tells you that you need to put yourself first, that you need to protect yourself and if it comes down to it, if you need to choose between him or yourself, he would want you to choose yourself. After all this time he spent trying to convince you to abandon everything and stay with him in this false paradise, he realizes that you deserve to decide for yourself what it is you want and after everything that's happened, it's your choice and he can't blame you for whatever you choose. 

He can't force you to stay with him. He can't manipulate you to stay with him. He can't get on his hands and knees and tell you not to abandon him just because he's afraid.

If you want to stay with him, it should be because that's something you want, not because it's something he's tried to make you do for him.

He understands that now, and he began to understand that before, it was hard to see it under all the torture and pain he was experiencing before, unfortunately.

You helped him realize that he's always been a person deserving of love and affection, and if it wasn't for this dire situation, if it wasn't for the fact that he knows if he's not careful you'll be tortured within an inch of your life, his words in this moment would be filled with more gratitude at having the chance to have known you. He's unfortunately still beating himself down because he's not sure if there will ever be a way for him to exist in a world that won't try to destroy him. 

But, he wanted you to know, no matter what, you helped him realize he was worth more than what he thought he was. You made him see meaning in what he imagined was NOTHING. Rika never for Ray to be anything but a tool, and you showed him that Ray mattered.

His existence mattered.

It meant something.

He meant something.

Ray: “Ever since I met you, I thought that I might be able to stay in this world. You made my name mean something when it was never meant to mean anything. You're kind, one of the kindest people I've ever met, and I wish... I wish I could stay with you... but I've hurt you so much.”

Suit Saeran, hours later: "You know, the name Ray wasn't supposed to mean something... but you look a little sad every time I say it. I'm certain that's because you made him feel real... made him feel like he was allowed to be something, more than just an airhead who did all the work they forced down his throat."

Ray realizing that true love sometimes means being willing to let someone go because the environment around the two of you is only going to destroy you in the end is huge for someone who thought his love could only be founded in fantasy. A boy who was ready to cling desperately to you and do anything he could to make you stayed by his side willfully choosing to let you go because he never should have tried to cage you in the first place? 

Character growth!

This here is the pivotal moment when you should understand his love for you has become real, and it is not founded in the obsession it was at the get go. I don't know how else to spell this out any clearer for people to understand, but if I missed anything and you're not sure about something you've come across in the game, please point it out because I would love to talk about it. 

I know that this game is not perfect by any means when it comes to showing his character progression, but the concept is there, and as long as you're looking like you will find it readily. 

[simplydnp]

you majored in straight up math??? God that's so fuckin cool of you!!

yeah! i've always loved math, so even though i registered late for uni, i knew it would be for math--i just wasn't sure what to do with it. ended up in math-ed. but, unlike some places, i did a double degree, so i have my full mathematics degree & my full education degree

the math degree was so cool. i've really considered going back for my masters since i loved it so much. there's something about pure math that just,,, makes sense to me. proofs are sometimes a pain in the ass, but there's really nothing like staring at one for hours and then it suddenly Clicks and you're off to the races. it's all built on logic--everything that happens makes sense and has a flow.

i also really enjoy the language aspect of it--which a lot of people find couter-intuitive. math should be numbers! but when you do high level math, there's not a lot of numbers involved usually 😂 it's all logic and arguments and specific wording and sentence structure. i love that shit. there's a specific and intentional way to communicate. there's words you use for getting from one idea to the next.

there's a really great video that breaks down how math and language is connected and, in particular, if you're good at 'traditional' math, you might not want a math degree.

here's a transcript:

if you want to go to school for mathematics and this is what you think it'll look like [gestures to background full of equations, trigonometry, and formulas] i suggest you do something else. the joke in the math community is that after sophmore year, you don't see a number over like, 10 again. this is because you learn math as a language. it's like the difference between studying Spanish and studying linguistics. you can study Spanish, but that doesn't mean you'll understand language as a whole. while linguistics studies syntax and semantics because it's the structure of language as a whole that they study. so in this example, if you want to just study spanish, be an engineer. if you decide to take this [math] route, you have two options: pure or applied mathematics. so applied wants to study linguistics as a whole, so they can become a Spanish translator--and maybe pick up Portuguese along the way. while pure mathematics wants to study linguistics so they can make up their own language. it sounds strange but the best mathematicians are often very good with languages too. if you're interested in learning why they have so much in common, then mathematics is for you.

[end ID]

it's like problem solving to the nth degree. a silly example is something like 'what's 1 + 1?' hopefully you know the answer is 2. but in pure math, they'll ask you why 1+1 is 2. and it takes you down this path of laying the foundations for the building blocks of traditional math. (now, that's advanced linear algebra which, frankly, i really disliked, but it's an easy example)

calculus & number theory were actually my 2 favourite 'subjects' in the mathematics we did (which, is very funny bc calculus has the least proofs and you take 4 years of it, vs 1 entirely proofs based course). i was lucky to have really great profs for most of my courses as well

[catkin-morgs-kookaburralover]

I keep listening to different pieces of music that I love and then my brain comes in all helpful with 'this sounds like great music to die with doesn't it'

[weareuniqueandimportant]

Abuser Bigot Say Animals Can't Cnsent And Then Justify Killing Them Or Stealing Their Wool.

EVIL... THAT IS OKAY TO FUNNY ANIMALS... THEY LIKE THAT...

BTW THIS POST IS ABOUT LESBIAN FOOD... YOU KNOW... LIKE WHEN YOU GO TO THE STORE... AND STUFF... CNSENT IS A BEATIFULL SAUCE FOR ALL LESBIANS... AND I BELIEVE ALL SHOULD TAKE A TASTE.

[leadendeath]

my fellow gamers*... if you buy me a giftcard for the place i wanna get a fursuit head base from, i will match the giftcard value for a site of your choice myself and send you one back! steam, etsy, wherever! MUTUAL GIFTCARDATION

and i might (will certainly) even draw ya something too ;3

*when i say ''gamers'' it is a term of endearment; i am not Only referring to gamers really. gamer neutral term

(temp pinned, my about which is usually pinned is HERE)

[aperrywilliams]

That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!BAU!Reader.

Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.

Summary:  You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.

Word Count: 4.2k (no self control here)

Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.

A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!

---------------

Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.

But the crush he has on you seems to grow every day.

He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.

From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.

But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.

You were extremely shy and reserved.

In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'

He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.

But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.

You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.

At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.

It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?

If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.

From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.

You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.

'What if I don't have anything more interesting for him to say?'

'Does he just talk to me because he feels sorry for me?'

And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.

And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.

But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.

Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.

In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.

The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.

---------------

A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.

Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.

All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.

Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.

"Okay, what options do we have?" Emily asks.

"The witnesses haven't gotten us anywhere," Luke complains.

"Although we've narrowed down his hunting grounds," Rossi shrugs.

"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.

"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.

You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.

It's a fraction of the time before she comes back to behave like herself.

"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.

"Lurk him?" Matt repeats.

"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.

That's it—the elephant in the room.

Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...

There's silence in the room, and you can feel like the team's eyes are all on you.

Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.

"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.

And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.

But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.

"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.

"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.

"Not to mention he likes rough interactions," Luke adds.

"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.

And the fact you can blow up the entire plan.

Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.

When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.

"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.

That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.

You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.

Emily is who stops everyone's rant.

"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."

And this is how the discussion is settled.

Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.

When it's just you and Spencer in the room, he still looks at you in silence.

"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"

You downcast your gaze, exhaling deeply.

"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."

"The team? Not you?" You narrow your eyes to him.

You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.

Spencer closes the distance between you both but doesn't invade your personal space.

"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."

Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.

"You do?" You ask, not so convinced.

Spencer nods and smiles at you.

"And we'll be there when you catch the guy."

If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.

---------------

You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.

Everyone has a role in the plan.

Rossi will be the chauffeur who will drive you to the club.

Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.

When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.

"What?" you ask, and Emily chuckles.

"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"

Your cheeks redens.

"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.

"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."

You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.

"Come on, don't say that. You are not helping to my nerves."

"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.

One of the SUVs drives you to the van parking point. You needed to review the operation details.

At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.

For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.

Spencer feels like he died and was resurrected after seeing you.

"Okay, guys, we need to check the details again," Emily announces.

The plan is in motion, and everyone is in position.

As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.

Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.

Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.

Almost instantly, you start to attract the looks of men who are eager for a woman like you.

You exude determination, and you don't go unnoticed.

Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.

At the same time, Tara is stationed at the bar.

"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.

"Show time," you mumble to yourself.

You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.

That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.

You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.

Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.

"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.

JJ, who's following the cameras inside the club, sees someone who looks suspect.

"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."

Emily confirms JJ's observation before giving you the next instructions.

"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."

You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.

Matt and JJ look confused at each other but say nothing.

Your next step is to find another dude to seduce before delivering the coup de grace.

Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.

Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.

JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.

As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.

"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.

Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.

There is no longer any doubt that it is him. Now you just have to catch him red-handed.

"(Y/N), we got him. It's time for the last play," Emily tells you.

With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.

He tries to play it off, but he has no idea why you're approaching him.

"Is this seat taken, handsome?" You ask, with your drink in hand.

"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.

Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.

The thing is, Spencer isn't playing. He's definitely baffled by you.

"Are you okay?" You ask him, masking your question with a seductive smile.

"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.

You get closer to him to speak in his ear.

"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.

Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.

You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.

"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.

You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.

It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.

Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.

When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.

As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.

Everything that happens after is too fast.

The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.

But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.

There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.

You shyly approach him.

"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.

"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.

"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.

"I know. It was fake," Spencer cuts you off.

Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.

Everything except that kiss.

If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.

A tense silence takes over the moment. This is not okay.

You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.

What the hell! Tonight has already been a total of 180 from a usual day for you.

"It wasn't," you mumble, and you see his eyes flicking to yours in a second.

"What?" Spencer asks, narrowing his eyes at you.

"Everything was fake, but not the kiss," you say with a stadied voice this time.

Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?

"It wasn't fake?" He asks for clarification. You nod.

A smirk forms on Spencer's lips, seeing your cheeks redden.

There you are. The girl he had fallen for in the past two years.

"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.

"I know," you say with some hesitation.

"And as a man of science, I need evidence of things, you know?"

Now, you are the one who smirks at him.

"Evidence, huh?"

"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.

"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.

Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.

This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.

------------------ 

Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 

[evangelifloss]

Thinking about a certain scene in Dungeon Meshi that completely encapsulates the Autistic experience of making friends as an adult and how hard it is to try and navigate it without ending up getting hurt.

Like IDK about y'all, but this is a common problem ALOT of Autistic Adults face when trying to make friends with other people, because unlike children who aren't good at keeping their opinions to themselves, Adults ARE. In society, we're even encouraged to "keep the peace" "be polite" and etc, which commonly leads to awful scenarios as shown above when Laois finds out his buddy has come to resent who Laois is without actually telling him. All too often the friends that we love to hang out with, people that we're so happy to spend time with, don't feel the same way and in many cases, come to blame us for our social cues or lack thereof.

And when/if we do eventually find out how our friend feels, Dungeon Meshi hits us with another painful panel of how that usually ends up playing out.

It's hard for Adults with Autism to make friends, and even harder to maintain them because alot of the ways Neurotypicals tell other Neurotypicals that they don't like a certain behavior is by quietly disengaging. Whether that involves having one sentence answers, going quiet, or having a certain tone in their voice, all those things signal annoyance or disapproval, but for the Neurodivergents, those subtle cues are completely missed.

And yet when we inevitably discover we DID do something, it is natural to ask "well why didn't you tell me?" because in our minds, it should've been the next step in the equation. However for the Neurotypicals, that's NOT something to bring up. Its important to be SUBTLE about the issue at hand and rely on signals to tell the other person. Blame is placed on us for not noticing the "obvious" signs of disapproval rather than the idea of talking it out as such things are uncomfortable and harder to do. Alot of the time what ends up happening is resentment due to the idea that it was "obvious" and the fact one didn't notice indicates a deliberate ignorance rather than a complete unawareness. It ends up calling into question our quality as a person and our sincerity. We get called "fake" or "malicious" or even "stupid" for failing social cues rather than questioning the decision to be indirect and vague.

For a manga about exploring the dungeon, it seems that the artist would rather explore very real and prevalent dynamics in society with the adventuring premise as a backdrop. I felt VERY seen in these panels, and many others, because it happens so suddenly and dare I say it, plainly. There's no dramatic build-up or spectacle made and in essence, it just Happens.

I think that's what makes the scene hit even harder. It seemingly comes out of nowhere for Laois, like how it always comes out of nowhere for alot of people, and it's never a dramatic twist either. It's always mundane and hurtful. A sudden unforeseen bump in the road that ends up calling into question one's entire friendship with someone and consequent other friendships. It asks "what if other friends feel the same. What if the people that I really like actually hate me and I don't know it?" Or at least that's what I came away with after reading the chapter. I've been where Laois was and the only reason I'm not there now is because I lost the naivete I had and doubt everyone else's sincerity.

[feyascorner]

Okay perhaps this sounds odd but imagine Astarion starts to disassociate while intimate with Tav and so he uses their established safe word, only to be bewildered when Tav actually listens to him and stops and asks if he’s okay and tries to comfort him because nobody has cared that much before 😢

OH GODS WHY WOULD YOU DO THIS TO ME (i love it) warning for suggestive content :)

For as long as Astarion's been genuinely intimate with you, for no other reasons but simply because of the affection the two of you hold for one another, he has always been in control.

It soothes him, in a way, to be on top. And as much as he enjoys watching you come undone beneath him, there's a more frustrating reason behind why he always feels the need to be the one to push you down onto whatever surface he deems decent enough at the time. From above you, he can see every little twitch in your body, every shift in your expression, and most of all, he can control what's happening, unlike his centuries spent as a seductive tool for Cazador's own needs.

He knows you're not like those fools. He knows you're different, and you're special to him. But the gnawing voice in the back of his head always forces him to pull you in, to hold you closer, to make love to you.

It's fucked up in so many ways.

"I want to make you feel as good as you make me feel."

But when you look up at him with those imploring, loving eyes, the voice seems to go quiet. He swallows the dryness of his throat, unable to think of anything but how wonderful your touch feels on his skin, and he thinks he could drown in this forever. He's putty in your hands, whether he wants to admit it or not.

"Well? Don't be a tease just standing there, darling."

In what feels like minutes, he's a mess. He's making sounds he shouldn't be making, fingertips digging into your hips as if they're the anchors keeping him from finishing too early. He breathes heavily into the crook of your neck, groaning when you caress the sharp tip of his ear between your fingers.

The only thing keeping him from spilling is the impending embarrassment he'd feel for doing so this early on in the night.

Then, everything stops.

"You're so beautiful," you whisper.

They're only words. They're not ones he's heard little of---in fact, he's heard it too much in the past two hundred years. In an instant, memories of the nights he spent under strangers, forced to shove his mind into its darkest corners just to get through their own pleasures, flood his consciousness. The sickening taste in his mouth afterward, and the need to rub his skin till it goes raw were not uncommon. It was routine. A sick part of his life that he'd rather forget.

You don't mean it the same way they did. They only said things like that because that's all they could say. They didn't know him as anything but the husk of a body he resided in. He knows you are saying the words to him. Not to his body but to the very person he is.

But the word comes spilling out his mouth, and immediately, you freeze.

You actually stopped.

Of course, you would. You're you.

"Are you okay? Did I do something?" you reach to cup either of his cheeks, and he stares at you as if you're a star that's fallen from the sky. He blinks, slowly.

"I don't know, I just---" he searches for words. "--you haven't done anything wrong, darling."

You wait for him to finish patiently. Gods, he doesn't deserve this. He doesn't deserve you.

"I only remembered something I'd rather not," he plasters a crooked grin on his face. "It's quite alright. We can continue now if I haven't ruined the mood."

You pull away from him, and he fears you'll leave.

Moments later, you return with a glass of water. Wordlessly, you hand it to him, and he only stares at it, confused beyond belief. Only once he notices the way you gesture to the glass does he drink it, and you finally climb back into bed, lying down beside him.

"Come here," you open your arm, motioning him to come closer.

"Darling, as much as I'm all for experimenting, that's a strange position to have sex in."

You smile, shaking your head. You don't explain any further, only continuing to hold out your arm.

Hesitant though curious, he slowly lies down beside you, his head just above your chest and slotted between the space below your chin. With gentle hands, you pull him closer and toss the blanket over both of your bodies.

It's warm. Strange, but warm.

"You don't have to wear a mask with me," you whisper.

His eyes grow wide, and his chest stills. He doesn't have many tears left after 239 years, but there's an unfamiliar squeeze in his chest that tells him if he were still 39 and alive, he might have. Astarion wraps his arms around your waist, burying his face into where he can hear the steady beating of your heart.

Later, when your eyes begin to droop, he mumbles.

"Tell me I'm beautiful again."

"You're beautiful," you say softly. "With or without your pretty face."

You might be imagining it, but you feel him smile against your skin.

[luv4freddie]

Fools - T.N

in which the only Hufflepuff friend in the group of slytherins develops a crush on Theodore Nott— something only fools do.

fem!hufflepuff reader, bff Pansy, use of euphemisms and teasing yn for being innocent but sfw, reader is very emotional, jealous theo, 2800 words

"Y/n!!"

After a year, you'd think that people would get used to seeing the same Hufflepuff go over to the Slytherin table, but alas, half the Great Hall turned to watch you approach the table and take a seat next to Pansy.

She sticks her middle finger up behind your back, aiming it at all of the people who are still staring, and they quickly turn away. It was an unlikely friendship, but she was not going to let anyone make you feel bad about it.

"About time you get here," Draco huffs, "I've had to hear Pansy's 'girl talk' while you were sleeping."

You smile sheepishly at him, you had taken your sweet time this morning, hitting snooze a few times before listening to your favorite record and doing more singing than actually getting ready— resulting in you being extra late to breakfast.

"Sorry, Draco."

"Don't apologize yn, he doesn't deserve it."

You can hear the teasing lilt in Theo's voice from across the table, and Draco throws a handful of grapes at him.

"Whatever," Pansy turns her back to them, "did you hear, apparently the Hufflepuff chaser has a crush on you."

Your eyes flit between her face and your hands, and you wonder where she got her information from.

The boys around you seem to perk up at this, and Draco chides Pansy for deeming that piece of information unimportant compared to all her other, much more useless, girl talk this morning.

"Where on Earth did you hear that?" You cut in, not enjoying the way everyone is suddenly interested in your (nonexistent) love life.

"From a very trustworthy source," is all she'll give away, and you cringe.

"Can we change subjects, please?"

Theo narrows his eyes at you, as if he's searching your face for something.

"You don't care about it then? You're not jumping at the chance to ride his broom?"

The Slytherins around you snicker at his euphemism, but you go bright red.

"I- what! Why would you say- no!"

This only makes them laugh harder, but Pansy collects herself enough to place a reassuring hand on your arm.

"Don't worry, we all know our little puff would never."

You slap her hand away, upset at them treating you like a child.

"Well if you guys are only gonna tease me, I'm gonna go back to my own table."

"Y/n, we didn't mean-" Theo starts, but he's still got a smirk on his face, so you ignore him, leaving before he can try and stop you.

You take a seat at your own house table, and the Hufflepuffs around you immediately welcome you into their conversation.

You don't know why it bothered you so much. They were right, you weren't going to be "riding someone's broom" anytime soon, but hearing the way they talked about it— like you were just some silly, innocent baby— really bugged you.

If you were being honest with yourself, you also knew that deep down you've been repressing feelings for Theodore, because you knew enough stories about him to know it would never work. He was a heartthrob, and had no issue finding girls to entertain him at night— to him you were just a little girl. That conversation was just more proof. There's no way he'd be interested in you.

You unintentionally make eye contact with Zacharias Smith when you finally get out of your head, but you immediately look away, turning back to your friends just as Hannah asks about your Christmas plans.

You don't see your Slytherin friends again until Charms class, and Pansy immediately brings up what happened at breakfast.

"Hey, I'm sorry about that. I don't want you to feel bad, that's just how we are."

You give her a tight lipped smile, shrugging your shoulders. You've realized that most of the anger came from the realization that Theo probably saw you as a child, not actually their teasing.

"No biggie, it's forgiven."

She eyes you suspiciously but decides not to question it, instead starting to talk about her next party idea until she gets shushed when Professor Flitwick starts explaining directions.

You use the quiet moment to sneak a look at Theo, who's leaned back in his chair smirking at something Draco said next to him.

Pansy turns to you and you quickly shift your focus, but it appears she's already seen you. She gives you a raised eyebrow, and you play dumb, looking back at the teapot on your desk and trying to give it legs.

"What was that about back there?" Pansy asks as the two of you walk out together.

"I know it took me forever to get those stupid legs," you cringe, hoping to throw her off course.

"No I meant your staring."

You try not to look guilty, just shrugging your shoulders and explaining, "figured the boys might have figured it out faster. Should have known better."

She grins at that, muttering "you really should have." But something tells you she doesn't quite believe your story.

Your thoughts are only confirmed the next day when she invites you over to her dorm and then immediately suggests the two of you take veritaserum to play a game of truth or dare.

You let out a sigh.

"I'm not doing that Pans, just ask me whatever you want to know."

She grins, "you know me so well."

"Unfortunately," you tease, and she slaps your arm but asks her question anyway.

"Do you have a crush on Draco?"

Her face drops into confusion when you start laughing hysterically.

"That's what you thought? Merlin, you had me scared for no reason. No Pans, I absolutely do not have a crush on Draco."

She lets out a small sigh of relief, but you can tell she's a little peeved you laughed at her.

"Well what was I supposed to think? You got all grumpy yesterday when we were teasing you about your love life, and then the staring. It was either that or you're secretly in love with Nott, which, lets be for real."

She leaves it at that, but your cheeks flush pink. Be for real what? Be for real, he'd never want you? Be for real, what universe would the two of you work out? Be for real, he hates you?

The thoughts keep coming one after another, and suddenly your vision is blurred.

"Hey, woah, what's wrong?"

You cursed Pansy for being so observant.

"Nothing, I think my allergies are acting up." You say, but there's sadness in your voice, and there's an inch of snow outside, which isn't exactly pollen friendly.

"Don't lie to me y/n."

"I'm sorry for being so stupid and emotional." You cry, and Pansy rubs your back slowly.

"Hey, there's nothing wrong with being emotional! You don't see us do it much, but a lot of that's got to do with how we were raised. I wish I felt things as deeply as you do."

Your tears seem to slow, and she smiles.

"Now as for stupid, that depends on where that fit came from."

You look up at her in embarrassment, more hot tears threatening to fill your eyes.

"I... what did you mean?" You ask instead.

"Huh?"

"When you said be for real about me secretly being.." you couldn't bring yourself to say it, as if saying the words would make it true and something you could no longer push away and pretend wasn't there.

Realization dawns on Pansy's face, and she immediately wraps you up in a hug.

"Oh yn, it all makes sense now."

You continue to cry, and she looks at you with what you assume is pity in her eyes.

"I know, I'm such a fool! I know it would never happen, I know half of Hogwarts has a crush on him, I know he'd never want a girl like me." All of the things you'd been keeping to yourself and secretly thinking come spilling out of your mouth, and Pansy rubs your back while you continue to cry.

"Hey don't talk like that! Theo doesn't care about those people, and I know he cares about you. Not to mention, "a girl like you"? You're the exact type of girl that Theo needs. He practically never smiles the way he does when you're around. Just calm down okay?"

You nod through your cries, finally settling down as Pansy throws a magazine at you and the two of you lay across her bed.

Unknowingly, you end up falling asleep, tired from the amount of crying you did. Pansy notices but decides not to wake you, heading down to the common room where the guys would be getting back from quidditch practice soon.

When you wake up the room is dark, and a quick looks around reminds you you're in Pansy's room and not your own. You check the bathroom attached to the dorm, and when no one is in there you head down to the common room, assuming that's where she's gone to.

The whole group is sat on leather couches and armchairs when you make it down the stairs, and you rub the sleep out of your eyes as you approach the group.

"There's our bella addormentata," Theodore purrs, and you immediately flush even though you only understand half of his phrase. (sleeping beauty)

"Sorry for falling asleep." You apologize as you take the seat Pansy offered you, coincidentally landing between her and the reason for your crying.

"Stop apologizing so much," Theo whispers in your ear, and you refuse to look at him in fear of him seeing exactly the effect he has on you. Instead you continue to look at Pansy.

"No biggie, you needed it after that." She says, and you nod.

"After what? What happened?" Draco asked, ever the nosy weasel.

Pansy looked at you, obviously waiting for you to answer so she could go along with whatever you say.

You consider lying, but figure there's no point. They all know you're an emotional person, no one would find it unusual.

"I- uh- cried a little bit. Tired me out."

The boys (that you can see) all nod their heads in understanding and decide to switch topics, finally letting you relax.

However, since you'd turned your back to Theo, that now meant when you leaned back to get comfy you leaned directly into his chest, as he had one arm on the back of the couch behind you.

"Oh I'm so sorry!" You whisper, shooting back up and speaking only to him in an attempt to not draw attention from the others.

"Don't be silly," he says back, pulling your shoulders so you're back in the relaxed position against him, "you're welcome in my arms any day ragazza dolce." (Sweet girl)

You flush red again, but this time you do look up at him, a teasing glint in your eyes.

"You know I have absolutely no idea what you're saying, right?"

He grins, "that's part of the fun."

"Whatever," you turn back away from him to look at the group, your head resting right over his heart, "as long as you're not calling me a troll."

"I promise I'm not." He says, ruffling your hair before the both of you rejoin the main conversation.

"Zacharias Smith was at our practice today," Draco tells Pansy, and she looks at him in surprise.

"Really? Maybe he was looking for yn. She does sometimes keep me company in the stands."

"Oh he definitely was." Blaise smirks, and you feel Theo tense behind you. "Walked right up to Theo and asked where the pretty little one we're always hanging out with was."

"What?" Pansy shrieks, looking over, although you're unsure if the intentional target was you or the boy behind you. Her eyes momentarily widen at seeing your position before she notices something and smirks.

"Theo," she drawls, "I didn't notice those cuts on your knuckles earlier, is that new?"

Everyone turns to look at Theo, and you sit up in alarm, turning to look at his hand that's laying behind your spot on the couch.

"Theo! What happened? Why didn't you go get this checked out?"

He averts his eyes from your gaze. "Just wasn't thinking about it," he shrugs.

You frown. "How could you not be thinking about it, that looks painful!"

He shrugs again, grimacing when you grab his hand, insisting he let you heal it.

"Just let me go get my wand okay? I left it in Pansy's room."

You get up to leave, and with your back turned you don't see Pansy whisper to Theo and then him get up and follow you.

"I'll just come with." He announces, following you back to your friends room.

You try not to think about the intimacy of being alone with Theo while you tend to his wounds, trying once again to shove all your feelings down far in your heart.

Thankfully none of Pansy's roommates had come back, and Theo sits on her bed while you grab your wand from her nightstand before standing in between his spread legs.

"Give me your hand."

He complies, and you try not to blush at the warmth of his, much bigger, hand resting on your own.

"This is nasty Theo, did you punch a wall or something?" You ask, beginning to heal a few of the cuts. Luckily most of them were clean from where he'd washed them when he showered after practice, but they were scabbed over and his knuckles were blue with beginning to form bruises.

He lets out an amused huff of laughter and you stop your ministrations, looking up at him immediately.

"Tell me you didn't actually punch a wall."

He shrugs, "it was either that or Smith, and I know you don't like when I get into fights."

You feel yourself heat up. He didn't hit someone because of your preference, and the person just happened to be the guy who supposedly has a crush on you.

"Well I'm glad you didn't send my housemate to the hospital wing at least, although I wish you wouldn't have hurt yourself," you sigh, continuing to heal his hands.

Out of nowhere he pulls it away.

"Theo?"

"Look, I-" he cards a hand through his hair, contemplating his next words. "I didn't like it that Smith came looking for you. Especially that he asked me."

You look at him in confusion, "what? Why?"

He looks distraught, but he can't help the crooked smile that etches itself on his face.

"You're damn oblivious, you know that?"

You continue to look at him, no thoughts behind your eyes.

"Uh, I mean I guess? I've been told that a few times, though I'm not sure how it's pertinent to this situation."

Suddenly Theo's hands are on your cheeks, and his face is inches from your own.

"What- what are you doing?"

"I want to kiss you." He states plainly, as if it's the most normal thing in the world— as if the five words didn't have you spiraling out of control.

"Wait- do you want to kiss me because you think I'm like pretty or do you want to kiss me because you like me?"

You'd never even thought he would consider you pretty, but at his words you had to rethink a lot of things you thought you knew.

"I like you, amorina." (Little love)

"Really?" You know you should be celebrating, but you can't help the doubt that creeps into your mind. "You don't think I'm a silly, innocent, little Hufflepuff?"

He grins, "you can be my silly little Hufflepuff. And no I don't care that you're not jumping at the opportunity to go broom hopping."

You can't help but laugh a his phrasing, but you're glad he knew what you meant.

"I like you, amorina, I don't care about anything else, as long as I get you."

You smile, and Theo swears he could die happy if it's the last thing he sees.

"Well in that case, I want you to kiss me too."

He can barely hold back his own smile as he places his lips on yours, cradling your jaw with one hand while the other holds your hip.

He kissed you gently, not at all like what you'd expected, but you feel his adoration flowing out of it, and you can't help but break it to let out a giggle.

"And to think I was crying over you a few hours ago."

He grins, standing up and grabbing your hand to walk back down to the common room together, where your friends were waiting for you to go to dinner.

"No more crying over me okay?"

You nod your head, and he pulls you in for one more kiss before you rejoin the rest of your friends.

[lizardsfromspace]

There was lots of concern about AI and deepfakes spreading misinformation this election cycle, so let's check in on that!

A lot of right-wing accounts are trying to prove that Kamala Harris' crowds are fake - that all the photos of them are generated with AI. We'll get to that, but let's look at the most...amusing example first.

There's lots of people pointing at an image of a crowd that's obviously been generated with AI, due to extra arms and gibberish writing.

So obviously someone generated this image with AI. Who was it and why? Well, we can actually find the origin pretty easily. It was...

A right-wing satire account. Who put "unexcited Kamala Harris crowd" into a AI image generator to make a "wow, crowds are electric!" joke.

An image their own side generated as satire is now being spread by the right as something Harris/Walz created as proof they're doing the thing they're doing. Incredible. Just a masterclass

Now let's look at the dark stuff.

By and large, AI isn't being used for hoaxes. AI is being used as a excuse: people aren't being tricked by AI images, they're being tricked by accusations real images are AI.

So this hoax went around recently...

This image is old. It spread in 2017, it spread in 2020, and now it's spread in 2024. The Harris/Walz rally wasn't even in the Phoenix Convention Center, or in Phoenix. But it's now a core part of the "no one's attending their rallies!" campaign going on now

This may seem strange if you experience the news by non-conservative media, where you can't escape stories of Kamala Harris filling up massive stadiums & of Trump rallies full of empty seats. All evidence in reality points to Kamala Harris being extremely popular and to Trump's campaign faltering.

But in MAGA land, Kamala Harris' crowds were generated with AI.

Their claims: the crowd isn't in the reflection, and uh, the arms look weird. But also that there "aren't any other images".

But? There are? There was a livestream of that very plane landing (starting at 25)!

They're subjecting what they think is The Only Image of this rally in long Youtube videos and on Twitter and TikTok, and just...don't realize there's full, uncut, commentary-free video of it that was broadcast live. So why don't they realize that?

Well, I did a search for this rally on Fox News' website and guess what? They reported it exactly twice: once a interview with her while leaving that slammed her for "not taking press questions" enough, and a few clips of the Palestinian protestors at it, but not many, bc if you don't follow the far right they're trying to frame Kamala Harris as, like, a radical pro-Palestinian (or, as they say, "pro-Hamas") activist who wants to destroy Israel which, uhhhhhhhh

But another thread I found debunking this, by a former Trump-voting evangelical conservative turned critic of the same, gets at the heart of it

People who said AI and deepfakes would be used to mislead the right were missing how misinformation actually works. Fox News et al don't suppress information by confusing the audience with misinformation; they suppress information by never letting them see it in the first place. They know that they have a captive audience who doesn't watch non-right-wing news (unlike the left, who are constantly aware of what's going on over at Fox).

They can just never mention or show Kamala Harris' rallies, or do so only in close-up, and they can frame Trump to only show shots where a crowd has gathered & make it seem like that's the norm, and their audience just has no chance to find out the truth. They're so propagandized that they just accept that there are no other images of that Kamala Harris rally, because, well, they were told there weren't, and would the news personalities they trust really lie to them?

And if any stray bits of reality float into the bubble, well, it was just AI. You know, how they have AI these days? AI's most important role in all this isn't as a vector for misinformation, it's as a rhetorical device for claiming real images and video are misinformation. You don't have to make images full of people with weird hands if you can get people circling real people's hands in red and pointing at it to prove reality was made in a computer.

These people don't know how popular Kamala Harris is. They don't know she's polling eight points higher than Trump. They don't know Harris is leading in right-wing biased polls. They're being told she's hiring actors at rallies, that her crowd photos are generated by AI, that Trump rallies are popular and hers are desolate.

This only likely to increase as we near the election because, well, Trump '24 is a shitshow. His campaign started out less popular than '16 or even '20, he picked maybe the worst VP pick in history, and he hasn't made a single effective attack on Harris/Walz. They were banking on facing Biden, and then on a chaotic open convention, but instead everyone closed ranks around Harris, and she instantly became the most popular Democratic candidate since 2008. We are cruising towards Trump/Vance not only losing, but losing in the closest thing to a landslide that's possible in our current system.

They're already laying the groundwork for, in the likely case of defeat, playing the "she stole the election!" card. Last time it was ad-hoc, because Trump thought he'd win. This time, they're already making "all her rallies are fake, all of her supporters are AI, they've already rigged it against Trump" a key strategy, and, I have to assume, their primary strategy as it gets closer to election day and the polls get worse. They've always lived in a bubble, but now it's a bubble designed explicitly to cause another January 6th. By claiming real photos have weird hands, and must totally be AI

[whateveriwant]

The 141 in a reverse harem

18+ content, GN!Reader, Reader is the ruler of an ancient kingdom

Soap

The moment you step into their communal quarters, Soap is always the first one to greet you, almost Iike he was sitting right beside the door

But nooooo, don't be silly. Of course he's not been impatiently waiting since your last visit. Though, you were 28 and ¾ minutes later than normal, not that he's been counting or anything

As you walk around their dwelling deciding on who to take back to your chambers for the night, he's following closely behind like a little horny whiny puppy

More than once, he's accidentally stepped on your robes because of just how close he likes to trail after you

Oh, but he's so terribly sorry! Here, let him make it up to you! Please, please let him make it up to you!

Because he tries to hog the limited time you spend with the men, it's earned him more than a few elbows to the ribs from his biggest “rival” in the group: Gaz. And speaking of which…

Gaz

Always trailing a little less desperately closely behind is the newest member of the harem: Gaz

Though he may be the youngest of the four, that doesn't mean he's any less experienced in these types of matters (and the young ones are always the most eager to please, aren't they)

Have you had a good day, darling? He knows you're very busy running a kingdom and all, so he for one is grateful you've taken time out of your hectic schedule to visit them

Oh, but your shoulders look so tense, darling! He can rub them for you if you'd like

And your poor feet! Those sandals of yours look awfully uncomfortable. Why doesn't he head back with you so he can show your full body the love it deserves

While he and Soap can't help but bicker when it comes to vying for your attention, on the rare occasion, the two have been able to put aside their differences and work together, if you know what I mean

Price

Unlike the two younger men, Price feels no need to fight for your time

No, he knows you'll eventually make your way over to him, swaying your hips in that way that makes him salivate like a dog

As the oldest and the longest resident of the group, he's become somewhat of a right hand of yours; almost like a concubine turned consultant, if you will

While of course he loves nothing more than to get down to the nitty gritty with you, these talks of yours are truly the highlight of his day even when they're entirely polite in nature

Why yes, he has done something different with his beard, thank you for noticing. He got some new oils from the market yesterday. Do you like it? Isn't it soft? Just wait until you feel it between your thighs

No matter who you're taking to your bed for the evening, Price always escorts you to the door of their quarters, leaving you with a kiss to the hand goodbye. Until next time, starlight

Ghost

Last but certainly not least is the man you have the most… interesting dynamic with, to put it one way

It's funny, really. He likes to pretend the sweet taste of you doesn't haunt his every waking moment, and you like to pretend that there was anyone else on your mind the second you walked through the door

But oh, he sees that you've arrived yet again... Well, this book of his is super interesting, so he's just going to sit in the corner and read, and absolutely not watch you out of the corner of his eye

What was that? No, he's not holding it in his lap for any reason. And no, his pant legs aren't shorter than normal. Why would you think that?

Oh, but the moment you hold your hand out for him, he has to stop himself from immediately tossing the dumb book aside and hauling you over his shoulder like some sort of rabid beast

Instead, he takes his time standing from his seat, almost indifferent as he takes your hand and lets you lead him back to your chambers

It's all a farce though, of course. Nothing makes his pride swell more than having you scream his name for the whole palace to hear, echoing all the way back to where the three other men are left to sit and mope

[dogtoling]

OK. . . seems i missed the whole 'chickens are controversial in splatoon' thing. . . why?

To put it short there's evidence both for and against them existing, and this is without me actually looking anything up so i might be missing something.

cases for chickens being extant: there's been chickens present in SOME form in several splatfests, they're not mammals so they're not NECESSARILY extinct, despite being domesticated animals and thus being unlikely to survive it doesn't mean it'd be IMPOSSIBLE because pigeons and other relatively human-dependent birds still survive in Splatoon, and of course there are many instances of Eggs being a staple in inkling culinary culture. egg is everywhere

cases for chickens being extinct: we only actually See chickens (or chicken, as in food) in splatfest art and splatfest dialogue which isn't (or at least definitely wasn't until Splatoon 3) canon-compliant at all. We havent actually seen chickens in-universe to my knowledge, nor had them mentioned outside splatfest. probably the biggest nail in the coffin is that there IS a chicken statue in Splatsville, and typically when there are big animal statues in the cities those are statues depicting extinct animals. this is something from an interview that touched on the crane and tortoise statues in Inkopolis Square; which also confirms that it wasn't JUST MAMMALS that suffered and went extinct, it was also other miscellaneous land animals and even random birds which I think me and initially a lot of other people thought were just. Fine and safe. But if a random bird like a crane can be extinct now then chickens are absolutely not safe just because they're not mammals. although eggs are in like every food it's not really been confirmed in any way that those are CHICKEN eggs (although that is the most likely), they could as well be farming domesticated pigeons or something

So really it's a big case of no real confirmation they DO exist, but also no real confirmation they DON'T exist, but also the only context we see them in-universe is in a context where every other animal depicted there IS extinct and it's like a lore thing. So the existence of eggs is a big hint TOWARDS them existing but could easily mean nothing whereas the other one is more in line with proving they do not exist. it is a very uncertain situation for the chicken

HOWEVER!!!!!! there is hope for the chicken. splatfests in Splatoon 3 have had more in-universe accurate themes and dialogue so far (meaning they dont randomly make up shit like "marina's landlord is a narwhal" and "inklings eat red meat" or whatever the fuck in that sea food vs mountain food one we didnt even have that one it was regional). SO THIS MEANS! in the next splatfest we Could get a somewhat stable answer to if chickens exist or not. of course the other 2 options are extinct animals whereas the chicken is 50/50. i'm HOPING the dialogue touches upon this fact and doesn't just talk about all of those like they just Exist. basically we are very close to some kind of progress on this issue that would be Somewhat credible because while splatfest dialogue has never been a credible source in the past, it has been WAY better in S3

TL;DR we just don't know. Chickens are a mystery