#and i want other people to see it too

[atlantablack]

humming with the birds

on ao3 as well

Saturday 8:54 AM: Have a safe flight, Cap. Try to not worry too much about things on this end. 

Saturday 9:00 AM: Thanks, Sam. Stay safe. Call if you need me.

——

Sam can’t help but wonder in the days that follow Steve going back to New York, if he hasn’t made a mistake. Signed his life away to an impossible cause. It’s already been six months of chasing dead ends and coming up with nothing but dust and dirt and blood. If the two of them combined couldn’t find the ghost wearing Bucky’s face, then how is Sam supposed to find him all alone? 

But in the end, a week into his solo ghost hunting mission, it turns out he needn’t have worried — the ghost finds him. 

——

He’s packing his bag, getting ready to follow another lead Natasha’s passed him, when a gun presses itself to the back of his head. He goes very, very still. His knife is strapped to his thigh. His gun on the side table five feet away. Neither doing him a lick of good when the shape of his death has already been pressed into a bullet. 

“Turn around. Slowly.” The voice that speaks is low and rough, and despite never hearing Bucky talk he knows without a shadow of a doubt who he’s going to see when he turns around. 

Sure enough, when he turns, palms carefully turned to the ceiling he finds Bucky staring at him from underneath the brim of a nondescript tourist hat proclaiming “I love Glasgow”. The lighting is too dim to make out Bucky’s face, eyes lost to the shadows, mouth a thin line that does nothing but leave a chill spinning its way down Sam’s spine. 

“I take it you’re not here to apologize for the steering wheel then?” He drawls, meeting Bucky’s eyes over the barrel of the gun. 

Bucky shifts, mouth twisting, face tipping into the light for a second just long enough for Sam to catch sight of storm cloud blue eyes. “Stop following me. Rogers went home. You should do the same.” 

And Sam can’t help but bark out a laugh at that, disbelieving and furious all at once. “You’ve been tracking us all this time haven’t you?” 

The gun doesn’t waver but Bucky smirks, chin dipping like he doesn’t want Sam to see. “Go home, Wilson.” 

“You can’t be that oblivious. If I go home Steve will be back out here tomorrow. You gonna break into his room and threaten him too?” He snorts at the very thought. Can’t see any way that scenario ends except with blood. With Steve back in a hospital room. 

The thinnest line of tension threads through Bucky’s shoulders, and the gun shoves its way under Sam’s chin, finding purchase in the hollow of his neck. “Don’t worry about it,” Bucky snaps, stepping in closer and grabbing Sam’s wrist in a bruising grip where he’d been inching towards his knife. “Just do as you're told, and go home.” 

Now see, if Sam was smart, if he had someone to go home to, if he didn’t swallow danger and come up breathing adrenaline — well maybe he’d listen. Maybe he’d take the easy out Bucky is giving him and go back to DC and tell Steve that he wasn’t going to risk his life chasing a ghost that doesn’t want to be chased. But there’s a gun to his throat, fingers so tight around his wrist that he can feel all the little bones creaking beneath metal fingers, and his pulse is a bullet, is a dying star. An explosion that bursts out of his mouth and spills all over the floor between them when he says—

“Make me.”

Bucky laughs. A dry, rough sound that spreads the room and catches on all the fine hairs standing at attention on the back of Sam’s neck. His brain is screaming, danger. But his heart is screaming, I have teeth too, let’s see whose are sharper. 

“I could kill you right here, sweetheart,” Bucky says, still laughing. “Could take you apart until you tell me every secret Rogers has ever whispered to you. What are you going to do about it?”

There’s nothing but sincerity ringing through Bucky’s words. Sam’s death being dangled in front of his face as nothing but an irrelevant move in this chess game he’s unwittingly begun playing. And he should be scared. He knows this. Is scared if his racing heart, his pulse pounding out a war chant in his ears, is anything at all to go by. But the gun is warm against his skin, a threat that presses closer with every thick swallow. The fingers around his wrist are tight enough he’ll have bruises so stark everyone will be able to see the exact shape of Bucky fingers pressed to his skin. And yet. . . he’s not scared. Not in a way that holds weight. 

“Go ahead then,” he says softly, pressing closer until he can see every storm cloud gathering in Bucky's eyes. Wets his lips and grabs his knife with his other hand, presses it to the wrist of the hand holding the gun. “If you want me to stop chasing you, then kill me.” 

Bucky is silent for a long while, gun never wavering as he searches Sam’s face for something. And if Sam were to examine this too closely, to examine his own motives for being so foolhardy as to call the bluff of an assassin that has been stalking him for months with no one the wiser — well he’d find nothing he cares to think about too closely. Knows that his heart has never stopped carrying death wishes in the shape of Riley’s name, which is to say, that he has never stopped craving flying or falling, one and the same. 

“You’re not doing this for him,” Bucky says eventually, stepping back, gun falling to his side. “Who are you doing it for?” 

It’s stupid the way he immediately misses Bucky's grip on his wrist. Stupid how he already misses the fading adrenaline. “You seem awful sure of that,” he says evenly. 

Bucky shrugs, holsters his gun and tips back and forth on his feet while he considers Sam. “Stop following me, Sam. This is going to be the only warning I give you.” 

The jolt of hearing his own name from Bucky's mouth leaves him silent for long enough that Bucky turns to leave, doesn’t even think twice about turning his back to Sam, and he’s flinging the knife in his hand before he can think it through. 

Bucky dodges it, of course, stares at the door it’s embedded itself in, and then stalks back across the room to slam Sam into a wall. If Sam were the type of man to pray in his last moment he thinks maybe he’d start praying right now. Bucky’s face is a graveyard, the ghosts of every person to die at his hands thick in the air between them, and Sam has already called his bluff once, shouldn’t have pushed his luck a second time. 

He can’t move at all, Bucky’s body a long, hard line against his, keeping him effortlessly held against the wall. The metal fingers around his throat flex once and he swallows convulsively, holds Bucky’s gaze and waits. Can’t do anything but wait. Fancies he can hear a funeral march playing in the distance and wonders how long it’ll take Steve and Natasha to figure out what’s happened to him. 

“You’re not going to stop following me,” Bucky says quietly. It’s not a question, but Bucky licks his lips and pauses like he’s waiting for an answer regardless. 

“No,” Sam replies softly, tracks Bucky’s throat as he swallows, and then glances back up. “No. I’m not going to stop.” 

“I could kill you,” Bucky repeats, a shadow of lost confusion flashing its way across his face. “Go home Sam Wilson. Go back to Delacroix. Or DC. Go home.” 

And that. . . that scares him. The clear implication that Bucky knows about Sarah. That leaves frost growing on his tongue. But he still isn’t going to stop. And Bucky still hasn’t killed him. So there’s really only one thing left to say once more—

“If you’re going to kill me, then I’d really rather you get on with it.” He smirks, presses his weight forward best he can, and hisses as Bucky’s grip tightens on his throat. “Otherwise, get the hell out of my room.” 

Bucky’s silent for a very long time. The minutes stretching between them and Sam is too warm pressed up against the wall, Bucky’s body one long line of heat. There’s a razor sharp tightrope under his feet and he wants to jump off of it, wants to take the knife out of the door and cut the rope to pieces. Wants to keep pressing forward until Bucky’s body turns into something he can understand, until they’re both just bodies giving and taking. 

Sam has always had a thing for walking the edge of too much, for flying too close to the goddamn sun. Has always had a thing for smart men with steady hands and pretty mouths, and fuck if Bucky Barnes doesn’t tick every box Sam’s ever had. He should be praying for his life and instead all he can think about is the way Bucky’s mouth, his goddamn mouth, won’t stop parting all slick with confusion. 

“Go on,” Sam hears himself say, voice low, heat snaking through the words. “If you’re gonna kill me, baby, let’s get started. La petite mort.” He’s so warm he thinks he’s going to burn up, and Bucky hasn’t moved an inch, every line of his body pressed against Sam’s is a taunt, a temptation. 

Bucky shivers, pupils blown wide, nothing but a thin ring of winter sky left. His hand falls from Sam’s throat and he grins, viciously pleased and presses forward with his full weight until their nose to nose. “I’m not going to stop following you,” he says once more for good measure, laser focused on the way Bucky’s mouth parts trembling. 

And in the space of a breath, Bucky’s across the room, wide-eyed with red spots high on his cheeks. He swallows hard, opens his mouth and then shuts it again. Is out the door in a flash,  once again nothing but a ghost. Nothing left behind but the bruises blossoming across Sam’s skin. 

He stands trembling against the wall for a long time, rolling the entire thing over and over in his mind until it’s sharpened into a point. Thinks once, I wanted to kiss him, and then, I wanted to send him to his fucking knees. Doesn’t know what to do with that. Only knows that it was a bad idea he would have followed through on given one more minute with Bucky pressed against him. 

He goes to bed without packing, and when he wakes it’s to a text from Natasha saying to stay right where he is, because — and get this — Bucky has been spotted in Glasgow. What a fucking surprise.

[swordsonnet]

i'm sorry but i don't think we should call this the "autism website" when there's still posts with tons of notes mocking people who:

struggle with social skills / have anxiety around social settings

are unemployed / unable to work certain jobs

have intense or "age-inappropriate" interests

haven't had certain life experiences that are deemed universal/essential

struggle with personal hygiene

don't have any friends or dating experience

don't go outside much or at all

take things literally / don't get sarcasm/jokes

have unusual ways of speaking

generally aren't "normal"

[rystiel]

i keep seeing people say the doctor shouldn’t have feelings for rogue because he’s married to river…? river song… who has also married multiple people… one of the most polyamorous characters in the show…?

[transannabeth]

btw if you borrow dvds or cds from library you can rip them onto your own blanks or onto your hard drive or whatever. librarians don’t care and they won’t know if you do it or not

[tuttle-did-it]

You know, it's genuinely sad to me that aging favourite character actors no longer have any fun murder-mystery tv shows to guest-star as murders on.

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[phoenixcatch7]

Dp x dc twin au where Danny and Damian were in fact conjoined/siamese twins, but the most dangerous type - one head, two bodies.

Their early removal from talia being because their shape would not have allowed for natural birth, they were written off but talia begged for the chance to send them off in the lazarus pit.

By some bizarre miracle, before she turned to leave, two small bodies bobbed to the surface - identical in every way, except for the eyes. The previous blue eyes now split in two, one left, one right, and the new eyes, pit created, a bright green.

She took her child, her two children, and together, they survived.

Being removed prematurely, their early years were tough, but soon they blossomed into promising heirs for the league. In sync with every step, the closest of brothers, the league was certain the old fairy tale of twins being telepathic had been granted by the pit that separated them, the remnants of being born as one mind, one brain, one skull.

But then Danny had to flee, and leave his other half behind. Stretched by distance for the first time, the bond grew thin and stretched, and Damian grieved his brother as dead. When he started being sent on public missions, he hid his distinctive heterochromia, choosing the green in memory of the pit that had given him and his brother life.

Danny, hiding his pit aura in the ocean's worth that was Amity park, took to blue, the colour that he and Damian were born with.

Damian moves to Gotham, and continues to mourn his brother as dead, right until one day when he is twelve, when he learns what the death of your other half truly feels like.

-

Their reunion is a thing of family legend. Violence runs hot in both bloodlines, ghosts are highly emotional and prone to fighting a the drop of a hat for bonding, playing, testing, every reason under the green sun. Their training and play often consisted of friendly spars, competitive spars, furious spars, venting spars. Both have been exposed to unhealthy amounts of ecto since before their birth.

There is a long, long minute of staring, before they rip themselves away and lunge at each other like wolves.

The bat family are horrified by their brutally efficient youngest suddenly barreling towards a clone (?) and trying to claw his throat open with his bare hands while openly sobbing.

It ends with them wrapped around each other crying into the others shoulder as their minds finally meet again and relax from the painful stretch for the first time in years.

But nobody else has any idea what to do.

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[naamahdarling]

You know what? You know what I think?

I think that if we lived as we were meant to, in larger intimate ("extended family") groups and with more shared labor and time to do it (UBI NOW) people like me would not feel so useless and burdensome because there would be people around to help and to do what neurodivergent people can't while making valuable space for the neurodivergent to do what they ARE good at.

The way we live right now, all right, the way we live right now forces units of two adults to be able to do EVERYTHING or PAY to have someone come do it for them. I have to do the housework. I have to do it! But I am having to do a million different things and most of them I am not good at. I suck at them.

I wouldn't feel like shit, okay, if I had more than one other person around who was not a child and who could do the things I can't, like do the yard and cook and do repairs and basic maintenance; and someone else to split everything else that I like but is too much for me. It would free me to do what I am good at and enjoy. Cleaning, as in the sink and toilet, the windows, the blinds. Taking out trash. Folding, hanging, and sorting laundry.

But because all the shit I can do often relies on other shit being done first, and I can't do or have trouble doing those things, the shit I can do often can't be done. And even the shit I can do, I can't do ALL of it. So I can't keep up, and things get very bad.

We aren't meant to live like this. We are not meant to live like this.

That thought hurts so much because being able to flee the birth family is integral to survival for so many people. I'm so afraid that living in larger family groups would create more opportunities for, say, queer kids to be isolated, rejected, bullied, and abused. But if we gave people enough money to survive, and stopped considering children the property of their parents with no system in place to help them escape bad situations except a system that is often just as bad, just different.

I'm aware that communes and collectives aren't all that successful and are kind of a joke. I don't mean that. I mean a fundamental shift to multigenerational families where taking in "strays" (which my family did) is also normalized so people escaping abuse into existing households was accepted, with these families centered in maybe a couple of different larger residences so not everyone has to buy and maintain their own fucking washing machine and vacuum cleaner, and so people can benefit from large group meals that yield leftovers, and so child and elder care can also be centralized.

Then disabled people and the neurodivergent and sick and injured people, and pregnant people, and grieving people, would not have to either labor through all those stressors or consign themselves to living off an unlivable pittance or being put under legal guardianship.

I'm not saying anything new. People live like this in other parts of the world and maybe it sucks and I am wrong. But I'm just really mad right now because I can either do laundry or clean the sink but not both, and I really think we could improve society somewhat by making it so I did not have to choose one without sacrificing the other.

[pollyanna-nana]

Louie isn’t evil.

Or: what Pikmin 4 tells us about his character.

BIG WARNING FOR PIKMIN 4 SPOILERS! (and the rest of the series)

———

I want to preface this by saying that I am in no way trying to be the end-all, be-all of character interpretations, but Pikmin 4 to me, at least, confirms the suspicions I’ve had since playing Pikmin 2 and 3 all those years ago that Louie ISN’T secretly evil, or possessed, or whatever else. He’s just… Louie. And I think that’s interesting in and of itself.

1. Olimar himself vouches for him, and clearly doesn’t think he’s a bad person.

Say what you will, but I’m inclined to think Olimar is a decent judge of character. Clearly he’s worked with Louie for enough time to see that while he’s not very good at his job, he’s not intentionally so— at least not in a malevolent way (will get more into this later). He also wants you to forgive him for Olimar’s sake, which can be read as self-sacrificing (as Olimar is known to be) but I also think hints at the soft spot he has for Louie.

It's also worth noting that he states during a end-of-day conversation that he told Louie that, since he's a new employee, he should do everything Olimar does... including throw castaways into the onion. Interesting that Louie took this so literally, but it does provide an explanation for why he kidnapped the Koppaites beyond "he's evil and crazy".

2. He really, REALLY loves his grandma.

Like, wow. He talks about her SO MUCH both in his Piklopedia entries and also elsewhere in the game. It's interesting. Worth noting is that he never mentions any other family members- unlike Olimar, who talks about his wife and each of his children independently. I've said this before, but the content of a lot of these entries implies to me that Louie was mainly raised by his grandma, likely since birth. And given some of her emails in Pikmin 2, assuming they're also canon to Pikmin 4's timeline... Well, Louie certainly had an interesting upbringing. But he clearly loves her all the same.

3. He has a mischievous streak and tends to do things on impulse.

This was already fairly obvious from the previous games, but I think it's worth noting that this game confirms that he's... would immature be the right word? In any regard, he doesn't seem to see himself as a "grown-up"- when in all likelihood he is. Personally, as a 22-year-old, I find that pretty relatable as I often think of myself as younger when in reality I am by all definitions an adult. This, along with his grandma still being around, makes it pretty much certain that Louie is a lot younger than Olimar and the president, likely in his early to mid twenties. Being a bit of a goofball isn't really out of the ordinary, all things considered.

THAT BEING SAID, he's clearly capable of practicing self-restraint when he wants to. What he says here about the red Pikmin is pretty significant, since we know he's willing to eat just about anything- but clearly he has some reservations about creatures that are friendly and helpful. Which leads to...

4. He loves dogs and fluffy things.

Same. But he doesn't even consider eating Moss, Oatchi or the Ancient Sirehound, showing that his creature-eating habits stop at things he recognizes as useful. He clearly also holds affection for things that are soft and fuzzy, and says as much.

5. He is so autism.

He plays with fidget toys. He loves certain textures and sounds. This guy is stimming all over PNF-404!!! I think this also lends some explanation for why his behavior is what it is- things like taking Olimar's suggestion to do as he does super literally even after crashing on an alien planet, his hyperfixation on cooking and tendency not to communicate and incorrectly interpret situations (thinking the Koppaites are kidnappers in 3, running away from you in 4). He could even be low or no empathy as well, explaining why it takes a hot minute to get him to understand why people are upset with him about something.

Interestingly this game also makes it clear that Louie wants to live on the planet, or at least thought he did while you were chasing him down, which makes a lot of sense when you consider that he doesn't really seem to fit in back on Hocotate. I, too, wish to run away to an alien world with all of the things that I like and no other people, so I get you, Louie.

6. He hates his boss and his job, and the golden pikpik carrot incident was likely premeditated.

This probably looks bad, but honestly? As a fellow work-hating anti-capitalist schmuck I get it. The president is for all intents and purposes a huge asshole, from sending Olimar straight back to the planet after selling his ship to not caring that Louie got left behind, just wanting to find the rest of the treasures. I doubt he is very kind to his employees, and doesn't seem very good at running the business. Definitely a funny character, but if he were my boss I would absolutely want to punt him into the sun.

From some other entries he clearly wants to sell certain things to accrue money, but it's for things like getting better kitchen tools and following his dream to have his own cooking show. Clearly being a freight driver isn't what Louie actually wants to do with his life, and he could not give less of a shit about what happens to the company. Very short-sighted on his part, but also again, yeah I get you Louie.

7. He... doesn't like the color red for some reason.

Honestly, I'm not even really sure what to make of this. Is it because it reminds him of the Hocotate ship? Or does he just not like the color? Would be very interesting considering that it's Olimar's signature color. Perhaps that's at least part of why he attacks you in Pikmin 2- though that's speculation for another day.

Also funny to me is his comments on the black-colored treasures. We know blue is his favorite color, but I guess he's also a bit of a goth at heart. Lol.

In conclusion.

I think Louie isn't written or intended to be evil, and Pikmin 4's portrayal of him was intentionally written to confirm this. He's just, as some have said, an agent of chaos, but that doesn't make him a bad person. Just an autistic 20-something working a shitty job he doesn't care about, who loves his grandma and has a mischievous streak and a hyperfixation on food. At least from what I can interpret, ymmv!

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[jellinuy]

౨ৎ — fluff ending to part 1. wc; 1k.

“…oru…satoru.”

an eye opened. then two. white lashes fluttered around hazy blue irises as the sorcerer began to come to his senses, adjusting the sunglasses that had slid down his nose with a small, ‘hm?’

at the sound of your voice, gojo’s eyes slid around to take in the scenery. but he could’ve sworn you just… wasn't he back at jujutsu high a minute ago? in the infirmary? but instead, the teenager found himself sitting on a bench, his body sheathed in dancing blue artificial light and the passing shadows of ocean creatures behind glass.

the aquarium, he realized, his heart rate spiking. it wasn’t real.

“y/n,” he mumbled slowly, a lazy grin on his face, and never before had gojo been so happy to say your name to you.

“that’s me,” and the full, clear sight of you brings immediate relief — a painkiller for the heartache he’d just endured in his sleep. it was still rattling to him, after all this time, how realistic his nightmares were. he swore he saw the blood soak the pure, ivory sheet that covered you, the paling of your dying skin, the emptiness where your gorgeous, beating heart should’ve been. felt his own heart rip nerve by nerve and his stomach clench into an ugly knot as yaga told him you were “killed in action”: finite, just like that. you were gone.

he’d never been so glad to be awake, to be here, in front of some stupid fish tank, with you. he took in your face as you talk, a worried crease in your brow when you see your reflection in his blue eyes, now glassy. transparent and red-rimmed. vulnerable, if you looked close enough.

“you, um… fell asleep on my shoulder,” you spoke when he didn’t. “you okay? been getting enough sleep?”

oh. that was another thing i loved, he remembered, and it was like his body knew you the way his heart did, as his smile stretched into a pair of dimples. your stupidly big heart.

“…yeah. don’t worry your pretty little head about me,” he assured her, much quieter than regular old satoru gojo would have. cerulean peeked out at you from over his sunglasses and from under his hair, trying to say the words his mouth couldn’t as he rested his head on your shoulder.

call him clingy, but he wouldn’t move for anything right now. feeling you, alive and well and happy against him, that was enough.

knowing you were here was enough.

in an attempt to make small talk, you lifted you arm — the one he wasn’t using as a pillow — to point at a passing beluga whale at the massive tank in front of you both.

“satoru, look, a belu—”

“y/n, i’m in love with you.”

he lied. it wasn’t enough. he didn’t just want to be near you, to be close, yet still at arms length, he wanted to be in your arms. to kiss your face and make you smile at him in a different way than with everyone else. to nap with you on days he didn’t feel like “the strongest”, to be weak around you, to feel those damned butterflies every time he heard you call him “baby.” that was what he wanted — to openly love you, to be loved in return by you and nobody else.

“you… huh?” your hearts pounded in tandem, slamming against your ribs uncontrollably, to the point where it hurt to breathe in the best way possible. “wh… s…say that again?” you must’ve heard wrong, must’ve misinterpreted.

“…said ‘m in love with you,” he repeated, muffled due to his cheek squished against your shoulder. “like, i wanna be a jellyfish with you.”

“…oh.”

“yeah.”

it would be a lie to say that you hadn’t noticed the way your best friend looked at you, the blatantly obvious hearts in all six eyes when he laid them on you, so this wasn’t as unexpected as you made it look.

“…i think,” dry as your mouth was, you still spoke. your eyes weren’t trained on him, but instead at the fish in the life-sized tank, the shadows of passing jellyfish diluting the clear blue luminescence of the waterlogged glass periodically, “i might be in love with you, too.” it came out shakier than you wanted, but you patted yourself on the back for even getting it out at all. and it was true. you came to know him, to appreciate him, to be annoyed by him, to fighting by his side, to wishing you could be there forever, next to him.

in typical gojo fashion, he makes a face. you can’t see it, because he’s still resting on your shoulder, but you feel the indent of his cheek as he pouts. his hand not-so-subtly sneaks down to yours, and he prods your fingers open so he can slide his palm on top of yours. you swear you would’ve fallen over if you weren’t sitting.

“you ‘might’? i just told you i wanna live as a sea creature with you forever, and you ‘might’ like me back?” he mumbles: maybe he spoke clearly, actually — you don’t know, because the only thing in your ears is the pumping of your blood.

the lovestruck idiot pokes at you again — “c’mon, y/n, say it properly.”

his fingers play with yours, scratching your palm gently, tracing hearts into your skin. his head continued to rest on you, and he was ever grateful you couldn’t feel the warmth of his red face through your shirt, the burning of his ears. he’d find some way to make today last forever if he had to, if it meant sitting here next to the best friend he’d come to see as more, just watching fish swim. your hand finally clenched around his, slightly clammy, and clearly nervous, but it was your hand, so he couldn’t care less. and you squeezed his hand and said it right, because if gojo had the right to anything in this world, it was your heart.

“yeah… you’re right… i’m in love with you, satoru. let’s be jellyfish in our next lives.”

@boundedbyfate, @c4ndytr4p, @iluvies, @sad-darksoul, @fayereblogs-4, @ratmilk14, @lovelymimimoo

[somegrumpynerd]

Random hcs that have been on my mind for the past couple days: now in doodle format!

Text for each drawing written out under the cut in case it's not clear or anyone wants to translate it!

(1) <- Somehow soft?? <-Sometimes makes a comforting hum/rumble <-Holding for support

(2) <-Walks so quietly everywhere he goes <-Is about to meet god

(3) <-Can't see well in the dark (no eyelights) <-Can't help himself

(4) <-Thinks Color will turn Killer against him and convince him to run away

(5) <-Thinks Nightmare is using them all for the negativity and has brainwashed Killer into liking it

(6) <-Thinks if he runs and jumps at Cross as fast as he can Cross will lift him and it'll look so cool