#and if they're a main character in a movie or something i might watch it just for them

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[stellacendia]

It seems I have a terrible habit of growing attached to actors that have one outstanding lead role and then only have roles that are relatively minor by comparison and/or in genres I have zero interest in watching

[mrsmothermaximoff]

Missed me?

part 1 | part 2 | part 3 | part 4

Pairing: Stepmommy Wanda x f!reader

Tags: Stepmom x stepdaughter, fluff, daddy issues, kissing, drinking, mentions of upcoming smut

Summary: Y/N's back from college and finds out her stepmother may have missed her just as much as she did

Dinner ended after a painfully long 2 hours and you helped Wanda finish up the dishes while you two caught up. "So, did you meet anyone special over there?" The words tasted bitter in her mouth. "No, not really. Just a bunch of people who wasted my time." Wanda paused briefly after putting a plate in the sink, "Who wasted your time?" The question felt more than casual, like she demanded an answer. "Just people I thought respected me, turns out they all thought I was a joke." She frowned at you, "I don't think you're a joke, my Y/N." That nickname always left your face burning. "Thank you Wanda, I missed you." She pulled you in for an unexpected hug, one that was so rudely interrupted by your father coming to grab his 9th glass of wine.

After the dishes were done your father left upstairs to do who-knows what, and you went to your room to watch a movie with Wanda. The two of you had established a tradition of late-night movie watching about a year ago. Every Thursday Wanda comes to lay with you on your bed and you watch some cheesy laughable movie while you try to hide your giggles from your father. It was always completely innocent, until today that is.

The movie started and you both had already started your fits of laughter before you even grabbed the popcorn. Wanda was always very hospitable, so she loved setting up a series of snacks for the two of you. The movies you always watched were full of cheesy jokes and dumb humor, but this time Wanda wanted to watch something a little but more serious, a romance.

The main characters had already kissed 9 different people only 10 minutes into the movie. "I don't understand how people do it." You commented, upset by the actions of the character. "Do what?" Wanda replied. "Make-out with a bunch of random people all the time just for fun. I don't understand it. Why can't people just love one person forever? And only that person?" She began rubbing your arm softly at that last part. Your breath got caught in your throat at the sudden action. "Mhm" She agreed quietly. "M-maybe they're just lonely." You said trying to regain your thoughts. She stopped at your words, "Do you kiss a lot of people when you're lonely?" Her voice sounded softer, sadder, something you almost never hear from her. "No, but I might try it." You joked with a sad laugh, "I felt so lonely at school, for so long, I don't want to feel lonely anymore." She got quiet, when you looked up at her she was looking at you, focused. Her left hand gently caressed your head, while her right rubbed circles on your stomach. She opened her mouth, and then closed it. She did it again, and again, you anxiously waited for what she was trying to say. What could she have to say that would take this much effort? "Let me be the one you love forever, my Y/N," She whispered so boldly. "the one you always kiss, the one who kills your lonely, the one who makes you feel special every time you think you aren't." She paused, "I love you."

Your eyes filled with tears, and she pulled you into her to steal them with her lips. She softly kissed every tear that fell while she silently hoped you felt comforted by it. When they stopped falling she pulled away. "Wanda, I-" Her expression grew disappointed and saddened. "It's okay Y/N, I understand this is an interesting situation, you don't have to-" You practically threw yourself onto her smashing your lips together again. You heard her sniffle and you quickly pulled away. "Wanda?" She smiled and sniffled back more cries, "You're everything to me Y/N, I've loved you for so long and now you're finally mine." You smiled smugly back at her, "Well, there's still one thing you haven't claimed yet." She looked at you confused, "What?" You signaled for her to get closer, "my virginity."

[noneorother]

As a film person, this is the most f*cked up thing that happened in all of Good Omens

Forget about the final 15. If there's anything that should convince you that there's something really wack going on in season 2 of Good Omens it should be this cut. I literally gasped when I saw it for the first time. It's SO BAD from a technical perspective. Because you've probably been watching TV and movies your whole life, you might instinctively feel there's something weird happening with this cut, but not be able to put your finger on what it is.

I am here to tell you: they sacrificed continuity of action to *change the main character of the shot in the middle of the scene*. I won't do a full theory course on filmmaking here, but basically, when you want a fluid-feeling sequence of shots, especially when there's quite a lot of movement on screen, you have to conserve the direction and intention of that action to feel like it's all one take, and time is moving forward like we're used to in real life. Here, Crowley, Maggie and Nina all leave the Bookshop together, with Crowley and Maggie flanking Nina, who is centred in the shot. They are moving towards the camera as the camera is walking backwards, but at a slight curve camera-left. Crowley even turns his head and swings his arm left, making us feel like the camera will keep Nina center, and pan left or even cut wider to see more of the left of the street to watch them cross.

Well SURPRISE, idiots!

Forget everything you learned in film school because we're cutting immediately to a second medium length shot of the 3 characters from a slightly more camera-right perspective for no reason whatsoever, in the *opposite* direction of where the action is going, WHILE THAT ACTOR IS SPEAKING A LINE. This is so counterintuitive to the blocking of the scene that Maggie literally gets shoved out of frame while we're supposed to be reading her reaction to Crowley's dialogue. I can't stress enough how weird it is on a fundamental level. When a camera is moving and a character is talking, conserving continuity of action is THE ONE thing you don't sacrifice. It pulls people out of the moment, and makes it extra obvious that multiple takes have been stitched together. Which leads me to think that this is intentional, and sets up what I hinted to at the beginning of this whole "The More You Know" moment : Nina is the main character of the scene we're watching, until, suddenly, Crowley is. If you separated those two moments before and after the cut and watch them as two different scenes, you can see the camera following Nina and keeping her center before, but directly following Crowley and keeping him center *after* the cut. We've switched narrators in this moment. And to top it all off, they're making it pretty obvious that, while Nina is listening and reacting to both Crowley and Maggie, Crowley does not give a rat's ass about the two humans (not either not really in frame, or cut off behind him).

[weirdmarioenemies]

Name: Spamley

Debut: Ralph Breaks the Internet

Hey, remember the Ralph Breaks the Internet craze of 2018? What a time to be alive! Disney's film about What If The eBay Was A Place was an instant hit, due to the fact that everyone knows the Internet, and everyone wants to see a movie about it! You couldn't stop hearing about it! No wonder it won the Academy Award for best animated film! I think it beat out some movie about spiders, or something...?

Kids today might not remember, because 2018 was so long ago. They're too obsessed with their new age sexymen, like Raymond and the big balls Dwarf. But this movie wouldnt've been the cultural phenomenon it was without one character taking the world by storm: a certain J.P. Spamley!

The Internet fell in love with Spamley at first sight, flooding social media with memes and fan art about the loveable green prick. He rose to the highest ranks of the Tumblr Sex Man for a good while! You couldn't scroll for a few minutes without seeing his catchphrase, "Now's your chance to get rich playing video games!"

What kind of a megacorporation would Gisnep be if it didn't capitalize on Spamley's popularity? So they held a special Spamley Sweepstakes event on November 2019, allowing fans to donate money in honor of Spankley himself! All proceeds would go to Bob Iger and Baby Yoda, and if that's not wholesome, I don't know what is. Those who entered even had a chance of winning WILD prizes, like:

That's it that was the only prize

See him in theatres! This is what Disney told us all to do, and we listened! Little did we know they were doing this to hide a dark secret! If you buy the Blu-ray version of the movie, you can actually manipulate the Scene Select to watch the movie out of order and make some... strange things happen. You can look up a walkthrough online, but the gist of it is making Vanelope kill all the Disney Princesses. Especially Merida. And when you do, you unlock a weird alternate ending...

Spamley NEO is the secret true main antagonist of the film, and he wants to take over Oh My Disney to spread spam and advertisements! No! Not Oh My Disney! Please, for the love of God, NOT OH MY DISNEY!! You have to kill him. You have to destroy your Blu-ray copy of Ralph Breaks the Internet now. I hope you're proud of yourself.

[c0eu4]

CL16 | Real orgasm ♡

Summary: Y/n confess to Charles that she doesn't know what true orgasm is. And he shows her what it is.

Warning: oral (f receiving), fluff?

A/N: Hope you'll like it <3

MASTERLIST request are open

Charles sits down on her sofa, putting his feet on the coffee table. She sits next to him, putting the blanket over them.

He takes the remote and turns on the TV. ''What do we watch tonight?'' He asked her, scrolling through the thumbnails on Netflix.

She makes herself comfortable with cushions behind her back and brings her cup of tea. ''I let you choose this time.''

He sighs and keeps scrolling, sometimes reading the summary before finally putting something on.

As the movie starts, she sips her tea, passing her cup to Charles who take a sip too. They're not best friends for nothing. They have known each other since they were little and they always share everything. So him drinking in the same cup as her is certainly not a problem.

And tonight he came to her house to comfort her. Her boyfriend cowardly cheated on her then left her, like a poor toy. Charles helps her to go through this. Even when she were at her lower, he was there.

And what an irony that he put a movie where the main character cheats on her boyfriend with everyone.

''Uhm you might wanna change ?'' He asks her about the third sex scene that happens, where the main character seems really excited about the idea of getting caught.

''Mh no it's ok.'' She squeezed her thighs, wishing her boyfriend was like in the movie, who knows how to bring pleasure to a woman.

''You ok?'' He asked her, putting his hand on her thigh. He really shouldn't have done that. Despite the fact that he's her best friend, she can't control her hormones and can't help but get a little wetter.

''I..I was just thinking about the fact that I have never cum so brutally. Maybe I never cum, I don't know haha.'' He looked at her, stunned. Not because they never talk about sex. But rather by the fact that she admits to him that she has never had an orgasm.

''Was your boyfriend that bad? For never having made you cum?'' She shrugged her shoulders.

Charles finds himself blushing just thinking about Y/n, actually cumming for the first time.

''You..you want me to show you what real orgasm is ?'' He asked her, almost whispering because of his shyness.

She turned her head towards him, her cheeks red. What should she do? She's so horny now that she can't say no. But does that also mean maybe ruining their friendship?

''Y-yes... Please.'' Charles himself didn't expect her to say yes. He brings his head closer to hers, his lips a few millimeters from hers. She can feel his breath on her lips and it gives her goosebumps. She closes her eyes, hoping that Charles will make the first move, because she doesn't dare to.

Just as she was about to open her eyes again, because she thought Charles wouldn't move, his lips stuck to her. His hand slides down her neck and brings her head closer to his, deepening the kiss with small movements. He moves forward so much that she lies down on the sofa, him on top of her.

''You have to tell me now if you want to stop.'' He kisses her cheeks.

''K-keep please..'' He kisses her jaw, under her ear, her neck and her collarbone. His hands slip under her t-shirt, removing it slowly. She feels shivers down her spine when he starts to rub his hands against her waist, hips, thighs and upper ass.

She found herself moaning softly, but naturally, not faking it. His kisses tease her breasts, unclipping her bra easily. He looked up at her, as if he was asking her if he could touch it.

''You..you can..'' She whispered, shyly. One of his hands found its way to massage her breasts, licking the nipples of the other one.

Charles is a smart man. And seeing that she didn't react more than that when he teased her with her breasts, he didn't dwell on it too much.

His kisses keep going lower, until he nibbles softly in her flat belly, removing her pants gently. He takes one of her hands and places it on his hair, indicating for her to play with it.

She runs her hand through it, stroking his soft hair and playing with a few strands with her fingertips. He tries to spread her legs but she unconsciously resists.

''Don't be stressed, princess.. Is it ok if I call you princess?'' She relaxes a little and Charles manages to position himself correctly between her legs.

''Y-Yes.. I like it.'' She whines softly when she feels him blowing on her panties.

He bites his bottom lip, looking at her, full of lust and hunger. A white stain is visible through her panties and Charles wants to eat her out so badly.

As if to answer him, she lightly presses Charles' head towards her privacy. He doesn't wait for a second signal and lets his fingers slide between her folds through her panties.

''Charles !'' She moaned, surprising him and herself. He allows himself to remove her panties, seeing her completely naked in front of him.

''You're so beautiful, princess..'' She put her hand over her mouth and her eyes widened when she felt Charles's lips against her bundle of nerves. He grabs her arm that's hiding her mouth, taking her hand and intertwining his fingers with hers.

''Close your eyes and don't hold back your beautiful voice..'' She closes her eyes like Charles told her, enjoying his lips and tongue.

He makes small circles with his tongue, using his free hand to push a finger inside her. She grips his hair a little tighter, digging her nails into the skin of his hand with her other hand.

The room is filled with her moans, sounding like a melody to the ears of Charles's. He inserts a second finger, making her moan louder. She feels a sensation she has never felt. Her whole body is tense and her legs are shaking uncontrollably.

She can't help but moan, Charles moving his fingers in and out quickly, in a wet and tight song. And when her whole body relaxes, without even realizing it, she drowns Charles with her precious liquid.

Charles is proud of himself. He succeeded in his mission. He made her cum. Probably for the first time in her life, given how quickly she let it go.

He gets up from between her legs after cleaning her as best he could with his tongue. He licks his two fingers, full of her liquid and also cleans his chin with his hand.

She sits up a little straighter on the sofa, not knowing what to do.

''How was it ?'' He looked at her with a naughty smile. She blushes when she sees him like that, his hair all messy by her hand.

''Incredible.'' She finds herself blushing even more when she admits that Charles makes her feel good.

''You.. want to go further?'' She smiles tenderly at him.

''I'm sorry but I'm so tired after.. my first orgasm.'' Charles chuckled and passed to her, her clothes that were on the floor.

''Never say sorry for refusing to go further.'' He passed his hand through his hair, trying to fix it.

''Can you..Sleep with me ?'' She puts her t-shirt back on and takes out her hair with a gesture of her hands. Charles looks at her doing that, his eyes full of love.

''Of course, princess.'' He winked at him, carrying her suddenly like a princess. She clutches her t-shirt, feeling slightly afraid.

''Cha! Careful!!'' He giggles and places her on her bed.

''Do you mind if I sleep in boxers?'' She finds herself blushing again. She knows that their relationship is no longer the same now.

''No no it's ok.'' He removes his jeans and t-shirt quickly, lying down beside her. She doesn't dare to go against him, not really knowing his reaction.

''Y/n?'' He asked her with a soft voice, tucking a few strands of hair behind her ear.

''Yes Charlie?'' Her eyes are wide open, a knot in her stomach.

''Do you want to be my girlfriend?'' She turns red at his request.

''I..I would love to.'' Charles chuckles and moves his head towards her, kissing her tenderly. His hand resting on her waist, pulling her closer to him.

[tossawary]

Something I found surprising when revisiting the prequel trilogy is how much the clones aren't full characters in the movies. They're props. They're devices. The films give them the same weight and attention as they give the Separatist droids, really. The only two clone troopers I can easily name off the top of my head who get "named" in any way are Oddball and Cody, who are both just barely in "Revenge of the Sith", and interchangeable in their roles with any other background clone.

It's interesting when held up against "The Clone Wars" and other extension material, which had the time and inclination to say more directly, "Hey, these are people and what's happening to them is wrong." Like, obviously what's happening in Ep2&3 is wrong, the audience can draw that conclusion on their own, growing people as cannon fodder is a clear part of the greater tragedy if you take about five seconds to think about the situation here. Even without the element of the entire war being constructed and controlled by the main villain, the clones are a tragedy.

But, oh man, the movies themselves don't really care to focus on that. It's SUCH a background element. I had a "oh, yeah, Order 66 being programmed into a control chip was a later addition to / clarification of canon" moment while watching, because as far as Ep3 actually shows us (as was the initial intention by some, I know), Cody apparently knew the entire time that he might be called to fire on Obi-Wan Kenobi and was just waiting on the call. The "homogenous evil army" trope is... very much present and even more identical than usual here.

By the films alone, you can easily assume that the clone troopers have no love for any of the Jedi (whom we're meant to believe are relatively decent people) for a variety of reasons. Their upbringing and training on Kamino was presumably cold and brutal. They're (possibly enslaved) soldiers in an even more brutal war. This army is offered no development or individuality that makes the appalling Jedi Temple massacre out of character for any of them.

But when the various Clone Wars shows first turned the clones into individual characters and even protagonists, many of whom are shown to be good people and become friendly with the Jedi through years of teamwork in life-or-death situations, Order 66 became weird. "Wait, why would the majority of clones (all the clones we see in the movies, at least) just go along with this? What went wrong here?"

I get why TCW and SW canon settled on the control chips option and I find it interesting enough. The tragedy of it all makes me want to lie facedown on the floor. Darth Sidious is really winning at sheer evilness here.

On the other hand, there are some really fun and interesting "Order 66 was taught, not programmed" AUs to revisit here. Especially when some of the other (Legends canon now) contingency orders include what to do if the Supreme Chancellor is incapacitated or declared unfit, or even getting rid of the Supreme Chancellor and assuming control by lethal force if necessary. Presumably these orders existed as a back-up in case Palpatine wasn't elected to the seat in time for the war or didn't manage to get rid of term limits and was replaced as Chancellor at any point.

That really sounds like Palpatine's evil army of ruthless Jedi-Killers (unchipped) could have easily backfired on him if they'd ever decided all of these non-clones were unfit and organized to take power for themselves. I love any scenario where Palpatine's arrogant and overly complicated plans get him in trouble. The "homogenous evil army" often gets treated as a mindless mob, but while the clones may have some degree of emotional suppression, they're clearly very capable and not unintelligent, and they're not given many (if any) reasons to be loyal to the Republic. And it is FUNNY to imagine any Dark Lord's created army deciding that he fucking sucks at war (there's obviously a leak, why the FUCK are they losing so much ground to fucking droids) and they're overthrowing him for better benefits, so that they can create and run a more efficient Evil Empire themselves.

You could make this angsty as hell or a comedy, or both. I'm imagining the clones at the eleventh hour murdering Chancellor Palpatine with such brutal efficiency that it feels like its own kind of prejudice. And he gets revealed as a Sith Lord in the process (this was taken into account as a potential problem when planning the assassination), so there's an initial moment of: "I can't believe it! He was the Sith Lord in the Senate all along! How did you know?"

Cody: "Didn't."

Obi-Wan: "...Pardon?"

Cody: "This is a coup, sir."

Like, if we're going by what's shown in the movies alone, there's a clear Emperor Cody AU to be had here. Which can be played as a temporary (years long) measure to reinstall a Republic with proper checks and balances, while a bemused Jedi Order and Senate are held hostage, or the First Galactic Empire is established as per canon just with the clones running it and reaping the benefits. I'm currently enjoying thinking about the latter scenario as a dark comedy, in which Future Emperor Cody (or the clone of your choice) has to negotiate in his spare time with the various demands of his fellow clones. (Who are, let us remember due to the horror that is the accelerated aging, a bunch of teenagers at the oldest here.)

Rex: "I want Tatooine."

Cody: "The whole planet?"

Rex: "Yeah."

Cody: "It's a shithole."

Rex: "Yeah, but it'll make Skywalker so kriffing mad, so I'm calling dibs."

Cody: "Noted."

And if you want to write shipfic, there's always the AU of various Evil Army Clones meeting their love interest and then going, "Not evil anymore! Sorry, guys." Which could be angsty or another dark-ish comedy.

Cody @ the clone commander group chat: "WE'RE NOT GIVING UP ON THE 3-YEAR IMPERIAL COUP PLAN JUST BECAUSE YOU HORNY ASSHOLES WANT TO FUCK JEDI!!! STOP TALKING ABOUT THE POWER OF LOVE!!! STOP IT!!!"

[blluespirit]

Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

[idv-sunsxin3]

Vincent Charbonneau // Random Dating HCs

{Dead Plate and characters belong to Studio Investigrave}

Note// I'll rather put this as GN! S/O, despite that he's canonly gay. Just so i can at least dream😒😔/ih. Also, the headcanons might include Vince being unhinged and obsessive, so you're now warned. Vincent may or may not cook... suspicious things for you.

•Having a bond with him where you both start dating happens after having this slowburn process(and after you managed to make him not kill you to turn you into food or something, lol)

•Once you become lovers, it's an automatic option that he would decide to cook for you. Giving you lunch and dinner during and after your shifts.

•He always offers to let you stay over for the night, and then insists for you to not leave too soon by bribing you with more food on the table---(if it's not enough, he'll make sure he'll give you money, service, and so much love---) At that point it almost looks like he wants you to move in(which he doesn't mind about that option either-- he'll be concerningly more than happy)

•For such a stoic face, he is pretty touch starved and attention seeking once he starts to experience intimacy with a lover for the first time in a long while-- but he'll only show it behind closed doors, since he has pride and a reputation to secure lol;;😒😔

•He hasn't played the cello for a long while, but he'll try and play a piece for a bit on a day-off if you ever ask.

•To the public eye, he looks like he hates you or at least looks like this friend of yours who seem to be grumpy all the time. But to you, you know his sharp words usually mean for good if they're addressed to you. He once firmly told you that he'll never be angry at you, but would probably scold you like a mama duck/lh

•If he learns that you get scared of horror content, he sometimes would make you watch horror movies with him at theaters just so he can feel you holding onto his arm tightly whenever you flinch -

•He loves the feeling of you depending on him, as if your life depends on you to do that---(ehhhh yeah, he'll still be unhinged as a bf ngl)

•He stalks you because you're always the main attraction to him. He'll never stop following you once he finds you interesting. Ever since before you even started dating even---

•If you bite him as a love language, it'll leave him shocked-- like, why did you do that??? Is he delicious??? Should he cook himself??? *gets bonked *

•Once you explain it to him clearly that it's a form of affection like hugging and kissing, he would start doing the same to you. Soft bites on the arm, on the cheek, on your shoulder, on your neck, on your ear.... it almost tempts him to bite harder--- but he would manage to restrain himself if you did warn him to not make you bleed.

•I feel like you should never act too friendly around your friends- especially if it's other men... unless you want to see remains of them on your dinner plate.

•He probably wouldn't be so jealous, more like if there's ever a second person outside of your family who you love the most, then he'll cook a dish out of them as an ingredient for you... to eat...

•I think he'll ever get pissed at someone if they do cross the line as they hit on you -

•Though, other half of myself think that the love between you and him is like that meme of "You're the most jealous man I've ever known" and then "You know other men?" Kind of thing./ih

•As much as he gets so excited and maybe turned on by the sight of you bleeding, too--- he surprisingly doesn't like to see you in a bitter expression...

•Besides cooking, he would give extravagant gifts with the ✨️best of the best✨️ quality possible. I imagine that he'll be the type to adorn your neck with many kinds of Jewel necklaces - even if you're not materialistic.

[alexanderwales]

Turning Off Your Brain and the Critical Lens

Alright, let's start with this: there is a thing called a critical lens. It is a way of looking at a piece of art, examining what it's saying to us about itself or its subject or themes or whatever.

There are many critical lenses. Because this is something that's mostly only taught at the college level, most of them are (in my opinion) mired in academic language and not actually all that interesting in and of themselves: I think if you read a dozen stories through a feminist lens, you really start to think "okay, yeah, I get it". Different readings of different texts through different lenses can be great fun though, and it's one of my favorite parts of media criticism, and something that I wish people were more explicit about.

I'm going to talk about the Barbie movie, because it's easy. The feminist lens is obvious and in my opinion intended: it's the thing that the movie is most trying to be about, and as a consequence, it's something that probably has the most critical meat. But you can also read the movie through other lenses, and ask what it has to say about capitalism, about race, about neurodivergence and queer theory and game theory and a bunch of other things.

Some of these readings are Unintended. The author (in this case, hundreds of people working together on the film) did not intend for you to look at the movie to see what it's saying about, say, American Imperialism. Probably.

I personally enjoy unintended readings. I like teasing apart a book to see what it's saying about different things, and how it's saying it, and what the assumptions it's operating under, and whether this creates anything interesting when I bring a different set of assumptions. I think the writers and actors of Winter Soldier were not trying to say anything in particular about masculinity, but fuck it, let's watch the movie and think about it.

Sometimes people will watch something and recommend that you turn your brain off. Sometimes they'll say this to you just as you're about to start in on some critical analysis of something that definitely was not made with that critical analysis in mind.

Here's how I think of "turning off your brain": it's a critical lens. It's not a critical lens in the sense that academics might use it, but you're looking at this piece of media from a specific viewpoint, and that viewpoint is "omg they're in love" or "fuck yeah" or "no, don't go into the basement!". There are certain pop genres that greatly benefit from being viewed this way, at least in terms of pure enjoyment.

When I sit down to watch a romcom, I can do it with male/female social dynamics in mind, or I can do it with "aw, I hope these kids get together" in mind. One is the intended reading, and I don't think that it should get all that much privilege for it, but I do think generally it can result in better enjoyment. I love media criticism and consider it to be one of my main hobbies, but if you fall in love with one particular way of viewing media and only use that single one, you're going to have a bad time.

I write and generally enjoy rational fiction, which comes with its own lens, which I guess we can call the rational lens. If you sit and view a work through the rational lens, sometimes you can have fun with it: you try to work through the systems as presented and the actions of the characters and think about how you could make everything make sense. The way to do this that's not very fun is to look at a work through the rational lens and conclude that the author is dumb, the characters are dumb, and the worldbuilding is shit. I guess this can be fun if you have a sense of smug superiority, but I personally do not.

One of the things that I love about media criticism is that you can sometimes extract weird and new things out of a work. One of the things that I love about fanfic is that you can take a deliberately strange reading of a work and then write as though that reading was true. You can look at Batman and say "what does this say about income inequality" and then start writing and say "this is about income inequality now". You can look at Winter Solider and find a reading where Cap and Bucky are gay and then write it out.

Where I think people fail in a way that's personally annoying to me is that they take their preferred reading and then loudly claim ("ironically" or not) that this is the One True Reading against which no other readings can stand. Sometimes "that is not The Point of [thing]". I think you get that a lot from the "shut off your brain" crowd, but I've seen it from other places too, and I would attribute it to people talking past each other, sometimes not even realizing what critical lens they're using.

If you're talking to me, you can just say "non-preferred lens" and I'll understand, or maybe I'll say "wat" because I might forget this blog post moments after I write it.

[evilminji]

Okay, But, >.> Listen...

So MAYBE, just MAYBE, I am an incureable RoFan Isekai nerd. Shut up about it, maybe. What're you a cop? Mind your business. BUT! And hear me out...

W...What would actually? HAPPEN if Danny went into a Visual Novel? Some Otome game? You know, aside from being vague flustered by and then DEEPLY ALARMED by these walking Red Flag Fruitloops that girls are supposed to find "dreamy" or something?

Like we know how MMOs work for him. And probably OTHER open world games? But a visual novel? Would it be like the Christmas Episode? Would he hear narration? Be stuck in static "scenes"? Or would it be like a cut together "only the interesting parts" movie that he's somehow IN?

Like?? At SOME point his curiosity is gonna get the best of him. He's gonna want to know what different video games are LIKE on the inside? What's Pong like? Tetris? Mario? One of those Mama's cooking games? Etc etc.

He probably hits up a game sale. Buys a box or two. Figures he can always resell um or just give them away for free. Might even use them for parts. Who knows. And?

It's kinda cool!

It's even SCIENCE! See? Tucker's in charge of notes. Sam's in charge of hilarious commentary and pizza. Jazz is keeping them from drinking and doing ghost shit (terrible combination, we never speak of What Happened(tm) again). And the Dr's. Fenton got distracted by making fudge and debating what games should be counted towards which categories.

They've made an afternoon of it.

And NOW? They've reached the bottom of box one. It was "Survive The Villainess! My Rose for You!" Or... judging by Sam's climbing eyebrows and growing scowl? A DEEPLY unpleasant porn game about school girls.

You could not PAY him enough.

Yeah, he DOES realistically kinda want to know what happens.. if.. like? You know... sexy games... like would he? Or does he just WATCH or...? *awkward cough* But! That's NOT for Family Science Night! And DEFINITELY not THAT game, THANKS.

He'll find himself an ETHICALLY SOURCED smutty game full of consensual boning. For PRIVATE TIME. Those test results are gonna show up like MAGIC and we WILL NOT be talking about them! Got it? Good.

Now what the fuck is he look at here?

Jazz is surprisingly knowledgeable. They are not allowed to ask. They respect it. The main character "wakes up" inside the body of a "villainess" and must survive. Turn her terrible reputation around. Avoid "death flags". Preferably romance one of the hot guys?

Uuuuuuuh... you realize Danny's in a committed relationship, right?

Sam and Turker allow it. But they reserve the right to blast his taste in Fantasy Guy's. Chose carefully, for their roasting shall be BRUTAL. Luuuuuv yoooou~♡

He wants a divorce. They're not even MARRIED and he wants a divorce. You see how they mock him, Jazz? The cruelty he suffers? He's taking the Blobs and moving to Frightknight's. They always warned him about you living folks and your fast ways, but he didn't listen! *continued dramatics* *is smacked with a pillow*

But actually going IN? The weirdly, vaguely European over the top EVERYTHING? Giant jewels and ridiculous, fancy dresses? The walking red flag Romantic Archtype Leads? He wants to PUNCH half these guys! This is ABUSE! Are people OKAY!?

Like? I feel like he'd stay way, WAY longer then he needed too? Just out of morbid curiosity? W-where is this plot GOING? It's so dramatic. Why is my dress MORE dramatic now? Why is everything so... Sparkly.

It would be? AMAZING and baffling and I would pay real money to hear their live commentary. "Why not simply judo flip the crown prince off the balcony, then take over the country, sweetie?" "Solid plan, honey! He deserves it!" Beautiful. Flawless. Sage advice really. Too bad Danny can barely walk in his five million bows dress.

It's the BEST Au and I might be a genius. Or deeply sleep deprived. Meh. We'll 50/50 it, six of one, half a dozen of another.

@hdgnj @ailithnight @nerdpoe @the-witchhunter

[secondbeatsongs]

Hello, you said in some tags in a poll that Speed Racer (2008) is your favorite film. If you’re okay with it, I’d really like to hear more about why you love it. I love the Wachowskis’ work (they’re among my favorite directors), but I kinda ended up bouncing off Speed Racer (2008). So, hearing that it had a real impact on someone makes me very curious why. I’m not interested in criticizing your opinion or arguing with you, I’d just really like to know why you love it in the hopes I might be able to enjoy that movie more in the future.

oh god this is from seven months ago, I'm so sorry - but I do love almost everything about Speed Racer (2008) and I still think about it nearly every day.

I love that it's so bright and colorful and absurd. I love that it's an anime in live action form. and I love that at its heart, it is a story about love.

it's about the mistakes people make out of love, and the consequences of that. it's about the way children grow to understand why the adults around them make the choices they do, and maybe choose to do the same things. it's about taking risks for the people you love, and the pain of failing to change the world, because everything is capitalism and everything hurts.

(and it's also about being transgender btw. like, that's one of the main things about it - it is very much a movie about being transgender)

what if your father's choices hurt your older brother, and your older brother's choices hurt you, and now it's you and your younger brother staring down a future where you're going to end up hurting him by making the same choice?

and then...what if you can escape that? what if the broken parts put themselves back together, and the hope doesn't run out, and you're not alone with the things that haunt you? what then?

and now you're at the end and mistakes were still made, people were still hurt, but everyone's grown and changed and they're different now. and they've figured out that maybe, just maybe, you can change the world by doing something you love, by creating art and beauty and making people feel things.

maybe you really can defeat capitalism by driving a car really fast. and even if everyone thinks you can't...don't you have to try anyway? shouldn't you fight with the skills you have, the only way you know how?

what if it works?

and I'm not even gonna get into most of the Racer X stuff (because I want people to go watch this movie, and most folks probably won't be spoiled for it), but his whole deal is just...everything. I love him.

(if there's a guy from Speed Racer that I want to put in a jar and shake every so often, or maybe wrap in a blanket so he can have a nice nap, it's Racer X. he's a great character. prime blorbo material)

anyway I've been rotating this movie in my head ever since I saw it for the first time, and I think I've seen it...seven? times now? and I still cry at the final race, and I still get blown away by the intro sequence.

(the beginning of the movie is genuinely one of the best things I've ever seen - it does an amazing job of introducing you to the world and the story of the characters, and gets you emotionally invested in it right from the start. it's fantastic filmmaking)

also like. story stuff aside, from a technical standpoint, the movie is a masterpiece. it's the type of thing that people hated when it first came out, but when you look at it now and see how it was made, how it intentionally looks bizarre and cartoonish, plastic and surreal, you can see the exact vision the Wachowskis were going for, and it's brilliant.

the way they did the visual effects, the way they made the outdoor scenes feel so detailed, the way the driving and the tracks work - they put so much thought into that, and the behind-the-scenes vids show how cool their process was.

also uhhh cars go vroom, crash into each other, flip upside down, explode, maybe have bees and hammers in them sometimes?

(the above is me complimenting the unhinged vibe of the races themselves, which I love very much)

anyway I could make other full posts about the script of the film and how much I love it, or the cool side characters, or the fanfic potential of the amazing world of the film, or how I can prove that it's set in 1991...but I guess if anyone wants those rants, they'll just have to watch the film and then come talk to me. :)

(please. please come talk to me about Speed Racer.)

so, yeah! I kinda lost my mind there and made this post way longer than I intended, but I do feel strongly affected by this movie, and I hope this has helped explain why.

[another-lost-mc]

The Wild Side was so adorable and my heart wouldn’t be able to take it if you wrote something for the other characters (and Azra!) Maybe their animals from the Magical Eggs event would work, but I’d love to see your take, too.

a/n: I’m using the dateables’ onesies for their animal inspiration. I wouldn’t put it past solomon to jinx them somehow during a sleepover.

the wild side: slumber party edition | the dateables + azra

1k words | sfw | more silly fluff + humor

cw: relationships can be romantic or platonic in nature (your choice) except for luke, he is our baby brother and must be protected at all costs.

Lucifer arrives at the Demon Lord's Castle with little fanfare. You were supposed to be having a slumber party with Diavolo and the residents of Purgatory Hall, and he incorrectly assumed there was no possible way things could go wrong. He started receiving a series of alarming messages from staff at the castle that something strange was going on. He hears a disturbance as soon as he lets himself inside the main entrance hall. A loud ruckus coming from the ballroom, typically used to host the young prince's lavish parties, draws his attention. He opens the door and is completely stunned, shocked into silence by the chaos he finds within...

The Dragon (Diavolo)

It's a minor miracle that he's not a full-sized dragon. He's a bit smaller than Cerberus is and the ballroom is spacious—he has plenty of room to stretch his wings.

Judging by the scorch marks across the ballroom's marble flooring, he hasn't figured out how to control his flames yet.

(As soon as Lucifer walked into view, Diavolo snorted happily through his nose. He shot flames across the room and another set of curtains is currently on fire.)

Diavolo's still aware of his size and potential danger. He does his best to keep away from you and Luke who are at the greatest risk of being stepped on.

His scales are very warm to the touch. Barbatos can't land on him without injuring himself, so he squawks angrily at his young master from a safe distance.

He was excited to host this little sleepover for everyone to watch some new movies together, but he thinks this is even better!

The Owl (Barbatos)

He's very anxious, but you can tell he looks at you differently vs. the way he looks at Diavolo Solomon everyone else...

He doesn't believe in regicide, but Diavolo is going to be punished severely after this. And Solomon, too—this is his fault!

(Being a dragon is no excuse for his master to engage in such reckless destruction. He's going to burn down the whole castle at this rate!)

The Little Ds are enjoying this far too much and slacking off on their duties while they watch the madness unfold. The least they could do is help put out these wretched fires...

Barbatos doesn't seem to be nearly as intimidating in this smaller form. Diavolo rolls his eyes when he hoots at him, and the Little Ds keep tugging on his tail feathers teasingly and dashing away.

(If they think he's going to forget this, they're sorely mistaken.)

He gives up on trying to reign in the mayhem and tries to stick close to you instead. You're so small and fragile in your little sheep form, he worries the others might hurt you by accident. He pecks at them to remind them to be gentle.

When everything gets too overwhelming, he flies up and rests on one of the sconces on the wall or the chandelier.

(He nearly falls to the floor when the magic spell finally fades away mid-flight, and that makes him even angrier.)

The Panther (Simeon)

His main concern is keeping an eye on you and Luke. It's amusing to watch the others though; he's content to stick to the edges of the room and observe the chaos.

This is actually great inspiration for a new novel! Or maybe he should try writing a children's book. You would make a cute main character!

He carries Luke somewhere safe when he inevitably falls asleep from all the excitement.

(Solomon and Azra get so distracted picking fights with each other that Simeon picks you up by your collar and carries you to where Luke is sleeping. He curls around your little sleep pile protectively until the spell wears off.)

The Red Panda (Luke)

He's too small to get into too much trouble, but he has a surprising amount of fun—probably the most fun out of everyone, except for Diavolo.

He's not used to having a tail and he trips on it a few times by accident when he runs too fast. He swears that Simeon chuckles in a weird, cat-like way when he falls on his face with a growl.

He follows you around the ballroom, but the other animals are so much scarier bigger than he's too nervous to get close to them.

There are still trays of desserts on the table from dinnertime, and he helps himself to some sweets.

(The spell and abundance of sugar knocks him out cold in less than an hour.)

The Wolf (Solomon)

He didn't mean for this to happen, but he's going to enjoy it while it lasts.

He saunters around, swishing his fluffy white tail and showing off his stunning wolf form for you to admire. For some reason, you don't seem that impressed.

You squirm and glare at him when he tries to kiss lick your face, too.

He lays down and rolls over, hoping that you'll curl up with him because his fur is so warm and perfect to snuggle in.

Maybe you're just shy? The hellhound won't leave you alone but Solomon's not sure he can take him on in a fight...

(Really, can't he enjoy your company for once without one of the demons butting their nose where it doesn't belong?)

The Hellhound (Azra)

You said this was supposed to be a fun little sleepover. He even put on that stupid onesie you bought him because you're cute when you pout you said it would be more fun this way. This was supposed to be a chance for him to get to know your friends—and now he's stuck as a dog!

You weren't immune to the mysterious magic either, and you and the young angel are the tiniest animals here. He's extra-vigilant about trying to keep the others away from you; he's scared they're going to hurt you by accident.

(He's never seen this side of Diavolo before, and he hates to admit how much fun it is watching the young prince set half the ballroom on fire while he shoots fireballs at random objects for target practice.)

He's very agitated when Solomon tries to approach you. That damn wolf keeps stalking you around the room with a hungry glint in his eye.

You don't seem happy with either of them when they start growling and snapping at each other and he's already thinking about how to make this up to you later.

(Maybe when this is over, he can convince you to go back home with him.)

read more: the demon brothers version | obey me masterlist

[boldlyexplorational]

I know you all know this scene, but what if I told you: It's not as gay as it looks?

But wait! It still makes a great point for Spirk, the episode and Kirk's character. Ok hear me out:

When Spock enters the room he's surprised and confused. Some (me included), watching this for the first time, immediately identified his reaction as Gay Panic. Which is not all wrong. Then the whole exchange sounds like the incipit of an adult movie ... But then I thought about it, tried to contextualize the scene.

Imagine a colleague calls you at work to tell you your boss is acting really strange, drinking on the job, even. They ask you to go check on them and you go to your boss' office to find them there, half naked. This is the first time you see their nipples. And he's talking all low and acting gentle while they're usually loud and commending. You would probably register this as strange behavior as well.

This is what is happening to Spock here.

So I think his actual main sentiment there is surprise because the Captain is showing himself in a very vulnerable state. Even if Kirk and Spock consider each close friends, Spock makes a point of reminding Kirk how important it is that he appears as flawless, strong and decisive as possible in front of the crew to maintain control. And Spock doesn't feel exempted from this. But apparently suddenly he is? Something is wrong.

Of course we know that that shirtless guy is Soft Kirk (as opposed to Feral Kirk) the most gentle and vulnerable version of the Captain, that's the reason why he didn't think he needed to put his shirt back on to receive his first officer in his room.

To the audience this scene should be the equivalent of the violent scene with Janice. The one with Janice shows us the true dangers of Feral Kirk, the one with Spock is meant to make us understand that the other Kirk is not just "real Kirk" but "Soft Kirk". We should also be surprised that Kirk is letting someone see him in such a casual, informal state. Kirk would never.

But we're not, surprised, because we're biased by our own idea of Spock and Kirk being very close, and even the scene being slightly sexually charged because of nudity. In 2024 we see a lot of naked man chests every day, and if we are open minded enough we can see homoerotic subtext in a man being exposed to the sight of another man's bare chest. But at that time I have to assume it was much more unusual, so it carried a completely different meaning in context: it's not one of those times where one may say "if Spock were a woman in that scene, there would be no doubt about the implied attraction in there"

A woman would never be put in that situation, it would have been improper exactly because if it's a woman it implies sexual tension (which is not the point, because Soft Kirk is not sexual, Feral Kirk is). But this scene between men is, by society perception at the time, devoid of sexual undertones because two men could never be implied to be attracted to each other in that circumstances. Because gay isn't an option to begin with.

It's pretty ironic of course how a lot of people weren't actually thinking like that and went like "these guys are about to kiss on the mouth". Because proper society said "no homo" but the fangirlies had other ideas. And it's fascinating how on the end this appeared to be a revelatory experience for Kirk, who then must have discovered he actually had no problem being half naked in front of Spock. So much so that he seems to punctually wait to be shirtless before calling Spock on the videophone.

So in the end this scene, which I believe had a totally different purpose than the way it is perceived today, actually triggered a new level of intimacy between Kirk and Spock, which led to that landslide that's their peculiar... one might say queer, lifelong bond

[comicaurora]

Hey red, what's your opinion on some modern writing that's very lamp shady? And do you have any advice on how to avoid "Well that just happened" dialogue?

It's an interesting question!

The thing is, lampshading exists for a reason, but it's not the reason it gets used a lot of the time. Writers might lampshade a narrative choice they're insecure about, while characters lampshade because the things they go through in a typical story are kind of bonkers, and we might expect them to notice. If a character signs on for a simple mercenary expedition and ends up discovering they're the long-lost prince of a kingdom they've never heard of, that's weird and they probably feel weird about it. If an ally is determined to 1v1 their super overpowered nemesis with no help from their friends, those friends might have opinions about how dumb that is.

This is a form of lampshading that doesn't break immersion because it's entirely in-character and doesn't lean on the fourth wall. There's a difference between a character noticing how weird their life is and a character pointing out how cliched a recent experience was. In the latter case, the character is treating their life like a story, and while it IS a story, they shouldn't know that.

There's a spectrum here, with "complete sincerity and taking every turn of the plot at face value" defining the 0-point and "complete self-aware uninvestment" at the far end, but healthy levels of lampshading live somewhere in the middle. Characters at the 0-point accepting everything that happens without question can feel just as weird as characters that won't stop pointing out the TVTropes entry they're currently living. It's about what it makes sense for the character to find disruptive or noteworthy. A hardened badass probably won't see the need to point out how bonkers a recent fight scene was, but a newcomer to the Cool Bombastic Adventure scene might be really excited when they pull off a cool special move and want to point it out.

I think this is why the recent D&D movie worked for a lot of people, because while the main characters all lampshade their lives to varying degrees, the way they do so makes sense for all of them. Edgin is a bard and storyteller so he has a slightly meta perspective on a lot of things, purposefully avoids playing along with certain narrative conventions and sometimes responds to other people's dialogue by critiquing their dialogue instead of just responding normally; Holga doesn't really care to understand how the world works and so keeps pointing out that they should just use magic to solve their problems, which is probably the most popular lampshade in the whole genre; Doric and Simon don't get a ton of time to shine character-wise, but they'll both occasionally poke holes in the pretense of the story they're in. The thing that makes this all work is Xenk, who plays absolutely every moment completely 100% straight and is entirely immersed in the objectively ridiculous setting of D&D. Same goes for most of the villains, except for Forge, who's probably the wackiest and most self-aware character in the entire movie, but in a way that makes him feel callous and disregarding of the people around him, like he's uninvested in the world not because he knows he's a fictional character but because he has too much money and power to care about anything. The ways each character does or does not lampshade their surroundings make sense for who they are as people and reinforce their characterization and place in the world instead of undermining it.

I recently watched a couple episodes of Stargate Atlantis and noticed something similar - the main character and, to a lesser extent, the rest of his associates from Earth have a tendency to make wry observations about his objectively bizarre life and the eccentricities of the people around him, which helps contrast against the extremely serious and businesslike Cool Space Warriors they keep accumulating, which helps make them feel (a) distinct from each other and (b) relatable considering all the weird stuff that happens. And the protagonist switches off the quips as soon as things start looking perilous for his team, so you never get the impression that they aren't invested in the story they're living, and as a result the various quips and lampshades come across more as a habit or a coping mechanism than a disruption to the narrative itself.

So basically I think you can get away with a lot of lampshades as long as the character doesn't feel like they know they're in a story.

[absolutebl]

Hey. Ty very much for your posts. As a woman in my 30s I got hypnotised by the beauty of the novelists and was wondering if you had similar high heat intense recommendations (also watched the samurai one "taboo"), bi or mlm with older leads and non fluffy storylines.. Moody atmospheric and venomous is my weak spot

Moody, atmospheric & venomous BL

Like, the Novelist? really?

AKA Pornographer movie series AKA The Novelist, Mood Indigo, Pornographer Playback (Japan 2018-2020) - emotional manipulation, cheating, obsession, seduction, May/December, kink, touch of necrophilia, explicit.   

Okay I got one right off the bat: seek ye....

The Cornered Mouse Dreams of Cheese

AKA Kyuso wa Chizu no Yume wo Miru (Japan 2020) - obsession, cheating, breakup, reunion, then break up again, explicit, mature characters. 

Now let me think about some more:

high heat

intense

non fluffy

older leads

The last one is a doozy, so I'm not gonna use it as a qualifier. BL is most, well, about "boys" not men.

Some others that might work for you but don't meet all your criteria:

Your Name Engraved Herein (Taiwan 2020 Netflix) - this movie is fantastic but it is also seriously depressing, it’s a self acceptance journey, but if you wanna wallow in high quality acting and serious gay drama, this’ll do it. 

Innocent (Taiwan 2021 GaGa) - mental health, childhood trauma, actually kinda sweet. 

The Eighth Sense (Korea 2023 Viki - This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a KBL the darkness of the content left me feeling unsettled but it's really damn good.

My Personal Weatherman AKA Taikan Yoho (Japan 2023 Gaga) - Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. They're hot, young, in love, and total idiots.

I Feel You Linger in the Air (Thai 2023 grey or YT) - IFYLITA is an exquisite BL, elegant and classy… from Thailand which normally doesn't even try for classy. The main couple (both as a pair and individuals) were excellent, it gets hot more that explicit, but it does have sharp edges.

Tokyo in April is AKA Shigatsu no Tokyo wa (Japan 2023 Viki) - Two young men with a shared tragic past reunite and fall in love all over again, but the past will not stop hunting them. It’s Japan in full on soft focus which means it gets emo, abusive, and chewy. These two characters are giving parts of their souls away in a desperate attempt to shape themselves to the expectations they have of each other it's heavy and cutting.

Moonlight Chicken (Thai 2023) - I enjoyed this complicated little show, even though it’s spectacularly messy gay with lots of shrapnel and authentic pain. EarthMix turn in their most compelling performance to date.

Bed Friend (Thai 2023 IQIYI) - Office frienamies transition a flaming hot one night stand into a f-buddy relationship that is built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly longing eyes, while our cat is snarky, prickly, and deeply damaged (ALL THE TRIGGERS). NetJames give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth.

Big Dragon (Thai 2022 Gaga) - This is a decent execution of true enemies to lovers, these two spy on and bully each other, exploring darker themes and self worth issues. The way the leads transition between anger, resentment, titillation, and flirting (and the way, with kinksters, this can all be the same thing) is really well done. A pairing that proved itself to be a lot more sophisticated than I expected with excellent chemistry, but something went askew around plot, directing, and ending. Still if you're in it for the sexy, go to, they did.

My Beautiful Man AKA Utsukushii Kare (Japan 2021 Gaga - One of the most Japanese BLs to release in the last decade, as weird and as messed up as any 2000′s yaoi: emo af and hella warped, entirely true to itself with no attempt made to modify its POV for modern sensibilities or current BL fandom. It used seriously old school problematic and kinky tropes, like whipping boy, for a truly uncompromising piece that also manages to hit up themes of communication, consent, and self acceptance. It’s a wonderful BL but uniquely dirty and harsh, in the best possible way - Japanese cinema, uncompromising.

End of the World With You

Junjou: Pure Heart

The Egoist

No thoughts on those three, not my thing.

You also might consider some of the stuff on this list:

Hope that gives you some options!