#and it fits into my special interest

[lillianforest22]

I’m so autistic at every cance I get I am comparing jrwi and dndads shit. Oh gillion and Linc are paladins. I will be doing fanart.

Chip and Glenn have high persuasion.

Jay and Taylor started as rangers

[fma03envy]

You should watch fma03; it's really good I promise

[libraryofgage]

Steddie brainrot continues to worsen to a concerning degree but here's a crack idea that is absolutely sending me:

Famous Spicy Six in which Jonathon is a director who decides to work on a passion project: a Scooby-Doo movie. His ideal cast is as follows:

Nancy Wheeler (investigative journalist with a few special appearances on crime dramas) as Daphne Blake

Argyle (an actor with a habit of playing small parts; he acts only because he thinks it's fun, so he's not concerned with significant roles) as Shaggy Rogers

Robin Buckley (a well-known voice actor who is more well-known for her social media posts and clap-backs) as Velma Dinkley

Steve Harrington (basketball star who is also more well-known for his social media clap-backs and for being Corroded Coffin's number one fan) as Fred Jones

Eddie Munson (frontman for Corroded Coffin, an insanely popular metal/punk/rock band and "infamous" for unashamedly posting Steve Harrington thirst tweets) as the voice of Scooby-Doo

Corroded Coffin is also creating an entirely new, original soundtrack for the movie

And because I think it's funnier this way, this is also an AU where the Upside Down still happened, so Jonathon just calls his friends up and is like "Okay, so hear me out"

The absolute insanity that breaks out when both the movie and cast are announced because nobody can figure out how Jonathon managed to convince all these powerhouses to join his movie.

The further screaming online after one of the movie promo interviews where a reporter asks how they all agreed to the movie and Nancy hits them with, "Well, Jonathon asked, and he never asks for anything."

Which leads to the discovery that they all knew each other in high school, and the reporter jokingly asks if that means they've all dated each other, too, which leads to Eddie jumping in with absolute delight like, "Well, that's a funny story, there. See, Stevie here dated Nancy, who then dated Jonathon when they broke up, who then dated Argyle after they broke up. And I thought Stevie and Robin were dating, so I was very confused when I saw Robin and Nancy kissing. But then I found out that Robin was a true-blue lesbian, which meant Stevie here was open for the taking, and we've been banging ever since."

and Steve is just sitting there, head in his hands while Robin cackles and decides to tell the reporter all about Steve's "fuck I have a crush on Eddie" crisis

This interview, of course, leads to even more freaking out online and comments like "I know I asked for poly Scooby gang, but this is ridiculous," and "I can't believe that in this, the year of our lord 20xx, ScoobyXFreddy became a canon ship," and "if I had a nickel for every romantic relationship the Scooby gang actors have had with each other, I'd have five nickels, which is way more than any of us fucking expected to have," and "suddenly Eddie Munson's thirst tweets make a lot more sense, but can we talk about Steve Harrington's CC tweets now," and "everyone say thank you to Eddie Munson for revealing that mess of a relationship map," and "finally, the canon lesbian velma and daphne we deserve"

The movie is a box office hit, btw, and bloopers from filming roll with the credits, among which is Eddie Munson making Steve Harrington lose his shit laughing on set while dressed in a Scooby Doo onesie and singing Corroded Coffin songs with his Scooby Voice

[starry-eyed-psychopomp]

WHO was going to tell me that the Ballad of Lucy Gray Baird is set to the tune of Streets of Laredo/The Unfortunate Rake??!?!!? And it’s WRITTEN LIKE THAT IN THE BOOK?!?!???!

Like the fact that it’s supposed to be her lamenting her own impending death?? And she chose the most famous folk song about someone lamenting their impending death??? Hello?!??

[marinersubmariner]

You are hard to find.

I actually have a longer Ben-on-Lah’mu AU picspam that precedes this and has been languishing unfinished for a few years (?!?! ugh.......) because I wasn’t happy with the manips. Maybe if I drag my feet long enough they’ll just bring back Ben Solo and make my desperate photoshopping obsolete!!

The short explanation is that I put Ben in exile on Lah’mu for the aesthetics (I LOVE SPACE ICELAND) so he’s just alive and hanging out and being beautifully melancholy. But for this particular edit I imagined a slightly different backstory (...an imaginary AU of an imaginary AU...........) in that instead of “he didn’t die” this is “TROS still happened as-is and he got resurrected afterward” and this specific moment is Rey finding him and them seeing each other for the first time since Exegol. The vague story in my mind is that maybe she managed to pull him back to the living world but through some transdimensional mishaps he got dumped out somewhere random and Rey had to track him down. And while he was stranded on Lah’mu he had to just chill and become a farmer.

[slugfishh]

made a loose ponysona for funsies

[cringefail-clown]

the book has arrived. currently im on a page 33. i have Thoughts. idk if yall would be interested in my rambles, but maybe ill post some of em as i get through it

[mamawasatesttube]

i do think that despite being the squad's designated nerds, kon and bart struggle to watch lotr together because kon physically CANNOT stop infodumping through any of the movies (and of course they have to watch the extended editions only), but bart's like. you want me to sit in one place and watch one screen for 12 fucking hours. and on top of that you WON'T SHUT UP the ENTIRE TIME? i already can't focus on movies and you TALK THROUGH THE WHOLE THING? im going to fucking bite you--

[spider-man-2o99]

so, then, what IS up with miguel o’hara’s moral backbone?

lol sorry if y’all’re sick of my 2099 soapboxing. anyways.

while i understand where the reading of “miguel is a morally bankrupt evil scientist and his spider-man is just a violent shitheel” comes from, i just... really can’t ever get behind it, based on what we see in the text of SM2099 v1 (1992-1996) itself.

like, don’t get me wrong-- from our first introduction to the guy, we very quickly learn that he has been a cog in the machine for one of the 2099 imprint’s Big Bads, the ruthless megacorporation in charge of the United States’ East coast: Alchemax.

..but. like.

the whole point of his origin story is changing that. the initial catalyst for his Spidering--getting roofied by Tyler when he tries to quit his job--would not have happened if he had no moral compass to speak of.

narratively, it’s less that miguel himself is changed, after he gets his powers, but that his perception of the world has changed.

just-- just bear with me, yeah?

see, for a lot of his life, miguel was a perfect cog in a shitty machine, and he did everything he was expected to without even thinking to stray from the path set down for him by his biological father and by alchemax overall.

and, then, suddenly, that’s all ripped from him in an instant. and miguel’s left floundering in the water.

he’s no longer on the winning team-- more than that, he realizes that he probably never even was on the right side of things, to begin with.

miguel o’hara’s most-quoted line is his response to the infamous “great power,” bit: Great responsibility? No. With great power comes great guilt.

he’s repressed, and he’s a hypocrite, but a guy can only turn a blind eye so far when something he knows is wrong is happening right in front of his face.

as soon as it’s even suggested to him, he immediately steps out of line and tries to put his foot down on absolutely not using a human test subject for his personal spider-man project. when stone brushes him off and makes them go through with human testing anyways, and then the subject dies, miguel doesn’t hesitate to turn up his nose and walk out right then and there on the spot.

his reward for it, of course, is an ice-cold dose of Reality.

from there, his blinders get pulled harshly off his face, and mig realizes that he really doesn’t want to keep being the person that he has been. his life has been wasted sitting idly by and letting bad things happen because all he knows is helpless compliance, right up until he goes and gets himself The Fly’ed into spider-man.

and once that happens, and he Realizes it, he starts to fight back.

that’s how the run is kick-started, in the very first three issues!

the first ten issues of spider-man 2099 (1992) follow miguel stumbling from a very sheltered life, having been thrust head-first into navigating a world that is not only deeply, deeply unjust, but also wants him very, very dead.

he don’t got a dead uncle to motivate him! all he’s got it his own fear and an inner desire to use his new abilities to try and make the world a better place.

hell, the first time he put on the costume, ol’ miggy boy wasn’t even doing so for the purpose of becoming a superhero in his off-time-- it was just an old spare in his closet that he threw on in a desperate attempt to Not Fucking Die as a bounty hunter tracked him to his home.

it’s only later on, after he’s had time for it all to sink in, that miguel realizes that he can actually meaningfully help the people who had been cast aside by the same society that had previously lifted him up above them.

as much as he whines and bitches and moans about it, he never seriously considers throwing in the towel and hanging up the costume for good. he may hate what has happened to him, but he never once seems to hate what he can now do with his powers, vis-à-vis challenging injustice.

mig’s often stuck between a rock and a hard place, what with the kind of world he lives in. it’s why he don’t work well when he’s stranded away from his dimension. peter can get his villains locked up just fine and dandy, but miguel’s world isn’t like ours like that. it’s brutal and it’s very very much established across the imprint that earth-928 (marvel 2099) is a kill-or-be-killed place to live.

despite how people harp on him not having a no-kill rule, miguel honestly hasn’t even killed enough people to count on one hand; the first was completely by accident, even, and the second told him to his face that if spider-man let him live he’d just keep being a cannibal gang-boss because no one else ever has or would try to oppose him.

is killing people the answer? not if you have any other option. but. mig ain’t a friendly neighborhood superhero. he’s just doing what he thinks is right in the moment while scared absolutely shitless for his life most of the time.

now, i don’t mean to defend his every action--miguel o’hara isn’t a saint, and, good god, but he’s made some questionable choices--but. at the end of the day, he’s still shown throughout the run to be trying to be better.

and, i dunno. maybe i’m just a sentimental little sap, but a story about somebody who finally “wakes up” and struggles to build a life worth being proud of after years of having shut down from heavy early-life trauma? that hits, man.

hits real close to home, to be honest. learning to Live after so long simply Surviving is fuckin’ hard, man.

[mousfri]

in honour of living out my early teenage dream of hearing Mary by The Happy Fits played live (yes, i did start weeping upon the first bar of the song), a selection of songs by the happy fits that feel very hannigram to me (guaranteed to scratch your audhd brain or your money back).

Mary -> hey pathetic loner boy, wanna fall in love with a sexy murder lady? oh whose perspective is the song from? consider it a choose your own adventure.

So Alright, Cool, Whatever -> "But how could you ever really know? // If you never look, you don't know what you'll find // I've got an effervescent glow // If you show me all the dark parts of your mind" um hello??? also a gorgeous line about God keeping them apart for heaven's sake that feels very hannibal

Relimerence -> s2 will graham grieves the 'false' closeness he had with hannibal before his prison era, unable to shake his attraction to him regardless; "You will dream of the day // That she held you so close when she loved you"; "I could die a million times and I'd still wake up at your door"

Do Your Worst -> pre-mizumono/mizumono hannibal, frustrated by will's manipulation and continued denial of his own nature, "Well-rehearsed, repeat the verse of hate again" (this song was incredible live btw)

[anonzentimes]

I think i overdramatic or anything you can call me but, Nagito is not a twink

People on the fandom looove to draw him skinny and really down for sexual tension. NAGITO Is a just like other men, you don't need to really so slutty or anything.

i'm going to be so honest i have no clue what you are cooking because he's a queer skinny young boyish beautiful man he fits the definition of a twink perfectly lmfao??

Don't know what you mean by "NAGITO Is a just like other men, you don't need to really so slutty or anything," but I assume you're just saying the fandom sexualizes him and you don't think it fits? I mean that's fair, but I hate to say it the franchise itself after a point sexualizes him too, soooooo, it's kind of expected lol? We also have evidence that he isn't asexual through the information we can gather from his songs and context clues, so again, it's not all that surprising or enraging that the fandom would treat him sexually. Like, he's also one of the tumblr sexyman icons people think he's attractive lol. If that isn't what you meant feel free to drop another ask with more understandable sentences lol!

[yuri-for-businesswomen]

im not autistic but i believe in their beliefs (because i share like 80 % of symptoms typical for autistic women with yall)

[saturnniidae]

The money I would pay for this.

[jemmo]

i cant tell you how much i ADORE this first episode of my beautiful man s2. there’s something about the pace of it, especially in hira and kiyoi’s interactions, the quick back and forth, hira saying something, kiyoi catching him out, hira backing down, kiyoi getting mad about that, hira stuttering to try and say the right thing. the way they interact is this seemingly endless cat and mouse going in circles around this big, huge centre thing that is ‘the point’. they both want to convey so much but neither can put the plain and simple words to it, hira is too much and kiyoi is too little. and yet they still have these moments, when they let the plain truth slip, hira saying you’re just too cute, or kiyoi earnestly asking hira not to leave him, it peels back at their true sentiment that’s always being danced around.

and the thing is, if you didnt watch the first season, this relationship could so easily be seen as bad bad really bad, the way they almost bicker and get mad, how kiyoi appears to pick at hira and gets mad so easily, how hira acts more like an avoid stalker than a boyfriend and always seems on edge or off in his head catastrophising. some people still might. i can see how it can be a difficult relationship to digest. its weird, awkward and uncomfortable at times, and almost absent of the usual softness of a bl couple. but thats why i adore it. because i think its so important and interesting to portray a different kind of relationship, even if maybe exaggerated to fit the king and servent original premise that hira still holds onto. bc the thing with these kinds of relationships is it doesnt matter what we think of it, whether we like it or think its ok, its about the people in it. some people are just different, they act differently, and interact differently, and thats ok if its ok for the people involved, and thats what i think the case is for hira and kiyoi. obviously they still have problems, this relationship isnt perfect, and i think this series is gonna show that, but thats also ok. just bc a relationship isnt perfect, doesnt mean it shouldnt exist. there has to be something there in the first place for it to be worked on. and there is. at the core of it all, these two people really really love and care about each other, they just express it differently, and maybe need to learn how to express it in a way that makes it easier and better for the other to feel it. maybe hira needs to let kiyoi off that pedastal, and maybe kiyoi needs to not view his feelings as this weird, gross thing. but that takes time, and i think is truly worth it.

and what makes it work and so thrilling and interesting to watch as a show is that kiyoi and hira somehow both encourage that detrimenal behaviour but are also so incredibly good for each other, and good at challenging that behaviour. hira wants to see kiyoi as a god and kiyoi wants to be loved, so he can be that godly figure. you can see it in this almost entitled way he acts, pushing hira around, even when he just sits down in the rocking chair, above hira, very mch the image of a king and his bowing servent. as someone that was starved of love as a child, he laps that up. but its when his feelings grow for hira that he realises he doesnt want to be some god or king, he just wants plain and simple, human, equal love. so he ends that scene lying on hira’s lap, lower than him, airing his insecurities of being abandoned and asking hira to stay with him, very much that lonely child wanting someone else’s love. not devotion, not sacrifice, just love. and its his feelings for hira that allow him to push hira in a good way, challenge him, bring him out of his shell, which he desperately needs. hira is so stuck in his head that he hasnt reared his head enough to learn how to act like an actual person. so used to blending into the background, he doesnt know how to be his own person and not an object or a piece of the furniture. you see it at the party, that he doesnt know enough small talk words to get through a conversation, let alone actually be himself and interact with others on an equal level. thats why he takes on this servent role, bc he’s never seen himself as enough of a person to be anything else. he can only be made real when characterised by his actions for others. kiyoi’s rejection of these roles means he can challenge hira to step up, to be on his level, and in that find himself. there’s hints, you can see it, in his love of phtography, when he talks about the moon, when he’s around others and even kiyoi and they have these softer moments where it feels like hes breathing and calm instead of stuttering and panting through an interaction and his brain is running a mile a minute. kiyoi has seen it too, and thats why he fell in love with him. ok, maybe he likes his eccentricities too, but he sees a person that he wants to be with, on equal terms, and in that he wants to pull hira up and see him be himself, realise himself as a person, just as much as he has to step down. and they dont explain these things plainly, voice that they want to help each other in this way, but you see it so clearly. its the subtext of this almost other language that they speak together thats full of twisted meanings and hidden intentions, at the heart of it is, like i said before, actual love and care for each other. do they need to get better at it? yes. but do they need to become our idea of a normal relationship to do that? no, absolutely not. after all, hira will always be hira, and kiyoi will always be kiyoi, and if they lost that, they’d lose themselves and their love for each other. so stay weird, stay unconventional, and stay yourselves, my beautiful couple. 

[nemmet]

fred jones in ‘an evening with the scooby-doo gang’

[lukreziaaa]

“I’m not a pediatric surgeon.”

“You touch the child whenever you speak with her. You explain conditions to the child, not just the parents. And you react to the patient as if it was your own child. And you break protocol, which is inappropriate. Except in the case of pediatric surgery. You’re not a general surgeon.

You’re a pediatric surgeon.”