I just realized that if someone who "doesn't have trauma" scripts in traumatic events so they can be cared for by their comfort character, then they might have more trauma than they realize...
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u ever see someone with extremely fucked up views (or actions) and think wowww if a couple of things in my life went the tiniest bit differently that would have been me
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I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.
Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.
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i miss the bad guys. like they really took the only good thing about zootopia (furries) and made it infinitely better by Not being copaganda
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Lae'zel's character and her entire situation at the beginning of the game becomes so much more funny when you find out she's 22. It makes so much sense. Imagine you're 22 and you're exposed to this dangerous toxin or chemical or something - but not to worry, you learnt that this can be easily fixed, you just need to dial 911 real quick. Common knowledge. Everyone knows that. You learnt that in kindergarten, it's up there with fire alarm drills.
But the people you're stuck with have no concept of modern medicine and when you say "let's go to the hospital" they will say shit like "i think they kill people at the hospital" and "we should ask this swamp lady" or "this guy over there told me about this homoeopathic healer kind of guy but he got abducted" or "this random bard wants to help" and "I'm not going to dial 911 because I don't want the government to know my home address" or "maybe we should consider a deal with Satan". And then a bunch of them KEEP consuming the chemical because it makes them "stronger". One guy might explode for unrelated reasons. You have a few days before this situation is getting critical and suddenly they're solving crime and doing general charity for the community.
And FOR SOME REASON you still try to help these idiots and you STILL want to help them get the cure even though they all keep insisting the "doctors" at the "hospital" might try to "kill them" and they don't have insurance. And you keep telling them to just. go. to. the. hospital. before the time runs out and you all die very horribly of a very treatable condition.
And also you're 22 in a foreign country and you're responsible for shepherding this gaggle of idiots who are all ranging anywhere from 24 to 240 years old.
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Expanding a thought from a conversation this morning:
In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.
A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.
In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.
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finishing up some wips because the book of bobos reinvigorated me. ford get that toxic waste off your porch
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✦ I've been saving all my summers for you ✦
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
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*Married life playing in the background
This idea was probably funnier in my head
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Vanny's type in FNAF is so obvious...
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I love that the doctors choice in friends is brilliant, kind, will sacrifice themselves for the universe, compassionate to a fault, and his type in romantic partners is I carry a GUN and am INSANE and have committed untold WAR CRIMES
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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
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hi. what do you mean
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Running to catch the train (Dec. 2023)
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