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#and most of the time it's difficult
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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captainjonnitkessler · 9 months
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Do you guys notice how when Shawn Fain, president of the United Auto Workers union, started planning a general strike, he did it by a) targeting his messaging towards unions with the ability to safely and effectively strike in large numbers, b) laid out a clear, actionable plan for those unions to follow (setting contracts to all expire at the same time, since many unions cannot strike while under contract), c) is using union contracts to set clear, actionable demands that can be met in order to gauge success and provide an end goal, and d) started organizing FOUR YEARS before the proposed strike date to give people the chance to plan accordingly, because it takes a really freaking long time to get tens of millions of people organized?
You notice how he didn't do it by slapping a message on Twitter saying 'hey nobody go to work on Monday, that'll really show 'em'?
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kandismon · 4 months
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totally lore accurate swanqueen screencap redraws 1/∞
i'm trying to learn how to draw emma and regina and figured just kinda redrawing some screencaps is the best and most fun way haha
bonus:
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ahahnopenope · 8 months
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god's favorite princess
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inkskinned · 1 year
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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egophiliac · 1 year
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Did peepaw come home?!
HE DID! :D! luckily it only took me three ten-pulls; I think my past experience of being so thoroughly denied a Fairy Gala Ortho made me more worried than I should have been. may the gacha blessings pay forward to everyone else! (ノ◕ヮ◕)ノ*:・゚✧
so far this is hands-down the funniest Lilia card, because he'll say something all edgy and badass in that deeper ~General Vanrouge~ tone and then follow it up immediately with one of the non-card-specific cutesy Lilia lines, and it gets me every time
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dovewingkinnie · 8 months
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when the evil gameshow host gets a crush on you
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amanitacurses · 4 months
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Could I request some more vidow?? Maybe some angst >:) or hurt/comfort vidow or with the colours :) (with Vio or shadow as the centerpiece tho soz lmao)
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Like I would pass up a chance to draw Vidow, c'mon
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luxaofhesperides · 9 months
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Wings AU ; requested by @justwannabecat!
“Are you sure it looks good?” Duke asks for the sixth time in an hour.
Tim sighs and says, yet again, “It looks fine. Just give it to him! If he doesn’t love it, I’ll beat him up for you.”
“You wouldn’t do that.”
“I could! But you’re right, I wouldn’t. I would just psychologically torment him until he broke.”
“Don’t do that, please. I’d like to actually have a chance with him, even if he hates this.”
“He won’t,” Tim says. He actually stops typing to give Duke a severe look. “Go and give it to him. If you don’t go now, he’s going to think you bailed.”
Duke glances at the time, then jumps. “Shit! Thanks for your help, man!” He’s out of the door before Tim can say another word. He doesn’t bother with the front door, or even going down the hallway. Instead, he opens the nearest window and flings himself out of it, unfurling his tawny wings to catch the wind beneath them and ride them into the city proper.
He briefly considers stopping for a moment to change into his Signal outfit so he can fly above civilian jurisdiction, then decides that it’s far easier to just bend the light around him so he’s invisible. He wouldn’t want to be late meeting Danny, after all. Especially not for this.
He hadn’t been expecting Danny to be into traditional courting methods. Most people tend to go the more modern way of dating, but Danny had mentioned once or twice that he thought it was romantic. He had blushed, mumbling the words, but Duke heard them and went into researching courting methods to see which ones Danny might like best.
Sure, he could just ask Danny out on a date like he normally would if he liked someone, but if Danny wants to be courted, then Duke is going to court him!
It’s why he’s been planning this out carefully, gathering his primaries after his wings molted a few months ago so he could string them together into a thin wing covering. 
Admittedly, this courting method isn’t super common, but the thought of giving Danny his feathers, making it look like their wings are one and the same, has kept Duke up some nights, wanting it so badly. 
Besides, he thinks Danny will like it. Considering the state of his wings after the Accident…
Duke holds his handmade wing covers closer to his chest, flier lower as he leaves Bristol and enters Diamond District. The streets are busy, full of people. Most tend to stay on the ground, wings tucked close to their bodies, but there are plenty still flying above cars and buses that Duke has to carefully fly around. 
It takes another twenty minutes to get to Robinson Park, where Duke drops down to the ground and takes a moment to make sure all his feathers are straight and neatly displayed. Then he walks into the park, heading towards their usual meeting place.
For once, it’s a nice, sunny day in Gotham. Everyone’s taking advantage of it. The park is full of couples and families, walking around slowly, and kids dart through the air, still unable to go very high with their wings not yet fully grown in. It’s nice to hear the laughter and general chatter of people wandering the park. 
Duke doesn’t spend too long walking the paved paths through the park. He steps off of it near the second water fountain on the path, then heads into the trees, passing two moms on a picnic with their three kids rolling around the grass nearby. 
Tucked away in this corner of the park is a small clearing surrounded by thin trees. The tile is dirty and cracked, no one maintaining it at all with it hidden away. 
He sees Danny’s wings first, with long feathers that trail onto the ground, a black that shines dark blue in the light. He follows the lines of his wings back to his body, where Danny sits on a bench, leaning his weight back against his hands as he lifts his head up into the sunlight, basking in the warmth.
He really is so pretty. He insists that he isn’t, but Duke regularly spends time with the Wayne family, all who have modeled before, so he’s got a better idea than most about what pretty  looks like, and Danny fits the bill. 
“Hey,” Duke calls out softly, watching as Danny slowly blinks his eyes open and turns to give him a warm smile.
“Hey! I’m free for the rest of the day, which means we have so much time to complain about things today.”
“I didn’t keep you waiting, did I?”
“Nope,” Danny says. “I wouldn’t mind waiting, though. I like hanging out with you.”
Heart pounding in his chest, Duke walks forward. He doesn’t know if there’s something specific he has to say when presenting his gift, if there’s a courting tradition involved that he didn’t learn about. He’s terrified Danny’s going to reject it. He’s praying that Danny accepts it.
“Are you okay?” Danny asks, standing to get a better look at him. “You seem tense…” He trails off as he catches sight of what Duke holds in his hands, breath stuttering.
“I’m fine. I, um.” Duke steps into the clearing, entering the sunlight, and holds out his wing covers. “I made them for you. You mentioned before that you thought courting traditions were romantic… I don’t know if you like wing covers, but I thought you’d look good in my feathers… Only if you want it though!”
He’s trying so hard not to cringe away in embarrassment. He’s flirted with Danny before, half jokes and half serious, always playful. Duke was smooth then, delighting in how flustered it made Danny before he hit back with his own flirting. Now he’s a hesitant, stuttering fool, tripping over his words and struggling to find the perfect things to say. Maybe he should have thought up a speech, or something. Memorized a few lines to speak his intentions with this courting gift. Done literally any prep for giving the gift instead of focusing only on making it.
Danny doesn’t say anything. He doesn’t move either. He just stares, wide-eyed at the wing covers in Duke’s hands.
That’s a bad sign, isn’t it.
His hands lower just a touch, and he quietly prompts, “Danny?”
Just as he’s about to pull back, step away and try to fix things, messily attempt to salvage their friendship because clearly Danny doesn’t want to be courted by Duke, Danny’s hands snap out whip-fast and latch onto his wrists.
“This is… for me?” he whispers, awed.
“Yeah. Yeah, it’s for you.”
“And you’re courting me? Like, for real?”
“Yeah, definitely courting you for real. Do you accept?”
Danny throws himself into Duke’s arms, careful not to crush the wing covers between them. “In what world would I say no?” he laughs, bright with joy. He pulls back a second later, not giving Duke time to hug him back, and turns around, carefully stretching his wings out. “Put them on for me?”
“Of course.”
He starts by smoothing out some of Danny’s feathers. He doesn’t get to do this often; Danny hates having his wings on display for anyone, with how they spasm occasionally, and have empty patches where feathers will never grow in again. The Accident, all that electricity coursing through him, it permanently damaged his wings. There is no healing to be done. 
His wings are lacking too many flight feathers and primaries for him to fly. He’s stuck on the ground now, unable to use his wings for more than a minute. Old burns are still visible closer to his spine. 
Danny prefers hiding his wings away. He hates thinking about the Accident, hates how it’s taken his wings from him, how it’s changed him completely. 
But Duke loves his wings. He loves the softness of Danny’s lower feathers, how they shine in the light, how they always puff up when it gets windy. He’s only gotten to preen them twice before, and he treasures those memories more dearly than anything else.
This easily outshines both those moments.
He gently combs his fingers through Danny’s feathers, straightening them out, then lays the first wing cover over his right wing. His own brown feathers drape over the top of Danny’s wings, hiding the featherless patches from view. He does the same to the other wing, then adjust both until they lay perfectly on Danny’s wings.
As soon as he lifts his hands away from Danny’s wings, Danny is spinning around with a grin, flaring his wings out.
“How do I look?”
“Perfect,” Duke answers. He was right; Danny looks good in his feathers.
He watches, fond and amused, as Danny spins, keeping his wings flared, admiring his new look. “I’m never taking these off,” he says. “I love them so much. I can’t really make one for you, though…”
“You don’t need to.”
“I can’t just accept this and not give you something in return!”
“Well… There is one thing you could give me. Something I’ve been wanting for a long time.”
“What is it?” Danny asks, leaning towards Duke. He’s eager, ready to please, so delighted to be courted. 
Duke smiles. “A kiss.”
“Done.” 
He doesn’t have time to react before Danny is pouncing on him, hands fisting the collar of his shirt as he tilts his head up and kisses Duke. He pulls back before Duke can kiss back, blushing and unbearably cute.
And all Duke manages to say is, “Cool.”
He’s so good at this.
Danny rightfully laughs at him, then grabs his hand and pulls him down to the bench. “Come on, I promised to complain about my teachers today and I intend to deliver. And maybe later, I could take you out on a date? If you want.”
“Danny, of course I want to go on a date with you. I’m courting you! I thought I made my feelings clear!”
“I’m just making sure!” Danny shouts over him, and Duke can’t resist the urge to pull him closer and pepper kisses along his cheek. “Okay, okay, I got it. You’ve made your feelings clear. I’m going to date you so hard.”
“You better. It’s about time you put some work into our relationship.”
“Excuse you?!” Danny gasps in mock outrage, and they start bickering lightheartedly as they always do.
Even with their feelings come to light, even with a courtship started and a date promised, it doesn’t feel like anything between them has changed. 
It’s just them. Just as it always has been.
Duke couldn’t be happier.
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bubblebaath · 11 months
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hmm... im sure someones made a good guide out there somewhere, but i personally havent used any but thats not a good answer, so another place to start is to use a real game as a ref! this is the sims 2 ds:
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most of the detailed textures are only used for the player sims hair/face/clothing you can see by the jagged edges of this sims vest that its still a little lower than the faces texture (this is probably because the body has more clothing variations than the face and they needed to save memory)
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static parts of the environment have a higher res, because they can tile/repeat the textures. this game has a million variations on bed/chair textures, so they're notably lower res this is a ripped texture of most(?) of the things used to make an area in the game (image credit) :
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the desert background here is just a 2d image, relatively low res because the player will never be able to reach it
i guess this is just a long winded way of saying "things that arent that important or the player will generally be lower poly + less detailed" but i hope it helps a little
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phoenixcatch7 · 2 months
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The One Fact Pact
I want to see a fic where the chain is rigorously keeping their secrets and stories hidden, but they've all learned to trust one another. Like, it's past time they should probably be sharing things because it's beginning to get annoying, they all agree, but it's sorta become a habit by now? They kept those secrets and now no one really wants to share first?
So, to keep things interesting and get some momentum going, they make a deal.
Whenever they come across something that reminds them of their travels, their quest - be it an item, a familiar name, a location - they've got to share ONE fact or story about it.
But only! When they're in other people's time, because otherwise it'll just be a staged tour and one person infodumping and that's exactly what they're trying to avoid (and it won't be a fun competition they can make bets about).
And then either they go through worlds slowly building trust and understanding of each other through a long drawn out and incidental series of tidbits....
Or they immediately get stuck in wild's hyrule for ages.
Everyone's arguing over who the latest ruin belongs to. Time and wind are getting into an argument about the kokiri. No one can agree on the zonai. Wars is taking immense pleasure in pointing out anything someone else might have missed. Legend is resolutely ignoring eventide. Twilight claims the entire faron woods until they step into the hot and humid jungle for the first time.
Wild thinks he's immune because it's his world so he legally can't answer questions, but everywhere they visit there's a piece of his own story in the rubble or on the wind.
Wild: *happily making tea and checking his slate with the other hand* okay, looks like tomorrow we can reach the breach of demise and to new serenne stable. Just past that- Sky: *choking on his drink* the what?? Wild: the breach? Sky, weakly: Why's it uh, called that? Wild: oh, it's an old story. Apparently eons ago it's where a demon godking came up from underground to the surface world... *suspiciously* Why? Sky: gimme the slate. *squinting at the shape on the map*... I can neither confirm nor deny. Wild:... What do you mean? Sky, remembering the One Fact Pact: I can neither confirm nor deny. What's important is that I killed him. The entire chain, variously: YOU KILLED A DEMON GOD?!!? Sky *recalling the hardest fight of his life*: what, like it's hard?
And then he just refuses to elaborate.
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the-bi-space-ace · 10 months
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The clones but they’re all tv show contestants on wipeout
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jeeaark · 7 months
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I just discovered Greygold and binged all of their adventures and I gotta know: how did the fight with Cazador go?
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Laughably quick! Lae'zel is terrifying.
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deadbaguette · 17 days
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Me: I should make a Paris design I’ve been meaning to since I need to complete my trio piece with Hektor and Kassandra
My pen: Hera and Zeus
Me: what
My pen:
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companion-showdown · 3 months
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Who had the worst time aboard the TARDIS?
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TOURNAMENT MASTERPOST
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tangledinink · 1 year
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I’ve been having your aus in my brain for a while. I absolutely love them 🥰
Question for Swanatello, have you ever had a strong desire to go back home to the lair or do you even remember much about the lair being your home, even with the bracelet and board? Like, have you ever in the middle of the day just randomly think “I want to go home” while thinking about the lair?
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Of course he does. He doesn't remember details very often... but the one downside of the bracelet is that now he is almost constantly aware that something is wrong. Even when he doesn't understand what's going on-- he almost always knows that something is wrong with him and with the world around him. He wishes for things he can't remember. He aches over the absence of things that he can't recall. He misses people that he doesn't know. He can't remember home, but he knows he's not there.
Swanatello hates to be alone now. Overall, it's for the best, it helps, but every evening he's introduced to the idea that something is horribly wrong, and then he's promised that someone is going to be there soon to help. And every evening, he has to wait to see if that promise will be fulfilled and if his family will come and help him.
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