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#and obviously I don't speak for like everyone
junedenim · 1 day
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2007
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beneath the boardwalk, part 5 (series masterlist)
my mistakes were made for you
warnings: angst, fluff, smut, robert, etc.
word count: 12.3k
I had my hair cut just above my shoulders but it was not a bob, I am adamant about this. I got a light fringe that I never wore full-frontal on my forehead. I was inclined to pull the two sections apart like a curtain or, regrettably, have them as side bangs.
After New Year's, I returned to London and left many things behind in Wakefield, most notably my journals. I was starting fresh and wanted to claim independence. Stacey gifted me a stack of Moleskine notebooks for Christmas that I wrote in and I began babysitting two girls (5 & 7) who lived in the building with their single mother, Lee, who was 6 years older than me. Georgia and I refused to turn on the heat because we weren't overflowing with cash, especially after my father and I agreed I would start paying rent after the three-month grace period he gave me. 
The other reason was we felt more like struggling artists, piled under blankets, wearing two pairs of socks, and heating meals in the microwave because they had grown too cold too quickly. Georgia would write poetry in her room then meet me in the living room and recite it. I was without an editor since Alex and I's parting. So, I began to share my writing with Georgia.  After we traded pieces, we would crack the window open and smoke cigarettes out of it. 
I was aware I was using Georgia to refill the Alex-shaped hole in my life. What Georgia and I were doing was what I dreamt for Alex and me. I had overwhelming happiness for Alex but I felt disappointed (and certainly jealous) that we didn't experience the struggling artist phase together. But Georgia was what I needed: a friend.
Madeline Critchley, who helped me submit to Granta, got me a position with the University of Greenwich's literary magazine, Anthology. It felt dumb to start at the magazine a few months before I was finished with school but she told me it didn't matter how much time I put into it but what I got out of it. It was cheesy but it ended up being true. I wrote endlessly, trapped inside that building. I was overcome by some being and she never let me stop.
*
I was invited to a secret gig at The Leadmill in February. Arctic Monkeys's tour director emailed the invitation. I thought about going but used the excuse of babysitting and RSVPed no. Georgia, her new girlfriend, Kyle, Dianna, Robert, and I went and saw Amy Winehouse instead. Obviously, I don't regret the decision.
Not speaking of Alex seemed an unspoken rule but I couldn't help but think of him when Amy came on stage. Not because I related her songs to Alex and our relationship but because the bastard got to meet her and didn't fucking introduce me to her!
Robert's place was a close distance from Astoria so we all, except Dianna, went back and crashed at his place instead of taking a 40-minute ride home on the underground late at night. Georgia and Kyle would sleep on the pull-out and Robert would share his bed with me.
Before we went to sleep, Robert and I smoked a joint in his room. It didn't do much for me, only making me tired-eyed. Robert was in a constant state of haziness. He wore leather pants and a turtleneck. His hair was overgrown and every movement he made bounced his curls. 
"Heard about you and Alex." It was the first time we had seen each other this semester. I had only told Georgia, she informed everyone else for me.
"Yep."
"Sorry 'bout that."
I shrugged. It wasn't something I wanted to talk about.
"Sucks we can't get free concert tickets now."
I huffed a laugh. "I didn't think you were much of a fan anyway."
"Well, you know, it's a good place to pick up girls." He eyed me. It was obvious.
"I didn't pay attention to that kind of thing."
"Oh, come on, like you weren't watching every girl there who could steal your man."
I shrugged again. I was never threatened by that idea or maybe I was just uncaring towards it.
"Your ambivalence is a man's greatest dream."
"He never did anything for me to not trust him."
"What about me?"
"Oh," I exaggeratedly rolled my eyes. "I'd never trust you."
We shared a laugh and the joint had reached its butt. He put it down. "So, shall we just get to fucking?"
I pushed off the wall and walked over to what had been deemed my side of the bed. "God, Robert."
"Come on. It's been a long time coming. We're here. We're single. It's our last year. We're never gonna be here again."
"You just want to get yours wet."
"So, you're wet? And hell yeah."
"Shut up."
"Let me kiss you."
"I'm going to bed."
"Fine. Me too."
We laid side-by-side for a minute before I kissed him and then we fucked. I don't remember much. I wasn't that drunk or high. It just wasn't very memorable.
*
Robert and I had a transactional relationship. Before we began hooking up this was the case and now that we were spending our nights together, we shared awful things with one another, none of which were words. Drugs seemed to be the biggest thing. A joint after sex was expected and by March, Robert and I were snorting coke with one another. It was quite enjoyable. For the time.
We ended up in Regent's Park one night. We sprawled across the vast grass. He called people—they weren't friends—on his Motorola Razr and switched between rambling with them and rambling at me. I brought my notebook and thought about writing but he was too loud.
I searched through my bag for something I never found and remembered when I came with Alex. I hated the infection of him but something about that night and picturing him on a bench next to me made me smile. 
I thought of guards changing. My first trip down to London when I was 10 and how Stacey and I stood, faces squeezing through the gates of Buckingham Palace to watch the New Guard replace the Old Guard. I couldn't understand how anyone would want to stand outside on sentry duty for hours. The relief when the New Guard showed up must have been such an enormous relief as their bladders ached and their shoulders begged for mercy. I wondered about the relief Alex felt as the New Guard replaced him. Or did he wish to continue to stand still by the palace's side? But the Old Guard becomes the New Guard eventually. They all just go spinning around. 
I wrote about the places we attribute to people. The corners of the world that just belong to them. (Alex, unbeknownst to me, had already done the same [505]). I left Alex's fingerprint out of the piece but it had him all smeared over it. I wrote about the Guard and Stacey's little head nearly trapped in between the metal bars. It was my favourite piece I wrote for Anthology. 
I sent it to Alex. He responded:
Buckingham Palace still has guards???? Are people still trying to actively kill the Queen?
I responded:
Diana's ghost.
Alex never sent me any of his work. I dreamt of a book one day appearing on my car roof. But my car stayed in Wakefield and Alex stayed nowhere. It was a rotten daydream.
*
In April, days before Favourite Worst Nightmare was released, the band played the Astoria for two nights. I hadn't heard any material yet, besides the recently released single "Brianstorm" and its b-sides, I had heard none of the album. It was unsettling not to know the songs. To not have the entire setlist memorized, front to back. 
My goal was always to be friends with Alex and going to the concert felt like solidifying this notion. Georgia found my need to befriend Alex so quickly after we had ended bizarre and unnecessary. But it had been months and I was ready to rip the Band-Aid. Georgia came with me. Robert insisted too. 
It did end up being bizarre. I was unacquainted with going to an Arctic Monkeys concert and not talking to Alex beforehand. When they came on stage, their appearances were much like when I saw them last. Alex hadn't changed one bit, but his demeanor had. He was stiffer, not in a good or bad way, just an indistinguishable way.
New additions met my ears well with the bass of "Balaclava" ringing through me for days to come. I shifted around "Do Me A Favour" as details became obvious that the subject matter was concerning us and our teary eyes. It made me fidget but I loved it so I couldn't quite complain about the feeling of irk I got. My opinion changed when it was followed by "Mardy Bum" where I knew all of this was a conscious choice. It was an attack on my heart whose walls were still susceptible to incursion.
I found myself relating to songs that weren't written for me like I was the average listener. "Leave Before the Lights Come On" had a different meaning standing next to Robert. I felt ashamed for that and that made me enraged by Alex because without moving a muscle I felt like he was dictating my life through my hippocampus only. 
After the show, we waited outside for the band. Georgia also found this insane. Robert said it was tragic but in a poetic way. I said they could go but both refused. 
Jamie came out first with Katie who wrapped her arms around me which could be deemed as a threat to my life if it wasn't so loving. She did the same to Georgia and I laughed at the way Georgia flailed her arms around.
The rest of the band followed with Alex's eyes wide and looking between the floor and me, unable to process the sight in a simple glance. "Alright! We're heading back to Robert's place!" Matt shouted. His eyes on Alex became clear he was teasing him. 
Regardless, I chuckled and hugged Matt. "No. I was hoping to join wherever you were going if you don't mind the intrusion."
"Never," Nick said, giving me a hug. Nick and I didn't know much about each other other than what Alex told each of us. I liked him because he had always greeted me with a wide smile, welcoming to all. He often seemed like he was just happy to be along for the ride wherever that ride took him. I like that quality very much.
As we walked out further into the street, the paparazzi snapped away, more at the band than the 3 dimwits following them, nevertheless, Robert began a potent rant against the invasion of paparazzi and how it was Big Brother and flexing that he had read 1984 as if it wasn't required reading for everyone in high school. He continued this the whole ride until we arrived at the pub.
It was premier service for a place that felt so unchic but I knew nothing about how the status of celebrity worked. Alex and I didn't go out enough for me to witness it. I had no qualms about using the complimentary service for my drinks. 
In the booth, Robert sat with his arm around me. Our displays were often limited to his flat but when he stood to go use the restroom and kissed my cheek I knew what he was doing. I had to laugh, it was impossibly amusing.  
I left for a cigarette. Alex followed a minute later. My back was against the wall as he approached. "Hi."
"Hi." I unconsciously handed him one. It was second nature.
He blew a puff out and asked, "You got a review for me?" That was also second nature.
I chuckled and shook my head, looking down at the floor. "Excellent as usual."
"Dry as ever, come on, Janie, you've got to give me more here."
I gave what I could. "I liked the new songs."
It seemed less jokey now as his laughter fell but he smiled at me sincerely. "Thanks."
"I'm sure the album will be great." I never doubted that. Even if he wrote the most scathing things about me, I would love it because he’d word it in such a way that I simply could not hate it.
Our conversation was like hitting a tennis ball back and forth but each time one of us hit it the other wouldn't hit it back. I thought about going inside. Then, he asked me, "You and Robert together?"
His bluntness had taken me aback and I focused on my cigarette to process the question. "Does Robert strike you as the boyfriend type?"
It made Alex laugh, which was the only relief in the world I would need. "I suppose not. Kissing you on the cheek and all—I'm sorry, not my business."
He was flustered, which made me laugh. He was small and cute when he was flustered, messing with his hair and shaking his head. "You know, he gets a kick out of making you jealous."
"Really?" Alex chuckled at the idea. I think Alex, for many years, viewed himself as the underdog, even if he was more famous, richer, cuter, and kinder than nearly anyone else I knew. 
"I think you make him feel insufficient. I'm not sure why but he's always felt a need to overcompensate when you're around."
"So, he doesn't do stuff like that usually?"
I never liked lying to Alex. "No. But in full transparency, we are doing the hook-up thing or whatever."
He verged on saying something but closed his mouth and scuffed out his cigarette. I joined him in dropping mine. "Lucky him."
I pushed him light-heartedly. "Shut up."
We returned inside and Robert's arm returned around me. Later, when we were saying our goodbyes for the evening, he was loud in his exclamation that we were leaving together and returning to his flat. I had to hide my laughter. Robert's usual too-cool-for-school conduct faded at the sight of Alex. It made it funnier when Alex pulled me aside while everyone was saying their goodbyes.
"Are you coming to the show tomorrow?"
I shook my head. 
"Come."
"I can't. I've got to babysit."
Matt interjected, "They let you around children?"
Before I could say anything, Alex told him, "Will you shut it, Matthew?"
When Matt moved away, Alex grabbed my hands. "Just come tomorrow. Another night of free drinks if you want."
I giggled at his earnestness. "I would if I could."
"Cancel. Come on."
"Al."
"Look, how many nights am I in town for? Come on, Janie."
His eyes wide, his mouth saying his name for me, and his hands clutching mine. I didn't say no.
*
My arms are crossed and my head is shaking the first time I hear "505" because I don't know what to make of it and I don't know what to make of this. Alex was dressed in a sky-blue Lacoste (this will be more relevant in a few years) and he pressed down on the keys as he pressed down on me.
I was having a hard time wrapping my head around it. I wasn't sure if I should cry or smile. The song left me uneasy and I felt I didn't know what was true anymore. That wavelength between us had been severed and I imagined Alex felt sad about our break-up but I never thought he was rethinking his actions and pining for that hotel room again. I had been the one to lament over our break-up and send it to him. He had stayed reserved in all his opinions and hid away his emotions. It wasn't a new thing by any means. But I did feel a sense of betrayal when I heard the information with 2,000 other people instead of under blankets and sheets, whispered in the dead of winter.
But I didn't want to talk about it so after the show I didn't bring it up. His mannerisms shifted from his awkward movement to more deliberately positioned as he hugged me after the show like he had done so many times before, sweaty.
"Drinks?" I asked him.
He moved back and forth between his left and right foot. "I was thinking I could see this new flat I keep hearing about." 
Everything was intentional and obvious. "It's not very fabulous."
He waved me off. "I'm sure you've gushed the place up."
"Gushed the place up?" I questioned his verbiage.
Alex rolled his eyes and squeezed my upper arm. "Come on. Let me see the grounds."
Off we went on the underground to my flat, just the two of us. He kept jumping in his seat on the way over, citing excitement. "It feels out of place that I haven't seen your place," he said.
"Yeah. I know what you mean."
On our way up the stairs to my flat, Alex tried to challenge me to a race but my feet hurt and I couldn't believe he still had enough energy after performing concert after concert. My back was slumped and Alex was standing up perked as I unlocked the door. 
"Georgia home?" He asked as we made our way through the door.
"With Kyle."
He nodded, tight-lipped. I could see the scene unfolding before him in his mind as we stood in the living room/kitchen hybrid. He looked around the room like he had actual interest in it before his eyes landed on me with a smile.
"Do you do this in every city?" I asked.
"Huh?"
"Al. You're easy to read."
He stuffed his hands in his coat pocket as he tried to fight that grin bursting across his face. "I wanted to see your place."
I rolled my eyes and walked toward my bedroom. "Yeah, sure." He followed behind like an obedient puppy.
He was attentive in looking around the room, nearly all those trinkets he had memorized from my old room had been replaced with new ones. The poster flier from one of Georgia's poetry readings, the Amy Winehouse ticket stub, and the dumb joke from Alex's Christmas cracker were pinned on my mini bulletin board. The paper crown and mini deck of cards sat displayed on my desk. A slight upturn came to Alex's cheeks at the sight.
His gaze moved back to me. "A lot smaller than your room back home."
"Yeah. Rent's expensive and I'm paying rent now."
"Out from under your dad's thumb." Seeing him as pleased with this as I had been was a happy sight. Those long chats in hidden coves where we'd be independent together. But as always Alex was happy for me even without having him as codependence. 
Alex faked looking around my room more as I sat on the edge of my bed. He'd bend down to look at things like he was at a museum. His hands stayed in his pockets the whole time and he examined the corners and details of everything as if he'd be quizzed on it.
"Are you looking to see what you're going to steal from me?" I asked him.
He chuckled. "No, sorry. Just curious." He picked up the mini deck of cards, tossing it in his hands. "Round of Gin?"
"Alex." I wanted to be clear. "You came over here to play cards with me?"
His eyes were stuck on the deck's package, fiddling with the cardboard lid. "I just..." He shrugged multiple times and bounced on his feet. "I guess, I missed you, you know."
"Yeah." It was an easy sentiment to agree to because I feared I'd miss him for the rest of my life.
"We were in Tokyo a few weeks ago and I wanted to go see that Buddha you wrote about that, that, that—"
"Kamakura Daibutsu."
"Yeah." He looked down solemnly. "Wasn't there long enough to do it. I don't know. It just had me thinking about you and I know the relationship thing has sailed." 
I didn't believe that. I didn't want to believe that. I had held on to those hidden beliefs that after all the madness we'd return to each other's side and all would be well. An abyss grew in me that Alex didn't believe that too.
"But," he continued. "But just all that shite that I'd done to make it worse and I vowed I'd never do that and I'm sorry for being a total dickhead."
"I did things too that I knew would hurt you."
"You did nothing."
"I slept with someone in Aruba."
He froze, his stare on me as he processed the information. "Uh, that's fine."
I shook my head. "Don't do that. I don't want to start acting like my parents."
"I don't want tonight to be this depressing," he laughed wetly. 
"What did you want tonight to be?"
"I, I, to be—to hang out, to be with you."
"We could have done that at a pub. Why'd you want to come to my flat?" We looked at each other, both knowing the answer but waiting to see if the other would verbalize it.
He put the deck back on my desk and sat beside me. He stared forward at the wall for a moment before falling on his back. He rubbed his face as if to scrub it off, not wanting me to see the sight of it. My eyes never stopped following him. I was afraid to blink.
"My plan was to be all cute, tha knows."
"Aren't you always?"
The comment seemed to drop his guard a bit as he placed his hands on his chest. He took a deep breath and looked at me. His smile slowly grew as if it was being watered by the sight of me. "If you want to kiss me, you can."
I rolled my eyes and turned away from him but my smile was unavoidable.
"Come on." He tugged on my wrist. "You wouldn't let me endure one of the most embarrassing moments of my life."
I slapped away his hand's grip. "Quit mocking me."
He sat up. "I'm not mocking, Janie. I'm making the bad good." His face was right next to mine and it felt like the best move was to kiss him because kissing Alex could never be wrong even if he was leaving tomorrow and I would be left here.
So, therefore, having sex with Alex could never be an issue even though I slept with Robert the night before and I would sleep with him tomorrow. I wanted relief. The only solution was Alex in me. It was memorable.
*
His excitement worried me. "You're graduating in a few months. You could join us for festival season. It'll be in all those incredible places you want to go with beautiful weather. It'll be perfect. Where do you want to go? We'll go."
Lying in his arms had always been a comfort but now I felt this inevitability of hurting him with the false hope I had given. We lied on our sides, looking at each other, his hand draped over my waist.
"I don't know what kind of job I'll have after school. I might have to stay in London."
"We should hire you. You'll be our on-the-road journalist." His smile was infectious and I wished to have similar sentiments that once the obligation of school was done then we'd be fixed. But I wasn't going to kid myself.
I fell onto my back and clutched the bedsheet to my chest. "I think I'd be a bit biased. I don't want to be a journalist anyway."
"What do you want to be then, Janie?"
I shrugged. "I'll know when it's here."
Alex propped himself up on his elbow and quickly hovered over me. "You can't lie to me, Janie. You're a writer."
"Everybody's a writer," I argued.
He bit back a chuckle and shook his head. "Don't give me that shite for 4 years ago. You're a writer. I've seen it with my own two eyes."
"Well," I bite my lip, "there's this magazine, Granta, that I've submitted pieces to. I don't know if I want to do the whole freelance writer thing but I like writing what I want to write."
"Do it," he urged. "I'm not just saying that because you'll be able to come on the road with us."
I side-eyed him. "Sure."
"Have faith in me. I'm always looking out for the best for you. I'm always in your corner, Jane Cavendish."
It hit me. I knew it was the truth and he had always rallied for me so deeply even when we were far away from each other. "Ditto."
Alex rolled onto his back and looked at the ceiling. "Plus, you'll be able to see us headline Glastonbury."
I laughed but he didn't correct himself. I looked over and that smug bastard smirked at me and slowly nodded his head. "Fuck off. You're joking." He wasn't. Obviously.
*
Alex left for Liverpool at 6:30 AM. He shook me out of sleep saying he'd see me in a few weeks and kissed me.
Hours later, when I woke up, I would've figured I'd dreamt it if he hadn't written a note and placed it on my nightstand.
Come to Leadmill on the 21st & 22nd. I want a formal review. —A.T.
A couple of days later, Favourite Worst Nightmare dropped, including my—to this day—only songwriting credit on "Fluorescent Adolescent." I sent a text to Alex calling him a plagiarist. He told me to look out for the royalties check.
My relationship with Robert had remained unchanged but he gave the impression he knew what I had done with Alex. We never talked about it and when I left for Wakefield on the 20th he told me to tell the band he liked the album. I kissed his cheek. He was an annoying piece of shit but he was my friend. Few people understood it but we related to one another in a way I've never related with anyone. We were twin flames and it's why I couldn't handle him for more than a night at a time. We lit each other's fires but a fire is still a fire even if it keeps you warm on a cold night and burns you the next.
In Wakefield, my parents informed me they were moving. It had little to no effects on me other than sentimentality and having to clean out my childhood room. Stacey, however, would be uprooted and for that, I hurt.
My parents' guilt-tripped generosity allowed Stacey to attend The Leadmill show—her first Arctic Monkeys concert. She was slightly aware of the ambiguity of Alex and I's relationship and over the winter had prodded me for more. No one can claim to be a bigger fan of Alex Turner than Stacey, not even myself.
I wore my Arctic Monkeys tour T-shirt purchased at the London shows and Stacey wore the one I had purchased for her (I bought them at the merch table because it felt too awkward to ask Alex or the band for one. I used to just steal them. I decided to not hold the poor merch girl at gunpoint for a shirt). I drove my car there so Alex couldn't persuade me into drinks after. Stacey's coming eliminated any funny business. I wanted to get through school before starting anything up with Alex again. If I was even going to do that. I wasn't sure yet.
The setlist had a few new inclusions and Stacey jumped around freely. It was a beautiful sight of youth to see. It's the first time I really felt old at the thought that used to be me. Then, I felt stupid. I was a fresh 21, I had no clue how old old would really feel.
After the show, we congratulated the band on a good show and said good night. Alex told me to come to his parents' house before the show tomorrow. I accepted. I missed David and Penny. They would also be a good prevention buffer.
Up in his room, we sat on his bed and talked like the old days. There was much that had happened to talk about. Alex took the news of the house selling harder than me. I guess my sentimentality had rubbed off on him but I never viewed that house in the rose-coloured view that Alex did. But moments in my room I've locked away in my heart for just him and me. Things for only my ears to hear, my eyes to see, and my flesh to feel and vice versa for him.
After the show, we sat in my car.
"I feel like we're back to being 18," I told him.
"Why?"
I laughed to shield the seriousness with which I was speaking. "These trysts of ours."
"I already told Miles so." He had come out and performed "505" with them that night.
I rolled my eyes and chuckled. "Of course you did."
He shrugged helplessly.
"I'm still—well, I continued my thing with Robert. I'm not gonna lie to you."
"I kind of figured."
"I don't know how I feel about starting this again. Always being so far."
Alex sighed and leaned forward on his elbow on the center console. "After you've graduated that might not even be an issue."
"I'm not gonna follow you around like a puppy dog for years, Alex."
"I don't expect you to. But it could be fun this summer. After that, there'll be a break and we'll go wherever you pick. Swear it." He stuck his pinky out.
I bit the inside of my cheek and looked at his sweet face, always seeing so much with those big eyes. I loved him to pieces. Through all the struggles, there was that sweet face. So, I wrapped my pinky around his.
*
Alex was in Orlando when I graduated. He sent me a long email that is too long and personal to be printed in full here but here's an excerpt.
I think you should be a food reviewer that way we get into all the best restaurants that I'm not elegant enough to get into. Or you could just bat your eyelashes. Either would work I'm sure.
Be whatever you want. You'll be the best at it. Unless you want to do my job then stick to your day job otherwise I'll be out of one. Call me after, whenever you can. I wish I was there so imagine I am. It'll make me feel better.
He sounded like a dad. Some version of Atticus Finch morphed into a buffoon. I thought for hours about how to respond to the email. My eyes began to hurt so I just sent him photos from the day that Georgia had taken. 
Georgia hid her discrepancies with me over abandoning the flat to "run off with Alex" as she said every time I brought up my summer plans. I sublet my room with full intentions of returning in September. 
Robert was messier. We mutually seemed to agree that our sexual relationship would come to an end in May when we graduated. Robert held plans of going to New York and being a vagabond and I felt settled in London. Our activity had grown sparse after my trip to Yorkshire but didn't cease.
Two nights before graduation, I told him of my plans for the summer. He nodded along but laughed when I finished. "Whatever, Jane, be a fucking groupie all your life."
"I'm not."
He laughed maliciously at me. "I think you're scared of what comes after uni so you're clinging to this rich, successful ex-boyfriend. Play second fiddle to him. That's fine."
He was jealous. But I worried he was right.
*
I met up with the band in Dublin, which seemed fitting. It was easy to fall into the old habits of 2005 when I joined the band during the summer. However, Alex and I's relationship hadn't returned to what it had been. I slept in his bunk due to lack of space but that wasn't difficult. We struggled more with communication.
Their two shows in Dublin were messy and fanatical in the crowd. I stood backstage and listened to people singing along to a song I wrote. It didn't feel as out-of-body as I imagined and I wondered if Alex felt the same way when he heard the crowd singing along with him. 
In between their first and second show in Dublin, Alex and I escaped to Wicklow, much to the annoyance of his management who worried the whole day that he had ditched the show. We returned in time, although we did cut it close.
We hiked the Glen Beach Cliff where the ocean kissed the mountains and I knew Alex wanted to complain the whole time but he didn't. His shoes were old, the seams nearly ripped open as we hiked the 3 miles. Below us, on the beach, were seals. It felt like a different world compared to the one we had experienced last night.
As we walked downhill, Alex wrapped his arm around me and despite nearly tripping several times and knocking me down with him, I refused to let him remove the arm. 
"Are we dating again?" He asked.
It had been a largely neglected topic, mostly because I hadn't made my mind up about it. It was easy to be with Alex but being with Alex when we weren't actually with each other was frustrating. My biggest worry had always been ruining our friendship over the failure of our romantic relationship. Still, I wasn't sure of anything. "I guess."
He lightly chuckled. "That was enthusiastic."
"I'm sorry. I guess my question remains about what will happen after summer." The wind swirled around us and I tried my best to keep my hair out of my face.
"That's more a question for you than for me. You know what I want but I'm going to be happy for you whatever way you go. You know that right?" Alex has always been insistent on making sure I know he's steadfast in his support of whatever direction I decide to head and he has held true to that (mostly).
"Then, I'll need time to think about that. See what opportunities come my way this summer."
He nodded and tugged me closer. "This is over in December and then I'm all yours. Besides, I've already called you me girlfriend so you can't go back on it now."
In my sarcastic nature, I tossed my head on his shoulder, sounding, "Ugh! Don't be presumptuous, Al."
*
I got my favourite pair of sunglasses stolen at Glastonbury and I will hunt down the thief until the day that I die. Not that sunglasses were required for much of that day. The sky was dim, the ground was muddy, and it rained the whole weekend. We got there a day early to settle and like any night before a big show, it was spent drinking and horsing around late into the night.
Alex and I didn't get to bed until way past midnight and even then we had left Jamie, Matt, and other mates still fucking around. As we got ready for bed Alex had grown quiet, slow in his movements, and shrinking down into the small bed.
We laid down together and silence was awkward and he felt stiff. "You nervous?"
"Yeah," he laughed out in an effort to mask his nerves.
I curled my arm around and hugged him. I did my best to comfort him the way he always did for me. I held him tight and tried to possess a shoulder to cry on the best I could. "You know, I'll still love you even if you make a fool of yourself."
"Thanks." I leaned back to look at him as he struggled with a smile. His hand reached up and pushed my hair behind my ear. He held my cheek and it felt like his muscles had finally relaxed. "I'll try my best not to. I know you don't want to be stuck with a fool." 
"Aren't you already?"
He rolled his eyes and was relieved with a laugh. "Maybe only for you."
"That's so cheesy. You should be put in jail."
"As long as you were there."
I slapped a thunk onto his arm. "Stop it, you. I'll imprison you. Shush!"
He resisted my push away from him, wormed his arm under me, and landed the other over me. He wiggled us close and he felt like a preheated oven as my bones were left out to defrost. "Are you happy? Excited?"
Alex often needed me to reassure him during this period of our lives, especially after we got back together. That summer our relationship was ambiguous and it was easy for Alex to fear that at the first sign of unhappiness, I would ditch him. He wasn't exactly wrong. I wouldn't have left if Glasto sucked but if I became unhappy with Alex, it was an easy out for me. I've always appreciated easy outs.
"Yeah. I wish I had a camera. Then, I could sell them all to The Sun and make a killing."
"Is all this okay with you?" More questions. Another valid one. An undiscussed topic had often been I, an at-the-time unknown, being pulled into the public eye for my attachment to Alex. It's not like he was some tabloid superstar but it didn't leave me as a virtual unknown, especially with the band only getting bigger.
I nodded, my ear rustling against the pillow. "No stalkers. Except maybe you." He hadn't left my side since we arrived. I couldn't complain one bit. For once, I wasn't the clingy one.
He mused, "What can I say? I love you."
"Stop." Too cheesy, too cheesy.
Alex laughed into his pillow. He softened up and inched closer to me on our tiny bed. "Why didn't you bring your camera?" My photograph production had declined since college but I still held onto the habit.
I frowned. "It broke right before graduation."
"The ol’ Canon finally bit the dust,” he joked. It had been the only camera I ever owned. I used my mother’s old cameras when I took that photography class with Matt. I never bothered investing more in it than what I could borrow. “We can pick up another one."
I sighed. "Too much money. I'm an independent woman now."
"Oh, damn, you need me to be your daddy now."
I pushed him off the bed.
*
We mudded up our wellies the following day to see Amy Winehouse before the rain poured in full force again. I think it relaxed everyone to feel like we went to Glasto just to enjoy it and not actually headline it. We nodded our heads along with the songs and stood with our hands stuffed into our pockets. 
Opposing Alex's nerves, I was wracked with excitement. I went off into my own world during Glastonbury and wanted to enjoy the hippie nature and the history. I loved the whole weekend. The nights after watching The Killers and The Who and I'm pissed with Arctic Monkeys to this day for having me miss Björk to watch their stupid headline set.
Dressed in their overcoats and Matt with his Adidas track pants, their set went off without a hitch and I had fun dancing with Katie and briefly with Dizzee Rascal before he joined them onstage for "Temptation Greets You Like A Naughty Friend." The road had and would be lonely but it was eased a little bit by having another girl by my side. When Miles came out and joined the band for "505" I thought of Eva. I hadn't talked or heard about her since The Little Flames disbanded. I shamed myself for it. I had become a person who held onto objects that reminded you of a person as an excuse to no longer see them.  The thought crossed my mind that Georgia was my only friend and I hadn't talked to her since I joined the band on the road. Then, Katie hugged me to her side and I felt a little less lonely.
I had grown desensitized to the meaning behind Alex's songwriting. I never stopped and thought about how he was singing songs that were rooted in our break-up because it no longer seemed important because we were together and how the past could affect the future. But there was this moment during "Do Me A Favour" where he had seemed rather emotional, furiously strumming his guitar and rushed singing close to his microphone. I felt ashamed for not having the same reaction as him. I felt like I was missing a gene by not crying at "Mardy Bum" or not swooning at "I Bet You Look Good on the Dancefloor" but I suppose night after night, I just became numb to the meanings of those songs. I wish I hadn't. I wish I enjoyed it more but everything felt fleeting so I made no effort to cherish moments at that age.
When they got off stage the thought had floated away and we were ready for a night of exhausted celebration. The weather was rough and the band had their casual round of press before we enjoyed drinks and party favours in the camper. Alex and I made out against the door of a porta-potty at one point. It was very disgusting.
*
I fulfilled more travel fantasies with this tour. The limitations no longer sat in Great Britain and Ireland as we moved up to Scandinavia, first stopping in Oslo. I was set loose and skipped their concert, instead visiting the Akershus Fortress and seeing "The Scream" at the Munch Museum finally returned to its home after being stolen in 2004 (although, I'm partial to Munch's "Madonna" but that's neither here nor there). In Stockholm, I continued this by going to the Vasa Museum and in the evening hiking up to Skinnarviksberget and watching the sunset, but, sadly, no Northern Lights.
We continued the festival run going through Germany and then Rock Werchter where at this point I should have broken the world record for seeing Lily Allen live as I once again watched her on the Pyramid Marquee before seeing my boys on the Main Stage.
A festival or so later, a day off was given before their Paris show, and, in a way, I finally got my Parisian dream. The hotel was nice and the toilet worked like how a normal toilet works but Alex and I shared a room. Privacy for the first time since his room in Sheffield. We did the obvious, a few times.
It's weird to put it how sex works with Alex and me. It's like a weird recalibrating device. I suspect it's because our relationship started through it that whenever we need to get back on the same page fucking seems to help. It was late and we shared a cigarette after because you can do that then in Paris. I would talk, he would smoke it, then he would talk, I would smoke it.
"You and Katie have become best mates," he said. Katie had returned back to England a few days prior and I once again was the lone girl.
"I like her a lot. She's a calm presence amongst the chaos."
"Yeah, she's done Jamie a world of good. Calmed him a bit." That was undeniably true. Jamie had always been a kind and caring guy but he had an uncontrollable craze at times and a mouth that poured at things that maybe shouldn't have been said. Katie seemed to kick him and keep him in check.
I have always been fascinated with how people change people. Somewhere at our center these people worm their way in and change your hardwiring or maybe they just expose what has always been there. "Have I calmed you?"
Alex chuckled. "Quite the opposite I think."
"Hey!" I became jokingly affronted. "I can be a calm presence. You lot are the ones who are messing around so much."
He continued to laugh at me. Eyes bright and smile light. He reached over and began to pet my hair. "I don't think calm would be the right word." I thought about hitting his chest but that would prove his point. "I just think you've made me more confident."
It was a peculiar thought to me. I didn't feel confident most of the time and I was nowhere near the confidence of going on stage and headlining festivals as a band's frontman. "How?" I asked.
He reached back to stub out the cigarette on the ashtray on the bedside table but he kept his hand steady on the side of my head, rubbing smooth circles. He returned closer and with a soft smile. "In a lot of ways. Your encouragement." I couldn't argue with that. Alex had done the same for me tenfold. "I feel like if you believe in me, even if I fuck up out there, you'll still be here." I wanted to always be there. I hated how life got in the way and people stayed and others went and I just wanted to stay in little corners of the world with Alex forever. But in those early years, it was an impossibility. We tried our best. 
"Plus, you're smoking hot." I rolled my eyes but I was, of course, charmed by the comment (I mean, I wrote it here for a reason. I want everyone to know he finds me smoking hot). "Do you know the power I have by having you as a girlfriend? For god's sake, Robert almost kicked my ass over you."
I pushed away from him. "Ew. Don't talk about Robert when I'm naked."
"Why? You've been naked with him."
Forces froze and I waited to see if he had more to say or if I had anything to say but we both felt chilled by the awkwardness. I slowly sat up more against the headboard and rested back against it. "Were you hurt by that?"
"What?"
"Me having sex with Robert because you don't really have a right to be pissed." I was defensive because I was in the right but I also framed his words as an attack.
Alex was slow in his response, I guess he was trying to find the best way to say what he was thinking without me biting his head off for it. "No. I mean, you're right. There's no reason to be pissed."
I wanted to know his real feelings. I knew he wouldn't shame me for doing it but I wondered if he felt the act of Robert and I's relationship was an attack against him. I played with my fingernails and we didn't make eye contact. We were two planks beside one another. "But were you?"
I peeked over. His shoulders shrugged and he looked down at his hands. We were mirror images of each other. "I don't know. I mean, I don't like the idea of you being with anyone else. Truthfully, Robert annoys me so I guess that confused me or upset me more. But I love you, you know." He looked over. Insistent on this part. "And that's not going away. I figured that out a long time ago. As much as I love the idea that I get to be with you for...you know, I know that I can't get everything I want. But I want you to get all that. I want it more for you than for me. You got that?"
It took me a while to regain control. I was stuck between smiling so wide my face ripped into two and crying until my eyes fell out. I took a shaky breath. "Yeah. But I want all that for you too so you're right back to getting everything you've wanted again because I want that."
"You're always forcing me to take care of myself, Janie."
I hugged him. I needed to touch him. To hold him. I whispered into his neck, "It's 'cause I love you, you know."
*
When the tour went on break I went with Alex to Black Box Studios in Maine-et-Loire, France where he and Miles recorded the first Last Shadow Puppets album. The whole album was recorded in a matter of 2 weeks but nothing about it was rushed. The landscape was lush and the downtime felt like something out of an Eric Rohmer film.
On the last few dates of the tour, we ended up in Sydney. It was the only time during the tour that I got the urge to call my mother. I didn't because my Nokia couldn't call that far but I sent her and my father a postcard and I bought Stacey Uggs, authentic Uggs. We had a day off where we went to Bondi Beach where Matt and I braved the cold water. Afterwards, we visited the zoo where I got to hold a koala. I felt like holding a baby, except with the softest fur imaginable. Afterward, I pouted about not being allowed to own one so Alex bought me a koala stuffed animal.
A week after, the band went to play Summer Sonic in Osaka and Tokyo. I went back home for a week. It wasn't intentional, the dates just lined up that way but it felt best to skip such a rough place. Alex has a habit of embodying the mood of places based on memories. This behavior can likely only exist for a guy who has been to so many places.
I joined The Last Shadow Puppets a few days into recording. When I arrived, Miles and Alex had just returned from riding their bikes together. They looked like twins, shaggy-haired and brown-eyed boys. Alex threw his bike down and tossed his arm over to me like we were two buds, just getting off our shift at work. It filled me with endless excitement. Then, Miles came over and cupped my face, pinching my cheeks. I slapped him away and we went inside and had dinner.
At that dinner table, I could picture a whole future. Ones where Alex and I had Miles over our house, our little stray puppy. Nights where we all went out drinking and he crashed on our couch. Miles and I would both be hungover and Alex would give us painkillers and make us scrambled eggs.
Side-by-side, Alex and I brushed our teeth. It was a greater act of love than a marriage proposal.
*
I had begun to videotape these Shadow Puppets. On the morning of my second day there, Alex and I were lounging around in bed when he told me he had a little present. He came out with a camera, a Pentax 17. 
"For me?" I pointed to myself, holding the delicate thing, cradling it like my baby.
He snorted a laugh. "Who else?" He petted my hair back and he was the sweetest man who ever lived. 
In those two weeks, I didn't have many subjects. Most of the footage and pictures were of Miles and Alex. James Ford, who produced and drummed with the Puppets, made some appearances. I slipped by in a couple too. I began to develop this plan to make a documentary on the band. It fell through, mainly because when they went to do the orchestral parts of the album in December, I couldn't go, and I was also lazy. They used some of it for a 4play documentary but it wasn't the vision I had. Alex says I would have won an NME award (I have desperately wanted to win one solely for the middle finger trophy. Alex has plenty, only one on display for joking sake, but I would beg to win one. It might have been my only chance). It probably would have sucked. I've never worked with actual film to make a movie. I never worked with anything to make a movie because I've never made a movie. I will never make one either. Because I am lazy. But, I guess, I'll get through the rest of this book and stop interrupting the flow of the story by telling you I'm getting ready to write more of this book which you will read now. Or now. Now. Now. Now. Now. Now.
Now, I have filmed much more on that camera other than Miles and Alex skipping through great fields and picking daisies, although I still shoot that too. If I could submit home videos for the NME Awards, I would have won one by now.
Most afternoons we rode bikes around the tiny town. I would occasionally drop into the studio out of pure boredom but I spent the majority of my downtime writing or exploring. One afternoon, the trio of us biked by Château d'Armaillé.  It was a lofty manor contrast to the farms and livestock breeders we usually biked by. I stopped and stared as I usually do.
"Can you believe people lived in that thing?" I questioned, completely mesmerised.
Alex laughed, already pleased with his joke. "Yeah, isn't that the size of your family home?" 
*
On our last night there we had a little dinner party with everyone we had come across at Black Box Studios in the two weeks we had been there. Since this was pretty much the middle of nowhere, there were very few people. But it felt celebratory to end this little project with gloriously catered French food and playing dress-up. It was mainly an excuse for me to wear a vintage dress I had found at a used clothing store in Nantes when I was waiting for a car out to Black Box. 
It was a white drop-waist dress with a little bow on the side of my hip and a skirt with a light lace overlay. It was paired with a cloche hat that I regretfully didn't buy, but I still have the dress. Alex wore a button-down and slacks but Miles and I talked him into wearing a stupid top hat that had been lying around Black Box for the 2 weeks we were there. Alex ended up taking it home with him, although he does not still have it. Miles wore shorts, a grey T-shirt, and a bowtie. 
The food and conversations were far more important with the most delicious potatoes I've ever tasted that were mixed with a sauce that I might forever be wondering what it was but my tongue can still feel the taste. The wine was white and Alex dropped his glass on the floor halfway through the dinner, which he doesn't want me to mention, which means I totally will be mentioning it (obviously).
His arm rested on the back of my chair and our plates had long been cleared and the dessert, Gâteau Nantais (a delicious almond pound cake, soaked in rum, and topped with glaze—I really, really liked these meals), had been picked away at. I was still eating the crumbs of my second slice and Alex drank from his new wine glass. I could see futures, but for the first time, I felt like this was the future. Friends, old and mostly new, surrounded us and we drank and ate and talked and laughed and the warmth of Alex radiated on me. I was in love with everything.
"Will Jane be heading back on the road for North America?" James asked Alex. 
He turned to me with his teeth showing, smiling enough for sparks to come off it. Pride radiated off of him; it still makes me want to cry. "As of this morning, Miss Cavendish has a job with Simon & Schuester." 
When I told Alex, I was cautiously concerned that his worries would overshadow the news, but I never doubted he'd be happy for me. I got the call when he was brushing his teeth. I told him when he returned to our room and he grabbed my hands and made me jump on the bed with him. (Shall I avoid the Monkeys Jumping on the Bed joke?).
The table cheered loudly and drunkenly. "Oh, shit, I know those two boys!" Miles, sooooooo drunk, exclaimed. I bashfully tucked my chin down, avoiding the attention. 
Alex's hand skimmed over my left shoulder. He bent down to kiss my downturned cheek and it was like my crush just kissed the spot—my cheeks flushed red and my heart pounded on the gates of my ribs. 
I waved for the noise to quiet down. "It's just an editorial assistant position."
Alex squeezed my shoulder, looking over at me, and rolling his eyes. "Cut it with that rubbish, Janie. It should have been the first thing we cheers to when we sat down."
He reached for his wine glass and I shoved his arm away. "Stop it. You're flustering me." His breath smelled of Chardonnay and his behavior spelled out drunk—his bubbly drunk phase, which is the most flattering phase. He leaned over kissing my cheeks repeatedly making the table erupt in noise again. I took a grip on his face and tried to push him away.
"I've made you all red," he boasted. Alex's face was all red too but it was likely more to do with the alcohol than me. "It's time to cheers, Janie." He motioned toward my almost empty wine glass. I shook my head. "Time to cheers, Janie," he insisted. 
"You sure you aren't going to drop your glass again?" I teased.
"Oh, shut it, you," he said, but he laughed and tugged me close to him. I almost thought he was going to give my head a noogie.
He drank all the wine out of his glass before raising it. "To Jane Cavendish, Simon & Schuester Editorial Assistant."
*
I started on a Wednesday and I did little editing in my editorial position. But Helen, one of the editors, gave me old drafts they hadn't published and the book and told me to pick all the differences out and she would be quizzing me on it the next day. I went out drinking with Lee and Georgia and came in hungover the next day. Helen said I was the first editorial assistant she had that didn't fall for the quiz prank. That endeared her to me and she became my mentor.
Alex was off doing interviews about virginity for the Virgin Fest and I had never been more thankful I didn't lose my virginity to him. I used to wish that and tell Stacey when assuring her not to lose it so young. But it's probably best since I'd associate the time I lost my virginity with an interviewer from AXS Uncut asking Alex to name virgins.
I had moved back in with Georgia and her new girlfriend, Kyle, who was always a sweetheart, even if she didn't do the dishes. They weren't the annoying kind of couple to live with. They weren't loud and I never felt like the third wheel around them. It was easy for my mind to drift to Alex. I would relive the way Black Box felt. While the majority of it felt like a vacation, at its core, we were coming home each night together. The home is what we lacked on the road and the togetherness is what we lacked at home. I just thought of him being in my bed, sleeping. I always liked the way he looked sleeping.
Alex called more than he did on the last tour. I guess he had learned a lesson. Being in North America was a bit easier than when he'd been in the Eastern Hemisphere since he was only 6 hours behind. He'd call me when I got off work before he'd perform his concert and we would talk of the monotony of my day. A couple of hours later, usually while I was sleeping, he'd text me about how the concert went. It was usually only one word: "Good." "Great." "Best." "Sucked." "Wanker." "Drunk." 
We had fallen into a pattern and although it seemed dull, it was successful. My heart still ached and sometimes the sight of Georgia and Kyle made me want to stick my head in the oven, but he was there when I needed him, even though he couldn't be here.
Working felt comfortable and, for once, I eased into that comfort. I got after-work drinks with editors and fellow editorial assistants. I'd joke around with superiors at work and I'd go home to Georgia and Kyle, who had made dinner for me. Georgia was working various gigs, but still heavily focusing on poetry. Kyle worked as a set developer, which meant our living room looked like a craft store had exploded. I didn't mind. I spent most of my off-time in my room and would only venture to the living room when we watched TV together.
However, when the North American leg finished at the beginning of October, Alex dropped by, and with a clicking of his tongue and the shaking of his head, he said, "Oh, Janie. You've got glitter everywhere." He said this in front of Kyle, so I hit the back of his head and dragged him to my bedroom.
Alex's stay at our flat during October was never agreed upon, he just showed up and I'd never turn him away. A week in, however, Georgia asked me when it was just the two of us in our kitchen, early in the morning before I headed off to work, "So, is he like living with us now?"
I shrugged. "No. I mean, he'll be back on the road before the end of the month."
"How do you feel about that?" What a good therapist she would be.
"Better than last time. I'm occupied now. I don't have to worry about lying around all the time thinking of him."
"You're a big girl now, Cavendish. But if he stays past a month, he will have to pay rent."
I laughed out loud. "I doubt he'll be living here with us."
"All I’m saying is rich rockstar can pitch in on groceries."
I told Alex of this conversation and he took me to the store to point out all of Georgia's favourite food goodies and bought them for her. Georgia felt bad after that until she had Jelly Babies. Then, she insisted Alex buy groceries every week.
On Alex's last night at the flat, he bought takeaway for everyone and watched I'm a Celebrity...Get Me Out of Here! with us. Several jokes were made about Alex doing the show, but I don't think Alex could eat a bug or be stuck with Katie Hopkins for a month. After dinner, Georgia and Kyle left for a "late-night poetry reading" or more likely avoid-the-lovebirds game.
Alex and I showered, changed into pajamas, and brushed our teeth together. In two parentheses, curled to bookend one another, Alex brushed his hand down my side. I told him, "I hope you get a good tan in South America."
"I'm too pale for you, Janie?"
"Maybe your butt," I giggled. It was some form of drunk-in-love. I felt rush through me every time he looked at me. It was like taking a hit.
"Wish you could come with us," he said. He was sober in his tone but his eyes were glazed over.
"Me too, but I'm happy here. I love my job and it sucks to not be with you but—"
He smiled—beamed bright and overwhelming. "But you're happy." He curled into me. My manners had transferred to him as he curled his arms around me and dug his face into my neck. "I'll be back for a week in November."
"And you'd come back here?" I questioned. There was a touch of uncertainty in everything we did that year, mostly because we had never even said we were back together and the other part was the reason for our break-up.
Alex lifted his head, his smile still showing. "Yeah." He sounded so happy and sunny. It was a cocoon of bliss. The young love I had always wanted. His fingers traced over my shoulder, making little finger drawings. His eyes looked down on his creation, avoiding my eyes. "And then we've got two shows here in December and then that last show in Manchester, which I thought maybe you could take off work and come up for. It's on a Monday so understandable if you can't."
I smiled at him but I'm unsure if he saw it due to his shy gaze dodging my face. "I'll try my best. I'll definitely be at the London ones."
His face was aglow but attentive to his finger tracing. "And then I was thinking, maybe—I don't know—maybe I'd come back to London."
I lightly chuckled. "You're not banned from the city. You're always welcome here. Georgia and Kyle like you a lot."
"I like them too but I was thinking we could stay somewhere else."
"What? Like a hotel?"
He finally looked me in the eye. "No, maybe we move in together. Like, get our own place. Maybe. It was just a thought."
It pleased me to no end. The thought wrapped its way around me the first time we slept together and over three years later to encounter the reality of it, I couldn't believe it. "A flat for just the two of us?"
"Yeah. I know you like it here but maybe we could find somewhere that I'm not finding specks of glitter all over my clothes."
I giggled all over him. "Yeah, yeah. I'd like that too. I'd like anywhere as long as you're there."
Alex shook his head with a big smile like he couldn't believe it. He hugged me, kissing my cheek, and then...then we did other stuff, you know.
*
People have asked me if Alex plays songs for me. They've imagined a world in which Alex sings me a lullaby every night. And I guess the answer is "yes" but I'd say more of a "sort of" situation. Alex would often strum his guitar to me but not in a dedicative format. It was something he would have done if I was there or if I wasn't. So, I would say he never did it for me.
Except once.
He was back in London and he had arrived late the night before. I was in my jammies and my slippers when he arrived and he made fun of me for my pajama pants that had Christmas elves printed on them. 
I was waiting on my bed for him to return from the bathroom. He came back, chilly from the lack of heating; Georgia and I weren't turning it on again this winter. He paced around my room before he asked, "Can I play you something?"
I furrowed my brows. "Like a song?"
He nodded and picked up his guitar. "I'm gonna do it on Radio 2 tomorrow. Like a little teaser for what's to come."
"So, this is a song for the next album?"
He shrugged. "Maybe." We never talked about the next thing, which was a problem and not a good choice for our reunited relationship.
Alex adjusted his guitar on his lap and sat in front of me, playing "Fire and the Thud" to me. He had never been that overtly romantic in a song before. Songs on the previous two albums never felt like love songs, but rather songs of longing or infatuation. But it felt like he had written this song for me as he played it for me. 
It would be one of the sweetest things anybody has ever done for me if he didn't go on to do even more songs for me. Not to brag or anything.
After he put his guitar down, I curled my arms around his neck and yanked him down with me to lay back on the bed. "You like it?"
"Loved it. I love everything you write."
"Yeah, but you really loved this one right?"
"Sure."
*
A few weeks later, when Alex and I returned from the final show of the Favourite Worst Nightmare tour, we moved into a new flat. Together. I had picked the flat out. Alex said whatever I liked he'll like and I wasn't going to argue being the sole picker. 
We moved in at a record speed, mainly because I had very little stuff and Alex had nothing, everything still back home in his childhood bedroom. My parents had officially moved down to Bath and I had received scathing phone calls from Stacey. I still feel sorry for that poor teenage girl.
Alex and I got a studio, which I liked because it felt artsy and a total adult thing to share a studio with your boyfriend. Later, it would be the start of many fights between Alex and me because I never had any privacy.
We had our bed in one corner, the kitchen in the other, and a small bathroom down the hall. Plus, it was in Clerkenwell, which was closer to work. We had his record player on the floor and a shared dresser. It was a greater act of love than sex or writing songs. It was his things mixed with mine.
We weren't there for very long. We each went back to our family's homes for Christmas, which suddenly was no longer the same area. Our time apart was short and when we returned we cleaned up the rest of our shared apartment and decided to have a New Year's Eve party.
It was wild debauchery from start to finish. Though we provided liquor, it seemed like every guest came with their own stash. I hadn't realized how many friends Alex had in London. His number of guests heavily outweighed mine but it didn't have much of an issue. Everything was communal and it was truly a night where everyone seemed free. Maybe it was the New Year's part or maybe it was being in the start of our early 20s. When I look back on this time, I forget how young I was. 17 and slutting up the streets at Barnsley and how in 4 years, I had obtained an establishing job and lived in London with my boyfriend. It was a dream book experience and like most things it was a small portion of our lives. But I felt straight out of a movie with this ending to the year I had received. 
Katie and I hid in a corner to talk close together to avoid all the noise. We shared a drink and both drowned in heavy alcohol consumption but we loved each other very much and I knew we'd be friends forever (I was very drunk when I thought this and slurred this to her but time has held this statement to be true. Drunk words are sober futures). "I'm going to marry him," I told her. We were watching Jamie attempt to throw Alex over his shoulder, fireman-style. Alex was a sweet ragdoll, laughing about and swaying.
Jamie was the loyal rescuer. "I'm going to marry him too," she slurred back to me. "We'd be like band sisters-in-law."
"Aw," I cooed. "I don't have a sister-in-law." (I mean, I do, my brother's wife, but I was referring more to Alex being an only child and I was wildly drunk. Forgive me, Cecilia).
"Then I can be yours!"
Before midnight, only a minute or so before, Alex and I huddled up in the kitchen with our closest friends of the bunch. Matt and Jamie were arguing about who had drunk more and we all watched on laughing. I was burrowed under Alex's arm. He was the cave I chose to hibernate in this winter.
"Don't forget the beer you had before coming here," Alex egged Matt on.
"Yes! And the beer I had 'fore coming here!" Matt sloppily shouted to Jamie. 
I pulled on Alex's hand he had thrown over me. "Don't they know I'm the drunkest?"
Alex chuckled. "Yes, with that breath you probably are." He was quite sober compared to the rest of us. Mostly because he knew how drunk I would be getting and somebody had to make sure our new place didn't get destroyed. 
I pulled back, offended. "It is not that bad."
"Yes, it is," he laughed.
"So bad you won't kiss me at midnight?" I hung off of him. You'd think we were in some basement in Wakefield.
He moved his hand down to the arch of my back to steady me. "I could never not kiss you."
My eyes snapped over to him, and I raised my eyebrows with a smirk. "Really? I don't recall that being the truth."
He laughed again. "Fair enough." But then he leaned in and kissed me until way after midnight, making out in the kitchen. It was disgusting and I loved the whole thing.
Nick knocked into us as he moved through the kitchen. "I'd tell you to get a room but we're all in it." He laughed, pleased with his joke, and moved to grab another beer.
Later in the evening, Nick threw up on our bed. Nick was the drunkest. 
Somewhere around one in the morning, I sat on Alex's lap and his arms were around me, holding me close to him as I talked to Georgia on one side of the couch and Alex talked to Miles on the other side of the couch. We held separate conversations about separate lives but he held me to him and he held me tight.
*
a/n: sigh, this is all i can think about writing as of late. i am a series girl after all.
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guplia · 3 days
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Hello anon! First of all, thanks for the ask! (asks? idk I received three anon asks at almost the same time, it would be weird if they didn't all come from the same person lol)
fix recommendations? read mine /hj Sure! Just note that while I've enjoyed a lot of wips, I'm only gonna recommend completed fics rn.
Okay! Here's all I can remember rn:
"Clouds" by youngmoInactive (fanfiction.net):
Original summary:
"Even though he's a hero, he's still a human. CONTAINS CHARACTER DEATH. A nice look into Kai's perspective as he watches a close friend slowly lose a fight for his life."
Okay all I've gotta say on this one is that IT MADE ME CRY. OVER AND OVER AGAIN. Obviously I can't speak for everyone who read this fic but I think this will hurt Lloyd lovers. I have re-read it so many times to the point where I have half the fic memorised word-by-word. This is a must-read.
(if you're on the phone it's better to add "m." To the start of the URL)
"a day in the life of a fatherless child" by holographicknife (Archive of Our Own):
Original summary:
"lloyd has a panic attack *confetti* title suggested by my friend lol loosely based on a crack rp between friend and i   Warning for: mentions of suicidal thoughts and medication, explicit descriptions of a panic attack, including tight chest, difficulty breathing, nausea, and headaches. Proceed with caution."
This is a Kai And Lloyd fic, and I love Kai And Lloyd fics! Specifically ones where they address Lloyd's trauma from Morro and where Kai comforts him. So if anyone's into this sort of stuff I'd recommend it!
"A Courageous Escape" by Lilac_Lily234 (Archive of Our Own):
Original summary:
"In the midst of possession Morro hatred flows freely as he seeks to make Lloyd suffer for taking what he believes as his rightful title, but his cruelty know no bounds; Lloyd however refuses to give up but knows that time is running out, and in his desperation will find either salvation, or death.  - I don't own Ninjago, this is an au"
Ahem... once again, Lloyd goes through pain. A season 5 canon-divergent AU, from which my favourite part was... you guessed it! Lloyd having a panic attack and being comforted! But it's still a cool story besides too, season 5 being one of the best seasons imo.
While this fic is finished, the AU is not but I think this one has a good ending on its own.
"Out for revenge" by lloyd_slander (Archive of Our Own):
Original summary:
"Harumi’s plan to resurrect Lord Garmadon failed, during her time in Kryptarium prison she heard about Morro, the master of wind, and guy who had managed to make Lloyd’s life a living hell. Wanting revenge, she doesn’t stop from anything, not even from getting Morro back from the dead. Or The duo we always wanted, but never got. Lloyd is in for a hard time. Head the tags, guys!"
Okay. This one is rated Mature for drug usage and blood (there was nothing sexual though)
So it's a Morro traumatising Lloyd fic again, but this time he's with Harumi! So it's double trouble for Lloyd! (things go VERY BAD for him >:3)
Honestly I can't say much except read the fic, the summary's right there lol.
"Revealed" by Nation_Ustria (Archive of Our Own):
Original summary:
"Lloyd Garmadon is used to being hated. That's just how his life works—if someone knows that he's the son of the warlord who attacks Ninjago City on a weekly basis, they hate his guts. That's why he's made sure that his team—the only people he's ever been happy with—don't know who he is behind the mask, with the small price attached that he doesn't know their identities, either. It's not like they know each other's, anyways, so it's not a big deal. But then they find out. The fact that Lloyd's elemental power makes him an empath doesn't help, either. Basically the premise of the movie pre-reveal with show elements and personalities, and Lloyd's Green Power is him being able to sense and be influenced by the emotions of those around him."
Okay so here's a fic without Morro! (that's cause it's in the movie-verse) Another type of fanfic I like reading is where Lloyd in tlnm keeps his identity secret from the other ninja and it ends up getting revealed (like this one.).
I've seen this fic being recommended more than once and it's one of the fics with the most kudos in the entire fandom on AO3! So 2000 others agree with me on how awesome this fic is!!!
"What Doesn't Kill You Makes You Stronger" by @crystaleclipse10 (CrystalEclipse on Archive of Our Own)
Original summary:
"Lloyd batted Red's hand away. “’m fine.” His head pounded, but at least it was quiet and dark. His hair tickled his nose. “What happened?” “We…didn’t get out in time,” Red whispered. “The missile exploded. We got everyone else out, though.” Lloyd relaxed and slumped forward as pure relief washed over him. They’d done it. They’d beaten Garmadon’s game. They’d freed the civilians and survived. Didn’t feel great, though. ~OR~ Lloyd and Kai get trapped under a building when it collapses, both injured. Angst and bonding ensue."
So it's another tlnm au fic! And this one has Kai And Lloyd bonding specific so I like it!!!
As I was reading this when it was still being updated I was very excited every time a new chapter would come out and my heart hurt for Lloyd each time! It IS worth the read! Just note that while tis fic is completed, the au is not.
"Officer Smith, Do You Copy?" by @hijabiwriter (same username on Archive of Our Own):
Original summary:
"Everyone has their reasons for becoming a police officer. Maybe they were forced. Maybe the profession stood out to them. Maybe they had some experience that prompted the idea of becoming a police officer. But that's only a few reasons. There are others, too. Like for instance, one of these officers is out for revenge."
This fic is entered around Nya, who's a police officer alongside Jay, Cole and Lloyd (for some reason Zane is not in this au/fic). Anyways her dark secrets are explored in every other chapter alongside the progressing story, and of course, an explanation is given to everything in the end.
On a personal note this is the fic where I left my first comment on my Ao3 account lol (the historic moment is on chapter 13!!!)
"Too Late to Say Goodbye" by @greenamethyst16 (same username on Archive of Our Own)
Original summary:
"Kai gets stabbed and Lloyd helps him... :D"
I think length-wise this is the shortest fic on the list but that doesn't make it bad!!! Basically Lloyd downplays his injuries and there are consequences... :D
"All the ways I say "I love you"" by @ninja-knox-ur-sox-off (Leonardo_Charles_BlueWood_21 on Archive of Our Own)
Original summary:
"Cole loves his team. They're his family and he does everything in his power to keep them safe and steady. He does his best to let them know he cares about them in every way but one.  Or  Seven times Cole couldn't quite say "I love you," and the one time he could."
Note: This story can only be read if you're logged in on AO3.
I like this fic because it encouraged me to remind my own irl friends how much they mean to me. In this story Cole believes that he's "the rock" of the team, and hence he doesn't show his emotions much. He's never told even one of them that he loves them and thinks that they deserve better than him. So stuff happens after that :D
Okay, I've read a lot more than this but this is all I'm gonna write about now cause I'm tired and I think this post has became too long. But if you wanna read more just check out the profiles of the writers! I haven't read everything myself but most of them have other good Ninjago fics to read!
If I've tagged you or mentioned your fic and you want it removed just let me know! I have no problem with removing it! :D
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cdroloisms · 2 days
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a little ramble about dreblr, meta, and the ever evolving nature of this fandom, i guess?
i don't mean to soapbox, this is mostly just going to be vomiting some thoughts into a post. some recent stuff and a post or two have had me thinking about this fandom and how different it is from when dsmp was ongoing. it's,, pretty obvious that the fandom is quite a bit smaller and less active than that time, and there are generally a lot fewer people actively posting meta and such every day--which isn't necessarily a bad thing, and is natural obviously considering that the dsmp ended almost 2 years ago, but does mean that the culture around (?) meta and such has shifted, as well. it's one of those things too i think that is felt so much more obviously in dreblr, which is an even smaller group within this fandom that formed in response to uhhh being very much considered unwelcome by the greater fandom at the time.
that being said, as is the nature of all fandom, dreblr is still a community of people who are largely strangers who have gathered together because of one commonality: very strong feelings and often very strong opinions on the dream smp and c!dream. and i think when the fandom was more active, the entire fandom felt a lot more like a "pvp enabled" zone, lmao -- it was every other day when there'd be some new batshit meta about c!dream or some stream to react to and analyze and fight people about and whatever. since then, though, with the dsmp gone, the fandom has become quieter -- which i think has allowed some of the variation in opinions within dreblr become more and more obvious? and also become a sort of source of friction.
again, this is normal for any fandom. i'm certainly not here to agree with everyone about c!dream always, lmao. but the vagueing of takes is always more awkward on both sides when it's someone where you share more of the same circles. at the end of the day, it's up to each individual blogger's discretion to choose what they will or won't post on their own blog, but at the same time ... when it comes to the community, just speaking for myself, i don't want a super high barrier of entry when it comes to people feeling like they can't join this fandom unless they've got [xyz] experience or [xyz] takes.
when it comes to actual analysis of the source material, though, keeping meta a safe place for people to say "no, i don't agree with this take because of [xyz]" is important as well, which always raises the question of how said disagreements should be handled. and again, i'm no authority, i'm not here to tell people what to do. personally, when it comes to my own blog, i don't like to post very much directly about any one blogger, but I know I've definitely written posts inspired by specific takes before as well as screenshots of takes from the fandom's heyday, etc. i don't necessarily feel uncomfortable with this ...? but at the same time, i know that vagueposts can be a source of discomfort, especially if they're about your take in particular (speaking from experience) -- so it's you know. not the easiest line to draw, I guess, especially when we're talking about a community where different people are going to have different levels of comfort with what they post on their own blogs and what other blogs do in response to their takes. and whatever.
vagueposting, i think, has been common in the tumblr dsmp fandom for a long time, and especially in dreblr -- direct engagement in the past errr usually went badly, so a habit formed of keeping everything we did kind of within our own spaces (hence why many of us don't even tag c!dream or even dreblr on most of our posts; keeping everything untagged, or keeping the tagging system restricted to our own blogs, limited the possibility of trouble). that being said, vagueing within dreblr has become more common, i think, as disagreements within dreblr have become more and more obvious in the time since the dsmp ended. (just for the obvious example: i think it's a bit of an open secret that i, personally, strongly disagree with much of the common depictions of c!drunz in this fandom. i've written some meta about this before, as well as some responses to meta--which i enjoyed greatly, believe me--but i've also noticed (perhaps coincidence) an uptick in c!drunz positive meta every time i or someone else makes a post that maybe skews more negative. which is normal, don't get me wrong, but also a pattern i've noticed. i'm also very aware that someone the arguments i may bring up as counterarguments or structure my posts around arguing against are based on actual arguments i've seen while in this space, which i'm aware is an easy source of friction within dreblr.) and it's easy to say "don't take it personally when it's just metaanalysis," but that's easier said than done, lmao, especially depending on the tone of the vaguepost and a myriad of other factors.
i'm not saying that i have the answers. or, for that matter, a single answer. the boundaries i set aren't going to be the same as the boundaries other people set, for one, and i have no desire to police what other people do on their own blogs. i do miss, sometimes, the more collaborative and discussion-based meta experience of this fandom when it was more active--i might try to more actively reblog posts (including those i don't necessarily agree with) to discuss this server and these characters, bc at the end of the day that is kind of why we're here. personally, i've always drawn a pretty sharp distinction between fanwork and analysis -- i think it's pretty bad form to criticize people's AUs In General (not that i've not. been guilty of it in the past, but i try at least to keep it to criticizing more general patterns within fanwork; look, i'm not going to claim a moral high ground, i love bitching way too much and should probably get a handle on that but asj;lkfdsaf) but when we're talking meta about the source material, barring shit like. you know, harassment and otherwise abusive behavior, i do consider it more of a free-for-all. at the same time, i know that these standards can lead to newer fans feeling like they're going to be booed out the door for sharing their thoughts, which, i mean, isn't great 😭😭😭 fresh eyes can bring a lot of really cool new insights, and it'd suck pretty damn bad to miss that because they don't feel welcome, yknow?
anyway, this is a very inconclusive post, but i thought i'd just throw some of my thoughts out as someone who has been here for a decently long time. and if you want to discuss w/ me, inbox and dms are always open :)
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dusty-siltstrider · 3 days
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Alright I'm gonna ruffle some feathers I think but idk I gotta say something.
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For this moment and this moment only I'm going to set aside the rabid Viktor fan that I am and speak as a slightly less rabid Vi fan. She's a very close second and I relate to her the most out of the cast. Love her. So on and so forth. At this point the marketing is frustrating me less as a Viktor fan and more as a Vi fan.
When the Annecy people talked about a goth Vi fighting in the pits piss-drunk mad seeing crazy things I was ECSTATIC. Like holy shit that's such a major turn in her personality! Really fills out that whole "what does Vi do when she has no one left to protect" thing! Wow! Not to mention she's gonna be hot but that's a given. What a shocking thing to see when November comes around aaaand there she is in the trailer okay. Along with what is presumably her act 3 timeskip design judging by the longer hair. Element of surprise gone. Cool.
So where the Viktor part of me gets to waste hours yapping about where he's gonna be in season 2, what his arc will be, what he's gonna look like, what's gonna cause divorce era... feel like we're running out of room for speculation for the main 3. Room for imagination, if you will.
Like WE'VE BEEN KNEW ABOUT PIT FIGHTER VI. This isn't a surprise sneak peek anymore, everyone's either seen her in the trailer or at least heard about the Annecy stuff. Personally I no longer have the same level of insane jittery excitement to see how that arc goes in s2 anymore. Her new design is no longer a surprise and they're going to show even more tomorrow lol. I have little room to ponder "huh wonder what VI's gonna be up to." Pit fighter arc gets started and instead of my jaw dropping going "oh my god Vi honey you really are broken aren't you noooo" it's just... yeah that thing I saw during a Netflix event. Damn. Looks cool still but it's not a shock.
This massive point in both the plot and Vi's arc has become a marketing hype machine. Which dampens, you know, the whole "telling a story" thing.
What do I have to speculate about? Cait's whole iron-fist arc is fairly obvious via marketing, Vi's three-act structure has been pretty clearly laid out, they even spoiled Noxus/Ambessa turning on Piltover. Yeah, think we saw it coming, sure, but I kind of like being able to speculate on stories I enjoy. At least Jinx's revolutionary thing is pretty up in the air (which I still believe is a misdirect but I digress).
Please don't get me wrong, I really like her design and I'm still very excited to see where it goes! Obviously there's still plenty of details in between to fill out and yes I'm being slightly dramatic and yes my salt towards yet again no Viktor may be contributing to this frustration and YES pit fighter Vi is sick and the clip will be cool as fuck no matter what. But I'm honestly a little surprised everyone's so thrilled about this. I'm (likely) not watching it solely to preserve at least some element of surprise because I'm so excited for Vi next season and it sucks that they're just giving this all out in marketing.
Assuming this is the Annecy clip, that's just kinda lazy to reuse btw. But whatever this is lengthy and poorly worded enough.
Anyway bringing back the Viktor fan that I am yes I'm bitter yes I miss him yes I will not stop insisting that throwing in a few voice lines is not only perfectly reasonable as a teaser but would be more effective marketing wise than burning out the Cait/Vi/Jinx stuff bc deadass what else can they show us at this point okay thank you goodnight
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kennyomegasweave · 2 years
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I get why Heart doesn't talk. I'm hard of hearing. I'm not deaf, I just can't hear super well and it will continue to get progressively worse. I'm also loud af because of that. I've had people I'm out with shush me in public places because of it and, I get why they do it because everybody doesn't want to hear me yell, but it still sucks. Because I love to talk.
So for Heart, whose parents have completely removed him from society, most likely due to misplaced shame at his condition, there's a huge chance they haven't let him talk since. He probably did try to keep talking at first and I'm guessing they shut it down because he couldn't control his volume and tone. And now he just doesn't.
Which is a whole other level of heartbreaking to me. Deaf people do not owe it to anyone to speak. But people who had hearing, for an extended period of time and not just the first few years of life, are used to talking. That's how we've been raised to communicate since birth basically. And so when people take that away because we're too loud? It hurts. So much.
I don't think he'll start talking again, nor do I think he needs to. But the fact that he doesn't, when he was hearing and speaking for 12 years, and how it was most likely a choice made for him to not "embarrass" his parents? Or make them feel guilty he got sick? And how his parents also didn't even bother to learn sign either? It's just devastating to me.
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mythicalcoolkid · 2 months
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You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side
#m/cc#mine#I tried extremely hard to word this nicely because I KNOW people don't mean bad and often even know there are unique challenges#and believe me I know the challenges of invisible disability too!!#I have invisible disabilities!#but as someone who has also been at least visibly 'off' since they were 10 I am SO SICK of invisible disabilities being hailed as like#a unique extra oppression that us lucky visibly disabled people don't have to deal with#there are challenges to invisible disabilities that visibly disabled people DON'T have to deal with!#but you need to understand that *the reverse is also true*#there are MASSIVE benefits to being able to lie about your disability for example#or not dealing with the overt ableism that comes with your disability being obvious to everyone#*I do not have the option to pretend I'm not disabled.* that is never an option I have#I walk weirdly. I use a mobility aid now. my speech and face are 'off.' I lean to one side#for a long time I wore sunglasses 24/7 and often didn't make sense. I sometimes can't speak or won't react to others#for the most part people will always know that at the very least something is wrong with me#and more obviously I have people telling me they'll pray for me; telling me I can't do things I'm already in the process of doing;#wanting to shake my hand to tell me I'm an inspiration for not killing myself; giving me dirty looks for existing in public#and yes. I'm aware that this is very much an in-community issue. I know the average abled person doesn't know invisible disabilities exist#that's why there's so much awareness happening for it#but as a visibly disabled person I get SO TIRED of constantly hearing 'I wish my disability was visible :'('#it's just 'I wish I had your disability!' but from other disabled people
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knifearo · 1 year
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reminder to everyone that trauma IS a valid reason to use aspec labels. "i don't know if i'm aspec or just traumatized—" protip!!! you can be both!!!! the thing about labels is that they're not immutable states of being that you're born as. they're literally just words that we use to describe our lived experiences, and if asexual or aromantic or any related label feel relevant to the way that you experience attraction, whether it's a result of trauma or not, they're there for you to use. having trauma as a cause does not invalidate the fact that someone is experiencing lesser or no attraction. that's still the aspec experience babey. use the label if you want it's there for you <3
#kissing every traumatized aspec person on the forehead. with permission of course#obviously the labels aren't gonna be right for everyone but like...#i see a lot of discussion around this topic and it's actually SO important to me to bring up every time#that labels are just little signs you put up to tell people something about yourself.#it's not an immutable unchangeable fact. it's a little sign. it's a label just like you make with a label maker.#its purpose is to be there and communicate something about your experience to the people around you.#so if you want to communicate that you don't experience attraction in an allo way! that's literally what it's there for!#really i feel like denying people access to those labels cause they weren't born that way is like.#first. an asshole move. why don't you shut the fuck up and let other people decide what they experience#second. perpetuating the idea that if you don't experience attraction you're broken? but just in a different way?#'you can experience limited/no attraction IF you're ace and born that way. otherwise you're ACTUALLY fucked up.'#'you're straight/gay/bi you're just broken right now.' actually maybe they're experiencing something that aligns with asexuality.#ever thought about that...#intent here is NOT to speak for anyone with that experience. however i meet like seven people a year who say that they're unsure#if they're aspec or just traumatized#and it's SO important to me to say that you can be both. you can use the label. your experiences are valid#whether they're internally or environmentally caused.#kiss kiss ily everybody (/aro)#<— tone indicator that indicates that i meant it aromantically#aspec#aromantic#aromanticism#aroace#arospec#aro positivity#asexual#ace pride#acespec#ace positivity#ace inclusion. turn the tables
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#ruffled feathers#sometimes work is so fucking frustrating#like i had this one kid hit another kid and then when i told him off he just mocked me and then the entire class laughed#and like. there's nothing i can do. i can't send him out of the classroom bc i'm not allowed (there's nowhere to send him)#i can't call his parents bc i'm not allowed (and my japanese wouldn't be good enough to speak to them anyway)#i told him he couldn't join in the game and he just didn't care. spent the game throwing stuff at other kids + ruined it for everyone#then he shoved some crayons up his nose/in his ears and started running around#which is. y'know. REALLY FUCKING DANGEROUS so i can't just ignore it#when i spoke to the japanese teacher she was like 'ohh he has adhd' and i'm like ??? he assaults others. that's NOT bc of adhd#i don't work at a school i work at an eikaiwa. i'm the only staff member on location (no assistant no receptionist etc)#i have 11 kids in that class. most of them are 6-7 years old#and the japanese teacher just lets them do what they want most of the time so it's basically impossible to control them#i just. i fucking hate this classroom honestly. the kids are so disrespectful#i know it's not just me like everyone i've spoken to says it's a Problem Classroom#but also. it makes me feel like i'm a bad teacher bc i can't control the kids#it makes me feel like i should just quit my job bc obviously i'm bad at it#anyway i'm really not looking for advice here i'm just venting so please spare me the 'have you tried' messages#i've already asked my supervisor and senpais for advice and the general consensus is we need more staff#and also for the jt to not actually tolerate 7-year-olds behaving like 2-year-olds#delete later
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batsplat · 2 months
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Is Valentino Rossi the best rider in 1vs1 battles?
ehhhhh *shrugs* I mean. the best ever? like. who knows. the best in the field most years he was competing in the sport? maybe, I guess?
this is one of those questions where I don't really like giving definitive answers but am more interested in how you'd even go about assessing it? like, what metrics are you looking at, what are the criteria, can you put numbers to it or do you have to be super holistic about it or what. I think the 1 vs 1 is already an interesting distinctions, because that is a little different from just talking about wheel to wheel skill. they're related skill sets, but it's not the exact same
so. to bring in an example with a sample set of races I imagine most people reading this are pretty familiar with. let's say we're comparing valentino and marc in direct combat with each other. let's say we put the races where they're fighting one-on-one for basically the entire race in one box, so assen 2015 and catalunya 2016. let's say we have races where one of them is working their way through the field - and it's all building towards the confrontation between the two of them, so say a qatar 2013, a qatar 2014, an argentina 2015. let's say you have a very intense fight that doesn't last the whole race, like sepang 2015, or an extended 'duel' that is basically a defensive ride without any actual overtakes, like silverstone 2015. now, you may have noticed that from this list, valentino... kinda wins a lot of these? not qatar 2014, plus sepang 2015 is in the 'this cost both riders too much to have a winner' camp, but except for that? it's a strong record for valentino. however! the moment you take away the '1 vs 1' qualifier, suddenly the record looks way kinder to marc - you have a catalunya 2014, a phillip island 2015 and a phillip island 2017 go in his favour, while only assen 2017 is a multi-rider dogfight that involves both of them where valentino ends up taking the win. I do think when you're considering 'rivalries' and how a particular dynamic develops over time, it's worth looking specifically at what's happening in extended one-on-one combat and differentiating that from dogfights! because it is a different vibe, because it matters if you're just focused on one guy. but of course both categories still matter in assessing direct combat... even if there are also different skills involved in those different types of fights. valentino, even very late in his career, was still particularly adept at challenging and outsmarting individual riders, and it's a specific format he clearly did thrive in. so. yeah. both of these general categories are indicative of w2w ability, even if they're not quite the same - either in terms of the skills required or in terms of narrative implications
here's another issue. valentino tends to win the race-deciding extended confrontations against marc, but obviously that too isn't entirely reflective of what happened when they met each other on-track. this is because during their time together in the premier class, marc was winning a lot more races than valentino and generally had more pace than valentino, so a lot of on-track confrontations that marc came on top of where typically one-and-done type situations. overtake and move on, overtake and move on. so while you still have a misano 2014 (valentino overtakes marc and marc eventually crashes while attempting to keep up) or a brno 2014 (another valentino overtake where he pulls clear), you then also have laguna 2013 (the corkscrew move is the end of that battle), le mans 2014 (a single overtake around halfway through the race after which marc easily pulls clear), indy 2014 (an early tussle that eventually becomes more marc domination), motegi 2016 (similar, except here valentino ends up crashing), thailand 2018 (valentino can't keep up the pace once marc has gotten past)... like, we get to a place where we're risking penalising marc for 'being very fast' and not sticking around once he's gotten the overtake done, which does also feel wrong? it's an odd balance - because, again, when we're talking Actual Rivalries then it does matter who is winning an extended battle, psychologically if nothing else. like if that's the bit that mattered the most to the outcome of your race, if that's the bit people will remember years to come, if you invested a lot into winning that fight, of course it does matter. but that's narrative, not skill... is this really a good way of assessing how good someone is at 1 vs 1 duels?
I picked the example of that specific rivalry not just because it's the one most people are most familiar with or because I love engaging in discourse about that rivalry - but because I think direct rivalry comparisons are probably the most straightforward way you can approach trying to figure out who is 'better'... and marc clocks in just behind casey as the one who has the most balanced record against valentino w2w. like, biaggi is basically a walkover, and honestly you don't really have that many extended 1 vs 1 duels except for welkom 2004. and for sete, obviously a great rivalry (and I've always believed you don't need a rivalry of equals for it to be good and fun), but also once you get past that sachsenring 2003 turning point then the balance does go out of the window. I've been thinking about this in relation to a longer ask I've ended up massively overthinking (surely not), but I was kinda startled looking back at just how one-sided valentino's record is against jorge. like, unless I'm forgetting some major battles, the most extended scrap you can point to that jorge won is for his very first premier class win at estoril 2008 - and that's also pretty much settled by around halfway/two thirds through the race. but the actual 1 vs 1's that last much of the race? catalunya 2009? sachsenring 2009? motegi 2010? well.... hm. races that build to a battle like sepang 2010 also go in valentino's favour, and even extended tussles like le mans 2011 and phillip island 2014 are more valentino W's. hell, even various short and sweet battles like jerez and indy 2008, misano 2009, motegi 2015, aragon 2016, sachsenring 2018 generally have valentino come out on top - though in this category there's some exceptions, like qatar 2008, indy 2009 and jerez 2010 that all involved jorge besting valentino in a short direct fight
which raises another problem... we do need to in some way acknowledge that valentino simply ends up in more of these fights than most of his rivals - and as a direct result ends up winning more of them. like, once jorge clicked into title winning form in 2010, most of his wins became 'shoot off the line and win way ahead of everyone else with metronomic consistency'. I'm not saying all his race wins were like that! and he did win some great duels in his time in the premier class, especially against marc. but of course, he did that kind of dominating races a hell of a lot more than valentino did - whose approach to winning races was more 'qualify wherever, amble off the line, get moving around halfway through the race and figure things out from there'. now, I discussed this point a little bit here in the context of 'was valentino still successfully mind gaming the other aliens' - but just to bring it back, valentino was deliberately approaching his races in ways geared primarily towards being able to fight his opponents, even to the level of how he set up his bike:
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you see this most extremely with something like laguna 2008, where valentino flat out knew he didn't have the outright pace to win - his entire strategy was built around not being the fastest but being able to fuck with casey. in that situation, he's not got the speed, he's building his entire strategy for the win around wheel-to-wheel disruption. and this, plus the regularly mediocre qualifying and starts, does just mean that statistically speaking he's overtaking more riders in his average win than any of the other aliens are. like, if that's your primary metric, then yes! he's clearly very good at w2w! by extension he's also very good at 1 vs 1 duels! if you're looking at riders who have clocked in more than a certain number of wins and do the maths of average overtakes per win, then, yes, I would imagine he tops that metric. does that make him the best? ... well, again... it does feel like you're risking penalising the better qualifiers and starters for being better qualifiers and starters and not ending up in seventh place at the end of every single first lap
so, you've got 'how they measure up against their direct rivals' and 'average numbers of overtakes' as ways to begin considering w2w ability as well as 1 vs 1 track record. then you get into increasingly nebulous waters... here's another potential metric for w2w skill I quite like: efficiency in overtaking. not naming any names, but there are certain riders who, when attempting to work their way through the field, will just. get stuck. even though they have a clear pace advantage over the rider directly in front of them. leading to incredible amounts of faffing about rather than just getting the overtake done. obviously, valentino does like to engage in some faffing about too, but generally speaking he's only doing that when he's in close proximity to the race leader and can realistically get himself to the front of the pack fairly quickly. he's very efficient when he's actually working his way through the field. of course, this is something marc is similarly excellent at, as he has shown plenty of times this year... which. well. this is where we run headfirst into another problem: this sport has changed a lot over the years and some things are simply not at the same difficulty level as they were in past years. so, sticking with those two, which of these is a 'better' comeback? 2006 sachsenring, where valentino starts tenth on the grid after tyre problems in qualifying, at a track he doesn't really love and in serious championship trouble, but works his way to the front before having to fend off the chasing pack that is coming back at him all the way until the chequered flag? or 2024 sachsenring, where marc starts thirteenth on the grid after having been impeded in q1, at his speciality circuit that he's visiting for the first time on a new bike, and works his way up to p2 despite his fractured rib and finger in an era where overtaking is a lot harder than it was in 2006? well, first of all, congrats to both of them, very nicely done. but secondly, that's kind of the problem, right? while I'm sure prime valentino in this era would also regularly be doing that marc/pedro thing where they make the commentators go 'oh ho ho they said overtaking was impossible in motogp these days!!' - at the end of the day his approach involved some built-in faffing about that was also more feasible back in the day. if we're assessing w2w ability, we do need to make some kind of allowance for era - which also affects how often riders are likely to find themselves in 1 vs 1 duels in the first place
here's another plausible metric: last lap battles. this is ALSO something that is super era-dependent. casey in his whole time in the premier class gets involved in like? about four battles that are still going on in the final lap? there's definitely a few I'm forgetting, especially if they weren't for wins/podium places, but it's definitely not a lot. compare and contrast with how the 2017 to 2019 era played out. everything back then was tyre management, tyre management and more tyre management, and dovi in particular was big on the 'eh let's win this race at the slowest possible pace' thing, where everyone crawled around the track as slowly as they could get away with before pulling the pin a few laps before the end. obviously, the characteristics of that era were a) very beneficial to dovi, in that they rewarded both those who knew how to make those specific tyres work (and his decline in 2020 was largely linked to the changes in tyres) and those who were very good at managing last lap duels, but b) inherently were more likely to produce last lap duels than a few other eras. like, in the alien era, which regularly featured gaps of. idk. seven seconds between the front runners, the characteristics of those bikes (as well as those riders) just meant you had very few battles that lasted that long. so inherently, it's harder to judge riders like, say, casey on how good they are in that kind of situation, not least because you are working with such a tiny sample size. and those battles are a big feature of how we remember 1 vs 1 duels!! people love last lap duels!!
now, yes, obviously valentino's record in 1 vs 1 last lap duels is very strong, and there's really only a few he loses over the course of his entire career. dovi is another strong contender in that particular category if we're just limiting ourselves to riders this century (which we are). (unfortunately, those two kinda took turns to be competitive so we didn't really get much of a direct h2h, but off the top of my head I think it's a pleasing 2-2? dovi takes qatar 2008 and le mans 2011, valentino takes qatar 2015 and argentina 2019. I feel like I'm definitely forgetting something.) but again, you do end up in caveat central with this metric. look at marc, who was reliably finding himself in last lap duels specifically at tracks he and/or the honda were quite poor at - again, ragging on that record too much does feel like you're penalising him for managing to get there in the first place. on the other hand, is it really fair to take too much credit away from dovi in handling those situations - surely, at the point where you're arriving in the last lap together, you're at a stage where both riders have a decent chance of winning? on the third hand, it is worth pointing out that dovi is more often than not in the lead going into those last laps, and is fending off a sort of on-the-edge last gasp 'might as well have a go' marc attack. 'last lap battles' is inherently quite a loose term, and how much should who's leading going in be considered a criterion? does it matter if you actually have an overtake or not? does it matter when in the lap the overtake happens? it's obviously quite an arbitrary category... sete makes a mistake headed into the last lap at sachsenring 2005 that gives valentino the lead, while marc makes a mistake on the penultimate lap of catalunya 2016 that essentially ends his victory challenge towards valentino. how do you compare those?
and at a certain point, you need to get away from the headline numbers and start thinking about what it actually means to be good at 1 vs 1 duels. you get into categories like 'race management' - choosing when best to make your attack, balancing risk and reward, not making risky overtake attempts for no good reason when you could just wait for half a minute longer, making sure not to needlessly fuck your tyres while pushing too hard too early. there's ability to actually execute overtakes, which is a question of race craft, creativity, and also about being able to play the opponent. there's various defensive abilities - somebody like pecco exemplifies this, who is both very hard to initially overtake in part due to his ability on his brakes, but is also adept at immediately re-overtaking (a favourite trick of his mentor too, as it happens). to borrow from another sport's terminology, you can contrast 'conversion' and 'steal' rate - if you have the superior underlying pace at crucial stages of the race, are you actually converting that into your maximum achievable result, or conversely if you have inferior pace, can you steal a result your pace doesn't 'merit'? obviously, you get a massive blot in the copy book every time you fail to convert any kind of result by crashing out or by bagging yourself a severe penalty for your race conduct. what about the psychological dimension? your ability to put pressure on another rider, e.g. by showing them a wheel here or there, to force them into a mistake rather than 'just overtaking' them via pure skill? is reputation and intimidation part of your skill set when it comes to wheel to wheel ability? the off-track 'work' you're doing on the opponent, and the prior weight of their expectations for this fight... your ability to study and analyse riders to pinpoint where they are at their strongest and weakest, while also figuring out where they're going to expect an attack and where they won't - maybe even sucker them into thinking it will come from somewhere differently than it actually does... on sheer weight of his track record, you'd have to say valentino is pretty much peerless in some of these categories. and, yes, some of these skills are weighted quite clearly towards the '1 vs 1' element over the 'multi-rider dogfight' element of w2w skills. they're more about terrorising a specific rival than thriving in the chaos
so. what does all of this mean. what's the actual answer. is valentino the best at 1 vs 1 duels. well. who knows. even if we're ignoring the historical dimension and limiting ourselves just to this century, there's too many confounding factors - from different racing eras within that time span to different individual approaches to racing - to allow us to truly evaluate who the 'best' is. I think the cleanest way to summarise it is... from the great riders this century, valentino is the one who most depends on his 1 vs 1 skills (and w2w skills more broadly). that's his unique selling point in a way you wouldn't say it is for any of the others... the guy who gets closest is dovi - but I still reckon his biggest skill is his tyre management and that was the most important differentiating factor that made him so competitive in 2017-19. his ability to scrap w2w comes second (and is absolutely a constant throughout his career), but really that's the bit that allows him to take advantage of the tyre whispering skills... it lets him finish the job, if you will. whereas with valentino, his brains and cunning broadly speaking and his w2w more specifically - and especially the 1 vs 1 stuff - is like, his x factor. I mean... obviously he's also good at the other things - I called him a mid qualifier but of course it's worth remembering he has 55 career pole positions in the premier class, more than jorge or casey or dani. this is primarily a function of his longevity and all of them are definitely better qualifiers than him, but like. of course he's not slow. it's just that relatively speaking, when compared to the other aliens, he's the one who is winning the least via his actual raw pace. here's one metric for that: in valentino's seven premier class title campaigns, he only has the highest average grid position in only three (and during his super dominant 2002 season, it's joint with biaggi). in three of those title-winning seasons, he's the second best qualifier on average, and in one of them he's only third best. the only other seasons this century where the best qualifier on average doesn't win the title are 2015 (marc just beats jorge, valentino is quite a distant third), 2020 (joan mir icon winning a title with an average grid position of NINE POINT FIVE SEVEN lmaoooooo, only seventh best on the grid), 2022 (fabio is a little ahead of martin and then pecco) and... that's it
which kinda means that... can you say valentino's objectively better at 1 vs 1 battles than the other aliens? well, no. I mean, sure, I do feel fairly happy to say he's better than jorge and especially dani, more *wiggles hand* about casey and marc - because with those two there's enough confounding factors in comparing them to valentino and they've also challenged valentino often enough directly that you can make the alternative case. in the end you do kinda go... well, it's very much a 'all these guys were at their best in very different versions of motogp' thing. what you can say is that for valentino, 1 vs 1 prowess is a bigger part of his game than it is for his fellow aliens. his route to victory both on an individual race level and on a title fight level is built around engaging in a lot of these fights and winning them - and, given how successful he's been, of course you do have to conclude that bit of his game is clearly operating on a high level. so when you compare that to both casey and marc, those two really do have other bits of their games that are more important to their success. fewer of their race victories percentage-wise have been won through 1 vs 1 duels. casey is dominating enough races from the front he's not even doing all that much w2w tussling. marc might be losing plenty of these close duels, but he's relentlessly at the front enough that this consistency is what's giving him titles as much as anything else. whereas valentino's entire approach is tailored towards finding himself in those kinds of direct scraps, winning said scraps, and then using those scraps as a way to demoralise the opposition... unsurprisingly, he's got the biggest sample size of that style of battle and has a very high success rate. who knows if he's the best, but he is the most dependent on that specific skill. and he sure has had a lot of practise at those duels, which I imagine will have gotten him just a little closer to being perfect
#anon: who's the best at 1vs1 battles#me: well what does the word 'best' really mean you know... what does it mean to be good at anything#dude why is this so long. i blacked out when i wrote this#i do love athletes whose brains are their usp#though it's quite easy to... go too far in that direction. like valentino wasn't just mind beaming his way to all his wins#that being said. i did see that valentino only had ONE race in his career where he had all three of pole/fastest lap/every lap led#one!!!! pecco apparently has like? five???? casey has NINE#I worked out the percentages for this based on the numbers people were floating as % of total premier class wins#vale is at 1.12% jorge at 10.64% marc at 13.56% pecco at 22.73% and casey 23.68% likeeeeeeeee the gulf is CRAZY#pecco and casey relatively speaking of those names have had their primes in the worst eras for racing but#HOW do you only completely dominate one race out of eighty nine wins. how does that happen. what a scammer#and the funniest bit is the one time vale did it... was jerez 2016. first race in spain that year. like wow is THAT how we motivate you#seventeenth season in the premier class and that's what it took. one of the purest spite rides this world has ever seen#//#brr brr#batsplat responds#heretic tag#this is all incredible cowardice btw obviously i've ranked all the aliens in my notes by basically every imaginable metric#from qualifying to starts to w2w to mixed conditions to wet weather prowess etc etc etc. like i do also do it i just don't stand by it#realistically one of vale or dovi do kinda have the strongest case this century. like if we're going sample size x success rate it's them#anyways. too much 'oh if only casey hadn't retired' this 'couldn't he have stayed for longer' that#all i'm asking for is to re-run those years with a sensible engine capacity lemme see something#i feel like if you upped the sample size casey's w2w would get respected way more but his achilles heel would be red mist#like in retrospect it didn't matter but sachsenring 2012 genuinely could have cost him the title. brother what are you doing#mugello 2012 right after that like girl......#if he hadn't injured himself at indy people would have Serious Conversations about that duo of races lbr. now everyone's forgotten#this is some of the world's most niche discourse truly#idol tag
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dennisboobs · 10 months
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plain and simple i am not going to be able to remain in this fandom long-term if i have to keep putting disclaimers on every single one of my posts that say i don't condone dennis' bad, bad actions and that i am in fact aware he's got a history of sexual assault and dubious/nonconsent. the entire gang has done heinous shit. why is dennis the only one who needs to be treated like this? if some rando wants to post about how dennis is pookie pie that doesn't automatically mean they're blind to his crimes. every single member of the gang is a piece of shit. that's kind of the point.
draw dennis with cat ears who give a shit
#ada speaks#i'm not vagueing this is a constant thing ive experienced#i still have angry anons sitting in my askbox mad that i didn't explicitly condemn him last time i got into this#i'm really not a fan of the tension in the fandom the last few days#and like. i know its a hot button issue rn. everyone's going back and forth abt mac and dennis' SA#but this fandom genuinely does have an issue SPECIFICALLY MENTIONING things mac does to dennis and uwu-ifying them#when they are explicitly classified as SA in canon (which is an actual present issue i think needs to be addressed)#rather than like. just the mere MENTION of dennis outside of his SA is somehow condoning his actions#im sorry but i really do not feel the need to constantly talk about him assaulting women#everyone knows. everyone sees it. just bc i am dissecting other parts of his character does not mean i forgot he's a horrible person#it just means im trying to understand where he's coming from (which obviously does not change the facts.)#viewing dennis as a person with unresolved trauma stemming from elsewhere doesn't negate the damage he is doing to other people#he's not a real person where humanizing him does tangible damage#so i am going to continue to look into shit. when i talk about the CSA he went through it's not a justification.#but it does explain his actions in a character motivation type way which is what i am interested in#seeing what makes him tick#i think most people who follow me understand this by now. but i also don't think shit we see him do constantly in canon needs bringing up.#it's the subtle stuff that ties everything together and i want to put it all together to solve a puzzle
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epickiya722 · 3 months
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If you ever start like "you are aware... right?" then I immediately am going to think you're trying to make me feel stupid all while dismissing the point I was trying to make, in the first place.
I'm sorry, but when you do this, you come off as some know-it-all asshole.
You don't know me and I dont know you and I damn sure ain't going to take crap from someone over some fiction.
Just because you think I don't know the themes of a story, doesn't mean I don't or let alone are dismissing them.
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a-motherfucking-beast · 9 months
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COACH what to do if im disabled and can't run for exercise... what the fuck do I do
ONLY DO WHAT YOU'RE CAPABLE OF, SON. IT DEPENDS ON THE REASON FOR YOUR INABILITY TO RUN. YOU MAY CHOOSE TO DO EXERCISES THAT RELY LESS ON YOUR LOWER BODY, SUCH AS SIT-UPS (WHICH CAN ALSO BE DONE STANDING BY BENDING YOUR LEGS SLIGHTLY THEN BOWING AND STRAIGHTENING AGAIN LIKE YOU WOULD REGULAR SIT-UPS IF YOU HAVE DIFFICULTIES GETTING ON THE GROUND), CHIN-UPS, PULL-UPS, DIPS, SO ON. YOU ALSO MAY CONSIDER FREE WEIGHT EXERCISES WITH SOMETHING SMALL. 1KG DUMBBELLS CAN BE BOUGHT FOR AS LOW AS 5 REÁL; THEY'RE SMALL ENOUGH TO STORE AND CAN GO A LONG WAY (BICEP CURL, ZOTTMAN CURL, FLAT DUMBBELL FLY, ARNOLD PRESS, CROSS BODY HAMMER CURL, SPIDER CURL, SCAPTION EXCERCISES, I COULD GO ON -- THESE ALL WORK EXCLUSIVELY YOUR UPPER BODY MUSCLES). MEDICINE BALLS AND KETTLEBELLS TEND TO BE MORE EXPENSIVE BUT CAN ALSO BE AN OPTION TO LOOK AT. AND FINALLY, IF THOSE AREN'T OPTIONS, STRETCHING THREE TO FOUR TIMES A WEEK FOR AT LEAST 20 MINUTES CAN HELP ALLEVIATE MUSCLE TENSION AND REDUCE PAIN AND TENSION IN THE BODY AS WELL AS INCREASE FLEXIBILITY, BALANCE BLOOD CIRCULATION AND LUCIDITY. YOU MAY WANT TO DO STRETCHES FOR YOUR LEGS REGARDLESS TO ENSURE THEY DON'T GO UNDERUTILISED
COACH... OUT❗❗💥💪💪
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menlove · 1 year
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every time I see ppl talking abt how they wish they could be a carefree child again and thousands of people agreeing I'm just like
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we need more vivi hurt/comfort in this fandom. #25 prompt (“I’m going to ask you how you are and I would like you to answer me honestly.”) from Artie to Vi if you're up for it? 💛🩵
(hurt/comfort dialogue prompts)
(oof god i'm rusty with these characters. let's get into it)
"I'm fine," she says, for what feels like the millionth time.
"Bullshit," is Arthur's response. "I'm down an arm, Vi, not my fucking eyes. And ho- honestly, I wouldn't- wouldn't even need th-those to tell right now." A hand lands on her shoulder, pushing her down further into the chair for emphasis. "One more try. I'm gonna ask you how you are, and it'd be nice if you c-could answer me honestly."
She shoves him off and stands up, already stalking away, ignoring the shooting pain all up through her side when she does. "God, fuck you. Fuck off. This is so stupid. I don't need,"
And then her vision whites out.
---
She blinks herself fuzzily awake into a world much softer than the one she was just in. She's in bed, she registers, or at least a pile of blankets. The pain is gone, but it also feels like everything else isn't quite online, either. There's a vague clicking noise from somewhere to her right.
"...you hovering all the time," she finishes her thought, although it comes out too mumbly to really deliver.
"j'you say sa- s-something?" The clicking noise stops, and an Arthur appears in her field of view. He looks worried. So, like normal.
"Yeah, uh, what? Why am I in bed?"
Now he just looks exasperated, throwing his hand up in annoyance, which is an improvement at least. "You passed out, stupid! And th-th-then when I freak out, out about it you're all like oh no never mind it's whatever fr- from the fucking floor. 'Why am I in bed.' Dumbass."
She only vaguely remembers that, not that she's going to admit it. Well, okay, question answered. She tries to get up, and Arthur immediately shoves her back into the pillow.
"Hey," she protests.
He makes his usual staccato ch-ch-ch disapproval noise, which she usually thinks is cute when it isn't directed at her. "Nope. I j-just got done bandaging you up, you are not getting up. You, you are st-staying right here."
She tries to wrestle him off, but he's annoyingly persistent and her angle's all off. "Okay, I'm patched up! So it's fine! Let me out!"
Whup, and her hand is flat against the bed, and Arthur's hanging out of his chair to get his arm over her chest and pin her down. "No."
Probably she could flip him. Maybe. He'd hit the wall behind her but not, like, hard. She thinks about it. It's really hard to lift even the non-pinned arm. Maybe she couldn't.
"Stop being stupid," she tells him instead, sounding normal and not at all desperate. "This is nothing."
"It is- v-very much- not nothing."
"This can't be enough to stop me. It isn't! I'm better than this!"
"Get up, th-then!" he challenges.
"I'm not a fucking tranq'd animal!"
He yells wordlessly at her, she shouts back, until they're both panting.
She shoves him again, no real force behind it this time. This is such a waste of fucking time, when he damn well knows they never have enough of it. "I need to get up. You need me out there, you know that."
"Go to hell."
Now tears are welling in her eyes. She's screaming at herself, internally, but for some stupid reason it's not translating into more strength. "We're wasting time, here. I'm ready to go, I can move, I can work. Let me up."
He flops over, into a less aggressive pin, but not actually a less effective one. Their faces are almost touching, which was maybe the idea. "One more try," he says, again.
His damn stubbornness is another thing that she likes more when it isn't being used on her. This is not a fight she is going to win.
"If I fall asleep," she says reluctantly, "and you're not there when I wake up, I'm going to fucking kill you."
That gets a laugh out of him. "M'not going anywhere, Vi."
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vigilvntes · 1 year
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gotham war is genuinely sending me into distress
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gayemoji · 1 year
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okay listen im aware of what year it is (i swears) and ive managed to avoid caring about taylor swift but i (finally) listened to red (taylors version) and when i finally got to "its supposed to be fun turning 21" .
the seething rage i have. im going to kill every man. ever. holy fuck.
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