#and she has one of the if not THE best jack characterization AND a LOVELY Lucy characterization!!!!

[safyresky]

POV: You're Lucy and Jack in critically acclaimed fanfic Miller's Law by @kscribbs and you turned around for five seconds and there are bodies everywhere and Mel and Jacqueline are covered in blood

BONUS Scrimbly Jacqueline 3.5/52 (and a scrimbly Melusine!)

LOL OKAY SO THIS WAS NOT THE ORIGINAL SCRIMBLE FOR THIS WEEK LMAO. @kscribbs and I were talking about our OCs and how in ML they're the most likely to commit a murder WITH each other bc their impulse controls are busy sleuthing and flirting or whatever and then I cackled and drew this, lmao

Idk how accurate Mel is? I think they have had a bit of a time as Mel's woter buns appear to have fallen lol.

ANYWAY this week's official scrimbly will be out tomorrow I hope! It was my husbando's bday on Wednesday and he requested Jacqueline bothering Blaise so THAT'LL BE FUN!

Melusine is the brilliant, talented, stunning, showstopping, aforementioned kscribb's OC. Please go read Miller's Law if you HAVEN'T. It SLAPS it's SO GOOD I CRAVE IT THE WAY GOATS CRAVE THAT MINERAL! ONE OF T H E BEST JACK CHARACTERIZATIONS AND LUCY CENTRIC AND ALL THE SUPPORTING CAST (K's LOVELY OCS) are so FUN!! If you like magic you'll fucking LOVE Miller's Law I swear to GOD

[nonasuch]

Can I, in fact, get you started on Yesterday? That's the movie premised on everyone just forgetting everything about the Beatles one day right?

Yes, and it drove me nuts because that’s a great premise! But it was totally wasted in a way that I found extra frustrating, because they only needed to slightly reshuffle the existing pieces and give the love interest some kind of coherent characterization, and they just. did not do that.

So like. The premise of the movie is that Jack, the main character, is a struggling musician who gets hit by a car and knocked unconscious at the exact moment of a mysterious global blackout. When he wakes up in the hospital, he discovers that he is the only person on Earth who remembers the existence of the Beatles.

It takes him a bit to realize this: he quotes When I’m Sixty-Four to his best friend Ellie at the hospital and she just gives him a weird look. When he plays a bit of Yesterday while hanging out with friends, they all freak out about how good his new song is, and he realizes that something is Weird.

There’s a fun scene where he frantically googles Beatles-related terms and comes up empty. “Beatles” turns up bugs and cars. Ringo Starr? Never heard of him. We find out that the band Oasis never existed either, and over the course of the movie there are a few more disappearances thrown in as jokes: Coca-Cola, cigarettes, and Harry Potter have also ceased to exist, or never were.

So Jack, who knows most of the Beatles catalogue by heart, and is a decent musician, decides to re-record them. And they’re instant hits, and he starts getting money and fame and record deals thrown at him, and hanging out with Ed Sheeran (played by Ed Sheeran), and going on talk shows and so on. The movie rapidly turns into a parable about the cost of fame, not letting success change you, remembering what’s more important than money and power, etc etc.

It’s just like. kind of lazy about it? and the romance plot feels both incoherent and slapdash, because Ellie has no personality and no comprehensible motivations.

Like, she’s been Jack’s music manager since they were teenagers, and she’s been convinced he was destined for greatness since she saw him play Wonderwall at a school talent show, but she also is weirdly convinced that she’s not good enough for him even before he becomes super famous. But Jack never actually stops being into her, even at the Peak Hubris part of the plot, and he eventually gives it all up and tells the world he didn’t write any of the songs as part of a big dramatic love confession. Except it’s never really clear what was holding either of them back in the first place, or why a dramatic love confession was even necessary.

So, here is how I would fix the movie.

First, the romance plot feels super tacked on anyway so let’s just resolve it earlier and give the poor girl an actual job in the plot. I’d have Jack sit Ellie down fairly early, after he’s released the first few songs and they’ve blown up but before the Fame Spiral starts, and say:

okay. look. I know this sounds nuts but either that accident caused the most specific brain damage in the history of the world, or I remember a different version of reality than everyone else, because I did not write these songs. I just remember them, and no one else does.

And the movie did actually set up a way for him to prove this, but they never used it! for some fucking reason! Because Wonderwall is the song that convinced Ellie that Jack was destined for musical greatness, and Wonderwall has also been erased. Which creates an opportunity, which the movie did not take, for a really effective scene where Jack asks Ellie what song he sang at the talent show. And she can’t answer him, which freaks her out because that’s a core memory! Thats the reason she’s so devoted to Jack in the first place!

So he starts playing her the song. And she knows she’s never heard it before, but she also knows that on some level, she recognizes it.

So from that point onwards, Ellie and Jack can be in cahoots, sharing the secret, which allows the romance to develop a lot more effectively and convincingly, and puts Ellie in a better position to talk Jack down from Fame Hubris, and allows Jack to remind Ellie that he’s not actually too good or too famous for her, because she knows he’s actually just the beneficiary of a deeply weird cosmic accident.

Also, there’s a better way to resolve the romance plot. Ellie has bafflingly low self-esteem, for reasons that are never explained, so like. please explain that, movie. But since half the romance plot is just Ellie going “I’m not good enough for you!” I do have a better resolution than what the movie did.

The only Big Dramatic Gesture Jack does comes at the very end of the movie, and it’s boring and doesn’t actually have anything much to do with Ellie — he already hates being famous by then, he wants out regardless. He needs a gesture that’s actually about Ellie, and allows them to be together and in cahoots again for the rest of the Price of Fame plot.

Which, again, the movie laid the groundwork for at the beginning, and never used.

I’d have Jack tell Ellie that he knows — is baffled by? but knows — that she thinks she ought to leave him for his own good, and that she thinks his music career is more important than her. To prove it’s not, he’s going to give her a song. A Beatles song he’s never going to record, never going to play, for anyone but her. A song that used to be one of the most famous songs in the world, but is only ever going to be theirs, hers and his, from now on.

He plays her When I’m Sixty-Four.

That does the trick: they’re together through the rest of the movie, and decide how to get Jack out of the Fame Trap together, and retire into happy obscurity together.

There is one other optional change, but it would require buy-in from Paul McCartney.

There’s already a scene in the movie — one of the best bits of the whole thing, honestly — where Jack meets an elderly John Lennon, who has never been famous and is perfectly content with his life. I think a nice epilogue would have Jack track down Paul, and find him in his back garden, planting flowers and beatifically happy.

After a short conversation in which Paul appears to have no memory of ever ever having been a Beatle, Jack leaves Paul to enjoy his retirement.

After he’s gone, as the camera pulls away and the movie ends, Paul starts to whistle When I’m Sixty-Four to himself.

[nitewrighter]

I love your take on how Peter Parker would mesh into the DC Universe, especially as the guy that the Forever People and New Gods gravitate towards. When it comes to Spidey getting tossed into cosmic level threats, such as the original '84 Secret Wars miniseries, he's usually the designated "guy everybody underestimates" because even though Peter is a street-level hero by choice, he can punch SIGNIFICANTLY above his weight class. Like taking on "They can smack The Hulk around" heavyweights. Not only that, but he's a scientific genius who can rub shoulders with the likes of Tony Stark and Reed Richards, in spite of being this dorky, wisecracking wallcrawler.

His whole thing is that when he's around other heroes, because Peter is so secretive about his secret identity, others tend to make wild assumptions about him that Peter never bothers to correct them about, because he is just that short of being Batman-levels of paranoid about his secret identity being uncovered and having it or his loved ones used against him. He's ALSO the one who believes the best in everybody, regardless of what they might think of themselves. He holds his peers to a certain standard, so when they betray that standard, and betray their fellow heroes, THAT'S when Peter gets pissed, and you have moments where he solos like... the ENTIRE X-Men team or something to that effect.

It's why Wolverine, despite being an extraordinarily violent individual, considers Spidey a friend, because Peter genuinely believes that Logan can be so much better than he believes himself to be.

He's like this hodgepodge of Billy Batson, Dick Grayson, Jimmy Olsen, and Bruce Wayne all rolled into one wisecracking package.

I think it also helps that Spider-Man very easily slips into the role of someone who speaks out on behalf of those who are marginalized because, at his roots, he's from a very economically unstable background--he's usually having to negotiate his superheroism with a job that barely keeps a roof over his head, and I think one of the things that makes Spider-Man such a beloved and relatable characters is that, his connection to the world of superheroes doesn't actually protect him from the very mundane, everyday threats of existing in capitalism. He has to worry about keeping a roof over his head, he has to worry about keeping a roof over Aunt May's head, he has to hold MJ's hand while she sobs over community theater programs for local kids get shut down or how she didn't get that callback because even though she's immensely talented she, quote, 'doesn't have the right look.' So he's also this natural advocate of people who get passed over by life in ways all these Marvel heavy hitters don't even think of.

Captain America: Why didn't [Villain of the week] just do [very obvious Lawful Good solution]?

Spider-Man: Because No Child Left Behind shut down 5 different schools in his area, he's in a food desert, a drug arrest for a drug that is now legal is still on his record and actively affecting his hiring prospects, and during the decades you were on ice lawmakers have been steadily killing all the local and federal support programs and antitrust laws you enjoyed in the 40's.

Captain America: Ah. Yeah. That'll do it.

So I think the Forever People (and by extension, the Hairies), being kind of a love letter to counterculture themselves, would be a great team-up for Spidey. Again because they're technically aliens and lack a lot of Earth context, everything about our planet is amazing and new and groovy to them! I think it would be a good blend of characterization, again, with a Spider-Man who's definitely getting severely burnt out and struggling with the sustainability of being Spider-Man and existing as Peter Parker.

Jack Kirby's notes on the Hairies also definitely overlaps with his philosophies on the Forever People, so I'm definitely putting this in here:

Kirby is literally so passionate and insane. But I love the idea of a very exhausted and jaded Spider-Man putting it on himself to be a guide and protector for a polycule of mind-blowingly optimistic space-hippies and somehow healing in the process.

(This is the vision) (Also maybe Spidey gets to get fused into Infinity-Man with all of them at some point. Infini-Spidey. Working name.)

[chthonic-cassandra]

Hello friend, I was thinking about the Mina-as-a-reincarnated-love-of-Dracula's plot element from the 90's movie and once more wondering where the hell it came from. Do you have any idea if the germ of that element was present in some other vampire/dracula-related media?

Hello my friend! This is an excellent question that others have sought to answer over the years. This is my best recollection right now without consulting all my sources; if others (@atundratoadstool, @forthegothicheroine, anyone else?) remember something I'm forgetting here, feel free to jump in.

The Coppola film was not, properly speaking, the first Dracula adaptation to include a reincarnated wife plotline; that dubious honor goes to the 1974 Dan Curtis adaptation starring Jack Palance, though there the reincarnated wife is Lucy rather than Mina, and also takes much less of the attention and runtime than it does in the Coppola. Blacula, made around the same time as the Curtis film, also has a reincarnation plotline, though there it's of course not involving the characters of Stoker's novel directly.

Dan Curtis was previously the creator of the long-running vampire soap opera Dark Shadows, which I have not myself seen but which I understand has a prominent 'vampire finds the reincarnation of his love' story, and really popularized it as a trope.

Most people trace the origins of the trope to a different undead narrative - the 1932 The Mummy, directed by Karl Freund (cinematographer on Tod Browning's Dracula) and starring Boris Karloff. The Mummy, which I finally watched for the first time a few years ago, is a strikingly compelling though unambiguously orientalist film, and there's a lot in it from which I think subsequent Dracula adaptations have pulled.

The relationship between the undead Imhotep and Helen, who recovers memories of their tragic past life together, is in many ways persuasive. Like the occult opportunist Kay in Son of Dracula to whom I think Helen is rather akin, Helen seems stifled in the modern world (in her case the impression is exacerbated by the hints we get of racism she experiences as a half-Egyptian woman), and it's a rather direct line from her characterization to Lucy Seward in the Badham Dracula, Mina in the Coppola, and ultimately Vanessa Ives. Helen and Imhotep's love cannot succeed because he has the unfortunate impression that he has to kill her and resurrect her as a mummy so they can be together, but the sense the movie conveys of her connecting with her whole self when she recovers her earlier memories, and especially of her devotion to Isis, is quite moving.

Stepping back from the specificity of Dracula as a story, I actually think the reincarnation plotline makes a lot of sense as something that comes into play when you're dealing with immortality and undeath. One of the things that I think makes the way that the Dracula adaptations use it so weird and awkward, aside from the pure arbitrariness, is that they're divorcing the trope from the spiritualist connotations it clearly has in The Mummy, leaving it flat and metaphysically inexplicable. The Mummy is a text with clear origins in the spiritualist movements of its time, with their attendant orientalism - questions about reincarnation are all over those.

I played once myself with trying to recuperate the reincarnated wife trope in a Dracula fic, though I didn't touch the spiritualism stuff. I've been thinking about it, though, because I'm trying to work on Penny Dreadful fic and it's all over that canon (and also because I've been reading some Dion Fortune). I'll keep thinking about it.

[weirdmageddon]

long meditation on jade and dave's relationship - part 1

here's a three-part heavy homestuck meta. took me about 3 days to scrobble together and format and everything

part 2 part 3 cooking

i apologize in advance for the disorganization of my thoughts. after writing it i realized this is probably one of the clearest glances into how my mind thinks associatively so everything relates in some way to something else in here. the foundations for my thoughts might be invisible to others because they can’t see the connections ive built upon but you can probably see them here, and that strong foundation is also why i care so much about them and why i chose to lay it all out. sometimes i feel like i have Got to get this tangled associative web out of my head and into some form of writing so other people can be like, “oh so This is why you have so much to say” and can just. see into my head and where it all comes from for me. people have expressed interest and the general opinion tends to be that people like hearing my thoughts a lot so yeah. pov you are in my brainwebs. seatbelts everyone get on the magic school bus in that bitch

some time ago i saw this post i saw as i was going through florals jade tag again. my homestuck hyperfixation flared up again and ive been hyperfocused on dave and jade and particular just absolutely entering these monotropic black holes over them and turning them around at different angles and looking at discussions and what people thought both now and in the past and now that im older i can appreciate them even more. ive always been a fan of dave and jade both, but i cant even lie dave has my whole heart so maybe im biased as well. but i like to believe that regardless of my liking for dave and interest in not even x-ray scanning him just straight up 3D mri scanning him and rotating him in my head that my argument is still very reasonable. i just understand his psychology a lot

i want to preface this by saying i absolutely love floral and im so glad she’s on the hsbc team because i know she can do jade harley justice. one of the best jadesters fr. we all come into media analysis with different personal experiences and perspectives, and i understand this was from her perspective as someone who had run ins with dumb boys and relates a lot to jade which is why she can put so much love into her <3 i just found myself disagreeing with some of the arguments that she presented in that post just as a peer who also read the comic from my own perspective. keep in mind i also love jade to bits and want the best for her

so yea this isn’t a targeted post at all. it just got the juices flowing and inspired me to actually write my pre-existing thoughts down and i used it as a springboard for them

i think it ended up being pretty insightful overall especially because i was stoned as fuck writing it and ive come to realize being stoned amplifies and improves the output of my deeply inwardly associative thought processes tenfold. or maybe weed just changes how significant it feels. maybe a little of both

part 1: on using davesprite as a basis for interpreting jade's relationship with all daves

i love what hussie does with alternate versions of characters and. it’s one of the coolest things about homestuck’s characterization. like floral quoted:

… we see that Jack is a simple man, no matter what name he goes by. He is, if not much else (and he’s not), impatient and violent. We only got the briefest glimpse into these qualities when we were first introduced to him on Derse. But now we get to spend much more time with him, albeit in the form of a completely different character. This is another bit of sneaky utility provided by this intermission tangent. It serves as an arc to help indirectly characterize the villain of the early acts. Having multiple copies of a character operating in totally different circumstances turns out to be a great stealth characterization tactic, and it gets used much more aggressively later in the story. In fact, it proves to be inseparable from one of the story’s most essential themes. (Hussie’s Intermission commentary)

so i agree in principle and think the alt self thing is fucking brilliant

however, i disagree with the argument it’s supporting.

So, not the same character, but if switched, I would go out on a limb and say that Dave would experience all the same issues as Davesprite did, but without the “bird” part acting as an easy explanation. That doesn’t make Dave responsible but it does speak volumes to how their personalities respond to each other, insinuates that a relationship involving any Dave would end badly for Jade and that “Real” Dave indeed has Some Issues To Deal With.

i don't agree that dave and davesprite should be compared in this context. yes they are splinters of the same character and floral is right on the money in that canon deflecting the relationship failing on "bird issues" doesn't really explain anything meaningful, but i do not think its the case that all of jade’s relationships with dave are doomed to fail because of what we saw with jade and davesprite.

yes, if switched, dave strider would be practically identical to davesprite since they were the same exact person until a branch in the timeline

however, it's the unique things davesprite has been through that made him like this. davesprite has baggage that dave doesn't. a timeline where john was tricked into fighting his denizen early and died and jade couldn't get in on time and was presumably wiped out dinosaur style on earth. with alt future dave's year-worth of knowledge, gear, loot, and experience, he rescinded his player status and "realness" as a human person to be a game guide for his naive past self right before the timeline split in order for himself and his friends to continue existing.

that would mess anyone up mentally. it's no wonder he's jaded, no pun intended. he's depressed as shit and bitter and probably has trauma issues unrelated to his bro, though they do compound on it. yes they both experienced bro's abuse but i'm talking about the differences between alpha timeline dave and davesprite; right now im not going to talk about things that are the same about them prior to the timeline split because it applies to them both so it's redundant.

essentially what's setting them apart is their experiences playing sburb, their chronological age (alt future dave/davesprite had been making timeloops over a span of four months and he says that in total the time from his chronological perspective is close to a YEAR in sburb grinding shit out before he goes back), their relationship to their friends and how their friends see them and how they see themselves, their ontological natures as beings, what their purposes are.

davesprite had his ontological status as a person and purpose changed. he assumed he'd be the one playing and doing important main shit in the alpha timeline with all his friends but then it turns out that wasn't the case due to the events that went down in his timeline. and becoming a sprite solidly changed his degree of existence. davesprite's best friend john asking if he can talk to "the real dave" is when i think he realized just how fucked up his existence as a person has become despite him doing pretty much everything for everyone for nearly a YEAR before the alpha timeline was even able to get properly started. if davesprite didn’t exist, nobody would have (john needed to live to do ectobiology). davesprite knew this and weaponized it against john who john treated as a secondary, lesser dave. so of course he’s kind of an asshole. it’s like his efforts and sacrifices meant squat to the people he considered his best friends because they didn’t experience it. to john he just suddenly appeared from the future and became a sprite.

this is heavy shit for davesprite that alpha timeline dave does NOT have to go through and it did change him in ways that cannot be said about alpha timeline dave. this is not a universal dave experience. so while it’s true that dave has the capacity of act like davesprite under those exact circumstances, alpha timeline dave didn’t undergo those that led to davesprite’s more miserable traits. therefore i don’t think it’s fair to conflate jade’s failed relationship with davesprite in particular as informing of how most of jade and dave’s relationships would unfold, because davesprite has been in exceptionally tragic circumstances, coming to terms with the state of his own existence. the last thing davesprite needs is romance. alpha timeline dave does not carry this burden.

Everyone believed that what was creating the dissonance wasn’t a central part to Dave’s character but an aftereffect of Bird Syndrome. Which you can’t blame them for because there’s nothing that would lead them to think differently. Every character besides Dirk is completely in the dark about Bro’s abuse and Dave stated he’d probably never tell any of the Betas. Which is fine, no one’s owed to know somebody’s baggage. But when you don’t give people a means to understand what you’re going through, especially when it leads you to hurt them, its only inevitable everyone’s going to be confused and going to come to conclusions using what they do know.

rebuttal to this: as i said earlier i don’t buy the whole bird issues thing and i get the handwaviness about being fused with a bird being john’s explanation for davesprite’s bullshittery. however i think it’s important to mention that john and jade both question if becoming a sprite might have had something to do with his change.

being fused with a bird never bothered him, as jade says. it was all the other baggage that came with the prototyping.

this includes playing the game for way longer than anyone else and mindlessly grinding from the ground up for about a year, then turning himself into a game construct and having his ontological level of existence as the platonic ideal form of dave strider lowered in the eyes of his friends.

JOHN: like what? JADE: its hard to explain JADE: just some slight differences in personality i guess JOHN: he still raps sometimes. JADE: yes... JADE: so? JOHN: i just thought i would mention that. JADE: ok i will admit i cant really tell if his rapping style has changed JOHN: trust me, it hasn't. JADE: i dont know if the differences are because he is a sprite JADE: or because he lived for a while in a different timeline... (p.4733)

JOHN: why is he such a basket case? he's like regular dave, but like, aloof enigma edition. JOHN: maybe it's because he's part bird? i think becoming a bird and a sprite did something weird to him. JADE: i dont think being a bird ever bothered him JADE: like i said... its all more complicated than that JOHN: normal dave was so much more level headed. JOHN: i have to admit, i spend a lot of time wondering what he and rose are up to. JADE: me too JOHN: ehh... JOHN: maybe it's for the best he broke up with you. JADE: why? JOHN: well, what kind of future do you think you would have with him? JOHN: he's a sprite. like really, what even is a sprite? how long do they live? will he still be around if we win the new game we are allegedly trying to get to? JADE: i dont know (p.5294)

as for the bro abuse thing, i can’t tell if floral’s position here is that davesprite is fucked up and had a failed relationship with jade because of bro’s abuse, and that dave would also necessarily have failed relationships with jade because he had the same experiences and also doesn’t tell anybody? the wording there is kind of vague and can be interpreted in different ways but that’s how i interpreted it.

they are right that bro’s abuse is something dave keeps to himself. but remember that dave has also deluded himself about it to cope. he doesn’t know what to think of it himself. both alpha timeline dave and davesprite have this baggage, but we explore it more with alpha timeline dave.

i know dave said in the post-retcon timeline when having a conversation with dirk that he could never tell karkat all of this or any of the betas about his abuse. but i still find this pesterlog interesting and i want to put a spotlight on it. even while dave was still chugging that copium, jade was the person he was closest to opening up about the nature of his relationship to his bro at this point. remember this is quite early on in the comic and he didn’t have 3 years on the meteor to contemplate it yet when he said this to her, his bro had just died at this point

GG: anyway dave im really sorry about your bro/dad GG: you were pretty close with him right? TG: meh it was a pretty bizarre relationship by any standard TG: fightin off wave after wave of face pumicing puppet ass every day TG: always being on guard for stealth attacks in the middle of the night while getting up to go to the fucking bathroom GG: heheh TG: but i guess it all sorta amounted to some vague unspoken semblance of kinship TG: if thats a thing TG: like if honor among thieves is something then lets call it camaraderie among ironic rapping roof ninjas TG: but thanks GG: sure TG: i thought about taking his sword TG: when i was there TG: but i couldnt TG: couldnt really bring myself to try to pull it out it was too weird GG: dave we have to stop him!!!!! TG: what GG: jack! GG: he shouldnt get away with this TG: you think (p.3204)

even if he’s in denial about it, deciding to point out the positivity he can rationalize about it to avoid spending too much time thinking deeply about it (it makes him uncomfortable), he’s getting closer to acknowledging the truth here that shit wasn’t normal, about it being “bizarre” and you can tell hes being genuine here when he thanks jade for her concern about his loss

dave then continues talking about his thoughts/feelings on the situation after jade says “sure”, as if he took her concern as an invite to open up about his thoughts even when it’s something vulnerable for him that he tried putting on false bravado in front of terezi about. jade then abruptly changes topic to what’s to be practically done about these tragedies—dave was still on the topic of his bro and she changed the topic to jack noir without clarifying, hence he goes “what”

this is interesting because terezi tried to get something out of him about this and was met by riddly puzzlecock and false bravado but he’s pretty straight up about his current feelings with jade. basically it really depends on the person dave is talking to.

in this specific argument, floral approaches grimbark jade solely from the position of her being uninhibited which is true in many ways, but grimbark jade is also quite nefarious and not in her right mind. i think that even if jade were unihibited and spoke her mind, she wouldn’t have it in her push the mayor into lava to get dave to fight her. thats the evil. floral does acknowledge this in a separate post though, but it’s not really touched on in her argument im discussing. i also want to reiterate that even though it might seem like im violently ripping this post limb from limb its really just something to bounce my pre-existing thoughts off of. this is all written with civility towards and respect for floral

even roxy says something about this—that the schtick doesnt suit her. like it doesnt feel like something she’d have the natural capacity to really be without some external influence

ROXY: so alt grannydaughter english ROXY: whyre u part dog + evil lookin JADE: DO NOT CALL ME THAT!!! ROXY: what JADE: my surname is harley not english JADE: but you may refer to me as jade, or ma'am if you are feeling especially nervous and deferential JADE: which as it turns out is the way you should be feeling about me, ALWAYS >:B ROXY: LOL!!! JADE: lol WHAT ROXY: jade i am in no way buying that ur normally this pompous and tyrannical ROXY: the shtick rly doesnt suit you its so obvious (p.6291)

so i don’t think everything jade says here should be taken to heart about her real feelings or how she would express them if she was being genuine as her normal self. we know jade can get mad but i think we’re giving her evil possession a little too much credit

that’s why i was personally disappointed in grimbark jade when homestuck was ongoing, is it felt like it didnt really give us anything? it was like empty calories while just waiting for the regular jade to come back which she never did. it is interesting to look at in retrospect to see if there’s anything there but…grimbark jade isn't exactly a reliable narrator. i guess none of them are but like, especially not grimbark jade. if i can’t separate what’s genuinely jade under this mess from what isn’t then what’s the point?

like for example this was left out of floral’s argument when showing this part, but in the comic grimbark jade tells dave that he’s “more messed up inside than davesprite” …. right after dave wouldnt comply with her demands to fight her and doesnt want to fight lord english. that’s…not really telling about anything at all for either of them. jade is evil and if things dont go the way she’s programmed to get them to go she’s gonna flip her lid. this is what i mean about her not being in her right mind

JADE: the fact is youre going to have to rely on those powers if you want to stand any chance against a lord of time JADE: it is safe to expect he can only be challenged by someone with a similar command over the aspect DAVE: why is that safe to expect DAVE: where are all these presumptions coming from DAVE: if you can use swords why dont you take the welsh cueball sword and fight him yourself DAVE: i bet you could fuck him up DAVE: youre probably even more extra strong now that youve succumbed to the bark side DAVE: did you ever think about that JADE: dave i am perfectly aware of the awesome powers granted to me by the bark side JADE: it does not matter JADE: i cant be the one to wield your sword against english JADE: it has to be you JADE: it is the will of the empress, and thats final DAVE: the empress can suck it DAVE: i have no intention of fighting him DAVE: and this isnt even me pulling more lame self aware reluctant hero junk DAVE: i am just straight up not going to do it DAVE: see thats not reluctance its just petulant refusal on my part DAVE: reluctant hero shit is when the guys like aw shucks i dunno if i wanna but deep down we all know he really does DAVE: but i really dont DAVE: why should i DAVE: i dont give a damn about lord english or his nebulous atrocities out in nowherespace DAVE: what kind of villain is someone you never met who hardly did anything evil to you or your friends directly DAVE: or even to anyone in your universe for that matter other than through some vague insidious influence DAVE: who even is this guy and why should i hate him DAVE: am i really supposed to be pissed off at a green muscle monster i never met DAVE: cause i aint pissed off at no muscle monster DAVE: hell wasnt he in some ass backwards way responsible for us existing in the first place? DAVE: or all of humanity for that matter?? DAVE: maybe i should thank him before chopping him up via welshscalibur JADE: jeez you sure have some issues JADE: honestly it has become very tiresome listening to this sort of thing JADE: i thought davesprite had problems JADE: his issues i could kind of understand JADE: i thought you might be different, being the alpha dave and all JADE: but no JADE: you might be even more messed up inside than he was! DAVE: what DAVE: why are you dragging that guy into this (p.6385 / 6386)

part 2

[violetganache42]

Highlights from tonight's movie night celebrating some of the different teams Donald has been a part of in categorized and chronological order (I honestly like this format. I might stick with it):

"Boat Builders":

Good news: The short has subtitles! Bad news: They're not in English, so you still can't understand what the fuck Donald is saying.

Donald: "Yeah, even a child can do it!" Godfrey: "Even Della could do it!"

justaboot: "god's third choice after the 3 stooges"

Max's mother has been found

"The First Adventure!":

Bradford Hate Club

Ludwig appearance!

puffywuffy8904: "he's serving whatever the opposite of cunt is" WriteBackAtYa: "So di—"

(I love this screenshot. ���)

The reference to Della's letter

WriteBackAtYa and I being on the same wavelength

Eat the rich uncle (Sorry, Scrooge, but I had to. XD)

"You can't mute me, old man!"

RIP Donald's guitar

The Temple of Doom parallel!

PAPYRUS

"Treasure of the Golden Suns" easter egg!

"fragile old body"

POGO CANE

Black Heron doing the smug anime girl laugh (You know what I'm talking about.)

"I'm the chosen one!" Pure Deweycore

"So long, suckers!"

Just Black Heron in general (She's a fun villain. lol)

DONALD KILL

Us ranting about Bradford using the Papyrus of Binding to escape like the COWARD THAT HE IS! WHY WE OUGHTA— COME BACK HERE, YOU LITTLE—

If I had a nickel for every time Black Heron lost her robot arm, I'd have two nickels. Which isn't a lot, but it's weird that it happened twice.

Me: "BEAKLEY YOU FOOL" Godfrey: "YOU FUCKING FOOOOOOOOL"

"The House of the Lucky Gander!":

Louie "I do hate hot dogs" Duck noticing the neon lights shaped like a hot dog

"We're all gonna die! I'VE WASTED MY LIFE!"

Launchpad deserves his own episode dedicating to his love life

Gladstone Hate Club

Scrooge looking at the camera like he's on The Office

puffywuffy8904: "gladstone you have a haircut shut up"

Huey autism moment

Just how bored and tired Dewey, Webby, and Scrooge were after seeing Aquarioon

Dewey and the jade tigers

"NOOOOOOOOOOOOOO!"

27!

Webby's love for chocolate fountains

"And a distraction."

Scrooge: "I don't even get to be part of the blasted challenge?" Huey:

Real-Life-Pine-Tree: "Roasted duck anyone?" Me: "'Danny: I'll have the duck.'"

Louie's motivational speech

"Where did that come from?"

Us @ Liu Hai: RIP bozo (at least until DuckTales World Showcase Adventure)

The underwhelming Golden Cricket and how fucking bored and exhausted the family was

"Mt. Fuji Whiz":

LotTC basically being DuckTales on crack

Me: "Hell is a city. Where have I seen that before? 🤔" Godfrey: "Hazbin Hote—[gunshot]"

My idea of Clinton and Webby bonding over Clan McDuck history

Missy thirsting for Panchito

The return of the Ari the Autism Bird!

Xandra and the nieces in general (They're some of the best characters in the show. ^^)

*The Three Caballeros are stuck in the Underworld* AMJ: "We have a very simple solution." DT17!Huey: "This doesn't feel simple."

Jack Skellington moon

Donald saying the Karen phrase

Xandra and Charon clothes swap

Panchito being "that" guy

The Sheldgoose family tree taking notes from Goofy's family tree regarding the relatives' designs

IN THE PLUMS!

Clinton hugging Donald 💖

Tokyo? LIKE IN DUCKTALES!

"Potatoland":

Dreamy: "SEE HE HAS 27 FINGERS" Me: "27!"

POTATOLAND! POTATOLAND!

"Mickey, I am fed up with your bullshit devil magic."

Praising Mickey's characterization in the Paul Rudish shorts

Donald's blush

No more Idaho

Just the whole short in general. It's the best. XD

"Mickey, Donald, Goofy: The Three Musketeers":

Black Arts Beagle's Musketeer cousins

puffywuffy8904: "they wanna be Scrooge soooo bad"

Donald being, and I quote Jamie, "a punk bitch" in this movie

The return of Pete Hate Club

"Whoa, he's bisexual, I didn't know that!"/"By the way, I'm bisexual! I forgot, I- forgot to announce it! How do you turn this shit off- wait-"

The entire opera gag

Clarabelle appearance!

Dreamy pointing out the parallels how Pete is to Minnie what Bradford is to Scrooge

In the Hall of the Mountain King

"Why did the music stop?"

"Together, we'll save the princess or die trying!"/"…Die? …Die?"

melcat33: "Minnie discovers she's into bdsm"

WriteBackAtYa and I quoting Philip CD-i Legend of Zelda

The turtle trying to be the rooster from Robin Hood at one point

"That little diddy's starting to grow on me."

Pete referencing The Lion King

Donald FINALLY unleashing his iconic temper

melcat33: "Goofy finally being Dad Material" WriteBackAtYa: "But he was daddy material"

(Look what you made me do! /lh)

Pirates of Penzance

"Not long… maybe… 40 years?"

The movie ending with the fucking Can-Can

Learning about how Tokyo Disneyland had Mickey, Donald, and Goofy as the Three Musketeers and they all looked AMAZING (Why does Japan get all the cool shit?!)

[jack-kellys]

i said i'd do this today so here you all go. disclaimer this is not every single question, just the ones i cared about (so the fun ones)

notes from the most recent uk fansie night q&a:

i was not there but i was sent a video lmao

FOR DAVEY: how much free range have you been able to build on with your character?

answer: ryan said they all basically started with a blank canvas, but davey has rly grown since december. specifically davey's gotten “weirder”, and he hopes that “he will get even more strange.”

LONDON CAST RECORDING?

nothing is confirmed but the whole cast really wants one lmao

dance class from ireland came :) asked abt dance tips and industry ins

fav dance moves/moments in the show 

box jump for ross <3

sam demonstrated the leg pats as his fav

matthew loves the role call triangle lmao

michael demonstrated a front kick they do holding a rolled paper

have you ever hit anyone w something thrown into the audience?

archie tells on jack bromage (who isn't there to defend himself) and how he kicked a paper ball into a kid’s FACE LMFAO

jacob called out matthew for his slingshot hits into the audience 

biggest malfunction during a show?

ryan and michael acted out waiting for bronte and a les to enter during WWH reprise’s scene- “and that is what you call a beginning! ………….chill out, man!” “…you got a problem?” HELLO??

box jump update

if you could put your character into another musical what would it be

davey for mean girls 2023

splasher for matilda

OSCAR FOR B+C???

jack for wicked lmao “him and fiyero might fight”

specs as one of the annoying kids in charlie and the chocolate factory 

kath for sylvia!

ritz for young frankenstein (bc putting on the ritz heh)

CRUTCHIE FOR MOULIN ROUGHEJH PLS matthew ily

mush for annie

ike for something rotten

elmer for WSS

al for a rocky musical (fights.)

romeo for grease!! “kinicky vibe”

how do ur jumps get so high

ross: "i’ve been jumping for.. a long time"

what are the hidden personal gems that audience members might miss during the show?

albert pickpockets one of the theatergoers in medda’s theater. holy shit. and sometimes the actor leaves jacob and actual object to steal in his pocket PLSLOKFSF

crutchie sees snyder from his perch by the soundboard and reacts in fear

how long is fight call and do you call every stunt

this is interesting to me so. depends on the day bc of swings so they do the big fight and child actor stunts every day.

EVERYONES FAV GAGA SONG

ryans is bad romance

poker face ross

applause for sam

matthew is not a gaga person oops

“thank you for that question <3”

how do you approach making roles individual?

“determined early that its a diff version of jack and kath” (bronté)

purposefully ignore things that have come before!!!!

bronte and michael talked a LOT abt their jath 

“can only do the best version of your version” <3 (michael)

doing what you think is the right way, “offering your voice into the discussion” of a character’s legacy/existence. MICHAEL ONCE AGAIN FCUVKING GETS IT THIS IS !! WHAT I WAS FUCKING SAYING. fyi. we understand each other

fav character and why!

ryans is kath heheh

ross’s IS FINCH!! he loves damon and thinks he’s made finch special <3

owen (oscar) rly likes racer!

michael rly likes davey, “unsung hero”

sam likes kath <3

bronte likes the brooklyn newsiessssss, especially stray and mentioned the art piece of stray with a stray :) @chimeofthecomet YOURS BRO SHE MENTIONED YOURS !!!

lucy likes specs

matthew thinks pulitzer is cool to find nuance in

kai’s fav is lillie’s spot!

archie thinks finch is best bc he’s mysterious

damn bradley likes finch too! “always trying to come up with a solution” OKAYYYYY GO DAMON!! gets an a+ in characterization

jacob on his pulitzer villain moment stuff again

spencer likes davey’s contrast!! “one of the strongest characters in the group”

fastest quick change you’ve done

the oscar immediately laments his changes lmfaoooo

michael was morgrim??? in lion witch wardrobe??? a wolf??

preshow rituals

RYAN WATCHES STREISANDS IM THE GREATEST STAR LMAOOO??

interesting he was given her as a reference for a fast talking new yorker so heavy city accented davey jacobs truthers rise up we won (its just me) we won! 

the new kids dressing room does the wolf of wall street chest hitting thing lol

michael listens to two diff revolution speeches i think?

bronte’s is seeing ryan :)

THE GIRLSIES PLAY HIDE AND SEEK BACKSTAGE DURING THEIR BREAKS PLS

matthew talks abt what alex hatton used to do, look at a pic of his gf and grandparent pls aw

archie used to jump on a chair at the five before he. hit his head. bro

jacob does a diff riddle for each mic check!!

that’s all the best ones i could catch!!

[hotguysfugue]

i am thou, thou art i

a way i’ve best found to characterize an NPC is to perceive them as an agent of a card of the major arcana - it often leads to interesting and diverse personalities that may have not been present otherwise.

and of course, given my adoration of the persona games, this becomes even more relevant to my interests. bonds may have not been formed between the PCs and particular individuals on this list due to various reasons in the same way as the social link/confidant system (including party allegiance/politics or over-the-table interest in a certain character), but i really do feel like this is a good way of assessing major NPCs and how they fit into a greater world.

0. the fool; naïve, wandering, transcendental.

jack frost is the fool, a creature of fey mischief unknowingly trapped into a cloth of bureaucratic fabric. he is the beginning of a heroes’ journey; his refusal of the call catapults his whimsical self into something far darker than he had ever anticipated.

i. the magician; manifestation, conduit, creation.

dr. wyndi čeloscas is the magician, a conduit to the goddess sibyll born to serve many greater than herself. in turn, her actions - the reincarnation of chaos’ child to an angelic form and the gift of mass transit to the world - would spark creation in her wake.

ii. the high priestess; divine, actualization, mysticism.

aryll maledict is the high priestess, a human held so gently by the goddess of adventure becoming a woman deeply inclined to aid those in need. there are few in the world who understand themselves more than those who serve the material, and her love for humanity is divine.

iii. the empress; creativity, beauty, youth.

navi helekas is the empress, as despite their refusal of the masculine and the feminine, they prioritize their outward beauty as a way to pursue paths of greatest success. they endeavor to discover wrongdoing and trap the kingdom into the international criminal court at any means necessary, including an obfuscation of their own identity.

iv. the emperor; stability, logic, leadership.

morpheus torrentum is the emperor, as he shifted from a fellow who was kicked out of his masters’ program to becoming one of the most cited and revered academics that the world had ever seen. in his elder years, he has settled down with his husband and become a central individual for many communities.

v. the hierophant; tradition, organized religion, spirituality.

captain marlene scaffa is the hierophant, representing centuries of continued tradition within the occidental kingdom. though this steadfast devotion to ideals of truth and candor inevitably led to her downfall, she epitomizes the archetype of orthodoxy.

vi. the lovers; unity, guidance, love.

the lovers are represented by two on the same card: carlen the arcanist and cyril the broadcaster. their fates have been entwined since they laid eyes upon one another in that strange coastal town, and their relationship only burned brighter when faced with the strife of the most secure prison in all the multiverse.

vii. the chariot; victory, willpower, courage

karyon beeching is the chariot, a being who led an empire to freedom from tyranny. though his recent years have lost the drive once felt in his youth, his victory stands as a turning point for the rest of the world - a change in era.

viii. strength; fortitude, compassion, love

orion ermendrud is strength, as her ability to remain steadfast in wake of her underdark imprisonment has allowed her to overcome any fear directed her way. she achieved this through aiding her fellow prisoners and concentrating on the one person who would free her from these bonds.

ix. the hermit; wisdom, solitude, introspection

thomas penningon is the hermit, having his youth stolen away by a creature that took him to the feywild on a whim for over a half-century. he wandered and wandered, becoming a dreamwalker and communing with the natural world; by the time he was able to reunite with his sister, he had become truly self-actualized.

x. the wheel of fortune; destiny, serendipity, possibility

kos vessar is the wheel of fortune. his very existence is the keystone on which this plane is balanced on, and his state of being informs the destiny of all who live upon it. despite limited interactions with any at the table, kos is a being from which two long-form campaigns managed to stem.

xi. justice; equilibrium, balance, harmony

dahlia was justice, as in her long life she was able to bring a semblance of balance to the turgid ecosystem that his her hometown. when she was cut down for restoring a series of poisoned wells, the little equilibrium found in the city came to a grinding halt; upon the revelation of her death, so did the peace of her closest allies.

xii. the hanged man; self-sacrifice, patience, divinity.

there are none who represent the hanged man better than urthaz chrestwyth, an archmage who sacrificed everything to allow his found mother immortality. the goddess of suffering consigned him to a fate worse than death - infinite isolation at the heart of the sea’s most dangerous whirlpool - as punishment for allowing a mortal to ascend in such a way.

xiii. death; ending, transformation, cycles of life.

achlýs, goddess of suffering, is death. though she is not responsible for the physical act of dying in the way winter’s lord does, she has been the catalyst for an uncountable number of transformations (whether physical or moral). she is the change of a body from living to dead and all the pain that stems from it.

xiv. temperance; balance, virtue, intentionality.

sibyll, goddess of arcana is temperance. as the sole deity who was once mortal, she understands the balance between metaphysical, divine, and mortal rationality that those below need to thrive; she has gifted this understanding to them time and time again. she is far more personal than the pantheonic twelve, and will gift her champions the tools they need to stand in the face of those that seek to upset the balance of the great wheel.

xv. the devil; vice, temptations, addiction.

drifter is the devil in both the physical and moral sense, manipulating other creatures to do his bidding out of sheer boredom. his modus operandi is to entrap youth and to groom them into creatures who enact his will, habitually toying and breaking their spirits.

xvi. the tower; disruption, upheaval, radical change.

in the sole act the table has been privvy to thus far, the tower is the lady maud. she impersonated their closest ally for nearly a month before revealing her true form and utterly eradicating all sense of trust. she brought about the death of a king, causing utter instability in an (admittedly authoritarian) though stable land.

xvii. the star; hope, health, spiritual reflection.

arrah beeching is the star, as her journey dealt with internal and spiritual conflict far more than anyone else’s. upon resolving her conflict with a particular archfey, she found solace with the goddess of adventure and freedom.

xviii. the moon; intuition, danger, deception.

sam the bastard was the moon, a roguish archetype who convinced the destitute to become his underlings before betraying them in stings and setups. before his death, he contracted a great many people into doing his and his masters’ bidding. he considered danger to be intoxicating, engaging in riskier and riskier behaviors prior to his demise.

xix. the sun; success, contentment, material happiness.

the sun is oysters rockefeller, a pirate who found herself stranded with her crew following her pursuit of a hefty paycheck. though she has yet to undergo the same sort of development as many on this list, she is a person whose drive is towards success, happiness, and freedom.

xx. judgment; new epochs, transformation, outcome.

igor was judgment; the warden of the multiverse’s greatest prison was obsessed with the idea that he could bring about a new era of humanity via consuming the fear of all mortals. a child of suffering, he believed that he could usurp his mother’s position by transforming into something far greater than himself - he was thwarted.

xxi. the world; enlightement, oneness, divinity.

the world is the end of a cycle, and the erlkönig (despite his many, many faults) represented this shift to a divine singularity. he was singlehandedly responsible for many of the plane’s problems through incredible manipulation, and was eventually able to ascend to godhood through the aid of his cultists around the world. though he would be defeated by mortals and the god of fate, his ascension and eradication marked the end of thousands of cycles that he put into place.

though these names may not mean much to anyone beyond my table, i really think that this sort of categorization is extraordinarily helpful to my understanding of my own characters as they fit inside of my setting.

[yukidragon]

What happens if Jack was friendzoned by MC, believing that he wouldnt any lewd things or adult stuff because he's a child friendly character, more so by his personality?

That is an interesting idea that MC might avoid thinking about Jack in a sexual or even romantic way on the basis that he's a character from a TV show made to educate young kids. It could be because MC feels that it's "wrong" to think about that sort of character in that way. It could be because they assume that Jack would have no concept of anything not G-rated due to his commitment to the bit and how he talks like he's still in a children's show. He does genuinely seem to believe that he's Sunny Day Jack after all.

Heck, my own MC, Alice, makes the same mistaken assumption in chapter 6 of Sunshine in Hell. Little does she know that even as she thinks that very misconception, Jack is off doing something that is definitely meant for Adults Only.

Who would have ever imagined the wholesome Sunny Day Jack would ever masturbate in a public space so openly? Imagine the scandal! I'm sure reporters like Dan would've killed to unearth something like this back in the day.

Anyway, this would be a bit of a tricky situation for Jack, understandably. He wants to get closer to MC, be more important to them. He loves them and he desires them. Sex also seems to be something he closely associates with love and being closer to someone. Not to mention it provides MC with something they want, even something just as basic as sexual gratification.

At the same time, sex is out of character for Sunny Day Jack. There's no way sex would even be hinted at in a show for young kids, especially in the early 80's. I'd imagine the unmistakable fact that he has these sexual desires would be a strain against that characterization that Jack has used to hold onto his sanity and some faint sense of self while his soul was trapped in the VHS.

Jack spent 40 years in a place he described as hell, a place that was cold where he couldn't sleep. He forgot who he was and only remembered being the character he played because of that place. It's entirely possible that it was impossible for him to feel physical desire or pleasure while he was suffering. While I don't think he forgot what sex is, he might have forgotten that he ever experienced sexual desires when he buried his memories of being Joseph. It might even have been a shock to him that he was capable of having these desires once he was released, which would create a dissonance that would probably fuel his yandere instability.

Like with any cognitive dissonance, the mind needs a way to settle it. Adult stuff like swearing is something Sunny Day Jack can't do, but... sex makes babies, and babies still exist even in the technicolor world of children's television. Making babies is only natural, right? What's that classic saying when explaining where babies come from? "When a man and woman love each other very much..." That's the phrase often used to very young kids to avoid teaching them sex education. I heard it quite often when growing up, and even quoted in media I watched.

So that's the way Jack could settle the dissonance. What Jack is feeling is just love. Sexual desire - even if not intended to make babies - is just another facet of love, one he only feels for his sunshine because he loves them. That's why Sunny Day Jack never experienced these desires before. MC is special. What the two of them have is special, so this is a special exception to his squeaky clean G-rated persona.

Being "friendzoned" would then be something of a complication for Jack. He wants to be MC's friend, he needs to be. He needs them to need him. They're the most important person in his life and he needs them to need him just as badly as he needs them. Being MC's friend - their extra special best friend - is what he wants... but he knows he wants more than platonic friendship. He wants and needs their love. He loves them so badly, and he wants to show it in every way that they'll allow...

While I think Jack would be fine with an asexual MC who doesn't want to have sex with him, he would probably need reassurance that they love him in other ways. He needs to feel like he's the most important person to MC, because they're the most important person to him, and his survival depends on them needing him.

If it's a question of an asexual or even aromantic nature in MC... I'm pretty sure Jack would be okay with that. Sure, it'll no doubt be a disappointment to him, but he wants to support his sunshine. As long as he's the most important person to them and they never let him go, he'll be okay with it, I'd imagine.

However, as the game shows, MC feels at least some level of romantic and sexual desire, even if they might be on the asexual/aromantic spectrum. Ian used to be the person they were in a romantic and sexual relationship with. He was closest to them and most dear to them. Jack would want to be in that spot that Ian vacated, especially before someone else might work their way into it and take his sunshine away from him...

So then it comes back to the misconception MC might have that Jack is an entirely child-friendly and G-rated character who "shouldn't" be thought of as a romantic or sexual partner. If the issue is that MC assumes he simply doesn't have those desires and as such it would be inappropriate to think about him that way, I imagine he would pick up on this and try to subtly correct his sunshine's misconception.

Moments of closeness between them, sexual tension... Jack could draw them in closer, do "innocent" things to show off his body so that they would see him as a sexual being and desire him. A good example of this would be him removing his shirt when putting his jacket on MC and lying down next to them, giving them a very good look at his half-naked body.

We see Jack subtly flirting in the game, getting touchy when he can. He rubs MC's shoulder, take their hand, holds them close, has them sit snuggly in his lap when they cuddle on the couch, shares a bed with them... I'm sure that he's been trying to encourage their desire for him in a very non-platonic way the entire time they've been together.

The talk about what love is fits with Jack trying to get out of the "friendzone" as it were. He needs to encourage MC to think about him not just as a platonic friend, but as a romantic partner, someone who would be the most dear to them.

This reflects in the kiss and hug routes. When MC chooses to hug Jack instead of kiss him, I think he's aware that the thought of kissing him crossed their mind, but they didn't want to "make it weird" between them. They're hesitant to cross the line from friends to something more, which is no doubt why he felt so vulnerable/scared/sad that they would keep pushing him away no matter what he tried, thus leading into that conversation about how there's multiple ways to be with someone. I believe he was trying to encourage MC to think about him romantically rather than platonically.

Naturally, in the kiss route, MC chooses to cross the line and Jack takes full advantage. It's not just a chaste kiss on the lips, it's a full on French kiss complete with tongue, as suggested by this steamy CG from the game.

What a first kiss, am I right?

Even with screencaps from the game, I want to make sure to credit Sauce for their steamy artwork, along with the rest of the team at SnaccPop Studios.

It's an unmistakably sensual kiss, one meant for adults and not a sweet peck intended to remain G-rated. He follows this up with touches, huskily breathing their name, and kissing their neck, all of which is definitely not kid-friendly affection.

I believe Jack has been trying to guide MC into making romantic and even sexual advances with him all along. That's why he guides them in to the kiss and why they feel more mentored than anything. I'm sure that he's been trying to break out of the friendzone as it were for quite a while now. The kiss would be finally crossing that line, and he's elated... even though he's understandably frustrated when work obligations force an abrupt end to the progress they've made. Still, progress was made between them, a line has been crossed, and I'm sure Jack couldn't be happier about that.

For as much as Jack wants to cultivate his persona as a G-rated, squeaky clean kids show host, he also wants to be alluring to MC, sensual. Joseph seems to have a bigger sexual appetite than Sunny Day Jack, as we've seen from hints so far, and that influences his characterization of Jack when he made the character his persona.

Jack wants MC and needs to draw them in. They're his special exception. He's never felt this way before, as he's claimed in Sleepy Time Jack, because he forgot that he ever was even capable of desiring anyone else. That dissonance and most of Jack's problems in general, including his tenuous hold on the world and being an actual entity in it... it all depends on love, his sunshine's love. It's more reason for him to be yandere for them since they are so important to his very essence.

Sooooo... yeah, Jack isn't going to stay in the friendzone with his sunshine if he can help it. He's definitely going to do his best to make sure that MC won't mistake him for someone incapable of X-rated desires, at least when it comes to to his sunshine. He loves and needs them, and he's going to do whatever it takes to make sure they love and need him just as much.

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur

[helluvabossrewrite45]

A bit ago I made my own rewrite of Millie as a challenge and ended up loving her so much I put her into my own project (adjusted so there's no copyright infringement and she fits \w world-building)

I seriously think Viv doesn't want to put any effort into characterizing Millie. Like I don't think she's bad at it, I just think she doesn't want to.

Even outside of a text in a doc form of characterizing, there are ways in visual media to add depth to your character. Random scene to explain my thoughts, I.m.p. Having a meeting to plan things before a murder: Wanna characterize Millie as an overzealous maniac? Have her rocking back and forth in her chair, pumped up, ready to go the exact second they finish up. Wanna make her sweet and caring to contrast her fucked up job? Make her take notes, nod along, and when they head out have her check up with everyone. Is she better at her job than the others and knows it? Have her pay attention during the planning parts but more distance during unimportant pieces, weapons laid out on the table to pick the very best one for the job. JUST SOMETHING PUT SOMETHING THERE, PLEASE!!!

The way other characters are around her doesn't help.

Moxxie could be the one thing holding her back from trying to clear out every ring and so he intervenes anytime shes slightly annoyed, blitz could see her as a rival for murder or a scapegoat for everything, Sallie Mae could be by her side the entire time she's on screen, striker could respect her for her strength and loyalty but hate her for the fact she's a suck up to royalty or too energetic or because she's a wild card, Loona could have her as the only person she shares a hobby with and being a slightly protective cus of it, her parents could be overly doting and ask if she's been taking care of herself and acting less self-sacrificial, Chaz could avoid her the entire episode out of fear and then have his fear be justified during the wedding! These are the ideas I thought up in 20 minutes, and you don't have to change much for the antagonists or her family!

Like even her design shows literally nothing! Jack. Shit.

Wacky hairstyle, scars, more than 2 colors, any thought put into the outfit at all, accessories, Body type (to an extent), posing, anything!!! That's all I'm gonna say about design cus I could go all day with the hypotheticals because there's SO FUCKING LITTLE TO HER I CANT EVEN RUN WITH WHAT'S THERE!!! I have to make up things about her just to demonstrate how little Viv has tried with even the most BASIC characterization. There's nothing to Millie, not even poorly written things, just actually nothing!!! I've seen characters who can be summarized with a handful of words, don't have a single line of dialogue, and have a backstory that's a sentence long be characterized better than her!!!

It's actually a bit impressive how little Viv has tried! It's like she's actively avoided giving her even the slightest base-level character!

Millie is a plot device to clean up blitz and moxxies messes.

.

[doggernaut]

OMGCP Fic Rec BINGO - Day 3

(Previous BINGOs here and here)

it's canon to you • rocky shore by wit (@parvuls)

One of the things I like best about Check, Please! is that by focusing on big moments on the page, Ngozi leaves so much room for us to imagine all the things that might have happened in between those big moments. This fic by @parvuls covers the first part of Year 3, as Bitty and Jack navigate their new relationship and all its complexities, including Bitty's anxieties about sex and the secrets they're keeping. It includes all of those missing moments we didn't see in the comic, but we know must have happened in order to get them to that solid place they're at by the time they come out to their friends. (And remains canon-compliant in the process!)

subverted trope • You and Me, We're a Miracle by PorcupineGirl (@porcupine-girl)

I love a good soulmate fic, but sometimes I have a hard time suspending my disbelief when two would-be soulmates discover their connection and are suddenly in love. This soulmate fic subverts the trope by establishing early on that Jack doesn't have a name on his wrist, and is okay with it. He still manages to fall in love. @porcupine-girl's world building is always top-notch, even in a short fic like this, and her headcanon for deeply in love, smitten Jack is so close to my own that I know I'll finish reading any fic she's written with a goofy smile on my face.

free spot • Nature by foryouandbits (@foryouandbits)

When I want to get lost in a fic, I choose something by @foryouandbits. This AU, in which the members of SMH are performers in a Cirque du Soliel-like troupe, is probably my favorite of theirs. It recreates the Zimbits story we know and love in the terms of this specific AU. All the plot beats are there: a traumatic backstory for Bitty, a Zimmermann family legacy, SMH found family, and Bitty and Jack working together to overcome Bitty's fears. It also has one of the most romantic scenes of any Zimbits fic I've ever read.

short fic (under 1K) • Poems for Jack by YourPalYourBuddy (@ivecarvedawoodenheart)

This is exactly what it says on the tin. Two years of Bitty and Jack’s developing relationship, remixed into poems from Bitty’s POV. His humor, frustration, and growing feelings for Jack are all there. The fact that the author was able to pull this off in only 445 words yet still hit all the important canon plot beats is nothing short of remarkable. 

you weren't sure you'd enjoy it but REALLY did • [podfic] Hockeyed Up by read_by_Sophie (Sophie)

This pick might be cheating a little because this is one of the first fics I read in the fandom and I immediately loved it; this author’s characterization of Jack just felt so right to me and continues to be a fic I return to when I need to get into Jack's head for my own writing. The fic I chose for this spot, though, is the podfic version of Hockeyed Up. I only started listening to podfic a few years ago; I had never been able to get into audiobooks and I wan’t sure I’d like podfic any better. However, needing something to listen to during a long run and not enjoying any of the books I’d downloaded on Libby, I decided to try listening to a podfic of a familiar fic. This one was about as long as my run, so I chose it. And I loved it. And now I listen to podfic on the regular. But this is the one that started it all, and it’s a favorite so I re-listen to it at least once a year. Bonus: the author/reader of this fic has a French-Canadian accent, which really adds to Jack’s characterization since it’s from his point of view. (This is also my commercial for podfic: this fandom has so many wonderful podficcers; if you haven't tried listening to podfic yet, you absolutely should!)

[randomrichards]

THE TOP 10 BEST FILM OF 2022

HONOURABLE MENTIONS

GLASS ONION

Rian Johnson proves he’s still got the touch with another subversively comedic addition to the Knives Out franchise. He delivers the twisty mystery, unique characters, and witty dialogue we know and love from the predecessor. There are side splitting gags galore from the characterizations (Dave Bautista as an MRA influencer who still lives with his mom) and the dialogue (“Please tell me you don’t think sweatshops are where they make sweatpants”).

DECISION TO LEAVE

On the surface, Decision to Leave is a modern film noir about a kind detective who develops an infatuation with a femme fatale after her husband falls off the top of a mountain. But as you would expect from a Park Chan-Wook film, the film becomes something much more.

ALL QUIET ON THE WESTERN FRONT

Decades after the original best picture winning classic, Edgar Berge adapts Erich Maria Remarque’s classic anti-war story of a small group of eager young Germans who enthusiastically sign up to fight during WW1 only to be destroyed by the horrors of war. Many films show the devastation of war and its traumatic effects, but this film showcases the terror of being in the battlefields.

PUSS IN BOOTS: THE LAST WISH

Puss competes against a group of baddies to reach a wishing star in the sequel nobody asked for that ended up being way better than it had any right to be.

First, it uses Spider-Man: Into the Spider verse’s animation technique to create an animation style that resembles illustrations come to life and create some dazzling action scenes. It also gives Puss some unforgettable villains ranging from the hilariously sociopathic Big Jack Horner (John Mulaney) to Dreamwork’s most terrifying villain the Wolf (Wagner Moura). Finally, it gives Puss some depth as he is forced to confront his mortality and how his obsession with his legacy has kept him from forming meaningful connections.

TAR

Cate Blanchett gives one of the year’s best performances as a narcissistic and well-respected composer whose actions eventually comes back to haunt her.

THE TOP 10 LIST:

10)          THE MENU

Satirical Comedy and unsettling horror make strange bedfellows in this unique tale of a Margot (Anya Taylor-Joy), an average woman who joins her foodie boyfriend (Nicholas Hoult) to an all exclusive dinner led by renowned chef Julian Slowick (Ralph Fiennes). What they don’t know is that Julian plans to deliver some just desserts for his latest customers.

The plot plays like a mystery. With each dish served, we try to guess what Slowick’s got planned for these elites. And Slowick’s motives grow more and more unsettling. It’s best to go in knowing as little of the movie as possible.

The actors are more than game for their respective performances. Fiennes is unsettling as a stern perfectionist who has a bone to pick with all of them. Taylor-Joy makes the perfect audience surrogate as she calls out the absurdity of the food arrangements. The rest of the cast play into the caricatures of their characters from Hong Chau as Slowick’s fanatical waitress to Janet McTeer as a pretentious critic. Hoult in particular relishes his role as a devoted know-it-all. Just the scene of him crying over tasting bread accompaniments without the bread is sure to bring a snicker.

This film ruthlessly mocks the elitist foodie culture. Most of the customers care more about the status than the meal, never just enjoying the dishes. With each dish, Slowick calls the customers out on their privileges.

Available on Disney+

9)            THE BANSHEES OF INISHERIN

In a small village in WW1 era Ireland, Padraic Suilleabhain (Colin Farrell) and Colm Doherty (Brendan Gleeson) spend their days enjoying glasses of Guinness at the local pub. But then one day, Colm decides he doesn’t like Padraic anymore and cuts him out of life to focus on making music. But the daft and offended Padraic can’t seem to take a hint much to Colm’s annoyance and Padraic’s spitfire sister Siobhan (Kerry Condon) chagrin. The locals aren’t much help, with many prying to know more about this incoming feud..

After earning acclaim (and some awards) with his Hollywood features Seven Psychopaths and Three Billboards Outside Ebbing, Missouri, writer/director Martin McDonagh returns to his roots and reunites his In Bruges stars Farrell and Gleason. McDonagh brings his trademark dark comedy to a folksy environment from his biting dialogue (“If punching a policeman is a sin then we may as well pack up and go home”) and surprising violence.[1] It also fits into McDonagh’s reoccurring theme of men who are unable to handle emotional moments like mature adults. While it can be devastating for a friend to sever ties with you, but Padraic can be clingy. Colm isn’t helping matters by threatening self-mutilation. Farrell and Gleason’s performances prevent these two from being unbearable. Farrell stands out by bringing a childlike eagerness and naivety that makes Padraic likeable.

At the same time, McDonagh regards these characters with empathy. He shows as much understanding for Padraic’s gratefulness for his simple life as he does with Colm’s need to create a legacy through his music.

Also, McDonagh does an excellent job of creating a sense of environment with the village. There’s also a strong sense of community in this village, with everyone knowing each other. There is also a unique set of personalities in this village, from the eccentric old Mrs. McCormick (Sheila Flitton) to the timid Dominic Kearney (Barry Keoghan). This simple area feels like a warm and inviting home many would like to live in.

The Banshees of Inisherin is a dark delight.

8)             THE BATMAN

Who would have thought that there’d be a Batman movie that could pull off the feel of a David Fincher film? But Matt Reeves (along with co-writer Peter Craig) surprises the world with DC’s answer to Se7en and Zodiac. He brings the world a young Batman (Robert Pattison) in his second year who attracts the attention of the Riddler (Paul Dano), whose killing off key political figures in Gotham City. As he tries to get to the bottom of the Riddler’s murders, Batman comes to realize how corrupt Gotham’s world truly is and is forced to confront the sins of his father.

After two dark and gritty reboots of Batman and a post-pandemic world, this version really needed to impress. And it didn’t disappoint. Reeves delivers refreshing takes on every aspect of the iconic franchise. Gotham City has never looked seedier than it does in this film, with endless rain, decaying infrastructure and array of street gangs. This Batman we get is a young man who has let his Batman persona consume his life to the point where he barely has anything to do with Bruce Wayne.[2] But the most surprising update is the complete reinvention of The Riddler. This villain goes from being one of most mocked of Batman’s rogue’s gallery to being a Zodiac-like menace who seems to be constantly 10 steps ahead of everyone[3].

All these characters work because of the performances. Pattison proves himself a worthy Batman whether he’s interrogating Oswald (Colin Farrell) or taking down an army of muggers. Paul Dano weaponizes his everyman looks to hide an intimidating and sociopathic genius behind the green mask and distorted vocals. Farrell goes beyond the heavy makeup to create a ruthless, fast-talking version of the Penguin. Zoe Kravitz’ performance is probably the most comic accurate portrayal of Catwoman, especially when it comes to her dynamic with Batman. That’s not even getting into how Jeffrey Wright and Andy Serkis perfectly capturing the essences of Jim Gordon and Alfred respectively.

There’s also way more focus on the Detective aspect of Batman than in most versions. While we do see him in some kickass action scenes, for the most part, we see the World’s Greatest Detective use his sleuthing skills to solve the Riddler’s twisted riddles and investigate crime scenes. This brings more focus on the intrigue of the mystery.

And that score. That glorious musical score. Michael Giacchino delivers an epic, booming score worthy of joining the batman scores provided by Danny Elfman and Hans Zimmer.

It’s not a perfect movie. The biggest problem is the running time, which can lead to some dragging scenes that will be too much for some audiences. But the strengths of the film make up for these flaws. Here’s hoping Reeves keeps this up for the inevitable sequel.

Available on Crave

7)             BOILING POINT

Writer/Director Philip Barantini seems to have taken a lesson from Uncut Gems on how to make a film feel like a relentless panic attack when he made Boiling Point; a tense drama about a stressed-out head chef (Stephen Graham) trying to get through the busiest night of the year.

Barantini and cinematographer Matthew Lewis make the risky move of shooting the whole film in a single take. It is easy for this to become gimmicky, but they use it effectively to emphasize how stressful it is to work in a restaurant. As the camera moves across the kitchen and into the dining area, it’s clear there’s no escape from the stress not even when head chef Andy Jones heads to his office to try and catch his breath. The rumbling of the kitchen as Andy sits alone in his desk makes it clear he has nowhere to hide.

Barantini also keeps the stress going by surrounding the environment with multiple clashes. The dishwasher’s upset that her replacement is hours late. The sous chefs and head waiter are at each other’s throats. Andy’s co-owner has invited a critic to dine with him. Barantini does an excellent job of balancing the multiple storylines within the short 92-minute screen time. He even manages to create some satisfying set ups and payoffs. One perfect example is a reoccurring arc with one chef whose constantly being told to roll up his sleeve. The revelation behind this arc with stay with you.

Boiling Point has a phenomenal cast who all deliver compelling performances as they scream over each other trying to get their point across. Usually typecast as the villain, Graham delivers his best performance as a man trying to keep it together while his life is going down the tubes. He makes you feel his hopelessness and overwhelming strain as he downs bottles of whisky, trying to get through the day. Even at his most self-destructive moments, you feel for him.

The result is a drama that does a better job of keeping the audience at the edge of their seat than most thrillers wished they could.

6)             RRR

With the growing interest in Tollywood films, RRR makes the perfect gateway drug. Rarely in recent years has there been an action film so unapologetically epic as RRR, which has broken into the mainstream.

As with many Tollywood action films, Director S.S. Rajamouli, co-writers Vijayendra Prasad and Sai Madhave Burra along with the cast and crew take every element of the epic action flick and turn them all up to eleven. In a time when there is a call for more flawed, relatable protagonists in movies, RRR gives us a duel of superhuman action heroes performing impossible feats of agility. The opening scenes alone have rebel leader Komaram Bheem (NT Rama Rao Jr) chasing a wolf and a tiger and misguided soldier Alluri Sitarama Raju (Ram Charan Teja) leaping over a fence and fighting a whole crowd to capture one suspect. Let’s see the Fast and Furious franchise have its heroes leap over a bridge on a motorcycle or a horse and swing on a rope carrying the Indian flag to rescue a boy from a fire.

While there is a pressure for films to keep any messages nuanced and subtle, RRR serves as a three hour middle finger to the British Empire. That empire is embodied by the mustache twirling Scott and Catherine Buxton (Ray Stevenson and Alison Doody) who literally kidnap a little girl and kill the mother in the first scene.  There would have been a danger of the villains being cringe, but Stevenson and Doody savour their villainy like a classic Disney villain. Even they get in on the over the top violence, with Mr. Buxton firing a machine gun while flying out a crashing car. It makes their downfall more satisfying.

If that isn’t enough, RRR also has musical numbers as epic as the action scenes. They manage to appear in the unlikeliest of moments like a motorcycle/horse race and one character being tortured with a whip. Most notable standout is a dance off between the heroes and one snobby British soldier.

But at its core, RRR is a story about a friendship between two men who don’t realize that one’s supposed to arrest the other and a tale about a tribal leader on a mission to rescue a little girl from rich captors. The fact this film makes us care about story and keep the audience hooked over its long screentime shows the power of this epic.

Available on Netflix

5)             THE NORTHMAN

After taking the horror genre by storm with The Witch and The Lighthouse, writer/director Robert Eggers gives us something completely different with The Northman. In contrast to his previous low budget A24 arthouse horror flicks, Egger’s latest is a big budget epic historical action flick. It may be his most accessible film, but that doesn’t stop him from bringing his boundary pushing style into this film.

The Northman is Hamlet-like revenge tale of Almeth (Alexander Skarsgaard), a Viking prince who seeks vengeance on his uncle Fjolnier (Claes Bang) who kills his father King Aurvandil (Ethan Hawke) and marries his mother Queen Gudrun (Nicole Kidman). After years in exile, Prince Amleth disguises himself as a slave and enlists the help of an enchantress (Anya Taylor-Joy) to bring down the King Fjolnier the Brotherless.

Eggers brings a refreshing take on the Viking historical drama with his trademark style. Like his previous films, Eggers (along with his co-worker Sjon) goes out of his way to make his stories as historically accurate as possible. As a result, we get the ugliest side of the Viking life. The images of people in chains makes it clear that Amleth’s family owns slaves. When Amleth’s in exile, he joins a group of Vikings in pillaging and terrorizing innocent people. In one horrifying scene, those Vikings trap women and children in a cottage and burn it down. Keep in mind that the protagonist watches this happen.

What’s strange is that Eggers also includes fantastical moments that draws from Norse Mythology. The result is otherworldly imagery of Amleth meeting with the Seeress (Bjork). It doesn’t seem like this should work, but somehow these elements make strange bedfellows.

Unlike his previous films, Eggars doesn’t go for historically accuracy with the dialogue. As a result, the audience has a better grasp of what the characters are saying. The dialogue is still kind of Shakespearean but just enough to the characters are still easy to understand.

Of course, the action scenes are awesome with the blood and dismemberment you expect from an R-rated movie with Vikings. It leads to a most metal ending with Amleth and his uncle going head-to-head in a volcano in their birthday suits.

With this film bombing at the box office, it’s doubtful Eggers will ever have the means to make a film as epic as this one.

Available on Crave

4)            GUILLERMO DEL TORO’S PINOCCHIO

2022 was the strange year where we got three Pinocchio movies in a row. After listening to Pauly Shore butcher lines and Disney butcher their original classic, most moviegoers knew Guillermo Del Toro’s stop motion version would be the best one by default. But even without the other two films, there would still be major anticipation for Del Toro’s first animated feature film. With his trademark fleshed out mythology, creative character designs and compelling storytelling, many expected him to perfectly capture the macabre tone of Carlo Collodi’s tale. What we got is a refreshing take on the classic take on the wooden boy who longs to be a real boy.

Del Toro (alongside codirector Mark Gustafson and co-writers Patrick McHale and Matthew Robbins) perfectly balances capturing the story’s dark tone and core storyline while changing many elements of the story. This Pinocchio (Gregory Mann) is a lot closer to the disobedient troublemaker of the original story than Disney’s sweet but gullible character. Like Collodi’s tale, this story has our hero causing grief for his creator/father Geppetto (David Bradley), being led astray by crooks and trouble making teens only to suffer the repercussions before the climax of trying to escape from inside the whale. It even includes both the Christian undertones of the original story and even its dark comedy (among them a reoccurring gag of Sebastian the Cricket (Ewan McGregor) constantly being squashed.) It also borrows a bit from the Disney version with the Blue Fairy (Tilda Swinton) bringing the puppet to life and the cricket trying to guide him.

But this film also makes a lot of changes from the original story. First, Del Toro sets the film in Italy during Mussolini’s reign. Not only does this fit into Del Toro’s reoccurring theme of life under fascism, but it brings nuance to the original story’s message of obeying your parents. While the film does have Pinocchio deal with consequences for misbehaving, the film also shows the dangers of blinding obeying those in power and makes the case that disobedience is necessary when it involves doing the right thing. The film also fleshes out the characters to bring complexity. While Pinocchio is still a disobedient troublemaker, he also has his heart in the right place and will stick up for others. Geppetto is a broken man grieving the loss of his dead son Carlo (also Mann). Sebastian is a wannabe writer who makes his home in Pinocchio’s chest. Del Toro also brings in an array of unique characters from ruthless ringmaster Count Volpe (Christoph Walz) to terrifying fascist enforcer Podesta (Ron Pearlman). All the actors do excellent jobs of making their characters engaging, especially Mann.

Co-Director Mark Gustafson perfectly brings Del Toro’s trademark style into the animation world, resulting in some unique visuals. Pinocchio has never looked more wooden with spiky wooden hair, tiny black dotted eyes, and multiple nails in his back. The Blue fairy aka the wood sprite (also Swinton) is this otherworldly blend of Hari Krishna and a mermaid. Death is this sphinxlike creature in a world of blue sand. What’s most notable is how the settings and character design resemble classic storybook illustrations come to life.

The film is also a musical, with songs created by composer Alexandre Desplat alongside Del Toro and lyricist Roeban Katz. The old timey style perfectly serves to further the narrative and reveal more about the characters, but they don’t stand out the way Encanto’s songs did. The one exception is “Ciao Papa.” When Pinocchio pours his heart out to his long distant father, you can feel that longing so much it may bring you to tears.

No wonder many see this as the front runner for the Best Animated Feature Oscar.

Available on Netflix

3)            AFTERSUN

Most filmmakers try to make their films memorable. Aftersun is a rare film that feels like a memory.

On the surface, it’s a simple story of a single Dad (Paul Mescal) and his daughter (Frankie Corio) taking a trip to a Turkish beachside resort. There is no real plot. No central conflict. It’s just segments of a father and daughter on vacation. At least, that’s what it seems like at first. Hidden in plain sight are signs of the father hiding some personal pain from his daughter.

In her debut feature, writer/director Charlotte Wells takes us into segments of this vacation, even replaying some moments on camcorder. The result is a film that feels like we’re entering the daughter’s memories as she tries to understand her father.

The strength of Wells’ filmmaking is how she avoids the temptation to dramatize any element of the plot in favour of making it as naturalistic as possible. Never does she make it clear what the dad’s going through. You only get the most subtle of hints. She only applies any artistry with the ending that will stay in your mind long after the credits roll.

That’s helped by the performances by the two leads. Mescal and Corio bounce off each other perfectly, making us believe they are an actual family. They both also maintain low key naturalization throughout the film.

Put all these together and you get an unassuming drama that stays with you long after the credits roll.

2)             (TIE) BEFORE I CHANGE MY MIND, GOLDEN DELICIOUS AND YOU WILL LIVE FOREVER

I admit that I have a habit of putting ties in my lists, not helped by me including a three-way tie in this one. But these 3 films have so much in common that I felt they deserve to be put together. Well, that and these are probably the least known films on this list, and I feel they deserve more attention.

All three are Canadian films centered on LBGT teens who move into new locations, which leads to developing deep relationships. They’re similar yet different. The most important commonality are the compelling stories of relatable, flawed young people trying to fit into their world and figure out what they really want in life in the process.

First, we have Before I Change My Mind. Set in 1987, the movie centres on Robin (Vaughn Murrae), a non-binary preteen who moves to a small Albertan town from the US with their father (Matthew Rankin). There are of course questions from the students what Robin’s gender is. To fit in, Robin tries to befriend the school bully Carter (Dominic Lippa). On one hand, it makes it easier for Robin to form friends. On the other, it leads to Robin making misguided decisions.  

Director Trevor Anderson and co-writer Fish Griwkowsky capture the everyday life of preteens as they make snide comments during music class, pick fights with each other and just hanging around in the living room. What makes this film special is how it captures the difficulties of being a preteen. Robin and their classmates try their best to fit in with their peers. Sometimes it can be found in healthy activities like hanging around in the mall. Other times it comes from misguided decisions including sneaking into their parents alcohol or in one student’s case, completely changing his personality after being bullied.

The film also captures the frustration of dealing with emerging emotions you have no understanding of and now healthy means of channeling them. That’s especially true with Robin who has no idea of their own gender identity since non-binary wasn’t a common term in the 80s. As a result, they become targets for fellow classmates who keep demanding to know if they are a boy or a girl.. Being non-binary themselves, Murrae makes the audience feel how lost Robin feels. Anderson and Griwkowsky do an excellent job of using subtext to capture this feeling. And they never offer any easy answers.

There are also some funny moments in the film. When gym class separates the boys and girls, Robin sits in the middle. Robin and Carter try to convince a drag queen (dressed like Madonna) to buy them beers. But the comedic high point is the school’s disastrous rock musical rip-off of Jesus Christ Superstar.

Next, we have Golden Delicious. Jake (Cardi Wong) seemed to be living the perfect teen life as a basketball player whose relationship with his girlfriend Valerie (Parmiss Sehat) is popular on social media. But he finds his life turned upside down when new student Aleks (Chris Carson) moves next door. As Jake and Aleks both train for the basketball team, Jake is forced to confront the pressure his father George (Ryan Mah) places on him.

Director Jason Karman (through Gorrman Lee’s screenplay) channels his youth to capture the pressure of having to live up to expectations. Jake tries his best to please his father, despite not being the best skilled in the team. Georges’s pressure is embodied by the old, decaying basketball hoop he forces Jake to practice on. Through Aleks, Jake’s confronted with the fact that he has never learned to live for himself.

Lee also fleshes out Jake’s family, who is dealing with their own pressure. George and his wife Andrea (Leeah Wong) are trying to keep their Chinese restaurant afloat, but the stress of running the restaurant has taken its toll on Andrea. When their daughter Janet (Claudia Kai) discusses her interest in being a chef, Andrea tries to forbid her. Janet has her own arc where Janet tries to create her late grandma’s dishes. This family feels so achingly human and relatable.

Of course, there’s excellent chemistry between Wong and Carson as their characters build from a friendship into a relationship.

And finally, we have You Can Live Forever. Rebellious teen Jaime (Anwen O’Driscoll) is forced to live with her aunt Beth (Liane Balaban) while her mother recollects herself after her husband’s death. Beth is a Jehovah’s Witness whose husband Francois (Antoine Yared) hopes to be the leader of his congregation. While being forced to attend sermons, Jaime develops a friendship with fellow devout Marike (June Laporte). Soon that develops into something more, which is risky in a homophobic fringe community.

A romantic film like these lives and dies on the chemistry between the leads. When two leads have such differing personalities/worldviews, it’s very important that the two leads have convincing chemistry for the relationship to make sense. O’Driscoll and Laporte pull that off beautifully, conveying a warm intimacy between Jaime and Marike as they hide in plain sight with little intimate gestures. It helps that both actresses make their characters feel like real people. O’Driscoll portrays Jaime as a typical teen whose big glasses and grunge wardrobe hides a slightly rebellious teen frustrated at being stuck in a situation outside of her control. Laporte makes Marike a timid girl devoted to her religion yet forms an infatuation with Jaime. Writer/Directors Mark Slutsky and Sarah Watts avoid the temptation of melodrama in favour of grounded empathy. They allow us to understand what Marike finds in her faith while showing how it can be stifling for Jaime.

All three deliver achingly human stories of young people trying to find what they truly want in life.

1)            EVERYTHING, EVERYWHERE ALL AT ONCE

In a time when franchises consume movie theatres, Everything, Everywhere All at Once came out of nowhere to deliver an everything bagel the zeitgeist can sink its teeth into.

Evelyn (Michelle Yeoh) finds herself dissatisfied with her life as a struggling Laundromat owner, further aggravated by her goofball husband Waymond (Ke Huy Quan), her contentious relationship with her daughter Joy (Stephanie Hsu) and her overly critical father (James Hong). If that wasn’t bad enough, she’s being audited by the IRS, forcing her to deal with an austere IRS agent (Jamie Lee Curtis). Suddenly, Evelyn finds Waymond possessed by an alternate version of himself and Evelyn’s tasked with saving multiple universes from the mysterious and all powerful villain known as Jobu.

The Dynamic Duo of Daniel Kwan and Daniel Scheinert already proved their originality with their music video Turn Down for What and their feature film debut Swiss Army Man. Who would have thought they could create an existential tale of a mother daughter relationship involving googly eyes, hot dog fingers and a ratatouille parody?

As you expect from the Daniel’s previous works, it delivers on the weird and hilarious imagery (often involving leud objects). One minute, Waymond is gluing googly eyes on everything, and the next he’s taking down security guards with a fanny pack. That’s just one of many examples of the creative and well-choreographed fights scenes the Daniel’s have in store for the viewers. Only they could image fight scenes either involving Waymond intentionally giving himself paper cuts or henchmen trying to shove a trophy up where the sun don’t shine.

With moments like these, you would never expect anything profound in the film. And yet, the Daniels somehow balances these silly moments with deep, philosophical themes. Evelyn comes to realize how the little choices she made in life can have major outcomes after glimpsing versions of herself as a famous actress, a kung fu artist and a chef. Her journey also forces her to reexamine her perceptions of her husband and reconcile her relationship with her daughter. The battle between Evelyn and Jobu shows how perception can alter how one handles the meaningless of life. It’s surprising how deep this film can get.

The result is a cinematic miracle that delivers a truly unique experience.

Available on Prime Video

[1] When Colm threatens to cut off his fingers if Padraic talks to him again, you know a finger’s going to come off at some point.

[2] So consumed that he only has around 3-4 scenes as Bruce Wayne. It’s funny. In his Godzilla reboot, he barely showed the iconic monster on screen. For The Batman, we get all the caped crusader we could ever want.

[3][3] He also seems to be doing a better job of getting rid of corruption than Batman is.

[6okuto]

HI THIS IS THE ANON WHO SAID SHE LOVED UR POST AND i just realised u also write for cove holden ilysm do u have any romance visual novel recs?? so far i've only done cove's one & two demo ones (a celtic mythology one whose name i cannot remember & touchstarved the loml)

have the bestest day and thNk u

was the celtic one the good people (na daoine maithe) because i played that one too 👩🏻‍💻🫶 RLLY GOOD in typical nia fashion when my Type type isn't there i'm going 4 keagan and flannan

i saw u say error 143 in ur other ask UR REAL!!! ofc i must recommend blooming panic if u haven't played. xyx and toasty r genuinely just. Funny. i rlly liked toasty's va they did a great job. FIRST TIME I HEARD HIS LAUGH I WAS LIKE WOAH. i rlly liked how nightowl's route went w. Anger. u don't see it a lot and i appreciate it i was like WOWWW? AT ME? he's real. robo has answered a Lot of asks on tumblr so u can get loads of content after u finish!

https://gbpatch.itch.io/our-life-nf ... :) No words. Demo. i will build the audience for the 2nd game myself.

DEMO obscura is also vry good,, i haven't played in a Long time but i keep up w reading tumblr asks abt the LIs LOL. love the art and vibes. he isn't my type but iirc cirrus offers a rlly interesting dark romance route + aftercare/safe word system :)

DEMO online @ the perfect time is just,, i love the vibes and concept so far I LOVE WHEN CHARAS R FUNNY. HAVE MY HUMOR. rlly excited to see where it goes it's quite short so far BUT I WANT PPL TO PAY ATTENTION 4 THE FUTURE. PLEASE!

cryptid coffeehouse IS SOOO CUTE I LOVE ARTEMIS ☹️☹️ queer slowburn coffee shop romance BE SERIOUS no one fucking TALKS ABOUT MY ARTEMIS. WHY. so so many cute moments i was kicking my feet and giggling like WOWW

3 seasons is also VRY vry cute i don't usually play games w an mc visual but ivy is so pretty so IDC!!! u can play all the routes pretty easily they're all lovely like... it isn't super often i come out liking all the LIs pretty much on the same lvl. mamma mia!

....the persona 5 vn. IMCRYING I'm so fucking serious like. the characterization is REAL it's super well made. i'd like to say u could enjoy without playing p5 but um. probably not to the full extent. i played out of principle as a p5 enjoyer and for goro bc he's one of summer's fav charas ever and his route was so awesome actually. Epic Major Spoilers obvi. akira slayed also (my good ending completionist side..☹️)i won't say much abt him bc i'll ramble on and on but summer after finding out i had a crush on him yrs ago was like Yeah that makes a lot of sense he is so loz link.. like man

$30 gilded shadows (free demo) which i need to play again I WAS SUPPOSED TO FINISH ARI'S ROUTE MONTHS AGO rika said he was so my type and i trust them fundamentally. caissa my beloved. like the world building + charas it's just,, well done y'know

$12 when the night comes haven't played but rika rlly likes it so i'm putting it here anyways. LOL

NOT VNs. they are IFs...like there's Literally no visuals. read in browser. but i stand by the night market (1st book finished!) which i've rb'ed a bit + speaker . both fantasy,, love both casts i love everything they're doing i'm genuinely so so excited to see where they go!!! PLEASE!!!

YANDERE DEMOS separated for if they aren't ur thing which is obvi Valid. i erm. went down a bit of a rabbit hole. pls read their warnings! always read game warnings. but like. ok anyways

DEMO 14 days with you yeah. ren. i like when mc notes that smth is Off abt him. lots of asks answered on the tumblr! I can fix him.

DEMO something's wrong with sunny day jack jesus Christ . some of the best vn va work i have ever come across like Genuinely wtf. and the concept is rlly cool. was put off for a long time bc of.. jack's appearance.. sowwy. but wow it is just. really well done.

bitter/sweet blythe orange masc blythe va ?? did such a good job?? like srsly what. sorry wow that's the main thing i just rlly wanted to applaud them a bit. also I LOVE THE PARTIAL OST??? i want it so bad i was humming it for a couple hours after like

DEMO our dollhouse I'm so serious when i say i didn't realize it was for yanjam so when i came to my own realization of Oh Shit He's Sus and checked i was like FUCKCKDJ 😭😭 OBVIOUSLY... but srsly love the art and i'm excited to see how mc figures it out and what happens. did a good job at making a pretty Understandably oblivious(??) mc. like yeah i can see why u wouldn't expect him.

DEMO favor Z Intrigues Me. had to try so hard for the secret ending but now i am more intrigued like OKAYYY WHAT HAPPENED BROTHER 🤨 i like the tail animation also. also when u say u like possession horrors woah hey. hey. pal

[pickypickypeak]

thoughts on wish. (spoilers below)

just a nice, harmless, old-fashioned disney movie. not disney's best by far, but far far FAR from bad

animation was good. full stop

the soundtrack. julia michaels is an amazing songwriter and I feel like her style gives this movie soundtrack a very unique vibe among disney classics. maybe she went just a little too pop-ish in some parts that required more broadway styled tunes and lyrics

loved the introduction with the classic disney book

some critic said the disney easter eggs and references were distracting or like,, they were trying to cover up a bad plot with easter eggs for fanservice. well not true lol. I don’t consider bambi’s mom blink and miss cameo as fanservice I consider it childhood trauma coming back. where’s the fanservice in it

people from all over the world coming to rosas. liked that

“welcome to rosas” was okay I just wonder if she does this for any person coming to rosas. like. like it’s a job? she’s getting paid?

asha is a nice character, despite falling a bit under the "adorkable" main girl stereotype. I still feel like she's well characterized, she is stubborn, selfless and will do anything for her family. stan

valentino's not annoying as you'd think

asha's friends are so cool please I love them all so much HOWEVER some of their lines felt a little flat?? they could have been WAY more fun easily I just wish they had more screen time

gabo is wasted potential you can't tell me otherwise

dahlia was literally nerfed you know that

I love that they picked simon to be the depressed one (he’s meant to represent sleepy from seven dwarfs)

bazeema randomly disappearing because she's an introvert she's so right we do that sometimes

I've seen people complaining about disney being politically correct (as always...) for finally making a movie with a classic villain and then making him redeemable, well he's not?? movie ends up bad for him just like with old villains?? this is literally what we’ve been asking for, a villain who is just a villain. king magnifico has motivations of course but still does bad things and gets punishment for that. classic old school disney villain. don’t know what you want

queen amaya, my love whom I owe my life, marry me

“at all costs” listen. this felt a little out of place. that’s because they apparently changed the context to the song. it was supposed to be a love duet between asha and a scrapped human version of star who was like. a jack frost-y character who fell in love with asha. in the final movie, asha and magnifico are singing to the wishes. it still kinda works, but I really wish we got to see the other way round. looks like they really didn’t want to go full classic love story route, but it’s a shame. I’m sure that would have been beautiful and very very disney. the demo version sung by julia michaels and benjamin rice gives you a glimpse of what might have been and it’s just so good, you should really listen to it

actually listen to all the song demos

that one lady screaming in the crowd I forgot her name but shout out to her

asha's family was there

her grandfather turning 100 just like disney and wishing to inspire people and then composing when you wish upon a star after the credits?? so what??? this man is disney???? wtf????? crying

“this wish” bop. next

star’s not annoying as you’d think

the animals were cute john the bear my beloved also the mushrooms please

“I’m a star” actually empowered me okay!!! you know what that squirrel is fucking right we are fucking stars!!!!

“thank you for not eating me john” “you’re welcome bambi” that was wild

breakdancing chickens and it didn’t feel cringe. a miracle perhaps

asha’s friends are so normal about star

simon being sad about making star sad… certified good guy

did I mention I wish we got more of asha’s friends

anyway why does star only grant the animals’ wishes. why do all animals just wish they can talk human

I'm thinking screaming lady's name was sania maybe??

“this is the thanks I get?!” is the perfect song for magnifico. way more in character than “at all costs”

magnifico coming to asha’s house was scary

asha really can swim is she also moana or smth

simon betraying her broke me. never trusting a himbo again

“knowing what I know now” instant bop. please all of them singing together about magnifico being a bastard? queen amaya suddenly entering the room and the music stops and they all just stand there like oh man we fucked up? and then the queen just slams the door and bursts into singing about her husband being a bastard too?? that gave me major chills like yeah girl leave him take me instead

asha and wands: a love story

the bunnies please

“this wish (reprise)” they really defeated the villain with the power of friendship AND by singing this is the most disney movie to ever disney

queen amaya becoming the single queen she deserves to be you go girl (but I'll still have her if she wants me)

simon my man we forgive you you were depressed. it’s not your fault

asha becoming a fairy godmother is actually kind of cool

"oh so you wanna fly? nice. meet peter pan" honey you say it so casually

A BIT SALTY ABOUT THE ENDING. it's not bad but that would have been WAY more emotional if they let us see asha say goodbye to star. especially because they say it's gonna happen soon, so what's the point in not showing us?? asha and star hugging and crying and then star flying up to the sky. asha looking up at the stars, smiling with tears in her eyes and then the camera moves up to the sky and star has become THE star like the one in pinocchio and princess and the frog. all of this with the "this wish" instrumental. that was a perfect way to wrap it!! also oh my gosh imagine asha saying goodbye to star boy!!! ç_ç

the credits with various characters were a nice touch but why on sweet planet earth did they put yokai as a representative of big hero 6

the credits song, "a wish worth making" just... exists. the lyrics though. they hit hard

I really stayed until the end of the credits just to watch 3 seconds of sabino playing music

final verdict: was ALL the hate for this movie deserved? hell no maybe you should just remember you’re a star and relax

[therentyoupay]

hellooo !!! I’m a super huge fan of your work and I’ve had this question on my mind for WEEKS:

the accuracy and depiction of your vision of jelsa is absolutely fantastic. the amount of depth and thought definitely shows and I’m curious: besides searching up “jack frost rotg”, “elsa from frozen” and potentially “burgess / norway speech and casual dialect”…

how do you know what to search in regards to their personalities, mannerisms, good / bad traits ??? or I guess when you shape your idea of jack, elsa and the two of them as a pair, what kinds of thoughts or sources do you use when you write them ?

sparknotes version: how do you (personally) perceive jelsa and what kinds of information do you look for when you write them ? both personality and casual dialogue ?

hope this made sense LMFAO — I know it’s a difficult and very complex question.

hello, my love. ♡ first of all, thank you so much for this ask AND YOUR BEAUTIFUL SUPPORT!!! 😭😭😭😭😭😭🙏💕💕💕💕💕

@da-awesome-one asked me a similar question in january, and i wasn’t quite sure how to answer it, so i opened up the conversation to others on tumblr, and we had some fun making observations in the replies!

however, this week, two similar questions on this topic have popped into my inbox (including yours!), and so i’ve started to really ask myself about what is going on in my interpretations… what am i doing, exactly?!

and once i started to think that way, i couldn’t really stop. 😂😭 so i will do my very utter best to try to answer this question comprehensively, as clearly as i can!

TRYP thoughts on characterization

jack frost // elsa | PART I: ground rules + intro

💕ground rules:

this goes without saying, but it bears mentioning anyway: whatever follows under this cut, please remember that these interpretations are just that—interpretations! my thoughts and opinions have formed over the past twelve or so years (at the time of writing this post), and you’ll notice in some of the syntax that follows that i am referring to the characters as if they just are the way that i interpret them, but this is due to convenience of getting the point across; it is not to say that these ideas are the “real” or “true” characterizations of these two fictional characters remember, nothing is real everything is all made up lmao. but for real, though. 

that said, feel free to ignore or disagree with all or any of what i say below! the beautiful thing about (fan)fiction and fandom is that someone’s interpretations of a character or story may often demonstrate just as much (if not more) about the reader, in many cases, than it might about the author.

thus, please remember that, if whatever i say below contradicts or doesn’t align with your personal beliefs—that’s okay! there is no real expertise here. it’s just fandom! the world is your oyster. don’t go changing your worldview just because a random lady on the internet who’s written a bunch of stories about them says that she imagines the characters one way or the other; that’s not the point! this is not a how-to guide. just a fun reflection and self-analysis of my writing style, for funsies, because we love creative hobbies. 💕

however. if you read something below that resonates with you, that makes sense in the context of your story, or makes you consider fiction, the characters, or the universes in a different way, then by goodness you are invited to adopt and adapt whatever your heart desires. 💕 spread the love! create! generate! do what your heart desires.

also, i have done my best to keep this relatively organized, but at times it does get stream of consciousness-y (remember that this is a fun hobby y’all because LITERARY ANALYSIS IS FUN but ya girl’s other stuff to do, so just roll with it 😂) also tumblr has a word limit now who knew, SO THIS SHALL BE ANSWERED IN MULTIPLE PARTS (links inside, to updated as they are posted in installments)

on that note, everyone—after reading this post 👀—should feel free to reblog/reply/etc. and add to the discussion. 💕 WE LOVE A SOLID ANALYSIS!PARTY.

does all of this sound good? if so, please carry on. 💕

sources.......? oops UM

i'm so sorry, i don’t know if this is bad news or reassuring news, but in terms of sources, i…………. have: 

my memory of the rotg movie

my annual re-watches of frozen, frozen 2

occasionally, for extra fun lore, the original snow queen novel 

tiny details from the guardians of childhood book series that i have accidentally picked up purely 1000% from rotg fanart on tumblr and unfortunately i don’t think i could even provide proper list of what i “know” (sometimes i prefer headcanons to canon, and i tend to forget what i have cherry-picked! if you want more on this, i can add a bit more to the post, too, in an edit), but think in broad terms like "mother nature is pitch's daughter," pitch's tragic!backstory, toothiana wields two swords, nightlight exists but i don't know much about him... microscopic knowledge of this canon, tbh 🙏

i have never read any of the rotg books, or any of the other related frozen-universe stories

(all of my recent canon knowledge is all that i have gained from @callimara in her 2-hour long video lolooool, but even then, i would not have sought it out had she not so lovingly crafted it!!) 

to me, canon is a set of guidelines! 

for better or worse, my interpretations of these character types have solidified in my head. 🙏 after writing them for so long, they’re just… jack and elsa.

in my previous attempt to answer this question in january, that was about as deep as i could get into the ‘how’ and ‘why’ of it all. 

but i shall try. after 12 years... I SHALL TRY.

🥹🙏 BEAR WITH ME BELOW.

my answers:

when i think about elsa and jack as characters (in ANY universe, setting, etc.), i find always myself drawn to their complexity, their depth, and the way they navigate the emotional landscapes that define them—particularly their relationships with others. 

are you ready for some contradictions, dualities, and dichotomies???

in this essay i will

okay but actually i think i wrote an essay

let’s: 

ground rules + intro

overview: the tl;dr of my personality + dialogue choices

deep dive: characterization, personality, + identity

shared ice powers (or AU-equivalent) + shared connections

questions/points to consider as you write

LOVE YOU ALL 🙏💕

[lnkedmyheart]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Thanks....

In no specific order. Did i take this opportunity to post pics of these characters? Yes.

Revy (Black Lagoon)

A dual wielding gunslinger from Roanapur. She is badass and deeply unhinged. A seriously traumatized woman with solid character flaws and a weirdly pseudo romantic relationship with the guy she kidnapped for a ransom and is now desperately trying to protect without realizing that she can't save his innocence, because he was never innocent and pure.

Fredrica Sawyer (Black Lagoon)

A cleaner from Roanapur, uses a chainsaw as her primary weapon, cannot talk due to a severe injury to her larynx and uses a voice synthesizer. An adorable and creepy goth girl who may or may not have in universe ties to the Texas Chainsaw massacre. Which yes, implies that black lagoon is set in the same universe as the TCM movies.

Dazai Osamu (BSD)

Love the depiction of depression and mental health problems with the guy. Love how he is constantly present everywhere and is seen through everyone else's perspective and yet we know so little about him. He is a dork and a brat and so annoying. He is usually aloof and distant but deep down has the capacity to be tender and kind that is only seen in the rare moments of vulnerability. But he is so hopeful and yet completely convinced he deserves nothing.

Chuuya Nakahara (BSD)

He's such a tragic character like his life is one compromise after another as he gets pushed further and further into a bad situation but he will not let that stop him from making the best out of his situation. His compassion and empathy for even those who hurt him is so powerful but his brutality and intelligence is another aspect that makes him stand out against the other characters of his kind. And then you have his incredible loyalty where he will cross all boundaries to protect those he considers his people. Gorgeous characterization honestly.

Yato (Noragami)

Another extremely tragic character and one who is trying so hard to change his fate despite everything. My guy does NOT catch a single break through the centuries he has been alive and he is still so hopeful. Not to mention letting Bishamon despise him for so long just to protect Kazuma, a guy he barely knew at the time. UGH. And his whole thing for Hiyori and his affection for Yukine. Kill me!

Yukine (Noragami)

This was the first time I cried honestly. His backstory had me curled up in my bed unable to eat for an entire day. And his growth from an annoying unlikeable brat to one of the most lovable characters is crazy. Also no, I will never not cry over Yukine calling Yato 'dad'.

Jeremy Pascal (Tales from the Gas Station)

I didnt realize how much I liked him till I thought he died. In that regard I'm like Jack I guess, neither of us realised how much we cared for this adorkable himbo ex cultist. The fact that he is genuinely heartbroken that his suicide cult abandoned him and committed without him is so...oddly endearing and just the energy he adds is charming. He's also such a great friend to Jack, man better start appreciating him more.

Sorey (Tales of Zestiria)

This is my son. And my sun. He is the most precious, sweetest boy to me. Aside from being ridiculously gay about Mikleo, the guy is what you'd think is a typical hero figure in such a setting. Pure, celibate, sweet and even tempered etc. But he is snarky as hell, constantly teases others, is NOT oblivious contrary to popular opinion. He is also irritable. I also love that he is an archaeology nerd.

Irma Lair (W.I.T.C.H)

I dont remember too much about her but I always really liked her. Enough that she is still amongst my absolute favorites. It probably helps that she was made wlw in the tv series and has some shippy moments with Cornelia in particular.

Balalaika (Black lagoon)

Listen, she is an ex military woman, who went MIA with her entire squad of loyal soldiers and now runs the fucking mafia in Roanapur. Woman is gorgeous and has acid burn scars all down her face and body. And she is terrifying. She will break necks with a smile and values loyalty and efficiency above all else. But she is such a deeply damaged woman who deserved better. But see, the people in Roanapur are there cause this is their last stand before they end up dead.