One of the earliest examples of Leo’s “I’ll do my own thing to accomplish our goal without discussing it with my team first” is in episode one. It’s super, super quick, and ultimately inconsequential, but it subtly sets up a great precedent that I think is very interesting.
When the boys need to grab the medallion from Splinter without Splinter noticing, Raph, Mikey, and Donnie huddle together with Raph taking the lead in trying to devise a plan to get the mystic device. Meanwhile, Leo slinks away and grabs the device by clocking the situation (by knowing his father well enough to predict his actions - something he does with each family member multiple times in the series) and making a move on his own.
It works out perfectly fine, and is ultimately the best move, and it’s honestly okay that he didn’t consult everyone for something so small when it’s such a non issue to get it, but it nicely sets up how this tends to go in the series, including how it goes in the movie.
To be honest episode one is actually really good at setting up a lot of things for each character in the long run, this is just one example that caught my attention, as small and unassuming as it is.
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Old art! Old art!!
This is from the beginning of 2022. I'm still feeling nostalgic about Inside Job - even that the time I was into the show was one of the worst of my life, I was so sad all the time,,
But, if I don't look too close, I still like this comic!
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Fak is too involved in Carmy and Claire's relationship. From giving Claire Carmy's number to showing up at her job with his equally annoying brother. He needs to mind his business and stop assuming what Carmy wants. In s3 ep9 Fak tells Claire he thinks (then later says knows) Carmy loves her. If you don't know Carmy's true feelings about her, why tf are you speaking for him?
Also sometimes it seems like Carmy doesn't even like Fak like that. They rarely have one-on-one scenes together and their conversations are mostly surface leveI. I always thought Fak and Richie were closer. In s2 ep3, when Claire and Carmy are talking on the phone, Carmy says Fak isn't his best friend (but then backtracks 5 seconds later saying he's probably my best friend). Then in s3 ep5 when they are preparing for the photoshoot, Fak said Carmy was #1 on his best friends list. The friendship is obviously unbalanced. Fak is one of those childhood friends you have outgrown but keep in your life due to history and familiarity. This is just another example of Carmy being stuck in the past and not being able to let go. He either needs to set some boundaries with Fak or end the friendship.
I love your blog btw. Your analysis on The Bear are very thorough.
*EXTREMELY HOT TAKE INCOMING*
Thanks for the kind compliments / thanks for the ask, but I'm starting to think that, if my suspicions are correct, that depending on how season 4 goes, that she and The Faks may shape up to be fantastic characters, at least from a trollish comedic parody perspective - and that this may be a huge 'star making role' for Molly Gordon and the rest of actors cast as the Faks if what is being set up is executed well post-reveal, and they demonstrate that, contrary to what we have seen thus far on the show, they definitely have acting range.....
Because I'm like 88% sure now that Claire x Carmy x Sydney's love triangle is an allegory/deconstructed (in part) version of Lilith x Adam x Eve from apocryphal / Jewish tradition. And that 'Sammy' Fak may be an archangel Samael figure
Lilith is Adam's first wife apocryphally and in Jewish mysticism that left him and became a she-demon / mother of demons / the "queen of the night" after being impregnated by / becoming a consort of the archangel Samael (whose name means Venom of God and is a seducing/destroying angel).
My thoughts are too incoherent right now to make a post about this theory in its own right, but all of the above could explain why the scenes where Claire is physically intimate with Carmy are shot in darkness and low light, compared to warm /well lit scenes when Syd and Carmy are emotionally intimate; it could explain why the songs that play during Carmy and Claire's scenes are frequently morbid or are outright about death, or lyric less ambient scores that invoke the feel of psychological horror,
and why mostly love songs are played for Carmy and Syd's.
I've made some posts /edits pointing out the parallels between Claire / Carmy / Syd and these biblical / mythological figures, and a post on why I think John Cena as Sammy Fak is a case of good casting (from a comedy perspective) if the Faks are really meant to serve the function that I think they are meant to below;
but some additional similarities between Claire and Lilith are that they were 'created' in the same way, 'formed from the same dust', as their 'Adam' (whose name can also mean red clay/earth and Claire's last name means mud or muddy fortress) - since Carmy and Claire both come from the same neighborhood/highschool and, depending on how much we see of Claire in the future, they may have both come from dysfunctional homes / be the adult children of alcoholic parents.
The posts I linked below are:
1. A webweaving on Sydcarmy + Adam x Eve parallels;
2. A fan edit that I did that was inspired by the webweaving; side note: if Carmy's words to Sydney at the end of their first convo was foreshadowing for them starting a literal nuclear family of their own, and how many kids they're gonna have, I'll scream;
"We're gonna make family, it's meat, (👀) plus three, and we'll eat around two."
3. A reblog add-on to @espumado et. al's @thoughtfulchaos773 @vacationship @kdbleu 's etc. thread on the theme of haunting / religious / mythological imagery and parallels in the show in season 3.
4. Another thread on religious symbolism in Season 3 and Claire and Syd / Carmy's relationship kicked off by @vacationship.
5. Another reblog add on I made in response to @glitterslag about the episode Review in Season one possibly representing/parodying the biblical "Fall of man".
6. A fan edit that I made for clairecarmy with the intent of being humourous at first, but unexpectedly turned out pretty nightmarish / psychological horror-esque without much work because the material/ dark imagery is there; including an eye opening parallel between Claire and Donna.
7. A post on the Bear being a super deconstructed Shakespearean pastoral comedy e.g. like As You Like It.
8. The religious symbolism of Carmy's red string of fate dish for Syd possibly being a visual allusion to the sacred heart of jesus, which is an emblem of God's long suffering and passionate love, an add-on to @twokisses post
Tagging @ambeauty @angelica4equity @imliterallyjustablackgirl @devisrina @ripley-stark @bootlegramdomneess @gingerylangylang1979 @outmakingmoonshine @pureseasalt @augustmonsooning @brokenwinebox @whenmemorydies @mod-doodles @bioloyg @caiusmarciuscoriolanus @post-woke @myloveismineallmine @turbulenthandholding @anxietycroissant
@moodyeucalyptus @ago0112 @unbeweavvveable @blackjack-15 in case anyone wants to chime in.😭
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Before the first season of Arcane premiered Riot released this interactive visual novel for the Riot x Arcane event. The setting was a hybrid of LoL and Arcane's universe, Piltover literally on top of Zaun, Cait is the Sheriff, but characters like Silco exist. The whole premise for the story is that Jinx stole some hextech and tapped into the Arcane oand opened a rift between worlds.
That's a lot. Personally I enjoyed this more to just see some characters out in the wild. Silco gets to be his charming self to you, the self-insert reader that's trying to find the culprit of the heist, which he knows was his kid.
Here's Jayce hating on Silco for something Jinx did.
This came out before the show did, so it's interesting to see how the game wants us perceive the characters' dynamics before we get further depth from the show. Most of it's related to Jinx because she makes herself the center of controversy.
For characters like Vi, who's already an enforcer that works directly under Sheriff Caitlyn in this world, she's clearly over Jinx's actions and wants to squash any further escalations.
Sevika is just as harsh and plainly sick of Jinx. I do find it interesting that the novel makes it clear tha Sevika believes that Jinx deserves some kind of punishment, though Jinx did endanger them all by ripping realities into eachother.
The only sympathetic voice outside of Silco in this story comes from Viktor, who after finding out Jinx was responsible for the Rift between realities asks you to remember that she's a real person that lived a life just like him. He goes so far as to contemplate another way to solve the situation and avoid a confrontation that may end with terrible consequences. (It's wild because the show then dedicates a whole scene to him defusing one of her bombs).
My favorite part is near the end where Silco tries to stop Jinx from harnessing anymore Arcane energy because it threatens to upend their reality.
I WISH they got to talk like this to eachother in the show, but so much was happening already. Even better Jinx gets the last words in and it justlays out what's ALWAYS been there.
This scene helped me understand that Jinx was always going to fire her rocket at the council, because she and Silco have both always been motivated to by power. They both know what it's like to be perceived as "weak" and they way it destroyed their lives respectively. It's kind of the reverse of what Mel and Ambessa have going on, you've got the diplomatic intrigue parent and the militarily minded daughter who wants to go further and absolutely will when you're not looking. And that's always been the thing with Jinx, if you give her any form of power, either a gun, a grenade, a rocket, or even magic she will take it and she will use it.
Right after this confrontation you have to defeat Jinx with the Power of Friednship or something (it's been a while). But even as put an end to the near calamity Jinx created there's at least one voice before it ends affirming Jinx's personhood.
It's weird honestly, Jinx didn't turn into vapor or anything, the story's pretty vague about what happens as you try to defeat her.
Well the novel's good when it's good anyway.
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it’s a selfish thought and arthur knows it because merlin has spent so much time hiding a vital part of his existence, his very being, all because of arthur. so he presses it down into the deepest recesses of himself and focuses on doing everything he can to support merlin, to give merlin the world he deserves. a world where he is free.
but sometimes, when he’s alone in his room surrounded by his endless responsibilities, he will think to himself, i am nothing.
merlin and the old religion hold him as this once and future king, but no matter what they say, he can’t understand why they think any of this is about him. it was never him. everything he’d done, every accomplishment and fight he’d won had never been his to claim. he was a fraud. he was a lonely king with nothing to his name beyond the blood on his hands, the blood staining his every crevice.
he isn’t the once and future king. he doesn’t deserve any of the praise. he is the moon, a piece of rock in the sky that shines only because of the sun. without the sun, the moon is worthless. without the sun, no one would have ever looked at the moon twice.
arthur had never been proud of his mistakes and his inaction when it came to his father’s slaughter, but he had been proud of the things he had done to keep his kingdom and his people safe and healthy and happy. he has fought and fought and fought only to discover he had never even landed a punch. every knockout, every victory he had held up to hide the ugly nothingness of his true, empty self was never his to hold. with the discovery of merlin’s magic, any worthiness he thought he’d earned had slipped through his fingers like sand through a sieve.
merlin is beautiful and powerful. merlin is a god amongst men, a gift given to this world, given to arthur, and for what?
this prophecy for arthur was always about merlin. he carried the weight, he fought and fought and fought and he won, merlin was the one who had carried this kingdom on his back until they reached the safety of the golden era of the current day.
it’s a selfish thought, to be thinking of himself in relation to merlin’s magic when merlin has suffered every single day because of arthur. and yet, in those moments, he can’t help but wonder why he was born at all, why he was named savior of a group of people who would’ve never died if only he had stayed unmade, a whisper of nothingness in his mother’s womb.
his first breath caused a massacre, a genocide, and yet he was given an angel and a title and a prophecy of greatness he could never actually fulfill.
he would never tell merlin about these thoughts he had. merlin would end up feeling guilty somehow, would carry the weight of arthur’s worthlessness even more by taking on the deserved revulsion arthur had for himself.
no, he couldn’t tell merlin about this. merlin would tell him he was wrong, would try to talk him up and fix it. would use that endless kindness to tell arthur endless stories about his own importance. merlin would shine his sunshine on arthur until arthur forgot he was just a lump of rock. he wouldn’t rest until arthur loved himself, until arthur took all the credit for merlin’s own accomplishments again.
no, he would keep this to himself. he would give merlin the attention and love he deserves. this story isn’t actually about arthur pendragon. it never was.
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