#and the main character must be flawless

[kitkatt0430]

it's always so weird to me when people discuss how Spuffy played out in S6 as if Spike were the only abusive one in that relationship.

He was abusive. But Buffy was also extremely abusive towards him too.

And while Spike only really knew abusive relationships anymore (Dru, Angelus... and now Buffy), Buffy knew that a relationship should be better than what they had - healthier. But she blamed Spike for being a monster when she was acting monstrous too. And while Buffy did the right thing by getting out of that relationship and is absolutely not to blame for Spike assaulting her in the bathroom...

That scene is the narrative end result of a relationship where it was firmly established as much by Buffy as by Spike that 'no' didn't mean 'no'.

It's a fascinating, if horrifying, look at how abusive relationships can be mutually abusive. And also why safe words and discussions about consent are really important.

But if you're ignoring the fact that Buffy was a perpetrator of abuse as well as a victim of it, then you're missing out on half the conversation about the season from the get go.

[ozzgin]

wtf HOW WAS ROMULUS OZZIE Hello??????? I CANT WAIT TO WATCH ITRTR i miss david 8 tho 😓😓 “you finger and i blow” ok gorgeous whatever you say

Ok ok, I let it sit overnight so I could formulate a less feral opinion. I'll do my best to be objective, though you should keep in mind that I'm very biased when it comes to the Alien franchise.

Alien: Romulus First Impressions

Plot. The movie takes place between Alien (1979) and Aliens (1986). If you've seen the old Alien movies, you will notice it follows the same formula: somewhat slow beginning, a grand reveal, a lot of high-stake escape attempts, shady android behavior, and the classic, speedy succession of plot twists where you think you're safe, only to be surprised the very next moment.

While this movie is meant to behave more like the pre-2000 releases, it does bring some novel elements, which, in my opinion, helped build its own authenticity. Additionally - and without spoiling you - it will involve its own Xenomorph variation. Fantastic idea, and I cannot believe it hasn't been done earlier.

The cast is a group of orphaned youngsters who want to escape their space mining colony. You're introduced to a dystopian, grimy world of overworked humans who've never seen the light of the sun. The main character, Rain, is accompanied by her "brother", Andy, an android programmed to take care of her after the death of her parents. Here's another aspect I enjoyed: an anxious, imperfect android who seems to display an emotional bond with his human.

Rain's friends discover a shipwreck which may contain enough sleeping pods to take them away from these unbearable conditions. Their plan is to sneak in, take the pods, and speed away to a more humane station while in cryosleep. The twist? It's not just any regular ship. They have stepped into the Romulus and Remus research station, operated by Weyland-Yutani, and haunted by yet another failed attempt to contain the Xenomorph horrors.

Characters. Let me tell you, this was a breath of fresh air. Prometheus and Covenant have left me rather skeptical when it comes to a competent cast, yet from the ashes of pathetic military personnel rose a bunch of kids who are built for survival. Rain reminded me so much of Ripley - extremely intelligent, efficient, and strong. Her friends are equally brave in the face of disaster. This was a 10/10 cast, and I'm so glad they finally found the balance between being terrified and still navigating the situation without catastrophic mistakes.

Visuals. The imagery was an absolute treat. They seamlessly combined modern special effects with throwback, retro detailing. The futuristic equipment and locations reminded me a lot of Alien: Isolation. Upon further research, it seems that the director was indeed inspired by the game! It made everything so nostalgic and immersive. The Xenomorph design was flawless as usual, involving a lot of body horror.

Audio. I am desperately waiting for the album to be released on Spotify, because the soundtracks were amazing. The music was composed by Benjamin Wallfisch, who seems to have rather big movie titles under his belt, such as It, and It: Chapter Two. Safe to say this man knows how to instil terror in you. They made sure to incorporate some of the classic pieces, then expanded on that. The alert beats reminded me of Covenant, while other tracks provided their own take on the story. The intro of the movie is aided by dissonant chanting in the background, hinting at the ancient, religious imagery used for the Xenomorphs.

Conclusion. Overall, I'd say this is a must-watch for any Alien fan. It is a tribute to the classic movies, but it still offers a brand-new take to the Alien Universe. The movie had some moments of complete silence - staying true to the "In space, no one can hear you scream" quote - and everyone in the cinema held their breaths. It will keep you on your toes.

[evilminji]

Okay, But, >.> Listen...

So MAYBE, just MAYBE, I am an incureable RoFan Isekai nerd. Shut up about it, maybe. What're you a cop? Mind your business. BUT! And hear me out...

W...What would actually? HAPPEN if Danny went into a Visual Novel? Some Otome game? You know, aside from being vague flustered by and then DEEPLY ALARMED by these walking Red Flag Fruitloops that girls are supposed to find "dreamy" or something?

Like we know how MMOs work for him. And probably OTHER open world games? But a visual novel? Would it be like the Christmas Episode? Would he hear narration? Be stuck in static "scenes"? Or would it be like a cut together "only the interesting parts" movie that he's somehow IN?

Like?? At SOME point his curiosity is gonna get the best of him. He's gonna want to know what different video games are LIKE on the inside? What's Pong like? Tetris? Mario? One of those Mama's cooking games? Etc etc.

He probably hits up a game sale. Buys a box or two. Figures he can always resell um or just give them away for free. Might even use them for parts. Who knows. And?

It's kinda cool!

It's even SCIENCE! See? Tucker's in charge of notes. Sam's in charge of hilarious commentary and pizza. Jazz is keeping them from drinking and doing ghost shit (terrible combination, we never speak of What Happened(tm) again). And the Dr's. Fenton got distracted by making fudge and debating what games should be counted towards which categories.

They've made an afternoon of it.

And NOW? They've reached the bottom of box one. It was "Survive The Villainess! My Rose for You!" Or... judging by Sam's climbing eyebrows and growing scowl? A DEEPLY unpleasant porn game about school girls.

You could not PAY him enough.

Yeah, he DOES realistically kinda want to know what happens.. if.. like? You know... sexy games... like would he? Or does he just WATCH or...? *awkward cough* But! That's NOT for Family Science Night! And DEFINITELY not THAT game, THANKS.

He'll find himself an ETHICALLY SOURCED smutty game full of consensual boning. For PRIVATE TIME. Those test results are gonna show up like MAGIC and we WILL NOT be talking about them! Got it? Good.

Now what the fuck is he look at here?

Jazz is surprisingly knowledgeable. They are not allowed to ask. They respect it. The main character "wakes up" inside the body of a "villainess" and must survive. Turn her terrible reputation around. Avoid "death flags". Preferably romance one of the hot guys?

Uuuuuuuh... you realize Danny's in a committed relationship, right?

Sam and Turker allow it. But they reserve the right to blast his taste in Fantasy Guy's. Chose carefully, for their roasting shall be BRUTAL. Luuuuuv yoooou~♡

He wants a divorce. They're not even MARRIED and he wants a divorce. You see how they mock him, Jazz? The cruelty he suffers? He's taking the Blobs and moving to Frightknight's. They always warned him about you living folks and your fast ways, but he didn't listen! *continued dramatics* *is smacked with a pillow*

But actually going IN? The weirdly, vaguely European over the top EVERYTHING? Giant jewels and ridiculous, fancy dresses? The walking red flag Romantic Archtype Leads? He wants to PUNCH half these guys! This is ABUSE! Are people OKAY!?

Like? I feel like he'd stay way, WAY longer then he needed too? Just out of morbid curiosity? W-where is this plot GOING? It's so dramatic. Why is my dress MORE dramatic now? Why is everything so... Sparkly.

It would be? AMAZING and baffling and I would pay real money to hear their live commentary. "Why not simply judo flip the crown prince off the balcony, then take over the country, sweetie?" "Solid plan, honey! He deserves it!" Beautiful. Flawless. Sage advice really. Too bad Danny can barely walk in his five million bows dress.

It's the BEST Au and I might be a genius. Or deeply sleep deprived. Meh. We'll 50/50 it, six of one, half a dozen of another.

@hdgnj @ailithnight @nerdpoe @the-witchhunter

[boldlyexplorational]

I know you all know this scene, but what if I told you: It's not as gay as it looks?

But wait! It still makes a great point for Spirk, the episode and Kirk's character. Ok hear me out:

When Spock enters the room he's surprised and confused. Some (me included), watching this for the first time, immediately identified his reaction as Gay Panic. Which is not all wrong. Then the whole exchange sounds like the incipit of an adult movie ... But then I thought about it, tried to contextualize the scene.

Imagine a colleague calls you at work to tell you your boss is acting really strange, drinking on the job, even. They ask you to go check on them and you go to your boss' office to find them there, half naked. This is the first time you see their nipples. And he's talking all low and acting gentle while they're usually loud and commending. You would probably register this as strange behavior as well.

This is what is happening to Spock here.

So I think his actual main sentiment there is surprise because the Captain is showing himself in a very vulnerable state. Even if Kirk and Spock consider each close friends, Spock makes a point of reminding Kirk how important it is that he appears as flawless, strong and decisive as possible in front of the crew to maintain control. And Spock doesn't feel exempted from this. But apparently suddenly he is? Something is wrong.

Of course we know that that shirtless guy is Soft Kirk (as opposed to Feral Kirk) the most gentle and vulnerable version of the Captain, that's the reason why he didn't think he needed to put his shirt back on to receive his first officer in his room.

To the audience this scene should be the equivalent of the violent scene with Janice. The one with Janice shows us the true dangers of Feral Kirk, the one with Spock is meant to make us understand that the other Kirk is not just "real Kirk" but "Soft Kirk". We should also be surprised that Kirk is letting someone see him in such a casual, informal state. Kirk would never.

But we're not, surprised, because we're biased by our own idea of Spock and Kirk being very close, and even the scene being slightly sexually charged because of nudity. In 2024 we see a lot of naked man chests every day, and if we are open minded enough we can see homoerotic subtext in a man being exposed to the sight of another man's bare chest. But at that time I have to assume it was much more unusual, so it carried a completely different meaning in context: it's not one of those times where one may say "if Spock were a woman in that scene, there would be no doubt about the implied attraction in there"

A woman would never be put in that situation, it would have been improper exactly because if it's a woman it implies sexual tension (which is not the point, because Soft Kirk is not sexual, Feral Kirk is). But this scene between men is, by society perception at the time, devoid of sexual undertones because two men could never be implied to be attracted to each other in that circumstances. Because gay isn't an option to begin with.

It's pretty ironic of course how a lot of people weren't actually thinking like that and went like "these guys are about to kiss on the mouth". Because proper society said "no homo" but the fangirlies had other ideas. And it's fascinating how on the end this appeared to be a revelatory experience for Kirk, who then must have discovered he actually had no problem being half naked in front of Spock. So much so that he seems to punctually wait to be shirtless before calling Spock on the videophone.

So in the end this scene, which I believe had a totally different purpose than the way it is perceived today, actually triggered a new level of intimacy between Kirk and Spock, which led to that landslide that's their peculiar... one might say queer, lifelong bond

[yardsards]

This is why I refuse to watch/read delicious in dungeon. The entire thing gives me fatphobic vibes.

see the premise as a whole is actually very body positive (i myself had similar worries that a story about eating "healthy" would rely on fatphobic ideas of "healthy", but was pleasantly surprised). like, its approach to "healthy" is "make sure you're eating enough of everything so that your body has enough fuel. make sure you're resting enough and not overworking." rather than "you must not eat The Bad Junk Food." (like, there's one part early on where they're like "oh, we've eaten too much vegetables and lean meat, we need to eat more fat" so they search for fatty meat and eggs. and then later they eat deep fried food and no one is ever like "oh no, this is too fattening" they're just like "wow this is great it's so crispy and tasty")

and the core message of it all is just like "your body is a part of you, and is the part of you that allows you to do things and reach your goals. don't treat it like a burden or an afterthought." and the series has had a positive impact on the way i view and treat my body

and overall, it's better than a lot of other popular anime series in terms of representing realistic and diverse body types. our two human (or "tallman" as they're called in-universe) main characters, laios and falin, are not super skinny, with no wasp waist or shrink-wrapped abs. i would not consider either of them fat in canon, but they're still fatter than your average popular anime character. certain races like dwarves and orcs are just naturally stout, and are never treated as being unhealthy or unattractive because of their weight. fatness is said to be a respected trait among adventurers, as a sign that you're good at survival and can safely recover from injuries.

however. the show has a few small things that make me raise my eyebrows. one or two iffy offhand comments (glaring at you, That One Conversation about laios's hunger near the end) that in most media i'd just be like "sighhh, normalized societal fatphobia strikes again, as expected." but for this series it's like "god damn it, i expected better from you."

and some things about how body types between fantasy races are handled leaves something to be desired for me. like yeah dwarves are all stocky, but also elves are all slender. it makes sense for the different fantasy races to have different *average* body types, but i wish we got to see more variation from those averages between individuals.

(also, i can fully understand praising laios and falin's canon body types! even medium body types are underrepresented in most media and it's good to see more of them! but calling them *fat* representation just feels inaccurate to me)

it's just like. dungeon meshi is GOOD in terms of body positivity and representation, but it's not PERFECT.

like, i love this show/manga (if you couldn't tell from the content of my blog)

mostly i voice my complaints bc like. i'm tired of tumblr getting it's hands on a piece of media that is good and generally progressive and acting like the media is *perfect*. and then proceeding to treat anyone who points out things the media could have done better as if they personally slayed your firstborn. (and then, months later, after the hype dies down, realize that some of that criticism was actually very valid, and then violently knock the piece of media down from its pedestal. and act like everyone involved in the media's creation are irredeemable scum and that anyone who still likes it should be ashamed)

so yeah, funny dungeon show good, and i strongly recommend it if you like fantasy stories and food and worldbuilding, just don't expect it to be a flawless paragon of representation and fat positivity

(also take everything i say here with a grain of salt bc i myself am thin, i just care a lot about representation in media and body acceptance and dismantling fatphobia)

[rippleberries]

I'm 99% sure this is the role that got Jeffrey Combs cast as Herbert West.

He frequently tells the story that a casting director approached him for the role after seeing him perform a similar character in a play. Based on the date of this article and the description and appearance of Jeffrey's character, this must be it.

LA Weekly [Los Angeles, CA], 13, September 1984, p. 114

[BEGIN IMAGE TRANSCRIPTION]

PICK OF THE WEEK

PVT. WARS

James McClure's play about three men in a veterans' hospital receives a near- flawless production under John C. Fletcher's impeccable direction. Though the play's three characters are survivors of Vietnam, this story has nothing to say about that war, or even about the nature of man and his military, other than the vague sanctioning of an individual's right to fight "private wars" of conscience. Rather, the emphasis is upon one of theater's most enduring situations, the heterosexual male triangle. Woodruff Gately is a hick grunt who now spends his time putting together a radio while two other patients vie for his attention and loyalty: Silvio, an Italian-American emasculated by shrapnel, and Natwick, a prissy rich kid hated by everyone but the affable Gately. Silvio's main form of recreation is flashing his nonexistent genitals to the nurses; Natwick's grasping for poetry leads him to a pathetic evening of failed suicide attempts. Both men make Gately's task infinitely more difficult by secretly stealing pieces from his radio, partly to assert their "superiority" over him, partly to insure his stay at the hospital.

Originally written as a one-act, McClure has expanded - and somewhat overextended - his play to two acts, using a lot of blackouts that fail to tighten the dramatic thread as they progress. It's a simple script with a pat metaphor (the radio as Gately's attempt to construct order in a fragmented world), but with enough. sincerity and concern for its characters to overcome its deficiencies. Gregory Grove is touching without being sappy as Gately, Tony Campisi wonderfully vulnerable as the blustering Silvio, and Jeffery Combs is perfectly brittle as the unpopular prig Natwick. Together the three reveal moments that are both refreshingly sad and funny in their depiction of men whose overriding need is to be heard by other men. Zephyr Theater, 7456 Melrose Ave., W. Hlywd.; Thurs.-Sun., 8 p.m.; thru Oct. 7. Call 851-3771. -Steven Mikulan

[END IMAGE TRANSCRIPTION]

[deliciousangelfestival]

Tears In His Ferrari || Chp 8

Character: Bucky Barnes x Farmer!Reader

Summary: Bucky Barnes, used to a life of luxury, takes on farm challenges in a bet with his father. Mud-stained Ferraris and a rustic farmhouse lead to unexpected personal growth, guided by the stern mentorship of Y/N, a farmer making his city-boy life difficult.

Theme: Fluff, Slice of Life, Heart-Warming.

Main Masterlist || If you enjoy my work, please consider buying me a coffee on: Ko-fi 🙏🏻

Thank you to anyone who gave a like, reblog, and left a comment. It motivated me to write more. 

Chapters: Chp 1, Chp 2, Chp 3 , Chp 4 , Chp 5 , Chp 6 , Chp 7 , Chp 8 , Chp 9 , Chp 10 , Chp 11 , Chp 12.

Kate cautiously stepped into Bucky's house, expecting a picturesque country residence. However, the reality was far from her imagination. The old-fashioned appearance of the house and the lack of modern amenities surprised her.

As she hesitantly explored, a sudden sensation tickled her feet, prompting her to let out a startled scream. To her surprise, it was Archie, Bucky's puppy, licking her shoes. Bucky, equally surprised by Kate's reaction, quickly intervened, "Hey buddy, are you hungry?"

The small, fluffy dog responded with an enthusiastic "Woof." Witnessing Bucky's affection for the little pup, Kate felt compelled to maintain her image as an animal lover, despite her true feelings.

Apologizing for the interruption, Kate approached Archie, attempting to pet him. However, the seemingly docile pup suddenly growled at her. "Grrrr..."

Bucky quickly reprimanded Archie, "Archie, stop it. I'm sorry, Kate. He must be hungry."

Kate, trying to downplay the situation, suggested, "No worries. Perhaps he's just scared because of my long nails. I'll cut them later."

Bucky, feeling guilty, replied, "No, you don't have to. It's not because of your nails." He didn't want Kate to go through the trouble of adjusting her appearance for Archie.

Bucky, observing Archie's unusual behavior, was taken aback. Archie had never growled at anyone before, not even at Alpine, the gentle horse.

It seemed like the little puppy sensed something different about Kate that made him uneasy. Bucky couldn't help but feel puzzled by Archie's atypical reaction.

Bucky, still taken aback by Kate's unexpected visit, gathered the courage to ask her how she found him. Kate, choosing to omit the fact that she interrogated everyone until Steve spilled the information, simply mentioned that she had been following Bucky's vlog and decided to join him.

Feeling a sense of embarrassment about the simplicity of his living conditions, Bucky hesitated, "I didn't expect anyone to find me here. This place is not exactly suitable for—"

Kate quickly interjected, trying to be humble, "Oh, don't worry, Bucky. It's a charming little farm. Luckily, there's a vacation home in the area, and my assistant has booked it for me."

Relieved, Bucky chuckled nervously, "Well, that's good to know. But farming is not as glamorous as it looks in the vlog. It's hard work."

Kate, undeterred, smiled confidently, "I'm up for the challenge. I want to experience it for myself."

Both surprised and impressed by Kate's determination, Bucky agreed, "Sure, you can join. Just be prepared—it's not as easy as it seems in the videos."

As Kate woke up the next day, she grumbled and instructed her assistant to prepare sunscreen promptly. The sun mustn't ruin her flawless skin.

She continued complaining about the food, exhibiting the opposite of the image her P.R. team had carefully crafted – that of a friendly and humble supermodel.

Kate hails from a wealthy family, and her spoiled nature becomes increasingly evident. Her assistant could only roll her eyes discreetly, well aware of the stark contrast between the public persona and the true character of the woman she served.

Kate's arrival at the farm couldn't have come at a less ideal moment – Bucky was deeply engrossed in the care of the cows, and the pungent smell filled the air. While Bucky had long grown accustomed to the farm's unique aromas, Kate found herself less appreciative.

Unaware of Kate's reservations, Bucky continued his farm duties, accompanied by Toby, who diligently recorded the day's activities.

During the live stream, Bucky dropped a startling fact, "Did you know a lot of people are killed by cows every year?" The unexpected revelation prompted a flurry of reactions and comments from the intrigued viewers.

As Kate approached, Bucky, ever the showman, pivoted to include her in the camera frame. The viewers were in for a treat – witnessing the supermodel stepping into the rustic world of Bucky's farm. The comment section erupted with excitement, questions, and exclamations, creating a lively interaction among the audience.

Amidst the commentary flood in the live chat, Bucky seized the opportunity to engage both Kate and the viewers. With a mischievous grin, he turned to Kate and said, "Looks like you've brought a whole new audience to the farm, Kate. What do you think about being a part of my little farming world?"

Kate, ever adaptable, replied with a good-natured smile, "Well, Bucky, it's definitely a change from the runway, but I'm up for the challenge. Who knew farming could be so intriguing?"

The viewers, fueled by excitement, bombarded the chat:

Viewer1: "Kate, what brought you to Bucky's farm? Spill the beans!"

Viewer2: "Bucky, you're living the dream – supermodel on the farm, that's wild!"

Bucky laughed, enjoying the banter, "Well, folks, Kate here wanted a taste of the 'farmer's life,' and here she is. Any questions for our glamorous guest?"

The questions poured in:

Viewer 3: "Kate, are you planning to start your own farm now?"

Kate chuckled, "I don't know about that, but let's see what Bucky has in store for me today."

As the trio gathered for lunch, the farm's usual serenity was interrupted by the sound of hooves approaching. Y/N appeared, her horse bringing her gracefully to the scene. Bucky, ever the courteous host, welcomed her with a warm smile, "Hey, Y/N! Perfect timing. Lunch is served."

Y/N, unimpressed by the attention, Y/N simply nodded, "My mother insisted. Hope you enjoy it."

Bucky introduced Kate, "Y/N, meet Kate. She's joining us on the farm today."

Kate extended a hand, masking her competitiveness with a friendly facade, "Hi, Y/N. Bucky's been showing me the ropes. Your farm is quite charming."

Y/N responded curtly, "Glad you think so. Enjoy your lunch," before returning her attention to Bucky.

Y/N couldn't help but suppress a laugh as she observed Kate's childish antics. There was a striking resemblance between Kate's behavior and someone Y/N knew well.

During the meal, Kate subtly tried to assert her connection with Bucky, linking arms and sharing laughs. Y/N, however, maintained an air of indifference, unswayed by the orchestrated display.

Meanwhile, Bucky focused on showcasing the meal prepared by Y/N. "Folks, today we've got Y/N's special: homemade chicken pot pie. It's become a fan favorite around here."

While eating, Bucky turns off the live streaming. Kate tried to help him by giving him ideas to make his livestream more viewers, "Here's what I was thinking," Kate began, "we could turn part of the farm into a runway for a fashion show. It would be a unique blend of agriculture and high fashion."

Bucky, trying to process the idea, raised an eyebrow, "A runway on a farm? Is that even practical?"

Y/N, not one to mince words, deadpanned, "That's the most amazing bullshit idea I've ever heard."

Toby, who happened to be taking a sip of his drink, burst into laughter, nearly choking on his beverage.

Bucky, caught between politeness and practicality, tried to salvage the situation, "Well, it's not that bad, Y/N."

Kate, however, felt a mix of embarrassment and a chill running down her spine. Y/N's sarcastic remark had a familiar ring reminiscent of the authoritative tone her father often used.

As Kate pondered Y/N's sarcastic comment and the striking familiarity of her father's authoritative tone, another puzzle piece fell into place when she recalled the food Y/N had prepared.

The taste was uncannily similar to the exquisite dishes Kate had experienced in 3-star Michelin restaurants.

It baffled Kate.

How could a farm girl, someone seemingly detached from the glamour of city life, possess culinary skills rivaling those of high-end chefs?

Author Note:

Hey friends,

If you've been enjoying the content, I've set up a Ko-fi account. Your support through tips would mean the world and help me keep creating. Only if you feel like it!

Here's the link: Ko-fi

Thanks a bunch for being fabulous followers!

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Hey everyone! 🌟 Your input means the world to me.

If you've got any cool ideas or prompts, whether for this fluff series or any other series, feel free to share them with me!

Just drop them in my ASK/SEND REQUEST box.

Can't wait to hear your awesome suggestions! 🚀💬

[throwaway-yandere]

𝙼𝙰𝚂𝚃𝙴𝚁𝙻𝙸𝚂𝚃:

"–ℌ𝔢 𝔴𝔥𝔬 𝔣𝔦𝔤𝔥𝔱𝔰 𝔱𝔬𝔬 𝔩𝔬𝔫𝔤 𝔞𝔤𝔞𝔦𝔫𝔰𝔱 𝔡𝔯𝔞𝔤𝔬𝔫𝔰 𝔟𝔢𝔠𝔬𝔪𝔢𝔰 𝔞 𝔡𝔯𝔞𝔤𝔬𝔫 𝔥𝔦𝔪𝔰𝔢𝔩𝔣; 𝔞𝔫𝔡 𝔦𝔣 𝔶𝔬𝔲 𝔤𝔞𝔷𝔢 𝔱𝔬𝔬 𝔩𝔬𝔫𝔤 𝔦𝔫𝔱𝔬 𝔱𝔥𝔢 𝔞𝔟𝔶𝔰𝔰, 𝔱𝔥𝔢 𝔞𝔟𝔶𝔰𝔰 𝔴𝔦𝔩𝔩 𝔤𝔞𝔷𝔢 𝔦𝔫𝔱𝔬 𝔶𝔬𝔲. 𝔅𝔲𝔱 𝔶𝔬𝔲 𝔨𝔫𝔬𝔴 𝔱𝔥𝔞𝔱 𝔴𝔢𝔩𝔩, 𝔡𝔬𝔫'𝔱 𝔶𝔬𝔲, 𝔪𝔶 𝔟𝔢𝔩𝔬𝔳𝔢𝔡 𝔬𝔲𝔯𝔬𝔟𝔬𝔯𝔬𝔰?"

GENSHIN IMPACT

MONDSTADT:

Albedo:

"No." (Professor!Albedo/Student!Reader)

Diluc Ragnvindr:

Dinner With Steaks and Flowers

His Closest Childhood Friend (Soldier, Poet, King)

"O Capo! My Capo!" (debut: chapter 2)

Not Through The Grapevine (yandere!idol event)

I Got Reincarnated As A Server NPC In An Otome Game But A Capture Target Won’t Leave Me Alone 

Kaeya Alberich:

ESTHER (yandere!idol event)

Maid!Merman!Kaeya drabble

"Venti":

Hysteric Humanoid (SAGAU)

LIYUE:

"Zhongli":

Waking Up A Lying Dragon (Bakunawa!Reader)

"If the pedestal is beautiful, then the statue must be even more beautiful."

Xiao:

Wound Dressings (yan!idol event)

Yanfei

Quick yan!fei (lol) brainrot

INAZUMA:

Arataki "Numero Uno" Itto:

Hana Yori Dango (non!yandere itto)

Of Dream A-Dreaming (yandere!idol event)

Kaedehara Kazuha

Flawless

Kamisato Ayato:

Blind Obedience (P2: A Myriad of Fallen Leaves)

Careful, He Bites (P2: Hana Yori Dango) 

Ghost in the Kamisato Estate (minific series)

EDMR (yandere!idol event)

ERROR 401: GONE (Faceless!Ayato)

Faceless Ayato thoughts 1,

The Owner Who Broke The Leash (Chainsaw Man au with Ayato as Makima)

Raiden Ei:

Sunshowers

Thoma:

His Adorable Pen Pal (Soldier, Poet, King)

Shikanoin Heizou

Posteriori (yandere!idol event)

SUMERU:

Alhaitham:

Vision Qualifications

Worksheets 

"O Capo! My Capo!" (Mafia au series)

Alhaitham's Type (yandere!idol event)

Alhaitham selling his soul to a devil!reader brainrot

Dendro NA: 101 (Can be read as VQ’s p2)

Flawless

Cyno:

"O Capo! My Capo!" (Mafia au series)

Alone Together (yandere!idol event)

Dottore:

Click & Drag drabble (feat Cyno)

Classical Conditioning

"Aren't You Supposed To Hate Me?" (yandere!idol event)

Tighnari:

Creative Differences (check "#tag: cd - tighnari" for additional headcanons)

"O Capo! My Capo!!" (Mafia au series)

The Boar Prince/ss (non-yandere secret santa event)

Kaveh:

Paint (non!yandere kaveh, just fluff)

Canvas (drabble)

Flawless

His Version of You

Short boyfriend!kaveh drabble on OCMC/Mafia setting

Wanderer:

Apotheosis Upon Your First Feast

Scarborough Fair/Canticle (Prince au)

Flawless

Drabble: Prince Scara x Farmer

FOUNTAINE:

Neuvillette:

Death Has No Dignity

Wriothesley:

And The Sun Is Silent

SNEZHNAYA/FATUI:

Childe/Tartaglia/Ajax:

His Ice Fishing Buddy (Soldier, Poet, King)

Comfort (drabble)

Pantalone:

Apotheosis Upon Your First Feast

OUTLANDERS/KHAENRIAH'NS:

Aether:

Hysteric Humanoid (SAGAU)

Dainsleif, my beloved:

Hysteric Humanoid

Ouroboros, The 8th Capo (OC!MC!)

Estella's Modern!Dain x Reader but I made it yandere lmao (dw it's my irl bestie)

"If You Truly Loved Me, You Should Be Dead" (hitman!dain, my husband.)

Dolce Stil Nuovo

Lumine:

Hysteric Humanoid

𝐒𝐄𝐑𝐈𝐄𝐒

SOLDIER, POET, KING

"What if Varka's cousin found 3 different secret admirers?"

"Someone like that getting admirers? As if."

Parts:

His Ice Fishing Buddy, His Adorable Pen Pal, His Closest Childhood Friend

HYSTERIC HUMANOID

"Even today, don't give up on a human heart; claim it even if it hurts." - ALKALOID

A SAGAU fic where The Creator had turned into an amnesiac who believed they're a mere impostor with a knack for gravity manipulation and not much else. And it appears that both Lumine and Dainsleif would stop at nothing to get you on their side.

Chapters, Side Stories & Their Main Focus Characters:

♦ Prologue: The Longest Devout Believers - Dainsleif, Lumine, Venti, and Kaeya

♦ Chapter 1: 500 Year Long Identity Crisis - Baizhu, Dainsleif, Lumine

♦ Drabble 1: How would they celebrate your birthday/The Creator's anniversary? - Dainsleif, Lumine, Baizhu, Venti, Kaeya, Zhongli, Ayaka

♦ Chapter 2: A Contract Long Overdue (WIP) - Zhongli, Dainsleif, Kaeya

"O CAPO! MY CAPO!"

Set in visionless 1920s Teyvat, three inconspicuous yet significant men began to spy on the Fatui's 8th Capo: (Y/n) (L/n). The story begins when the Innamorati Familia's headquarters burns down and in a twist of fate, to say that you've been dealt with an awful hand would be the understatement of the decade. Can you survive– most importantly– can you make the right choices? ((Welcome to the interactive mafia au fic! Have fun voting on the polls!!!))

Otome Game Main Love Interests:

Inquisitor Cyno, Informant Tighnari, Underboss Alhaitham, (CURRENTLY LOCKED: Church Architect Kaveh)

Secret Routes:

Visconti Diluc, "Venti" (LOCKED), ??? (LOCKED), ???, ???, ???

Chapters:

1: "O Capo! My Capo!"

2: The Capo's Soliloquy 

Bad End 1: "You're Collei's Friend, After All!"

3: The Fox Hunt (Tuqburni)

BRAND NEW ARCHON (Chapter 1-3 animatic)

Short bf!Kaveh drabble (not "canon)

"My Beloved Producer..." (GENSHIN IDOL AU)

Masterlist

NOTE: CHECK YOUR COMMUNITY LABEL SETTINGS AND TURN OFF FILTERS IF THE MASTERLIST LINK WON'T WORK. Tumblr must've thought I wrote something explicit (in a masterlist???) and tagged it as mature :///

Flawless

Aka: my last fanfic featuring Scaramouche, Alhaitham, Kaveh, and Kazuha. A fanfic-game with 4 branching endings.

Premise: You're stuck in a killing game inside your dream school. It started with 16 students– and now you're left with only 6 of them. Senior Faruzan was murdered. Who is the culprit among these 5 people?

Link

FIRE EMBLEM: THREE HOUSES

BLUE LIONS:

Dimitri Alexandre Blaiddyd: (my fave fictional man of all time)

Saudade

ps: he's your underboss in "O Capo! My Capo!" lol

BLACK EAGLES:

(coming soon...)

GOLDEN DEER:

(coming soon...)

GARREG MACH MONASTERY:

(coming soon...)

HONKAI: STAR RAIL

ASTRAL EXPRESS:

(coming soon...)

JARILO VI:

Gepard Landau

What Happened At 10:10 (has 2 endings. Won't link it, reach the end of the story in your own way.)

XIANZHOU LUOFU:

Jing Yuan

Misaligned Strings (non-yandere, pure fluff & angst)

IPC

Dr. Veritas Ratio

His Version of You

PENACONY

Sunday

Cannibal!Sunday HCs

"ℑ'𝔡 𝔤𝔩𝔞𝔡𝔩𝔶 𝔣𝔬𝔩𝔩𝔬𝔴 𝔶𝔬𝔲 𝔱𝔬 𝔱𝔥𝔢 𝔢𝔫𝔡 𝔬𝔣 𝔱𝔥𝔢 𝔴𝔬𝔯𝔩𝔡."

"𝔟𝔲𝔱 𝔪𝔶 𝔟𝔢𝔩𝔬𝔳𝔢𝔡, 𝔱𝔥𝔢𝔯𝔢 𝔦𝔰 𝔫𝔬 𝔢𝔫𝔡. 𝔴𝔥𝔞𝔱 𝔶𝔬𝔲'𝔯𝔢 𝔠𝔥𝔞𝔰𝔦𝔫𝔤 𝔞𝔣𝔱𝔢𝔯 𝔦𝔰 𝔶𝔬𝔲𝔯 𝔬𝔴𝔫 𝔱𝔞𝔦𝔩."

[sgiandubh]

Jottings: Season 7, episode 8. Just fucking try me

By TPTB's Sovereign Decree, this season is - as we all know - split in two, which proved to be at the same time abysmally disrespectful to ***'s subscribers, frustrating - to say the least- to Netflixers, but involuntarily prescient, given the current SAG-AFTRA stalemate. The protracted strike scenario (still a possibility) would have truly flunked OL, drowning it in a sea of irrelevance and effectively making all promo impossible. So, let us count our blessings and bide our time: it ain't over till the fat lady sings. For the time being, we are still haunted by Sinéad's moving huskiness. For the sake of speculation only, I wonder if they are going to stick with this option until the official end of Season 7, as an homage of sorts. Or promote somebody else, while time and space are still available to do so.

You are definitely going to need tissues for this one. And any random type of your favorite comfort food. It is intense. It is almost impeccable. SS & RR sketches are tolerably short. S is supercalifragilistic. C is giving it her all and she is just perfect. And all the rest are flawless. So, pardon the sarcasm deficit and perhaps also my less fluid quill: you surely know, by now, my struggle with encomium is real.

The bonnie wee swordsman moment immediately brought to this book outsider's mind the exceptional fanfic author on AO3. So, if you still missed Flood My Mornings, by some obscure glitch in the Matrix, do give it a try. It is one of my top 3 , with #1 being @zeya-zg's TRS (it packs a punch, takes great risks and does so with grace). And yes - blasphemy ensues - the swordsman's fic is simply better than Herself in so, so many ways. A good starting point for a Droughtlander of undetermined amplitude (what in the name of hoo-ha is 'the story continues next year' supposed to mean?), for example. But I digress.

With Saratoga 2.0 in plain, inevitable sight, I incorrectly presumed we would see the blue light mojo - is it in Bees...? more plausibly so - and I am glad C saved JAMMF's finger. My sick mind did try to imagine a mutilated limb at some point in time, failed to do so and had to reboot entirely. I am grateful to the writer for having spared me a potential ordeal, in this respect. I am, however, less grateful to the same writer for butchering up to the point of no return the very delicate scene between Rachel Hunter and Young Ian, who initially fail to get their (impossibly to reach) bearings. It feels contrived at first, reads as injudicious as trying to become proficient in Thai after spending three hours on Duolinguo and jumps on the storyline's windshield out of virtually nowhere. The main weak point of this season (spare SS/RR's endless death row sojourn) has to be the blatant injustice done by the writers to characters I wanted to see and hear more of: the Hunter siblings, Buck Mackenzie and yes, William himself.

Speaking of William, there is an epic but fleeting moment outside Simon Fraser's tent, just after Jamie gives him his tricorn hat, that made me wonder out loud. Who are you, first and foremost, Ellesmere: a courtier? a soldier? a son? All three avatars briefly cross his face and if that is not prowess, I don't know what is. Enthusiastic kudos, again.

Cynical, lunatic, despicable me ugly cried three times in a row. Laudanum. Simon Fraser. The Scottish shores. That is a lot for one single intake.

Spoiler: I must have eaten something that disagreed with me. For such an inconsistent character, Simon Fraser saved his soul with this intense, dignified and subdued moment. There is something akin to a Roman deathbed scene one could perhaps find in Tacitus' Histories, essentially thanks to S's perfectly mastered gravitas. So yes, you can cry for the sudden demise of a secondary character you had no sympathy for and on top of that be surprised by your own tears.

A death that proves instrumental for their return to Scotland. And maybe it is time we acknowledge the simple fact that Scotland never really was just a trope of all this intricate narrative scaffolding, but a character in its own right. It is alive and it prompts the kind of raw, irrational emotions able to make your tears well up all the same in Bilbao, in Vancouver, in Seattle, in Athens or in Cairo. And it doesn't matter if you could not place Inverness on a map before finding out that well, people do disappear all the time, or if you were haunted since forever by majestic visions of glens & lochs. You will fall and you will fall hard, despite all the misgivings and the shortcomings, of which there are many.

We leave them teary-eyed on a boat sailing near the Scottish shores. It is a carefully chosen and very effective parting moment. Overall, this was an excellent half-season, if you chose to ignore Mordor's endless, reckless and soulless bitching. I sometimes wish for all these people to suddenly develop an interest for origami or find another obsessable rookie duo or simply try to be happy on their own. Nothing more, but nothing less.

This Droughtlander will be a massive pain in the rear. Mark me. And I am finally allowed to hope for better sleep patterns. But hey, no regrets: it was worth it, always is. They are worth it. A lot.

Gif choice could only involve a ship. Credit given to @avasetocallmyown. Very elegant :)

[amymbona]

I think that people who hate on the Challengers main three really forget that no human is perfect, that people are flawed and you can't expect everyone to always make the best decision.

As much as it may offend someone, you can't always be the good guy. People tend to overreact or act irrationally when something crashes with their plans or just causes some issues. I myself am very aware of this and know I am a bitch in certain situations, that I have hurt some people before or done something that may not have been the best decision at the moment. But things happen, have happened and as much as you regret something, you can't really change your decision.

Tashi, who's probably the most hated out of the three (which is really fucking odd, considering that she's literally the main character of the movie), has gone through something really fucking hard. She lost her whole goddamn career, the thing that was her fuel, the main purpose of her life, and she never even made the decision to end it. It simply ended mid way, before she could become the world champion and call herself the best. She was so young and healthy and successful and then lost it all because of one goddamn injury.

It's obvious that at first she blamed Patrick because of their argument before that match. She must have been so fucking stressed not to see her boyfriend at the match, knowing that he's gonna be gone for the next few months. At that moment, she needed to blame someone and Patrick was the right one. Though I agree it was unfair that she was that rude to him in 2019 too, but then again when I think about it, the interaction probably reminded her of the injury once again. But then, when she slept with him, in my eyes it was because he reminded her of the peak of tennis. Because he was better than Art. And the better the tennis is, the more Tashi is tempted to grasp it.

Patrick, poor guy, is seen as this sex obsessed bad boy who only find pleasure in fucking women. And while his movie personality is concerned about those things, he is much more. I believe he really genuinely loved both Tashi and Art and then when they left him found himself totally lost. They were his compass, his safe space, each of them offering something different but something he very much needed. He was hurt by them too, first Tashi after Atlanta 2011 when she just went on living with Art, and then when he hoped she'd fuck him in his car in 2019, but she only did it to save her marriage with Art. (That's also why I believed she truly loved Art. I think she wanted to sleep with Patrick at that time, but she could have done it without asking Patrick to lose.) And then by Art, in the sauna, telling him he doesn't matter. It's obvious that Patrick was seeking revenge against Art, hrnce performing the ball gesture during the final match.

In my opinion, Patrick is the most "innocent" one, having not sinned as much. But he's not flawless either. Using his tinder dates to find a place to sleep, flirting with women to earn what he needs. As I'm writing this, honestly, I can't think of many more bad things that he's done. And that only shows the dishonesty, how we were almost showed that he is the bad guy, only because two successful people have decided that they hate him. What happened wasn't really his fault, but the mutual hate he received from Art and Tashi convinced us as well that he deserved it.

Art is honestly a bit of bitch, too victimized and babied, but then again on the other side, he's the prime example of someone who stands up for himself and then gets hated for it. He got too fed up with his own best friend for constantly casting a shadow over him. Went so fucking far to spread rumors over Patrick, how he's a womanizer and all that stuff, just to eventually play the good guy with Tashi, take care of her and then marry his way into her life. (He went a bit overboard with that, but good fucking job, plotting such a thing.) Poor Art, people say, how Tashi responds that she knows to the fact that he loves her. But once I read somewhere that she responded this way because she was aware that Art can't really verbally display his feelings, and she just wanted to make sure that she knows he loves her. And that's what I believe.

It's obvious that Art fell into depression, the combination of his injury and non fulfilling tennis career. This probably caused him to be almdor indifferent, perhaps rude and bitchy too Tashi, getting fed up with the career he has built for her. Oh, he definitely loved tennis, I'm sure of it, but not as much as Tashi did. And because he loved her, he allowed her to mold him into her good tennis boy. But he was a human with free will too, and didn't really need to ask for Tashi's approval, despite her being his coach. Doing all that back arch, sad expression thing, he was just trying to manipulate her to feel bad for him, probably a form of self defense or response caused by his depression. Again, not a flawless human.

All three of them lost something. Tashi lost tennis, her biggest passion. Patrick lost Art and Tashi, the people be loved. Art lost all the enjoyment of life, becoming miserable. Many things have caused them to behave the way they behaved and showed us that nobody can be fucking perfect, that sometimes people just are bitchy and you really can't find them being all sunshine and rainbows. But we also know that all three of them are tender, capable of love and giggles, we know that they can be nice and kind and loving and that's okay too. People are colourful and full of emotions, each one of them different and made not to be perfect.

[ser3nityst4r]

Vil’s Backstory

The scent of lavender and chamomile hung in the air, a sharp contrast to the bitter taste of disappointment that settled in Vil's throat. He slumped against the worn velvet curtains, the stage lights casting long shadows on his face. He had done it again. Another audition, another villain role. Vil, the boy who dreamt of standing under the spotlight for longer than anyone else, was perpetually confined to the shadows.

His father, a man of gentle wisdom and calm demeanor, had always reassured him. "Vil," he'd said, "a villain is a special role that requires a particular kind of brilliance. It takes a certain je ne sais quoi to embody the darkness." But even his father's words couldn't assuage the sting of rejection.

Vil had dedicated his entire life to perfection - a perfection that was defined by beauty. From the tender age of five, he had endured grueling training regimens, enduring painful treatments to achieve the ideal appearance. He had sacrificed his childhood, his carefree days spent honing his skills, chasing the illusion of a flawless visage.

But despite his relentless efforts, he was always relegated to the antagonists. He had been a bullying prince, a jealous witch, a manipulative mastermind. Each time, he had poured his heart and soul into his performance, capturing the essence of the villain with such chilling realism that even children on the streets recognized him.

"Look over there! That guy was the bully in the drama I watched yesterday!" a young boy had pointed at him, fear in his wide eyes. Another child had shouted, "He must have a really bad personality if he can make it look that convincing!"

There was a strange irony in it all. Vil, the boy who yearned for acceptance, was perceived only in the distorted lens of his villainous portrayals. He was admired for his ability to convey darkness, his chilling demeanor, but never for himself, for the vulnerable heart that beat beneath the perfectly sculpted exterior.

One day, after another grueling audition, Vil found himself the target of a group of children who had mistaken him for the villain he had played in a recent movie. "He doesn’t look pretty strong," one whispered, "Let’s get revenge for the hero!" Just as the group began to advance, a boy with wild, unruly hair burst through the crowd.

"HEEEEYYY!!! Stop ganging up on one kid, you idiots!!!" The boy, Jack, stood in front of Vil, his stance unwavering despite being outnumbered. The children scattered, leaving Vil and Jack alone.

"You recently moved in around here, right? Are you okay?" Jack asked, his voice trembling slightly.

"I am quite skilled in boxing and fencing," Vil responded, a hint of a smile playing on his lips. "I could have made it home safely even without your help."

"I-is that so? Sorry for doing something so unnecessary," Jack stammered, his face flushed.

"It’s nothing to apologize for. Thank you," Vil said, his gaze softening for the first time that day. "I find it hard to believe that those children couldn’t separate fiction from reality… They must be quite daft."

"I don’t really watch TV a lot, so I don’t understand what they’re going on about…" Jack confessed. "But doesn’t this mean that your acting was super realistic?"

"Maybe so," Vil chuckled, a glint of mischief in his eyes. "I promise to play the main character’s role next time. I’ll make them cry their hearts out."

As he walked away, Vil couldn't shake the unsettling feeling that his pursuit of perfection had somehow led him astray. He had become a prisoner of his own creation, trapped in a cycle of playing villains, his dreams of being a protagonist fading further with each passing day.

He wished he could escape the shadows, to step into the light, to be seen for who he truly was, not just the reflection of his dramatic roles. But as the weight of his ambition pressed down on him, he couldn't help but wonder: Was the hero's journey truly meant for him? Or was he destined to be forever the villain, the one who watched the happy endings from the sidelines?

[thehollowwriter]

*ahem* anyways after a some time under a video critical of the Murder Drones finale, I've got some fandom reminders for, well, anyone ig.

Being critical of something does not equal hating it

Being critical of something does not make you "ungrateful" for it

Constructive criticism helps creators improve and trying to stifle that and allow only blind praise simply does them a disservcie

Just because the company is indie doesn't mean we should just praise whatever they put out

People have the full right to be disappointed when they waited for 3 years for a 20 minute finale that left several things unanswered and defeated the cosmic level threat that was the villain in a few minutes

Not liking something or critiquing the pacing or writing doesn't mean someone has "No media literacy" my god, people, thinking critically about what you're consuming is PART OF MEDIA LITERACY

This is a problem that's become increasingly prevalent in fandoms (or maybe it's always been there?). If you like something it MUST be a flawless masterpiece. If you feel any negative feelings towards it you're not a "real" fan and you "can't enjoy things." If something is disliked it MUST be the gum on the bottom of your shoe, and if you like it you have "no taste" or in some cases "you're a bad person". Shows can't be "okay" or "good, but flawed", it has to either be groundbreaking or utter trash.

In my opinion, it also kinda ties into the idea that the characters need to be morally perfect for you to like them, and if you critique their actions you're also "attacking" the people who like them. Idk, there's just this idea that everything must be perfect all the time to be enjoyed, so if you dislike this "perfect" thing then you just "Don't understand it" or are just a "hater."

It also ties into this site's obsession with curating your experience. Yes, I do agree that just blocking people rather than fighting and arguing and getting angry with them is better. Yes, it is good to filter out content that triggers you.

But making people post criticism or even expressing their dsilike of a character in separate tags so you don't have to see it? (E.g: Helluva Boss critical) trying to treat it like it's something that doesn't belong in the "main" tag?

I personally dislike this idea of blocking out any other opinions or anything that casts anything you like in a negative light or anything you dislike in a positive light. You're just locking yourself in an echo chambers that convinces you that other opinions are just blind hate and that you are always right.

I used to think this too. I would get really angry when I saw people critiquing Twisted Wonderland (the way Book 2 was handled, the questionable parts of Fairy Gala, etc) or criticising people for hating certain characters. I used to really dislike Vil, for example, and I thought with confidence the people defending him didn't know what they were talking about.

However, actually reading and thinking about what people had to say made me stop. They are not blindly hating or trying to attack "me". Often people who critique media are fans who want to see it improve.

It's important to understand that constructive criticism is not some malicious outside force trying to tear down something you love. Sure, there are haters who don't even watch or like the show or movie, but that's not constrictive criticism.

Do I make sense or am I just yapping

[shortpplfedup]

Only Friends Character Rankings Episode 3

Man Jojo, Ninew, Ninepinta and Vivienne know exactly how to build a mess because this was OUTSTANDING. Here's how the pimps and hoes are stacking up this week.

🔺1. Boston (3)

Damn! Tilly Birds should write a song about you.

THIS NASTY SHITBAG MOTHERFUCKER YAAASSSSSS KWEEEEN! Boston spent the entire episode mansplaining, manipulating and manwhoring and considering that is what this whole show is even about he fucking wins the week! Stringing Nick along, spewing poison into Top's and Ray's ears, fucking Top nasty in a classic automobile...I don't care what any of you say, he's the winner.

🔻2. Ray (1)

Don’t define it. Just enjoy your life. You said you could differentiate between love and lust.

This dizzy bitch. This messy mess-ass hoe. Playing with everybody's feelings because he can never face up to his own and just fucking deal with his shit. Everybody is correctly fed up of his bullshit, including Sand and Sand LITERALLY JUST MET HIM. Sand telling him to save his money for a shrink was the best advice any character has ever given any other character on any show anywhere.

🔺3. Nick (5)

Can friends with benefits turn into lovers?

Well the boy is dumb but he's not dumb if you know what I mean. Boston is screwing with his head and he knows it, but he just can't help himself cuz dick2bomb. They say you should never actually get your crush, and this is why. Nick being a sneaky surveillance spy bitch is the main reason Boston should've never messed with him, because now he's gonna go NSA on his ass. He wants that man and he will have him, whatever it takes.

🔹4. Sand (4)

If you want a boyfriend, get yourself a boyfriend. Don't mess with me.

SAND YOU KNOW BETTER! YOU KNOW THIS MAN IS A MESS! AND YET YOU ARE STILL FALLING FOR HIS CHARM. Sand giggling and twirling his hair with Ray in the car was...it was embarrassing. I'm embarrassed for you sir. Sack the fuck up. Like when you threw Top the middle finger, more of that. Also, what the fuck happened between those two TELL ME JOJO!

⭐5. Yo

Sweet as sugar, hard as ice. Hurt me once, I'll kill you twice. Haven’t you heard?

We have our first sighting of Yo in the rankings! Homegirl clearly has all her shit together: a thriving business, a hot and devoted younger man, and a house full of kids who stay drinking her dranks and eating her food because they can't get their shit together. And she looks like a bag of money THE ENTIRE TIME, just FLAWLESS. More of her please.

🔺6. Top (7)

♪ I’m a villain, no matter how much I love you, I must die eventually ♪

So he totally planted that guy at the silent disco right? Seemed like a weird play to push Mew along. Because at 3 months, the game's probably gotten a bit boring, especially if Mew's not even giving him the occasional sniff at it to keep him on the hook. Top likes a challenge and he sorta likes Mew, but if Mew really did screw Ray, maybe he's not so interested anymore. To be clear: I absolutely do not think Top is jealous, more like the shine wears off Mew for him if Mew has succumbed before. I still don't trust a thing coming out of this man's mouth, but the way he worked Boston OUT in that car is worth at least a one-rank jump.

🔻7. Mew (2)

-Are you drunk and taking advantage of me? -Don’t you like it though?

Mew is this week's biggest loser, falling the furthest from last week as his shtick starts wearing thin. Mew's overplayed his hand a bit here: his testing of Top has gone on too long. He doesn't even dispute Top calling him his boyfriend even as he insists they're not dating yet. He was totally about to give it up after the party because I think he realised he had gone from a challenge to a bore, but he waited too late, Boston had a chance to get into everybody's head and now it's all fucked. When he finally sleeps with Top next week it's not a victory for him, it's a capitulation. Also, WHAT THE FUCK HAPPENED WITH HIM AND RAY I NEED TO KNOW LIKE RIGHT NOW I CAN'T WAIT A WHOLE WEEK!

🔻8. Cheum/April (6)

Guys, I think I’m gonna throw a pool party.

Poor Cheum, the only person to remember they are in fact trying to run a fucking business and actually working at the pool party rather than causing and/or engaging in drama, and April right by her side just helping her woman out because her so-called friends are a dumpster fire. As usual, the lesbians gotta be the ones getting shit done.

[canonmisogynyvictimstournament]

PROPAGANDA

ALEX DEWITT (DC COMICS)

1.) The term “fridging” is literally based on Alex and what happened to her. She was killed off violently by a bad guy trying to get at her boyfriend only a couple issues after she was introduced (making it obvious they only brought her in to kill her off for shock value). Her death did very little to the narrative other than hurt her boyfriend Kyle and was done in an exceedingly horrifying and violent way. (Bad guy came to the door with flowers and threatening note, broke in and attacked her, choking her to death, before [off panel] chopping her body up and sticking it in the refrigerator as a “surprise” for her boyfriend. This obviously is really fucked up and she deserves better and should win this actually (a vote for Alex is a vote for all fridging victims [in spirit])

2.) It doesn’t get much worse than being the character whose death originated the “fridging” trope. In Green Lantern Vol. 3 #54, Kyle Rayner comes home to find that Alexandra, his girlfriend, has been killed by the villain Major Force and stuffed into the refrigerator.

Alexandra DeWitt is the character whose misogynistic treatment coined the term where a character, usually female, is killed off purely to make the main character, usually male, feel bad. Even if there are other characters who have been subjected to similar levels of misogyny, Alexandra DeWitt’s treatment has been essentially immortalized.

3.) I know she’s not going to win but shout out to my home girl, literally the trope namer for women shoved in fridges. All anyone ever knows about her is that she was Kyle’s girlfriend and got murdered for his character development, even though she had plenty of potential to be her own character.

MARINETTE DUPAIN-CHENG (MIRACULOUS LADYBUG) (CW: Racism)

1.) First, her creator has it as a hard Canon rule that every single episode she has to be wrong about something, even if it doesn’t make sense for her to be. She got to be with a boy who liked who she was and not the fact that she was a hero, who is much better suited for her as a partner than the one she is constantly shoved with. Her superhero partner constantly pushes past her romantic boundaries and is actively encouraged by everyone else in canon around him, even when she states multiple times that she doesn’t want to date him and they are not a couple. He’s always trying to take away from the fight, and several times when he is turned down he will take it out on her. The creator of the show describes him as flawless. Her suits are awful, they’re literally just decorative spandex on her body, giving her no structure or support.

2.) victim of both the crew’s misogyny and racism the show literally cannot be normal about her i submitted her to the character massacre poll so im gonna repeat some of the stuff i said from there shes a 14 year old girl n a rule of the show’s bible is that marinette must always be the one to learn a lesson so shes always wrong according to the narrative even when she actually isnt in the wrong one of her main character traits is that she has a crush on adrien and cause shes a teenage girl shes of course portrayed as obsessive and stalkerish for… having pictures of her fashion model crush in her room n knowing his schedule even though hes super busy n it would be reasonable for her to keep track of his schedule so she n his other friends could actually hang out with him despite being half chinese and (from what i remember) her mom being a first generation immigrant she has no actual connection to it for all intents and purposes her being half chinese is almost irrelevant for her character unless the show feels like being weird about it such as having her white crush be more knowledgeable about chinese culture than her n her parents being based off of the creator and an ex girlfriend of his (his tweet about that is still up btw) which leads into the next thing of marinette is weirdly sexualized by the show she has the most blatantly body paint suit of the girls (cause all of them have body suits seriously pretty much all of the women n girls in this show could be submitted which is bad considering its a girl power show for kids) the camera frequently frames itself on the lower half of her body in one of the comics after she detransforms shes left naked (an issue entirely invented for this comic) and has to wear a box as clothes n there was a scandal about a member of the crew drawing her naked which the show’s creator defended (remember this guy said marinette was like his virtual child) shes not winning in her love life either so both marinette and adrien are superheroes with secrect identities n neither of them know who the other person is under the mask marinette likes adrien who is chat noir’s civilian identity and adrien likes ladybug who is marinette’s superhero identity hes not into marinette n marinette’s not into chat noir however chat noir constantly flirts with ladybug (usually instead of actually helping her) ignores her rejections of his romantic advances n throws a hissy fit whenever she doesnt priortize him (such as not helping her defeat the baddie thats frozen all of paris cause last night she didnt show up for a date he set up when she told him she couldnt go on a date cause she already had plans with friends threatening to quit when most of paris was underwater due to a different villain cause marinette got trusted with an important secret n he didnt and attempting to use cataclysm (his ability to destory anything) on marinette’s best friend when marinette had her use the ladybug miraculous in her stead) while her own pursuit of adrien only ever ends in her own humiliation cause the crew just thinks its so funny for a teenage girl to get repeatedly humiliated for the crime of wanting to ask her crush out n then yank her back when she tries to move on with a guy who openly has a crush on her respects her n is very supportive of her which is something they literally wrote her to do n pressured by pretty much everyone to ask out adrien (as a civilian) n date chat noir (as a hero) cause the show doesnt know how to properly develop a romance for their main couple beyond having everyone say theyre meant to be and then also this is more of like the show’s general misogyny and double standards but when girls crush on the same guy theyre all catty bitches to eachother (n then also two of them are irredeemably evil cause the show hates teenage girls n thinks the show’s main villain (who only isnt a child abuser if you dont considering neglect n emotional abuse real abuse) is more redeemable than two cartoony mean teen girls) while guys crushing on the same girl are chill n buddies with eachother

3.) We’ve seen time and time again she’s capable and smart and creative and can really do anything she puts her mind to-but canon forces her to fall for a guy after he halfass apologizes (never actually says sorry and lies about never having friends when in the same episode he keeps saying he’s this persons friend) about a misunderstanding because ooh white boy go hard I guess and thus for multiple seasons have her go stupid around and simply because of this boy. This same boy but now hero form she’s doesn’t know, gets to trying and flirt with her over and over even after she tells him very nicely that she doesn’t like him like that, thought they were just bantering, and that she likes someone else. The narrative punishes her when she does anything that the boy doesn’t like, either by him not helping her as a hero in fights or scolding her in both forms. Additionally, her character is through the ringer when ever it comes to him because “she’s boy crazy” like teaming up with her bully to ruin this girls dress because she is attending an event with him- which goes way off base for her character- and this happens only whenever he’s involved. They have her be weird around him like sniffed his pillow once and took a hair from what she thought was a statue of him and also have her never function normally around him-which fine that can be true to life cause she’s 13-but when she falls for this other boy who makes her relaxed and helps her to be who she is happily-the narrative pulls a 180 once they date showing she can’t forget about the first boy and putting her pictures she took of the first boy back in her room when they were previously removed. Last thing because I think this is getting way too long sorry, but they sexualize the hell out of the female hero: from their poses and shots focusing on their chest, butts, or movements of them, but also the male heros costumes are way more intricate and detailed where as the main character for three plus seasons only had a red bodysuit with black neck and black spots while the male hero had a black suit detailed with a golden bell, leather belt as a tail, black ears, green cat eyes, and more. I just can’t with this show doing girls dirty and then claiming “girl power”

[horizon-verizon]

You’re a whole coon, of course Rhaenyra hates women, especially Black women, she tried to murder a 16 years-old Black girl, slut shamed her, called her racial slurs, and linked Nettles “ugliness/attractiveness” to her Blackness. Rhaenyra literally acted like a pathetic pick me in regard to Daemon and Nettles. If given the chance, Rhaenyra would have enslaved her. TB must truly despise Daenerys to compare her to Rhaenyra, they couldn’t be more different. (The way Rhaenyra is never mentioned in Dany’s chapters and GRRM has never discussed them in conjunction with the other, finally y’all can thanks HOTD for turning her into a progressive and flawless Mary Sue).

And really an insanely privileged white woman dying after putting a bounty on a lowborn Black’s girl head should be a good thing right ? We just gon have to celebrate Rhaenyra death with Nettles.

If you say so, anon, I guess I'm a straight up coon. 🤷🏿‍♀️

I suppose arguing how no one can be a feminist in a medieval world is coonish. I guess that pointing out how unconstructive it is to go "she wasn't a feminist so we shouldn't care about any possible effect her coming into power like the men before and after her have been able to will have an effect on other noble women's power to maybe implement some pro-women stuff in their own domains" to us analyzing why/how Rhaenyra is important to the history of Westeros and Daenerys is coonish.

I guess it's coonish of me to flout so many non-Nettles arguments of Rhaenyra's supposed bad leadership and amorality not once, but TWICE (that I remember), where it clearly just veers into straight up sexism: HERE and HERE....thus coming into why I even bother defending Rhaenyra (in some points).

It's not like I haven't already wrote several time in several posts how Rhaenyra's trying to get Nettles' head reveals much about the Targ-Andal paradigm she grows up in and tries to use to bolster herself through her going after Nettles to the end. It's not like I don't see how essentially different Daenerys and Rhaenyra are as people through the Nettles event as well as how they grow up and come into their positions of power and how/why they desire those roles:

It's not like I haven't already written about the Black Jezebel stereotype at least three times, including on Twitter and here. It's not like I have defended Nettles not just from "dettles" stans but also from people who call themselves Rhaenyra stans while bashing on Nettles and Mysaria, totally misunderstanding both characters and what even a supporting character is.

But sure, I'm a coon bc I don't want to ignore the journey of Rhaenyra's downfall and make distinct where she decided to destroy another woman vs her being the victim. Sure, I'm a whole coon.

And for the last fucking time, "compare" does not always or only mean "these two things are exactly alike and I will show you how"! "Comparison" analyses means that you will list out what traits or developments two things have, what inspirations, and see how they differ and how they don't. And through such a process, you will find out how many and how well/or not these two or more things are alike and how.

For Dany and Rhaenyra, I never said these girls/women were the same person. I said that both women, as women in male-designated positions of power, have to deal with people in world AND out of world must contend with misogynist feelings towards of their not deserving power or leadership on account of their gender, no matter what sort of characterization either had BECAUSE even with the main series not being like F&B, not being a history book, PEOPLE IN THE FANDOM STILL TEND TO MISREAD OR TWIST DANY'S ACTIONS AGAINST HER CHARACTER AND GRRM'S INTENT. Rhaenyra is meant to contextualize that very experience into a real event of catastrophe, she was set against ever since she was 10 bc she was female and another, older woman wanted power denied to her directly bc she was a woman. This is a fact, you nor I can change that. There is a difference between what we learn from the events to make the conclusions of who should rule ideally and what we should shoot for VERSUS thinking of the situation at hand for what it would have been like for the character.

F&B (having been written after the main series) continues even this "analysis" phenomenon; what do people choose to believe when it's a woman at the center of their stories?! No matter her real circumstances or their knowledge of things not present in their understanding of the world and of history?

I also mention, several times, how it is here, Rhaenyra's end, where the Targs lose their dragons because they have assimilated into the intenser patriarchal paradigm already mentioned to the point where they weakened their women's positions by denying them their autonomy and political powers...which plot sequence wise leads to the end of the dynasty as whole and Dany's exile. I'm must be a coon to not want Nettles, a 17 year old, to fuck a 50 year old, esp with her being his bio daughter. No, anon, I am too repulsed with direct vertical incest (parent-child, grandparent-grandchild, etc.).

Then there is how the Bloodstone Emperor and the Amethyst Empress and how the former usurped tha latter and plunged the entire world into mythological "darkness"--thus leading up to the importance of the Azor Ahai, aka Dany, directly seems to reflect how another brother--Aegon II--usurped his older sister--Rhaenrya--and thus the world loses a strong magical tool against darkness "dragons". An obvious link....

In fact, I tend to repeat how different they are as people! There's this whole thread talking abt the very thing I despise abt some critiques of Rhaenyra. I even say many times that Rhaenyra couldn't have the throne after the Nettles letter, that at that point, there needed a "refresh". Up until then, there was simply more reason for us to not think her a real terror except for maybe Addam and Alyn. But I have my misgivings there and it comes down to timing and grief.

No, Rosby and Stokeworth do not count and why? I already wrote why, but for someone who doesn't stan Rhaenyra or is not a fan of hers but actually stans just Daenerys--the previous ozymalek says:

I have myself said several times how I disliked how they rewrote show1Rhaenyra to make her a much less assertive version of herself, and I agree with others how they made her female-friendless. No matter how amoral or moral she was, similarly to Dany, people have written her sexistly in the show. I believe that this is CENTRAL to the point of F&B, how people refuse to see the point of it.

Finally, I really don't see how the hell show!Rhaenyra even is a Mary Sue or a NLOG, bc for the first, she displays no skill she excels over others at. A Mary Sue is:

Show!Rhaenyra, for some reason, seems "perfect" to some people. Esp with Luke saying so in epi 8. I never felt that way, I always thought she (older, not younger) was too meek and that is her great flaw---due to the sexist writing, but if kept at face value, that's the great flaw. Other definition: Who is inserting themselves into her character on the show? you got proof?

A NLOG (not like the other girls) is a Cersei like character who goes out of their way to destroy/diminish most women who are competitors for their power or destroy any semblance of socially-defined femininity and socially-coded feminine "weakness" so as to appeal to the male authority and get privileges. Problem is that EVERY SINGLE FEMALE MONARCH AND WOMAN IN SOME SORT OF AUTHORITY OVER MEN IN EVERY SINGLE PATRIARCHAL SOCIETY had to convince their male supporters that they were the one they should follow to some degree more than any male heir or candidate--during a time where they had to either fight for their "birthright" or they were planning coups (Catherine the Great), came into power through some accident, or whatnot--that their rule was in it for them. There is no pattern of woman-hating or self-hating to define Rhaenyra as a NLOG, where she consistently tries. NLOGs tend to hate women even in their own "race" or group for perceived acts of upheaval and destabilizing their positions of power. Alicent was and she uses misogyny to do so, so Alicent is not Rhaenyra's victim; other way around. Rhaenyra has all reason to despise Alicent, justified even. It's more than the positions, it's the whole targeting since 10 deal and trying to espouse Rhaenyra's inherent unworthiness for power.

So Rhaenyra deciding to do the Rosby/Stokeworth bit is her seeing how her greatest ally, a sexist man, has basically all her ships during wartime and insisting she does not give those girls their father's seats is Rhaenyra choosing wrongly, yes, but something I don't think that you or a small number of women would bow under considering the other shit she was going through. Yes, even black/PoC women. Again, this is not about Nettles but about women vs women (yes with them all being white or white-adjacent) bc I know that this will be the next thing some will say as a counterargument to what I'm saying here.

You are correct, however, in how similar Rhaenyra's behavior abt Nettles is pick-me-ish and NLOG concerning her intent to turn Daemon back to her and how this was her seeing Nettles as competition for "control" over Daemon, who was one of her principal military commands as well as her romantic partner...and like i said once before, this is a reflection on how this Andal-Targ patriarchal paradigm makes its own female "terrors" through misogyny. To ignore the process is to endanger its justified repetition. Yeah, Rhaenyra ends up becoming like Alicent in that way after the consistent losses, and I mean defaulting back to destroying another woman for a simulation of power. This doesn't mean that she was a feminist or that she didn't intend on using the Black Jezebel reasoning to get rid of "competition" to feel more in control. It does mean that her behavior reveals her enmeshment in the xenophobic, aristocratic, patriarchal Targ-Andal feudalist paradigm that she chooses to use to, again, construct more feelings of power at a time where she seemed to feel she was losing more and more--after the betrayals and the deaths of her sons in that moment. And yet if there is anything to be extracted from her narrative it is how that built-in classism (the companion and parent of racism) can become the thing these women default onto to retrieve/gain the agency & power denied to them. I believe this is also where you can draw a core similarity to Cersei, who is rather the starkest extreme example of that classism making up for her internalized misogyny through her Lannister Exceptionalism.

The discourse has to include how we, the readers, over-blame Rhaenyra for things she has either very little control over or what she had no control over and for trying to, again, assert herself (before Nettles). She's a reflection of her times and situation; doesn't mean she isn't still a victim. You don't need to like her. I never asked for people to do so. I don't care if you do or not, I've never needed that. Just don't lie or twist information or ignore clear patterns GRRM establishes that are also important, or try to erase the lines of harm done to her and undo the work GRRM is doing to point out this pattern of misogyny that contextualizes one very key aspect of Dany's journey: sexism doesn't care how good or classist you are, you are a woman so you will be subject to disenfranchisement, distortion of facts, and destruction...if you are not like Dany, who intuitively and "rationally" discovers lanes of power while reintegrating her being to the natural process and relationships between herself and her dragons for the ecological benefit of the entire world (the Others, again). Unlike Rhaenyra, Dany doesn't fall into the ideological "trap" or the noblewoman's save-grace of exploiting of lowborn people AND dragons but intelligently seeks other non-exploitative ways to use her dragons and those inspired by he bravery. This again, does not erase or override the sexism and specific elements of gender politics that tie these two together.

It's a paradox, not a contradiction.

[hifumi-123]

Actually, no one asked me this, I photoshopped it myself.

Anyways, here’s the

Majima with a s/o who has chubby hands:

Recently, you came across an article online titled "Beauty Starts with the Hands!" The main content suggests that all beautiful people in the world have slender, elegant hands, so you should start taking care of your hands too. The article lists several key features of beautiful hands:

First, beautiful fingers should be slender and long. Generally, a woman's hands are considered aesthetically pleasing if the ratio between fingers and palm is close to the golden ratio of 0.618.

Second, beautiful hands should be flawless. Darker coloration around the joints or noticeable hangnails around the nails can affect the overall cleanliness of the hands.

Third, beautiful hands must be fair-skinned. White and clean hands are more attractive. If the skin tone of the hands is too dark, they won't look good no matter what. So, one should pay attention to their hand's skin tone (though you think this point smacks of racial discrimination, the editor was too careless).

Fourth, beautiful hands should be hairless. If body hair is too noticeable, it will make the hands look fuzzy, obscuring the skin tone and texture. This is especially true for women with excessive body hair, which can be even more prominent and darker than men's.

These are the essential features of attractive hands.

Moreover, the article provides numerous solutions to address these issues. For longer, slender fingers, try hand massages. To remove darkness around joints, use exfoliating scrubs. For fairer hands, apply more sunscreen. To deal with body hair, use hair removal devices. With consistent care, one can achieve beautiful, attractive hands.

After reading this article, you can't help but sigh. It's not easy being a woman nowadays! Not only do you have to take care of your face and hair, but now your hands too! This whole regimen seems more exhausting than military service.

Although you want to say you don't care about your hands, the truth is—

"Ah! Why do my hands look so chubby? My fingers are short and pudgy, they look just like a baby's hands..."

Looking at your hands, you can't help but ponder. You're an adult now, theoretically a "mature woman." That's how it should be.

But why are your hands still chubby?

You always thought it was because you were overweight, but even after losing some weight recently, you noticed your hands didn't change at all. The parts that were chubby remained so. You painfully realize once again that your hands are truly not attractive. At least, they can't be considered beautiful hands.

You know that to others, this might seem like a trivial matter, not worth mentioning. When you discuss this with friends, they tell you not to worry about such unimportant things. However, hands can reflect a person's character. From the neatness of nails, presence of hangnails, or calluses on fingers, one can deduce a person's background. Beautiful hands are always well-cared for. Every time you look at your baby-like hands with calluses from gripping pens too tightly during your student days, you feel anxious and ashamed. Honestly, it's a hurdle you can't seem to overcome.

Although the article seems like an silent advertisement, it has caused you considerable anxiety. Before reading it, you never even thought about whether your hands were attractive or fair enough. Your current situation is like "not particularly caring about something, but once someone points it out, you start to become conscious of it."

After all this rambling, it boils down to:

"I want to have beautiful hands like a hand model!"

That's what it's all about.

After dinner, despite Majima's kind reminder that "lying down right after eating will turn you into a pig," you lazily sprawl on the sofa, tossing and turning. Hearing your complaints about your hands, the sound of water in the kitchen suddenly stops. Majima, who was washing dishes, dries his wet hands with a towel and says with a look of exasperation:

"Huh? I didn't know about that. There's nothing wrong with them, is there? Yer fingers are all there, all ten of them, aren't they? Isn't that enough?"

"What? Don't apply yakuza standards to me, okay?" You sit up on the sofa and reply irritably. "Normal people don't get their fingers cut off even if they make mistakes."

Majima chuckles and plops down next to you.

"Then let me see. Let this former cabaret club owner who has seen countless hands judge whether Y/n's hands are unattractive. Come on, give me yer hand," he urges, extending his own.

You place your plump hand on his palm. Compared to Majima's large, masculine hands, yours look even more childlike. Majima gently massages your hand. Whether it's because he finds it amusing or not, he always likes to knead your hand like this. He probably treats it like a squishy toy. But you don't mind, as it feels quite comfortable, almost like a massage.

"I really like Y/n's soft hands. Even if ya might not," he says softly.

You find it hard to understand why he would like these hands that are far from "beautiful." You silently look at Majima's lowered face, feeling conflicted once again. Is he saying this just to comfort you? Like how mothers always say their children are beautiful.

"Don't you wish your girlfriend had more slender and elegant hands?" you ask.

"Are ya stupid? Isn't smooth and soft very cute? Anyway, I really like yer hands. They're soft to hold, just like those things—" Majima furrows his brow, seemingly searching for the right word. "Ah, they're called Squishy, right? Yes, just like a Squishy."

He can say such embarrassing things so casually. What a strange person. You can't help but laugh, then sincerely tell him: "Although I don't really like these hands myself, if Goro likes them, then even childish hands are okay."

After receiving so much praise, you want to look at Majima's hands too. So you cup his hands and start examining them closely.

Compared to yours, his hands are much larger and more substantial. Surprisingly, Majima's nails are well-shaped and neatly trimmed, his fingers are long, and his knuckles are prominent. You could say they are very typical "man's hands." It's unfair that even his hands are so handsome. Perhaps because he usually wears leather gloves, his hands don't have many calluses, and even though he often holds knives when fighting, his palms are still smooth.

"Hmm..." you pretend to ponder, "According to the essential features of beautiful hands, you have a pair of beautiful hands."

Majima laughs, clutching his stomach, then wipes tears from the corner of his eye. "Is that so?" he says, "Then it seems I'm more suited to be the girlfriend."

"Alright then, you can be the girlfriend," you joke, "I'll call you Goromi from now on."

Majima shakes his head and sighs, "That name is too corny. If we have children in the future, ya can't give them such tacky names, okay?"

Hearing his words, you feel your cheeks warming up. You turn your head away, deliberately not looking at him, "I'm ignoring you now. I'm going to take a bath."

"Wanna bathe together?" he asks, a mischievous smile tugging at his lips.

You know well that if you agree to his invitation now, Majima will definitely wear you out before letting you leave. You've experienced this firsthand several times before, so you quickly get up from the sofa.

"No need, I can wash myself!"

You walk into the bathroom with agility completely different from your previous lazy attitude, hearing Majima's cheerful laughter coming from the living room.

Once my friend mentioned that my head is quite large, I began to realize how big it actually is. But before that, I never thought there was an issue with my head at all. Recently, I came across discussions online about protruding mouths, and only then did I notice that my own mouth is a bit protruding. I even entertained the idea of getting braces, but I found out that just wearing them wouldn't fix the issue. I would have to undergo a jaw surgery to correct the protrusion. So, I abandoned the idea since this problem doesn't affect my ability to enjoy food.

I feel like a lot of appearance anxieties stem from others' opinions. I believe it's not worth paying too much attention to what they say. Instead of changing yourself to fit other people's standards of beauty, it's better to learn to accept yourself first. After all, no matter how perfect you are, others will always find flaws in you.

Can’t believe that I said something this profound